Category: Uncategorized

  • Google explains its Night Sight astrophotography mode in detail

    Ever since Google launched its Night Sight feature on the Pixel 3 series the low light photography feature has been very popular with users. On the new Pixel 4 Google has updated Night Sight with a specific mode for astrophotography. The team behind it has now authored a blog post to explained the function in more detail.

    In order to capture as much light as possible without using shutter speeds that would require a tripod and/or lead to blur on any moving subject, Night Sight splits the exposure across multiple frames that are aligned to compensate for camera shake and in-scene motion. In a second step the frames are averaged to reduce noise and increase image detail.

    The astrophotography feature uses the same approach in principle but uses longer exposure times for individual frames and therefore relies on tripod use or some other kind of support.

    Image with hot pixels (left) and the corrected version (right)

    The team decided exposure times of individual frames should not be longer than 16 seconds to make the stars look like points of light rather than streaks. The team also found that most users were not patient enough to wait longer than four minutes for a full exposure. So the feature uses a maximum of 15 frames with up to 16 seconds exposure time per frame.

    At such long exposure times hot pixel can become a problem. The system identifies them by comparing neighboring pixels within the same frame as well as across a sequence of frames recorded for a Night Sight image. If an outlier is detected its value is replaced by an average.

    In addition the feature uses AI to identify the sky in night images and selectively darken it for image results that are closer to the real scene than what you would achieve with a conventional long exposure.

    This image was captured under the lighting of a full moon. The left half shows the version without any sky processing applied. On the right the sky has been slightly darkened for a more realistic result, without affecting the landscape elements in the frame.

    Night Sight is not only about capture, though, it also includes a special viewfinder that is optimized for shooting in ultra-low light. When the shutter is pressed each individual long-exposure frame is displayed as it is captured, showing much more detail than the standard preview image. The composition can then be corrected and a new Night Sight shot triggered.

    Some of the results we have seen have been impressive. For more more technical detail head over to the original post on the Google blog. A n album of full-size sample images can be found here. The team has also put together a helpful guide for using the feature in pdf format.

    Articles: Digital Photography Review (dpreview.com)

  • Canon EOS M6 Mark II review: Our favorite Canon mirrorless camera yet

    Introduction

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    Gold Award

    85%
    Overall score

    The Canon EOS M6 II is an enthusiast-targeted 32.5MP APS-C mirrorless camera built around the company’s EF-M mount. In many respects it’s a more compact mirrorless variant of the EOS 90D DSLR that was announced simultaneously.

    Physically, it closely resembles the original M6 but brings a host of speed and feature upgrades. These include a higher resolution sensor, the ability to capture 4K video and a mode that shoots bursts of Raw files at up to 30 fps. The result is a capable and pleasantly engaging enthusiast camera.

    Key features:

    • 32.5MP Dual Pixel AF CMOS sensor
    • 14 fps continuous shooting
    • 30 fps Raw Burst mode (with AF Tracking and pre-shot buffering)
    • UHD 4K video at 30p and 25p with no crop / full width
    • 3.0″ rear touchscreen flips up by 180° or down by 45°
    • Optional electronic viewfinder
    • USB 2.0 port with Type-C connector

    Canon says it will add 4K/24p shooting to the M6 II with a firmware update in 2020.

    The EOS M6 Mark II is available in a series of kits. The official body-only price is $ 849. Adding the retracting 15-45mm IS STM lens and EVF (pictured) boosts the price to $ 1099, while an 18-150mm IS STM and EVF kit will set you back $ 1349.


    What’s new and how it compares

    The M6 II brings 4K video and 30 fps Raw bursts. We look at the new features and how it stacks up against its peers.

    Read more

    Body, handling and controls

    The M6 II gains some direct controls over its predecessor and features the latest iteration of the Canon menu system. There’s also a good degree of customization available.

    Read more

    Early impressions

    The M6 II has a couple of nice improvements over the original version, but it’s the state of the EF-M lens range and the future of the EF mount that change out perspective the most.

    Read more

    Image quality

    The 32.5MP sensor in the M6 II (shared with the EOS 90D) is the first new sensor design from Canon we’ve seen in a while – check out how it performs.

    Read more

    Autofocus

    The EOS M6 II has a reliable Dual Pixel autofocus system with eye detect. It’s not quite the best in the business, but it’s not at all bad, either.

    Read more

    Video

    With full-width 4K recording and a microphone input, the M6 II looks like a capable little video camera. Find out how it compares with its peers.

    Read more

    Conclusion

    The EOS M6 Mark II is one of our favorite APS-C cameras of 2019 – it may not be the very best at any one thing, but it’s very good at many things.

    Read more

    Sample galleries

    We had the chance to shoot with the M6 Mark II and have some sample images to show what it can do.

    Read more

    Articles: Digital Photography Review (dpreview.com)

  • Facebook explains how its AI helps Instagram users discover new images

    In a new technical post on its Artificial Intelligence blog, Facebook details the technology that determines which images Instagram users see in the platform’s Explore tab. According to the company, it had to develop ‘novel engineering solutions’ in order to select a relatively minuscule number of recommended images, videos, and Stories out of the billions of options each time the Explore tab is opened.

    Instagram’s Explore tab is found by tapping the magnifying glass icon within the service’s mobile app. The content presented within this tab is a small selection chosen from the billions of images and videos uploaded by users. Instagram uses machine learning (ML) to determine which content is most relevant to the user, helping them discover the types of images and videos they’re most likely to care about.

    Facebook explains in its new post that Instagram’s Explore tab is powered by a three-part ‘ranking funnel’ system that is capable of making 90 million model predictions in a single second. Engineers developed multiple systems to ensure that Instagram’s Explore recommendations are ‘both high quality and fresh,’ among other things.

    Facebook explains:

    After creating the key building blocks necessary to experiment easily, identify people’s interests effectively, and produce efficient and relevant predictions, we had to combine these systems together in production.

    The overall recommendation system first engages in what Facebook calls Candidate Generation, which determines the accounts (‘seed accounts’) an Instagram user may be interested in based on the accounts they already follow. Using these seed accounts, the AI then uses embedding techniques to find other accounts similar to the first batch it found.

    Using this entire batch of accounts, Instagram’s system then determines which images and videos those users engaged with (likes, shares, etc.), as well as the content they posted. Thousands of candidate posts are identified for each average person using the platform, according to Facebook.

    Once the candidates are identified, the system takes 500 of them and ranks them using a three-part ranking infrastructure. The first pass in this ranking system uses a distillation model to select 150 of the highest-quality posts from the 500 candidates.

    The second pass utilizes a lightweight neural network to pick 50 of the highest-quality posts from the batch of 150. Finally, the third and final pass uses a deep neural network to pick 25 candidates that are both most relevant to the user and of the highest quality. Those 25 candidates appear on the first page of the Instagram Explore tab.

    The selection process isn’t quite as simple as it sounds. Facebook explains that its system predicts which individual actions users will take on any given post, such as whether they’ll ‘like’ or share it — or, alternatively, whether they’ll have a negative response, which is something like choosing to ‘see fewer posts’ like the one they were recommended. The system can be designed to give more weight to certain predicted actions than others.

    Instagram’s Explore tab factors in the intention of showing users posts related to new interests in addition to their existing interests, according to Facebook, which explains:

    We add a simple heuristic rule into value model to boost the diversity of content. We downrank posts from the same author or same seed account by adding a penalty factor, so you don’t see multiple posts from the same person or the same seed account in Explore.

    The ultimate goal of Instagram’s Explore tab is helping users find new, relevant, and interesting content from other users. Facebook says that its engineers are ‘continuously evolving’ the discovery tab.

    Articles: Digital Photography Review (dpreview.com)

  • Help build the future of DPReview!

    We’re looking for a Front End Engineer, Software Development Engineer and a Senior UX Designer to join our team. These roles will all help build the next generation of mobile and web experiences for DPReview readers and community members, shaping the future of the world’s most popular digital camera website.

    See all of the details – and links to apply – below.

    Front End Engineer

    Software Development Engineer

    Senior UX Designer

    Articles: Digital Photography Review (dpreview.com)

  • Sigma confirms Log picture profile, Raw over HDMI coming to its fp camera via firmware update

    In an interview with Cinema5D, Sigma confirmed it’s bringing a firmware update to its full-frame fp camera that will add Log picture profile and Raw recording over HDMI.

    The interview with Takuma Wakamatsu, Sigma’s product planner, took place during Inter BEE 2019. In the interview, Wakamatsu addresses a number of features that have already been confirmed to be on the horizon, such as in-camera CinemaDNG playback and still photo modes while recording video, but he also confirmed a future firmware update will include a Log picture profile in MOV mode and Raw recording over HDMI.

    The Log picture profile should improve the dynamic range of the fp and offer more flexibility in post-production, while Raw recording over HDMI would allow external recorders, such as the popular Atomos Ninja V, to record ProRes RAW footage.

    No specific timeframe is given for the firmware updates, but Cinema5D notes the updates will arrive in 2020 and be free of charge.

    Our previous coverage of the Sigma fp includes a look inside the Aizu factory where it’s assembled, a video-centric hands-on and a photo gallery of images captured with the world’s smallest full-frame camera.

    Articles: Digital Photography Review (dpreview.com)

  • ACLU files First Amendment lawsuit against US government on behalf of 5 photojournalists

    The American Civil Liberties Union (ACLU) has sued the United States government on the behalf of five photojournalists who allege their rights were violated ‘on multiple separate occasions’ while reporting on conditions at the US-Mexico border. According to the ACLU, the Department of Homeland Security made a database of journalists and photojournalists who were reporting on US-Mexico border conditions and used this database to target, detain, and interrogate them.

    The lawsuit was filed on the behalf of Bing Guan, Go Nakamura, Mark Abramson, Kitra Cahana and Ariana Drehsler, all of whom are professional photojournalists and U.S. citizens, according to the ACLU. The lawsuit alleges these individuals were among the journalists included in Homeland Security’s secret database.

    The database allegedly contained the photojournalists’ names, birth dates, headshots, and information about whether they’d been interrogated. An ‘X’ was allegedly used to cross out the individuals who had already been interrogated, indicating that the ‘random’ secondary screenings and interrogations they were subjected to weren’t actually random.

    Bing Guan said in a statement to the ACLU:

    I was being targeted by my own government for reporting on conditions at the border.

    The ACLU explains that photojournalists were detained when they attempted to reenter the United States, at which point they were allegedly interrogated about various matters ranging from their observations of the condition of the border and shelters to whether they could identify people from a series of headshots. Multiple photojournalists claim they were forced to reveal the images they had taken and that at least one officer had used a phone to snap images of the photos.

    Forcing the photojournalists to disclose details about their sources and observations was a violation of the First Amendment, according to the ACLU, which calls the ‘disturbing actions’ a potential deterrent that may prevent other journalists from pursuing similar work.

    The ACLU said in its announcement of the lawsuit:

    ‘That the government’s actions occurred at the border makes them no less unlawful … When the government tries to circumvent constitutional protections, we must hold it accountable. No journalist should have to fear government interference for having the persistence, courage, and commitment to expose the truth.’

    The lawsuit can be read in full on the ACLU’s website. Plaintiffs seek an official declaration that their First Amendment rights were violated; they also want the records related to their interrogations to be expunged and more.

    Via: ACLU

    Articles: Digital Photography Review (dpreview.com)

  • Moment launches new ultra-wide Fisheye 14mm Lens with ‘bi-aspherical’ lens design

    Smartphone lens manufacturer Moment has announced its new Fisheye 14mm Lens, an add-on lens that Moment claims ‘is the widest, crispiest shot you can have on a phone.’

    The lens features an all-new optical design made specifically for the latest smartphones from Apple, Google, OnePlus and Samsung. It features a bi-aspheric design that Moment claims uses 15-percent more of the image sensor than its existing Fisheye 15mm lens.

    This design results in a 170-degree field of view that’s 30% wider than the 120-degree field-of-view found on most ultra-wide-angle lenses in newer smartphones, such as the iPhone 11 Pro.

    The resulting image can be de-warped using a new distortion correction filter in Moment’s Pro Camera app (Android, iOS). The de-warping feature is available in the iOS app today and the feature will make its way to the Android app ‘in the next few weeks.’

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    Below is a sample video captured with the new Fisheye 14mm lens:

    The Moment Fisheye 14mm lens costs just $ 89.99 for the first 48 hours, after which it will jump up to $ 119.99. It will work with Moment’s line of M-series cases, which include options for a handful of iPhone, Pixel, OnePlus and Galaxy devices. You can order yours now and find out more information on Moment’s website.

    Articles: Digital Photography Review (dpreview.com)

  • Sony forms new AI organization to develop new tech for cameras and more

    Sony has announced it’s consolidating its artificial intelligence work under a new organization called Sony AI. Sony AI will focus on the ‘fundamental research and development’ of artificial intelligence; it will have offices located in Japan, the US, and Europe.

    According to Sony, its new Sony AI organization will initiate ‘multiple world-class flagship projects,’ among other things. The division will launch with projects involving Sony’s Imaging & Sensing Solutions division, as well as its Gaming division and the field of gastronomy. Sony already uses AI in a variety of products, including to power its Eye AF feature.

    Sony says the new organization will ultimately create new AI technologies that will be ‘critical’ for its sensor business. The organization will work closely with other Sony business units on its projects, but the company hasn’t provided details about specific R&D initiatives at this time.

    Articles: Digital Photography Review (dpreview.com)

  • Pixelmator has made its flagship iPad photo editing app free for 24 hours

    As a pre-Black Friday teaser, Pixelmator is running an absolute steal of a deal on its flagship photo editing app Pixelmator Photo. For the next 20 hours (as of this article going live), Pixelmator Photo for iPad will be free to download in the iOS App Store.

    The deal appears to be a teaser for Pixelmator’s upcoming Black Friday sale, where its desktop Pixelmator Pro program will be 25% off. Pixelmator Photo normally costs $ 4.99, so free-ninety-nine sounds much more appealing, especially for a photo editing app as feature-rich as Pixelmator Photo, which was recently updated with new support for Apple’s iPadOS.

    The deal is available worldwide and currently live in the iOS App Store. For more information about Pixelmator Photo, head on over to Pixelmator’s product page. The deal will and at 9am ET, November 27, so get the app while you can.

    Articles: Digital Photography Review (dpreview.com)

  • Meike releases 35mm T2.2 cinema lens for Micro Four Thirds camera systems

    Meike has announced a new 35mm T2.2 cinema lens for Micro Four Thirds (MFT) camera systems.

    The fully-manual lens is constructed of 10 elements in 8 groups, features an aperture range of T2.2-T22, has a minimum focusing distance of 42cm (16.5in) and is the equivalent of a 70mm lens on a full-frame camera. Its focus ring offers 270-degrees of rotation, its front filter thread is 77mm and it weighs 660g (23oz).

    The Meike 35mm T2.2 is available to purchase on Meike Global’s website for $ 359.99.

    Articles: Digital Photography Review (dpreview.com)