Category: Photography

  • Curves: Weekly Photography Challenge

    This week – as a follow up to our article Composing with Curves – your challenge is to take and share an image on the theme of ‘Curves’.

    Atlanterhavsveien - "The Atlantic Road"

    Read Composing with Curves, choose one of the types of curves mentioned (‘C Curves’, ‘Arches’, ‘S Curves’, ‘Circles’ or ‘Implied Curves’) and go out and try to capture some of them.

    Arched people

    Once you’ve taken your ‘Curves’ Photos – choose your best 1-2, upload them to your favourite photo sharing site either share a link to them even better – embed them in the comments using the our new tool to do so.

    If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSCURVES to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    Beijing Opera House ("The Egg") - ?????

    Also – don’t forget to check out some of the great shots posted in last weeks Headshots challenge – there were some great shots submitted.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Curves: Weekly Photography Challenge


    Digital Photography School

  • DSLR Flash Kit Reviews 2013: Which Flash Kit To Buy?

    In the world of photography, the word Flash is perhaps the one that you’ll hear the most, as it has a whole multitude of applications and references, why is this? The main reason, is due to the amount of kit that you can buy that carries the flash name: Flashguns Flashheads Flashstands flash diffusers The list goes on and on… Continue Reading

    The post DSLR Flash Kit Reviews 2013: Which Flash Kit To Buy? appeared first on Photodoto.


    Photodoto

  • Q&A: Photek Softlighter II or Paul Buff PLM?

    Sydney, Australia-based photo assistant Diego asks:

    You seem to use the Photek Softlighter a lot. How would this compare to the Paul Buff PML Soft-Silver with the White Diffuser?

    While they are similar (both sub-$ 100 Octa killers) they are pretty different under the skin, So which model you'll prefer depends on how you'll use it…

    Read more »
    Strobist

  • Using Water to Lighten Landscape Photos

    Water-LandscapePhoto by peter bowers

    Most Pro landscape photographers recommend shooting either at (or around) dawn or dusk in order to capture their scene in the ‘golden hours’ when the light is at it’s best (in fact some will rarely shoot at any other time of day).

    However, one of the problems associated with shooting at this time of day is that while the sky will often have enough light in it the foreground of your images can sometimes end up being a little underexposed and featureless.

    One way to get around underexposed foregrounds is to include water in that area of your shot and to get it reflecting light from the sky.

    This is a particularly effective technique at sunrise or sunset when there’s color and interesting cloud formations in the sky (and reflections in the water).

    It may take a little experimentation with different positions to shoot from in order to get the right part of the sky in the reflections but with a little trial and error the effect can be quite stunning and a much brighter and more balanced image.

    Even if you don’t get perfect reflections the light coming from the water can help balance the shot and help you overcome underexposed foregrounds.

    Landscape-WaterPhoto by IrenaS

    LandscapePhoto by Bram & Vera

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Using Water to Lighten Landscape Photos


    Digital Photography School

  • 20 Photography Tips Every Travel Photographer Must Know

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    1. Get up Early

    The best light to capture most kinds of subjects is in the golden hours- one hour after sunrise and one hour before sunset (depend off course on where you are on the glove). So get up early to get that amazing photo opportunities, while all the other tourists are still asleep.

    2. Do your research

    Don’t leave it to chance and learn as much as you can about the place you are about to travel. The more you know, the more “intelligent” your images will be.

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    3. Learn your Craft

    Don’t waste your expensive traveling time on learning how to operate that new camera, lens or flash. Do your homework at home.

    4. Choice the Right Lodging

    Staying on the center of town, or having a room with wonderful views can create a lot of great photo opportunities.

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    5. Say Hello

    Learn how to say “Hello” in the local Language, and greet the locals when taking their photo.

    6. Get Inspired

    Watch the portfolio of other photographers in order to get new ideas and get inspiration. You can read the interview I did with Steve McCurry, the photographer of the “Afghan girl”, to get few great tips for a true master.Also, If you perceive yourself as an artist, you must acknowledge the work of other artists. Do not underestimate inspiration: visit art galleries, attend some photography lectures, listen to classical music, read good books.

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    7. Feel the Place

    Photography is not only about visual inspiration. Try the local food, smell local markets and hear local music, this will help you to better understand the story of the place.

    8. Find a Fixer

    Talk to locals and seek their advice on great photo opportunities in their own country.

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    9. Travel Light

    Don’t take your entire house with you. When I travel I take with me only two lenses: One zoom and one prime lens. This is extremely important tip if you plan to do some hiking or trekking.

    10. Get off the Beaten Path

    Yes I know that in Cuba they smoke cigars and that in Thailand they have monks. Tell your viewers something fresh and new. Share your own point of view of the place. You will be able to do so, only after following tip number 2 and 6.

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    11. Don’t try to get it all in once

    Don’t try to see everything on your limited time. It is much smarter to get a better understanding about each place you visit on your journey. Slow things down, and your images will get better.

    12. Travel Slow

    If time allows you, always choice to travel by train or bus over flying. As it will allow you to have better Interactions with the locals.

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    13. Leave the Camera Behind Sometimes

    Don’t spend your entire trip looking through the lens. Enjoy your time just traveling and enjoying the ride.

    14. Keep it Natural

    One of the most important and influential photographers of all time, Henri Cartier Bresson- Never ever used flash in his photography. A practice he saw as “impolite…like going to a concert with a pistol in your hand.” Try to learn how to use and enjoy the benefits of natural light before you buy that expensive flash or reflector.

    15. Get Higher

    Every good travel photo series must have at list is one bird’s eye view of the place (Being referred sometimes as the “establish shot”). Find yourself a vintage point overlooking the entire city or town.

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    16. Stop with the Excuses

    “Well, if I had an expensive camera and lenses like you have” or “If someone would pay me to travel”, or “but, you have so much time on each destination”.

    All of those, are excuses I often hear from my travel photography students. Excuses they tell themselves to answer the question of “Why cant I get Strong images?”
    So, A. My first newspaper published cover image, was taken using a pocket camera.
    yes, equipment is important and it certainly makes life easier. But don’t forget the camera is just an instrument. A “pipe” which captures your vision and thoughts. Do not cry over the equipment you don’t own. spend the time and money to learn photography, reading books about it and travel as much as you can.

    And B. For my first 8 journeys, no one paid me anything. I worked very-very hard at my day job for a whole year, and then I spend my money on traveling. I slept in some shitty places got bus rides from hell. This lifestyle requires commitment. And today, even as I get paid for traveling somtimes. The lengths are usually one to two weeks per assignment. Two weeks to come back with an amazing results. Not excuses like “but it was raining and I was sick” are accepted.

    So, stop the excuses, and get back to work.

    17. Find Yourself a Master

    : the best way to learn (anything) is by watching a master working on his craft. Try to find a photographer which you can accompany as his assistant. It is true that most travel photographers like to travel alone. But it doesn’t have to be a travel photographer. Most of my knowledge about using light, I learned from a great fashion photographer, which I served him as an assistant for a while.

    18. Stop Using Excuses

    “Well, if I had the time \ money to travel the world or if I had the money to buy that new camera \ new lens … I’d probably be an excellent photographer”. Excuses are just our way to explain ourselves why our photography doesn’t get any better. No matter where you live in the world: New York, the Middle East or a small village in France. Try to see the beauty of the place you live in. if you will find the beauty of that place and bring within your images, people will follow.

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    19. Don’t stop Traveling

    A good travel photographer must keep is portfolio alive. Keep on traveling, and as the last tip mentioned: you don’t have to travel to far and exotic places to do so. As it is very easy to travel to India and get “good” travel photography. Try to bring the beauty of your own local town. Travel to the nearest market or attend the next festival as a way to keep your craft improving.

    20. Be Human

    Treat your subject as well as you can. Don’t shoot people for a far distance, don’t shot people who don’t want to get snapped. If you promise to send their photos, please do so. This will ensure that the photographer that will come after you will be received with a smile. And don’t forget, sometimes it is best to just leave the camera behind and enjoy the ride.

    Oded Wagenstein is a Travel photographer and writer. He is a regular contributor to the National Geographic Traveler magazine (Israeli Edition) and his images have appeared in many national and international publications and websites.
    He is known for his intimate culture portraits. In his works he put the emphasis on understanding the culture and achieving good relationship with the person being photographed pre-shooting.

    You can join his Travel photography group on Travel photography group on Facebook and continue to discuss on travel and people photography.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    20 Photography Tips Every Travel Photographer Must Know


    Digital Photography School

  • Google Unveils Cutting Edge Photography Tools to Make Your Photos Look Better and the World A More Beautiful Looking Place

    Through Glass

    Google unveiled significant new innovation in the world of online photography this morning, continuing their rapid development pace on Google+. All in, Google+ pushed out 41 new features today.

    Much of the new work is focused on post production photography to make people’s photographs look better than they can straight out of the camera.

    Some have suggested that part of Instagram’s success has been their ability to enhance users’ photos with very simple, one touch filters. Instagram has focused on a faux film aesthetic which actually highlights the flaws in many photos to give them more of an artistic, old school feel. By contrast, Google’s easily and automatically applied post production tools, released today, work to make photos look more vivid, life like and realistic.

    By using simple techniques like skin softening, clarity adjustment, smart vignetting, HDR and other enhancements, Google, by default, now offers an enhanced photo for every photo uploaded by users to Google+. Also, with this new tech, Google will give you the ability to view the before and after results and decide which you prefer to use. For photographers who do not want their photos altered in any way, these users can turn this default functionality off.

    Google Releases New Tools for Photographers Using Google+

    As a photographer, I have long been a believer of photo manipulation and post processing technology. Ansel Adams said “you don’t take a photograph, you make it,” as highlighted in Google Social Chief Vic Gundotra’s keynote this morning. Much of Ansel Adams’ genius has been attributed to the work that he did in the darkroom with his photos, his zone system, his post production technology of his time.

    I post process all of my photos. The photo at the top of this post is the very first photo that I made with my new Google Glass that I bought yesterday. While I was able to get the composition to a point where I wanted in camera, much of the pop of that image is done with my own post production technique and style.

    Many of my photographer friends also spend a great deal of time post processing their images — but the vast majority of the people out there really don’t post process at all. These people don’t own Lightroom and Photoshop or Nik Suite or Aperture or whatever else they might use to improve their photos. These are every day non-photographers who are still enamored with photography and imagery.

    By applying some very basic algorithmic based enhancements, Google can make photos for the masses look much better than straight out of the camera. This is a very smart move on Google’s part. Where Instagram makes your bad photos look purposefully worse, Google now makes your bad photos look purposefully better! I stole that line from an unnamed source, btw. ;)

    Where this new tech is especially powerful is in photos of people. By using basic skin softening post production tech, photos of people will look better on Google+ than on other social networks. By appealing to our vanity, this gives Google a big advantage. If people can post photos of themselves on Google+ that make them look BETTER than on other networks, many more people will choose to post their photos on G+. Just watch as people post photos of themselves on G+ for auto beautification and even download and post them to other networks I bet.

    All of this sort of fancy post production *can* be done today by skilled post production photographers who spend hours and hours behind Photoshop. Now much of it will be automated and released to the masses.

    There will undoubtedly be some naysayers about this tech. The same folks who moaned about the Instagramification of mobile photography will probably also complain about this new tech too. Google was smart here by giving users a very simple way to deal with this, by simply turning off this feature.

    While the photo enhancements were the sizzle of Google’s announcements today, there were many other significant enhancements added to Google Photos.

    Google will now begin to analyze your images and auto tag them. This is no trick where low paid overseas workers are manually reviewing your images; Googles’ algorithms now can look at the context of your photo and the actual subjects in your photos to identify possible tags for the images. If you post a photo of the Eiffel Tower, Google can detect the Eiffel Tower in your photo and add that tag for you. If Google gets the tag wrong, for whatever reason, it’s simple for you to just remove it.

    What this means is that more of your photos will be seen in search by people using Google products. Many photographers are looking for more traffic and views on their photos. Who better to provide this traffic than Google Search, yes, using Google auto applied tags. This is the future of image search. If you are a photographer, especially one who depends on photography for your living, you cannot afford to ignore the significance of Google Search. Many of my own photo sales are made by people finding my photos while searching on Google. By uploading your photos to Google+, your photos will rank better in search and now even moreso with this new auto-keywording functionality.

    Google Releases New Tools for Photographers Using Google+

    Google also introduced a new smart algorithm that can analyze your photos and show you which ones Google thinks are the best of the batch, offering you highlights. Oftentimes we will “spray and pray,” taking 20 images of one person or subject. Google will analyze all of the images and suggest the best one for you. Google uses not just technical information about a photo (is it blurry or underexposed?) but they are using human tested aesthetics to look for what is most appealing.

    But there’s more! In addition to the tech released above, Google has also added some very easy tools which will auto generate gifs for you of your photos, auto HDR bracketed shots, and suggest other compelling ways for you to present your photography to the world. Almost miraculously, Google can even look at photos of multiple people and merge the photos into a single photo that takes the best expression of each individual from *different* photos.

    All of this also comes with an awesome new look and layout of Google+ which better highlights photography on the network. Popular photos will now be featured in jumbo new oversized form across a three column layout. For non highlighted photos, Google also made portrait oriented photos, especially, look better and bigger. In the past, the portrait format was the worst looking photo format on Google+, now it’s the best — that’s worth noting. ;) For folks who don’t like the three column layout, they can switch back to a single column if they’d like.

    A couple of other notes: all of this work that Google does with your photos is done behind the scenes for your eyes only. You can use the tech or not use the tech. If you use the tech and like it, *you* then choose to share the image to Google+. Nothing is shared until you choose to share it.

    The new technology will only work with the JPG format (hopefully Google comes out with RAW support down the road). Google increased everyone’s storage to 15GB of online storage, but note that any photo sized 2048 px or smaller does not count towards your 15GB storage limit (you can also buy more storage if you want to). Google allows unlimited uploading of photos that you either manually resize or allow Google to resize to 2048 px. There is an option on Google where you can set whether or not you want to upload full high res photos or resized 2048 sized images.

    I upload some of my photos full res, and many of them I resize manually myself to 2048 px.

    Google also introduced a free, stand alone hangout app that you can now use with your mobile phone or desktop device bridging text, photos and real time group video into a single app that preserves conversations (at your choice) over long periods of time. Hangouts have been one of the most popular Google+ feature and several photography related shows have been built around them.

    More detail on these changes at Google here. More from Matthew Hanley here. Trey Ratcliff wrote insightful commentary here.


    Thomas Hawk Digital Connection

  • Samsung WB250F Review

    Samsung WB250F Review.jpg

    You may question why I selected the Samsung WB250F for review after my less than positive review of the Galaxy, a camera replete with all sorts of problems like dust on the sensor, poor ISO performance and an inordinately long startup time!

    My reasons: Samsung is now a major player in electronics, especially smart phones and the like, so a reasonably priced device such as this is worthy of attention.

    The Samsung WB250F has an 18x zoom which begins on a usefully wide 24mm 35 SLR equivalent focal length and reaches out to a 35 SLR equivalent of 432mm.

    Samsung WB250F Review rear.jpg

    Samsung WB250F Review top.jpg

    Samsung has evolved its innovative Wi-Fi technology by creating SMART CAMERA 2.0: with it images and video can be sent simultaneously to a smartphone or tablet (using the Android OS) via a Wi-Fi connection.

    Samsung WB250F Features

    The maximum image size is 4320×3240 pixels, enabling the output of a 37x27cm print.

    Full HD video at 1920×1080 pixel resolution can be shot in MPEG4 format. The quality is about as good as you get from a still camera, although with a little focus hunting mid zoom.

    You can shoot stills mid video recording: a tiny icon of each still shot pops up on the LCD each time it is shot.
    House full wide.JPG

    House full tele.JPG

    The external controls are sufficient to get the camera going:

    Top: on/off button; shutter button and zoom lever; Wi-Fi button; raise the flash button; mode dial with positions for auto, PASM, smart capture, best face exposures, W-Fi setup, a ‘magic’ button which allows you to do some extreme fiddling with saved shots … like arrange or edit several shots, create a GIF animation, apply a filter to video, etc.
    Canoes.JPG

    Wall painting.JPG

    Rear: menu; replay; trash; traverse through saved images; video record button; the control dial has positions for flash, macro, single/continuous shooting; display options.

    There is a collection of 12 photo filters you can apply to saved image: from ink and oil painting to cartoon effect, sketch to retro (sepia) and more.

    Menu.jpg

    My Magic Frame.jpg

    Photo filters.jpg

    The screen menu is reasonably comprehensive but not daunting. The touch screen makes life with the WB250F extremely easy.

    Startup Time

    About two seconds from start up I could shoot the first shot; each shot came in about a second apart.

    Distortion

    No distortion evident at the wide or tele ends of the zoom.

    ISO Speeds

    Samsung WB250F ISO 100.JPG

    Samsung WB250F ISO 400.JPG

    Samsung WB250F ISO 800.JPG

    Samsung WB250F ISO 1600.JPG

    Samsung WB250F ISO 3200.JPG

    By ISO 1600 it appeared that definition had lowered. By ISO 3200 definition was even lower but surprisingly noise had not risen substantially.

    Samsung WB250F Review Verdict

    Quality: average snapshot.

    Why you would buy the Samsung WB250F

    : looks good in white; budget-priced, compact, easy-to-use stills and video camera.

    Why you wouldn’t: your ambitions run higher; no HDMI output.

    Overall, this is an impressive little camera. It could easily replace my family snapper bought two years ago at twice the price!

    Excellent value!

    Available in two colours; white and cobalt black.

    Samsung WB250F Specifications

    Image Sensor: 14.2 million effective pixels.
    Sensor Size: 7.67mm CMOS.
    Lens: f23.2-5.8/4.0-72mm (24-432mm as 35 SLR equivalent).
    Stabilisation: Optical image.
    Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
    Metering: Multi, centre-weighted, face detection.
    Shutter Speed: (Auto) 1/8 to 1/2000; (Manual) 16 to 1/2000 second.
    Continuous Shooting: 6 shots at 8 fps.
    Memory: micro SD, SDHC, SDXC.
    Image Sizes (pixels): 4320×3240 to 1024×768.
    Movies: 1920×1080 and 1280×720 (both 30fps); 640×480 (60fps) and 320×240 (30fps), 240 web.
    Viewfinder: 7.6cm LCD (460,000 pixels) touch screen.
    File Formats: JPEG, MPEG4.
    ISO Sensitivity: Auto, 100 to 3200.
    Interface: USB 2.0, AV, Wi-Fi, DC input.
    Power: Rechargeable lithium ion.
    Dimensions:107x62x22 WHDmm.
    Weight: Approx. 226 g (ex battery).
    Price: Get a price on the Samsung WB250F at Amazon.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Samsung WB250F Review


    Digital Photography School

  • Composing with Curves

    Do you want to make your images more dynamic and aesthetically pleasing? Try looking for curves when you are photographing!

    Once you start looking for them, you will find them everywhere.

    Curves make an image easy to look at by leading the viewer’s eye through the frame. It is almost as if the photographer takes the viewer by the hand, draws them into the landscape, and points the way. The viewer’s eyes are compelled to follow the line.

    Curves are graceful, rhythmic, dynamic and add energy to an image. They can separate or connect elements or simply offer a balance.

    Look for C Curves

    C curves, or semi-circles, are probably the easiest curves to find since almost any curve qualifies. It can be anything from the gentle curve of a seashore, lakeshore, a rounded rock, or grasses blowing in the wind.

    While visiting a plantation I was immediately drawn to these live oak trees with branches that curve over the entire lawn forming a canopy overhead.

    Boone Hall Planation in Charleston, South Carolina by Anne McKinnell

    Boone Hall Planation in Charleston, South Carolina

    Arches

    Arches are another form of curve. They can be found naturally in rock formations if you’re in the right part of the world, or you can find them commonly in architecture. I like to make images with multiple arches if possible and take advantage of repeating curves.

    Archway in Balboa Park, San Diego, California by Anne McKinnell

    Archway in Balboa Park, San Diego, California

    S Curves

    S curves can have a mesmerizing effect on the viewer as their eyes sweep back and forth through the frame. They also create a sense of depth as the eye moves from foreground to background.

    S curves can be found in the natural flow of a river, a winding road, or a pathway.

    Colorado River, Arizona by Anne McKinnell

    Colorado River, Arizona

    Circles

    Circles can be found in nature from ripples in a pond or puddles of water, or in many man-made objects.

    Often in architecture you can find compositions that combine multiple curves as well as some lines that add depth and variety to the image.

    Legislature Rotunda, Victoria, British Columbia by Anne McKinnell

    Rotunda in the Legislature, Victoria, British Columbia

    Implied Curves

    Perhaps the most effective use of curves are the images that are much more subtle that the examples shown above: implied curves.

    They are created when objects in the frame imply the shape. Rather than the shape jumping out at you in the bend of river, the photographer has to put a little more work into composing an image to make the elements in the scene form a shape, or by recognizing and taking advantage of a shape when it happens.

    I was ready to make this image at Mono Lake, California, from a lower perspective when I realized that if I stood up and made it at eye level, the tufa formations would form an S shape.

    Mono Lake, California by Anne McKinnellMono Lake, California by Anne McKinnell

    At Custer State Park, South Dakota, I was following a herd of bison when this mother looked back toward her calf and I saw the S shape right away.

    Bison mother and calf by Anne McKinnellBison mother and calf by Anne McKinnell

    Tips:

    • Remember you are guiding the viewer’s eye so choose carefully where you want the the eye to enter the frame and where it should go from there.
    • Other compositional “rules” can also be applied. For example, you can have a symmetrical composition or follow the rule of thirds as well as having a curve shape in the frame for an effective and dynamic image.
    • Make sure the image is well balanced with your curve not too close to the edges of the frame.

    Give yourself a challenge and go on a photo shoot with the goal of finding curves and use them to add interest and beauty to your compositions.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Composing with Curves


    Digital Photography School

  • Size Doesn’t Matter: Capture DSLR-Quality Images with your Point-and-Shoot

    DSLR or point-and-shoot? Digital SLR cameras are excellent, but they are geared for expert-level photographers, whether amateur or professional. That hasn’t stopped their mainstream appeal, however—I’m sure you’ve seen people who lug along their DSLRs, and the only lens they have is the one it came with, and all of the settings are default. You may have also seen that Continue Reading

    The post Size Doesn’t Matter: Capture DSLR-Quality Images with your Point-and-Shoot appeared first on Photodoto.


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