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The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

12 Nov

The post The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion? appeared first on Digital Photography School. It was authored by Mat Coker.

olympus-tough-tg-6-review

The Olympus Tough TG-6 is the perfect camera for the adventurous soul.

Like a wilderness travel guide, the TG-6 pulls you into the micro world, under the water, and down deeper trails than you would ever take your clunky DSLR down. You can trust the Olympus Tough TG-6 out in the wild because it’s built strong and made for adventure. It’s even tough enough to let your kids use it.

Moreover, it’s really small, so it doesn’t hinder your adventure for even a moment. And it’s so capable it will inspire adventures you hadn’t planned.

This review is about what the Olympus Tough TG-6 will let you do as a photographer and how the pictures look.

TG-6 small size

An evening adventure used to mean hauling a heavy bag filled with gear. I never knew which gear I would need for sure, so I always brought too much. Eventually, I just stopped going on spontaneous adventures because it became too much of a chore. The Olympus Tough TG-6 replaces all that stuff I used to haul around. Gear is no longer the hindrance it used to be.

The technical specs

The reason why so many people are excited about the Olympus Tough TG-6 is the impressive list of technical specs.

  • F2.0 wide-angle lens (the aperture narrows as you zoom)
  • 20 frames per second
  • Underwater modes
  • Microscope mode
  • In-camera focus stacking
  • Scene selection
  • Aperture mode
  • RAW capture
  • 4K video
  • Waterproof
  • Shockproof
  • Dustproof
  • Crushproof
  • Freezeproof

Of course, the reason this list of specs is so exciting is because of what they’ll let you do with this camera as a photographer.

“No photographer is as good as the simplest camera.” – Edward Steichen

When you read camera reviews, you want to know what a camera is capable of and how great the picture quality will be.

Don’t forget that a camera only has to be so good and then the rest is up to you. The world’s greatest camera isn’t much good in the hands of a person that knows nothing about light, moment, or composition. Look for a camera that meets your general needs, then up your game as a photographer.

The most famous photographs were made with cameras that we would consider inferior by today’s standards. A beautiful photograph transcends the technology it was made with.

In the end, it’s not about the technical specs of a camera, but what those technical specs let us do as creative people and photographers.

The TG-6 has an impressive resume. Let’s see what it can help us do.

Adventure photography olympus tg-6

Aperture: f/2.0, Shutter Speed: 1/250 sec, ISO: 3200

When my first child was born I was just becoming the photographer I had always wanted to be. I couldn’t wait to take him on adventures with me as he grew. Ironically, it was a bag filled with too much gear and too many options that held me back from adventures with my kids. The TG-6 is everything I always wanted and fits in my pocket. It practically pushes us out the door and into the world.

“My life is shaped by the urgent need to wander and observe, and my camera is my passport.” – Steve McCurry

What if you could shrink yourself?

It is captivating to suddenly see the world through a magnifying glass or microscope – to see tiny details blown up big. You may not be able to shrink yourself, but you can enter the micro world with the Olympus Tough TG-6.

Microscope mode

With the TG-6, you can get insanely close and discover the mystery and beauty in the fine details of everyday objects. You’ll be exploring the world in a way you haven’t done since science class.

The micro world offers you an infinite number of things to photograph. Look around you right now. There are so many things that you would never photograph on their own, but you can dive in microscopically to a new world and become enamored with the beauty of fine details.

insect macro photography

If you’ve got the courage, the TG-6 will bring you up close and personal with insects.

 

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

macro mode fine detail

The TG-6 can capture incredibly fine detail that the human eye overlooks.

 

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

Berry macro photography

F/3.6, 1/100 sec, ISO 800

The problem with close-up photography

One of the biggest problems you’re going to run into with close-up photography is a shallow depth of field. You may take a photo of a flower, and nothing more than the edge of a petal is in focus. This is frustrating when you want more of that tiny object to be in focus.

How “focus bracketing” solves the problem

One way to deal with this is to take a series of photos at different focus points (focus bracketing), and later combine them in Photoshop in a process called focus stacking. The end result is an image with more depth of field than is possible in a single photo. If you’re a serious macro photographer, this is an amazing option. But it’s a labor-intensive process and you’re not likely going to do it on a whim while on a nature hike.

But the amazing thing about the Olympus Tough TG-6 is that it can actually do both the focus bracketing and focus stacking for you – all in-camera!

Let the Olympus Tough TG-6 do the Photoshop work for you

The photos below illustrate the frustration of such a shallow depth of field in close-up or macro photography. But they also illustrate the power of the TG-6’s in-camera focus stacking.

Olympus TG-6 focus stacking feature

The photo on the left is a single exposure with a shallow depth of field, while the photo on the right is the result of several photos with varying focus points stacked together into one image.

 

Focus Stacking with the Olympus TG-6

On the left, only a small portion of the leaf is in focus. But using the focus stacking option on the TG-6, the photo on the right is almost entirely in focus.

Normally, you need a dedicated macro lens if you want to take close-up, macro, or microscopic photos. That means a financial investment and another lens in your bag. But the TG-6 has this capability built-in. The close-up function is worth the cost of the camera.

Get in, the water’s nice!

You’re missing so much fun if you can’t take your camera into, or at least near, the water.

Generally, an underwater housing is expensive and might limit your access to camera settings. Best case scenario, you invest a lot of money to get your camera into the water. But this is a lot to invest and most people won’t do it on a whim. You’ve got to be sure you want to be in the water a lot to make it worth the investment.

With the Olympus Tough TG-6, you don’t need to think twice; just get in!

Having a camera that can get wet means you can get into the splash zone. Don’t photograph puddle-jumping-kids from a distance; get close and get wet!

Get underwater and explore fish from their world.

Don’t stand on the shore with dry feet to photograph the sunset; hit the waves.

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

Olympus TG-6 underwater mode

My kids and I discovered a stream filled with salmon. I knew it was the perfect chance to try out the TG-6 underwater.

A couple of years ago, I stepped into a river with one camera in my hand and one around my neck. I was photographing people back on the shore and kept crouching a little to go for a lower angle. Every time that I crouched down for a great low angle, I was unknowingly dunking the camera around my neck into the water. Goodbye, Fuji x100s.

The irony is that I had an underwater case for my x100s. But it’s so clumsy to use in the case that it hinders my photography.

You no longer need to be nervous around the water with your camera – the TG-6 is completely waterproof and pulls you right in.

A good motivator

If it hasn’t happened yet, the day will come when you lose your drive and inspiration as a photographer.

At first, the thought of packing up all your gear and lugging it around will overwhelm you. Especially because you know you won’t even be happy with the pictures you take.

Then, even just the thought of picking up your camera will depress you.

You lose your drive, your inspiration, and eventually your will as a photographer.

You’ve already learned that new gear is not the answer to this depressing dry period you’re going through. But that’s because most gear is the wrong gear for you.

The TG-6 isn’t just a new camera, it’s a passport to new lands. It’s like slinging on a backpack and heading out to discover the world. It sits there looking at you, hoping you will take it out to play. Photography doesn’t have to feel like a burden anymore.

TG-6 photography inspiration

“It’s a dangerous business, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.” ~ Bilbo Baggins

Leave the Olympus TG-6 laying around

When my camera is in the bag, it never gets used. I prefer to leave it out with the lens cap off and the power button left on so that I’m ready to make a photograph at a moment’s notice.

But when I leave my cameras lying around, my wife doesn’t like the clutter (even though she loves the photos that result from the clutter).
Not to mention that leaving expensive cameras around is a hazard with a house full of kids and their rowdy friends.

The TG-6 has become our dedicated “leave it laying around the house” camera. It’s so small that it doesn’t bother my wife. It’s there when we need it. And, it’s so tough we don’t mind the kids using it.

I’m capturing many more moments now that I’ve got a dedicated “everyday life camera.”

Olympus TG-6 capturing candid moments

 

Window light candid moments with the Olympus TG-6

 

Black and white photography wit hthe Olympus TG-6

So tough I let the kids use it

One of the things that first attracted me to the Olympus Tough cameras is that I can let my kids use them. The TG-6 is waterproof, shockproof, dustproof, crushproof and freezeproof. Which means it’s also kid-proof.

TG-6 great for kids

I love to look at the photos my kids have taken. It’s inspiring to see what captures their attention enough to take a picture.

 

Olympus TG-6 dustproof

When my kids ask to use the camera while they explore sand dunes and lakes, I have no problem handing them the TG-6 to use.

Essential modes

After using the Olympus Tough TG-6 for about a month, I’ve figured out my favorite combination of settings for everyday use; P mode.

I want a certain amount of control over ISO, aperture and shutter speed because I understand how they affect my photo. But I don’t want to overthink these settings and miss the beauty of the moment.

In P mode, the camera will choose the shutter speed and aperture for you. All you have to think about is ISO (but you can select auto ISO if you wish).

With a few minor adjustments in P mode, I can make the TG-6 do exactly what I want it to.

In the menu, I set the minimum shutter speed to 1/125th. I want the camera to set the shutter speed for me, but I don’t want it to go any slower than this.

I select auto ISO, but I set the maximum ISO to 1600. I don’t want the ISO to go any higher than that because of the noise issues.

While it’s balancing the settings out, the TG-6 will always favor a lower ISO and only raise it if it needs to. Eventually, if it’s dark enough, it will go below your minimum shutter speed in order to achieve a good exposure.

Here’s the best part; in P mode, you have direct access to exposure compensation with the camera dial. Your camera will hardly ever get the exposure just as you want it. So use the exposure compensation feature to brighten or darken the photo before you take the picture.

There is no full-manual mode on this camera. But if you know what you’re doing, you can still take full control.

TG-6 exposure compensation feature

Processing RAW files

Using Lightroom 6, I am unable to edit the RAW files from the TG-6. However, Olympus provides free editing software called, Olympus Workspace.

Because of this camera’s smaller sensor size (and difficulty capturing extreme dynamic range), I am not putting much hope in the RAW files. RAW + JPG capture is a great option. Get the best exposure you can in order to have the highest quality JPG file, and keep the RAW file in case of an emergency.

Even heroes have a weakness

There are three main weaknesses that I have discovered with the Olympus Tough TG-6.

Lens Flare

I love playing with lens flare and I quickly discovered that is almost impossible to do with the TG-6. This is the strangest lens flare that I have ever seen. It’s discouraging, but I’ll have to learn to make compelling photographers without lens flare.

Oympus TG-6 lens flare

Noise

The Olympus Tough TG-6 produces a lot of noise in high ISO, low light photos.

The following photos are lit with a small-screen TV and/or a lamp.

High ISO

This photo was lit with a lamp. you can see the grainy discoloration in the white blanket. The ISO is 3200.

High ISO noise

This is a close-up of the white blanket in the previous photo.

 

High ISO noise

This photo is lit with the light from a TV and a small light in the next room over. The ISO was 3200.

High ISO noise

Close up of high ISO noise

You can see the grain and discoloration in his skin.

The following photos are backlit with dim light from a living room window.

Bright light high ISO noise

Again, the ISO was set at 3200. Because the light is brighter, there isn’t as much noise and discoloration. But there is a lack of crispness to the photo.

 

High ISO and window light

But I was shocked to capture this photo with lots of movement at ISO 3200 because it looks so crisp.

Sharp in bright light

You’ll have to get used to keeping your ISO at 1600 or lower (you’ll need a steady hand for the slow shutter speed that results).

But in bright light, with a low ISO, the TG-6 is nice and sharp.

A sharp photo with low ISO

So the Olympus Tough TG-6 is weak under extreme lighting conditions, but so are many other cameras. For many of us, high ISO with low noise is the last frontier on the technological side of photography.

We can strengthen the TG-6 by post-processing the photo with a program such as Lightroom. Keep your ISO to 1600 or lower when possible, and convert to black and white when suitable.

No control over shutter speed

At first, I thought it was a problem that there was no shutter speed mode on the TG-6. But then I realized that it wasn’t really necessary. You just have to know how to work around it.

If you want a quick shutter speed to freeze the action, use sports mode.

If you want a slow shutter speed to capture motion blur then you need to understand how to force the camera to produce a slow shutter speed.

Suppose you want to capture a silky waterfall photo. Normally, you need control over your shutter speed to make it go slow enough to capture the motion. But with the TG-6 you don’t have control over the shutter speed.

Or, do you?

When you understand ISO and aperture then you do have control over the shutter speed.

Olympus TG-6 slow shutte speed silky waterfall

In order to get silky waterfalls, you need a slow shutter speed. You can force your camera to choose a slow shutter speed by lowering your ISO and closing your aperture.

Choose an ISO of 100. Choose an aperture of f18. This will effectively choke out the light and force the TG-6 to slow down the shutter speed to let more light in. The slow shutter speed will produce a silky waterfall.

So the lack of control over shutter speed isn’t a big problem.

Olympus TOUGH TG-6

The greatest weakness

As photographers, we can find moments so powerful that lens flare isn’t necessary. And, we can look for moments so strong that the viewer will overlook high ISO noise in the photo. Whatever the shortcomings of our cameras, we as photographers always fall shorter. Whatever their weaknesses, our cameras are just fine. We need to increase our skills and know that, even if there was a perfect camera, it could only be used by an imperfect photographer.

The power of the Olympus Tough TG-6 is not merely in its technology. The power is in what that technology allows us to do. This is a camera that will nudge you every time you walk by. It’s like a kid who wants to be played with or a dog that wants to be taken out for a run. Come on, just a quick adventure?

A countless number of moments pass us every day. They become almost infinite in size when we consider their range from wide-angle to microscopic. When you’ve got a camera like the TG-6 in your pocket, it’s not so hard to make those moments hold still.

Have you used the Olympus Tough TG-6 camera? Would a camera like this make you take more photos? Share your thoughts with us in the comments!

The post The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion? appeared first on Digital Photography School. It was authored by Mat Coker.


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10 Ways to Make a Living from Photography

11 Nov

The post 10 Ways to Make a Living from Photography appeared first on Digital Photography School. It was authored by Kav Dadfar.

10-ways-to-make-a-living-from-photography

It has never been harder to make a living from photography than it is in this day and age. But that doesn’t mean the game is over for you as a photographer. There are still plenty of ways to make money from photography if you are willing to make the effort and have a well-thought-out plan. So here are 10 ways to make a living from photography.

10 Ways to Make a Living from Photography

Portrait photography

Portraits can be a great little money earner for any photographer. There is even more opportunity for those photographers in smaller towns. Yes, there may not be as many potential customers but the competition will also be much smaller. From the initial shoot fee to prints (digital or analog) and frames, there is an opportunity to make additional sales on top of just the portrait shoot. So any portrait photographer has a few potential steady income revenues.

The overheads to start with are also fairly minimal as you can offer location shoots or even set up a small studio in your home to keep you going until you can get a proper space to work.

10-ways-to-make-a-living-from-photography

Event photography

Event photography is another good genre of photography that offers great opportunities for earning money. Events can be anything from birthday parties to trade events or even company events like Christmas parties.

The advantage of this genre of photography is that there is always going to be a demand for it. So if you can get a good reputation, then word of mouth can spread and get you more and more work.

10-ways-to-make-a-living-from-photography

Photojournalism

Similar to other genres of photography, there is always a steady supply of work for a photojournalist. Being a photojournalist is hard work, both physically and, more importantly, emotionally. But it can also be one of the most rewarding genres of photography as it has the power to change the world.

If you are willing to make the sacrifices needed and are good at capturing photos that tell stories, then this genre of photography could be for you.

10 Ways to Make a Living from Photography

Wedding photography

A few years ago, weddings would have been one of the top earners in this list of 10 ways to make a living from photography. But like most genres of photography, things have changed.

Less than a decade ago, an average wedding photographer could command $ 2000 plus per wedding and easily shoot 30-40 weddings a year. Unfortunately, the influx of photographers who undercut each other in price has had a detrimental effect on wedding photography. There are photographers now offering to shoot weddings for a few hundred dollars.

Nevertheless, wedding photography is still a market that has lots of opportunities to make money.

10-ways-to-make-a-living-from-photography

Product and food photography

As long as people are making things to sell or eat, they will need images of their products to help sell them. Product and food photography is a great source of income and a steady stream of work for any photographer.

It can be a little mundane for some, but I actually enjoy the process. I really like that I can shoot at my own pace and control every aspect of the shoot. This is not something anyone who works as an outdoor photographer gets to experience. From local restaurants to design companies, there is an endless amount of work available if you can find it.

10-ways-to-make-a-living-from-photography

Commercial photography

Commercial photography can consist of things like:

  • Shooting lifestyle campaigns or adverts for tourist boards and companies.
  • Photographing hotel rooms and venues.
  • It can consist of both interior and exterior shots with or without people.

I find it works really well combined with my editorial work as I often find myself getting an audience with someone in a position of power in these areas through my various commissions.

10-ways-to-make-a-living-from-photography

Editorial photography

Editorial photography was a great source of revenue for photographers.

This changed with the introduction of digital photography all those years ago, which led to the slow demise of staff photographers. It is cheaper and easier to use stock images than it is to send a photographer out to photograph a feature. The other benefit of using stock photos for an editor is that they can see exactly what images they are purchasing.

There are still higher-end magazines like National Geographic and agencies that will commission a photographer for an editorial feature, but they are few and far between.

10 Ways to Make a Living from Photography

Stock photography

Gone are the good old days of being able to make a living solely from stock photography. But all is not lost.

Assuming you are getting work from one of the other aspects of photography on this list, you will be accumulating a body of images that you can more than likely put with a stock agency. Whilst this won’t make you rich, it could provide a nice additional income. Just make sure to get model release forms where possible, and find the right agency for your style of photography.

10 Ways to Make a Living from Photography

Prints

Selling prints is another good revenue stream, whatever your genre of photography is. Big names aside, most of us photographers are not going to be lucky enough to sell prints for thousands of dollars. But, again, like stock photography, if you have a body of work, you might as well try to earn an income from it.

10 Ways to Make a Living from Photography

Sports photography

Sports photographers will always be in demand as long as our love for the various sporting games continues. If you can get yourself in with a good agency or accreditation and get those awesome shots that are grace the pages of newspapers and websites worldwide the next morning you can make a very good and steady living. To get to that level will take time and a lot of hard work.

But there are also lots of opportunities at the local level of photographing such as school sports days or even local sporting events. These are much easier to get into and can provide a steady income to supplement your other photography work.

10-ways-to-make-a-living-from-photography

10 Ways to Make a Living from Photography: Conclusion

Whilst many photographers specialize in one specific area of photography these days, most photographers have to be willing to offer a few of these services. I shoot a lot of editorial and food photography and some commercial projects. I then use stock and print sales to increase that revenue stream.

Whatever genre of photography you specialize in, it’s important to diversify your work. Not only because of the income but also because you might make contacts that will lead to other jobs within your chosen genre.

Remember to price yourself accordingly and try not to work for free. Always keep in mind that if you don’t respect your work enough to be paid for it, why should someone else?

Do you have any other ways to make a living from photography that you’d like to add to this list? Share with us in the comments!

10 Ways to Make a Living from Photography

The post 10 Ways to Make a Living from Photography appeared first on Digital Photography School. It was authored by Kav Dadfar.


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11 Great Songs About Photography (includes link to playlist!)

11 Nov

The post 11 Great Songs About Photography (includes link to playlist!) appeared first on Digital Photography School. It was authored by Megan Kennedy.

11-great-songs-about-photography

As a symbol of memory, art, time and technology, the theme of photography has inspired musicians for decades. Need some photography-based tunes to listen to? Here are 11 great songs about photography – or at least, that feature photographic themes.

11-great-songs-about-photography

1. Kodachrome – Paul Simon

As the lead single from Paul Simon’s third studio album There Goes Rhymin’ Simon (1973), Kodachrome is titled after Kodak’s 35mm film format introduced by Eastman Kodak in 1935.

Referring to the characteristics of the Kodak film and its effect on visual culture, Simon sings “they give us those nice bright colors, they give us the greens of summers.”

Interestingly, although the album version of Kodachrome states that “…everything looks worse in black and white,” Simon later went on to perform the song live with the lyrics “…everything looks better in black and white“.

In an interview with Daniel Levitin for Grammy Magazine in 1997, Simon stated, “I can’t remember which way I originally wrote it, better or worse, but I always change it.”

2. Picture This – Blondie

“All I want is a photo in my wallet, a small remembrance of something more solid…”

Blondie’s Picture This touches on the driving force behind a considerable amount of photography – the desire to preserve memory.

Blondie’s first two albums were hits in many parts of the world. However, they still hadn’t garnered much attention in America.

As the band’s first overseas single in 1978, Picture This became Blondie’s breakthrough track in the U.S.

3. This is not a Photograph – Mission of Burma

11 Great Songs About Photography (includes link to playlist!)

Short and to the point, This is Not a Photograph by Mission of Burma is probably a reference to La Trahison des Images (The Treachery of Images) by surrealist René Magritte.

Magritte’s painting, which pairs the image of a pipe with the phrase “Ceci n’est pas une pipe” (this is not a pipe) illustrates the duality of the artistically-rendered subject matter.

In addition, the artwork speaks to the intention and power of the artist.

As the lyrics declare, Mission of Burma’s This is not a Photograph is clearly not a photograph, but it maintains photographic qualities in that it is a marker of a specific moment in time.

4. Camera – R.E.M

Pioneers of alternative rock, R.E.M. is known for hits including Losing My Religion, Everybody Hurts, Man on the Moon and The One I Love.

But before their breakthrough stardom, songs like Camera established the distinctive lyrics and jangly riffs that would mark R.E.M.’s influential approach to music.

Featured on the 1984 album Reckoning, Camera was written about the death of photographer friend Carol Levy.

The lyrics “will you be remembered? Will she be remembered?” Refers to memory, and perhaps the power of the camera to still time.

R.E.M. also has a track titled Photograph – a collaboration with Natalie Merchant.

The little gem speculates on the story of a photograph found “In stacks between the old joist walls/In a place where time is lost“.

5. Swap Meet – Nirvana

11 Great Songs About Photography (includes link to playlist!)

Forming in 1987, American grunge band Nirvana rose to fame with the success of Smells Like Teen Spirit, About a Girl and Come as You Are.  

Featured on their 1989 album Bleach, Swap Meet paints a moody picture of a couple that “make a living off of arts and crafts“.

The song’s chorus illustrates the entanglement of keeping cigarettes (addiction), photographs (memory) and bitterness close to the heart.

6. Distant Camera – Neil Young

Released in 2000, Silver & Gold is the 23rd studio album by Neil Young.

For a Reprise Records promotional piece, Young wrote a comment about each song on the album.

For Distant Camera, Young wrote “there was one thing I let go on this album. It’s on this song and it still bothers me. There was a misplaced beat and nobody liked it but me and I wanted to leave it in because that’s just the way it had happened originally. But I took it out and to this day, whenever I hear this song I think about that kick drum. And I probably always will. That’s just the way my mind works.”

Despite Young’s dissatisfaction, Distant Camera is a touching song about love, change, memory and time.

7. Kamera – Wilco

11-great-songs-about-photography

Featured on the 2001 album Yankee Hotel Foxtrot, Kamera is a song by Chicago-based band Wilco.

In the lyrics, the subject of the song appears to view the camera as a tool to remind them of “which lies I have been hiding, which echoes belong“.

The camera is presented as a revealer of truths, a property that has been explored extensively over the history of photography.

8. Seventeen – Ladytron

Seventeen features on Ladytron’s 2002 album Light & Magic.

The song itself is made up of a single verse repeated throughout the song;

“They only want you when you’re seventeen/ when you’re 21, you’re no fun/ they take a Polaroid and let you go/ say they’ll let you know, so come on”.

Paired with a robotic musical score and voice modulators, Seventeen could well be about the exploitative, youth-obsessed culture of the entertainment and fashion business.

“They take a Polaroid and let you go” indicates the process undertaken by industry selectors, but it could also refer to a part of a person’s psyche being robbed by the industry itself.

9. Paparazzi – Lady Gaga

11 Great Songs About Photography (includes link to playlist!)

In 2008 Lady Gaga dropped her debut studio album The Fame.

Released as the album’s fifth and final single, Paparazzi reached top-ten in music charts across the globe.

On the song, Lady Gaga has said “…there are a few different interpretations…It’s a love song for the cameras, but it’s also a love song about fame or love — can you have both, or can you only have one?”

Paparazzi alludes to the camera as a tool that drives the trajectory of fame.

10. Itchin’ on a Photograph – Grouplove

American alternative rock band Grouplove, formed in 2009 and released their debut album Never Trust a Happy Song in September 2011.

As the third single off the album, Itchin’ on a Photograph reached number 43 on Australian national radio station Triple J’s Hottest 100.

The song also reached number 10 in 2012 on Billboard’s Alternative Songs and number 30 on Billboard’s Hot Rock Songs.

Itchin’ on a Photograph delves into the emotional and physical experience of dwelling on the past.

Building on a central theme of memory, the photograph itself represents a source of discomfort, but also a stepping stone from which the subject alights.

11. Taro – alt-J

11-great-songs-about-photography

Taro is written by English indie rock band alt-J and features on the 2012 album An Awesome Wave.

The song is about war photojournalist couple Robert Capa and Gerda Taro.

In 1934 Endre Erno Friedman met Gerda Pohorylle, a German Jewish refugee. In Paris, the pair invented the name and image of Robert Capa.

For a while, Friedman and Pohorylle both published their photographic work under the Robert Capa name.

Pohorylle then took the name Gerda Taro, becoming successful in her own right while Friedman retained the Capa identity.

Sadly, both Taro and Capa died during conflict.

In 1937 Taro was killed covering the Republican army retreat at the Battle of Brunete. In 1954, Capa died when he stepped on a land mine in Thai Binh in Indochina.

Alt-j’s song Taro describes the lives of the two pioneering photographers and their reunification in the afterlife.

Conclusion

Photography and music are similar in many ways. Perhaps that’s why the meeting of photographic themes and music creates such compelling listening.

If you’d like to treat your ears to these songs about photography and many more, you can check out my Photography Songs Spotify playlist here.

And if I’ve missed your favorite photography-based song, share it in the comments!

Happy listening!

The post 11 Great Songs About Photography (includes link to playlist!) appeared first on Digital Photography School. It was authored by Megan Kennedy.


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17 Tips for Shooting Better Urban Portraits

11 Nov

The post 17 Tips for Shooting Better Urban Portraits appeared first on Digital Photography School. It was authored by Matt Murray.

tips-for-shooting-better-urban-portraits

Are you interested in doing an urban portrait shoot, but you’re not sure where to start? An outdoor shoot in your local town or city is a great way to be more creative, think on your feet, and come away with some unique images that you can’t get from a shoot in a studio or your local park. However, If you’ve never done one before, you may be a little daunted. In this guide, I run you through my top tips for shooting better urban portraits.

One way to make sure your talent is relaxed at the start of the shoot is by asking them to smile and getting some fun shots to kick things off.

1. Have a vision for the images you want to shoot

Begin with the end in mind. Create a mood board of urban portraits using a free tool such as Pinterest. These could either be your images or inspirational images from other photographers. Keep these in mind as you plan your shoot, as this is the standard you’ll be aiming for.

2. Location scouting

Before you plan your shoot, get an idea of the type of urban landscapes in your area. What kind of images could you take here? How could the buildings and street scenes feature in your photographs as a point of interest or as a background texture?

Every town and city has its unique charms – from heritage buildings to seaside piers to abandoned shopping centers. Find what’s interesting about your area and use it.

You can find out more about what I look for when scouting locations in my previous dPS article, How to Choose Urban Landscapes for Portrait Photography.

tips-for-shooting-better-urban-portraits

There’s always something of interest to shoot. Open up to the creative possibilities in your town.

3. Find talent for your shoot

The easiest way to find someone for a shoot is by asking family or friends. This way, the pressure is off, as you have someone familiar to work with that you can test your ideas on. Make sure you ask someone that is not too shy or self-conscious, though; after all, it will involve posing for photographs in a public location.

If you’re ready to test your urban portrait skills with a model, organize a TFP (time for print) shoot. These have been around since the pre-digital days, when photographers, models, and make-up artists would collaborate and give their time for free in exchange for physical prints of images taken during the shoot. These days, images from TFP shoots are usually digital files shared over the internet.

Finding people to work with should be relatively easy. Most cities have photographer and model groups on Facebook. Type the name of your area with the words model or photographer and see what comes up. If you have no luck, you can also ask in general photography groups if anyone knows of a TFP-style group you could join.

Image: In this image, I have lit Alyssa with a video light. Fujifilm X-T3 with a 35mm f1.4 lens.

In this image, I have lit Alyssa with a video light. Fujifilm X-T3 with a 35mm f1.4 lens.

4. Ask for expressions of interest

Once you’ve joined a local Facebook group, have a scan of the posts and see if it’s the kind of community you wish to work with. If you feel comfortable, it’s time to post your expression of interest.

Create a post introducing yourself and calling for expressions of interest in a TFP urban portrait shoot. Link to examples of your work and your Instagram.

Let people know specific details about the shoot. This includes the approximate location, proposed days and times, and the types of shots you’re looking to get. You can also link to or share images from your mood board on the post to set an expectation of the kind of shots you’ll take. If you use images on the mood board that are not yours, make sure you credit the photographer and explicitly state whose work it is.

Finally, ask people to comment on the post or send you a private message, expressing their interest. Also, ask them to link to their Instagram or portfolio.

tips-for-shooting-better-urban-portraits

Safety is important on any shoot – never put yourself or your talent in danger to get a shot. I took this image with the model on the footpath.

5. Arrange details for the shoot

After you’ve chosen whom you’d like to work with, organize the shoot. Agree on the day, time, and location. Prepare to negotiate regarding which day you can shoot, but not on the time. Always choose the time of day that you know will work best for photography. For me, that’s about an hour before dusk as this provides opportunities for natural light and after-dark images.

If the model is under 18, check that their parent or guardian is coming along and that they will be able to sign a model release form.

Ask your model what they’re planning to wear for the shoot. Quite often, they will ask for your advice or provide you with options. Explain that it would be ideal to have two or three different looks. Some people will prefer to have completely different outfits for the first and second half of the shoot (if there is somewhere to change). For others, it means bringing along some fun accessories like glasses, sunglasses, a hat or jacket.

If you’re arranging a shoot a week or two in advance, don’t forget to stay in touch with your model. Remind them a day or two before the shoot.

tips-for-shooting-better-urban-portraits

Sunglasses can be very handy on a shoot – especially when there are neon signs! Anneke, Brisbane. Fujifilm X-T3 with a 56mm f1.2 lens.

6. Have a plan

Think back to your location scouting. Have a list of 8-10 places where you’d like to shoot that are within walking distance of each other. Draw a map in your notebook and plan your route and the types of shots at each place. Typically, I only shoot in 6-8 locations, but I like having a couple of options up my sleeve in case some don’t work out.

Finally, don’t be afraid to throw your plan out the window if a better opportunity presents itself.

17 Tips for Shooting Better Urban Portraits

7. Plan your kit

It’s tempting to take as much kit as you can carry on an urban portrait shoot. However, strike a happy medium between taking enough kit to give you options without having to hire a Sherpa to carry your gear.

I typically take two camera bodies (Fujifilm X-T3 and X-T2) with prime lenses, with a third lens in my bag. My lenses of choice are usually the Fujinon 16mm f1.4 for wide-angle and environmental portraits, and either the 35mm f1.4 or the 56mm f1.2 lenses for portrait work. With the APS-C crop factor, these work out to 24mm, 52.5mm, and 84mm equivalent lenses in full-frame terms.

Although I love zoom lenses for family portrait shoots, I only take fast prime lenses on urban portrait shoots.

Double-check all your camera settings when you pack your gear. Things I check are:

  1. I’ve selected the same JPG film simulation on both cameras,
  2. I have the same auto ISO settings,
  3. JPG + RAW is selected in the image quality settings.
  4. There are spare formatted SD cards and spare batteries in my bag
  5. I have model release forms and a pen.

8. Get to know whom you’re photographing

Make sure you turn up early – you won’t make a good impression if your talent is waiting for you and wondering if you are going to turn up or not. Get to know your model and their chaperone. Everyone can be a bit nervous at the start of a shoot, so have a good chat with them before you even think about pulling out a camera.

9. On the shoot

Remember, on these kinds of shoots, you don’t need quantity, you need quality. I aim to get a dozen images I’m really happy with. This means potentially shooting in a different way than you usually would. Take your time with directing the model and getting the composition right before taking the shot.

Make sure you get a variety of shots – close-ups, full length, looking to the camera, looking away. Also, remember to get some different looks by using any accessories the model has brought with them.

tips-for-shooting-better-urban-portraits

Make sure you get a variety of shots – not just close-ups.

10. Be prepared to direct the model

Directing talent is a skill you will need to learn – especially with younger up-and-coming models with limited experience. There’s no need to be worried if you have no experience doing this yourself. Get yourself the 67 PORTRAIT POSES (PRINTABLE) Guide from DPS to have on your phone (or print them), or have a stash of urban portrait images, ready to flick through to give your talent some ideas on how to pose.

17 Tips for Shooting Better Urban Portraits

11. Check your ISO and shutter speed

As the day moves into night, keep a check on your ISO and make sure you have usable shutter speeds above 1/80th of a second. The most annoying mistake I’ve made on these shoots is looking at the back of the LCD screen, thinking that I’ve captured a sharp image, only to see that the image wasn’t as sharp as I thought on my computer screen later on.

12. Limit any negative self-talk

Negative self-talk can affect us all. If you had an idea for an image, but it doesn’t work out on the shoot, move on and forget about it. Many images are still there for the taking.

13. Carry your own lighting options

For the first half of an urban portrait shoot, I rely on natural or ambient light. As darkness envelopes the urban landscape, I look to my own lighting options.

The first option I usually take is a speedlight flash that I can use on-camera, or trigger remotely. Typically, the light from these types of flashes can be harsh, so you may like to use a light modifier such as a mini softbox.

The second type of lighting that I use on my urban portrait shoots are small LED video lights. These are fantastic, and I love using them. Again, you can use one through a light modifier for a softer effect.

Image: Using an on-camera flash can lead to some creative effects.

Using an on-camera flash can lead to some creative effects.

14. Safety

Safety should be your number one priority on a shoot like this. Identify any hazards before the shoot and brief your model. The last thing you want is someone getting hurt. Be aware of your surroundings at all times. If you get a bad vibe from an area, it’s best to move on.

Never leave any of your bags on the ground unattended. A few moments of inattention is all an opportunistic thief needs.

15. Legal

Always operate your shoots legally. Research if you need any permits to shoot in your city, look into public liability insurance, and have model releases signed before the shoot.

16. Limit the shoot time

Keep the shoot between 60 and 90 minutes; you’ll be amazed at how fast this will go. It’s better to have it run shorter and end on a high than run it longer with everyone exhausted. For younger models, keep it to under 60 minutes.

tips-for-shooting-better-urban-portraits

Keep the shoot length to under an hour for younger people – modeling is very tiring!

17. Editing your images

I always try and get it right in-camera, with only minor edits made to images afterward. One decision you may have to make is how much you want to clean up the image in post. In the example below, there were a lot of cigarette butts on the ground. I decided to remove these in Photoshop to make a cleaner image.

17 Tips for Shooting Better Urban Portraits

tips-for-shooting-better-urban-portraits

In this image, I removed all the cigarette butts and other debris from the road as I felt it detracted from the image. Sasha, Brisbane, Fujifilm X100F lit by a Godox flash.

Conclusion

Urban portrait shoots are a lot of fun and can stretch your creativity as a photographer. They help you to think on your feet and overcome challenges. If you’ve never done one before, there’s no need to feel daunted. Do your research and planning, and it will all fall into place.

If you have any questions or comments about planning an urban shoot, let us know below.

The post 17 Tips for Shooting Better Urban Portraits appeared first on Digital Photography School. It was authored by Matt Murray.


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A Classic Annie Leibovitz Documentary

09 Nov

The post A Classic Annie Leibovitz Documentary appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

annie-leibovitz-documentary-1993

I was at a bookstore the other day and was looking through a great book on the work of Annie Leibovitz – Annie Leibovitz Portraits 2005 – 2016. I am a big fan of Annie Leibovitz’s work and have been ever since I began taking black and white photos and developing them in my darkroom back in the late 80s/early 90s.  Her lighting styles, techniques, and subjects fascinated me. I have her book, Annie Leibovitz At Work, which is not only a great insight into her fantastic images but the equipment and techniques she uses too.

So, this week, I wanted to share an old Annie Leibovitz documentary from 1993, along with some of Annie’s images to get you inspired on your portrait photographic journey.

I hope you enjoy her work as much as I do.

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Angelina Jolie, Dumont Dunes, Baker, CA, 2006 / In celebration of the premier of Maleficent: Mistress of Evil

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Katy Perry, Paris, France, 2011 / Happy Birthday, Katy

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Arnold Schwarzenegger, Sun Valley, ID, 1997 / In celebration of the premier of Terminator: Dark Fate

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Serena and Venus Williams, Photo 1: Palm Beach, FL, 2016. Photo 2: West Palm Beach, FL, 1998

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Jennifer Lawrence, Los Angeles, CA, 2015 / Congratulations on your wedding

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You may also like:

  • 10 Tips to Create Emotive Portraits
  • What Size Beauty Dish is Right For Your Portrait Photography?
  • How To Use an Outdoor Studio for Natural Portraits
  • 5 Portrait Photography Rules You Should Probably Ignore
  • Portraits: Making the Shot
  • 11 Influential Portrait Photographers you Need to Know
  • 14 Amazing Portrait Recipes
  • Your Guide to Studio Lighting Equipment
  • Fast Flash for Portrait Perfection

The post A Classic Annie Leibovitz Documentary appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Weekly Photography Challenge – Street Markets

09 Nov

The post Weekly Photography Challenge – Street Markets appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is STREET MARKETS!

Image: Photo by: Kav Dafar ©

Photo by: Kav Dafar ©

Street markets happen day and night and are filled with bustling crowds, fresh produce, and hand-made arts and crafts.

You can do detail shots of items for sale, or capture portraits in the crowd. Alternatively, try using long exposures to blur the crowd and really capture the hive of activity. Snap vendors interacting with customers, or the colors of the gazebos or fresh fruit and vegetables.

Play with black and white or work with contrasting light and shadows.

So, check out these inspiring pics by some of the dPS writers, have fun, and I look forward to seeing what you come up with!

Myanmar Market Vendor DPS Ultimate Guide to Photographing People for Shy Photographers

Photo by: Kevin Landwer-Johan. ©

Image: Photo by Simon Bond ©.

Photo by Simon Bond ©.

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting STREET MARKETS

10 Tips for Photographing Street Markets

7 Tips to Help You Take Better Photos of Markets

How to Photograph Markets

5 Essential Shots You Need to Get for Street Market Photography

21 Images That Show a Trip to the Market

Tips for Getting Started in Street Photography

7 Ways to Become More Spontaneous with Your Street Photography

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSstreetmarkets to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Street Markets appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon Announces the EOS Ra, Its First Mirrorless Astrophotography Camera

08 Nov

The post Canon Announces the EOS Ra, Its First Mirrorless Astrophotography Camera appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon eos raCanon has announced its first astrophotography camera since the Canon 60Da, which is also its first-ever mirrorless astrophotography camera:

The Canon EOS Ra.

The EOS Ra isn’t a particularly flashy camera; it’s the Canon EOS R, along with a few special features designed for astrophotographers. But if you’re looking to take photos of the night sky, the Canon EOS Ra may be exactly what you need.

Canon eos ra

What makes this camera special?

First, Canon has added a special IR filter in front of the sensor, one that promises to increase transmission of the H-alpha wavelength by approximately four times the amount of the standard EOS R. Most cameras include an IR filter that reduces H-alpha wavelength transmission. But the H-alpha wavelength features heavily in celestial phenomena such as diffuse nebulae; the enhanced transmission should make for clearer, sharper images of these astronomical objects.

And second, Canon added enhanced EVF and LCD viewing. You can zoom in to 5x or 30x magnification using either the LCD or the electronic viewfinder, which allows you to focus on celestial objects with increased precision.

Canon Announces the EOS Ra, Its First Mirrorless Astrophotography Camera

Note that the Canon EOS Ra offers all the other features of the EOS R, including a 30.3 MP sensor, the DIGIC 8 processor, continuous shooting at 8 frames per second, and Canon’s amazing Dual Pixel autofocus.

So who should get the Canon EOS Ra? And how does it perform when shooting subjects other than the night sky?

The Canon EOS Ra is designed for astrophotographers, and I recommend you keep it that way. While all the EOS R features are present, the altered IR filter may cause issues when photographing non-celestial subjects. Plus, the EOS Ra has a few hundred dollars added to its price tag, selling for $ 2499 USD compared to the $ 1799 USD Canon EOS R. For non-astrophotographers, purchasing the EOS Ra will be throwing away unnecessary dollars.

But for astrophotographers, the Canon EOS Ra is a fantastic option.

The camera is currently available for preorder and should debut in mid-December 2019.

What do you think about the Canon EOS Ra? And for all the astrophotographers out there: Will you be using it for astrophotography?

The post Canon Announces the EOS Ra, Its First Mirrorless Astrophotography Camera appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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How to Capture the Colors of Autumn in Your Photography

08 Nov

The post How to Capture the Colors of Autumn in Your Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.

capture-colors-of-autumn-in-photography

Autumn is a great time to get out with your camera. This magical season brings an array of attractive photography conditions including wonderful morning mist, dramatic light and a palette of changing colors. Capturing the colors of autumn is high on the bucket list of many landscape photographers and it is the favourite season for nature photographers in pursuit of the perfect fall photo. To help you get the best photos possible during this popular season read on to consider some fundamental points:

1. Find a suitable subject

Autumn Colors 01

With the right approach, you can achieve some of your best scenic autumn shots.

The first thing to think about is what subject you are going to shoot. There are a number of great subjects that vie for your attention including scenes of vibrant landscapes, a tree, leaves or water and the landscape. These subjects are suitable because they show the true spirit of autumn and the best of the season when the leaves change color and become more intense.

Other ideas for subjects include capturing a building, landmark, footpath or bridge within a colorful landscape. Combining these elements with fall foliage illustrate the season beautifully.

2. Light

Autumn Colors 02

Don’t limit yourself to shooting on bright and sunny days. Overcast conditions are also great for recording subtle, even tones as the light is soft with less contrast. Rivers are particularly enticing to shoot when there is cloud cover, particularly when adding warmth with autumn colors.

3. Location

How to Capture the Colors of Autumn in Your Photography

Location is everything when it comes to achieving your best autumn pictures. You could focus a photography vacation around the colors of autumn, or spend a day or two chasing the season’s hues.

Some of the best regions in the world include New England and the Colorado Rockies. Whilst some countries such as the UK are not renowned for their autumn splendor, there are many parks, woodlands, and areas of outstanding natural beauty that you can visit for a shoot.

4. Shoot a wide view

Autumn Colors 04

One great way to document the autumn colors is to capture a wider field of view. Photographing trees as part of a larger landscape, using colorful leaves in the background or to frame your subject works really well. This approach gives a more visually interesting image than a picture of a building or landmark on its own. It also helps tell the viewer the time of year the photo was created.

5. Isolate patterns of color

Another technique is to shoot the colors of autumn in isolation. Beautiful shades of red, yellow, brown and orange can look great. Look out for patterns amongst leaves which could include single and complementary colors or interesting shapes. By focussing your lens towards a particular section of a forest canopy or an attractive collection of leaves, you can add order and impact to your images whilst creating some visually pleasing results.

6. Use backlight

A great technique to use when shooting fall foliage is to shoot directly towards the sun. Shooting into the light can result in stunning images as the backlit leaves of autumn glow and reflect the vibrant colors. Be aware of flare when using backlight and shooting into the sun. By partially shielding the sun behind a tree it can help to reduce any unwanted flare.

7. Shoot with sidelight

Autumn Colors 05

Another way to shoot autumn is to use sidelight to your advantage. Capture the canopy of colors side-on to the angle of the sun. The complementary colors of oranges and yellows combined with a blue sky can work very well together. The warmer tones from the foliage offset the coolness of a blue sky perfectly.

8. Look down

Autumn Colors 06

When exploring wonderful scenes of autumn color, it is easy to forget to look down. Don’t be disheartened if the trees are bare and the leaves have all fallen; you can still capture the colors of autumn on the ground. This is evident in late autumn when the forest floor is as colorful as the treetops. Depending on the type of tree, there are often varying elements of fall color from these leaves, which are definitely worth photographing.

9. Fog and mist

How to Capture the Colors of Autumn in Your Photography

Finally, incorporate any signs of fog and mist into your autumn photos. These dramatic conditions can lift a picture by adding a touch of mood, atmosphere, and mystery to a colorful scene. Capture the morning mist rising from a lake, a forest cloaked in fog or subtle mist over a city or landscape for a visually stunning element that will improve any autumnal scene.

How to capture the colors of autumn in your photography: conclusion

Autumn is an awesome time of the year to be out with your camera capturing beautiful photos, particularly when exploring locations in search of color. So grab your camera and get out to your nearest park or woodland. Enjoy the autumn and see what you can create.

What other tips do you have to photograph the colors of autumn? Share with us in the comments and share your autumn images too!

 

The post How to Capture the Colors of Autumn in Your Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.


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Storytelling in Photography: What It Is and How You Can Improve It

08 Nov

The post Storytelling in Photography: What It Is and How You Can Improve It appeared first on Digital Photography School. It was authored by Ana Mireles.

storytelling-in-photography

From photography contests to job offerings, the term storytelling is becoming more and more popular. But, do you know what storytelling in photography is? In this article, I’ll share with you some facts that help you understand what it is; and some tips on how you can improve it in your photography.

What is storytelling in photography?

I’ve heard many definitions of storytelling in photography from an explanation that compared it to a bowl of ice cream, to the classic “an image is worth a thousand words.” What I got from all of them is that you need to portray a message and convey a feeling.

Storytelling in Photography: What It Is and How You Can Improve It

Let’s get started by clarifying some of the most common doubts.

Types of photography

So, what type of photography uses storytelling? The truth is, if you want to improve your photography, you have to tell a story regardless of the type of photography you do. A wedding photographer tells the story of a couple as much as a documentarian reports an event. Here are some ideas:

  • How to Create a Documentary Photography Project.
  • How to Make Storytelling Landscape Photos – 4 Steps.
  • 5 Steps to Creative Storytelling in Pictures with Your Kids.

Single photos vs. multi-image projects

Think about it this way: in magazines, sometimes you have an entire article spanning pages, and other times just a cover image. Storytelling in photography can be about an entire project, but it also refers to single images. For example, this image was picked as the cover for a compilation of short stories centered around women’s sensuality.

storytelling in photography

Perhaps it’s easier to think about storytelling when you refer to a series of images. This is because we can associate it with a narrative that has a beginning, middle with a climax, and an ending. If you’re not feeling confident about it yet, learn How to Shoot a Sequence of Photos That Capture a Story.

How to tell a story?

Research

First of all, you need to do your research. Each type of photography will have different needs and it’s harder to tell a story that you don’t know. For example, once I was invited to visit a beekeeping farm “whenever I wanted.” At that moment, the extent of my knowledge about honey was simply where to buy it and how much I like to put in my tea.

Storytelling in Photography: What It Is and How You Can Improve It

To make the most of my visit, I had to pick the right time to be there. I learned about the process of honey harvesting and extraction, and the time of the year it happens. Then I learned how it depended on the weather and the type of flowers in the area. Thanks to this research, I was able to capture an image of a fully-capped honeycomb ready for harvesting.

Technique

It’s a given that being a photographer means you know how to take a well-exposed photograph, but this isn’t enough when it comes to telling a story. The technique needs to work in your favor, so it’s not just about which settings but why those settings.

Storytelling in Photography: What It Is and How You Can Improve It

Every decision you make changes the final result. A warmer or cooler light gives a different type of atmosphere. Where you put the focus point and how deep you set the depth of field directs your viewer’s eye, and so on.  It’s not only about having a technically perfect photo, but it’s also about making the perfect photo to tell the perfect story.

 

How to improve your storytelling in photography

Ask for help

Always ask others what they ‘read’ in your photographic images. This will help you understand if the message you want to portray is being received. This scene I witnessed in a local park really moved me, so I decided to photograph it. I later found out that I didn’t manage to capture the feeling of the moment, as the photo wasn’t much appreciated when I asked for opinions.

[Editor’s comment: I don’t agree here – I think this photo says a lot about the connection of a child and their favorite toy that they love to include in everything they do. To me, the child is treating the toy as a friend who is playing on the see-saw with them. Also, while there is a level cuteness, there is also a sense of sadness at perhaps having no one else to play with but a stuffed toy.]

storytelling in photography

Passion

Your work will always be more effective if you are passionate about what you’re doing. Find out what interests you and what your style is. If you’re having trouble finding your way, I suggest reading To Specialize or Not to Specialize with Your Photography.

storytelling in photography

Training

Keep your eye trained by looking at how the professionals tackle storytelling. Browse through magazines, go to exhibitions, check the winning images in contests, and follow them on Instagram. While you do this, also start doing your own and keep on practicing. Remember, it’s okay to fail, as long as you learn from it and keep trying.

Conclusion

Storytelling in photography is the ability to transport the viewers into a particular scene and atmosphere. While in there, you convey the message in a way that gets your audience involved, interested and leaves them wanting more. It doesn’t matter if you’re doing a single photo or a full project, a documentary or advertising, tell your story so that you can portray exactly what you want your viewer to know, or leave them to ponder multiple possibilities.

Do you have other tips for doing storytelling in photography? If so, share with us in the comments, along with any images you’d like to share.

The post Storytelling in Photography: What It Is and How You Can Improve It appeared first on Digital Photography School. It was authored by Ana Mireles.


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Why Are Wide Angle Lenses so Expensive

07 Nov

If you could’ve taken one more step back, your shot would’ve been perfect. But one more step would’ve sent you plummeting to the bottom of the canyon. You decide it’s time to add a wide angle lens to your collection. But how do you justify the expense? And why are wide angle lenses so expensive anyway? Manufacturers encounter a few Continue Reading

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