Category: Photography

  • Shadows: Weekly Photography Challenge

    Earlier today we published our post – 25 Images with Shadows – which we hope gave you a little inspiration.

    Shadow images
    Now it is your turn.

    We’d love you to to grab your camera and over the next week look for some shadow images because that’s the theme for this weeks challenge. Take a shadow photo and then share it with us as outlined below.

    Once you’ve taken your ‘Shadow’ shots we’d love to see them in comments below. Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section as pictured below) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them.

    If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSPINK to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    Also – don’t forget to check out some of the great shots posted in last weeks Pink challenge – there were some great shots submitted.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Shadows: Weekly Photography Challenge

    The post Shadows: Weekly Photography Challenge by Darren Rowse appeared first on Digital Photography School.


    Digital Photography School

  • North Platte River in Colorado above Northgate Canyon

    North Platte River is one of my favorite paddling destinations. Usually, I paddle various flatwater river sections in Wyoming, but, recently, I scouted access points to the upper North Platte River in Colorado above Northgate Canyon.

    That river section in mentioned as “Upper Valley” in Paddling Colorado book by Dunbar Hardy. It is just 6 miles starting from put-in on county road 6 west of Cowdrey and ends in the Routt launch site (put-in for the Northgate Canyon run). The river is meandering in a wide valley with some beaver swamps.

    North Platte River above North Gate Canyon

    North Platte River in Colorado

    beaver dam on North Platte River near Cowdrey - Colorado

    I took these three pictures from the Routt launch site looking upstream on October 16, 2003 with the river flow about 250 cfs which is much higher than usual for autumn. Recommended flow for paddling is 500-1500 cfs. I believe that 250 cfs may be sufficient for downriver run, perhaps, with some occasional shallow spots. A packraft trip with a bike shuttle? A bike leg would include some hill climbing and would be longer than a river one.

    I added North Platte River pictures to my stock photography portfolio. There are available for download and licensing as royalty free pictures starting from $ 2 for a small size perfect for blogging or web publication.

    Related posts:
    Sun, Snow and Wind on the North Platte River in Wyoming
    Bennett Peak to Pick Bridge on the North Platte River, Wyoming
    44 Miles of the North Platte River in 2 Minutes
    57 Miles of Paddling on North Platte River from Treasure Island to Fort Steele, Wyoming


    paddling with a camera

  • 3 Tips for Creating Dramatic Images using Motion

    motion-dps-09

    There is a common misconception that if your image isn’t tack sharp and free of motion blur then it isn’t a good image. I’d like to show you three ways you can use motion blur to add drama and interest to your photography.

    Misconception: motion blur in photography = a bad image

    I would disagree and say, not necessarily so! It really depends on the subject you are shooting and your intention as the photographer and artist. Using blur can add interest and show implied movement in the image. It can help add a feeling of speed. If your are shooting a subject like sports, for example, you have use a fast lens and fast shutter speed to freeze motion at the peak of the action. OR you can introduce intentional motion blur by using a slower shutter speed to add a sense of speed. Neither is right or wrong, they’re just different. You get to choose and if you aren’t sure, do both!

    Three tips for adding motion to your images

    • panning a moving subject
    • long exposures for affect
    • zooming or moving the camera during the exposure

    Let’s look at each in more detail.

    PANNING

    DandC-Feb2013-0011-PPT

    Panning is a technique for photographing moving subjects which allows you to get the subject relatively sharp, and blur the background. This adds a sense of speed and works particularly well when you have a background that is unattractive or distracting. The basics behind panning is you choose a slow shutter speed, and move your camera to follow the subject. Here are some tips on setting your camera for panning and giving it a try.

    • use high speed or “burst” shooting mode to take multiple images while holding down the shutter button
    • select Shutter Priority on your mode dial
    • start with 1/30th of a second and adjust slower and faster as necessary
    • practice following the moving object after it passes by
    • just like in golf, follow through is the key. Point your camera towards the approaching subject, shoot and follow them as they move through your field of view, and keep following their motion even after you stop shooting.

    It takes a little bit of practice and a lot of trial and error but can result in some really stunning and creative images. Try shooting the same subject using a fast shutter speed and freezing the motion, then try panning and compare. It’s not something you will use for every subject, but it’s a good technique to have in your bag of tricks!

    Here are a few examples of panning.

    SanFran-2012-1090-PPT

    1/25th of a second panned

    DandC-June13-0092-PPT

    1/30th of a second, panned

    SanFran-2012-0893-PPT

    1/25th of a second, panned

    LONG EXPOSURES

    By long exposures I’m taking about a shutter speed slower than you would usually be able to hand hold the camera. There are many reasons to use long exposures including: moving water, capturing star trails at night, car headlights moving through your scene, and night photography in general. You will need a sturdy tripod, a remote trigger to fire your camera and time. I say time for two reasons: one you will have to wait for some really long exposures sometimes, especially star trails; and two because you will need time to shoot, adjust and correct. A lot of photography is trial and error and in this age of digital photography we have the huge benefit of being able to have instant feedback so we can correct or adjust in the field and continue shooting.

    Here’s an example of the same subject photographed at different shutter speeds. Which do you prefer?

    1/5000th of a second

    1/5000th of a second

    1/40th of a second

    1/40th of a second

    Besides night photography another common reason to use long exposures during the day is to photograph waterfalls and moving water. Keep in mind neither approach is right or wrong, you just yield different results based on the choice you make. A faster shutter speed will freeze the water in mid air (like the first image above). A long exposure will blur the water, and if you use a long enough exposure it can even disappear or become misty looking. Here’s a comparison:

    1/100th of a second

    1/100th of a second

    2.5 seconds

    2.5 seconds

    With moving water, there also comes a point where doing a longer exposure doesn’t look any different. Compare the image below a 5 seconds, to the one above at 2.5 seconds. The water looks pretty similar, but what did happen was the tree above was blurrier in the 5 second one, so I chose to use the 2.5 exposure.

    5 seconds

    5 seconds

    Here are a few more examples of long exposures.

    Do you see the motion in the images below? What is moving in each?

    motion-dps-01 motion-dps-02 motion-dps-03 motion-dps-04 motion-dps-05

    For more information on how to shoot these types of scenes read:

    • 15 Tips for Successful Fireworks Photography
    • Three Special Effects for Night Photography

    ZOOMING

    Last but not least, you can add motion by zooming your lens during the exposure. Basically what you do is physically rotate your zoom lens to change the focal length during a long exposure. This works really well and gives some really neat affects on night scenes with lights, neon signs, and even fireworks. But try it during the day too and see what you can create. It often results in a rather abstract image, sometimes completely obscuring the subject to make it unidentifiable. But that’s okay! Experiment and play with this idea. Have fun with it and get creative.

    Some tips for zooming during your exposure:

    • Zoom in first to focus and lock it there so it doesn’t shift when you press the shutter button. You can use focus lock (a bit cumbersome), use autofocus and then turn it off, or use your camera’s back button focus capability. Whichever you choose just make sure you’ve focused with the lens at the longest focal length where it’s more critical than a wide one
    • Practice rotating the zoom mechanism on your lens. Get comfortable with which way to turn it, and how to turn it smoothly without making a bumpy mess.
    • Use an exposure of one second or longer. It’s pretty hard to do this a a/100th of a second!
    • Experiment with different zoom speeds (how fast you rotate the lens) and timing. The image will look different if you pause at the beginning and then zoom quickly, versus zoom slowly at the beginning and pause at the end of the exposure.

    Here are a few examples of zoomed exposures

    No zoom

    No zoom. Notice all the small lights in this hotel lobby.

    2 seconds

    2 seconds

    Also 2 seconds, notice how different they are? That's the zoom timing.

    Also 2 seconds, notice how different they are? That’s the zoom timing.

    2.5 seconds. Abstracted image of the sculpture in the first non-zoomed image (bottom left corner)

    2.5 seconds. Abstracted image of the sculpture in the first non-zoomed image (bottom left corner)

    motion-dps-06

    No zoom, I thought it was boring so I played with panning and zooming while on the carousel. Parents were looking at me funny after my 4th time around.

    No zoom, I thought it was boring so I played with panning and zooming while on the carousel. Parents were looking at me funny after my 4th time around.

    motion-dps-08

    Zoomed version. Is it better? Debatable but it’s the process of playing that leads to creating great images. Always continue to play.

    ACTION PLAN

    If you haven’t really played with long exposures much, I challenge you to try some of these techniques. Find some moving subjects and blur them on purpose. Or find something that will make an interesting abstract and blur it by zooming.

    The point is that not every image has to be tack sharp and some have absolutely nothing in focus and they’re still great images. Don’t get stuck on technical things like sharpness and try experimenting with out of focus for a while. Add some motion using these tips, or maybe even shoot completely out of focus on purpose. Come back and share your images and experience with us.

    Have you got some great motion blur images? Do share those as well in the comments below.

    Got another tip you want to add to the list?  Please do!

    Cheers,

    Darlene-1-250x130

     

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    3 Tips for Creating Dramatic Images using Motion

    The post 3 Tips for Creating Dramatic Images using Motion by Darlene Hildebrandt appeared first on Digital Photography School.


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  • Posing 101: How to Pose in Pictures Like the Hottest Model Anywhere

    In most of the photos that you see yourself in, whether candid or professional, there will always be a feature of them that you point out in dislike. Whether there are couple of lumps and bumps on show, the universally hated ‘double chin’, or that you believe that you’ve picked up two clothing sizes as soon as that shutter button Continue Reading

    The post Posing 101: How to Pose in Pictures Like the Hottest Model Anywhere appeared first on Photodoto.


    Photodoto

  • Your Real Estate Agent Would Like Some Free Photography, Please

    Please pardon the detour today. I need to rant. I'd like to share with you the ballsiest request for free picture use that I have ever gotten…

    Read more »
    Strobist

  • How to Sharpen Image Edges in Photoshop

    How to Sharpen Image Edges in Photoshopopener

    If you’re a Lightroom user you’ll know that in Lightroom you can mask the sharpening you apply to an image so it is applied to the edges in the image only. This same feature is not yet available in Photoshop and the sharpening filters there are applied to the entire image rather than just edge detail.

    However you can achieve a reasonable approximation of the Lightroom masking feature in Photoshop using the Photoshop Find Edges filter. The benefit of this is you can apply more sharpening to the image than you would do without the masking effect and areas of flat color like skies and skin tones won’t be sharpened. Here’s how to do this.

    How to Sharpen Image Edges in Photoshop

    Once you have finished processing your image in Photoshop, flatten the image to a single layer or make a single layer of the edited image by adding a new layer at the top of the Layer palette and press Ctrl + Alt + Shift + E (Command + Option + Shift + E on the Mac) to create a flattened version of the image on that layer.

    Duplicate the flattened layer twice.

    How to Sharpen Image Edges in Photoshop 1

    Target the topmost layer – you will create your sharpening mask from this layer. Choose Image > Adjustments > Desaturate to convert it to black and white then choose Filter > Stylize > Find Edges to isolate the edges in the image.

    How to Sharpen Image Edges in Photoshop 2

    Choose Image > Adjustments > Invert to invert the colors so that what is black is white and vice versa.

    Choose Image > Adjustments > Levels and adjust the mask so that it shows white in the areas that you want to sharpen and black in those areas that you do not want to sharpen.

    How to Sharpen Image Edges in Photoshop 3

    Once you have a good mask, blur its edges slightly by choosing Filter > Blur > Gaussian Blur and apply a 1 or 2 pixel blur to it. When this is done, hide the sharpening mask layer by turning its visibility icon off in the Layer palette.

    Now target the second topmost layer in the image and click the Add Layer Mask icon at the foot of the Layer palette.

    How to Sharpen Image Edges in Photoshop 4

    Click the mask thumbnail on this layer to target it and choose Image > Apply Image to open the Apply Image dialog. From the Layer dropdown list select the layer that contains the hidden sharpening mask, and click Ok.

    How to Sharpen Image Edges in Photoshop 5

    Click on the image thumbnail on this layer to target it and apply your sharpening to this layer – use Smart Sharpen or Unsharp Mask as desired. When you set the slider values, view the result on the image and not using the preview in the sharpening dialog. The preview in the dialog doesn’t take into account the mask you have applied – the image itself does. Click Ok when you’re done.

    How to Sharpen Image Edges in Photoshop 6

    To compare the before and after result of sharpening the image with an edge mask, Shift + Click on the mask layer thumbnail to disable it and see the image as it would look sharpened and without the masking effect. Click the mask thumbnail again to enable the mask again. You can discard the hidden mask layer now, if desired as it is no longer needed.

    While this sharpening mask takes some effort to create once you’ve done it a few times you will find the process quite straightforward and some of its creation can be automated using Actions.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    How to Sharpen Image Edges in Photoshop

    The post How to Sharpen Image Edges in Photoshop by Helen Bradley appeared first on Digital Photography School.


    Digital Photography School

  • 10 Tips to Make Your Photography Business Flourish

    As with all other types of businesses, your photography business won’t become successful overnight, no matter how much you want it to. There’s so much to consider when starting it up: marketing costs, an online presence, physical store space, overhead and, of course, consummate skill in shooting and editing your pictures. There is only so much of the marketplace available Continue Reading

    The post 10 Tips to Make Your Photography Business Flourish appeared first on Photodoto.


    Photodoto

  • Win One of Five Photography Courses from New York Institute of Photography

    FDPcoursephotoOver the last few years here at dPS, we’ve run very popular competitions with one of our partners – the New York Institute of Photography – to give away to lucky dPS readers some of their great photographic teaching.

    Due to popular demand – we’re doing it again this week!

    For this competition, NYIP is giving away FIVE prizes!

    These five prizes are designed to be helpful for two different levels of photographers. Each will be won by a different dPS reader. Here’s what you could win:

    1. Fundamentals of Digital Photography – worth $ 499
    2. Complete Course in Professional Photography – worth $ 1,499
    3. Photoshop for Photographers – Worth $ 1,499
    4. Complete Course in Video Making and Storytelling – Worth $ 1,499
    5. Marketing for Photographers – Worth $ 999

    All courses include comprehensive and illustrated lesson books, CD Audio Guides, DVD Video Training, Photo Projects and Professional Evaluation and Personal Student Advisers.

    NYIcoursephoto1

    Learn a little more about how New York Institute of Photography works in this video:

    How to Win

    To win this competition you’ll need to:

    • Visit the above five course information pages and choose which of the courses suits your needs more. Choose one that you’d like to win.
    • Leave a comment below and tell us which one you’d like to win and WHY you’d like to participate in the course. Please note: there is a limit of 1 entry per person.
    • Do this in the next 8 days and on Thursday, October 24th, the team at NYIP will choose the best 5 answers and we will announce the winners in the following days.

    The deadline for entries is Wednesday, October 23rd, Midnight PDT. Comments left after deadline will not be considered.

    By ‘best’ – we’re looking for people who have an understanding of what the course offers and how it suits their needs. So you’ll need to check out the course pages to put yourself in the best position to win.

    There’s no need to write essay length comments to win – but we’re looking to hear what you like about the course and how it would help your development as a photographer.

    This competition is open to everyone around the world no matter where you live – but there is only one entry per person.

    To enter – simply leave your comment below.

    Disclaimer: NYIP is a paid partner of dPS.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Win One of Five Photography Courses from New York Institute of Photography

    The post Win One of Five Photography Courses from New York Institute of Photography by Darren Rowse appeared first on Digital Photography School.


    Digital Photography School

  • Intentional Camera Movement and the Landscape

    Intentional Camera Movement

    An interesting thing about digital photography is that it has led to the rise in use of techniques that are more difficult to carry out with film cameras. It’s all down to the ability to view your images on the camera’s LCD screen after you have taken them. It’s a simple feature, but one that has made a profound change to the way some photographers work.

    Regardless of what you may read about ‘chimping’, the LCD screen lets you see if your technique is working, and make adjustments on the spot if necessary. It’s one of the reasons that professionals don’t use polaroids to check their lighting setups any more. It also makes techniques like long exposure photography much easier – what was once something that was just done occasionally by landscape photographers has turned into a new genre.

    Another technique that has gained in popularity is that of introducing intentional camera movement (also known as ICM on photo sharing sites like Flickr) into the image. Panning, one way of doing that, has been around for decades. But recently some adventurous photographers have started pushing intentional camera movement in new and interesting directions.

    ICM photographers

    If you’re not familiar with the intentional camera movement technique, then I recommend that you take the time to look at the work of some photographers that are proficient with the technique. One of the best known is Chris Friel – an artist turned photographer who pushes the boundaries of what is possible with intentional camera movement (you can read my interview with him here). Doug Chinnery is another.

    Intentional camera movement fascinates me because it is a method that can create some beautiful, ethereal images. When it works, it works beautifully. Yet when it doesn’t, it just looks like camera shake. Some people will say all intentional camera movement photos are just a form of camera shake. Ignore them if you want to try it out – like many areas of photography it’s a subjective call and not everybody will like it.

    Like long exposure photography, the idea behind intentional camera movement is to use a slow shutter speed to introduce blur into the photo. The difference is that with long exposure photography you use a tripod so that part of the image remains sharp. With intentional camera movement, you deliberately move the camera during the exposure so that everything is rendered as a blur.

    Getting started

    Intentional camera movement is carried out with a hand-held camera. It works with shutter speeds from around 1/4 second to four seconds in length.

    Intentional Camera Movement

    Get started by finding a landscape that lends itself to intentional camera movement. You can get the idea by looking at the work of the photographers mentioned earlier. Coastal scenes tend to work well. If you are inland try looking for forests, lakes or rivers. Whatever scene you are working with, search for something that is relatively simple and has some strong graphic shapes (that’s why seascapes, like the one above, work so well). The best time to try these techniques is at dusk. The light is beautiful and the low light means that it’s easy to obtain the slow shutter speeds required.

    Intentional Camera Movement

    There are two basic types of movement you can use. The first is panning – moving the camera from one side to the other in a more or less straight line. It works well for photos like this one, which I took on the beach after sunset.

    Intentional Camera Movement

    The other type of movement is more of a random movement. Jiggle the camera around slightly during the exposure and see what happens. This is where keeping the composition simple helps, as it means the subject is still recognisable even when blurred.

    If the exposure is long enough (say around four seconds) you could try holding the camera relatively still during the first three seconds, then moving it for the last part. This can produce some interesting results.

    Experiment

    The key is to experiment, and to keep looking at the results on your camera’s screen. This shows you how well your technique worked, and you can adjust accordingly. You may find that you need a shorter shutter speed (or a longer one). Or that a different type of movement produces different results. Keep looking and adjusting as you go along and hopefully the results will improve.

    Be prepared to create plenty of images that just don’t work. That’s okay – they are just stepping stones along the way to creating something special. It’s fine if you take a hundred photos and get just one good result – the random nature of intentional camera movement means you are always going to create images that just don’t work.

    How do you know whether you got a good intentional camera movement image? That’s an excellent question. These types of photo are highly subjective. If you like it, and you created a moody image that evokes the atmosphere of the location you’re in, then I think that’s a success. Your eye for what makes a good intentional camera movement image will improve the more you use the technique.

    Mastering Photography

    Intentional Camera Movement

    My ebook Mastering Photography: A Beginner’s Guide to Using Digital Cameras introduces you to photography and helps you make the most out of your digital cameras. It covers concepts such as lighting and composition as well as the camera settings you need to master intentional camera movement photography and take photos like the ones in this article.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Intentional Camera Movement and the Landscape

    The post Intentional Camera Movement and the Landscape by Andrew Gibson appeared first on Digital Photography School.


    Digital Photography School

  • Check out These 3 Great Photography Deals from SnapnDeals [Limited Time]

    This week over at our sister site – SnapnDeals – we have some great photography related deals all live for a limited time right now.

    Here’s what you can get your hands on:

    50% off ‘How to Photograph Kids – Naturally’ Course

    NewImageThis online course by Brent Mail (recent contributor to dPS with this popular post) is all about helping you to take great photos of children.

    It will help you on many levels in photographing kids – all the way from how to connect with kids, the right equipment and settings to use, best props, how to edit these images as well as how to share online and display at home, or present the finished products to clients as part of a profitable photography business.

    Save 50% on Brent’s course here for the next week only.

    NewImage

    13% off Dan Bailey’s Zen Photographer eBook

    This brand new eBook by explorer, adventurer and photographer Dan Bailey is all about turning your passion for photography into focus.

    It is an 81-page collection of essays and photographs that are designed to ignite your imagination, inspire creativity and generally fill your brain with rock solid tips, insight and advice – advice that can save you time and prevent you from making many common mistakes as you travel along on your own photography path.

    Grab Dan’s eBook via SnapnDeals here.

    55% Off a range of C1Styles CaptureOne Presets

    PresetsFor the next 6 days you can pick up their Spring Drops, Italy 1970, Hot Summer and B&W Portraits preset packs to be used in CaptureOne at under half price.

    Subscribe to Get More Great Deals from SnapnDeals

    Every week SnapnDeals features great photography related deals from around the web. Make sure you subscribe by adding your email address to the form below:

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Check out These 3 Great Photography Deals from SnapnDeals [Limited Time]

    The post Check out These 3 Great Photography Deals from SnapnDeals [Limited Time] by Darren Rowse appeared first on Digital Photography School.


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