Category: Photography

  • Weekly Photography Challenge Bird’s Eye View

    Earlier I shared a collection of photos shot from above using a bird’s eye view. In the photography challenge last week you were assigned to photograph from a worm’s eye view or low down. This week you will be looking down, using the bird’s eye view to create your images.

    Bird’s eye view

    Bird’s are usually flying overhead or sitting up high on a wire looking down on us. So try something to get that kind of perspective in your image this week. Get up high and look down. That could mean:

    • Climb to a roof or the top of a hill and look down
    • Stand on a chair to photograph something on the floor
    • Just simply being aware of what is below your eye level and shoot that
    • If you really want to go for it take a hot air balloon, fly a quadcopter or GoPro, or even take a gondola ride

    You get the idea right? Get up – and look down!

    Share your bird’s eye view images here:

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Here are some more  images to give you ideas:

    Farrukh

    By Farrukh

    Cnemil

    By cnemil

    William Cho

    By William Cho 

    Svenwerk

    By svenwerk

    Peggy2012CREATIVELENZ

    By Peggy2012CREATIVELENZ

    Mgstanton

    By mgstanton

    Adam Baker

    By Adam Baker

    Thomas Hawk

    By Thomas Hawk

    Faisal Akram

    By Faisal Akram

    Jason Mrachina

    By Jason Mrachina

    John Chandler

    By John Chandler

    Ed Suominen

    By Ed Suominen

    The post Weekly Photography Challenge Bird’s Eye View by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • 34 Vertigo Inducing Bird’s Eye View Photos

    Last week I rounded up a bunch of worm’s eye view images so this week we’re going the other way and taking the high road with bird’s eye view photos. Angle of view and perspective use is a great way to make more interesting images. As you might suspect bird’s eye view photos are taken from above, look down on the subject. That could mean standing on a chair, climbing a ladder, shooting from a rooftop or even a mountain top.

    Enjoy these bird’s eye view photos and allow them to inspire you:

    Photograph Conical Lifestyle by Drew Hopper on 500px

    Conical Lifestyle by Drew Hopper on 500px

    Photograph Socializing by Edwin Leung on 500px

    Socializing by Edwin Leung on 500px

    Photograph Birds eye view by Ann Weis on 500px

    Birds eye view by Ann Weis on 500px

    Photograph bird eye view by Anake Seenadee on 500px

    bird eye view by Anake Seenadee on 500px

    Photograph My Little Photography Buddy by Danny  on 500px

    My Little Photography Buddy by Danny on 500px

    Photograph Oxbow River by Graham Taylor on 500px

    Oxbow River by Graham Taylor on 500px

    Photograph Birds Eye View by Paul Byrne on 500px

    Birds Eye View by Paul Byrne on 500px

    Photograph Abstract night view by 24NOVEMBERS  on 500px

    Abstract night view by 24NOVEMBERS on 500px

    Photograph Golden Gate Bridge, Birds Eye View by Raj Patel on 500px

    Golden Gate Bridge, Birds Eye View by Raj Patel on 500px

    Photograph Zebra - Birds Eye View by George Wheelhouse on 500px

    Zebra – Birds Eye View by George Wheelhouse on 500px

    Photograph Hunting Island Lighthouse by Spiro Mandylor on 500px

    Hunting Island Lighthouse by Spiro Mandylor on 500px

    Photograph Untitled by Glenn Greathouse on 500px

    Untitled by Glenn Greathouse on 500px

    Photograph Pull up a chair at the table of life by Stuart Duffy on 500px

    Pull up a chair at the table of life by Stuart Duffy on 500px

    Photograph Birds Eye View. by Volodymyr Zinchenko on 500px

    Birds Eye View. by Volodymyr Zinchenko on 500px

    Photograph Birds Eye View by James  Cray on 500px

    Birds Eye View by James Cray on 500px

    Photograph Daffodog by Sam Spilsbury on 500px

    Daffodog by Sam Spilsbury on 500px

    Photograph Brett 1 by Stephen Caissie on 500px

    Brett 1 by Stephen Caissie on 500px

    Photograph Musician by Lene Vold on 500px

    Musician by Lene Vold on 500px

    Photograph Oh What Fun it is to be Young by Gil Folk on 500px

    Oh What Fun it is to be Young by Gil Folk on 500px

    Photograph Look Above by Jerry Low on 500px

    Look Above by Jerry Low on 500px

    Photograph Se acabó la cerveza / We ran out of beer by Cristina Hernandez on 500px

    Se acabó la cerveza / We ran out of beer by Cristina Hernandez on 500px

    Photograph Untitled by Erik Hecht on 500px

    Untitled by Erik Hecht on 500px

    Photograph Birds Eye View by pascal steffens on 500px

    Birds Eye View by pascal steffens on 500px

    Photograph Untitled by Luke Ekblad on 500px

    Untitled by Luke Ekblad on 500px

    Photograph Singapore 2014 by Edward Tian on 500px

    Singapore 2014 by Edward Tian on 500px

    Photograph above blue typewriter by Sean Gladwell on 500px

    above blue typewriter by Sean Gladwell on 500px

    Photograph From Above... by Jacques Szymanski on 500px

    From Above… by Jacques Szymanski on 500px

    Photograph Ice Hockey - Birds Eye View by Alex Wolf on 500px

    Ice Hockey – Birds Eye View by Alex Wolf on 500px

    Photograph Floor 999 by Yousef Farki on 500px

    Floor 999 by Yousef Farki on 500px

    Photograph Burj Khalifa: Looking Down on Dubai by Declan Keane on 500px

    Burj Khalifa: Looking Down on Dubai by Declan Keane on 500px

    Photograph Perspective  by Abdullah Rhwanjy on 500px

    Perspective by Abdullah Rhwanjy on 500px

    Photograph steel staircase by Sean Gladwell on 500px

    steel staircase by Sean Gladwell on 500px

    Photograph Beneath by Ian Smith on 500px

    Beneath by Ian Smith on 500px

    Photograph A View from above by Sebastian Patron on 500px

    A View from above by Sebastian Patron on 500px

    The post 34 Vertigo Inducing Bird’s Eye View Photos by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • The Canon EF 8-15mm f/4L Fisheye USM, My New Favorite Wide Angle Canon L Series Lens

    My Friend Chihuly Says Hi

    I almost didn’t purchase the Canon EF 8-15mm f/4L Fisheye USM lens. I remember a conversation when I bought it a few years back on Google+ with my good pal Gordon Laing where I was really debating buying it. It was in pre production and I had an order in with B&H but it hadn’t shipped yet. At around $ 1,400 the lens felt expensive for what I worried might be an oddball lens, a lens useful for making a few high impact fisheye shots but not good for much else.

    I’m happy to say that I did buy the EF 8-15mm fisheye lens and that I couldn’t be more happy about that decision.

    My main dilemma with the EF 8-15mm fisheye was that I already owned the excellent EF 24mm f/1.4 lens and EF 14mm f/2.8 lens, and so I felt like I had the whole wide angle world covered. Now I find that I use this lens at 15mm much more than either my EF 24mm f/1.4 lens and EF 14mm f/2.8 lens and get what feels to me to be a remarkable more normal non fishy looking wide angle shot. Yes, you can tell it came from a fisheye lens at 15mm, but barely and I love the slightest degree of distortion I get there artistically speaking.

    Welcome to Caesars

    Of course I have way more fun shooting this lens at 8mm and have found that beyond traditional fisheye subjects, this lens has opened up a whole new world to me when it comes to shooting more abstractly — especially with architecture. I find these days my EF 14mm lens stays in my bag and instead I put on my EF 8-15mm fisheye lens for almost every ceiling photo I take.

    I find this lens gets me my highest impact shots. Shots that make you go wow and make people notice.

    Underground

    On a full frame lens this lens gives you a perfect circle at 8mm. I love the square crop format and frequently shoot it at 8mm and then crop square afterwards.

    The lens is super sharp and great if you want to get the entire ceiling of Chihuly’s amazing sculpture at the Bellagio like in the photo with this post.

    While it’s not the best portrait lens, it can be fun to use as well with photographing people in new and creative ways (like this version of the human eye that I used it on).

    As a reminder, my analysis of my Canon gear is being done in partnership with Canon and I am receiving compensation for this work with them.

    Meet You at the Cosmopolitan

    You Give Your Hand to Me

    If You Can Find Her

    Your Love is My Favorite Color

    Time for a Beer?

    Your Love is My Favorite Color

    Penchant


    Thomas Hawk Digital Connection

  • Roman Robroek: Winnner of Defrozo Portrait Photography Contest 2014

    Last month our friends at Defrozo held a photography contest on their Facebook page. The contest was a success with some amazing works submitted by entrants. There could only be two winners, though. The first one would be selected by Facebook users who voted for their favorite photos, the other winner is Defrozo’s Staff Pick. In this post we’re interviewing Continue Reading

    The post Roman Robroek: Winnner of Defrozo Portrait Photography Contest 2014 appeared first on Photodoto.


    Photodoto

  • Ello, My New Favorite Social Network

    ello-40715fdd-0669-4999-bedd-419b07886886

    I just spent $ 40 on a t-shirt.

    I don’t think I’ve ever spent $ 40 on a t-shirt in my life. The t-shirt is a limited edition threadless Ello t-shirt designed by @nopattern.

    I’ve been given t-shirts in the past by many social networks and sites. I have a Google+ t-shirt, I have a Facebook t-shirt, I have a Flickr t-shirt, I have a friendfeed t-shirt from back in the day. Twitter never gave me one, but that’s ok. The Ello one I bought for myself though. I like to think that this is some small way that I can help contribute towards the ad-free social experience that quickly has become my favorite of all the networks.

    Over at the Atlantic Alexis Madrigal has an article out today titled “The Fall of Facebook.” In the article he describes a certain “soullessness” of Facebook and writes about the unease that people increasingly have with Facebook’s advertising network.

    A few weeks ago, when the San Francisco Giants clinched the World Series, my wife took a photograph of our children and family celebrating the win. Not being particularly privacy conscious when it comes to social media, she added a name for the location, “Hawkville” without realizing that through this process she was creating a new permanent “place” on Facebook that was geotagging our home.

    Friends quickly liked both the post and the new “place” and in a matter of hours we were much more public on Facebook than I wanted to be. After realizing that she’d made this mistake, my wife removed the location tag from the photo – but what she couldn’t remove was the new permanent “place” on Facebook, “Hawkville,” which geotagged our home’s exact and precise location against our wishes.

    Because I’ve had issues with impersonation on Facebook in the past and I suppose because I have a larger than average social media following, previously I’d been given a link to a special sort of VIP customer service area at Facebook.

    Although I was disturbed that there seemed to be no way to remove my geotagged home from Facebook, I figured it would just take reaching out to this VIP customer service group to get the geotag deleted — unfortunately this turned out not to be the case. The Facebook employee who responded to me told me that she was unable to delete the page “Hawkville” or remove the geotag of my personal and private residence.

    I next made a post on Facebook about the unfairness of this. Just because my wife made a mistake and geotagged our home, why should that mistake be irreversible? Shouldn’t I have more control over my personal residence on Facebook? Does Facebook believe in doxing? Why were my wife and I locked out of this page, unable to control this personal data? Why had Facebook created a “place” of a personal residence in the first place and why wasn’t my wife warned at the time that by geotagging our home she was permanently and irrevocably adding our location data to Facebook with no way to remove it?

    After several posts and further attempts to contact the Facebook VIP customer service department, about a week later I went to a group of Facebook employees who I know personally and I was able to get the geotag removed (although not the place). I really appreciate the personal help that I was given to get this done (I really do), but the fact of the matter is that I shouldn’t have had to go that route to have my personal information removed from Facebook.

    I’ve been increasingly disappointed with my experience on Facebook. I find that fewer and fewer of my friends are seeing what I post and engagement is increasingly going down.

    I’m seeing more and more “sponsored” posts and advertising crowding out organic content, which probably plays a part in this… or maybe my photography just sucks and is way less interesting to the people who follow me there.

    Sponsored posts are the worst as far as I’m concerned. At least with an ad over in the right hand column, I can try to ignore it. A sponsored post shoves itself right into your face though. Time and again I’ve caught myself reading the first few lines of a sponsored post before realizing I’m reading one and then have that terrible feeling I get when I realize I’ve just been suckered for few seconds into an ad.

    More than this though, I feel like Facebook doesn’t really care about me. I feel like I’m being targeted and manipulated and probed and studied. I don’t feel like my content there is valued. There *is* a certain soullessness to the place. I’m not sure what can be done about that, it’s just what it feels like to me.

    I also feel like photography doesn’t really matter at Facebook. Photos are super small and optimized for mobile, rather than big and glorious and optimized for the web. I get that Facebook has to pay for storage for our photos, but with all of the advertising and personal data they collect to target us, don’t they have even just a few nickels or dimes to make the photos just a tiny bit larger in the feed? Yes, I know that someone can click through and see it larger, but most people don’t and won’t and so your art is presented in an unfavorable small way to the 0.1% of your followers who might actually see it in their feed.

    My experience so far at Ello has been the opposite.

    At Ello I’ve found an idealistic group of artists, photographers and thinkers who dare to imagine a different, better way. I’ve found some of the freshest, most creative and most interesting art that I’ve seen in years online. There are no ads. Ello is not tracking my information to try and sell it to advertisers.

    The founders and operators of Ello come across as creative, innovative, accessible, enthusiastic and engaged. I feel respect for my content on Ello, which is shown large in full high res glory. This is why I put more of myself into my art and photography on Ello than any other site. The respect feels greater.

    I’ve met so many new and interesting friends on Ello. I’m settling in there realizing that this will be the place that I will share and communicate online with people going forward more than anywhere else. It feels like I’m hanging out with some really interesting artists in a nice cozy little café in Marfa, Texas with amazing coffee and music — rather than being lost, wandering aimlessly around the world’s largest Walmart, being told not to take photos in the store by some security guard.

    Forbes says that the number one social media marketing trend that will dominate 2015 will be the rise of Ello. Rather than rely on crappy paid advertisements on Facebook going forward, Fashionista writes about how brands will actually have to create interesting, creative content to be seen on social networks like Ello in the future.

    So is this new network worth $ 40? You’d better believe it is. Plus I get an awesome new t-shirt to go with the Marfa Public Radio one I bought just last week.

    Do you like art and photography and architecture and design and creative thinking? Then come hangout on ello. You’ll find me most days online over there at http://ello.co/thomashawk


    Thomas Hawk Digital Connection

  • On Assignment: Lighting Like Leo

    Of all of the wonderful things that have happened since I began writing Strobist eight years ago, certainly the best is the steady parade of creative people I have met as a result. And few are more talented (or insan motivated) than London-based photographer Drew Gardner.

    We grew up in the same era, both working for newspapers in our respective cities. We left the papers and graduated to second careers. Drew moved onto a mix of editorial, commercial and art photography. And I, well, sometimes I'm not sure how exactly to describe what it is that I do.

    So it was with equal parts curiosity and abject fear that I accepted his offer to come to London to be the lighting advisor for what would be the culmination of his Descendants photo series.

    Read more »
    Strobist

  • Portrait Consultations: Two Questions That Make A Big Difference

    Consult (1)I vividly remember the first time I was asked to take photos for someone that I didn’t know. We had friends in common, and she had seen some of the photos that I had taken of friends and family, but we had never met. We talked over the phone, and arranged a time for me to come to her home and take some photos of her daughter. The big day arrived a week or so later, and I was SO nervous. I wasn’t sure what her home looked like, or what the lighting situation would be, or whether her daughter was sitting up by herself yet or not. I didn’t know how long I should stay, whether I could ask to rearrange furniture, or how the photos that I took would be used. Going into the session, I didn’t feel like I was in control, and I didn’t like it one bit.

    After that, I began doing portrait consultations with new clients. We would meet for coffee, and I’d casually ask questions about their favorite things to do as a family, favorite colors, favorite books, and whether they liked candid photos. My hope was that this type of a consultation would let us get familiar with each other, and feel like a casual coffee date between new friends. This was a major step in the right direction compared to having no consultation at all, but I still wasn’t getting the information that I wanted, and it was largely because I tended to dance around the questions that I really wanted to ask, rather than asking them directly.

    Now, I approach consultations much differently; including a list of specific, direct questions that I ask each and every potential client. I ask what they’re planning to wear. If the session includes children, I ask about the kids’ favorite songs, TV shows, or books. I ask whether they prefer more formally posed images or candid images. Do they prefer color photos or black and white photos?  Are there any locations that have special meaning to their family? I ask a LOT of questions during portrait consultations, but have realized that there are two questions in particular that are the most crucial in allowing me to better understand my clients’ wants and needs for a session, which in turn allows me to produce a better end product for them.

    #1 – Is there anything you want to make absolutely sure we capture during your session?

    Consult (4)

    One mom shared with me that while she had called me for family portraits, she was also getting ready to apply for a new job and wanted a photo of her by herself that she could use for her LinkedIn profile. Another mom told me that she was working on special memory books for her children and wanted a photo of herself with each child individually. I’ve had requests for newborn sessions to feature specific hats or quilts made by family members, and I’ve even had requests to feature specific tattoos during portrait sessions. One family asked if they could bring along a bunch of crazy hats, goggles, and glasses for a silly photo or two. Almost every single time I ask the question, I’m blown away by the concrete information about the client’s hopes for our session that I may never have known had I not asked the question specifically and directly.

    Consult (6)

    Very rarely, asking this question also reveals that I’m actually not the best fit for that particular family’s wants and needs. For example, during a consult with one potential client, she told me that their family was very casual, and that they really wanted some lifestyle photos in their own home, maybe with them and their children baking or drinking hot chocolate in their kitchen. I LOVE that style of photography, and kept thinking that we were really on the same wavelength and that it would be a great session.  Later on during the consult, I asked if there was anything that she wanted to make sure we captured during her family’s session. At that point, she pulled up a Pinterest board that contained images of a family drinking hot chocolate and baking. The problem was that her inspiration images were actually all from a stylized session from another photographer, and as we continued to talk, I realized that they weren’t actually “inspiration” – she actually wanted me to recreate that session exactly, down to every pose and every prop, which I was not willing to do. I am so thankful that we had a consultation prior to her session, and that I asked some very direct questions which allowed us to get past the general and on to the specifics of what that potential client really wanted, because it simply wasn’t something that I could offer.

    2. How do you plan to use the images from our session?

    Consult (5)

    Again, such a simple question that can give you such helpful information going in to a session. Upon asking that simple question, one dad told me that they had a wall in their house that they’d like to fill with portraits of each of their four children, also that they’d like them to be an 11×14 canvas print in vertical format and they’d like all four to be black and white images. Knowing this in advance was so helpful because I was able to really be intentional about creating portraits of the four kids that would look cohesive when grouped together by making sure that the background, lighting, and posing were similar for all four children. In addition, I knew that it was probably wise to include more vertical black and white images in the end gallery than usual, because it was the most important thing for that particular family.

    Other clients have told me that they already have their Christmas card picked out, and are just waiting for a photo to complete the card. Being able to see the card template in advance can help me visualize the “feel” that want. There has been at least instance when I’ve suggested switching locations once I saw the card that they had selected – family portraits in a field would have worked well for a shabby chic card, but just didn’t seem as well suited for the ultra modern, minimalistic design the family had chosen. A simple location change really made a big difference in the cohesiveness of the session and their end goal!

    Consult (2)

    In general, I prefer to meet in person for pre-session portrait consultations. Sometimes, that doesn’t happen due to my schedule (or theirs) and we end up doing a consultation over the phone or via email. In those instances especially, I think it is absolutely vital to ask a few specific, direct questions. Don’t beat around the bush – ask the questions clearly and concisely, and then listen. Really listen. Don’t be afraid to reiterate what you think you’ve heard, back to them. I often say something like, “I’m hearing that you care about capturing the candid moments more than having a photo where everyone is looking at the camera and smiling, is that right?” Which then gives them the opportunity to either affirm that idea, or to tell me that they do really love candid photos, but would like one with everyone looking and smiling as well. Either way, I’m given the opportunity to understand my client’s hopes and expectations a bit better, which makes it easier for me to give them a session that they will really love and treasure for years to come.

    Do you hold consultations prior to your sessions?

    Are there any questions that are on your must-ask list?

    The post Portrait Consultations: Two Questions That Make A Big Difference by Meredith Clark appeared first on Digital Photography School.


    Digital Photography School

  • Photographing in Airports

    Miami International Airport Terminal

    Ahh, the joy of travel photography, who doesn’t love that? But like everything in life, all that glitters is not gold. For travel photography, you actually need to travel, and in many circumstances, air travel and lengthy waits in airports are common.

    Nobody likes being stranded in a terminal for hours, or experiencing delays, missed or long connections, all of which happen pretty often. But it can be different for us, the ones who embrace photography. Instead of just sitting there doing nothing, we can have some fun doing what we enjoy the most. At least, that’s what I do – and believe me, the time goes by much quicker when you are there with your camera in hand.

    New American Airlines terminal in Miami

    Despite the obvious of not photographing in prohibited areas, you shouldn’t encounter any problems wandering and snapping away. I was a bit skeptical the first time, especially in the US, however, I’ve never had any issue.

    Perhaps you are thinking that there are not interesting things to photograph in airports. Well, think again. These can be rather compelling places; they come in all forms, shapes and colors.

    There are always appealing activities around the tarmac and you can shoot through a window. Just be on the lookout for opportunities. The image below was shoot with an iPhone. I didn’t have my camera handy that day and I was rushing to the gate; it was raining and I thought the water drops on the glass made it somehow exciting.

    IMG_0701

    Watch out for unique architectural features. It could be a modern place, a recently built structure, or just a small terminal on a remote exotic destination. Walk around slowly and try to find what makes that place different, sui generis. This colorful skybridge in Miami called “Harmonic Convergence” is a good example of an art installation that is unique to the airport and can’t be found anywhere else. When you spot a space like this, take your time, try different angles, and if necessary wait for the right moment to happen.

    Person rushing out in airport

    Massive glass walls are most likely to be present in contemporary terminal halls and waiting areas. These are wonderful to work with and you stand a chance of getting great photos. Just meter the light to get a good exposure of the exterior during daytime and the interior will be probably e dark or underexposed. This juxtaposition creates a great contrast; it is then possible to play with forms and figures of people standing or walking by. Silhouettes against a brighter background are always fascinating.

    20140525_untitled_0002

    You can also think of hallways, food courts, waiting areas and shopping areas. You can really do a lot and it will be much better than just sitting there doing nothing and getting bored. After all, you’ll be fastened to your flight seat for some hours, so what better way to kill the painful wait by just having some fun photographing the airport?

    There you have it – next time you need to spend some time at the airport, just pull out the camera and fire away. It will be fun, I promise.

    Editor’s note and disclaimer: the suggestions made in this article are by the author and you need to be aware of the legalities and possible issues of taking photos in an airport, as different rules may apply in different countries. It is not a public place so you do not automatically have blanket approval to take any person’s photo. You could possibly be asked to stop, have your camera seized or be restricted from getting on your flight. Practice with extreme caution. dPS is not responsible for any damages resulting from following these tips.

    The post Photographing in Airports by Daniel Korzeniewski appeared first on Digital Photography School.


    Digital Photography School

  • How To Source Locations For Portraits In Your Own Town

    I’ve noticed that a lot of articles on scouting locations focus on travel — we have a wonderful one on this website listing 100 amazing places to shoot. That is, however, not actionable advice for everyone. Some photographers can’t afford to travel regularly, some aren’t interested in it, and some simply focus on a different type of photography. For that Continue Reading

    The post How To Source Locations For Portraits In Your Own Town appeared first on Photodoto.


    Photodoto

  • How to Make the Most of Your Hard-Earned Vacation Time Photography Wise

    Image 1

    You are looking forward to that vacation you have wanted so much? You are not the only one. Amidst our work, family and everything else, we all need a little getaway at times. I travel extensively throughout the United States and based on my experience, I am going give you some tips to make the most of your hard-earned vacation time. Please be advised that I speak from a photographer’s perspective but most of what I say applies to any kind of vacation, not just a photo trip.

    Plan, Plan and Plan

    I cannot overstate this. Whether you are traveling across the ocean or a place only a few hours from home, the better you plan, the more time you will have on your hands when you arrive. Plan for the time of the year and time of the day.

    Allow for more time during peak tourist seasons and in the middle of the day. Most people sightsee between 9 a.m. and 5 p.m. Photographically, that time generally doesn’t yield good light (do not give up, read on) so if you are wondering why the fall colors do not look awesome in your pictures, that is why.

    Image 3 1

    You could use midday for visiting indoor attractions like museums, cathedrals, barns, checking out the downtown or perhaps do some street photography. I should clarify – I do not mean to say that street photography does not benefit from great light – however, you can often pull off a shot in diffused light or just based on the emotion of the people involved.

    If you are into Infra-Red (IR) photography, you have a great advantage over those who are not. IR can be shot in strong daylight, often requiring long exposures even in the sun.

    We live in an age where you can find more information about a place with a few clicks, than was possible by visiting that place twenty years ago. Put Google maps to work for you. Check out sites like Trip Advisor for first hand information from other travellers. Ask questions in forums. If the place you are traveling to offers tourist guides and maps, order those ahead of time and use them in your planning. If you are planning to shoot a famous landmark, check out sun and moon positions for best light. One app I use for that is The Photographer’s Ephemeris (TPE). Look at other photographers’ images made at these locations. I am not suggesting that you plagiarize, but there is nothing wrong in drawing inspiration from well-acclaimed work.

    Keep an Eye, or Two, on the Weather

    Image 4

    Weather plays a crucial role in any outdoor photography, especially landscape. Human beings have yet to invent a softbox that could light a mountain or a diffuser that could soften the harsh light on a forest.

    Weather also dictates the choice of subjects. On overcast days, you are better off shooting intimate forest scenes and waterfalls than, say, rocky shorelines. The greenery in the forest can literally glow on overcast days. Break open a polarizer and you have a winner.

    Image 5 1

    Moving water can be shot with slow shutter speed (long exposure) to get that milky effect. Depending on the available light, you may have to use a neutral density filter to achieve a slower shutter speed.

    Bad weather can make for some very compelling images where the ominous clouds, play of light and shadows create a mood and drama that are not found under clear sky.

    Even if it is raining, you do not need to give up. Unless it is pouring cats and dogs, you could add some macro shots to your portfolio. Colorful storefronts also make great rainy day subjects where you could literally shoot from inside the car letting those raindrops on the windows add drama to the scene.

    Be Prepared to Adjust the Plan

    Perhaps this is a continuation of what I said earlier about planning, but it is so important that it deserves separate mention. It’s all good if you have a great plan but you cannot control Mother Nature. She may decide to throw a curved ball at you and if you are not ready, it could cause big disappointments. Roads may close unexpectedly, rain could kick in suddenly, and sites could be closed due to increased wildlife activity. Things could happen that are beyond your control. Be open to shuffling your itinerary, adding things that you thought you would not be able to do or see, and giving away on some others. The point is, being flexible is key when you are traveling.

    Know Yourself

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    This may sound a little odd, allow me to explain. To be able to fully enjoy your time off, you should be very clear about the things that you like to do and those that you do not. If the word “vacation” means to you sleeping in, relaxing by the fire with a drink or taking a boat ride, you may not be happy to pack seven mile hike, rock climbing, or canoeing into your schedule. On the other hand, if you are an outdoor buff, staying indoors could seem like a terrible waste of time. When traveling with family, it is important to know everyone’s preferences, then if they are different, strike a balance amongst them all.

    When traveling with a companion, it is a great advantage to have similar likings. That does not only mean way of living. Meal habits are very important too. Perhaps you are one who does not like to spend a lot of time looking for an Italian restaurant in an unknown place. Your companion, on the other hand, could be a strict vegetarian and very picky about where they eat. Unless you are conscious about those differences, you could be spending time resolving conflicts instead of doing what you are there for.

    Have Extra Cash Available

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    When you are traveling, being a Scrooge is often not the best way to go. I am not suggesting that you splurge but most vacation spots make their money from seasonal tourism. Thus, everything will be more expensive than usually justified, and that means everything from food, to room rent, to souvenirs. If you are constantly counting pennies, it will occupy your mind, rather than important things. Keep some budget for unforeseen expenses and when those happen, do not sweat it. Enjoying your time matters more than money.

    Do not Take it too Hard

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    Sometimes unfortunate things happen even after the best of planning. You cannot do anything about that. I hope not, but should you run into any such situation, just take it in strides. During my trip to the Acadia National Park, I took a fall, twice. I got several deep cuts, hurt a finger so bad that I was afraid that I might have broken it (luckily not), worst of all my camera gear was damaged. I did not lose heart or cancel my vacation. I just dealt with it; got the injuries checked out at an urgent care, did first aid, took painkillers and did what I was there to do – photography. The point is, bad things happen; it’s not the end of life but rather, part of it. Have fun!

    The post How to Make the Most of Your Hard-Earned Vacation Time Photography Wise by Abhijit Sarkar appeared first on Digital Photography School.


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