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What you need to know about the Mavic Mini and drone regulations

13 Dec
DJI’s Mavic Mini weighs 249 grams, making it exempt for registration in the US and other countries with similar regulations.

DJI’s new Mavic Mini recently started shipping out to customers. When it was initially announced the Internet was ablaze with excitement about a drone that weighed under 250 grams, exempting it from registration with the Federal Aviation Administration (FAA) and government agencies in other countries where similar laws apply. Comments flooded into drone forums immediately, and a few were concerning.

Some people stated they felt there was no need to abide by airspace regulations and were free to fly anywhere, over people, and at night without a waiver amongst other violations. This, unfortunately, couldn’t be further from the truth. I called upon two of my respected friends and colleagues, one 30-year veteran, and one current employee of the FAA, and referenced a post from an industry expert, to help clear up any misconceptions.

What does ‘no registration’ really mean?

“Of course, sUAS under .55 lbs. (250 grams) do not require registration. However, if the sUAS is being used for commercial work in an effort to be compensated, the aircraft must be registered and FAA Part 107 regulations must be followed by the RPIC (Remote Pilot-in-Command),” said Samuel Nelson, who made it clear he wasn’t speaking on behalf of the FAA and was, instead, giving his personal opinion based on his understanding as the Boston regional FaastTeam STEAM (Science, Technology, Engineering, Applied Mathematics) Pro.

Some people stated they felt there was no need to abide by airspace regulations and were free to fly anywhere… this couldn’t be further from the truth.

Nelson adds “If flying as a hobbyist, you can avoid registration. However (remote pilots) still must abide to by FAA AC 91-57B AND Title 49 of the United States Code (49 U.S.C) § 44809. People must also remember DJI AeroScope systems can detect drones under .55 lbs. and the serial [number] can be identified to allow for a subpoena to identify the legal owner of the aircraft.”

Ryan LaTourette, who runs That Drone Blog and is and admin on the UAV Legal News & Discussion Facebook group pointed out the obvious: “The lesser weight does not negate that the Mavic Mini is still in the eyes of the FAA a drone, an aircraft… Mavic Mini operators are not given a free pass to fly wherever and whenever they wish. The only change at this point is the need to pay $ 5 to the FAA for a certificate of aircraft registration.”

Drones small enough to fit in the palm of your hand aren’t necessarily toys. They have a lot of beneficial uses.

What does this mean? A remote pilot flying recreationally must adhere to the following guidelines, including but not limited to:

  • The aircraft is flown within the visual line of sight of the person operating the aircraft or a visual observer co-located and in direct communication with the operator.
  • The aircraft is operated in a manner that does not interfere with and gives way to any manned aircraft.
  • In Class B, Class C, or Class D airspace or within the lateral boundaries of the surface area of Class E airspace designated for an airport, the operator obtains prior authorization from the Administrator or designee before operating and complies with all airspace restrictions and prohibitions.
  • In Class G airspace, the aircraft is flown from the surface to not more than 400 feet above ground level and complies with all airspace restrictions and prohibitions.

Commercial use

While others, including myself, didn’t feel the Mavic Mini was appropriate for commercial use, LaTourette pointed out that people shouldn’t be so narrow minded. He explains that drones even smaller than the Mini, such as Verity’s Lucie micro drone, have been used in professional scenarios for the past few years. Ryze’s Tello drone has been an instrumental tool in getting folks, especially children, excited about STEAM education. Intel drones, weighing in at 68 grams, are responsible for putting on the world’s most elaborate fireworks displays.

Verity drones weigh a mere 50 grams and have completed over 150,000 autonomous flights safely over people at rock concerts and other live events.

If you plan on using the Mavic Mini for commercial purposes in the United States, meaning you plan to receive compensation for work conducted with your drone, you will need to register the drone plus have your Part 107 certification. I personally recommend Remote Pilot 101 for straightforward, affordable training. There is, of course, a conundrum that comes with following the rules.

Loretta Alkalay, an aviation attorney who spent 30+ years with the FAA as Regional Counsel, had the following to say: “As far as the weight issue, the FAA’s drone laws are not rationally related to the potential safety impact of very small drones. That results in people either intentionally ignoring the laws because they are overly restrictive or failing to even realize that laws apply. Coupled with the lack of FAA enforcement, the people most penalized are those who do know the regulations and choose to comply with them. Of course, those who violate the regulations and get caught could face serious consequences, depending on the violation and circumstances.”

The people most penalized are those who do know the regulations and choose to comply with them.

Speaking of impact, lower weight gives potential to the criteria for the FAA’s latest NPRM on easement of the §107.39 regulation for flight over people. Flying over people is currently prohibited under the §107.39 regulation. No one may operate a drone over people unless they are directly participating in the operation or are shielded under a covered structure such as a car.

So why make a lightweight drone?

DJI is certainly proud of themselves for fitting some of their most advanced features into a drone that weighs 249 grams upon takeoff. So why stuff all those features into a tiny package? Safety and the impending ruling for allowing flight over people are two top reasons.

According to a DJI Hub article that was shared by the company’s Vice President of Policy & Legal Affairs, Brendan Schulman, “regulators in the United States, Canada, the United Kingdom, continental Europe, Australia, and other regions have agreed that drones weighing less than 250 grams (0.55 pounds) are virtually harmless. In a fall or a collision, a sub-250g drone is just not going to cause the same kind of damage as a heavier drone.”

The Mavic Mini is tiny compared to other compact drones like the Mavic 2 Pro, but you still need to follow the normal rules when flying it.

In spite of negative media coverage, drones have been proven to be safe while providing many benefits to numerous industries including healthcare, construction, mining, agriculture and more. As Samuel Nelson pointed out earlier, the Mavic Mini is also equipped with AeroScope for Remote Identification which allows safety and security officials to detect, identify, and locate the drone and its pilot during flight if necessary. Going lighter and more compact, to ensure safety when performing complex operations, is a logical trend that is taking hold of the industry.

To find out if a Mavic Mini is an ideal purchase for you, check out our comprehensive review.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z 24mm F1.8 S sample gallery

13 Dec

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The Nikon Z 24mm F1.8 was formally announced late in the year, and as 2019 comes to a close it has made its way into our hands. We tried it out on the full-frame Z7 as well as on the DX-format Z50 where it serves as a nearly-35mm equivalent.

See our Nikon Z 24mm F1.8 S
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad 30mm F3.5 sample gallery (DPReview TV)

13 Dec

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This week DPReview TV tested the Hasselblad XCD 30mm F3.5 wide angle lens for medium format. Here’s a gallery of full resolution images from this episode, shot on the Hasselblad X1D II.

Articles: Digital Photography Review (dpreview.com)

 
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Astronomik’s Clip-Filter system is now available for the Canon EOS R and RP

13 Dec

Astronomik has announced the release of its Clip-Filter system filters for the Canon EOS R and RP full-frame cameras. As with the company’s other Clip-Filter products, users can install the new model using their fingers, making it a simple task that can be performed quickly when needed.

Astronomik’s Clip-Filter system filters are made from laser-cut black anodized aluminum. Each filter is designed to fit within the camera body where it acts as a dust shield. Unlike with filter holders that are sandwiched between the camera body and lens, Astronomik says its Clip-Filters allow photographers to use all of the lens functions.

Additionally, the company points out that this type of filter design is cheaper than the larger filters that would otherwise be used on large camera lenses. The entire range of Clip-Filters can now be purchased for the EOS R and RP cameras in addition to the large list of other Canon camera models compatible with the filter system.

Articles: Digital Photography Review (dpreview.com)

 
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Leica launches M10-P ‘Ghost Edition’ and new Summilux-M 90mm F1.5 ASPH lens

13 Dec

Leica has teamed up with New York-based horology company HODINKEE to launch the Leica M10-P ‘Ghost Edition’ camera styled after the vintage timepiece owned by Ben Clymer, founder and CEO of HODINKEE. The ‘Ghost Edition’ version of the M10-P includes a Summilux-M 35mm F1.4 ASPH lens with the same style.

The natural wear and tear on a wristwatch bezel results in a ‘ghosting’ aesthetic that inspired the M10-P ‘Ghost Edition’ design, according to Leica. This special edition camera doesn’t feature the company’s iconic red dot logo; its body and included lens sport a matte gray finish alongside silver and white accents. Gray cowhide leather and white enamel-filled engravings round out the ghosted aesthetic.

The Leica M10-P ‘Ghost Edition’ retains the same specs as the regular model. Leica is limiting this special edition to 250 camera sets globally with availability starting today. Each set features a serial number, a certificate of authenticity and a gray rope strap with black leather accents. The set is priced at $ 14,995 through HODINKEE.

Joining the special edition camera set is Leica’s new Summilux-M 90mm F1.5, an extremely fast telephoto prime lens designed for portrait photography. Leica describes this new lens, which has the longest focal length in the Summilux-M lineup, as offering ‘a breathtakingly shallow depth of field.’

The Summilux-M 90mm F1.5 lens features eight elements in six groups, including two aspherical elements made from specialized glass and a floating lens element. The company says that its lens design nearly eliminates the distortion and vignetting associated with fast lenses and that the lens hood helps cut down on reflections and unwanted light.

Leica customers familiar with the Noctilux-M 50mm F0.95 ASPH lens will find the new offering very similar in terms of design, build and depth of field, according to the company. The Summilux-M 90mm F1.5 ASPH lens is now available from Leica’s stores, boutiques and dealers for $ 12,995. The lens can be used with the Leica SL and SL2 cameras using the M-Adapter L.

Articles: Digital Photography Review (dpreview.com)

 
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Twitter rolls out Live Photo support on iOS, improved JPEG compression

13 Dec

Twitter has updated its platform with two new useful features for photographers: iOS Live Photos support and better JPEG quality. Both changes are live now.

Live Photos are a type of image that can be captured using an iPhone or iPad; in addition to the image, Live Photos include the 1.5 seconds of action that happened before and after the photo was snapped. In order to make it possible to share these images, Twitter is first converting them into GIFs.

To share a Live Photo, iPhone users must launch the Twitter mobile app and select the image from their Camera Roll. Once the Live Photo is selected, the user can tap the new ‘GIF’ option located in the bottom left corner of the image. This will result in Twitter converting and sharing the Live Photo as a GIF.

Converting Live Photos into GIFs has been the primary method used to share the video versions of these images. Lack of direct support on many platforms has forced many iPhone users to turn to apps like Lively. Twitter’s new support merely removes this time-consuming manual conversion process, enabling iPhone users to rapidly share their Live Photos with followers.

In addition to the new direct Live Photos to GIF conversion feature, Twitter is also now publishing JPEGs with their original encoding, according to company engineer Nolan O’Brien.This eliminates the transcoding and compression that obliterates image quality when viewed in full size. O’Brien notes that the thumbnail version of JPEGs will still be transcoded to cut down on file size and that only the bitmap encoding is preserved, not the metadata. As well, the new encoding preservation is only live for images uploaded using Twitter for Web.

Twitter for Web has supported 4096 x 4096 image uploads since last year, according to O’Brien, who details some upload scenarios in which the platform will still encode images:

Articles: Digital Photography Review (dpreview.com)

 
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Oppo demonstrates its under-display front camera in prototype devices

13 Dec

Back in June Chinese smartphone maker OPPO announced a device with an under-display front camera at MWC Shanghai. This allows for the design of display without a ‘notch’ or front camera ‘pinhole’ but also means that incoming light has to first travel through the display before it hits the camera lens.

To make this possible the display section above the camera is made of a highly-transparent material and comes with a redesigned pixel structure that is optimized for the transmittance of light. In addition, the camera comes with a bigger than usual sensor to further make up for any loss of light and white balance and HDR algorithms have been customized to reduce the transparent display’s impact.

This week, Oppo now finally shared prototypes of devices with the new in-display camera with press and media and thanks to a Twitter post by David Imel from Android Authority we can see the new design fully in action.

The new under-display camera system is hardly visible on the front of the device and only becomes slightly visible when viewing the phone at certain angles. Of course, it’s way too early to make any judgments on image quality but in terms of usability, the new system appears to work just like any other smartphone front camera.

Just like their rear counterparts, front cameras have taken huge steps forward in terms of image quality over the last couple of years or so. However, manufacturers have not only been focused on image output but also the integration into the device. We’ve seen notches and pinholes as well as motorized pop-up and flip-up front cameras. If Oppo’s concept catches on 2020 might well be the year of the under-display front camera.

Articles: Digital Photography Review (dpreview.com)

 
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FeiyuTech announces four new gimbals for mirrorless cameras, phones and action cams

12 Dec
Left to right, the Vimble 2A, the G6 Max and the AK2000S

Chinese gimbal manufacturer FeiyuTech has released details of four new devices aimed at a range of photographers using smartphones, mirrorless cameras, DSLRs and those wanting to shoot timelapse sequences. The four are the Feiyu AK2000S, the Feiyu QING, the Feiyu G6 Max and the Feiyu Vimble 2.

The Vimble V2 is a lightweight gimbal that comes in two versions, the 2A for action cams and the 2S for smartphones. The 2S is an update of an existing gimbal, but the Vimble 2A is completely new. It has an extendable handle that contains a telescopic section to increase the length of the handle by 18cm. The device weighs 277g, which the company says makes it the lightest action cam gimbal on the market. Controlled via the handle or a smartphone app, the Vimble 2A is designed to work with the GoPro5, 6 and 7 models and offers users a quick release clamp for these cameras.

Those with mid-sized mirrorless cameras are the target of the Feiyu G6 Max, with its 1.2kg capacity. A system of flexible heads allow the G6 Max to also be used with action cams, compacts and smartphones, and a new design means the gimbal is both smaller and lighter than the previous G6 Plus. Each arm on the new model has a motor lock, the device’s LCD screen is enlarged and the 9 shooting modes can be controlled directly from the handle as well as via the app.

The Feiyu AK2000S is designed for camera kits weighing up to 2.2kg/4.85lb and can control and power certain guest cameras. It uses 16.8v high torsion brushless motors to deal with the weight and now offers quicker and smoother response to instructions. The company claims motor performance is improved by 400%, and that a single charge will deliver 14 hours of operation.

The biggest of the new gimbals is the QING, which is really designed to sit on a tripod or slider to function as a complex timelapse and panoramic controller. Feiyu calls it a Motion Control Device and it can handle up to 3.5kg of kit and weighs 1.3kg itself. A detectable handle can be used as a remote controller but can also attach to the base of the QING so that it can be used as a regular gimbal. The QING comes with a 2200mAh battery to allow it to operate over long periods during timelapse sequences.

The QING costs $ 900, the AK2000S is $ 450, the G6 Max is $ 360 and the Vimble 2A and 2S are $ 127. For more information see the FeiyuTech website.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Hands-on with the Hasselblad XCD 30mm F3.5

12 Dec

The XCD 30mm F3.5 is a wide angle prime lens for Hasselblad medium format cameras, and with a price tag close to $ 4000 you expect it to be good. As Chris and Jordan discover, it’s an outstanding optic – with interesting bokeh.

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  • Introduction
  • Landscape samples
  • Size and build
  • Sharpness
  • Bokeh
  • Chromatic aberration
  • Conclusion

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Compact and feature-packed: Our Olympus OM-D E-M5 Mark III review

12 Dec

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Silver Award

82%
Overall score

The Olympus OM-D E-M5 Mark III is a 20MP Micro Four Thirds camera aimed at enthusiast photographers, but could be a good option for beginners that want a system to grow into. It features the same sensor, AF system and 4K video capture as the flagship E-M1 II and E-M1 X, in a considerably smaller, lighter package.

It’s the first in the E-M5 line to offer on-sensor phase detect autofocus, which includes both face and eye detection modes. The updated AF system is complemented by a 10 fps max burst rate in AF-C. The camera also gets a new image stabilization system, an updated EVF and some small ergonomic improvements.

Key takeaways

  • 20MP Four Thirds sensor
  • 121-point hybrid autofocus system
  • 50MP high-res shot mode
  • 10 fps burst shooting with AF-C
  • Cinema (DCI) and UHD 4K video
  • Up 6.5EV of image stabilization (CIPA-rating) with supported lenses
  • 2.36M-dot OLED viewfinder with 60 fps refresh rate
  • Extensive direct controls and articulating touchscreen
  • Weather-sealed body
  • In-camera USB charging
  • 1/8000 sec mechanical shutter speed

The E-M5 III will be available at the end of November for a body-only price of $ 1,199.99, CAN $ 1,499.99 in either black or silver. It will also be available kitted with the weather-sealed Olympus 14-150mm F4-5.6 II for $ 1,799.99, CAN $ 2,249.99.


What’s new and how it compares

The E-M5 III is Olympus’s smallest, lightest 20MP camera. Here’s what else is new and how it stacks up against its peers.

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Body and controls

The rear of the E-M5 III is largely unchanged, but some significant changes have been made to both the camera’s top plate and the EVF.

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Shooting experience

Photo editor Dan Bracaglia spent 48 hours shooting in the deserts of Southern, Utah, E-M5 III in hand.

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Image quality

The E-M5 III is capable of some excellent image quality, up there with the best that Micro Four Thirds can produce today.

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Autofocus and performance

While the E-M5 III comes with an autofocus system that shares its spec with higher-end models, we were a bit disappointed with its performance.

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Video

With incredible stabilization, a mic input, an articulating touchscreen and good quality files, the E-M5 III is a good candidate for video shooting.

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Conclusion

We find the E-M5 III to be a fantastic companion for travel and general photography, producing excellent images under a wide range of scenarios.

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Sample gallery

Curious what kind of files the E-M5 III produces? Have a look at our vast sample gallery.

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Articles: Digital Photography Review (dpreview.com)

 
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