Category: Photography

  • Headshots: Weekly Photography Challenge

    ZoeThis week your photographic challenge is to take and share a ‘headshot’ portrait.

    You’re welcome to photograph a friend, family member (adult or child), a stranger or even yourself – but we’re looking for something framed around head and shoulders but not much more than that.

    There’s no wrong or right way to take a headshot and we’ll suggest some tutorials and resources to check out below – the key is getting your camera out and experimenting!

    Reading on Taking Great Headshots:

    • How to Take Perfect Headshots: Six Tips
    • How to Shoot the Perfect Headshot (video)
    • Lighting Headshots

    Also don’t forget that Phil Steele currently is offering dPS readers 30% off his Headshots and Portraits Course.

    Once you’ve taken your ‘Headshot’ image and have upload it to your favourite photo sharing site either share a link to it or – embed it in the comments using the our new tool to do so.

    If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSHEADSHOTS to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    Also – don’t forget to check out some of the images posted in our last challenge – Transport challenge where there were some great images submitted.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Headshots: Weekly Photography Challenge


    Digital Photography School

  • Canon EOS 700D Review

    Canon EOS 700D Review.jpg

    Canon describes this camera as the flagship of its entry-level consumer DSLR camera line-up and, while each is ‘designed to suit specific user requirements, both cameras are packed with high-quality and creative features that are ideal for creative-minded consumers looking to take their photography to the next level.’

    So don’t expect to pay top dollar for a top quality camera but Canon still considers it to be ‘the most advanced entry-level EOS model to date …’

    The Canon EOS 700D (also known as the Canon EOS Rebel T5i is a successor to the EOS 650D model, displaying identical specs and only differing in weight by being only five grams heavier. In model ranking, it currently sits above the EOS 600D.

    The body is made from stainless steel and polycarbonate resin with glass fibre. Light and reasonably strong, the EOS 700D is three quarters the size and two thirds the weight of the top-ranking EOS 5D Mark III.

    Canon EOS 700D/Rebel T5i Handling

    The review camera was supplied with the new, stabilised EF-S 18-55mm f/3.5-5.6 IS STM lens. This has switchable AF/manual on/off and internal stabiliser on/off.

    Head down and belting straight into using the camera I found most of the external controls easy to suss out and, outside in full sunlight, immediately appreciated the switchable optical/LCD screen viewing options.
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    Those who grew up on film SLRs will be in seventh heaven with the optical finder! You will however lose the assurance of the LCD screen’s focus pointers.
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    Fired up, you’re faced with a status screen that shows ISO, AWB, AF, metering, single/continuous settings etc. Place your eye next to the turret finder and you view through the optical eyepiece.

    Tap a button immediately next to the viewfinder and you fire up the touchable LCD screen. This doubles as the video record button.

    Canon EOS 700D Review top.jpg

    Top deck controls: at left the menu and info buttons.

    At right, the mode dial which has positions for PASM; intelligent and creative auto; flash options; portrait, landscape, macro and sports options; scene modes: night portrait, handheld night scene and HDR backlight control.

    The latter two are interesting for those who want to push the boundaries without possessing the expertise. In handheld night scene you can shoot handheld, with the camera firing off four shots, then auto selecting the least camera shake.

    HDR backlight control is similar in that the camera shoots three exposures at differing exposures, finally combining them in to one exposure-balanced image.

    Next to the mode dial is the three position power switch: off/on/movies.

    Forward of the mode dial is a dedicated ISO button, a godsend for those who play with variable sensitivities.

    Further forward is the shutter button and main selector dial.

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    Rear: four way rocker which gives access to AWB, single/continuous options, AF and a picture style button (auto, standard, portrait for enhanced skin tones, landscape for saturated blues and greens, neutral, ‘faithful’ and mono. The Q button gives access to a range of creative filters: grainy, soft focus, fish eye effect, art bold, water painting, toy camera (like a LOMO!) and miniature effect (which I hate!).

    Canon EOS 700D Review Back.jpg

    Also found at the rear are buttons for AE lock, AF point selection, exposure compensation, quick control, replay and trash.

    The card slot is at the right side of the camera, which means you can switch cards with the camera remaining tripod-mounted.

    The screen is vari-angle, swinging sideways by 175 degrees and vertically by 180 degrees.

    All in all, an unchallenging layout and one, I figure, the newcomer can quickly become familiar with.
    Menu.jpg

    The menu layout is comprehensive and, while displaying many settings, is easily navigable. But do read the manual before you engage with the menu!

    For a DSLR, the Canon EOS 700D/Rebel T5i is a relative minnow when compared to high end digital reflexes. But do compare it with the mirrorless models before you finally decide. Having said that, the camera is well balanced and easily hand-holdable.

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    Canon EOS 700D/Rebel T5i Features

    My eye was caught by the five frames/second continuous shooting speed. At this rate you can pull in a total of 22 JPEGs, six RAW shots or three JPEG+RAW images. Note: this rate is not available if the ISO setting is at 25,600. Also needed for this shooting rate is a minimum shutter speed of 1/500 second.

    The AF has nine cross-type points spread across the frame. You can manually select and adjust focus points, or simply use full automatic mode.

    The APS-C sized CMOS captures a maximum image size of 5184×3456 pixels, leading to a printed image of 44x29cm print.

    Video can be shot in MPEG4 up to Full HD 1920×1080 pixel dimensions. In my test at the skateboard park I used the ‘tracking’ AF setting which worked well once it ‘locked on’ to a section of the subject but took a second or two to do so.

    Because you must use the main switch to select video you cannot shoot stills mid video recording.

    Canon EOS 700D/Rebel T5i ISO Tests

    Canon EOS 700D ISO 100.JPG

    Canon EOS 700D ISO 400.JPG

    Canon EOS 700D ISO 800.JPG

    Canon EOS 700D ISO 1600.JPG

    Canon EOS 700D ISO 3200.JPG

    Canon EOS 700D ISO 6400.JPG

    Canon EOS 700D ISO 12800.JPG

    Canon EOS 700D ISO 25600.JPG
    By ISO 6400 noise became noticeable. By ISO 12800 still travelling quite well and useable. By ISO 25600 noise up high and definition down — not useable IMHO.

    Canon EOS 700D/Rebel T5i Verdict

    Quality: top level, sharp, well saturated. Notice the shot above of the mangrove trees and backlit yachts: cropped to one seventh of original image!

    Why you’d buy the Canon EOS 700D/Rebel T5i: enjoyable AF action; creative filters for the playful (!); gets you into DSLR shooting at an affordable cost … but don’t forget, budget for expensive, high quality lenses!

    Why you wouldn’t: you need a bigger image; you need more pro image control.
    An ideal starter model for the DSLR wish-alots!

    Canon EOS 700D Specifications

    Image Sensor: 18 million effective pixels.
    Metering: multi zone, centre-weighted, spot, partial.
    Lens Mount: Canon EF/EF-S.
    Exposure Modes: Program AE, shutter and aperture priority, manual.
    Effective Sensor Size: 22.3×14.9mm CMOS.
    35 SLR Lens Factor: 1.6x.
    Shutter Speed (stills): 30 to 1/4000 second and Bulb; X-sync at 1/200 sec.
    Continuous Shooting: 5 fps.
    Memory: SD/SDHC/SDXC cards.
    Image Sizes (pixels): Stills: 5184×3456 to 480×480.
    Movies: 1920×1080 (30p/25p/24p), 1280×720 (60p/50p), 640×480 (30p/25p).
    Viewfinder: Optical plus 7.6cm LCD screen (1,040,000 pixels).
    File Formats: JPEG, 14-bit RAW, JPEG+RAW, MPEG4.
    Colour Space: sRGB, Adobe RGB.
    ISO Sensitivity: Auto, 100 to 25,600.
    Interface: USB 2.0, HDMI mini, EyeFi, mic, remote.
    Power: Rechargeable lithium ion battery, DC input.
    Dimensions: 133x100x79 WHDmm.
    Weight: 580 g (inc battery).
    Price: Get a price on the Canon EOS 700D (Rebel T5i) with 18-55mm EF-S IS STM Lens or the Canon EOS 700D (Rebel T5i) with 18-135mm EF-S IS STM Lens at Amazon.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Canon EOS 700D Review


    Digital Photography School

  • DEAL: Save 30% off Phil Steele’s Headshots and Portraits Course

    1368020478609390876Over on our sister site – SnapnDeals – we have a great offer running right now – it gets you 30% off Phil Steele’s Headshots and Portraits course.

    Many of your have taken Phil’s other courses and will be familiar with his helpful videos so will know that he always delivers great training for photographers.

    This course will teach you how to take professional looking head shots and portraits on a budget – just using small flashes. Normally the course is $ 47 but with this Snapn Deal it is just $ 33.

    Check out full details of what’s included here.

    PS: if you’re interested in weekly promotions like this just add your email address to the field below and we’ll send you a weekly update of all new deals.

    It’s free, we don’t share your details with anyone and you’re welcome to unsubscribe any time if you don’t find the deals to be for you.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    DEAL: Save 30% off Phil Steele’s Headshots and Portraits Course


    Digital Photography School

  • DSLR Lens Reviews 2013: Which Lens To Buy?

    Without the right DSLR lenses, you’re not taking the best possible pictures that you can, nor are you living up to your full potential as a photographer. Do you want to snap the sharpest, most crystal clear pictures ever? You need to use a really high-quality lens to make your pictures come out the best every time. In this list Continue Reading

    The post DSLR Lens Reviews 2013: Which Lens To Buy? appeared first on Photodoto.


    Photodoto

  • Save Time with Batch Exposure Blending

    A Guest Post by Nick Rains.

    Do you ever shoot a bunch of exposure-bracketed shots and then never get around to blending them together?

    Maybe you don’t shoot multiple exposures in the first place because you don’t want to spend hours in front of the computer blending together the individual images. If you are like me, the thought of individually exposure-blending a whole load of images is just not what photography is all about – I know I can produce better images with better tonal range this way but it seems like a lot of work in front of the computer.

    What if I told you I do most of my exposure blends automatically?

    Here’s how :

    You need Lightroom and a Lightroom plug-in called LR/Enfuse.

    This is free to download but is restricted to work only on low resolution images. The good news is that the full version is donationware and when you find out just how genuinely useful it is you’ll be happy to pay a modest amount. The guys who write these plugins do need support – I’d suggest $ 10 – $ 20 – but it’s up to you

    So, here we go…

    1. Shoot your exposure blend image sets as normal – I recommend using the two-second self-timer combined with auto-bracket so that you get all three shots with one press of the shutter button. I normally set the auto-bracket to plus and minus 2 stops which seems to cover most high contrast scenes.

    2. Import the images into Lightroom as per usual.

    3. In the Library Module, view the folder of the images you just imported and choose Photo / Stacking / Auto-stack by Capture Time. Set this to about three seconds and Lightroom should collect all your sets of bracketed images into stacks because they will normally have been shot less than three seconds apart. Adjust the slider and you’ll see them stack and unstack in ‘real time’. Choose Photo / Collapse All Stacks and you should now see single stacks each containing the images which make up each exposure blend sequence.

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    Auto-stacking is not foolproof, but you will soon get the hang of it – the trick is to make sure the folder only contains bracketed images that need stacking. If you mix them up with single captures it’s possible that you’ll get a few odd stacks.

    4. Now select all the stacks that are made up of your three exposure brackets (command or control-click to multi-select).

    5. Choose File / Plug-in Extras / Blend Exposures using LR Enfuse.

    6. Use the default settings under the Enfuse tab but on the Ouput Tab check the box at the top called “Batch Mode”, check the box labelled “Create blended image in the same folder as the primary image in the set” and check the box labelled “Reimport image into Lightroom”.

    Batch Exposure Blending 4.png

    You can ignore ‘Auto-align’ if you used a tripod, otherwise, if you shot hand held, turn this one.

    7. Hit the “Enfuse Images” button.

    8. Go get a cuppa whilst LR/Enfuse works its way through each individual stack of images, converts them according to any raw settings in the Lightroom Develop Module, exposure blends them, saves the result into the same folder as the originals, and imports them back into the Lightroom catalogue. All on full automatic.

    What you’ll see is one new file pop up next to each stack in the folder. These will be your exposure blended images.

    Batch Exposure Blending 5.png

    Batch Exposure Blending 6.png

    Pretty cool huh? Here’s the before (top) and after (bottom) of the image we processed (click to enlarge to full size).

    Before.jpg

    After.jpg

    Images: Springbrook National Park, QLD – Twin Falls. Shot on a Canon EOS 5D Mk III – EF8-15F4L

    This is only a quick run through the method, it’s not completely foolproof and occasionally you’ll have to go back and manually blend a difficult image using Photomatix or something similar, but, on the whole, LR Enfuse does a superb job.

    One refinement would be not to do much adjustment in LR before blending, set LR/Enfuse to create 16bit TIFFs and then use LR’s extensive tone mapping tools to adjust the new output file to suit your tastes. I intend to go through this process in greater detail in a Lightroom eBook I am currently working on.

    In the meantime, automating your workflow like this can save you a huge amount of time. Setting it up in the first place might take a bit of thought and effort but, believe me, it’s well worth it.

    Nick Rains has been a professional photographer for almost thirty years, doing mostly editorial work for clients such as Australian Geographic and has made a point of keeping up to date with technology. His latest forays into the world of current technology have been shooting more and more video and creating an iPad app called Photique where he publishes articles and interactive eGuides as well as free image portfolios.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Save Time with Batch Exposure Blending


    Digital Photography School

  • Say Goodbye To Adobe Creative Suite (Adobe Moves To The Cloud)

    Screen Shot 2013-05-06 at 1.56.03 PM

    Unless you haven’t been on your computer at all in the last 24-48 hours, you have probably heard by now that Adobe announced an end to their Creative Suite of products and will now be moving to a subscription only based service. This news was not received well in the photography community on Monday as photographers flocked to social media sites to bash Adobe and voice their opinions. Here are some facts about Adobe’s new move…

    • First, like I mentioned above, Creative Suite will be no more. Gone are the days of walking into a brick and mortar store and purchasing a copy of Photoshop that you can call your own. While you will still be able to buy licensed copies of Adobe Photoshop Elements, any pro-grade version software like Photoshop, Dreamweaver, Illustrator, etc will only be cloud based.
    • As of right now, Adobe Lightroom will still be ‘cloud-free’ and available for purchase as a licensed product. Although I doubt this will last very long as Adobe CEO reported that, “Adobe has no immediate subscription-based plans for Lightroom, but the migration to digital copies is the wave of the future.”

    New Pricing Options

    Adobe Photoshop CS6 Extended used to cost $ 999. On average, Adobe seemed to be on an 18 (some odd) month product cycle between CS updates. This means that if you divide $ 999 by 18 months you come out with $ 55.50 per month.

    Going forward (and this has been an option ever since the Creative Cloud became available) you’ll have the option of buying an annual subscription to Photoshop alone for $ 19.99/month or you can have access to the entire lineup of Adobe products (formerly known as the Creative Suite) for $ 49.99/month. And as a bonus, if you are a CS3/CS4/CS5/CS6 customer, you’ll get the entire suite of products for $ 29.99/month for the first year. Adobe used to have an option for if you just wanted to pay month to month without an ‘annual agreement’ but that seems to be gone now. I believe that was $ 29.99 a month. Now you have to make an annual agreement but it’s unclear at this point what that entails.

    Let’s Do The Math

    So let’s see if this is more expensive, less expensive or a wash. Well, as you’ve already read above, if you used to be a customer who upgraded with each update (ie: always upgraded from CS4 to CS5 to CS6) then you will save money now. You won’t have to shell out a fat stack of Benjamin’s any longer at your local software store. If you pay just the $ 19.99 a month on an annual agreement plan, you will pay $ 359.82 every 18 months. That’s a savings of $ 640.17 according to my calculator. Am I missing something? That’s a savings of 64%…

    The entire creative suite (Photoshop, Dreamweaver, Illustrator, InDesign, After Effects, Premier Pro, Muse and more) used to cost $ 2599.99. Divide that by 18 months (again, 18 months is the average amount of time between previous versions of CS) and you get $ 144.44 a month. Compare that to the new $ 49.99 a month and you have a $ 94.45/month savings or (again) about 65% less.

    Now, I was never much of a math wiz in school but I’m pretty sure I didn’t screw any of that up.

    Did Adobe just decrease their pricing by 65%? It sure seems that way to me. At least if you’re going off an average 18-month product cycle. You do have to take into account that there will be no more Creative Suite. That means Adobe will no longer come out with NEW versions of Photoshop. There won’t be a CS7. They will only add features to Photoshop that will become available the next time you open up Photoshop.

    What About Those Who Didn’t Buy Every New Version?

    That’s a great point. At $ 19.99 a month, it would take 50 months to come out to $ 999.99 (the cost of the old Photoshop CS6 Extended version). That’s just over 4 years. That’s just under 3 18-month product cycles. Call it two. That means that for those who are still using Photoshop CS4 and haven’t updated to CS6; they are still paying the same amount in the long run but are now getting the advantage of having the latest version of the software, with effortless updates as well as access to Adobe’s new Behance community.

    So What’s The Problem!?

    I’ll admit…when I heard about all this on Monday I was pissed. I even blogged about it. I’m the kind of guy who likes to save up for things I want and pay cash for them, rather than throw it on a credit card and make payments. I don’t have a car payment. I would never lease a car. So the idea of basically leasing Photoshop on a month-to-month basis doesn’t make me particularly happy. The issue for a lot of people is that the consumer, the customer, no longer has a choice. There are some people out there who just want to buy a product and not worry about their bank account getting drafted every month. It’s one thing to plan for automatic drafts like your gas or electricity, your cable or your car payment. It’s another when you start adding stuff like software programs. It’s just one more thing that could go through at just the wrong time and cause someone to overdraft their account. People like having a choice. With the new system you are giving up your right to actually OWN a product.

    Some people are also worried that since Adobe will have reliable/consistent income now with subscriptions that they will lose their competitive edge. They used to have to wow us all with each CS update. New features, new tools, new interface. They had to make us WANT it so we would flock to their website and stores to buy the new programs. If they get us all to sign up for these plans where they already have us, will they stop trying so hard to impress us? Who knows? Will that open the door to some relevant competitors? Who knows? Time will tell.

    My Suggestion To Adobe

    To be perfectly honest, I’m completely on board with getting rid of the physical copies of Photoshop and all the other Adobe products. When I buy a program like onOne Software’s Perfect Photo Suite, I don’t get anything shipped to my house. I get a license code emailed to me that I plug in once the software is downloaded. Easy peasy. What I think Adobe should do is just make an option available to us where we can rent the software for a full year or even multiple years at a time. And give us a discount for paying in advance. That way it’s pretty much just like it was before. Those of us who prefer this method won’t feel like we are renting a software program. It will be the same as owning it except we won’t have a disk sitting in the bottom of our junk drawer. This, at least to me, sounds very reasonable.

    Chime In!

    So what do you all think? This has been a very hot topic for the past day or so and everybody has different views. Let me know in the comments below and be sure to follow me on Twitter where you can get in touch as well.

     

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Say Goodbye To Adobe Creative Suite (Adobe Moves To The Cloud)


    Digital Photography School

  • How to Help Your Clients Feel Comfortable In Front of Your Camera

    Introduction

    This article is an excerpt from the newly released and critically acclaimed Natural Light Couples Photography Workshop by SLR Lounge. This 8 hour workshop on DVD has been designed from the ground up to teach photographers how to create professional portraiture using just a camera, reflector and their creative eye. Master planning, posing, lighting, shooting and post producing beautiful natural light portraiture in this gold standard workshop. Learn more by clicking on any of the links above, or at the end of this article.

    Article Overview

    If you have ever shot portraiture, then you probably know how difficult it can be to get your subjects to be comfortable when in front of the camera. Probably one of the biggest challenges in creating a great portrait is getting your subject to emote the types of expressions that you want for your imagery. It is a challenge that every portrait photographers will face virtually on every single shoot, which is why it is such a large area of focus in our workshop.

    We have found that the majority of people have a hard time in front of your camera for two primary reasons. If you can address and resolve these two issues, then you will immediately find an improvement in the emotion you are capturing within your subjects and images.

    So, let’s jump in and discuss these two issues and how we can resolve them.

    Reason 1. Clients Lack Basic Posing Experience

    Professional actors and models are comfortable with being in front of a camera because for the most part they know how to act/pose in front of a camera. But, let’s be honest, as portrait photographers, the majority of our clients are going to be people that aren’t professional actors and models.

    Instead you will generally have clients with little or no experience at all in front of a camera. Due to this lack of experience, your subjects are naturally going to be nervous because they do not know how to pose or what looks good in front of a camera.

    The beginning of every shoot for our studio, Lin & Jirsa Photography, starts the exact same way. We start each portrait session by teaching our clients several simple posing techniques. We refer to our posing system as “Foundation Posing Framework” and we teach it extensively on the Natural Light Couples Photography Workshop and all the images that we will be showing here are from the workshop.

    Now, when we instruct clients, we are avoiding a lot of the details and technical explanations. What we are doing, is simply giving them a foundation of what to do in general when posing. This Foundation Posing Framework creates a simple and common set of posing vocabulary making it incredibly simple to communicate poses to your subjects.

    When starting the instruction, I ask my clients, “Have you ever wondered why celebrities always look good when they pose on the red carpet? It’s cause they know the posing basics! Do these things, and all your friends will wonder why you guys are so photogenic in every photo you take.”

    Before teaching them the basics, I generally will take a quick photo of them. Once they have learned the basics, I take another portrait simply with the intent of showing them how big of a difference the posing tips made, and how great they look in the photo. Virtually every time my clients see that first great looking shot, they immediately and visibly relax. They now know that look great, and that they can rely on you, as the professional, for posing instruction. At this point, I remind them that I will be helping pose them throughout the shoot, so they don’t need to feel like they have to remember everything they just learned.

    01-lack-of-experience

    Now this entire process only takes about 10 minutes. You will not only start capturing better photos and expressions from the start of your shoot, you will also find that about half way through a portrait session, your clients will start doing all the posing on their own! All you have to do is use keywords from the Foundation Posing Framework and say, “V-up and look at each other” and boom, they do it all by themselves!

    02-lack-of-experience

    Reason 2. Your Clients Don’t Know You Yet

    The second reason reason why your clients will feel awkward during the photo shoot is really common sense. It is simply because they are not comfortable with you yet. Hence, they will be more reserved with their emotions, (especially if they have just barely met you for the first time!) making it difficult to capture natural and genuine expressions.

    The bottom line is that you will have to connect with your clients in a personal way, as quickly as possible, and have more than just a surface level “photographer-subject” relationship.

    On the Natural Light Couples Photography Workshop, we show a lot of the interaction that I have with Ryan and Jackie. Ryan and Jackie are our actual clients, and this is my first time shooting them. So you can literally watch me build up this relationship during the shoot as I joke around and have fun with them.

    Since each photographer has their own personality and shooting style, they will connect with their clients differently. I tend to joke around a lot with my clients, self-deprecate, poke fun, tell stories, etc. Anything I can to help them feel like I am their friend, not just their photographer.

    Interestingly enough, I find that if I focus on the guy, making sure he is having a good time, the girl is quick to relax as well. This is because in general, we have found that guys generally are not into taking photos. Instead, the guy is going along with it essentially as a “favor” and the girl is constantly worrying about whether he is bored, having fun, acting natural, etc. So, once the guy is having a good time, the girl stops worrying about him and relaxes as well.

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    When Working with Solo Subjects Repeat Everything Above

    The same rules still apply when shooting a subject solo, whether it is for portraiture, editorial or fashion. Prior to the photo shoot, we talk about everything except for photography with the client. Instead, get to know your client and just have a good time. This conversation before the shoot helps to break the ice and will make your client feel comfortable during the shoot since your client will look at you as more of a friend, a real person, and less as a photographer.

    Once you start the shoot, remember to still coach your subject and show them some shots taken at the very beginning of the shoot. Seeing great photos of themselves right at the start of the shoot will again help them to realize they already look great, so they can relax and have a good time.  

    If they point out something that they don’t like in your initial photos, you can keep that in mind throughout the rest of the shoot and maybe show them images again here and there to make sure they are happy with the photos.

    Conclusion & Learn More!

    If you are interested in learning more, join us on the Natural Light Couples Photography Workshop. This 8 hour workshop on DVD teaches photographers how to create professional portraiture using just a camera, reflector and their creative eye. We cover how to:

    1. Plan and prepare a moodboard with clients
    2. Pose and instruct clients using the Foundation Posing Framework
    3. Modify and perfect the scene’s natural lighting with a simple reflector
    4. Work through 5 different scenes and locations utilizing different set props and activities
    5. Compose and shoot consistent, creative imagery
    6. Post produce a professional final product

    Learn more by Clicking Here.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    How to Help Your Clients Feel Comfortable In Front of Your Camera


    Digital Photography School

  • Come Photowalk in the Biggest Photowalk In History with My Pals Trey Ratcliff and Robert Scoble — We’re Giving Away Google Glass!

    New Videocast Photo Talk Plus Premiers Live Tonight at 8PM PST

    Next Tuesday evening, May 14th at 5:30pm, my good pals Trey Ratcliff, Robert Scoble and the awesome team at Google+ Photos will be joining me for an historic and truly epic photowalk in San Francisco. We think it will probably be the largest photowalk ever held in the history of photowalking — already almost 600 people have signed up! We will start the walk in Yerba Buena Gardens in downtown San Francisco.

    Most exciting, one of our lucky photowalkers will win Google Glass. That’s right, a winner will be selected randomly — you must pre-register for the walk here and must be present at the end of the photowalk in person to win. We will go over the rules and details on how to win the Glass at the photowalk.

    This is a free event open to everyone regardless of skill, experience, camera type, etc. Bring your Holga/Diana or your Canon 5D Mark III or your Rebel or your Android phone — or even that other phone that I can’t ever remember the name of ;)

    We will be announcing more details between now and the event, but you won’t want to miss this fantastic San Francisco event. We will have a great afterparty too where we can all geek out about photography.

    See you there!


    Thomas Hawk Digital Connection

  • HCAC: Soprano Rebecca Hargrove

    It's May. Which always means two things for me: dealing with heavy allergies and beginning my next batch of portraits for the Howard County Arts Council.

    The drudgery of allergies is offset by the pure pleasure that is getting to work with a group of insanely talented young people. Doing the portraiture for the Rising Stars program is one of my favorite projects of the year.

    One of the first this year was soprano Rebecca Hargrove, who we photographed in the venerable Garaj Mahal Studios…

    Read more »
    Strobist

  • Backlit Photography 101: Secrets of Expressive Backlit Portraits

    Do you want to avoid an overworked edit in order to obtain golden portraits with sunrays and lens flares? Shooting against the sun is challenging, however three factors and a bit of practice can easily transform your backlit photography. One of the leading rules in elementary photography is to avoid shooting against the sun. Usually you will end up with Continue Reading

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    Photodoto