Category: Photography

  • Do Cheap Photographers Take Work Away From the Rest of Us?

    The post Do Cheap Photographers Take Work Away From the Rest of Us? appeared first on Digital Photography School. It was authored by Anabel DFlux.

    Price tends to be one of the biggest points of contention with photographers. What is too low? What is too high? What’s just right? Running a profitable business is never easy. Whatever price you set, someone will likely have an opinion or two about it (solicited or not). Which leads to the biggest elephant in the room… do cheap photographers who price low take business away from those that price higher?

    Do Cheap Photographers Take Work Away From the Rest of Us?

    My answer?

    No.

    And here are 6 reasons why:

    1. There is a client for everyone

    Do Cheap Photographers Take Work Away From the Rest of Us?

    This is business 101 that we often forget (and I am guilty of forgetting sometimes too!). Artists tend to be very emotionally tied to the work and the service provided, and photographers are certainly not exempt from this fact. As such, losing or not obtaining a client can feel like a personal jab even when it has nothing to do with us at all. You have to remember, there is a client for everyone!

    This rings especially true in the tumultuous price debate. A client who is focusing on the price will not be looking for an expensive photographer. Likewise, a client who is focusing on high quality will often assume that cheap photographers cannot provide the quality that they seek. A Lamborghini is not concerned over the lower price of a Honda Civic because the Honda Civic buyers are not looking for a Lamborghini.

    Alongside this, often price equates to years of experience. Photographers who are brand new may be absolutely fantastic and have beautiful quality images but aren’t able to charge the same as those that are seasoned professionals. Likewise, some clients do value quality work but simply cannot afford a seasoned professional. These two tend to find each other and work together well.

    2. Client priorities are not always the same as yours

    cheap-photographers-take-work-away

    As photographers, we naturally (and rightfully) value professional photographs highly. From capturing memories to creating beautiful new stories, photographs are essential. However, the priorities we hold as photographers may not always ring true for the subjects in front of our lenses.

    Some clients would rather invest their money into something else – something that holds more importance to them. Whether you agree or not, that’s not your decision to make. Some clients look for less expensive photographers because their finances are tied into something that they find to hold more worth to them (and thus receive what they have paid for). And that’s okay – let them.

    3. Some clients will eventually understand the price versus value point

    cheap-photographers-take-work-away

    This is something that tends to happen to me often. A client will go to a very low-priced photographer, end up unsatisfied with the experience or the end result, and quickly learn the general value of the price. They then come to me and ask to shoot their concept once more. This does happen quite a bit. This is why staying firm on your policies and pricing is important (and tends to command respect).

    Wait, wait.

    This is assuming that the low-priced photographer has a quality that doesn’t match that of the higher-priced ones. What if a great quality photographer prices low? Doesn’t that cut into my jobs? 

    cheap-photographers-take-work-away

    Some photographers have a different business model than the rest – known as the “low price and high turnover model.” This model works on the idea that you charge low, service many, and turn over a profit much like a photographer that charges high and services one.

    However, what many don’t see behind the scenes, is the reason this model works is much of the process is automated or simplified. It allows the photographer to have a lower output of effort that matches their price. This service is not individualized, and generally not specifically tailored for the individual. It’s the difference that is similar to “ready-made” versus “custom-made” clothing. But this doesn’t work for all clients. The clients this does work for are likely not your clients if you have a traditional photographic business model.

    Many major brands have a high-end and a low-end to their business. Take the car company Toyota, for example. Their high-end line is called Lexus – a luxury brand of car. Their consumer-grade line is just good ol’ Toyota. Both cars are great, hardy, and will get you where you need to go in comfort. A Toyota is not worse than a Lexus. The Lexus is just intended for a different kind of buyer.

    Well, now that’s said…how do I justify my price? 

    4. Express your value and stand by your worth

    cheap-photographers-take-work-away

    First and foremost, confidence speaks volumes. If you set a price and are confident about it, stand by your worth and be firm.

    That being said, every price needs something to justify it. Show the client what the value in investing in your work is versus someone else’s. Do you do something unique and different? Is your client experience above and beyond what the rest do? What do your years of experience or high-quality gear bring to the table? Do you have any awards or honorable mentions? These are all important topics to cover with your client when explaining what you offer and how much you charge for your offering.

    5. Find your demographic and market to them!

    cheap-photographers-take-work-away

    Marketing is what makes or breaks a business. If people don’t know about you, how can they book you? Marketing is extremely important, especially in the social media age. Marketing is the act of spreading awareness about your business, whether it be through digital advertising, partnering with local businesses, or launching billboards!

    If you’re finding that the clients you are marketing to keep choosing a photographer that prices lower than you, that is a big sign that this client base is not the right demographic for you. Demographics are particular sectors of a population that are divided by factors. For marketing purposes, factors tend to be interest, age, location, income, and more.

    As a business owner, you need to find the demographic that relates to the service you are offering. Look at income levels that tend to align with your price point, and for clients with interests that may be more aligned with your offering (e.g., pet photographers will look for clients with interest in animals), and age group can also be a big factor. If you’re a family photographer, look for moms and dads, or youth sports – keywords like that!

    Remember, you must segment your population based on more than one factor to find the right demographic. Filling out location and interests in the minimum is a good starting point.

    6. Stop worrying about what others are doing and charging

    Do Cheap Photographers Take Work Away From the Rest of Us?

    Everyone has a different ideology when it concerns their business. They use the business model that suits them, dependent on variables you likely do not know about. As such, the running of their service (and what they charge for it) does not apply to you. It’s best to stop concerning yourself with what others are doing and focus on what you are doing for you!

    The industry is changing, and society has changed its view on the value of art.

    Conclusion

    Do Cheap Photographers Take Work Away From the Rest of Us?

    You’re not losing jobs because your competitors are cheap photographers, you’re losing jobs because you either haven’t found your right client base or you need to get better at expressing your value.

    Focus on your business and what you can improve in your work, and the right clients will come! The world is not as small as it seems; there are thousands of potential clients out there for you.

    Do you agree with this or do you think cheap photographers do take work away from us? Or perhaps you have some other valuable points to share? Share them with us in the comments section.

     

    cheap-photographers-take-work-away

    The post Do Cheap Photographers Take Work Away From the Rest of Us? appeared first on Digital Photography School. It was authored by Anabel DFlux.


    Digital Photography School

  • How to Embrace MINIMALISM for IMPROVED Landscape Photos [video]

    The post How to Embrace MINIMALISM for IMPROVED Landscape Photos appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    In this video from Mark Denney, he looks at how embracing Minimalism can improve your Landscape Photography.

    ?

    Mark uses some of his photos to illustrate some of the following points:

    5 tips for achieving minimalist landscape photography

    1. Include an obvious subject

    Use an obvious subject without filling the frame with it. It draws the viewer’s eye in.

    2. Expansive Composition

    Use a lot of negative space around your subject to make your subject stand out further.

    3. Minimizing color

    Color can be distracting (if there are many colors) in a minimalist composition. Many minimalist photos are black and white, quite monotone or only make use of a few colors so that the composition is not busy.

    4. Use of light and shadows

    Consider using dappled light, striped light, or spots of light so that light is the main subject in the scene. This can work well for minimalist photography.

    5. Keep it simple

    Think differently and outside the box, but keep it simple. Look for a distraction-free palette to work with. Often it is more about what you don’t have in the frame rather than what you do.

    So shake up your focus with your landscape photography, and give Minimalism a try. If you are interested in learning more about Landscape Photography, check out our Landscape and Nature Course!

     

    You may also be interested in:

    • Tips for Achieving Minimalism in Photography
    • Minimalism: Using Negative Space In Your Photographs
    • Tips for Using Negative Space in Photography to Create Stunning Images
    • How to Photograph a Minimalist Landscape
    • The Minimalist Landscape Photographer: What do you really need?
    • 5 Guidelines of Minimalist Photography to Help Improve Your Work
    • Tips for Minimalist Photography in an Urban Environment

    The post How to Embrace MINIMALISM for IMPROVED Landscape Photos appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Weekly Photography Challenge – Circles

    The post Weekly Photography Challenge – Circles appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    This week’s photography challenge topic is CIRCLES!

    Image: Tyler Lastovich

    Tyler Lastovich

    Circles are all around us. You can see them in bokeh, star trails, light painting, rocks, car and bicycle wheels, swirling staircases, in patterns and shadows, fruit, kitchenware, etc.

    So go out and capture anything that has circles. They can be color, black and white, moody or bright. Just so long as they have circles in them! You get the picture! Have fun, and I look forward to seeing what you come up with!

    Image: Mel Poole

    Mel Poole

    Image: Michael Hull

    Michael Hull

    Image: Jason Leung

    Jason Leung

    Check out some of the articles below that give you tips on this week’s challenge.

    Tips for Shooting CIRCLES

    Tips for Shooting Out of Focus Cityscape Bokeh Images at Blue Hour

    7 Tips for Shooting and Processing Star Trails

    Tips for Successful Star Trails Photography

    Kinetic Light Painting vs Light Painting

    How to do Light Painting by Rotating the Camera

    Simple Methods for Creating Better Still Life Images

    Photoshop Focus Stacking for Still Life and Product Photography

    Weekly Photography Challenge – CIRCLES

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPScircles to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

     

    The post Weekly Photography Challenge – Circles appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • 9 Ways to use Reflections more Creatively for Stunning Photography

    The post 9 Ways to use Reflections more Creatively for Stunning Photography appeared first on Digital Photography School. It was authored by Ana Mireles.

    Mirrors or windows, ponds or lakes, it really doesn’t matter where you find them, reflections are eye-catching. In this tutorial, I’ll give you some ideas and inspiration on how to use reflections more creatively for stunning photography.

    Creative use of reflections for stunning photography tutorial

    We’re fascinated by reflections ever since we discover ourselves in a mirror, it’s no wonder we remain captivated by them. If you want to know about the technical aspect of reflections check out Rick Ohnsman’s article Understand Light and Color to Improve your Photography. Here, I’ll tell you nine ways to use them in your photographs.

    1. Avoid a dull sky

    The first tip to use reflections more creatively is to photograph them during bad weather. After the rain we usually find the sky to be grey and dull. Luckily the rain creates puddles, and water is a great reflector. Next time you find yourself shooting during a rainy day try looking down to the ground instead of up to the sky.

    Look for water reflection for bad weather conditions

    If you want to take this idea to the next level, you can add a flash to your photo-shoot. To learn how to do it check this article: Using Rain Puddles to Create Unique Reflection Photos.

    2. Fill empty spaces

    Similar to the dull sky problem, you can have an area that lacks detail or any visual interest. If it’s made of a reflective material the answer is easy, just find the right angle to capture it. What may have been a boring object, is suddenly filled with details that complement your composition.

    Search for the right angle to add reflections

    3. Create texture

    Reflections don’t necessarily have to be mirrored images of reality. The texture of the material or surface will distort the image and you can use that to capture color and shapes. For example, the ripples of water reflecting buildings.

    Reflections create textures

    Remember that you can also zoom-in and photograph the reflection as a texture to use later in other images.

    4. Abstract photography

    Speaking of photographing a texture alone, this can give you some inspiration for doing abstract photography. There are many different angles to approach this subject and reflections are definitely a good one. Here’s an example, but if you feel interested in going deeper into it, check out some Abstract Photos to Inspire You.

    Textures alone are great for abstract photography

    5. Change perspective

    Shooting common places or subjects that are not interesting enough is always a challenge. Photographing its reflection can be a great alternative to capture it creatively. This forces you to move, crouch, and generally change your point of view. Also, you’ll be looking at the subject backward, and sometimes just a little shift can make the difference.

    Look for the reflection to change perspective

    6. Creates symmetric shapes

    Symmetry is beautiful and pleasing. On a subconscious level, it gives us a soothing feeling. I don’t mean just placing your subject in the center and make it identical on both sides. Of course, this is an option, but it’s not the only way. Reflections can create symmetric shapes that can help the overall image become more interesting.

    Symmetry helps your composition

    7. Frame your subject

    You can also use reflections as a way to direct the viewer’s attention to your subject. For example, placing your subject as a reflection in a mirror or a window literally frames it. If you want to get more creative you can also use a pair of eyeglasses or a spoon.

    Frame your subject

    8. Overlapping planes

    One of my favorite qualities of reflections is that they show you two, or more scenes on the same plane. When you look at a mirror you are also seeing what is behind you. With a window, you can even add a third plane when you also add the scene from inside the room, and so on. If you compose the subjects from each scene in a harmonic way you can create a surreal or dream-like image.

    Compose different scenes in one

    9. The reflection IS the subject

    Last but not least, a reflection can be a subject in itself. You can make a project or a series just about reflections, it’s just a matter of finding a concept to build upon. If you need some inspiration, I highly advise you to read this Guide to Creating Unique Conceptual Photography.

    Use reflections as the main subject

    Come up with an idea and just run with it. I hope this article sparked some inspiration so you can use reflections more creatively! Share your reflection photos in the comments section below and, most of all, have fun!

     

    use-reflections-more-creatively

    The post 9 Ways to use Reflections more Creatively for Stunning Photography appeared first on Digital Photography School. It was authored by Ana Mireles.


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  • Profoto Launches Two Amazing Lights for Smartphone Photographers

    The post Profoto Launches Two Amazing Lights for Smartphone Photographers appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    Profoto Launches Two Amazing Lights for Smartphone Photographers

    If you’re a smartphone photographer, then you’ve probably struggled to deal with indoor lighting. After all, smartphones don’t come with a high-quality flash; it’s easy to get noisy images when shooting indoors.

    Until now.

    Because Profoto has just released two lights made specifically for the smartphone: The Profoto C1 and the Profoto C1 Plus.

    What are the C1 and C1 Plus?

    The two items are billed as Profoto’s “very first studio lights for smartphones.” They’re small, orb-shaped lights, and they’re compact enough that you can take them anywhere without much hassle.

    According to Profoto:

    The light the C1 product range delivers is natural looking and beautiful with a soft, gentle fall-off…[F]rom now on you will always have natural-looking, beautiful light with you.

    Note that the C1 Plus is both more expensive and more advanced than the C1. The C1 Plus includes a greater power output (4300 lumens versus 1600 lumens). The C1 Plus also includes a thread mount, so you can screw the light onto a stand and shoot with both hands. And the C1 Plus features better battery life than the C1.

    Both the C1 and the C1 Plus offer rechargeable batteries. They also include multiple modes for increased flexibility: a continuous shooting mode and a flash mode. To use the Profoto lights, you can pair them with your smartphone via the special Profoto Camera app. Then you can take photos that are synced with the Profoto flash.

    The Profoto C1 costs $ 299, while the Profoto C1 Plus costs $ 499.

    But just who are these lights for?

    If you like to use your smartphone on the fly, without any preparation, then I’d recommend against the Profoto C1. Despite its small size, you probably don’t want to carry the flash with you constantly. But if you’re the type of shooter who often shoots in low-light situations or prefers to capture more carefully considered shots, then the Profoto C1 could be exactly what you need.

    If the Profoto C1 captures your attention, then you should also check out another product: The Godox R1, which was announced a few hours after the C1/C1 Plus announcement. The Godox light is similar to the C1 and C1 Plus, though it offers slightly different lighting options. For those hoping to purchase the Godox R1, keep an eye out for a release date!

    Would you use either of these lights? what are your thoughts? Share with us in the comments!

    The post Profoto Launches Two Amazing Lights for Smartphone Photographers appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


    Digital Photography School

  • Equipment Versus Photographer – Which Matters More?

    The post Equipment Versus Photographer – Which Matters More? appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

    Equipment-versus-photographer-feature

    Flatlay image: Jeff Hopper. Photographer image: Alexander Andrews

    Equipment versus photographer, which matters more?

    It’s a common question without an easy answer. It’s one that pretty much every photographer has asked themselves at one time or another.

    In this article, I’m going to start by identifying the ways in which the equipment matters. And then I’m going to cover the ways in which the photographer matters.

    Finally, I’ll address the main question:

    Which is more important?

    So let’s dive right in.

    equipment-versus-photographer

    How does equipment change your photography?

    Here’s the thing:

    As much as photographers hate to admit it, equipment does matter.

    If it didn’t, why would professional photographers spend $ 5000+ on a camera setup?

    It’s not a question of whether equipment matters, it’s a question of how much it affects your photography.

    So here’s a list of the key reasons equipment matters:

    Why your equipment matters

    Continuous shooting speeds

    Cameras with high continuous shooting rates make it possible to capture amazing action photos without leaving much to chance. A camera that can shoot 12 frames-per-second is going to maximize your chances of getting a gorgeous image in the thick of the action.

    Autofocus capabilities

    Cameras with more autofocus points, greater autofocus coverage, better tracking, and better autofocus points (e.g., cross-type points) will make it easier to quickly lock focus on your subject and track them as they move. This is useful for any genre of photography that is fast-paced.

    Equipment Versus Photographer – Which Matters More?

    Ruggedness

    Metal cameras with weather-sealing can handle much more difficult conditions than cameras made of non-weather sealed plastic. You can shoot for longer in the rain, snow, and freezing temperatures without your camera failing, which increases your chance of capturing a once-in-a-lifetime shot.

    High-ISO capabilities

    Cameras with the most advanced sensors are able to capture noise-free images when shooting at high ISOs. This makes shooting at night without a tripod a much more feasible option.

    Resolution

    The greater your camera’s megapixel count, the more you can crop your photos. This gives you additional flexibility in post-processing and helps you compensate for a shorter lens.

    Equipment Versus Photographer – Which Matters More?

    High dynamic range

    Cameras with a high dynamic range maximize the amount of detail you capture in a scene. This gives you more latitude when selecting an exposure. It also allows you to photography high dynamic range scenes without resorting to HDR techniques.

    Accurate previews

    Mirrorless cameras with high-quality electronic viewfinders (EVFs) give you fairly accurate previews of your images before you press the shutter button. This allows you to get your exposure and depth of field correct, right from the beginning.

    Size and weight

    Smaller and lighter cameras are easier to carry on long treks and on travel expeditions. And the easier your camera is to carry, the more likely you are to have it with you when a once-in-a-lifetime scene happens right before your eyes.

    Image stabilization

    Cameras and lenses with some form of image stabilization make it possible to handhold at low shutter speeds. This increases your shooting opportunities in low light and allows you to increase your depth of field during the day.

    Optical quality

    Higher-quality lenses are sharper and have fewer problems (such as color fringing and distortion). This makes it possible to get tack-sharp shots that look great straight out of the camera.

    Equipment Versus Photographer – Which Matters More?

    Focal length

    Lenses with different focal lengths allow you to capture different types of shots. If you want to capture sweeping landscape images, you’ll want an ultra-wide lens on hand. If you want to capture a detail shot of a perching eagle, you’ll want a 500mm or 600mm lens. Therefore, different lenses give you different photo opportunities.

    How do you, the photographer, change your photography?

    Now that we’ve covered the ways in which equipment affects your photography, it’s time to talk about you, the photographer.

    What impact do you have in the photo-making process? How do you make a difference in your photography?

    equipment-versus-photographer

    Why you matter

    Focusing skills

    Even if you have the best autofocus system in the world, it won’t matter if you don’t have the capabilities to use it. It takes serious skill to track fast-moving subjects, and it’s something that takes lots of practice to master. If you want to capture gorgeous action shots, you can’t just press the shutter and hope for the best. The autofocus system is part of the equation, but so are you.

    Handholding skills

    Your ability to handhold is often the difference between a sharp photo and a blurry photo. You’ve often got to keep your hands steady while in the thick of the action, never an easy task. Image stabilization helps, but if your technique isn’t sound, you’ll end up with blurry photos anyway.

    Exposure skills

    Cameras are pretty good at identifying the right exposure for the scene. But there are plenty of times when the camera’s choice just doesn’t look good. That’s when you have to step in, as the photographer, and take control of your camera’s exposure.

    equipment-versus-photographer

    Working with light

    As great as modern cameras are, they still can’t tell you how to find good light, and they definitely can’t tell you how to use the light for great shots. That’s all up to you, and it’s something that photographers spend their whole lives studying. Expertly used light can be the sole difference between an amazing photo and a mediocre photo.

    Compositional skills

    I’m putting this under a single header, but it’s a big one. Composition isn’t something that’s innate, and it’s definitely not something that your camera can control. It’s something that you learn through practice and hard work. And if you don’t bring composition skills to your photography, it’s going to look plain bad. There’s no way around it.

    Working with aperture

    Choosing a composition is a skill. It’s also a skill to be able to pull off that composition – to be able to use camera settings to your advantage. That’s where you have to leverage your knowledge to choose the aperture and shutter speed you need to capture the perfect shot.

    Post-processing skills

    This is another huge factor as post-processing skills allow you to take a shot and really turn it into something incredible. Post-processing is how you put the finishing touches on your photos, and it’s how you give your photos that professional flair.

    Equipment Versus Photographer – Which Matters More?

    Equipment versus photographer. And the winner is…?

    Now that you’ve read this far, you and I can surely agree that both the equipment and the photographer matters.

    However, if you look over the two lists, you’ll notice that there are certain aspects of photography that the gear can barely contribute to such as working with light, choosing a composition, putting the final touches on a photo in post-processing, and more.

    These are huge aspects of being a photographer. If you can’t do these things, your images will be consistently poor. There’s no other way to say it.

    equipment-versus-photographer

    But if you can do these things well, you’ll get amazing photos. Yes, high-quality gear will help. It will increase your chances of getting beautiful shots – if you’re already very skilled. However, while the equipment is important, gear will never get you an amazing photo. At best, gear will get you ultra-sharp, well-exposed, in-focus snapshots – and that’s all. At worst, gear will get you blurry, poorly-exposed images.

    In other words, you don’t need incredible gear to get incredible photos. But you do need to be an incredible photographer to get incredible photos.

    Equipment Versus Photographer – Which Matters More?

    So…

    Which is more important, the equipment or the photographer?

    The photographer.

    No doubt about it.

    What are your thoughts on equipment versus photographer? Do you agree that the photographer matters more than the equipment? Share your thoughts in the comments!

     

    equipment-versus-photographer

    The post Equipment Versus Photographer – Which Matters More? appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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  • 5 Great Ways to Create Abstract Wave Photography

    The post 5 Great Ways to Create Abstract Wave Photography appeared first on Digital Photography School. It was authored by Erin Fitzgibbon.

    In this article, you’ll learn how to use motion and long exposure photography to create abstract wave photography.

    There’s something about water. It is mesmerizing. People flock to beaches and waterfalls to photograph water. We seem drawn to its fluid beauty.

    5 Great Ways to Create Abstract Wave Photography

    If you Google “waterfalls,” you’ll find millions of images. Beaches, sunsets and softly crashing waves also pepper Google searches. Given these two facts, why then do most of the images of water, waves, and waterfalls always look so similar? The same seems to be true of wave photography – all the photos seem to follow a particular recipe.

    You find images either capture the violence and strength of water as the wave crashes or you see images of curling barrels of water, usually taken at sunset. Water has much versatility. Its fluidity makes it an intriguing subject matter.

    Capturing the motion of water seems to be one of humanity’s favorite past times, but there’s more you can consider. How can playing with motion expand your efforts to capture waves and water? Perhaps by experimenting, you can find new angles and new ways to capture waves.

    1. Using longer shutter speed to change the look and shape of waves

    When photographing a waterfall there’s only one way that the water can flow, and that’s downward. Sure, the water may travel a little to the left or right over some rocks, but the reality is it’s headed in the direction gravity pulls it. So when we use a slow shutter speed, the look of the water is predictable. We know and love that white candy floss type of look.

    When using a slow shutter speed with waves; however, the results are less predictable. The water may crash and spray against rocks and bubble. It may splash and break in endless patterns. Using a slow shutter speed to capture the breaking of a wave can yield some interesting effects and looks.

    Let’s take a look at some of the following experiments.

    Long Exposure

    Shot using 1/8s, f32, ISO 100.

    In the above example, I used a longer shutter speed to capture these unusual looking wave shapes. The first wave was rolling back into the oncoming wave, and the collision created these upward sprays. With a longer shutter speed, you can capture the wave and some light trails. If you look closely, you’ll also notice that the longer shutter speed seems to create a ghost-like transparent look to parts of the splashing wave. You can see through some of the water.

    Perhaps this look doesn’t appeal to you, but it does break the traditional view of a wave.

    2. Study the way the waves break and look for patterns you can photograph

    You can also play with motion and study the way the wave breaks. Despite their fluidity, waves do tend to break in the same places along a beach. Of course, they vary in intensity and size depending on the day, but you can watch a storm and know that waves will hit a rock and create a lot of splashing or spray. Watching the waves and then using these patterns along with a long shutter speed, can also create some different looking images. Let’s take a look at the following example.

    abstract-wave-photography

    1/8s, F32, ISO 100

    While I used the exact same shutter speed in this image as the first image, the look of the image has changed. This is due to it being shot at a different location along the beach. In this spot, the waves were smaller, and they rolled in slowly with less turmoil. The light trails have stretched out more, and you can discern the rolling nature of the wave as it meets the beach. The sand below the surface is also visible. Also, the incoming waves behind are more abstracted in this photograph.

    Some people have told me they look like they’ve been painted rather than photographed.

    abstract-wave-photography

    1/13s, F32, ISO 100

    For this image, I used a slightly different shutter speed. I searched for patterns and used a longer focal length revealing a different look to the waves. In this image, the light trails are much more important to the composition of the photograph. Less defined by the white water, the shape of the wave is revealed by the smooth lines of the wave.

    3. Move the camera horizontally as you capture the waves

    Of course, waves are in motion, but we can change the look, feel, and our perceptions of waves by including the motion of the camera while capturing the movement of the wave. In the image below, I used intentional camera movement (ICM) – the waves were moving right to left, while I dragged the camera across the wave from left to right.

    abstract-wave-photography

    1/13s, F32, ISO 100

    The light trails are still a part of the capture, but the wider angle and the motion of the camera turn the waves into something different. Here the shape is more abstracted and becomes a white oval against the water and the sand which now streaks of different shades of beige. The waves are no longer defined. Instead, the motion of the camera abstracts the water a little bit.

    4. Move the camera in a bouncing motion

    abstract-wave-photography

    1/10s, F32, ISO 100

    Pushing the experiment further, I moved the camera in a sort of bouncing motion. The look of the rocks on the beach becomes important in this photograph. Also, the light trails also take on a different shape. The effect of the motion on the water seems to have less of an effect too.

    Once again, experiment to see what you can create and how you can take a typical subject matter and make it different. I rather like the bouncy, playful feel to the rocks on the beach.

    5: Get very close

    In the following images, I used a much faster shutter speed, and I moved closer and closer to the subject matter to take the images.

    It was about capturing something as I moved to see what the camera grabbed. It’s a fairly impulsive way to use your camera. The autofocus is unpredictable in this scenario, but the results are surprising. It’s also fun to see what you can get. This is less about planning but more about enjoying the moment and options available to you as you move your camera.

    shallow depth motion

    1/800s, F2.4, ISO 400

    Image: 1/800s, F2.4, ISO 400

    1/800s, F2.4, ISO 400

    In both of these photographs, I used a very shallow depth of field with a very low perspective. I chose to lie down on my belly and inch my way towards the waves while holding down the shutter speed. To me, the resulting images feel as if you are falling into the water. There’s very little to focus on, and the water seems to be all around. Some may find the view unsettling, but love it or hate it; this is another way of looking at and capturing waves.

    In Conclusion

    Playing with motion to create some new perspectives in wave photography can be a fun experiment. Some images will work very well, while others may be hard to look at. Either way, it’s about finding ways to get creative with your camera. It’s about studying a subject and showing the world how much variation there is in the world. Using motion to capture water is a fun experiment that’s easy to complete with almost any type of camera.

    What’s my next experiment? Who knows? Maybe it’s using motion and underwater photography with waves. We’ll have to see.

    If you’ve tried some interesting angles or techniques for photographing waves, share them with us. Let’s see what types of abstract wave photography you create!

     

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    The post 5 Great Ways to Create Abstract Wave Photography appeared first on Digital Photography School. It was authored by Erin Fitzgibbon.


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  • How to do Creative Photography Montages with a Contact Sheet Template in Photoshop

    The post How to do Creative Photography Montages with a Contact Sheet Template in Photoshop appeared first on Digital Photography School. It was authored by Ana Mireles.

    Do you like adding borders to your digital photos? Apps and editing programs offer a wide variety of fun and creative ones for you to choose from. The sprockets from film photography have become very popular because of its vintage look. I’ve decided to bring this idea one step further and make creative photography montages with a contact sheet template in Photoshop. Read on to learn how you can too.

    Creative-Photography-Montages-using-photoshop

     

    Contact Sheet

    Contact sheets come from film photography and are made by placing the film negative directly onto the light-sensitive paper and then exposing light onto it. Because of this, the resulting image was a positive image of the film on a 1:1 scale.

    Creative-Photography-Montages-using-photoshop

    Film comes in different formats: 35mm, medium and large. Furthermore, each brand puts the frame number, name and other information on the film. You can use all of these as different styles for your template. See how the same image can look so different just by changing the type of film border.

    Creative-Photography-Montages-using-photoshop

    Each different film will result in a different contact sheet, and you can use any of them for your montage. There are many styles available for sale on stock photography websites, and of course, you can scan an original one to use. However, if you want to create your own, I’ll show you how to easily design a basic 35mm contact sheet in Photoshop.

    Creative-Photography-Montages-using-photoshop

    Digital 35mm contact sheet created in Photoshop

    Film rolls of 35mm were available in 12, 24 or 36 frames. Because of this, it’s easier if the size of your document is a multiple of six on the longest side. For now, I’ll make the artboard 24 cm both in height and width so that I can create 36 frames. Later, I can add some extra space if I see it’s too tight.

    Open a new document in Photoshop

    To begin, turn on your rulers. If they’re not visible by going to Menu -> View -> Rulers. You can change the measurement units by right-clicking on them and then choosing centimeters. Now draw your guides by clicking on the ruler and dragging it to the place you need it. I’ll put them every 4 cm so that I can design six frames per row.

    To put your guides on exact co-ordinates, go to Menu -> New Guide. In the New Guide window, choose Horizontal or Vertical, and then enter your exact position number, and press OK. Your guide will then appear in the exact position you want on your artboard. Repeat the process to have exact guidelines.

    Use guides to distribute your canvas

    Now you know where to draw your film.

    From the toolbox, choose the Custom Shape Tool. Then go to the Options bar and open the shapes menu, where you’ll find the 35mm Film shape.

    Photoshop Custom Shapes

    You can choose the color in the same option bar. I’ll do a dark grey to simulate the original as close as possible, but you can do something more contrasting if you like.

    Drag and drop at the start of each guide, and repeat until you fill your contact sheet.

    Use the guides to draw your shape

    Now determine the canvas size by going to Menu -> Image -> Canvas Size. Make it to your liking. I’ll only add some space on the sides.

    You can turn off your guides now by pressing Cmd+; (mac), or Alt+; (windows).

    Contact sheet template

    To make your template more manageable, merge all your shapes together, and then rasterize them. You can find both commands by right-clicking on the selected layers to open the pop-up menu.

    Merge and rasterize

    Make a selection of the frames where the image will show to create your collage. Save it by going to Menu -> Selection -> Save Selection. When the pop-up window opens, leave all the settings as they are and just name it. Then click OK. This way, you won’t have to make the selection every time you add an image.

    Make the selection and save it

    Add the base image by going to the menu File -> Place and adjust to the right size. You can also do Copy and Paste but then your image won’t be a Smart Object and it can lose quality if you modify it many times. To learn more about this, check out Photoshop Smart Objects for Beginners.

    Place the base image

    Now the image is visible through the contact sheet, but it’s also coming through the sprockets and on the sides. This is where the saved selection from before comes in handy. You now load the selection by going to menu -> Selection -> Load Selection.

    Then click the Create a Layer Mask button from the bottom of the Layers panel.

    Use layer masks to shape the image

    Add other images into the mix, or use the same one in different sizes and places to create your collage. Just repeat the process for each image you want to add and your montage is ready.

    Place more images to compose the montage

    If you are having any trouble with the visualization of certain images make sure the layers are in the right order.

    Check out this Introduction to Photoshop Layers Possibilities and Properties for help if you need it.

    Now let your creativity flow and have fun. Share the results of your creative photography montages with us in the comments section!

    Additional reading

    For more ideas on creative photography montages, check out these tutorials:

    How to Make a Joiner Collage for a Retro Style Panorama

    4 Concepts for Collages, Diptychs, Album Pages, etc.

    How to Make a Photoshop Collage in 9 Simple Steps

     

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    The post How to do Creative Photography Montages with a Contact Sheet Template in Photoshop appeared first on Digital Photography School. It was authored by Ana Mireles.


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  • 5 Reasons Why the Canon 10-18mm is a Must-Have Wide-Angle Lens

    The post 5 Reasons Why the Canon 10-18mm is a Must-Have Wide-Angle Lens appeared first on Digital Photography School. It was authored by Kunal Malhotra.

    After buying a new camera we all start planning for our next lens, which can replace or complement the kit lens. This is when the real confusion starts, you have to choose one out of the so many options available in the market. If you are a Canon APS-C camera user and looking for a wide-angle lens, the Canon EF-S 10-18MM f/4.5-5.6 IS STM could be an ideal choice. I have been using this lens for almost a year now, so I thought of sharing my experience and views with you all. Let me share 5 reasons why I believe that Canon 10-18mm lens is a must-have wide-angle lens.

    Canon-10-18mm-lens

    1. Ultra-wide angle of view

    If you are or have used the 18-55mm kit lens on your Canon APS-C body, there might have been situations when you wanted to go wider than 18mm. This is when having the Canon 10-18mm lens in your camera bag can help you click frames as wide as 10mm (P.S. do apply the crop factor).

    Canon-10-18mm-lens

    Imagine you are at a rock concert or an event and you wish to capture the entire stage in a frame. Or imagine yourself looking at a beautiful landscape with beautiful clouds and the sun is setting. This is when using the 10-18mm lens can help you capture ultra-wide angle shots even from a short distance.

    2. Ideal for Vlogging

    With companies such as Canon also focusing on video features, more and more people are adapting to the vlogging culture. Isn’t it fun to capture moments and experiences when you are traveling and at the same time show your surroundings in a single frame?

    5 Reasons Why the Canon 10-18mm is a Must-Have Wide-Angle Lens

    I have been personally using the Canon 10-18mm lens on my Canon M50 to record almost all my vlogs for the past year, and have never had a second thought about it. The only situation where this lens can struggle is in low light conditions as f/4.5 is the widest it can go, which might introduce noise. But then, at $ 300, you can hardly find such a wide focal length that matches your requirements.

    3. Features Image Stabilization

    There are very few lenses (as far as I am aware) that feature Image Stabilization, and are priced under $ 300. This lens is equipped with a 4-stop optical image stabilizer which comes in handy while clicking photos in low light conditions. In practical scenarios, I have managed to get a sharp and stable shot handheld at 1/2th sec using 10mm focal length. So even if it is an f/4.5-5.6 lens, you can let in more light using a slower shutter speed in low light situations.

    5 Reasons Why the Canon 10-18mm is a Must-Have Wide-Angle Lens

    But you must be careful while clicking images at such a slow shutter speed, especially when there are elements in motion in your frame. I usually use it while clicking photos of monuments/buildings or creative images like light trails.

    4. Use it for close-up shots

    You may be thinking, “why would I want to click macro shots using a 10-18mm focal length?”

    Well, this is not the ideal focal length range for macro photography, but that is where the fun starts. If you wish to capture something different and with a unique perspective, you can get some amazing close-up shots.

    Canon-10-18mm-lens

    In the sample macro shot shared above, you can see that I was able to get close to the insect and at the same time capture wide frame with shallow depth of field. Isn’t that a unique perspective in itself?

    5. Ideal for Street Photography

    I believe there is no particular focal length that can be termed as perfect for street photography. Every photographer has their own way of capturing photos while traveling. Some may like ultra-wide, some may prefer a standard focal length, and some may go for a 50mm or 85mm lens.

    Canon-10-18mm-lens

    I tried clicking candid street photos while roaming in my city and to my interest, the 10-18mm focal length range impressed me for the sole reason that I could capture more elements in my frame. If I had shot this photo shared above at 24mm or 35mm focal length, I would either had to move a few steps back or capture only a part of this beautiful moment.

    What are your views about the Canon EF-S 10-18MM f/4.5-5.6 IS STM lens? Feel free to comment below.

     

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    The post 5 Reasons Why the Canon 10-18mm is a Must-Have Wide-Angle Lens appeared first on Digital Photography School. It was authored by Kunal Malhotra.


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  • How to Use Color in Your Photography to Give Your Photos the Wow Factor

    The post How to Use Color in Your Photography to Give Your Photos the Wow Factor appeared first on Digital Photography School. It was authored by Jeremy Flint.

    Photography is a wonderful art form that is enjoyed by people all around the world. It is a popular medium of expression, a fine art, a way of documenting our journeys and memories, and even a way to change views. Originally, when photography started it was all black and white, and historic photographers learned their craft in this way. Whilst this can be a great way to bring out textures and shapes, the introduction of color is a great way to attract attention and add impact to your images. Here are 5 tips to show you how to use color in your photography to give your photos the wow factor:

    1. Find a colorful scene

    Colour

    St Nectain’s Glen waterfall, Cornwall, England

    The first thing to do is to find a colorful scene. The way the countryside unfolds in the summer, for example, can be a wonderful way to show color in a landscape. Purple hues of lavender or golden wheat fields are all examples of where color can be captured to help your images stand out.

    You could focus on one dominant color in a scene such as green. Alternatively, seek out a variety of tones like a cool blue sky mixed with a red field which can give your photos some impact and evoke different emotions. Blue can provide feelings of cold, whilst red can give warmth, energy, and excitement.

    You can also use complementary colors in captivating ways. They refer to colors on opposite sides of the color wheel. For example, red and green or blue and orange. Other colors that work particularly well together include yellow, red and orange; and pink, purple and blue.

    2. Look for details with color

    Colour

    Poppy field, England

    Another way to use color in your photography is to look for details with color. You can photograph individual flowers in bloom such as bluebells or plant crops. As a part of a broader scene, you can photograph flowers like vibrant red poppies swaying in a field.

    Think about the different colors and details you could photograph near you and experiment with a variety of color palettes to see what works well. Try and find details to photograph with single colors and combinations of colors to see which you prefer. Red is a strong color that attracts the viewer’s eye whilst yellow and orange can also command attention.

    3. Change your white balance setting

    how-to-use-color-in-your-photography

    Stonehenge, England

    One great advantage of the white balance setting is that your camera has the ability to change the color of your images simply by adjusting the white balance.

    There are several different types of white balance which can be varied according to different lighting scenarios – auto white balance is the default setting for most cameras. Shade, cloudy and daylight can be selected for warmer and brighter colors, whilst tungsten and auto present cooler colors.

    As the name suggests, a ‘shade’ white balance setting can work well in lighting conditions with shade and shadows, whilst ‘cloudy’ is a good choice when it is overcast. There is also an option to manually adjust your white balance to alter the color temperature to your taste.

    4. Use a polariser to boost color and contrast

    how-to-use-color-in-your-photography

    Oxford, England

    One of the greatest accessories you can have in your photography kit is a polarizing filter. A polarizer is usually placed at the front of your camera lens and is a versatile piece of equipment that can be brilliant to help darken skies, minimize reflections and manage glare from water sources such as lakes or the sea.

    Polarizing filters are also a fantastic way to improve your images by instantly enhancing the color and contrast in your images. They don’t take up much space in your kit bag and are useful for making your images more distinct. Polarizing filters particularly work well in landscape photography by bringing out colors and reducing haze.

    5. Boost colors in post-production

    how-to-use-color-in-your-photography

    Oxford, England

    You can also add color to images in post-production. One way to boost the color of your photographs is to increase the saturation in post-production. You will find a saturation slider in most editing tools. Both photoshop and lightroom offer an adjustment slider where the color can be increased by moving it to the right. There is also the option to increase the saturation of individual colors to make certain parts of your images more vibrant.

    Conclusion

    Using color can be a great way to enhance your images. You can find colorful scenes, vibrant details, adjust your white balance, add a polariser or adjust the saturation in post-processing to give your photos more impact.

    Try these techniques and share your images with us below. Also, if you have any other tips, feel free to share those too!

     

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    The post How to Use Color in Your Photography to Give Your Photos the Wow Factor appeared first on Digital Photography School. It was authored by Jeremy Flint.


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