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Archive for the ‘Uncategorized’ Category

Fotodiox’s new EF to L-mount adapter features AF, aperture and image stabilization support

07 Apr

Fotodiox has announced the release of its new Canon EF to L-Mount Pro Fusion adapter, which offers complete electronic control and communication between the lens and the camera it’s attached to.

The adapter works with both EF and EF-S lenses and converts them to L-Mount mirrorless cameras. It features an all-metal design with chrome-plated brass mounts and features a built-in Micro USB for updating the firmware of the adapter.

Fotodiox uses its ‘Fusion’ technology to add complete electronic communication and control between the lens and camera body, including autofocus, aperture control and image stabilization. EXIF and aperture data is also transmitted between the lens and camera. In the event you’re using a manual lens, the ‘Fn’ button on the adapter can be pressed to turn off all electronic communication between the lens and camera body.

Fotodiox notes continuous AF and video AF aren’t currently supported due to ‘unsatisfactory’ performance, but other autofocus modes should work with minimal issues. It’s also pointed out that some third party lenses, such as those from Sigma and Tamron might struggle with autofocus a bit more than first-party lenses.

The adapter is backed by a two-year manufacturer warranty, comes packed inside a padded bamboo box and is currently available to purchase for $ 179.95 (B&H).

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to capture abstract macro photographs using little more than paper and lights

07 Apr

Considering most of the world is well into a few weeks of self-isolation, you’ve probably photographed nearly everything you can in your household, leaving little left to document. Now, it’s time to get really creative and to help make the most of a rough situation is Ben from Adaptalux, who’s shared a 15-minute video showing how you can capture abstract macro photographs using little more than a few lights, a few sheets of paper and a little bit of creative thinking.

Throughout the 15-minute video, Ben walks through a number of different setups and other variations you can experiment with to capture the macro abstract photographs, but the basic tools you’ll need on hand include a camera, a close-up capable lens, a tripod (not necessary, but will very much simplify the process), at least one light source, several sheets of white paper, paper clips (or bobby pins) and a flat surface that’s either transparent or translucent.

While Adaptalux lights are unsurprisingly mentioned in the video, any lights should do and if you have a few gels sitting around, you can get extra creative by mixing up colors.

If you prefer a non-visual explainer, Adaptalux has also published an accompanying blog post on its website that details the process. You can find more tutorials on Adaptalux’s YouTube channel, where it offers up a complete playlist dedicated to ‘Macro Photography Tutorials.’

Articles: Digital Photography Review (dpreview.com)

 
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These are the best portrait lenses for Sony mirrorless shooters

05 Apr

Our guide to the best lenses for Sony APS-C and full-frame mirrorless cameras has been updated to include recommendations for portrait shooters.

Articles: Digital Photography Review (dpreview.com)

 
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White House photographer Pete Souza shows off what gear is in his bag

05 Apr

Pete Souza, the former Chief Official White House Photographer for U.S. Presidents Ronald Reagan and Barack Obama, has taken to Instagram to show off what camera gear he uses for his work.

Throughout the 12-minute video, he details his equipment of choice and shows off images captured with nearly every camera and lens he mentions. Along the way, he also shares a number of anecdotes from over the years, regarding how his style and approach has changed as camera technology continues to progress.

Despite the fascinating video of his most-used equipment, Souza prefaces it by explaining the camera and lenses are simply tools to get the job done, likening them to a trio of screwdrivers; ‘They all work equally well […] I don’t know what brand or model [the screwdrivers] are. You just have to make a decision yourself on what kind of equipment to use.’

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Info on what tools I used at the White House.

A post shared by Pete Souza (@petesouza) on

You can find more of Souza’s work on his website, as well as the archived White House Flickr account that shows more than 6,600 images captured during his time as Obama’s official photographer.

Articles: Digital Photography Review (dpreview.com)

 
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These are the best lenses for Nikon DSLR portrait shooters

05 Apr

We think that the Nikon 50mm F1.4G and 85mm F1.4G are great all-around picks for APS-C and full-frame Nikon DSLR portrait shooters, respectively. Read on for more recommendations and all of our top lens picks for these systems.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 24-70mm F2.8 DG DN Art sample gallery

04 Apr

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Our team at DPReview TV just finished reviewing Sigma’s newest 24-70mm F2.8 lens and they found a lot to like. Check out these sample photos captured while filming their review.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Sigma 24-70mm F2.8 DG DN Art review

04 Apr

The Sigma 24-70mm F2.8 DG DN lives up to Sigma’s ‘Art’ standard, giving first-party lenses for E-mount and L-mount a run for their money. We put it to the test and came out impressed.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Sample images
  • Design and handling
  • Autofocus
  • Distortion
  • Macro
  • Video
  • Chromatic aberration
  • Bokeh
  • Sharpness
  • For Sony E-mount users
  • For Panasonic/Leica/Sigma L-mount users
  • Conclusion

Sample Gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Update on the rankings from our recent ‘Microphone pre-amp shootout’

04 Apr

Following our recent microphone pre-amp shootout there was a lot of controversy surrounding the results from the Sony a7 III, so our team went to work.

Alex, our audio engineer, repeated his tests on a second Sony a7 III body. Using the same Zaxcom URX100 receiver ($ 900) he repeated his original test and got the same result as the first time. In an effort to rule out the Zaxcom as a potential source of error, he repeated the test with a second URX100 and once again got the same result.

Alex then repeated the test using a Rode VideoMic Pro + ($ 300) and saw similar results. However, when he did the test again using a Rode Wireless Go ($ 200) and Rode VideoMic Go ($ 59) the results were noticeably better. He also notes that in response to DPReview’s video, Gerald Undone performed a similar test and saw good results using the Rode VideoMic NTG ($ 250).

How does this affect the rankings from first video? When used with a microphone that pairs well with the camera, Alex placed the Sony a7 III in the #2 position (in a tie with the Panasonic S1H).

Alex’s advice is that if you’re planning to use a particular piece audio gear with the Sony a7 III it’s a good idea to test it first to make sure it works well with the camera.

Finally, Jordan notes that they have seen some inconsistent results from the Nikon Z6 as well. As a result, they’ll be doing some additional tests on that camera to better understand its performance.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Articles: Digital Photography Review (dpreview.com)

 
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Apple patent shows its working on panoramic light field capture technology

04 Apr

A newly-published Apple patent, filed back in September 2019, details a light field panorama camera system seemingly intended for use in future iPhone and iPad devices. The technology would enable the average consumer to capture large light field panoramas of a particular scene by moving their device using gestures. The resulting content could be rendered and viewed on the device or using some type of head-mounted display (HMD), including VR headsets.

According to Patently Apple, which first spied the patent, Apple details technology that would build upon its current AR efforts by enabling its consumer devices to capture complex 3D scenes. To do this, the user would need to move their light field-equipped iPhone or iPad in a gesture, such as moving the device in a swooping infinity symbol, to capture light field images of the environment from multiple angles.

A flow-chart provided within the patent filing that shows the process of capturing, processing and viewing the resulting imagery.

A rendering engine would process the individual images into a 3D panorama with six degrees of freedom (6DOF) made possible using the light field technology. As a result, the viewer would have the ability to look above and behind objects, zoom in on areas of the scene and view different angles of the environment. The patent follows Google’s acquisition of light field camera technology company Lytro in 2018.

Unlike conventional cameras, a light field camera system captures both the intensity of the light from a scene and the direction the light rays are traveling in space. The additional data gathered by light field camera systems enable new types of experiences, including the one detailed by Apple.

The patent indicates that Apple’s system may use the sensors in the iPhone and iPad to capture position, motion and other similar metadata alongside the images, the combination of which would contribute to the final light field panorama. The combination of captured images and metadata could then be used to render different views of the same 3D scene, according to the patent, ultimately giving the user six degrees of freedom for exploring the panorama using an HMD like a VR headset.

This would differ substantially from a traditional 360-degree panorama, which is captured from a single point, only allowing the viewer to move their head around within the rendered 3D scene. Light field panoramas will appear more realistic, keeping objects in their correct positions as the user moves around within the scene, which could realistically render from different angles as the user has a look around.

It’s no secret that Apple has been heavily focusing on augmented reality technologies; its most recent iPad Pro model underscores this effort with the inclusion of a LIDAR sensor.

Just a few of the possible movements you could use to capture the scenery using your Apple mobile device.

In its announcement of the 2020 iPad Pro last month, Apple said the new LIDAR sensor ‘delivers cutting-edge depth-sensing capabilities, opening up more pro workflows and supporting pro photo and video apps,’ specifically with augmented reality in mind. The sensor works by measuring the distance of objects that are as far as 5m (16ft) away.

Apple went on to explain:

‘New depth frameworks in iPadOS combine depth points measured by the LiDAR Scanner, data from both cameras and motion sensors, and is enhanced by computer vision algorithms on the A12Z Bionic for a more detailed understanding of a scene. The tight integration of these elements enables a whole new class of AR experiences on iPad Pro.’

The future expansion of these capabilities using light field technology wouldn’t be surprising, particularly in light of ongoing rumors Apple is working on AR/VR gear. With that said, and as with any patent, it is possible we’ll never see this technology make its way into a consumer product. Per usual, Apple has not commented on the patent.

Articles: Digital Photography Review (dpreview.com)

 
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Brooklyn photographer captures neighborhood portraits of hope, unity amidst ‘unprecedented’ isolation

03 Apr

As many artists around the world have had to do amidst the Coronavirus pandemic, photographer Stephen Lovekin decided to make the most of these more isolated times to document families and their messages to the world as shared through the windows of Lovekin’s Brooklyn neighborhood of Ditmas Park.

Lovekin, who’s a Shutterstock editorial photographer, came up with the idea for the project after looking for ways to help people feel more connected despite being separated from one another.

‘As a photographer I have always loved and been drawn to shooting portraits – a process that allows a connection to be made between photographer, subject, and viewer,’ Lovekin says about the project. ‘So, when this Coronavirus began to rapidly spread and people were ordered into ‘self-isolation’ and ‘social distancing’, I began to feel compelled to document this unprecedented time in our history by starting locally by reaching out to people in my Brooklyn neighborhood of Ditmas Park to see how they were feeling and to see what message, if any, they would like to share with the world, whether they be personal, political, or spiritual.’

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The latest installment of my ‘Words At The Window: Self Isolation And The Coronavirus’ project shot in the neighborhood of Ditmas Park, Brooklyn NYC. #shutterstocknow #wordsatthewindow #selfisolation #quarantine #coronavirus #covid19 #washyourhands #wegotthis #alonetogether #socialdistancing #ditmaspark #brooklyn #nyc #blackandwhite #portrait #nikon

A post shared by Stephen Lovekin (@slovekinpics) on

As for how the portraits became a series of shots framed within windows, Lovekin says that wasn’t the original plan. ‘When beginning the project I hadn’t completely settled on the idea of photographing everyone behind a window. Some people would come on their porches or stoops, but that just didn’t feel right to me for some reason,’ says Lovekin. ‘As the project began to evolve the idea of the window started to make more sense. The window being something that we look out on the world from. Something that literally frames how people can look in on us and how we look out at the world. Something that we normally do not enter or exit from.’

The project has only been going on for a week, but it’s already gained a following across social media. Lovekin says the ‘plan is to have it be an ongoing project for as long as I can safely make it possible.’

Shutterstock also caught wind of the project and teamed up with Lovekin to offer the ongoing series as a collection available to purchase, with 10% of all sales going to GiveDirectly, Inc., an organization that ‘allows donors to send money directly to the poor with no strings attached,’ according to its website. Charity Navigator, a third-party charity auditor of sorts, rates GiveDirectly, Inc. four out of four stars, the highest rating it gives to organizations that offer accountability and transparency in their operations.

Below are a few images from the series Lovekin shared with us:

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Lovekin offers this parting message to viewers of the project:

‘I hope that in this time of chaos and uncertainty this project will help people feel more connected to the outside world even though we are all literally separated from one another for an unknown amount of time. If we continue to communicate and connect with those around us in a direct, honest, and positive way can get through this together. It will not be easy, but nothing worthwhile ever really is. Stay safe and stay at home! And as my own children’s sign said, “Soon we will be together”.’

You can find the full series on Shutterstock’s website and keep up with the latest portraits on Lovekin’s Instagram profile.

Articles: Digital Photography Review (dpreview.com)

 
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