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Archive for the ‘Photography’ Category

How to Use Still-life Subjects to Understand Focal Lengths

11 Dec

Do you think that using an 18mm lens or a 100mm one will only zoom in or out your scene? Why are camera lenses are measured in millimeters? Do you know what those measurements mean for your photo? If you’re not sure which lens to use and why I invite you to keep reading and learn about focal lengths and how to use them.

The most common consideration when choosing your lens is whether or not you need to zoom in or zoom out. Therefore logic dictates that you would use a wide-angle lens for landscape photography and a telephoto for a detail of that landscape. Another well-known factor is the distortion of wide-angle lenses, so for example, if you want to do a portrait you would instead use a normal or a telephoto lens.

But how about shooting objects or photographing still life subjects? Which lens is better? I’ll use this subject to illustrate the characteristics of different focal lengths that normally get less attention.

What is focal length?

When light comes in through the lens, it passes through a small hole called a nodal point. The distance from that point to the sensor when your lens is set to infinity is called the focal length and this is measured in millimeters. A smaller distance gives you a wider angle of view and that’s why it’s called a wide-angle lens. Therefore a bigger distance gives you a narrower angle of view which is called a telephoto lens.

What is normal?

When you say a normal lens, it means that it will see more or less the same angle of view as the human eye. Anything longer than the normal focal length is a telephoto and everything shorter is a wide-angle lens. This measurement depends on the size of your sensor because the measure of its diagonal is what determines “normal” for that camera.

For example, in analog photography, it was a very standard measure because there were only so many negative film formats. A 35mm film had a normal lens of 50mm, this can be translated into digital cameras that have a full frame sensor because it’s about the same size as 35mm film. If you have a cropped sensor camera, that “normal” lens becomes a telephoto.

Left – longer lens more zoomed in. Right – wider lens more zoomed out.

Why is this important?

As I mentioned before, zooming in or out is the most obvious impact of the focal length. But what happens when you are shooting something where you can achieve that by getting closer or further from your subject? How do you choose your lens? Well, that’s where the other characteristics of the focal length come into play.

Compression

A photograph is a two-dimensional representation of a three-dimensional world. By changing the focal length you can compress or extend the distance between two objects, or between the subject and the background. Let me show you with a series of images taken of the same scene but with different focal lengths.

I put a measuring tape next to the objects so that you have a reference and see that they were separated by the same distance even if it doesn’t look like it in the various images.

18mm lens.

35mm lens.

55mm lens.

Notice how the distance between the shells seems to change. With wide-angle lenses, things will seem further apart from each other, compared to how they look with a telephoto lens. Now, you probably also perceived another difference between the images, and that is the focus. Which brings me to the second characteristic.

Depth of field

As you probably know, the depth of field (area in focus) depends on the aperture. A small aperture gives you a greater depth of field than a big one. But there is another factor involved and that is the focal length.

A wide-angle lens appears to have a greater depth of field than a telephoto at the same aperture. It is a common misconception that wide-angles have more depth of field than longer lenses. The reason it appears so has to do with the subject to camera distance, not focal length.

This effect is intensified by the fact that you will be physically closer or further away with each lens to achieve the same framing. Allow me to illustrate with this photos in which I maintained the same aperture but changed the focal length.

180mm - Using still-life to understand focal length

1800mm

160mm - Using still-life to understand focal length

160mm

100mm - Using still-life to understand focal length

100mm

70mm - Using still-life to understand focal length

70mm

55mm - Using still-life to understand focal length

55mm

35mm - Using still-life to understand focal length

35mm

18mm - Using still-life to understand focal length

18mm

See how the photo taken with a 180mm lens has such a shallow depth of field that the blurry background even creates a halo that comes over the sharp focus subject. After that, each image got greater and greater depth of field by using smaller focal lengths.

Conclusion

In conclusion, there is no such thing as the best lens for the type of photography you are doing. It really depends on the results you want to get.

The post How to Use Still-life Subjects to Understand Focal Lengths by Ana Mireles appeared first on Digital Photography School.


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7 Style Tricks to Steal from Other Artists

11 Dec

You’ve been taking photos for quite a while now but suddenly you notice your shots are looking a bit the similar. Same locations, same light, same style, same subjects.

Yes, you can travel to new places once in a blue moon, but you itch to get out with your camera all the time taking inspiring shots.

Welshrobin

You want to create something new and individual but there is always that nagging feeling that everything’s been done.
Yes, friends and family love what you do, but you want to make an impression on your peers. Maybe even enter a competition or two.

Well, you can break out of the same old same old ruth, here’s how. Just borrow a little style from other artists – they’ve been making images for thousands of years and are well practiced at bringing in the new.

7 Ideas to get you out of a rut

1. Andy Warhol Pop Art

Rowanpopart - Seven Style Tricks to Steal from Other Artists

Warhol is famous for his multi-image saturated color artwork such as his portrait of Marilyn Monroe and his Campbell’s soup cans. There is little depth created and the work is all about the surface patterns.

For this first steal you need a straight forward head and shoulders shot against a plain background. There are dozens of videos on YouTube that show you the process for creating pop art, which is quite straight forward, even for a novice at photo manipulation. Choose colors to suit your decor or mood. It’s a lot of fun scrolling through the hues and selecting the color combinations that grab you.

2. Rothko’s Color Fields

Mark Rothko’s paintings are often a field of just one color. They are full of texture, light and shade and nuances of hue and tone. Completely abstract, they still encompass a gamut of emotions from calm reassurance to dark solemnity. Other works include bands of color or two juxtaposed fields.

For this style, try photographing a field full of texture and color such as rapeseed in golden hour light for a picture full of joy. A windswept, sandy beach or a derelict urban factory wall make great subjects to try.

You could create bands of color with long exposures and intentional motion blur smoothing out features that may distract from the visual idea.

The field of orange ephemeral leaves here is offset with the solid green of the tree for changes in texture and color. This would be a good subject for the motion blur technique.

Beechpath - Seven Style Tricks to Steal from Other Artists

3. Escher’s Perspectives

Famed for his impossible changes of perspective and tessellating patterns, Escher also looked at the natural world capturing unusual, thought provoking views. One of those was a woodcut of tire tracks holding a puddle reflecting trees. It’s one of those pictures where you do a double take. This isn’t the same as including reflections in rain covered streets, it’s more about capturing another world where the rest of the scene is merely background.

This example is a small pool in a beech wood. There is just enough “right way up” detail to explain the view point but not enough to change the subject.

Pooltrees - Seven Style Tricks to Steal from Other Artists

4. Monet and Impressionism

The work of the Impressionists is hugely popular, full of light and sparkle. This was achieved by placing complementary colors such as orange and blue next to each other. Your eyes mix the colors and create a myriad of tones that seem to dance across the surface.

You can recreate this effect by looking out for natural occurrences of complementary colors such as these orange and gold leaves against a blue sky. Overexposing the shot slightly helps to give the high key and luminance you need for this to work well.

Beech tree blue sky - Seven Style Tricks to Steal from Other Artists

5. Rembrandt and Chiaroscuro

Rembrandt was a master of Chiaroscuro, the use of deep changes in tone from dark to light adding drama and mood. He mostly used this style for portraits, his brightly lit figures coming out of a deep dark background.

It’s a lovely technique you can use on your portraits, as Rembrandt did, using a dark room and a simple light source such as a lantern. You could also use this style to add a different dimension to still life or macro subjects such as this ox eye daisy.

In this case the background was in shadow behind the flower and a reflector was used to direct more light onto the bloom itself. A little tweaking with Photoshop increased the depth of the darks.

Daisy - Seven Style Tricks to Steal from Other Artists

6. Mondrian Grid Patterns

Blocks of pure color carefully arranged and separated by black lines of a grid were Mondrian’s stock in trade.

To replicate this style, you could look out for grid patterns occurring in the environment, such as different color fields separated by stone walls, paintwork in urban decay, windows in office or apartment blocks, and reflections on water surfaces. You could even set up a still life on a black table using found textures and colors.

In this photo, the initial attraction was the colored reflections, the duckling was a happy accident!

Duckling red water - Seven Style Tricks to Steal from Other Artists

7. Mandalas

These are currently hugely popular across creative fields from adult coloring books to crochet.

This is a great style to use to organize still life subjects containing lots of small items in a cohesive structure. It can be most enjoyable and therapeutic to create the mandala in the first place. You then have the added bonus of the photo opportunity at the end.

This photo used a selection of fruit, leaves, and nuts on a slate table mat background. Nothing went to waste in this one.

You could try autumn leaves, sea shells on the sand, sweets, or mixed media. Get the family to join in for some creative bonding.

Fruitmandala - Seven Style Tricks to Steal from Other Artists

Conclusion

So now it’s over to you. You can take some of these ideas and maybe some of your own inspired by this article and run with them. It’s time to get out with your camera and look around with an artist’s, as well as a photographer’s eye. Good luck, happy shooting, and please come and share your results in the comments below.

The post 7 Style Tricks to Steal from Other Artists by Janice Gill appeared first on Digital Photography School.


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Review of K&F Concept KF-885 Speedlight

11 Dec

A few weeks back I received the K&F Concept KF-885 Speedlight to test out and review. Now before I get into the review for this flash, I have to say that I have been a Canon photographer ever since I started my business in 2010. Even before I was photographing for clients, I always gravitated towards Canon gear just because I have consistently had great results with this brand. My very first film camera Canon AE-1 is still in my gear bag and continues to give me stellar results!

I completely understand and acknowledge that branded gear does tend to be expensive and is not in everyone’s budget, especially for those just starting out on their photographic journey. Having said that, there are some great companies with comparable gear in terms of quality and performance. In fact, sometimes, the quality and results are even better than their branded counterparts. This just goes to show that the skill and experience of the user makes a good photograph and not necessarily the gear you use.

Review of K&F Concept KF-885 Speedlight

For this review, I used the K&F Concept KF-885 Speedlight on a couple of different assignments – for wedding reception photos and an outdoor portrait session. I have to say that I was very happy with the results from this flash.

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I have used my Canon external flash for the past four years and found the K&F Concept flash very comparable to the Canon 600 EX-RT version in terms of performance, look, and feel. Definitely worth looking into if you are in the market for an external flash for your photography needs.

#1 – Specs, Look and Feel of the KF-885

the K&F Concept KF-885 Speedlight looks very similar to the Canon 600EX-RT external flash. In fact, when I compared the two side by side, they looked almost identical in terms of size, weight, and the accessories that were included in the package.

The KF-885 flash has a slightly bigger monitor display compared to the Canon but having used the Canon brand, I had no trouble figuring out the menu options. In fact, I almost felt that the K&F Concept flash menu options were simpler and easier to figure out. The flash also comes with a built-in reflect board and a built-in wide diffuser to enlarge the shooting range.

K&F Concept KF-885 Speedlight

The flash on the left is from K&C Concept and the flash on the right is from Canon. They both come with a flash case, a base stand, and a plain white diffuser cap.

K&F Concept KF-885 Speedlight

The flash on the left is from K&C Concept and the flash on the right is from Canon. As you can see, they are almost identical in size and weight.

K&F Concept KF-885 Speedlight

The flash on the left is from K&C Concept and the flash on the right is from Canon. The two flashes look almost identical to each other.

K&F Concept KF-885 Speedlight

The flash on the left is from K&C Concept and the flash on the right is from Canon. The cosmetic difference is in the shoe mount for the flash. The K&C Concept one has a circular dial to tighten the flash to the camera shoe mount whereas the Canon one has a lever that is moved from left to right to lock in the flash to the camera body.

#2 Display Screen and Menu Options

The K&F Concept KF-885 speedlight has similar menu options to the Canon external flash. The On/Off button turns the flash on and off. The Mode button is to select auto and manual controls, multi-modes, and wireless modes (master/slave mode operation).

The circular set of five buttons is used to adjust the power of the flash when used in manual mode. The flash head also has a vertical rotation angle of 7-90 degrees and horizontal rotation angle of 0-180 degrees.

K&F Concept KF-885 Speedlight

#3 Usage

Being used to my Canon 600 EX-RT flash in manual and ETTL mode, I was able to quickly adjust to the K&C Concept KF-885. I also used both flashes for a couple of photos by setting the Canon flash as the master and the K&C Concept flash as the slave. The two flashes communicated with each other and I was able to use setups of both on-camera and off-camera flashes seamlessly.

K&F Concept KF-885 Speedlight

An indoor wedding portrait session made easy with the K&C Concept KF-885 External Flash

K&F Concept KF-885 Speedlight

The K&C Concept Flash handled poorly lit wedding reception areas quite beautifully.

K&F Concept KF-885 Speedlight

Summary

Overall, I was very impressed with the K&F Concept KF-885 Speedlight. At a price point of $ 86, that is significantly less than its branded counterpart. This is a great option for someone who is looking to add an external flash to their gear kit but doesn’t want to spend a lot of money.

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Tips for Planning and Capturing a Creative Portrait

11 Dec

There is saying, in the photography world, that an image can be taken in a hundred different ways. This is especially true, as you have probably already noticed when capturing portraits.

Portrait photography is probably the most popular genre, within the realm of the diverse world that is the art of photography. People take portraits so frequently, snapping selfies or photos of their loved ones, with mobile phones or cameras. In any case, this is pretty much what portrait photography is all about, capturing people’s faces.

However, as photographers, you will always be striving for higher excellence, whatever the style of your photography. It’s a natural cause, this is one of the reasons why photography is artistry. The drive for capturing better images, in the field of portrait photography, will eventually lead you to a higher dimension where you won’t be satisfied with just capturing a face, but rather the soul of your subject.

creative portrait of a woman

Lonely young and beautiful woman seating in a bar, next to a piano and a bottle of champagne, of 1920s time period. The woman is dressed in 1920s black evening dress and Gatsby-style diadem on her hair, there is a large old rusted window in the background where blue evening light invades the scene.

This dimension in photography is where creativity lay hidden. It waits to be unleashed by forces such as knowledge and the inspiration gathered along the way, as you were growing as a photographer. So let’s embark on a quest which will help you harvest the power of creativity in photographing portraits and escape the ordinary.

In the list below, you’ll learn the main ingredients that will help you harvest this creative force and take you to another level with your portrait photography.

Equipment

Know the equipment you work with well. This is the baseline from where you need to start. Technical knowledge may not seem connected to art at first, but let’s examine the image below.

creative self portrait

Self-portrait with creative lighting involving a continuous light and a studio strobe.

This image was captured with a single exposure and there weren’t any alterations applied to it in Photoshop. A second curtain flash technique with slow shutter speed created the effect here. Camera White Balance was set to tungsten and the key light colored with CTO – to balance the colors with gels.

Self portrait lighting diagram

Surely you have noticed how technical knowledge and art correlate. Be it your camera settings, lens, or strobe lights, the more you know about your equipment the more options you’ll end up having to explore in bringing your artwork to realization.

Selecting the right faces, exploring your model’s hidden potential

Most photographers create their best work by working on personal projects. When working on a personal project, you’ll have the full control to choose the model sitting in front of your camera – you are the Art Director.

There are faces full of potential, although they are not faces of professional models (it could be people you see in the public transport or the streets), revealing great characters and features. You need to be able to see this potential and invite such people for a portrait photo session.

Keep in mind that although a person looks great, he or she may not feel comfortable sitting and posing for you at first. This will obviously affect the overall quality and purpose of the photo session.

Remember, as a photographer, it’s your job to bring a good vibe and mood to the set, in order to help your model relax and being able to explore his/her best features.

creative portrait of a man

Low key portrait of a black man wearing glasses and a black leather jacket, having his hands and fingers very close to his face.

In the first image above, is a man who booked a personal creative portrait session. It took four hours of working with him in order to reach a point where he was finally in the right part of his own creative universe, feeling free and exploring himself. He had never had such an experience before and was feeling quite nervous and shy at first.

The second image below is a good representation of working with a great character.

creative portrait of a man

Portrait capturing a model dressed in WWII pilot outfit holding Cuban cigar in his mouth. The creative look of this portrait has been achieved by the use of multiple strobe lights.

Lighting

Light is the very reason why photography exists. Think about light, study light – how it spreads, how it bounces, how it is reflected, its specularity, etc. There is so much to light. Light is what will be rendering the reality in front of you, by reflecting and bouncing back into your camera lens.

Light has a quality which is defined by the source, intensity, size, and color temperature of the light. The best part is that you have full access to controlling any of this. Main sources of light for photographers are:

  • Ambient light
  • Strobe light
  • Continuous light

But as you move on to the next topic, you’ll see that there is much more to light than just being available in some form.

creative portrait setup

Photographic studio setup for a portrait session, the image features Bowens strobes, a white backdrop and light modifiers.

In the image, above, can be seeing a studio strobe lighting setup for a portrait session. Some characters may require really complex lighting in order to capture their personalities. Others just require one or two light sources – it will be up to you as an artist to determine this.

creative portrait of a man

Low key portrait of a man with a ginger beard and leather jacket, the scene features dramatic and creative strobe lighting.

The portrait above was photographed with only two strobe lights – portraying very well how the most appropriate lighting was selected to illuminate and capture the mood and personality of the person. While for the image below involved the use of six strobe lights.

creative portrait of a woman

Portrait of young woman on blue background wearing a purple dress – with a creative, multiple lighting setup and approach.

Shaping the light, light modifiers

All artists use different sort of tools that help them shape the fabric of their own inspirations and bring creative ideas to life. It is the same for us photographers too.

First, there’s the light, ambient or strobe, which is the raw material you work with. But this material needs to be softened or shaped, helping you in the process of reaching deeper dimensions of your subject’s features and character.

Light shaping tools will help you define your own creative realm – the realms of Game of Shadows, Game of Highlights and Game of Midtones, where you are the master controlling and balancing what sort of reality your light will render.

creative portrait of a woman and man

Tattooed rockabilly, demon, barber holding razor blade in his dark and demonic barber shop with pinup model as his evil assistant on the background next to a bottle of Jack Daniels.

For the creation of the image above, several light shaping tools were used and some of them were even further modified in order to produce the quality of light needed in this particular situation (the image was shot at 10 am in the morning but the idea was for dark – Sweeney Todd concept)

Studio, location, and features

Another very important ingredient to the process of building unique and creative portrait images is exploring what is around you. What is available or what you can build, light and create on location or in the studio?

Although portrait images are characterized by very tightly cropped frames, around the subject’s face – attention needs to be given even to the smallest details. Such details will greatly contribute to the overall contrast within the scene you are capturing.

An example of this is when you are shooting in a studio you can use a snoot, or another light modifier, and create a spot of light or perhaps colorize your background, by placing color gels. Do not limit yourself to only thinking of the face you intend to capture, but rather on the grand scene of everything that will be captured in your composition/frame.

Following the same flow of thoughts and principles – you can turn even a simple room into a professional studio like has been done on the image below – photographed in a bedroom.

creative portrait of a man

An image featuring the founder of Vialucci media, Theo X photographed on a white background.

Things even get more challenging and interesting when shooting environmental, wide-angle portraits. A location can reveal so much about the personality of your subject and also contribute greatly to the level of creative quality in your images. All you need to do when you’re at a great location is help stylize the scene, frame well (appealing creative composition), bring the strobes in and work out the best of your models.

Props, makeup, and hair

This is a very challenging step that eventually one day you’ll take, but it is also very rewarding. By reaching the point of employing props, makeup, and a hair stylist – it will be solid evidence that a line was crossed with no option of turning back. This is the stage where you’ll be seeing beyond the ordinary qualities of your subject and looking to reach a deeper dimension – a state of creative vision.

creative portrait of a woman

A conceptual scene of a four-handed Queen seating on a throne receiving scripts from her Demon servant, and pointing at a Victorian style globe. The scene is lit by several light sources with different colors, rendering the whole scene in a very creative and original light.

creative portrait of a man

Creative portrait composite representing WWII pilot in the cockpit of his aircraft engaged in an aerial battle, with the enemy aircraft in the background.

The images above illustrate very well, the level of creativity obtained by employing props, makeup and hair into the photoshoot.

Editing and retouching

Processing or editing images has always been an integral part of the whole creative process. Although having all the advantages and power of digital technology, you shouldn’t abandon the universal rules and laws of aesthetics.

Think of retouching and editing as a process that helps you enhance the high-quality photographs you already capture and bring your creative vision to final realization. This is achieved without overdoing and diminishing the quality of your photographs.

The two images below are good examples of a photograph captured with simple lighting setup and processed just enough to clear and strengthen the subject’s appearance.

Creative portrait photography before

Before processing.

Creative portrait photography after

After processing.

Conclusion

Capturing creative images involves innovative and creative thinking – seeing things differently, thinking differently. That is why you always need to be on your own small quest for creativity, not bound only by what was covered here or elsewhere.

Come up with your own new solutions – in the process of which you only will add and improve your portrait photography.

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Tips for Photographing Reflections to Create Stunning Images

10 Dec

It can’t be denied. There’s something special about reflections that makes them a unique aspect of photography. Maybe it’s because a reflection just like a photograph is a gateway to another world, parallel but restricted. Also just like photography, reflections are a simplification of our world; they turn a 3D reality into a 2D representation.

In a way, photography can make ”reality” and reflections more equal, by cramming the former into 2D while retaining the natural, 2D state of the latter.

01 reflections photography tips

Before we get into the exciting art of photographing reflections, let’s think a bit more about why they’re so attractive, and how we can find new ways to photograph them. Since you’re definitely going to have your own ideas about this mystery, I’d love it if you shared them in the comments below at the end of the article.

02 reflections photography tips

Why photograph reflections?

Reflections have always had an immediate attraction to me, and I don’t think I’m the only one. They’re like visual illusions dropped into everyday life. They turn the world upside down, add a hint of confusion to a scene, and show us things we can’t immediately see the source of.


For you as a photographer, reflections offer a way to create a certain atmosphere. It can be mystery and confusion, but also vastness, such as sky reflected in a lake, or calmness, as a reflection requires a relatively still surface.

Tips for How to Photograph Reflections

Thanks to their mirroring effect and the interaction with the (unreflected) surroundings, reflections are useful tools if you’re trying to tell a story with your photograph — as you always should!

Tips for How to Photograph Reflections

Where to find reflections

What is your first thought when you think about reflections? Is it a mirror, perhaps, or a beautiful lake on a wind still evening?

One great aspect about photographing reflections is that they can be found in so many places and created by a variety of surfaces. Whether you’re into photographing landscapes, portraits, products, flowers, or street scenes, you can utilize reflections to add something special to your photos.

Tips for How to Photograph Reflections

The most obvious place to find photogenic reflections in nature is in connection with water. And wherever there is life, there is water, so the opportunities are basically endless. It can be anything from large bodies of water and wet sand on a beach to a raindrop on a frog’s head.

Tips for How to Photograph Reflections

For more urban photographers, water is of course still an option (puddles are sometimes great for other things than jumping into), but buildings provide another world of options. Start with shop windows and glass buildings, and go on from there. Reflections are fun and beautiful, and we don’t hesitate to incorporate them into our cityscapes.

Tips for How to Photograph Reflections

If you don’t feel like leaving the house or find yourself at a party, do not despair, you can still exercise your photography skills. Mirrors are the obvious surface to use to add another dimension or an interesting twist to your photograph. But windows and polished tables or counters are also great. And don’t forget the opportunities of a well-placed wine glass!

Tips for How to Photograph Reflections

How to capture reflections

Photographing reflections is pretty easy, but there are a few things to think about before and while you’re doing it. These are just a few tips:

  • Unless intended, make sure you don’t show up in the reflection. Change your angle and move around to find the best place from which to take your photograph so you don’t appear in the image.
  • Framing is essential! Use the elements of the space you’re in to create an interesting composition and experiment to discover what creates the greatest effect.
  • Lighting might be a bit tricky. For instance, in a picture of a natural scene reflected in a lake, the reflection is often quite a lot darker than the reflected scene. Use that to create an effect in your image or use filters to even out the lighting difference. It’s up to you!

Tips for How to Photograph Reflections

Conclusion

Those are some of the basics of one of my favorite types of photography. Do you like photographing reflections, and if so, why? What is it about them you find attractive?

If you have photographs to show or tips to share, I’d love to see them in the comments below!

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How to Clone Yourself – Step by Step Tutorial

09 Dec

You have probably seen photos on the internet where the same person appears in multiple spots in a single photo. At first sight, you might not have believed it, and later you must have gone berserk looking for ways that effect can be achieved. Well, who does not want that superhero feeling where you can appear in 2-3 different places doing 2-3 different things as well in a single photo.

Let me tell you, it is not at all complicated or difficult to clone yourself multiple times in a single frame. You can achieve this effect by going through two simple stages, the execution stage (shooting) and the post-processing stage. By the end of this tutorial, I am sure you will be able to create pretty awesome clone photos, feel free to share them in the comments section.

How to Clone Yourself - Step by Step Tutorial

Part One – How to Clone Yourself – Execution

In the execution stage all you need is a:

  • A digital camera
  • A tripod
  • Shutter release remote or use the built-in self-timer

Step 1:

Mount your digital camera on a tripod. As you will be taking multiple photos you need to make sure that the frame in each photo remains the same and the camera doesn’t move.

Step 2:

Make sure that Manual Mode is selected as you do not want any aperture, shutter speed, or white balance variations in your multiple photos. This is to make sure that all your photos are consistent in exposure, depth of field and color temperature.

How to Clone Yourself - Step by Step Tutorial

Step 3:

Now focus on the point where you will be standing or sitting and switch the focusing mode to Manual as well. This is again to ensure that each photo is consistent in terms of depth of field and sharpness. An important suggestion is to use an aperture which is not too wide, something around f/5.6 – f/8 would be ideal to get good depth of field.

Step 4:

Switch on the 10-second timer on your digital camera so that you have enough time to position yourself in the frame and get ready for the photo. If you have one, you can also use a wired/wireless shutter release remote to click photos once you are ready and in position.

That’s it, now you are ready to take as many photos you as want to by positioning yourself at different spots in the frame.

How to Clone Yourself - Step by Step Tutorial

Here you can see the four shots I took. It’s important to take one of just the scene without you in it as well as you’ll need it for the next stage.

Note: It’s important to take one of just the scene without you in it as well as you’ll need it for the next stage!

Part Two – How to Clone Yourself – Post-Processing

Now comes the interesting part of this tutorial where you get to learn how you can clone yourself multiple times in a photo using software such as Adobe Photoshop. Let me take you through a step-by-step explanation of how I achieved this photo.

Note: you need an image editing software that works with layers to do this. Lightroom cannot do this.

Step 1:

Import all the photos into Adobe Photoshop and get them to a single workspace by going to individual photos, pressing CTRL/CMD + A (select all) and again pressing CTRL/CMD + C (copy). Now go to the photo where you want all other photos to be brought together and press CTRL/CMD + V (paste). Do this for all the other photos until you have all the photos in one workspace as layers.

Make sure the image without you is the bottom layer. If it is not, drag it there now.

Note: Alternatively you can open Adobe Bridge and find your images. Select all the ones you want to use (CMD+click on each to select more than one) and go to Tools > Photoshop > Load files into Photoshop layers. This will achieve the same thing as copy and pasting each image. If you work in Lightroom you can select them all, right-click and select Open as Layers in PS as well. 

How to Clone Yourself - Step by Step Tutorial

Step 2:

Now add a black layer mask (press and hold ALT and then click on Add vector mask icon as shown in the photo below) in order to start the editing process. Select the Paintbrush tool and make sure that black is selected as the foreground color, and then click once on the mask of the layer you want to work on first.

Note: Make sure the mask is selected not the layer. See the white bracket corners on the mask? That means it is selected. 

How to Clone Yourself - Step by Step Tutorial

Step 3:

Layer by layer, start painting (at 100% brush opacity)_ over the area where you are located in that frame to make yourself visible in the photo. Do this with all the layers in order to make yourself appear in the photo at multiple spots as shown in the image below.

How to Clone Yourself - Step by Step Tutorial

While bringing back one of yourself in the frame, if by mistake you erase your previous photo (your clone) you can bring it back by selecting the foreground color as white and painting back over it on the mask. So basically, painting with black lets you make the elements of the current layer visible, and the white color erases the elements of that current layer if you by mistake overdo it.

Black reveals – white conceals

How to Clone Yourself - Step by Step Tutorial

Finish up

Once you are done cloning all your photos proof check the final photo carefully, there is a chance that you might have erased a part of one of your clones by accident. Make sure you aren’t missing any toes or limbs.

So once you are satisfied with the final result, export it and start flaunting it on your social media channels and please share in the comments below.

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Quick Video Tutorial – 8 DIY Photography Hacks for the Kitchen

09 Dec

Here is another fun video from the team over at COOPH. This time they’re playing with ordinary household items found in your kitchen.

Here are 8 DIY photography hacks you can do at home

Watch as they play with some eggs, kitchen utensils, have fun with a cheese grater, make a DIY softbox for a flash, play with reflective surfaces, flour, and some fruit!

Get cracking (pun intended) and see what you can come up with trying these tips out.

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Weekly Photography Challenge – Wide-Angle

09 Dec

Different lenses produce a different look and effect in your images. Wide-angle lenses add depth and dimension to your images and give them a sense of three-dimensionality. They can be used to add humor and add interest as well. But, you must use a wide-angle lens properly.

Weekly Photography Challenge – Wide-Angle

The key to using a wide-angle lens is to get close to your subject. Really close! Not so close that you can’t focus, but close enough to make the subject appear larger than real life.

  • Wide Angle Versus Telephoto Lenses for Beautiful Landscape Photography
  • How to Use a Wide-angle Lens with Wildlife for a New Perspective
  • How to Use a Wide-Angle Lens for People Photography
  • 6 Reasons to Love Ultra-Wide Lenses

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

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How to Enhance Colors Using Photoshop’s Color Range Tool

08 Dec

Luminosity Masks have become a go-to technique for many photographers wanting to make selective adjustments on their images. While it’s a great way to create precise masks, it’s a mask solely based on the luminosity of a pixel and it may not be ideal when you only want to make adjustments to a specific color. Perhaps you want to enhance that beautiful sunset you photographed last night or maybe you want to change the color of your subject’s eyes. Regardless of what color based adjustment you want to make, there’s a simple and quick method of creating a precise selection based on the color value using Photoshop’s Color Range Tool.

Why Use Selective Adjustments

Before we jump into how you can create a precise selection based on a color, I quickly want to talk about why you should be using selective adjustments in your post-processing.

My area of expertise is landscape photography but this topic is important no matter what type of images you capture or your ambitions. If you have a desire to make your images look better, you need to be making some selective (local) adjustments to them.

It doesn’t need to be anything super-advanced, but start by at least making some selective color adjustments. The main reason you’d want to do this is to get rid of the unwanted color cast. The color cast can come as a result of your previous post-processing or it can come straight from the camera and it’s something that sticks out as a negative when viewing the image (the exception is when it’s a deliberate color cast that serves a purpose).

How to Enhance Colors Using Photoshop's Color Range Tool

I used Selective Adjustments to keep the shadows cold in this image.

It’s also quite common that you’ll want to make an adjustment only to a specific area of an image (known as a local adjustment). A normal adjustment will affect the entire image (known as a global adjustment). Instead, create a mask that selects only the part of the image you want to affect (for example the highlights, a color, or maybe just a specific subject) and make your adjustment. Now, you’ve kept the majority of the image untouched but have made a visible adjustment to that particular area – no global color cast and no unwanted effects.

Create a Mask Based on Color

Okay, let’s jump into it and start making a few adjustments based on a color. In the example below, I want to increase the saturation and brightness of the yellow flowers in the foreground. A typical way of making a similar adjustment would be to use the Hue/Saturation adjustment and increase the saturation of the yellows. Yes, the flowers are saturated and brighter now but so are the cliffs, areas in the sky, and even some of the water.

How to Enhance Colors Using Photoshop's Color Range Tool

First of all, make sure that you’re on a Stamp layer – in other words, one which is all the layers below it merged into one (you can delete this layer later but you’ll need it for the next step). Now, go to Select > Color Range… A new box should now appear and it’s here that you’re going to create the mask.

How to Enhance Colors Using Photoshop's Color Range Tool

For the best results, make sure that Sampled Colors is selected in the top drop-down menu. It’s possible to work with the other options as well but I find the mask to be much more accurate by manually sampling the colors you want. Next, with the Eyedropper Tool selected, click on the color in your image that you want to select. For me, that’s one of the yellow flowers in the foreground. Notice that the image within the Color Range box now has changed and it’s mostly black. This represents the selection we’re making (only the white parts of the mask will be affected).

Refine the mask

The Fuzziness slider is a useful tool to make the selection more or less refined. By pulling the slider towards the left, you’re creating a more restricted mask and it affects less of the similar colors to what you’ve selected. Pulling it towards the right has the opposite effect and the mask starts including similar colors. I prefer to use a fuzziness of approximately 70-80 but I recommend you play around with it for each shot.

How to Enhance Colors Using Photoshop's Color Range Tool

That’s it! Click OK and you’ve created a precise mask based on that color. Now, you choose the adjustment you want to use – I’ll use the Hue/Saturation slider for now.

Adding Colors to the Selection

Before we continue and start enhancing the image, I want to show you how you can add more colors to the mask. Let’s say that I also wanted to make the same adjustment to the bright parts of the sky. Before clicking OK and creating the selection, I would simply hold shift (or select the second Eyedropper Tool named “Add to Sample) and click on the sun. You’ll see that the mask has changed and the area around the setting sun is also whited out.

How to Enhance Colors Using Photoshop's Color Range Tool

Unfortunately, this step also included some of the cliffs in the lower right corner which I don’t want to be affected. The best way to remove that from your mask is to paint directly on the mask with a black brush after creating an adjustment layer.

Making the Adjustment

The last thing I’m going to do is to increase the saturation and brightness of the flowers. With the mask we created active (you know it’s an active mask when you see the marching ants around your selection), create a new Hue/Saturation Adjustment Layer. Since we’ve already created a mask that targets only the yellow flowers, we don’t need to go into the yellow channel, instead, we continue using the Master channel.

Now just drag the Saturation slider towards the left until the colors are saturated to your taste. I also increased the Lightness slightly to make the flowers pop even more.

Before

How to Enhance Colors Using Photoshop's Color Range Tool

After

This technique of creating a precise mask can be used with any adjustment layer that you want. I often combine it with any color-based adjustments such as Hue/Saturation, the Photo Filter, and Color Balance. For adjustments that affect the brightness and contrast of the image, I prefer using Luminosity Masks.

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The Importance of Being Honest With Yourself and Your Clients

08 Dec

If you do any photography for clients, either on a regular basis or whenever work comes your way, there can be a tendency to be somewhat creative when answering questions about your skills, abilities, and expectations. You might be asked to shoot a wedding when you don’t necessarily have the gear or experience to do what the client expects. Or someone might ask you to take product photos when your background is in portraits.

It’s not uncommon to be on location at a photo session and have things suddenly go awry or get strange requests from your clients. Even in the editing phase, you could very well find yourself dealing with a situation that you aren’t ready for. In times like these, it’s important to remember three simple words we have all heard since we were kids – tell the truth. You might not like the immediate results, but it will work out for the best for you and your clients in the long run.

The Importance of Being Honest With Yourself and Your Clients

Set your client’s expectations

Not long ago I was asked to do a portrait session for a high school senior. I knew the family and we were all looking forward to the session. But about a week before we were scheduled to take photos, we hit a bit of a wrinkle. Her parents asked if their daughter could have her two dogs in the photos as well. I had a moment of panic because this was a situation for which I was quite unprepared.

After I thought about it for a little while, I realized I had two choices, neither of which was all that appealing. I could have said yes in which case I would be agreeing to something that I was not ready for. Or I could have said no in which case I would have run the risk of angering the client and maybe even losing their business to another photographer who would agree to take the photos they wanted.

The truth of the matter, though, was that I simply didn’t know the answer so I told the client just that. Rather than say yes or no, I laid my cards out on the table and hoped for the best. I explained that I would be willing to give it a try but I had no experience with this sort of situation, and there would be a chance the pictures wouldn’t turn out at all.

The Importance of Being Honest With Yourself and Your Clients

This high school senior wanted some pictures with her dogs. I obliged but tried to be as honest as possible regarding my comfort level and experience with this type of photography.

Honesty is the best policy

Instead of being upset or angry, her parents were quite pleased with my response and told me they appreciated me being upfront about it. They felt more comfortable working with someone who was willing to tell the truth rather than spend money on a photographer who just told them what they wanted to hear and might not be able to deliver on the results.

On the day of the shoot, I continued the trend of being open and honest and suggested a couple options for photos, many of which the family quite liked. I even enlisted the help of the parents. Even though the photos aren’t going to win any awards or get printed in magazines, the family was more than pleased with the results. They liked the collaborative nature of the photo session as well. They felt like they could trust me and knew that I would do everything in my power to get some photos they would like, and in the end, that’s what really mattered.

The Importance of Being Honest With Yourself and Your Clients

We enlisted her mom to help!

This type of honesty can go a long way towards making sure your clients know what to expect when they book your services. Getting everyone on the same page before, and during, the photo session can help make sure they know what they are getting and you know that you haven’t promised something you can’t deliver.

Work with a safety net

Being open and honest with your clients is a little tricky and can involve walking somewhat of a fine line because as a photographer you are getting paid to know what you’re doing and you have to project a certain degree of confidence. After all, people are paying you to know what you’re doing so you had better know how to do it!

That being said, if you are honest with your clients about what you can do, it can give you a great deal of wiggle room when out actually doing a photo session. It also helps build a relationship of trust with your clients.

I normally shoot photos on location at parks and open areas around town. When I was taking pictures for another high school senior the two of us met up at a local garden, talked about school and college, and then got to work on the photo session. I started by giving him some very specific directions to get some good shots in the bag – the slam dunks if you will. He politely obliged, and we took some pictures that turned out just fine when I reviewed the images on my camera.

The Importance of Being Honest With Yourself and Your Clients

This young man was willing to try some new locations and poses for his senior photos. We got some good ones in familiar spots first, and then tried a couple of experiments just to see what would happen.

Get the safe shots then experiment

After that, I spoke to him quite plainly about some ideas I had and asked if he would be comfortable trying some pictures that might be different than what he expected. Instead of just barking orders I explicitly said: “I’ve got an idea and I’m not sure how it will turn out, but would you be up for trying something and see what happens?” This sort of talk put him at ease, and he told me he appreciated that I was straightforward and plainspoken with him, and he gladly agreed to experiment with some poses and locations that were new to both of us.

I don’t have quantitative data to support this, but I have a strong suspicion that if I had played the classic “fake it ’til you make it” approach I would have been nervous, fidgety, and a little on edge the whole time. Instead, my honesty about the photos we were taking helped make the session comfortable for both of us and we got some pictures that both he and his parents liked quite a lot.

The Importance of Being Honest With Yourself and Your Clients

Neither of us had ever been to this spot before, but I asked if he was willing to try something new and he was all for it.

Be open to ideas – but be honest if you aren’t sure about it

Here’s one final example of how important honesty is when working with clients. Not long ago I was asked to shoot photos of a family in early November in time for them to get their Christmas cards printed. We discussed the details of the shoot beforehand and she gave me examples of the types of pictures she was hoping to get. I assured her that I could certainly get that same look and feel. (I really meant it too because I knew the location, I knew my own capabilities, and I was entirely confident I could get the shots she wanted.)

The Importance of Being Honest With Yourself and Your Clients

During the photo session, one of the family members asked about some different types of pictures. Rather than blindly agree with everything she asked for, I slowed down and discussed the details with her on the spot. I knew the capability of the lenses I had with me, I knew the setting and the lighting, and I asked her several questions in order to make sure I was giving her honest and straightforward answers.

Soon enough I found myself standing atop an eight-foot ladder shooting straight down at a collection of hands on a tree stump. While it was certainly something I had not imagined beforehand I was able to set expectations with the client, build a safety net in case things didn’t work out, and ultimately get a shot that everyone liked.

The Importance of Being Honest With Yourself and Your Clients

Not the type of picture I’m used to taking, but I explained that and the family didn’t mind at all.

Be honest with yourself

I want to make it clear that as a photographer working with clients you should absolutely possess a high degree of knowledge regarding your craft. You should understand lighting and composition, and know how to work with your subjects (even if they’re inanimate objects) to get the pictures you want. You should know your camera like the back of your hand and have a firm grasp on the fundamentals of exposure like aperture, shutter, and ISO.

But you should also know your own limitations, and understand what you can do as well as what you haven’t yet learned. Essentially you need to make sure you don’t over-promise and under-deliver when crunch time hits.

This is a mistake that a lot of new photographers make, myself included. It’s thrilling to get a new camera and some lenses and think that you can suddenly start taking on paid jobs. I know, I’ve been there! But if you take time to learn your own limitations and be honest with yourself about what you really should and should not be doing, you will find yourself producing better results while also having a clear idea of how you can improve over time.

Here’s a photo that illustrates what I’m talking about

The Importance of Being Honest With Yourself and Your Clients

I took this picture without being honest with myself. When I look back on it now I notice so many problems that were plain as day if only I had been willing to see them. This mother and her girls look great, but as their photographer, I really should have known better before agreeing to do their photos.

I had gotten a DSLR and a 50mm lens about a year before this and I thought I knew everything there was to know about photography! But in reality, there was a vast chasm between what I thought I knew and what I actually knew.

  • I didn’t understand the relationship between aperture and depth of field, hence the reason the girl in the foreground is out of focus.
  • I didn’t fully understand the capabilities and limitations of my gear and shot at much higher ISO values than I should have in this scenario.
  • My knowledge of light, shadows, and composition was lacking.
  • I didn’t know how to edit my RAW files to get the final images to look how I really wanted.

The list could go on, but the lesson here is that if I had been willing to own up to my shortcomings I would have either waited to do the photo session until I actually did know what I was doing. Or I would have been more forthcoming with the clients about what I could do and what they could expect.

The Importance of Being Honest With Yourself and Your Clients

This shot turned out okay, but there was a lot I didn’t know about using external speedlights when I took it. I should have taken more time to learn what I was doing first.

Do the right thing

One final note, or perhaps a bit of advice, is to be forthcoming with your clients about the limits of what is culturally and legally permissible. If you’re in this business long enough you might be asked to shoot photos at a spot where photography is prohibited by custom or by law. (Note: if you are ever asked to take photos on train tracks, do not do it. Not only is it dangerous and life-threatening, but train tracks are private property and you will likely be trespassing if you shoot photos on them.)

Alternatively, someone might inquire about taking pictures at locations that are particularly dangerous to themselves or you as the photographer. Sometimes even the subjects you are shooting might want to engage in risky activities or behaviors that are either illegal or, as your gut instinct might tell you, just plain wrong.

Trust your instincts

It’s best to be upfront and honest if you find yourself in these situations. Tell your contacts or potential clients, “Thanks, but no thanks.” and explain that you just aren’t willing or able to meet their request. “But my friend did it, and it was no big deal!” they might reply. If they do…stand your ground, maintain your integrity, and advise them to look elsewhere for their photos. Don’t compromise your integrity and professionalism to get pictures you know you shouldn’t be taking.

The Importance of Being Honest With Yourself and Your Clients

Conclusion

One of the best feelings in the world is when I see someone pick up a camera, get inspired, and start using it to create images with meaning, impact, and a sense of artistry. Digital cameras make photography easier than ever before but if you are working with clients whether it’s shooting weddings, portraits, products, real estate, or any other type of transactional relationship you have to be honest with them and yourself to build a rapport and sense of trust that can lead to long-term partnerships.

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