360Photography

Some cool visual art images:

Lucile Blanch, American painter, 1895-1981

Image by Smithsonian Institution
Description: Lucile Blanch was a recipient of a Guggenheim Fellowship as well as a WPA (Public Works of Art Program) artist commission. She was a key part of the revitalization of the Woodstock Art Colony in the 1920s as well. By the mid-1940s her style evolved from realism into abstraction.

Creator/Photographer: Peter A. Juley & Son

Medium: Black and white photographic print

Dimensions: 8 in x 10 in

Culture: American

Date: 1930

Persistent URL: http://photography.si.edu/SearchImage.aspx?id=5813

Repository: Smithsonian American Art Museum, Photograph Archives

Collection: Peter A. Juley & Son Collection – The Peter A. Juley & Son Collection is comprised of 127,000 black-and-white photographic negatives documenting the works of more than 11,000 American artists. Throughout its long history, from 1896 to 1975, the Juley firm served as the largest and most respected fine arts photography firm in New York. The Juley Collection, acquired by the Smithsonian American Art Museum in 1975, constitutes a unique visual record of American art sometimes providing the only photographic documentation of altered, damaged, or lost works. Included in the collection are over 4,700 photographic portraits of artists.

Accession number: J0001215

Tim Durfee, Bruce Sterling, Fiona Raby, Anne Burdick

Image by G A R N E T
Art Center (Pasadena, California)
Exhibition: www.artcenter.edu/mdp/madeup/exhibition.html

Tim Durfee is organizer-curator-director of the events that comprise the MADE UP series. Tim became part of the core faculty at the MDP in 2009, after a two-year visiting Associate Professorship at Woodbury University. Before that, he taught for twelve years at SCI-Arc (The Southern California Institute of Architecture), where we was Director of Visual Studies. Tim’s independent and collaborative practices are diverse, but — resisting the term ‘multi-disciplinary’— attempt to operate in a way where the appropriate mode and medium for a given project emerges from a process of research and inquiry. Some of this work includes award-winning buildings, exhibitions, online exhibitions, sign systems, motion and sound.

Bruce Sterling is an Austin-based science fiction writer and Net critic, internationally recognized as a cyberspace theorist. He currently blogs at Beyond the Beyond for Wired Magazine.
Bruce’s most recent book-length essays question and promote how the future is shaping our concepts of self, time and space, including Shaping Things (2005), and Tomorrow Now: Envisioning the Next Fifty Years (2002). Bruce was the founder of the Dead Media Project, an on-line reliquary of forgotten media technologies. He founded the Viridian Design Movement, an environmental aesthetic movement founded on the ideas of global citizenship, environmental design and techno-progressiveness. His writings have been very influential in the cyberpunk movement in literature, specifically the novels Heavy Weather (1994), Islands in the Net (1988), Schismatrix (1985), The Artificial Kid (1980), and Involution Ocean (1977). He co-authored, with William Gibson, The Difference Engine (1990), a novel that is part of the steampunk sub-genre.

Fiona Raby studied Architecture at the RCA before working for Kei’ichi Irie Architects in Tokyo. She also holds an MPhil in Computer Related Design from the RCA. She was a founding member of the CRD Research Studio where she worked as a Senior Research Fellow leading externally funded research projects. She taught in Architecture for over 10 years before teaching in Design Interactions. Fiona is also a partner in Dunne + Raby, a creative design partnership that use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. She is co-author, with Anthony Dunne, of Design Noir: The Secret Life of Electronic Objects.

Anne Burdick is a regular participant in the international dialogue regarding the future of graduate education and research in design. In addition, she designs experimental text projects in diverse media, for which she has garnered recognition, from the prestigious Leipzig Award for book design to I.D. Magazine’s Interactive Design Review for her work with interactive texts. Burdick has designed books of literary/media criticism by authors such as Marshall McLuhan and N. Katherine Hayles and she is currently developing electronic corpora with the Austrian Academy of Sciences. Burdick’s writing and design can be found in the Los Angeles Times, Eye Magazine and Electronic Book Review, among others, and her work is held in the permanent collections of both SFMOMA and MoMA. Burdick studied graphic design at both Art Center College of Design and San Diego State University prior to receiving a B.F.A. and M.F.A. in graphic design at California Institute of the Arts.

A few nice visual art images I found:

MONA 1of 7 photos

Image by Urban Woodswalker
MONA – Trash Chaos Vessel – OOAK

Mona Lisa, and a tiny handmade clay human head in the bottom of the interior. This is amongst my favorites. The "Trash Chaos Vessel" series are a commentary about society: our over stimulating culture, bombardment of visual "noise" and attention deficits, as well as being graphic, eye catching conversation pieces made from trash usually thrown out in the garbage.

"MONA" measures 5.5" wide by 4.25" wide, and 3.5" deep.

Mona 2 of 7 photos

Image by Urban Woodswalker
MONA – Trash Chaos Vessel – OOAK

Mona Lisa, and a tiny handmade clay human head in the bottom of the interior. This is amongst my favorites. The "Trash Chaos Vessel" series are a commentary about society: our over stimulating culture, bombardment of visual "noise" and attention deficits, as well as being graphic, eye catching conversation pieces made from trash usually thrown out in the garbage.

"MONA" measures 5.5" wide by 4.25" wide, and 3.5" deep.