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Olympus 12-45mm F4 Pro sample gallery (DPReview TV)

15 Feb

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The DPReview TV team recently traveled to Costa Rica where they had an opportunity to shoot with the new Olympus 12-45mm F4 Pro lens. Check out their sample images in this gallery and see how it performed.

View sample gallery

Watch DPReview TV test the Olympus E-M1 Mark III in Costa Rica

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Olympus 12-45mm F4 Pro review

15 Feb

The new Olympus 12-45mm F4 Pro lens promises to be a high quality, compact zoom for Micro Four Thirds cameras. Does it live up to the hype?

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  • Introduction
  • Size and weight
  • Livin' la Bokeh LoCa
  • Sunstars
  • Sharpness
  • Compared to the Panasonic GX 12-35mm F2.8 II
  • Minimum focus distance
  • Conclusion

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Loupedeck+ review

15 Feb

What is it?

Like its Loupedeck predecessor, the Loupedeck+ is a $ 250 editing console for various post-production programs. Originally designed with Adobe Lightroom Classic in mind, the Loupedeck+ has improved and expanded upon the original version to offer an improved tactile experience that lets you edit photos, videos and even sound using dedicated dials, knobs and wheels.

In addition to providing dedicated dials for color correcting and fine-tuning images and video, the Loupedeck+ editing console also serves as a great culling tool, with dedicated buttons for rating, flagging and sorting images before you ever start editing. In short, the Loupedeck+ tries to bring a more tactile approach to editing your content and eschews the on-screen sliders for an array of what seems like infinitely customizable controls.

What’s new

As its name suggests, the Loupedeck+ is a second-generation device, a successor to the original Loupedeck. While its external dimensions and overall shape have remained essentially unchanged, it does offer several improvements.

The first and most noticeable improvement is the build quality. The frame, as well as the various dials, knobs and keys, have been upgraded to create a more sturdy feel. The ‘clicks’ of the dials and knobs feel much less wobbly than the original Loupedeck and the overall tactile feedback is much more pleasing.

The ‘clicks’ of the dials and knobs
feel much less wobbly

The buttons have also received an update, although they’re still a bit too ‘mushy’ for my liking. I would love to see a version with mechanical switches compared to the membrane switches currently used, but that would likely increase the cost and size of the device, so it’s not a dealbreaker.

Aside from physical details, Loupedeck has also updated its accompanying software for the Loupedeck+. It not only offers more customization options than before, it also supports many more programs, including Premiere Pro, Aurora HDR, Adobe Audition, and others.

Design

At first glance, the design of the Loupedeck+ is a little overwhelming. It almost feels as though you’ve been thrown into the captain’s seat of a commercial airliner with all of the buttons, dials and knobs available to you.

Thankfully, so long as you’re familiar with the program you’re using the Loupedeck+ with, it doesn’t take too long to get the hang of. For the majority of my time with the Loupedeck+, I used it alongside Lightroom. It took a few days of looking down at the editing console, then back up at my screen to ensure I was making the right adjustment, but within a week of using the console, I was able to make adjustments on the fly without looking.

In Use

Although the Loupedeck+ is compatible with several programs (listed below), I mainly tested it out with Adobe Lightroom Classic. As such, my thoughts only address the user experience with Lightroom Classic.

The Loupedeck+ proved to be an incredibly valuable tool once I managed to set up the customizable controls to my liking (a process I also divulge below). Much like the original Loupedeck, it made culling, sorting and editing photos much easier than having to go through each slider in the Develop dialog and tweak it with my mouse.

Furthermore, using the Loupedeck+ made it possible to process photos in full-screen mode, making it easier to edit photos on smaller displays more precisely. Changes are slightly delayed when using full screen mode, compared to editing directly within the Develop module, but it wasn’t delayed enough to make the process any more difficult.

One detail I would’ve liked to see added is the ability to assign specific macros to the customizable buttons. Yes, there are plenty of built-in options (almost too many), but I would love to be able to add keyword groups to images with the tap of a button or two.

Software

While the Loupedeck+ hardware is a pleasure to use, the secret sauce of the editing console lies in the software. As previously noted, Loupedeck has not only dramatically improved support for existing programs in the form of more customizability but also added support for several new programs. As of writing this review, the Loupedeck+ can be customized to work with the following programs:

  • Adobe Lightroom Classic
  • Adobe Photoshop CC with Camera Raw
  • Adobe Premiere Pro CC
  • Capture One
  • Adobe After Effects CC
  • Final Cut Pro X
  • Adobe Audition
  • Skylum: Aurora HDR

The Loupedeck plug-in itself is a bit convoluted on first glance. Between the sheer number of buttons, dials and knobs available on the board and the ability to further customize each one with the included Function (Fn) button, the options are seemingly infinite.

So infinite, it seems, that there’s a good chance any amount of time the Loupedeck+ might save me in editing down the road was very likely taken up during my customization setup. From dedicated crop ratios and user presets to fine-tuning the integrated HSL sliders, there’s hardly anything you won’t be able to tweak and customize within the Loupedeck plug-in with Lightroom. Other programs are more limited, as integration isn’t nearly as tightly-knit, but even outside of Lightroom, the Loupedeck+ console goes much further than your average macro combo.

I think the initial onboarding process could be a little easier for the plug-in, but this tool is meant for the power-user, and anyone familiar with more advanced features shouldn’t have too much trouble getting up to speed.

Bottom Line

The Loupedeck+ editing console is a substantial update over its predecessor. The build quality is better (particularly in regards to the dials/knobs/keys), it’s a bit more compact, and the additional buttons provide even more functionality than before.

It’s not necessarily cheap at $ 250, but considering how much time it saved me in just a few months of using it, it’s clear it will more than pay for itself in the long run, based on time alone (not to mention frustration).

I would’ve liked to see, at the very least, a detachable USB-C cable or, better yet, a completely wireless version with Bluetooth and a built-in battery. But aside from that, I don’t have many complaints. It gets consistent updates, has a solid partnering app and brings a fantastic tactile editing experience to the digital creative workflow.

What I like:

  • Great array of buttons, dials and knobs
  • Dedicated HSL scroll wheels
  • Looks fantastic on the desk
  • Great software that makes the hardware shine
  • Consistent software updates

What I don’t like:

  • No USB-C
  • Cable isn’t detachable (or wireless if I’m allowed an additional complaint)
  • Matte finish shows wear and scratches easily

Articles: Digital Photography Review (dpreview.com)

 
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AxisGo is a ‘pro-grade’ water housing for the Apple iPhone

15 Feb

Water housing and accessory makers Aquatech has released its new AxisGo water housing for Apple’s iPhones. The company describes the new housing as ‘professional grade’ and says it can be used in ‘any water conditions, from rough surf to fishing and wakeboarding to a family swim session in the pool.’

The housing is designed for the phone to drop in and then seal tight. It’s rated for a depth of 10 meters (33 feet) and made from polycarbonate, aluminum and marine-grade stainless steel. Glass elements are optically corrected and the whole thing weighs a reassuring 510 grams (18oz).

The AxisGo is available as a basic package but more advanced users can also choose from a variety of grips and mounts, lens ports, accessories and bundle kits that support specific use cases, for example an Action Kit for surfing, wakeboarding or snowboarding,, or an Over-Under Kit, which comes with lenses that help you capture ‘split shots’ above and below the water line.

The AxisGo water housing is available now from $ 199 for a range of iPhone models including the latest iPhone 11 series. More information is available on the Aquatech website.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung details the 108MP camera sensor tech packed in the Galaxy S20 Ultra smartphone

15 Feb

Samsung has published technical details on the 108MP ISOCELL Bright HM1 ‘Nonacell’ image sensor found in its newly launched Galaxy S20 Ultra smartphone. The image sensor features 108-million 0.8?m pixels and a 1/1.33in size, as well as Smart-ISO and Nonacell technologies to produce what Samsung claims are ‘crystal-clear’ and ‘vivid’ 8K videos and high-resolution images.

Nonacell builds upon the Tetracell technology Samsung unveiled in 2017; rather than featuring a 2×2 array like the older tech, the Nonacell features a 3×3 arrays of the same color filter. This allows chunks of nine 0.8?m pixels to be merged into what is essentially a single 2.4?m pixel. This results in more than double the light absorption offered by the Tetracell tech, according to the company.

The downside is that there is a larger gap between pixels recording different colors, meaning that the ‘re-mosaic’ algorithm, that tries to reconstruct what a conventional 1×1 Bayer sensor would have captured, faces a more difficult challenge. So you won’t ever get the lever of color resolution that a conventional 108MP sensor would give.

Other ‘advanced pixel technologies’ like Smart-ISO help produce what Samsung calls ‘ultimate results under any lighting condition,’ including particularly challenging mixed-light environments. The camera’s HDR tech involves assigning exposure lengths to each and every pixel for multiple simultaneous exposures, enabling real-time HDR previews.

Rather than using a mobile processor, Samsung says its sensor directly converts pixels via ‘an embedded hardware IP.’ Other features include electronic image stabilization that uses gyroscope hardware, Super-PD phase-detection tech and up to 3x lossless 12MP zoom that doesn’t require upscaling.

The use of ISOCELL Plus tech, meanwhile, deals with the color interference that would otherwise arise from the Nonacell system, according to Samsung:

As the number of adjoined cells increase, so does color interference, making pixel-binning technologies more challenging, While such difficulties had limited Nonacell to a theory, the HM1 was able to realize the method by adopting Samsung’s ISOCELL Plus technology, which dramatically reduces crosstalk and minimizes optical loss as well as light reflection.

In addition to the 108MP sensor, the Galaxy S20 Ultra model features a 12MP wide-angle camera and a 48MP telephoto camera, 10x Hybrid Optic Zoom and ‘Super Resolution Zoom’ that uses AI for up to 100x zoom. The model’s ‘selfie’ camera, meanwhile, features a 40MP sensor with the ability to ‘shift’ to 10MP with larger pixels for higher quality images captured in low-light settings.

The S20 and S20+ models feature lesser specs with 12MP wide-angle and telephoto cameras, as well as a 64MP telephoto camera. A full breakdown of the camera hardware found in these three smartphone models is available on Samsung’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Topaz Labs will end free upgrades for several products starting in August 2020

15 Feb

Topaz Labs, the software company known for offering free software upgrades, has announced a major change to its business model: customers will have to pay to upgrade several of the company’s products starting in August 2020. The announcement was made by company CEO Eric Yang in a statement on Thursday. Gigapixel AI, DeNoise AI, Sharpen AI and Mask AI are all affected by the change.

Yang explains that offering free major upgrades for its products was a way ‘of acting differently than faceless corporations,’ but that it ultimately had an unwanted effect. By hinging its revenue on new products rather than product upgrades, Yang says, ‘we found that we weren’t focusing as much as we wanted on improving existing products.’

Yang goes on to state:

We ended up with several different products that did similar things, which caused confusion about which tool to use. Although it started out with good intentions, our free upgrade policy ultimately prevented us from delivering the best possible products to you. Make no mistake about it: this situation was 100% our fault. We were not thoughtful enough about aligning our pricing structure with continuous improvement of our products.

Topaz Labs says more than $ 8 million worth of free upgrades were claimed for major new products last year. In 2020, the company will transition to paid upgrades, which will involve paying $ 49.99 for a year of upgrades following an initial first year of free major and minor upgrades. For customers who own multiple Topaz Labs products, the upgrades can be collectively purchased for $ 99.99.

The company says that Mask, Sharpen, DeNoise and Gigapixel will require upgrade licenses this year. Topaz Labs stresses that customers retain access to the products they purchased even if they choose not to purchase software upgrades. ‘Wait until [the upgrade] actually includes something you want to pay for,’ Yang says. ‘This also incentivizes us to make sure that the improvements we do implement are useful enough for you to upgrade.’

Some customers are understandably upset about Topaz’s decision to start charging for upgrades. Yang acknowledges this in his post, stating that it was a hard decision to make. ‘I’m asking you to lock arms with us and walk through this phase of our development by accepting this change,’ he states. Users will soon be able to view how much time remains on their upgrade licenses within their customer accounts.

Articles: Digital Photography Review (dpreview.com)

 
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Canada Goose’s new Photojournalist Jacket is pricey and full of pockets

14 Feb

Clothing company Canada Goose has launched an incredibly pricey jacket designed specifically for photojournalists. Simply called ‘Photojournalist Jacket,’ this product costs $ 850 and was designed in collaboration with an unnamed photojournalist. The jacket is designed to be water-resistant, capable of withstanding ‘harsh winds’ and suitable for cold climates.

The Photojournalist Jacket is made from Tri-Durance SS three-layer fabric with double-stripe reflective elements to increase the wearer’s visibility at night. Canada Goose reinforced the jacket’s pockets and shoulders with Cordura fabric, the cuffs have hook-and-loop closures and the waist features a drawstring.

The jacket was designed with mid-thigh length for what the company says is ‘added coverage and protection.’ Wearers get a total of eight exterior pockets, including some with double entry and zippers; there are also two interior pockets. The product also features a ‘stowable’ fabric hood that can be adjusted by the wearer.

The Photojournalist Jacket has a Thermal Experience Index (TEI) rating of 1, which means that it falls in the ‘lightweight’ category. The product is intended for use in temperatures ranging from 5C to -5C (41F to 23F). Despite its water resistance and waterproof design, Canada Goose claims this product is still breathable with four-way stretch.

The Photojournalist Jacket is available from Canada Goose now in Black, Navy and Red colors in sizes ranging from small to extra-large for $ 850 regardless of size, a price tag that doesn’t quite reflect the average photojournalist’s salary.

Articles: Digital Photography Review (dpreview.com)

 
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Shutterstock founder Jon Oringer is stepping down from his role as CEO

14 Feb

Jon Oringer, founder of stock image company Shutterstock, has announced plans to step down from his current role as CEO after 16 years. Oringer won’t be leaving the company, however; he’ll transition to a new role as Executive Chairman of the Board. Stan Pavlovsky, Shutterstock’s current President and COO, will take over the role of CEO starting on April 1.

Oringer announced the news in a Medium post on Thursday, explaining that Shutterstock has ‘reached a pivotal juncture in our growth trajectory […] our business has grown and evolved to a point where we could all benefit from a CEO that has a different set of skills than I have.’

Shutterstock was launched in 2003 out of Oringer’s small New York City apartment and the company has managed to be profitable every year since. Pavlovsky joined the company in 2019, bringing what Oringer says is ‘the ideal skill-set and mind-set to take our business to the next level and it is all of these qualities that gave us the confidence to elevate him to COO, President, and now CEO.’

The news comes alongside Shutterstock’s Q4 2019 financial results, which reveal that the company made $ 166.4 million in revenue, a 3% increase over the same quarter in 2018. However, the company’s net income dropped by 63% to $ 20.1 million in 2019. Over the last few years, Shutterstock has seen its market cap drop from a 2014 peak at around $ 3.5 billion down to less than $ 2 billion.

Articles: Digital Photography Review (dpreview.com)

 
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Canon launches its latest pocket-sized photo printer, the Selphy Square QX10

14 Feb

Although not nearly as exciting as its impending R5 mirrorless camera, the T8i or the 24–105mm F4–7.1, Canon has also announced the release of the Selphy Square QX10, its latest ultra-compact photo printer.

The Selphy Square has a built-in rechargeable battery and uses thermal transfer dye-sublimation to print images up to 68mm x 68mm (2.7in x 2.7in) with 287dpi resolution. The printer is rated for up to 20 prints on each charge, with each print taking roughly 43 seconds from start to finish.

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The printer uses a new square-format ‘sticker-type paper’ Canon is calling XS-20L that has a specialized coating that ‘protects against splashes, spills, and fading for up to 100 years when stored in an album,’ according to Canon.

The Canon Selphy Square QX10 printer is available in black, green, pink and white for $ 150, while 20-pack of paper and ink will set you back $ 15. You can find out more information about the Selphy Square on Canon’s product page.

Articles: Digital Photography Review (dpreview.com)

 
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CAKE Ösa electric utility motorcycle can function as an off-grid mobile studio

14 Feb

Swedish motorbike company CAKE has launched Ösa, an electric utility motorcycle with off-road capabilities and a uni-bar extending from the back of the bike. The company offers a modular clamp-on system with baskets that attach to this bar, enabling owers to transport a variety of gear. The company specifically demonstrates Ösa as useful for photographers, describing the bike as a ‘mobile studio.’

Ösa was first introduced in late 2019 as CAKE’s second model following its Kalk platform. The new electric utility motorcycle is designed to function as a ‘power station on wheels,’ according to CAKE; it features a top speed of 100 km/h (63mph), range up to 100km (63mi), 65kg (143lb) weight, 6061 aluminum frame, 7050 aluminum handlebars and both medium and large battery options to suit different user needs. The full bike specs are available on CAKE’s website.

Buyers can get Ösa with an optional power converter that enables them to power lights, speakers, laptops, and other electronic items with the motorcycle’s battery. The converter supports 110/220V devices and offers standard US and EU power outlets. The bike itself is charged using standard 110/220V wall outlets and takes around three hours to go from zero to 100% charged.

In addition to the outlets for powering larger equipment, the motorcycle also features a built-in 5V outlet for charging smaller items like phones and a single 12V outlet for ‘medium duty’ items.

CAKE is currently accepting $ 200 deposits on Ösa with the remainder of the $ 8,500 price (or higher, depending on configuration) to be paid when the customer’s order ships. The company will start shipping the bikes on a first-come, first-serve basis in March. DPReview has inquired about getting a review unit, but we can’t promise we’ll get our hands on one.

Articles: Digital Photography Review (dpreview.com)

 
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