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Nomad launches iPhone 11, Google Pixel 4 cases with Moment lens mount

07 Feb

Accessory maker Nomad has announced new smartphone cases in its Rugged line. The new models are available for all Apple iPhone 11 models as well as the Google Pixel 4 and feature an integrated mount for Moment lenses.

In a press release, Nomad said:

Our newest cases are Moment compatible. Meaning, they are the same style and quality you’ve come to expect from Nomad but now with an integrated Moment mounting plate. These will be available for all iPhone 11 models as well as Google Pixel 4 phones.

According to Nomad the cases are designed to withstand drops from up to six feet height and available in two colors, black or brown Horween Leather. They also come with a lanyard attachment point.

The lens mount allows you to attach any lens from premium accessory lens makers Moment, which includes an 18mm wide-angle, a 15mm fisheye, an anamorphic lens, a macro lens, and a 58mm tele lens, making the Nomad lenses an interesting alternative to Moment’s own cases.

The cases are available now form the Nomad website for $ 50.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography Petzval 80.5mm F1.9 MKII Art lens launches on Kickstarter

07 Feb

Lomography has launched its twelfth Kickstarter campaign with its new Petzval 80.5mm F1.9 MKII Art lens. This 180th Anniversary Edition of the 19th-century portrait lens features 4 elements in 3 groups, F1.9 to F16 aperture, 67mm filter, 0.8m minimum focusing distance, 30-degree FOV and weighs 440g (0.9lbs).

Lomography’s new Petzval 80.5mm MKII Art lens sports a stopless aperture diaphragm, Waterhouse Aperture System, helicoid focusing mechanism, and what the company describes as a ‘velvety swirly Bokeh’ when the shot is wide open. The stopless aperture diaphragm and helicoid focusing mechanism mean users will be able to adjust the f-stop and focus while recording.

The new Petzval offering was designed for use with full-frame cameras but is said to still offer ‘great results’ with cropped sensors. The Advanced Bokeh Control Edition of the lens will feature a bokeh control ring with seven different bokeh swirl levels; this version of the lens will only be offered in black anodized aluminum.

The Petzval 80.5mm F1.9 MKII Art lens will be made available in Nikon F and Canon EF mounts in black anodized, brass satin and black painted brass colors. Lomography is offering the lens to Kickstarter backers who pledge at least $ 290. The lens is estimated to start shipping to backers in June.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm pulls controversial X100V promo video due to the featured photographer’s method

07 Feb

Days after it launched its new X100V compact digital camera, Fujifilm has pulled one of the promotional videos it published to showcase the new model. Some viewers have criticized the intrusive shooting style used by Tatsuo Suzuki, the photographer featured in this particular video. Others have praised his work, saying his habit of jumping directly in front of subjects is a legitimate part of his art.

Fuji’s promotional video includes several scenes of Suzuki has he captures images on the street, a process that, at times, involves stepping into someone’s path and putting his camera directly in their face. Some subjects are seen being forced to quickly sidestep to avoid the photographer; some look surprised or distressed about the encounter.

Though Fujifilm pulled the promotional video, FujiRumors managed to acquire and publish a copy of it. The action starts around the 0:45 mark.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Agora’s #Photojournalism2020 winner and finalists

06 Feb

Slideshow: Agora’s #Photojournalism2020 winner and finalists

Agora, a free-to-use photography app, received 12,321 submissions for its #Photojournalism2020 competition from amateur and professional photographers all over the world. Rene Bernal’s (@renebernal) ‘Young guns,’ a photo depicting a group of Filipino children playing with toy guns they discovered atop a dumpsite, received the most votes and was declared the winner. A $ 1,000 cash prize was awarded to Bernal.

2019 was a pivotal year for political protests, uprisings, and climate change awareness. This inspired the team at Agora to launch its very first photojournalism contest. ‘People who manage to be in the right place at the right time can become potential journalists for all Humanity. Through #Photojournalism2020, we aim to discover the best informative images by people worldwide. Everyone owns a camera, and can create interesting content,’ said Octavi Royo, Agora’s CEO and Co-Founder.

It was difficult to choose 14 other photos to feature in this article as they are all compelling. All Top 50 #Photojournalism photos can be viewed here or in the video, above. Agora currently has 6 contests running on its app where users can win a $ 1,000 cash prize. The title of the photo followed by the Agora username and country of origin is featured here. All captions are the photographer’s own words.

#Photojournalism2020 Winner: ‘Young guns’ by @renebernal (Philippines)

About this photo: Self-taught filipino photographer @renebernal shot this staggering photo in a dumpster in San Dionisio, a district located in the southern part of Metro Manila. His photo collected the most votes on the Agora app and won him a $ 1,000 cash prize.

In Rene’s own words: “Everywhere in the world, children are increasingly exposed to guns, whether real ones or just toys, causing much worry to parents and to the community in general. I was amazed to see these children who were playing in a dumpsite located right in the middle of Paranaque City. They were totally oblivious of the hazards of their recreation. Indeed, a poignant reminder of how these children are able to find ways to enjoy their childhood, even in the most distressing environments.

I feel so lucky and happy to have won this contest as I would like to use this prize money towards my daughters’ education, and will donate part of it to the less fortunate children living in the slums. Discovering Agora gave me a chance to showcase my art and hopefully inspire others. I am very grateful for Agora that enables us to hear other people’s stories through photos.”

#Photojournalism2020 Top 50 Finalist: ‘Revolting Tears’ by @notsotoya (Lebanon)

About this photo: “What’s happening now in Lebanon is necessary to document since our TV stations are biased and do not portray the reality of the people in the streets. This is why I took personal initiative to always be on the streets photo documenting to portray the closest image to reality. Warlords are now controlling the fate of Lebanese citizens.

From 29 years till now the country has been economically deteriorating under the absence of the Lebanese government. The woman in the picture is the embodiment of our economy and her tears shed as she witnessed the revolt that the people took to the streets in hope of a better country,” explains @notsotoya.

#Photojournalism2020 Top 50 Finalist: ‘Hoisting’ by @øystein (Norway)

About this photo: “This is a normal day at work for the Norwegian search and rescue services. Training situation hoisting over the Norwegian mountains. Often the preferred way of access when the helicopter can’t land. This was a nice day, but that’s not the case everyday. I was hoisted down with my kit on a nearby ridge before the rescue swimmer started his training procedure. I had to crawl in deep snow to get the right angle of light for this scene.”

#Photojournalism2020 Top 50 Finalist: ‘Homeless’ by @pranab_basak (India)

About this photo: “A homeless mother was standing on the ruins of her dwelling place and looking for a new destiny. During the remapping of tribal bordering, many buildings were demolished by local administration. Thus, a large number of tribal people became homeless.”

#Photojournalism2020 Top 50 Finalist: ‘Protestas 2017’ by @regulogomez (Venezuela)

About this photo: “During the 2017 protests in Venezuela, I worked as a photojournalist because that was what I could do: documenting the situation so that people would know about it. This photo was taken while a Bolivarian National Police headquarters was burning nearby.”

#Photojournalism2020 Top 50 Finalist: ‘Devotees return home’ by @sakter (Bangladesh)

About this photo: “I took this shot at Dhaka’s airport railway station during Biswa Ijtema, the second largest congregation of (the) Muslim community after Hajj. Every compartment of the train along with engine was overloaded!”

#Photojournalism2020 Top 50 Finalist: ‘Corazón de fuego’ by @donaldobarros (Venezuela)

About this photo: “It was a dangerous scene. Venezuela was in a difficult and aggressive situation. A lot of people died in those protests. Journalists were targeted all the time, not easy. I did that job for my country. I am an artist, but I stopped my art to give my best as a journalist to Venezuela and the world.”

#Photojournalism2020 Top 50 Finalist: ’11S’ by @oscar_penelo (Spain)

About this photo: “This protest march was set against the imprisonment of the pro-independence politicians. It shows a massive march demanding the reconstruction of a country with the Sagrada família in the background, one of the symbols of Barcelona and Catalonia, under construction.”

#Photojournalism2020 Top 50 Finalist: ‘World champions day’ by @pascalpbz (France)

About this photo: “This picture was taken in Dieppe, moments after the football World Cup final of France vs Croatia. It was madness! The crowd invaded the streets all evening and all night. It was a big party that united all the French people. There was no difference to be seen between anyone, it was beautiful to see. Everyone wanted to be photographed, it was amazing.”

#Photojournalism2020 Top 50 Finalist: ‘Fire At Chawkbazar Dhaka’ by @tanveer.rohan (Bangladesh)

About this photo: “More than 70 people have died in this massive fire that occurred in buildings being used to store chemicals, and quickly expanded to nearby buildings in the densely packed historic district of the city. According to the Fire Service control room, 37 units from 31 stations were working all night to control the fire in the buildings. Many people hide in the small shops, but got stuck when fire spread rapidly. This fire incident was one of the most tragic incident in Bangladesh’s history.”

#Photojournalism2020 Top 50 Finalist: ‘Protesta vecinal en contra de los residuos mineros en terrenos cercanos a sus casas’ by @kopernic (Spain)

About this photo: “The people in the photo are environmentalists and families that live nearby the mining heap lands. I wanted to express the pain of these people through a staged photo. The population where they live is surrounded by mining sediments, resulting in high blood lead levels.”

#Photojournalism2020 Top 50 Finalist: ‘The biggest eruption of Mt. Sinabung, December 2013’ by @kriswantoginting (Indonesia)

About this photo: “To this day, the status of Mount Sinabung is still the same: this volcano hasn’t stopped erupting since 2013. By sharing this photo, I would like to convey a message that we humans should have been taking care of nature before it got angry.”

#Photojournalism2020 Top 50 Finalist: ‘Kerbelâ1’ by @bekiryesiltas (Turkey)

About this photo: “During the month of Muharram, elaborate public processions are performed in commemoration of the Battle of Karbala. Thousands of people participate in these commemorations in different provinces and the suffering of the people is as fresh as the first day.”

#Photojournalism2020 Top 50 Finalist: ‘The Graves of 20 Nameless Corpses’ by @barcerumkabu (Indonesia)

About this photo: “This deadly flash flooding that hit Sentani, Papua, killed more than 100 people, with more than 8,000 families who had to evacuate the zone.”

#Photojournalism2020 Top 50 Finalist: ‘Grève générale’ by @mikirabat.photo (France)

About this photo: “Paris, 5th December 2019: the general strike brings the french protesters to the streets. Here’s the activist group ‘Black Block’ advancing through the flames.”

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X100V pre-production sample gallery (DPReview TV)

06 Feb

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In their most recent video, Chris and Jordan previewed the new Fujifilm X100V. This sample gallery includes dozens of photos captured with a pre-production X100V in and around the mean streets of Calgary, Alberta.

View sample gallery

Watch DPReview TV’s in-depth preview of the Fujifilm X100V

Articles: Digital Photography Review (dpreview.com)

 
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RawTherapee 5.8 update adds new Capture Sharpening feature, CR3 support and more

06 Feb

Free, open-source software RawTherapee has been updated to version 5.8, the team behind the product has announced. This is a relatively small update, at least as far as general users are concerned. RawTherapee 5.8 brings a new tool called Capture Sharpening that automatically recovers the detail lost due to diffraction/lens blur.

The RawTherapee team explains that Capture Sharpening can be used with Post-Resize Sharpening in order to produce ‘detailed and crisp results.’ The tool is found within the ‘Raw’ tab.

In addition, RawTherapee 5.8 adds support for Canon’s CR3 raw image format. The team says that at this point in time, RawTherapee can decode the image data so that users can process these image files; it cannot, however, retrieve the metadata. Though it’s not explicitly stated, it appears the team plans to add metadata support for these files in the future.

Those two features aside, the new update brings various improvements to camera models, optimizes tools, speeds up the application, improves its memory management and fixes a number of unspecified bugs. RawTherapee 5.8 can be downloaded for Windows, Mac and Linux from the software’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Moondog Labs launches a 52mm filter holder for smartphone cameras

06 Feb

If you’d like to use your collection of lens filters not only with your DSLR or mirrorless lenses but also your smartphone camera, Moondog Labs’ latest product might be worth a closer look: the company’s new Multi-Camera Filter Mount lets you attach photo filters, for example neutral density or polarizing filters, with a standard 52mm diameter to your smartphone.

The holder works with any phone for which bayonet mount cases from manufacturers such as Moment, Rhinoshield or Sirui are available. The Moondog filter holder then clips onto the bayonet mount and, with a filter attached, covers all lenses in a multi-lens array, allowing for use with smartphone ultra-wide, standard-wide and tele lenses. Larger filters can be attached using a step-up ring.

The Moondog Labs Multi-Camera Filter Mount is available now for $ 35 on the Moondog Labs website.

Articles: Digital Photography Review (dpreview.com)

 
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Twitter will start labeling manipulated and deepfaked content

06 Feb

Twitter plans to crack down on ‘deceptively edited’ and deepfaked media content by labeling tweets that contain these images and videos. According to Reuters, the company also plans to remove edited or computer-generated content in cases where it may put someone’s privacy or safety at risk, suppress voters or cause ‘widespread civil unrest.’

Twitter’s decision comes ahead of the contentious 2020 presidential election season, which is expected to include huge quantities of manipulated and deepfaked content intended to shape the outcome of the election. Other major online platforms have enacted similar rules about deepfaked content, though some critics say they aren’t taking a hard enough stance against such content.

Facebook, for example, likewise labels fake or otherwise altered images as ‘false,’ but won’t remove this type of content unless it is a video generated using AI to make it appear that someone is saying something they never said. According to Reuters, Twitter will take into account the text in a tweet and ‘other contextual signals’ to decide whether a post will be labeled as false or removed entirely.

It remains unclear how Twitter’s platform will detect manipulated and deepfaked content.

Articles: Digital Photography Review (dpreview.com)

 
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Qualcomm shows off the first 8K footage captured with its Snapdragon 865 chipset

05 Feb

One of the defining features of Qualcomm’s new Snapdragon 865 chipset, which we covered back in December, is its ability to shoot 8K video. We’re yet to see a device make the most of the 865 Snapdragon, but Qualcomm has shared a teaser video showing the 8K resolution in all its glory.

The device Qualcomm used to capture the video is a prototype smartphone with a Sony Sony IMX586 image sensor inside. It was captured back in November 2019 at various locations around Arizona, including the Grand Canyon, Horseshoe Bend and the Petroglyphs near Antelope Canyon. It’s suggested, of course, to view this in a compatible browser and on the highest-resolution screen you can find to make the most of the footage.

Below are a few BTS shots shared with DPReview:

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You can read more about the video capture and Snapdragon 865 5G Mobile Platform on Qualcomm’s blog post.

Articles: Digital Photography Review (dpreview.com)

 
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YouTuber upscales classic film to 4K/60p resolution using neural networks

05 Feb

Chances are you’ve seen the famous short film ‘Arrival of a Train at La Ciotat (France),’ by the Lumière Brothers at some point in your life. If not, the original 57-second clip, created in 1895, can be viewed above.

YouTube creator Denis Shiryaev used neural networks to upscale and resound the original black and white clip. His efforts resulted in a 4K/60p clip that is quite astounding. The absence of jerkiness and artifacts makes the arrival of the train that much more impactful and shows just how powerful machine learning has become. Watch Shiryaev’s updated version, below:

You can find more of Shiryaev’s work on his YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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