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How to Turn Your Photo into a Cartoon Drawing Using Photoshop

17 Feb

Photography can be traced back all the way to the camera obscura; which was an aid for artists who could then draw their subjects from the projection created by the light passing through the pinhole. Following that tradition, in this tutorial, I’m going to show you how to create a drawing by outlining the subject from your digital photo to create a fun, cartoon-like image.

Deer cartoon - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

Getting started

You can use this technique on any photo you want and apply it to any subject you like. However, I find it best, especially for your first attempt, that the subject is well defined or isolated so it’s easier for you to outline it. I also personally prefer and recommend that the image is not too busy. So, once you have chosen your photo, open it in Photoshop.

Outline the subject

To trace your subject you are going to use the Pen tool. The way it works is that you create anchor points with each click. A straight line then connects those points. Do this all around the subject.

Once you have this, change the Pen tool to the Convert Point Tool, which you can find by holding down on the Pen until the drop-down menu opens. With the Convert Point, you can curve the straight lines to make it fit the silhouette best. Just click on the anchor point and start dragging it. From each anchor point, you will have to handles, each one to control the line in each direction of the anchor.

Pen Outline - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

This will help you get a smoother silhouette and avoiding unnecessary bumps that you would get if you only trace by adding anchor points.

Straight lines - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

A straight line.

Curve - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

Using curved lines.

Create your outline

Once you have outlined the silhouette of the subject, create a new layer. You can do this by going to the top Menu > Layer > New Layer. You can rename it as “silhouette” or “outline” just to keep things tidy, as you will be creating more layers further along.

What you’re going to do next is turn this path into a drawing, more precisely, the line that borders your drawing. Therefore, you can choose which color it will be and how thick you want it. To set it you need to go to the Brush tool and select a hard brush as thick as you want. I’m doing 8px in this case.

You can also choose the color by clicking on the foreground color at the bottom of the tool palette, for this example, I’m using black. Turn off the background layer (click the little eye icon) so you can see how it will look like and then choose your settings.

Silhouette - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

Now that you have this ready, leave the new layer active go to the path palette. If it’s already opened you can open it by going to the top Menu > Windows > Path. In there you will see that a Work Path has been created, the icon will show the image as a grey rectangle and the path is the silhouette you traced.

Next, right-click on the Work Path and choose Stroke Path. A pop-up window will appear, make sure the Brush option is selected and click OK.

Stroke Path - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

Adding details

You have a border or a silhouette now, but you still need details. Each one will be a new layer and a new path, that way you have it separated and can, therefore, control it more precisely.

If you want two details on the same layer, for example, to keep the two ears in one layer so that any changes apply equally, then you keep working in the same layer. But you do need to create a new path for each one.

Notice here that I have my background layer which is my original image; a Layer 1 that corresponds to the Work Path which is the outline; and a Layer 2 that contains Path 1 and Path 2 which are the two details of the ears. This is why I suggested earlier that you should rename the layers and the paths to keep track of them easier. Continue doing this as many times as you need to finish your drawing.

Layers and Paths - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

Apply a filter

Once you’re finished with this, duplicate the background layer. With this new layer active, go to the Work Path (the one that has the outer line of the drawing) and right-click it. From the drop-down menu, choose Make Selection. This will select your subject so that the filter you’ll apply next doesn’t affect the background, otherwise the entire will turn into a cartoon.

Now go to the top Menu > Filter > Filter Gallery. A window will appear with all kind of filters that you can apply and a preview image. In this case, you’re going to select the one called Cutout from the Artistic Filters. On the right side there are sliders to refine the effect, just move them around until you are satisfied. I’m going to do it as Number of levels 7, Edge simplicity 5 and Edge fidelity 2. When you’re done just click OK.

Cutout - How to Turn Your Photo into a Cartoon Drawing Using Photoshop

Other tricks

You can also multiply your cartoons, apply modifying layers to change colors or saturation, and anything else you can think of! And the best part is that you can do this to any kind of photo, here are some other examples; share yours as well in the comments!

Three deers - How to Turn Your Photo into a Cartoon Drawing Using Photoshop


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How to Rescue an Image in Lightroom With Split Toning

17 Feb

Split toning is one of the most overlooked features in Lightroom (or any post-processing program for that matter). It’s a technique used mostly in the film industry and is apparent in just about any action movie poster. You know the ones, where the skin tones are super warm, while the background and shadows are cool and blue.

That’s all split toning is: adding a hue to your highlights and an opposing (but complementary) hue to your shadows. Most of the time, the best colors to stick with are an orange tone for your highlights and a blue tone for your shadows, although there are certainly exceptions.

How to Rescue an Image in Lightroom With Split Toning

Before processing.

How to Rescue an Image in Lightroom With Split Toning

After processing and split toning added.

Great location, less than ideal lighting conditions

The location was Ke’e Beach, an incredible spot on Kauai that is literally at the end of the road on the north side of the island. I was there with my workshop students and we had realized earlier on in the day that shooting conditions were going to be tough.

A think layer of vog (volcanic fog) had blown over all the way from the Big Island. It covered all of Kauai’s north side in a thick, desaturated haze. This made shooting conditions quite challenging. On top of all that, the ocean was quite angry that day! A rough sea is normal in the winter on Kauai, but this was something else.

Our goal at Ke’e Beach was to photograph the waves that exploded out of the sea and then fanned out, almost like seashells. But because of the conditions, the waves were just getting obliterated before they could fan out. Still, we didn’t give up. We focused on capturing the anger and drama of the ocean and everyone walked away with some great shots.

Split toning to the rescue

In the video below, I process an image from that evening from start to finish inside of Adobe Lightroom Classic CC. The problem with the shot is that it came out of the camera looking quite dull. Because of the thick haze and everything in the shot being backlit, the resulting RAW file looked almost monochromatic. The sky was grey and looked overcast, the rocks and water were dark, and it just looked uninspiring.

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A common technique that a lot of photographers reach for in these situations is just embracing it and converting the image to black and white. But, if you’re looking for something new to add to your bag of tricks, split-toning can be quite effective at saving images as well.

For this image, I started out by doing what I could in the Basic module to bring out details, add contrast, and make the image pop. After a few other adjustments, I made my way down to the Split Toning module, adding a warm orange tone to the sky (the highlights) and a cool blue/teal tone to the rocks and water (the shadows).

Here are the settings I used in the Basic panel.

These are the Split Toning settings I applied.

The result is a dramatic looking shot that both effectively shows the power of the ocean that evening and also gives the impression of a warm, vibrant sunset.

After

Conclusion

Split toning is a powerful and fun technique. It can be used both to enhance already great images or save otherwise dull ones. When you discover this technique for the first time, you’ll have a blast going through your images and trying it out in different situations. And, just a heads up, it can be used on either color or black and white images. Regardless of the image type, you’re simply adding one hue to the highlights and another to the shadows.

Have you used split toning in Lightroom before or is this completely new to you? If you have done it, please share your favorite split toned image in the comments below. If not, give it a go and share your results.

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Weekly Photography Challenge – Hands

17 Feb

Last week I sent you off to photograph feet – this week let’s try the other appendages – hands!

Hands can be young or old, tough or tender, but are always very expressive. What do the hands you’re photographing have to say? Add some storytelling into your hand photos for extra marks!

Photo by JORGE LOPEZ on Unsplash

Weekly Photography Challenge – Hands

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

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Photography Equipment Comparisons – Entry-Level Versus High-End Gear Does it Matter?

16 Feb

Photographers tend to get obsessed with having the latest, greatest toys. But does it matter which camera or bits of equipment you use? If so, how much? Or is it more about how you use it, and the skills you possess?

Let’s take a look at three video comparisons of some of the top level photography equipment available and some entry-level options.

Rich photographer – poor photographer

I like the play on words here, hinting at the concept of the “Rich Dad Poor Dad” series of books by Robert Kiyosaki. In the video, the guys over at f-stoppers do a portrait shoot with two different sets of lighting equipment. One which costs nearly $ 10,000, and the “poor man’s” version which will run you about $ 425.

Can you see a difference in the final portrait results? No, I can’t see much difference either.

$ 1100 versus $ 5499

In this second video, Peter McKinnon looks at the virtues of both the Canon 80D ($ 1099) and the Canon 1Dx Mark II (Note: at the time of writing, this camera is listed at $ 5499). Is the latter worth five times as much? You decide.

If you are a sports shooter, you may need the extra frames per second rate the 1DX offers. But if you’re a wildlife photographer you may prefer the extended reach of the crop sensor in the 80D. Portrait photography can be done with either, but you likely don’t need to spend the extra money on the 1DX if that’s what you shoot.

Note: when the video was made the 1DX was likely priced higher, so please note the difference in prices in the video to current pricing.

Camera shootout – it’s not about the gear

In this last video let’s see what happens if two professional photographers each pick up an entry-level Canon Rebel T3i and hand their Canon 5D Mark IV to an amateur. They do a little shootout with the same model, in the same lighting conditions and studio. Let’s see who comes out on top.

The Canon T3i is discontinued, the price for the current model, the T6 is $ 449 with the 18-55mm lens. The Canon 5D Mark IV  is $ 3299 + $ 1699 for the 35mm f/1.4 lens shown in the video = total $ 4998.

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Your thoughts?

So what are your thoughts after watching the videos? Have you made the decision to invest in high-end lenses or a full frame camera body? If so, have you found it to fill your needs better – was it worth it? Let’s discuss in the comments below.

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5 Creative Indoor Portrait Locations for When the Weather is Blustery

16 Feb

What if I told you that you can find some interesting indoor locations and take photos for free? In this article, I will show you five remarkable indoor portrait locations that you can seek out for your winter shoots.

Winter time is a huge bummer for us portrait photographers. Harsh winds make us (and our models) question our sanity when we step outside for a photoshoot. Sure, we can rent studio space but this can be expensive. Also, let’s be honest, many studio spaces just look bland and uninspiring. Let’s see what else is available.

Editor’s note/disclaimer: The suggestions made in this article do not reflect the views of dPS and are solely the author’s recommendations and opinions. We suggest that you ALWAYS get permission when shooting at an indoor location that is private property (i.e. anywhere other than your subject’s home or yours). Please be aware of the laws in your area regarding photography in private locations, and follow them so you do not find yourself in trouble with the law. 

1. LIBRARIES

5 Creative Indoor Portrait Locations for When the Weather is Blustery - library

Libraries are an excellent place to shoot portraits. Tall shelves of books and impressive architecture provide a variety of wonderful backgrounds.

Seek out public libraries and university libraries that are open to the public. I’ve taken portraits of model friends at the Boston Public Library, Boston College, and MIT.

Some libraries have strict policies about photography, so if you’re unsure just ask a staff member. In many places, “Can I take some photos of my friend in here?” is all it takes to get permission.

2. CONVENIENCE STORES

Convenience stores are one of the easiest places to get permission to shoot portraits. Just walk into the store and politely ask the cashier if you can take some photos of your friend inside. That’s how I got these photos:


When shooting in a convenience store, be aware that the aisles are typically narrow. I recommend bringing a wide-angle lens, such as a 35mm, to allow you to fully capture the setting.

3. UNIVERSITY BUILDINGS

Many universities have academic buildings that are open to the public, which makes them a good option to take photos indoors. Empty classrooms are a personal favorite.

university - 5 Creative Indoor Portrait Locations for When the Weather is Blustery

university - 5 Creative Indoor Portrait Locations for When the Weather is Blustery

I want to emphasize that it’s very important to have respect for the space and its owners. In most instances, the worst case scenario is pretty mild – being asked to leave. If you are asked to leave a property, simply leave without making a fuss. In my experience, it’s not common to get kicked out of places for simply taking photos.

If you’re nervous about confrontation, then ask for permission in advance. Trust me, if you’re polite and transparent, most people will be willing to accommodate your photography (given that you’re not doing it for commercial use or taking photos of their patrons or guests).

4. GROCERY STORES

Filled with colorful vegetables and bright lights, grocery stores are a goldmine for portrait photography. You can capture a wide variety of different scenes reminiscent of everyday life. Have your model interact with different items in the store and use them as props.


Plan to shoot at off-peak hours, such as the middle of a weekday, to avoid throngs of shoppers photo-bombing your pictures. The layout of different grocery stores can vary widely. Some have wide, spacious aisles while others are more densely packed and narrow. Be sure to bring the right lens to properly capture the environment.

It’s useful to scout out the location in advance if you can.

5. LAUNDROMATS

Laundromats are great places to put a different spin on your portraits. If you live in a city, chances are there are plenty of laundromats. If you don’t where to find any near you, start with a simple Google search. Look for self-service laundromats, since these usually don’t have any on-site staff.

It’s rare that laundromats are completely empty, so get used to shooting around other people. When you ignore the side-eyed glances from people drying their socks, then you can get photos like this:

laundromat - 5 Creative Indoor Portrait Locations for When the Weather is Blustery

laundromat - 5 Creative Indoor Portrait Locations for When the Weather is Blustery

Conclusion

Again, it’s important to be respectful of your environment and the people there who are just going about their business.

You don’t need to go to a public park or shoot in a studio to take great portraits. When you think outside the box, then the world can be your photography playground.

What’s are some of your favorite indoor portrait locations? Let me know in the comments section below.

The post 5 Creative Indoor Portrait Locations for When the Weather is Blustery by Dan Bullman appeared first on Digital Photography School.


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5 Tricks to Make Your Landscape Photos Stand Out

15 Feb

Are you passionate about portrait photography? Do you love sharing images of your trips and landscape photos? Or maybe you spend your free time capturing the streets of your city?

Let me tell you something you might not know about yourself. Every now and then you are a landscape photographer, too. Everyone is. Let’s be honest, you couldn’t resist that beautiful mountain view you photographed a few weeks ago on a hike. Your social media feeds are full of your friends’ photos of canyons, lakes, and forests. Even your grandma sent you a picture of a sunset from her backyard the other day.

01 Sunset in Ilulissat Icefjord Greenland - 5 Tricks to Make Your Landscape Photos Stand Out

The amount of landscapes captured and uploaded every day is overwhelming. So how can you make people stop and look at YOUR images? How do you make YOUR landscape photos stand out?

Here are some useful tips and tricks to help you. Save them for later, and the next time you are photographing a beautiful view make sure to follow them. You will have a much better chance of taking a good picture and making it noticed.

1. Less is more

“A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.” – Antoine de Saint-Exupery

011 Greenland midnight sun - 5 Tricks to Make Your Landscape Photos Stand Out

This famous quote also applies very well to landscape photography. I know you are excited to show the whole world how beautiful nature is around you. However, often showing everything is equal to showing nothing.

For instance, look at the image below. It is simple and straightforward. You clearly know what the photographer tried to show.

Now, imagine there is a road below the greenery, two smaller mountains on the right and little pond on the left. You could capture all of that instead; it would give much more information about the location. However, then your viewer wouldn’t know where to look.

002 Bad weather Iceland - 5 Tricks to Make Your Landscape Photos Stand Out

Your viewer is exposed to thousands of images every day (social media, streets banners, TV, online advertising, etc.). Don’t give him any more work. Seeing your photo should be an effortless and enjoyable process. Here is how to get rid of the unnecessary parts of your images:

  • If you have a zoom lens, zoom into the frame.
  • Reposition yourself. Sometimes you have to walk closer to your subject or choose a different point of view.
  • As a last resort – crop your image later. Generally, It’s not advisable to crop more than 20% of your images. This rule will keep you more disciplined about your choices in the field. Also, it will help you keep your images in high resolution in case you decide to print them one day or participate in photography contests. (Many contests don’t allow cropping more than 20%).

2. Avoid distractions

Now you’ve decided which part of the scene is the most compelling. But before you click the shutter, make sure that these technicalities are in check:

A) Check that the horizon is straight. Turn on the grid in your camera to help you with that.

003 Nepal tilted horizon - 5 Tricks to Make Your Landscape Photos Stand Out

004 Nepal straight horizon - 5 Tricks to Make Your Landscape Photos Stand Out

B) Position your subject away from the middle of the frame. Most of the time you will find yourself following the rule of thirds

005 Rule of thirds precise - 5 Tricks to Make Your Landscape Photos Stand Out

.Sometimes following the rule, precisely.

006 Rule of thirds approximate - 5 Tricks to Make Your Landscape Photos Stand Out

Sometimes, not so much.

C) Get your settings right to avoid overexposed, underexposed, blurry, or noisy images.

3. Look for color contrast

This is an extremely important concept that you need to be familiar with.

Our brains are wired in a way that when we look at a picture, we first respond to contrasts in color and light, then to the shape, size and other characteristics of the scene.

Make sure you know the theory of color contrast. The general rule is that cold and warm colors work well together. Here are some examples:

007 color contrast moon iceberg - 5 Tricks to Make Your Landscape Photos Stand Out

008 color contrast aurora - 5 Tricks to Make Your Landscape Photos Stand Out

4. Test a thumbnail of your image

In a perfect world, you would make a large format print of your image and people would come and spend hours savoring every detail of it. In reality, your picture will be one of many tiny thumbnails on someone’s social media feed. (If you don’t post your images online, you can skip this part.)

A great exercise is to look at your image as a small thumbnail. Can you tell what’s on it? Would you pay attention to it if you saw it on your Instagram timeline or would you scroll past it? You’ll notice, that simple images with high color and/or light contrast stand out the most.

Can you guess which of the images from the grid below got the most amount of interaction on Instagram?

009 thumbnail grid - 5 Tricks to Make Your Landscape Photos Stand Out

5. Is the image good or does it make YOU feel good?

You just came back from a trip and that sunset you observed with your partner was amazing. You still remember the sound of the waves and the warm wind coming from the sea. Time to share that memory with the world!

99% of the time, that’s fine if you want a snapshot of a holiday, but not if you want people to see an artistic value in it. A great image should be great by itself, regardless of what emotions you have attached to it.

A good practice is to look through your photos weeks, or sometimes months after you took them. You will be surprised at how your selection will change compared to the day of the shoot.

Here are a couple more images that follow the tips above.

010 iceland beach - 5 Tricks to Make Your Landscape Photos Stand Out

012 Norway window lights - 5 Tricks to Make Your Landscape Photos Stand Out

Over to you

Do you have some images that reflect the points of this article? Share them in the comment section so that others can learn from you.

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How to Add a Sense of Scale to Your Landscape Photos

14 Feb

You might find that sometimes you take pictures of grand, scenic landscapes only to have viewers not react to the picture the way you had hoped. You present them with a well composed, properly exposed photo of a dramatic scene, but the viewers quickly pass it by. Why is this happening with your landscape photos?

Adding a Sense of Scale to Your Landscape Photos - Grand Canyon

One reason might be that the viewer cannot get a sense of the scale of the scene.  They cannot tell if they are looking at something really big, or just something that looks big in a picture. Viewers are used to being tricked by the camera, such that small things look huge.

Remember that a picture is just a two-dimensional representation of a scene and it is hard for the viewer to put things in the right context. You only have a split second to do so, or the viewer has likely moved on to other things.

Using items to add a sense of scale

It can be tricky to relay a sense of proper perspective in your photographs. For example, you might have a photo of some cliffs, but it might not be clear to the viewer whether these cliffs were 7 feet tall or 700 feet tall.

It happens to me all the time, and my hard drive is littered with photos of large cliffs and mountains that did not translate into compelling photographs because there is no sense of scale. In the example below, however, I think you get a sense of the height of these cliffs. How?

Adding a Sense of Scale to Your Landscape Photos - cliffs

I think it is because of the castle in the middle of the picture. It is just a tiny item, but your eye picks up on it and uses it to put the rest of the picture into context.

It is probably not something you really think about, but it happens nonetheless. You know that castles are fairly tall, and you subconsciously use that knowledge to add a sense of scale to the entire picture.

Finding items to use to add a sense of scale

The same dynamic works in other contexts. Your picture doesn’t need to be dramatic cliffs like the one above. It can be any landscape or coastal scene.

Look for things that your viewer knows. Those items give them something to use to add a sense of scale to the picture. It can be anything. Sometimes the item you use is the actual subject of the picture. For example, in this picture below, the lighthouse provides an actual subject or center of interest for the picture.

lighthouse - Adding a Sense of Scale to Your Landscape Photos

In addition to providing a point to the picture, the lighthouse is also providing your viewer with a sense of scale. It makes the viewer’s mind more comfortable with the entire image. The viewer has a better idea of what they are looking at, and the relative size of all the elements.

Small things provide scale too

You don’t have to use a large structure like a lighthouse to provide this sense of scale though. You can also include small things that just give your viewer a little clue. In the case of landscapes, perhaps a bird or birds in the distance will help. In fact, animals of any kind often work. In the picture below, the herd of cows provides context for the picture.

cows - Adding a Sense of Scale to Your Landscape Photos

When there is nothing else available, just use trees. We have a sense of the general height of trees and our mind will use that to provide context to the photo. Of course, there are trees everywhere (you almost cannot avoid them) so that should be easy to do.

Keep the people in your pictures

The final item I want to mention is the one that you may struggle with, and that is adding people to your pictures. This is an incredibly powerful tool. We, humans, are amazingly adept at recognizing people in a picture and we will use that to provide context to the entire scene.

Therefore, there is no more powerful way to add a sense of scale than by including people to your pictures. Your viewer will see those people in the pictures and naturally use them to gain a sense of scale.

little people on a cliff - Adding a Sense of Scale to Your Landscape Photos

To do this, you will have to reverse your thinking in a lot of ways, particularly if you are a landscape photographer. You probably spend a lot of time trying to avoid having people in your pictures.

You probably ask the people you are with to step out of your frame. Or you might spend a lot of time standing around waiting for people to move. In many cases, you will still want to do that, but sometimes – to add this sense of scale – you might want to include those people in your image.

Adding a Sense of Scale to Your Landscape Photos

Conclusion

There is no magic bullet to creating a sense of scale in your images. It is something I get asked about from time to time, and I do not have a quick answer. The good news is that just thinking about it puts you ahead of the curve.

So next time you are out shooting, look around and find things that will work for you. Use them to add that sense of scale. Hopefully, the ideas in this article will provide you with some things you can use for your images.

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Why Olympus Mirrorless Cameras are Top Notch for Travel Photography

14 Feb

From entry-level to pro, the Olympus Mirrorless Four Thirds OM camera series has something for every aspirational travel photographer.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Camera – Olympus Mirrorless E-M1 with kit lens at 38mm, 1/250th, f/14, ISO 400.

Are you looking to get serious about your digital photography and move up to an interchangeable lens system? Or maybe you are looking to upgrade to a pro level weatherproof transportable system?

Are you off on a journey of a lifetime and looking to record every moment? You want to be sure there’s no danger the camera won’t be up to the task – so which will you take along?

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Camera – Olympus mirrorless E-M10 Mark II, Lumix G 20mm lens, 1/125th, f/2.2, ISO 200.

The Olympus OM Micro Four Thirds system could be heaven sent. In this article, we’ll look at the OM-D E-M10 entry-level camera and the top of the range OM-D E-M1 through almost 12 months of use.

Why Olympus mirrorless systems are phenomenal travel cameras

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus EM1, kit lens at 14mm, 1/5th of a second, f/22, ISO 3200.

This was taken handheld, showing just how good the image stabilization is on these cameras.

The important considerations for travel cameras are size and weight, versatility, durability, performance, and picture quality. Ideally, you want a light-weight system that will easily move between landscape, street, and portrait photography.

Let’s look at each of these considerations in turn.

Size and weight

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The flagship model Olympus EM-1 weighs in at just under 500g (1.1 pounds), the smaller and lighter EM-10 at an incredible 342g (0.75 pounds). Both are smaller in size than my hand.

Incredibly, they both fit in a parka-style coat pocket when fitted with a 14-42mm kit lens. Look at the size of my Sony DSLR in this picture below to see just how much of a space saving there is comparatively.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

There are obvious advantages to the smaller cameras in regards to luggage on a plane, and carrying gear around all day. But the small size is also non-threatening if your shots include passers-by. Plus you can take it places where professional style cameras are not allowed.

The Micro Four Thirds System also means lenses are much more compact. For instance, the Olympus 75-300mm zoom lens measures 130mm and weighs in at 430g (just under a pound). The equivalent focal range for a full frame camera is 150-600mm. That kind of glass for a DSLR would weigh in at about 3kg (6.5 pounds)!

Versatility

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

There is a good range of lenses available for the Micro Four Thirds mount including ranges by Lumix and Panasonic, as well as Olympus. The range will take you from a fish-eye pancake lens, through wide-angle primes to long zooms. The image stabilization system built into the camera means the lenses are both light and affordable.

Extension rings with electronic connections to allow your lens and camera talk to each other are also available allowing you to make the best use of your available lenses. Two lenses and one converter will take you from wide-angle to macro to long zoom without missing a beat.

Durability

Both these cameras look and feel solid and durable. Having used them both for almost a year in sometimes inhospitable conditions and on long hikes, I have had no issues with these cameras or the lenses I use.

If you look at the pictures the condition is still like new. They even get taken along on motorbike and camping trips in the winter!

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M10, 40-150mm zoom at 150mm, 1/400th, f/7.1, ISO 200. Despite the dark and overcast day, the camera produced good detail straight out of the camera in this JPEG image.

Performance and Picture Quality

Firstly, I should mention I am using systems that were current when they were purchased at the beginning of 2017. They have both been upgraded since with some notable improvements. The EM-1 now has a Mark II version with a 20MP sensor rather than 16MP chip, and improved AF tracking. The EM-10 moves up from Mark II to Mark III with more minor improvements.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The camera has a fantastic viewfinder with 100% picture coverage as well as a touch-control rear screen, a feature that will feel familiar if you use a smartphone. A massive range of buttons allows you to set up the camera to suit your style with several where you can assign the functions. The menu system will feel familiar if you’re a DSLR user. It has a very useful one-click user “Myset” comprising four customizable options for configurations that you use frequently.

My set screen - Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

The 5-axis stabilization is excellent, making handheld shooting easy and rewarding. The AF system has 81 points and is surprisingly good though tracking is not up to that of the weightier and roomier APS-C cameras. This is one of the trade-offs for having the compact size.

As the cameras use electronic viewfinders or the rear LCD screen, batteries get used up quickly. Battery packs are available, but this adds to the size. So if you attach one the camera won’t fit in a pocket anymore.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, kit lens at 35mm, 16mm extension tube, 0.3-second exposure, f/7.1, ISO 400. I adjusted levels in post-processing to lighten the image and create a fine art feel.

All the photographs in the article are taken with either one or the other of these two cameras, so you can judge for yourself the quality of the results. The newer versions of these cameras can only be even better.

The cameras provide great results for landscape photography, handling a range of tones well, especially with the added use of the HDR function to bring out details at both ends of the scale.

At lower ISO levels, up to 1600, there is little evidence of noise, although it increases in the dark areas as you approach that mark. Quality is acceptable up to ISO 6400, in my opinion.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, 82mm, 1/200th, f/9, ISO 1600. Look, I’m Pinnochio! Grab shot – love the skin tones and the AF got the near eye, spot on.

Skin tones are good, producing great portraits and color handling is great. Low light shooting isn’t a problem for this camera, especially at the lowest ISO.

Millstone beach - Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M10, Lumix 20mm, 1/80th, f/1.8, ISO 200. Fabulous colors despite the overhead canopy and reduced light.

CONCLUSION

Both of these Olympus mirrorless cameras are fantastic pieces of kit for almost every situation. Picture quality is good, handling with the stabilization is awesome, AF and exposure are solid. With an entry-price of about $ 500 for the EM-10, the value is terrific.

The pricier EM-1 is also a good value, especially when considering the price of additional lenses. A Mark I at less than $ 1100 represents astonishing value. However, I do aim to upgrade to the EM-1 Mark II when finances allow, knowing I already have a decent range of accessories for it.

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, 75-300mm lens at 270mm, 1/40th, f/6.7, ISO 400. The quality of this shot is fantastic, just look at that tail!

As a travel camera, I don’t think these two Olympus mirrorless cameras can be beaten at their respective price points. If you are new to system cameras, the EM-10 would be a fantastic introduction, with its straight-forward layout. A more seasoned photographer may prefer the customizable options and total control of the EM-1

Why Olympus Mirrorless Four Thirds Camera Systems are Top Notch for Travel Photography

Olympus E-M1, kit lens at 22mm, 1/60th, f/22, ISO 2000 using Aperture Priority. Straight out of the camera JPEG file. Great results even if you’re not a Photoshop fan.

Either way, you won’t be disappointed with the results. You can take that once in a lifetime trip knowing you’ll bring back images of your travels to be extremely proud to show off to friends.

The post Why Olympus Mirrorless Cameras are Top Notch for Travel Photography by Janice Gill appeared first on Digital Photography School.


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How to Create a Retro Look for Your Images with Luminar

13 Feb

Over the past few months, I’ve been testing out the features of Luminar. I’ve looked at the time-saving features that can help reduce your editing headaches. I’ve also played around with the AI filter to see how it holds up in quickly editing holiday photos and now it’s time to check Luminar’s capabilities when it comes to creating a retro look for your photos.

I wanted to know if Luminar would be quick, easy to use and create a look that tastefully gave my photos the look and feel of shooting with film.

Retro Look #1

To embark on this experiment, I studied some famous older photographs. My goal was to shoot a few images that paid tribute to the look and feel of old-school Hollywood. I saw this first image of Sophia Loren from the 1960’s and knew it was perfect. I love the style of dress from past eras and thought this would be a suitable project.

Sophia Loren Image

The goal was to create an image with a similar look and feel. I borrowed my friend Nahleen, she has some similar features to Sophia Loren. Once she agreed we set out to capture an image and then process for that 1960’s film look. Here’s the original image we took.

How to Create a Retro Look for Your Images with Luminar

This is the original unedited photo.

It was shot outdoors on a cold and frosty December afternoon. Nahleen has some similar features to Sophia Loren but is by no means a carbon copy. Instead, I was more interested in attaining a photo in which the fur hood framed her face.

So now that we had captured the image, it was time to bring it into Luminar. I tried to make to make the conversion as simple and quick to complete as possible. I will admit that I tried several times with different settings, etc. until I found a look that I felt was similar to the Sophia Loren image.

The AI Filter was used to bring out some contrast in the image. The photo of Sophia Loren was quite sharp and also had a fairly contrasty look, so my first goal was to pull out the dark tones and brighten my lighter tones to match more closely.

How to Create a Retro Look for Your Images with Luminar

The Accent slider made adjustments quickly and easily.

The B&W Workspace

I then used the B&W Workspace to guide my editing of the photo. I adjusted several sliders. The intention was to increase the contrast and create some fairly strong blacks.

How to Create a Retro Look for Your Images with Luminar

The B&W Workspace comes equipped with a variety of filters all designed to help with black and white conversions.

How to Create a Retro Look for Your Images with Luminar

Here are the settings I used.

Adding Film Grain

My final step was to add film grain. At first, I cranked up the amount of film grain. In this screenshot, you can see how strongly I adjusted it. I always like to adjust a setting by purposely using too much. Then I back off the amount until I find a nice balance.

How to Create a Retro Look for Your Images with Luminar

Here you can see that I’ve adjusted the grain to a fairly heavy amount. For the final image, I backed off a bit.

The whole process was pretty quick. Once I found the right settings it didn’t take too long to recreate this retro look. The final photograph is dark and contrasty but also a little different from the original Sophia Loren shot.

How to Create a Retro Look for Your Images with Luminar

The final image is cropped in closer. My use of film grain is also heavier than in the original Sophia Loren shot.

Retro Look #2

In this second shot, I used a photo from a recent photo shoot in which I was working with a young lady to create a portfolio of modeling images. The 10-hour photo session was created using a very basic budget, but we made sure to utilize a retro outfit for this article.

The bell bottoms and the fur jacket were both found at the thrift store, as was the backdrop. We were working a tight space with limited materials.

How to Create a Retro Look for Your Images with Luminar

Here’s the original unedited file. It was shot in my living room. We used a very basic DIY type of set up.

Free Presets

For this shot, I decided to take advantage of Luminar’s free presets. There are lots of free presets available for download, and I was lucky enough to find a set of free analog-film looks.

How to Create a Retro Look for Your Images with Luminar

Here’s a look at all the free presets available on the Luminar website.

Quick Clicks and Some Cloning

The look of this image was very easy to create with just a few simple adjustments. I chose a cross-processing look and then tweaked it to my liking. The accompanying texture was applied pretty heavily. I found that it was overwhelming the image. So I chose to back off the strength of the texture.

I also cropped the image slightly and applied the Orton Effect filter. It quickly smoothed the model’s skin, and I didn’t need to go in and do any retouching on her face. This saved me quite a lot of time.

Finally, I took the image into Photoshop, where I cloned and added a layer to fill in the areas around the outside where you could see my living room in the original shot.

How to Create a Retro Look for Your Images with Luminar

The preset applied without any adjustments to the original settings.

How to Create a Retro Look for Your Images with Luminar

I started to make some minor adjustment to the original settings found in the preset which included adjusting the saturation in cross-processing.

How to Create a Retro Look for Your Images with Luminar

Here’s the split screen of the before and after views. I completed some cropping and clone stamping.

Plug in for Photoshop

Luminar also has the capability to clone and add layers, but I’ll be honest there’s a part of me that will forever remain loyal to Photoshop for completing these parts of the editing process. This is partly why I really like Luminar  – it works as a plug-in for Photoshop as well. I can move back and forth between the two programs pretty seamlessly.

How to Create a Retro Look for Your Images with Luminar

Here’s the final edited image.

Retro look #3

How to Create a Retro Look for Your Images with Luminar

This is the original unedited file.

For this final shot, I decided to edit the image fully in Luminar. I started from scratch with a RAW file. The goal was to experiment with the full editing capabilities of Luminar. The intention was to create a sepia look image that felt like an older faded photograph.

To start, I opened the B&W Workspace. It contains all the tools I needed for this conversion. That means I didn’t have to search through the list of filters to find anything.

Next, I applied the orange filter, cropped the image and adjusted contrast. I also adjusted the black and white sliders and played around with the strength of this first filter. I did consider creating a color image with a faded look but decided to go with full black and white.

How to Create a Retro Look for Your Images with Luminar

Here’s a look at the faded film style.

Split Toning

After making these adjustments, I started to experiment with the Split Toning sliders. I gave the image a more brownish tone. This step took some experimentation with saturation and various colors.

How to Create a Retro Look for Your Images with Luminar

These are the sliders and colors I experimented with during editing.

How to Create a Retro Look for Your Images with Luminar

After adding the split toning, it was time to add a vignette and film grain. Again I adjusted the grain so it was very heavy and then backed it off to a more suitable amount. The longest part of this whole process was finding a texture that I liked which I felt fit with the feel of the image I wanted to create. I tried several. Luminar comes with lots of free textures you can download. They all seemed to work quite nicely.

In the end, I chose a weathered-looking texture and used the brush tool to apply it to the image in varying amounts. I didn’t want a lot of heavy texture over her face. Here are the final results of my editing and experimentation. The image has a heavier texture application along with film grain and a stronger vignette. The B&W Workspace worked perfectly. It placed all the necessary tools right at my fingertips.

Experimenting with Different Textures

How to Create a Retro Look for Your Images with Luminar

I tend to adjust the image quite strongly then slowly back off the effect until I find the treatment I like.

How to Create a Retro Look for Your Images with Luminar

I played around with several different textures to create the old damaged photograph type of look.

How to Create a Retro Look for Your Images with Luminar

Overlay option number two.

How to Create a Retro Look for Your Images with Luminar

Overlay option number three.

The Finished Image

The final image includes the texture you see in the image above, but I backed it off quite a bit. Here are the results of the experiment. The application of the texture was reduced down to about 14. I didn’t want the effect to be as heavy-handed as in the image above.

In this final finished image, you can see the texture is most obvious around the edges. It’s a subtle texture called tattered that was available in the free downloads section of the Luminar webpage.

How to Create a Retro Look for Your Images with Luminar

Your turn

Luminar comes equipped with a full array of filters that can help you to create a retro look for your images in both black and white and color. Give it a try, they have a 14-day free trial.

Disclaimer: Macphun, soon to be Skylum, is a dPS advertising partner.

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5 Reasons Why You Might Want to Try Black and White Photography

13 Feb

5 Reasons Why You Might Want to Try Black and White Photography

There are different schools of thought when it comes to black and white photography. Some believe it was a technical limitation of the past that you need to get over and move on. While others see it as a creative choice, that needs to be explored in great depths.

As camera technology gets better, with more emphasis on improved color ranges, why would you choose to shoot or process your images in black and white? In this article, we’ll look at five reasons why you might want to shoot or convert your images to black and white.

5 Reasons Why You Might Want to Try Black and White Photography

1. B&W Helps you see differently

The old “Masters” of photography shot in black and white initially, because they had no choice. Even with the advent of Kodachrome, which introduced the world to color photography, there was still a pursuance of black and white. This was because black and white was (and still is by some people) seen as photography in its the purest form.

5 Reasons Why You Might Want to Try Black and White Photography

When you remove color the emphasis shifts to the other compositional elements of the image. These include lines, shape and texture, contrasts and tones.

With this in mind, it is obvious that not all images will translate well to black and white. So, look at all the elements and deduce what else you have to work with, besides color.

5 Reasons Why You Might Want to Try Black and White Photography

Many times black and white helps you develop a different perspective from what you are used to seeing, which nurtures your photographic eye.

2. B&W Eliminates distractions

You are used to seeing the world in color and there nothing is wrong with that view. Sometimes this contributes to other elements or details being lost or taken for granted. Some of the elements (highlighted before) required for a great photo include contrast, texture, lighting, shape, and form.

When you shoot for black and white, you challenge yourself to remove the distraction of color. These include color casts and differences in color temperature (ambient light sources), as well as specific colorful elements that are strong, which may reside in the background or take away from your story.

5 Reasons Why You Might Want to Try Black and White Photography

Monochromatic imagery forces you to focus on form, shape, and texture while composing. If your emphasis is on making colors work together, these elements are sometimes overlooked. With black and white, distracting colors are now translated into shades of gray that add to your image.

3. B&W Offers creative choice

Since your world is in color, it is safe to say that color photography depicts reality and is more realistic. Thus, black and white photography is viewed as a rendition of reality – or how you interpret what you see.

When you remove color, you not only isolate the different elements, you are compelled to find how they relate to each other. This helps you explore and create different ways to tell your story.

When you take away color, you remove what your viewer is used to seeing. Now you are charged with finding the stronger elements in the scene and figuring out how to use them to convey what you want to depict.

5 Reasons Why You Might Want to Try Black and White Photography

4. Adds emotion or mood

Something about the variance of tonal ranges, rich blacks, and deep contrasts appeal to us psychologically. It creates a connection that makes you stop and pay attention to what is being presented.

5 Reasons Why You Might Want to Try Black and White Photography

Many photographers use black and white for storytelling in travel and street photography, as well as when portraying religious or cultural activities. Monochrome in some genres connects, enhances and strengthens emotions and mood.

5. Timelessness

Even though this is lower on the list, it is one of the more common reasons why some photographers shoot in black and white. Monochromatic photography adds what is seen as a timeless quality to your images.

Black and white photos seem to transcend reality and take you back to a time gone by. Historically there were color schemes that were specific to types of film or trends in digital photography that can date your image. The removal of color makes it tougher to figure out when the image was taken/produced.

5 Reasons Why You Might Want to Try Black and White Photography

Bonus

You no longer have to imagine what your scene will look like in black and white, as current camera technology allows you to try this on the spot and see if it works. While some photographers prefer to shoot in black and white, others prefer to shoot in color and then process or convert their images to black and white to get a different or better tonal range.

Note: If you shoot RAW format and set your camera to its version of the monochrome setting, you will see a black and white preview on the LCD when you review your images. But you will still have all the color data available in the RAW file at the post-processing stage. This gives you the best of both worlds – a quick b/w preview and ability to convert later.

5 Reasons Why You Might Want to Try Black and White Photography

This image was shot in black and white using the camera’s monochrome settting.

5 Reasons Why You Might Want to Try Black and White Photography

This image was shot in color and then converted to black and white in the processing stage.

Conclusion

While black and white photography still has an important role in photography, please note that not all subjects translate well to this mode. Even though a strong composition is not color dependent, sometimes the power of the photo is its color. This is why it is good to know when to use black and white.

5 Reasons Why You Might Want to Try Black and White Photography
If you are interested in pursuing the monochromatic, look for the other elements of composition like texture, shape, form, lines, and contrast. Experiment with shooting and processing black and white images and figure out which resonates with you more.

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