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Here are the winners for Red Bull Illume’s Image Quest 2019 competition

28 Nov

Red Bull Illume Image Quest 2019 Winners

At the beginning of this month, 260 semi-finalists were selected out of nearly 60,000 entries for Red Bull Illume’s photography and videography contest. The 5 finalists for each category attended the Winner Award Ceremony hosted at the LUMEN – Museum of Mountain Photography on November 20th. The Overall Winner, 11 Category Winners, and Top 60 finalist images were revealed at the ceremony hosted by Italian sports journalist Zoran Filicic.

Ben Thouard was this year’s Overall Winner.

This year’s Overall Winner is Ben Thouard for his underwater image of surfer Ace Buchan riding a massive wave in Teahupo’o, Tahiti. Here is Thouard’s story behind his winning image: ‘I‘ve dedicated the last few years to shooting underwater, looking for new angles and a new way to shoot surfing and waves. Shooting surfing from underwater is a whole new world and I love it! Tahiti has some of the clearest water in the world so it was easy for me to take advantage of it and explore it as much as I could. This photo was shot during a freesurf session right before the WCT event in Teahupo‘o. This is Ace Buchan kicking out from the barrel through the wave, a technique to escape a close-out wave.’

He continues, ‘luckily I was right below, breathless with my [underwater housing] waiting for this moment and I was able to capture the whole sequence of it; this frame from the beginning of the sequence is the most powerful one because of the water around his face and body.’ Thouard was a Red Bull Illume semi-finalist in 2013 and a finalist in 2016 before becoming the Overall Winner this year.

60 finalist images were on display outside the LUMEN.

Once all the winners and finalists were announced, attendees were able to view the 60 finalist photos illuminated with 2mx2m lightboxes outside the LUMEN. The winners for each category are:

Overall Winner 2019: Ben Thouard, French Polynesia

Category Winners 2019

Best of Instagram by SanDisk: Baptiste Fauchille, France
Creative by Skylum: Denis Klero, Russia
Emerging by Red Bull Photography: JB Liautard, France
Energy: Ben Thouard, French Polynesia
Innovation by Sony: Laurence Crossman-Emms, United Kingdom
Lifestyle: Alexander Wick, Germany
Masterpiece by EyeEm: Lorenz Holder, Germany
Moving Image: Rupert Walker, Canada
Playground: Lorenz Holder, Germany
RAW: Noah Wetzel, USA
Wings: Philip Platzer, Austria
Best Mountain Sports Image by Salewa: Kamil Sustiak, Australia
SanDisk Extreme Award: Philip Platzer, Austria

For those interested, a Limited Edition Red Bull Illume Photobook featuring 260 semi-finalist action and adventure sports images submitted to the competition is now available to order. 4,000 copies were made, each individually numbered and stamped, and they come with a SanDisk Ultra SD Memory Card containing the Moving Image Category videos plus the full Luminar 4: Creative Photo Editor suite from Skylum.

Energy & Overall Winner: Ben Thouard, France

About this photo: As the quotes in the introduction to this series illustrate, Thouard was in the right place at the right time, underwater, when he captured athlete Ace Buchan kicking out from the barrel through the wave in Teahupo’o, Tahiti.

Category Winner, Best of Instagram by SanDisk: Baptiste Fauchille, France

About this photo: This is a shot from a buddies trip with a business goal showing biker Alex Bibollet’s shadow in the bowl of Fillinges, France. In Fauchille’s words, ‘We were a team of riders, photographers, and videographers, leaving for the very first trip of the new BMX clothing brand linked to the BMX: ‘Unicorn, we are legends’. We travelled for 5 days in the middle of summer, through different spots in different cities; it was a buddies trip with a business goal.

This photo was taken at the bowl of Fillinges. I remember the heat was insane like it rarely had been in the Alps. When I arrived on the spot the first thought I had in mind was to make a top- shot video with the drone: a fixed plan with a rider who makes his line with the intention of creating a loop. Then I realized that the bowl was really clean: no tags, no dust. I was able to have the rider and his shadow to come out well. I asked Alex Bibollet — one of the riders — to do what he did best, and I immortalized this moment!’

Category Winner, Creative by Skylum: Denis Klero, Russia

About this photo: In Klero’s own words,’last year‘s trend reports have shown that as soon as the first snow starts falling the social media community bursts in excitement and instantly shares videos and photos showing the first flakes of the year. I didn‘t want to miss out on the trend and started working on a concept to show the change of seasons. To attract the attention of the social media world it had to be something that would make one stop and stare. Consequently, I developed an idea of a series of three main pictures with some supporting detail shots, which had to be visually strong and inherent to the world of Red Bull. This picture with Pavel (Alekhin, the athlete in this photo) is one of those.’

Category winner, Emerging by Red Bull Photography: Jean-Baptiste Liautard, France

About this photo: ‘Two things that I love when it comes to photography are silhouettes and reflections and I wanted to use both in a single frame for a long time. After a lot of drawings, I knew what I wanted but it took me six months to get the perfect conditions and final ideas.
Jeremy‘s trail is a piece of art and this jump is definitely a highlight. I knew I wanted to shoot it from the side and get that reflection but it was really dry at this time of the year and of course there was no water around,’ says Liautard.

‘When I saw a wheelbarrow hanging around by the jumps, I had the idea to fill it up with water to create a mirror. We didn‘t have any water hose that day, so I had to do round trips with water cans to a little ditch by the road. After spending a lot of time adjusting the wheelbarrow and cleaning the water in the afternoon, my mirror was finally ready for the evening shoot.’

We were lucky enough to have a few friends helping us with the fire that night and adjusting the smoke just as we needed. The hardest job was Jeremy‘s as he had to ride the trail almost blind. Riding bikes at night is so scary and I can‘t thank the athletes enough when they are in these kinds of conditions. After a few attempts, we got this one, just as I imagined it at the very beginning, and it was a great feeling to finally see the image I had in my head for months, displayed on the back of my camera.

Category Winner, Innovation by Sony: Laurence Crossman-Emms, United Kingdom

About this photo: In Laurence’s own words, ‘Blaenau Ffestiniog was once described as the wettest place in Wales, this is no lie. Even when the sun shines, the puddles are plentiful. I’ve always been attracted to their animations when struck by a bicycle at full steep. The tyres of Katy Winton making the perfect parting of this muddy sea. The combination of dynamic action and the silk-like curtains made me try each time more determined. There are always challenges when shooting bikes and water close up … don’t get run over and don’t get wet.

This concept had always been in the back of my mind but finding the perfect location and it aligning with both the weather and sufficient puddle depth was tough. This breathless day at Antur Stiniog with Katy proved ideal. You can never guess how water reacts when you hit it with force, sometimes the results exceed your expectations … this was one of those times.’

Category Winner, Lifestyle: Alexander Wick, Germany

About this photo: In Wick’s words, ‘Together with my boys Phil and Chris I went on a US West-Coast climbing trip. Obviously Yosemite is a must and so we tested our very humble European crack climbing skills right away on El Capitan‘s Salathé Wall. A climb I‘ve been dreaming of for quite a while.

The first Ascent of this line was a master piece way ahead of its time. Climber and photographer Tom Frost was part of the three man team back then. His photography of the same climb is just breathtaking. The picture of Royal Robbins napping on a rock atop El Cap Spire with loads of exposure is one of my favorites, so of course I planned on getting a tribute shot to the old masters once we reached the spot. As we got stuck behind another climbing party just up on El Cap spire I used the moment, aided my way up the next pitch and took the shot as the boys and our new friend Luke actually took a nap.

No old hemp ropes and linen haul bags like in 1961 but modern nylon and Dyneema this time. No uncharted terrain but a well known and established route. Having a rest amidst a sea of granite: probably almost as amazing as back in the days.’

Category Winner, Masterpiece by EyeEm: Lorenz Holder, Germany

About this photo: ‘The first time I saw this location was when I was watching Game of Thrones and I was blown away by the pure magic this road generated in me. First, I thought that it‘s of course a CGI composition, but after a little research I found out that this place is actually real and located in Northern Ireland. A year later I was actually standing there with Senad Grosic and trying to get a bunny-hop-tailwhip on camera.

It was early in the morning with the first sun rays hitting the road and we managed to get a pretty cool shot, but somehow I knew that there was pure potential in the spot. So, we decided to stay a couple days longer and waited for some kind of rain, fog or other particles in the air, so I could use one flash from behind and create a white background to make Senad stand out a bit more and get the focus a bit more on the action. The rain came on our last day and I still remember the goose-bumps I had when I saw the image appearing on the screen of the camera. That‘s when I felt the same magical feeling I got when I watched Game of Thrones for the first time.’

Category Winner, Moving Image: Rupert Walker, Canada

About this photo: This is a still from Walker’s award-winning video. Here’s his explanation for getting all the key shots: ‘It was particularly challenging because it required extreme precision from the FPV drone pilot, Jonny Durst, and during this shoot, we experienced very heavy rains, which caused the track to be nearly unrideable. From the moisture, the track was riding much slower than anticipated and caused the athletes to struggle at performing their best. The dig crew was all hands-on deck with tiger torches and shovels to dry up any wet spots and dig out any soft spots. With hard work from all, a solid shot plan, and great coordination between the drone pilot and the athletes, the shot was accomplished.’

Category Winner, Playground: Lorenz Holder, Germany

About this photo: Lorenz Holder’s reputation as a stellar location scout continues (he was a winner in this year’s Masterpiece by EyeEm category). Holder talks about his latest find: ‘The Ouse Valley Viaduct is pretty cool old railway bridge in the South of England. When you approach it from the side, you can‘t really see the secret this bridge has to offer, but once you get underneath of one of the arches you can‘t believe your eyes. You are caught in a place that could easily be in the movie Inception. The arches create a very surreal visual effect – when you are taking a picture, you don‘t understand if you are looking down into something or at least you get very confused about what you‘re actually seeing. I was blown away by this fact, but also blown away that this looked like a pretty good spot for skateboarding.

When I showed Vladic an image of the viaduct, he was on fire to try it out. To be honest it was super hard to ride and Vladic‘s quote that got stuck in my mind was: “This is so hard, when my brain is going down in the transition, my body is already going up again – this will be difficult to get something done here.“ A couple of hours later, when his brain and body came together, he landed this kickflip while the sun was just at the perfect angle as well.’

Category Winner, RAW: Noah Wetzel, USA

About this photo: ‘After weeks of preparation and creative conception, I loaded my Subaru and headed North to Wyoming for the Total Solar Eclipse in August of 2017. Arriving a couple days before the eclipse, I linked up with athletes Chris Brule, Evan Grott, and Blake Sommer. The imagery goal was to capture the Eclipse and showcase mountain biking utilizing an in-camera double exposure – a very complex process.

The morning of, we loaded our packs well before sunrise with light stands, powerful flashes, extra camera gear, and two magnum bottles of champagne to celebrate. After capturing the first image successfully during two minutes of totality, all we had to do was endure the midday sun, waiting for twilight and the attempt at the second frame.

Unfortunately, I was unaware I had damaged the hot shoe connection on my camera four weeks prior while shooting fly fishing, preventing me from triggering my flashes.
Our only option required athlete Chris Brule to hit the feature in near darkness at 9pm, allowing me to set the camera to a 2.5 second exposure, manually firing the flashes and freezing Chris mid-air. Nearly escaping complete failure, we hiked out in darkness while sipping on champagne, truly in awe of the total solar eclipse and thankful we were able to capture something special.’

Category Winner, Wings: Philip Platzer, Austria

About this photo: Here is how Platzer captured athlete Marco Fürst flying hot air balloon swing in Austria: ‘Together with the Red Bull Skydive Team, I did this crazy Project called Megaswing back in 2016. After my assignment I already knew this had to be a tricky one: Two hot air balloons, one with a long rope attached and the other one to jump out with the swing, and of course the skydiver with his parachute.

After the first couple of jumps I realized that I wouldn’t get the perfect shot by simply shooting from the inside of the basket they where jumping out of. Lucky me, I had my monopod in the car as well as a pair of radio-triggers. My solution to get the right angle was to hold the camera, that I had attached to my monopod, as deep under the basket and just hope to get the perfect framing.

Another thing, I asked the athlete Marco Fürst to turn a little bit towards my direction to avoid getting an ass-shot and to get this playful mood in the image. In the end it was the very last try which gave us the moneyshot.’

Articles: Digital Photography Review (dpreview.com)

 
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Google explains its Night Sight astrophotography mode in detail

27 Nov

Ever since Google launched its Night Sight feature on the Pixel 3 series the low light photography feature has been very popular with users. On the new Pixel 4 Google has updated Night Sight with a specific mode for astrophotography. The team behind it has now authored a blog post to explained the function in more detail.

In order to capture as much light as possible without using shutter speeds that would require a tripod and/or lead to blur on any moving subject, Night Sight splits the exposure across multiple frames that are aligned to compensate for camera shake and in-scene motion. In a second step the frames are averaged to reduce noise and increase image detail.

The astrophotography feature uses the same approach in principle but uses longer exposure times for individual frames and therefore relies on tripod use or some other kind of support.

Image with hot pixels (left) and the corrected version (right)

The team decided exposure times of individual frames should not be longer than 16 seconds to make the stars look like points of light rather than streaks. The team also found that most users were not patient enough to wait longer than four minutes for a full exposure. So the feature uses a maximum of 15 frames with up to 16 seconds exposure time per frame.

At such long exposure times hot pixel can become a problem. The system identifies them by comparing neighboring pixels within the same frame as well as across a sequence of frames recorded for a Night Sight image. If an outlier is detected its value is replaced by an average.

In addition the feature uses AI to identify the sky in night images and selectively darken it for image results that are closer to the real scene than what you would achieve with a conventional long exposure.

This image was captured under the lighting of a full moon. The left half shows the version without any sky processing applied. On the right the sky has been slightly darkened for a more realistic result, without affecting the landscape elements in the frame.

Night Sight is not only about capture, though, it also includes a special viewfinder that is optimized for shooting in ultra-low light. When the shutter is pressed each individual long-exposure frame is displayed as it is captured, showing much more detail than the standard preview image. The composition can then be corrected and a new Night Sight shot triggered.

Some of the results we have seen have been impressive. For more more technical detail head over to the original post on the Google blog. A n album of full-size sample images can be found here. The team has also put together a helpful guide for using the feature in pdf format.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M6 Mark II review: Our favorite Canon mirrorless camera yet

27 Nov

Introduction

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Gold Award

85%
Overall score

The Canon EOS M6 II is an enthusiast-targeted 32.5MP APS-C mirrorless camera built around the company’s EF-M mount. In many respects it’s a more compact mirrorless variant of the EOS 90D DSLR that was announced simultaneously.

Physically, it closely resembles the original M6 but brings a host of speed and feature upgrades. These include a higher resolution sensor, the ability to capture 4K video and a mode that shoots bursts of Raw files at up to 30 fps. The result is a capable and pleasantly engaging enthusiast camera.

Key features:

  • 32.5MP Dual Pixel AF CMOS sensor
  • 14 fps continuous shooting
  • 30 fps Raw Burst mode (with AF Tracking and pre-shot buffering)
  • UHD 4K video at 30p and 25p with no crop / full width
  • 3.0″ rear touchscreen flips up by 180° or down by 45°
  • Optional electronic viewfinder
  • USB 2.0 port with Type-C connector

Canon says it will add 4K/24p shooting to the M6 II with a firmware update in 2020.

The EOS M6 Mark II is available in a series of kits. The official body-only price is $ 849. Adding the retracting 15-45mm IS STM lens and EVF (pictured) boosts the price to $ 1099, while an 18-150mm IS STM and EVF kit will set you back $ 1349.


What’s new and how it compares

The M6 II brings 4K video and 30 fps Raw bursts. We look at the new features and how it stacks up against its peers.

Read more

Body, handling and controls

The M6 II gains some direct controls over its predecessor and features the latest iteration of the Canon menu system. There’s also a good degree of customization available.

Read more

Early impressions

The M6 II has a couple of nice improvements over the original version, but it’s the state of the EF-M lens range and the future of the EF mount that change out perspective the most.

Read more

Image quality

The 32.5MP sensor in the M6 II (shared with the EOS 90D) is the first new sensor design from Canon we’ve seen in a while – check out how it performs.

Read more

Autofocus

The EOS M6 II has a reliable Dual Pixel autofocus system with eye detect. It’s not quite the best in the business, but it’s not at all bad, either.

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Video

With full-width 4K recording and a microphone input, the M6 II looks like a capable little video camera. Find out how it compares with its peers.

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Conclusion

The EOS M6 Mark II is one of our favorite APS-C cameras of 2019 – it may not be the very best at any one thing, but it’s very good at many things.

Read more

Sample galleries

We had the chance to shoot with the M6 Mark II and have some sample images to show what it can do.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Facebook explains how its AI helps Instagram users discover new images

27 Nov

In a new technical post on its Artificial Intelligence blog, Facebook details the technology that determines which images Instagram users see in the platform’s Explore tab. According to the company, it had to develop ‘novel engineering solutions’ in order to select a relatively minuscule number of recommended images, videos, and Stories out of the billions of options each time the Explore tab is opened.

Instagram’s Explore tab is found by tapping the magnifying glass icon within the service’s mobile app. The content presented within this tab is a small selection chosen from the billions of images and videos uploaded by users. Instagram uses machine learning (ML) to determine which content is most relevant to the user, helping them discover the types of images and videos they’re most likely to care about.

Facebook explains in its new post that Instagram’s Explore tab is powered by a three-part ‘ranking funnel’ system that is capable of making 90 million model predictions in a single second. Engineers developed multiple systems to ensure that Instagram’s Explore recommendations are ‘both high quality and fresh,’ among other things.

Facebook explains:

After creating the key building blocks necessary to experiment easily, identify people’s interests effectively, and produce efficient and relevant predictions, we had to combine these systems together in production.

The overall recommendation system first engages in what Facebook calls Candidate Generation, which determines the accounts (‘seed accounts’) an Instagram user may be interested in based on the accounts they already follow. Using these seed accounts, the AI then uses embedding techniques to find other accounts similar to the first batch it found.

Using this entire batch of accounts, Instagram’s system then determines which images and videos those users engaged with (likes, shares, etc.), as well as the content they posted. Thousands of candidate posts are identified for each average person using the platform, according to Facebook.

Once the candidates are identified, the system takes 500 of them and ranks them using a three-part ranking infrastructure. The first pass in this ranking system uses a distillation model to select 150 of the highest-quality posts from the 500 candidates.

The second pass utilizes a lightweight neural network to pick 50 of the highest-quality posts from the batch of 150. Finally, the third and final pass uses a deep neural network to pick 25 candidates that are both most relevant to the user and of the highest quality. Those 25 candidates appear on the first page of the Instagram Explore tab.

The selection process isn’t quite as simple as it sounds. Facebook explains that its system predicts which individual actions users will take on any given post, such as whether they’ll ‘like’ or share it — or, alternatively, whether they’ll have a negative response, which is something like choosing to ‘see fewer posts’ like the one they were recommended. The system can be designed to give more weight to certain predicted actions than others.

Instagram’s Explore tab factors in the intention of showing users posts related to new interests in addition to their existing interests, according to Facebook, which explains:

We add a simple heuristic rule into value model to boost the diversity of content. We downrank posts from the same author or same seed account by adding a penalty factor, so you don’t see multiple posts from the same person or the same seed account in Explore.

The ultimate goal of Instagram’s Explore tab is helping users find new, relevant, and interesting content from other users. Facebook says that its engineers are ‘continuously evolving’ the discovery tab.

Articles: Digital Photography Review (dpreview.com)

 
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Help build the future of DPReview!

27 Nov

We’re looking for a Front End Engineer, Software Development Engineer and a Senior UX Designer to join our team. These roles will all help build the next generation of mobile and web experiences for DPReview readers and community members, shaping the future of the world’s most popular digital camera website.

See all of the details – and links to apply – below.

Front End Engineer

Software Development Engineer

Senior UX Designer

Articles: Digital Photography Review (dpreview.com)

 
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Sigma confirms Log picture profile, Raw over HDMI coming to its fp camera via firmware update

27 Nov

In an interview with Cinema5D, Sigma confirmed it’s bringing a firmware update to its full-frame fp camera that will add Log picture profile and Raw recording over HDMI.

The interview with Takuma Wakamatsu, Sigma’s product planner, took place during Inter BEE 2019. In the interview, Wakamatsu addresses a number of features that have already been confirmed to be on the horizon, such as in-camera CinemaDNG playback and still photo modes while recording video, but he also confirmed a future firmware update will include a Log picture profile in MOV mode and Raw recording over HDMI.

The Log picture profile should improve the dynamic range of the fp and offer more flexibility in post-production, while Raw recording over HDMI would allow external recorders, such as the popular Atomos Ninja V, to record ProRes RAW footage.

No specific timeframe is given for the firmware updates, but Cinema5D notes the updates will arrive in 2020 and be free of charge.

Our previous coverage of the Sigma fp includes a look inside the Aizu factory where it’s assembled, a video-centric hands-on and a photo gallery of images captured with the world’s smallest full-frame camera.

Articles: Digital Photography Review (dpreview.com)

 
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ACLU files First Amendment lawsuit against US government on behalf of 5 photojournalists

27 Nov

The American Civil Liberties Union (ACLU) has sued the United States government on the behalf of five photojournalists who allege their rights were violated ‘on multiple separate occasions’ while reporting on conditions at the US-Mexico border. According to the ACLU, the Department of Homeland Security made a database of journalists and photojournalists who were reporting on US-Mexico border conditions and used this database to target, detain, and interrogate them.

The lawsuit was filed on the behalf of Bing Guan, Go Nakamura, Mark Abramson, Kitra Cahana and Ariana Drehsler, all of whom are professional photojournalists and U.S. citizens, according to the ACLU. The lawsuit alleges these individuals were among the journalists included in Homeland Security’s secret database.

The database allegedly contained the photojournalists’ names, birth dates, headshots, and information about whether they’d been interrogated. An ‘X’ was allegedly used to cross out the individuals who had already been interrogated, indicating that the ‘random’ secondary screenings and interrogations they were subjected to weren’t actually random.

Bing Guan said in a statement to the ACLU:

I was being targeted by my own government for reporting on conditions at the border.

The ACLU explains that photojournalists were detained when they attempted to reenter the United States, at which point they were allegedly interrogated about various matters ranging from their observations of the condition of the border and shelters to whether they could identify people from a series of headshots. Multiple photojournalists claim they were forced to reveal the images they had taken and that at least one officer had used a phone to snap images of the photos.

Forcing the photojournalists to disclose details about their sources and observations was a violation of the First Amendment, according to the ACLU, which calls the ‘disturbing actions’ a potential deterrent that may prevent other journalists from pursuing similar work.

The ACLU said in its announcement of the lawsuit:

‘That the government’s actions occurred at the border makes them no less unlawful … When the government tries to circumvent constitutional protections, we must hold it accountable. No journalist should have to fear government interference for having the persistence, courage, and commitment to expose the truth.’

The lawsuit can be read in full on the ACLU’s website. Plaintiffs seek an official declaration that their First Amendment rights were violated; they also want the records related to their interrogations to be expunged and more.

Via: ACLU

Articles: Digital Photography Review (dpreview.com)

 
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Moment launches new ultra-wide Fisheye 14mm Lens with ‘bi-aspherical’ lens design

27 Nov

Smartphone lens manufacturer Moment has announced its new Fisheye 14mm Lens, an add-on lens that Moment claims ‘is the widest, crispiest shot you can have on a phone.’

The lens features an all-new optical design made specifically for the latest smartphones from Apple, Google, OnePlus and Samsung. It features a bi-aspheric design that Moment claims uses 15-percent more of the image sensor than its existing Fisheye 15mm lens.

This design results in a 170-degree field of view that’s 30% wider than the 120-degree field-of-view found on most ultra-wide-angle lenses in newer smartphones, such as the iPhone 11 Pro.

The resulting image can be de-warped using a new distortion correction filter in Moment’s Pro Camera app (Android, iOS). The de-warping feature is available in the iOS app today and the feature will make its way to the Android app ‘in the next few weeks.’

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Below is a sample video captured with the new Fisheye 14mm lens:

The Moment Fisheye 14mm lens costs just $ 89.99 for the first 48 hours, after which it will jump up to $ 119.99. It will work with Moment’s line of M-series cases, which include options for a handful of iPhone, Pixel, OnePlus and Galaxy devices. You can order yours now and find out more information on Moment’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Sony forms new AI organization to develop new tech for cameras and more

27 Nov

Sony has announced it’s consolidating its artificial intelligence work under a new organization called Sony AI. Sony AI will focus on the ‘fundamental research and development’ of artificial intelligence; it will have offices located in Japan, the US, and Europe.

According to Sony, its new Sony AI organization will initiate ‘multiple world-class flagship projects,’ among other things. The division will launch with projects involving Sony’s Imaging & Sensing Solutions division, as well as its Gaming division and the field of gastronomy. Sony already uses AI in a variety of products, including to power its Eye AF feature.

Sony says the new organization will ultimately create new AI technologies that will be ‘critical’ for its sensor business. The organization will work closely with other Sony business units on its projects, but the company hasn’t provided details about specific R&D initiatives at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Pixelmator has made its flagship iPad photo editing app free for 24 hours

26 Nov

As a pre-Black Friday teaser, Pixelmator is running an absolute steal of a deal on its flagship photo editing app Pixelmator Photo. For the next 20 hours (as of this article going live), Pixelmator Photo for iPad will be free to download in the iOS App Store.

The deal appears to be a teaser for Pixelmator’s upcoming Black Friday sale, where its desktop Pixelmator Pro program will be 25% off. Pixelmator Photo normally costs $ 4.99, so free-ninety-nine sounds much more appealing, especially for a photo editing app as feature-rich as Pixelmator Photo, which was recently updated with new support for Apple’s iPadOS.

The deal is available worldwide and currently live in the iOS App Store. For more information about Pixelmator Photo, head on over to Pixelmator’s product page. The deal will and at 9am ET, November 27, so get the app while you can.

Articles: Digital Photography Review (dpreview.com)

 
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