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Cool Visual Art images

15 Nov

Some cool visual art images:

J. F. Bautista, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54672.P1.L2.SQ.BW / SML
visual art
Image by See-ming Lee ??? SML
J. F. Bautista seen at the Brooklyn Art Project HQ with his paintings in the background during the annual Dumbo Art Festival in 2009.

13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html

The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation’s largest urban forum for experimental art.

Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists’ studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.

The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.

www.dumboartscenter.org
www.dumboartfestival.org
www.video_dumbo.org

Related SML
+ SML Fine Art (Flickr Group)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art

James Cospito’s Moleskine Stash, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54637.P1.L2.C23 / SML
visual art
Image by See-ming Lee ??? SML
James Cospito’s (Flickr) Moleskine stash, seen at the Brooklyn Art Project HQ (Flickr Group) during the Dumbo Art Festival 2009.

See also James Cospito talks about his NYC Subway series (Flickr HD video)

13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html

The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation’s largest urban forum for experimental art.

Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists’ studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.

The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.

www.dumboartscenter.org
www.dumboartfestival.org
www.video_dumbo.org

Related SML
+ SML Fine Art (Flickr Group)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art

Zulu Love Letter / South Africa 2002
visual art
Image by dietmut
Zulu Love Letters ( iNewadi)
“Love letters” are messages woven in beads by Zulu maidens to be given to their lovers as symbols of love and affection

Zoeloekralenwerk
De KwaZulu / Natal provincie van Zuid-Afrika is internationaal bekend om zijn kleurrijke Zoeloekralenwerk. Traditionele kleurencombinaties en patronen kunnen nog steeds worden gevonden, maar de moderne Zoeloekralenwerk evolueert naar meer hedendaagse stijlen. Meer dan alleen maar decoratief vlechtwerk van ingewikkelde patronen kralen, heeft de kralen vaak gebruikt als een middel om de communicatie tussen mannen en vrouwen, boodschappen over te brengen van zowel de hofmakerij en waarschuwingen.
De beeldende kunst van deze vrouwelijke ambacht betreft direct in een of andere manier tot het aantrekken van een partner en het huwelijk. De mannetjes zijn de traditionele klanten en kopers en ontvangers van deze beadworks, en ze dragen ze om de betrokkenheid met vrouwen en wie ze de hof maken.
De meetkundige figuren en gekleurde symbolen die bepaalde waarden portretteren. De drie manieren om een ontwerp te bepalen zijn door de combinatie en het samenstellen van kleuren, het gebruik en de aard van een object, en het opzettelijke breken van regels. Het Zulu kralenwerk dient zowel als een sociale functie en heeft ook politieke betekenis, met trots het weergeven van bepaalde regionale kleuren.
Wil je meer weten over de Zoeloes klik hier:
www.newworldencyclopedia.org/entry/Zulu
www.marques.co.za/clients/zulu/bead.htm

Zulu beadwork
The KwaZulu/Natal province of South Africa is internationally renowned for its colorful Zulu beadwork. Traditional color combinations and patterns can still be found, but modern Zulu beadwork is evolving towards more contemporary styles. More than simply decorative weavings of intricate bead patterns, the beadwork has often been used as a means of communications between genders, conveying messages of both courtship and warnings.
The visual art of this feminine craft relates directly in one way or another to attracting a mate and marriage. Males are the traditional clients and purchasers and receivers of these beadworks, and they wear them to show involvement with women whom they are courting.
The geometric figures incorporate color-coded symbols which portray certain values. The three ways of determining a design are through the combination and arrangement of colors, the use and nature of an object, and the deliberate breaking of rules which guide these factors. The Zulu beadwork serves as both a social function, and also has political connotations, proudly displaying certain regional colors.

 
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JAXPORT Gallery: “The Art of the Steel Crane” by Barbara Holmes and Deborah Reid

15 Nov

A few nice visual art images I found:

JAXPORT Gallery: “The Art of the Steel Crane” by Barbara Holmes and Deborah Reid
visual art
Image by JAXPORT
Opening reception at JAXPORT Gallery, December 2011

“The Art of the Steel Crane” is centered around a recurring theme and in the duo’s art: the self, a spirit that is also all powerful. The persona is representative of how we present to the world, the child inside everyone and acts as a self-reflective tool for the viewer to connect to the art. The exhibition consists of glass sculptures, a series of photographs, including some exclusive edition prints, an animation video piece, and a menagerie of paintings. “The Art of the Steel Crane” will be showing at JAXPORT Gallery from November 21, 2011 until January 5th, 2012. Find out more information on Barbara’s barbarafryefield.blogspot.com/

Barbara Fryefield
Barbara Fryefield, is an expressive artist, fine artist, and teacher. She holds a B.A. in Psychology and a Certificate in Art for Education. Barbara is owner of the Artist Palette Florida LLC. She has a gift for working with children and has been a k-12 art teacher for three years. Barbara applies knowledge of creative art, painting, drawing, and visual art to her work with children and adults. She facilitates using each of these processes in a non-threatening, spontaneous, and fun way that helps participants construct a new understanding of themselves and those around them. She works with adults, children, and families focused on self-expression, communication, and wellness.

Deborah Reid
Deborah R. Reid is a lifelong painter and a practicing attorney. Her work is largely based on her own photographs which she interprets in a combination of oil, acrylic, egg shell, ink and now aerosol.Deborah curates monthly art shows at the Zodiac Grill on Adams Street as a fundraiser for Jacksonville Area Legal Aid. Her work can be seen there, at Fireflies on San Jose as well as regional galleries.

Deborah is a seasoned admiralty practitioner. Prior to joining the Florida Bar, she practiced in California, New Jersey and New York. She is now with the commercial litigation firm of Rumrell & Brock, P.A. Commencing in 2012; Deborah will be conducting workshops on Intellectual Property and Law for Artists.

For additional information and/or images, please contact Meredith Fordham Hughes by email or by phone at (904) 357-3052.

JAXPORT Gallery
Located on the first floor of JAXPORT Headquarters, the Gallery features local artists rotating on a bi-monthly basis. JAXPORT Gallery is open during normal JAXPORT Headquarters hours and admission is free.

Photo credit: JAXPORT, Meredith Fordham Hughes

JAXPORT Gallery: “The Art of the Steel Crane” by Barbara Holmes and Deborah Reid
visual art
Image by JAXPORT
Opening reception at JAXPORT Gallery, December 2011

“The Art of the Steel Crane” is centered around a recurring theme and in the duo’s art: the self, a spirit that is also all powerful. The persona is representative of how we present to the world, the child inside everyone and acts as a self-reflective tool for the viewer to connect to the art. The exhibition consists of glass sculptures, a series of photographs, including some exclusive edition prints, an animation video piece, and a menagerie of paintings. “The Art of the Steel Crane” will be showing at JAXPORT Gallery from November 21, 2011 until January 5th, 2012. Find out more information on Barbara’s barbarafryefield.blogspot.com/

Barbara Fryefield
Barbara Fryefield, is an expressive artist, fine artist, and teacher. She holds a B.A. in Psychology and a Certificate in Art for Education. Barbara is owner of the Artist Palette Florida LLC. She has a gift for working with children and has been a k-12 art teacher for three years. Barbara applies knowledge of creative art, painting, drawing, and visual art to her work with children and adults. She facilitates using each of these processes in a non-threatening, spontaneous, and fun way that helps participants construct a new understanding of themselves and those around them. She works with adults, children, and families focused on self-expression, communication, and wellness.

Deborah Reid
Deborah R. Reid is a lifelong painter and a practicing attorney. Her work is largely based on her own photographs which she interprets in a combination of oil, acrylic, egg shell, ink and now aerosol.Deborah curates monthly art shows at the Zodiac Grill on Adams Street as a fundraiser for Jacksonville Area Legal Aid. Her work can be seen there, at Fireflies on San Jose as well as regional galleries.

Deborah is a seasoned admiralty practitioner. Prior to joining the Florida Bar, she practiced in California, New Jersey and New York. She is now with the commercial litigation firm of Rumrell & Brock, P.A. Commencing in 2012; Deborah will be conducting workshops on Intellectual Property and Law for Artists.

For additional information and/or images, please contact Meredith Fordham Hughes by email or by phone at (904) 357-3052.

JAXPORT Gallery
Located on the first floor of JAXPORT Headquarters, the Gallery features local artists rotating on a bi-monthly basis. JAXPORT Gallery is open during normal JAXPORT Headquarters hours and admission is free.

Photo credit: JAXPORT, Meredith Fordham Hughes

Eddo Stern discusses Dark Game hardware at Art Center Media Design Program Design Dialogues
visual art
Image by G A R N E T
Design Dialogues Fall 2010: Computation After New Media

Guest Curator: Garnet Hertz

This lecture series explores key concepts in computational media to empower individuals to imagine, collaborate, provoke, and prototype through computing.

As a result of its widespread adoption, digital media has transitioned from "new media" to a ubiquitous part of contemporary life. This shift from novelty to familiarity has considerable ramifications for academic institutions working in the fields of media arts and digital culture. Exploring the formal potentials of information and networked technologies is no longer of significant interest: information technologies need to be understood as an embedded part of culture and history. Digital cultural practices must also work to extend their parent disciplines, including the studio arts, media history and theory, design, computer science and engineering.

Each speaker in the "Computation After New Media" series will focus on one word— a single term they feel is a core part of their work within the framework of computation. These lectures will be aimed at exploring the underlying structures of computationalism, providing an important leverage into the philosophy, languages, and principles of digital media.

SCHEDULE:

– October 1: Sharon Daniel, UCSC
– October 8: Eddo Stern, UCLA
– October 22: Paul Dourish, UCI
– October 29: George Legrady, Experimental Visualization Lab, UCSB
– November 19: Casey Reas, UCLA, author, Form + Code in Design, Art, and Architecture
– December 3: Celia Pearce, Georgia Tech, author Communities of Play: Emergent Cultures in Multiplayer Games and Virtual Worlds

Design Dialogues brings provocateurs from the worlds of design, art, academia, and technology into the MDP Studio. Each term, a guest curator is invited to build a series around a theme of their choosing.

Meetings: 12-2 pm. Talks: 3-6 pm in the Wind Tunnel Gallery. Open only to Media Design students, alumni, and faculty.

October 1: Sharon Daniel

Sharon Daniel is Professor of Film and Digital Media at the University of California, Santa Cruz where she teaches classes in digital media theory and practice. Her research involves collaborations with local and on-line communities, which exploit information and communications technologies as new sites for "public art." Daniel’s role as an artist is that of “context provider”—assisting communities, collecting their stories, soliciting their opinions on politics and social justice, and building the online archives and interfaces that make this data available across social, cultural and economic boundaries. Her goal is to avoid representation—not to attempt to speak for others but to allow them to speak for themselves.

Daniel’s work has been exhibited internationally at museums, festivals including the Corcoran Biennial, the University of Paris, the Dutch Electronic Arts Festival, Ars Electronica and the Lincoln Center Festival as well as on the Internet. Her essays have been published in books and professional journals such as Leonardo and the Sarai Reader. Daniel has recently presented “Improbablevoices.net” at the Fundacion Telefonica in Buenos Aires and at the conference “contested commons” in New Delhi, India. Her current research is supported by grants from the Daniel Langlois Foundation, the UCIRA, UCSC Arts Research Institute, and the Creative Work Fund.

October 8: Eddo Stern

Eddo Stern works on the disputed borderlands between fantasy and reality, exploring the uneasy and otherwise unconscious connections between physical existence and electronic simulation. His work explores new modes of narrative and documentary, experimental computer game design, fantasies of technology and history, and cross-cultural representation in computer games, film, and online media. He works in various media including computer software, hardware and game design, kinetic sculpture, performance, and film and video production. His short machinima films include "Sheik Attack", "Vietnam Romance", "Landlord Vigilante" and "Deathstar". He is the founder of the now retired cooperative C-level where he co-produced the physical computer gaming projects "Waco Resurrection", "Tekken Torture Tournament", "Cockfight Arena", and the internet meme conference "C-level Memefest" He is currently developing the new sensory deprivation game "Darkgame". Stern’s work can be seen online at www.eddostern.com/

October 22: Paul Dourish

Paul Dourish is a Professor of Informatics in the Donald Bren School of Information and Computer Sciences at UC Irvine, with courtesy appointments in Computer Science and Anthropology. He teaches in the Informatics program and in the interdisciplinary graduate program in Arts Computation and Engineering. His primary research interests lie at the intersection of computer science and social science; he draws liberally on material from computer science, science and technology studies, cultural studies, humanities, and social sciences in order to understand information technology as a site of social and cultural production. In 2008, he was elected to the CHI Academy in recognition of his contributions to Human-Computer Interaction.

Dourish is the author of "Where the Action Is: The Foundations of Embodied Interaction" (MIT Press, 2001), which explores how phenomenological accounts of action can provide an alternative to traditional cognitive analysis for understanding the embodied experience of interactive and computational systems. Before coming to UCI, he was a Senior Member of Research Staff in the Computer Science Laboratory of Xerox PARC; he has also held research positions at Apple Computer and at Rank Xerox EuroPARC. He holds a Ph.D. in Computer Science from University College, London, and a B.Sc. (Hons) in Artificial Intelligence and Computer Science from the University of Edinburgh.

November 19: Casey Reas

Casey Reas lives and works in Los Angeles. His software, prints, and installations have been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. Casey’s ongoing Process series explores the relationship between naturally evolved systems and those that are synthetic. The imagery evokes transformation, and visualizes systems in motion and at rest. Equally embracing the qualitative human perception and the quantitative rules that define digital culture, organic form emerges from precise mechanical structures.

Casey is a professor at the University of California, Los Angeles. He holds a masters degree from the Massachusetts Institute of Technology in Media Arts and Sciences as well as a bachelors degree from the School of Design, Architecture, Art, and Planning at the University of Cincinnati. With Ben Fry, Reas initiated Processing in 2001. Processing is an open source programming language and environment for creating images, animation, and interaction.

Reas and Fry published Processing: A Programming Handbook for Visual Designers and Artists, a comprehensive introduction to programming within the context of visual media (MIT Press, 2007). In 2010, they publishing Getting Started with Processing, a casual introduction to programming (O’Reilly, 2010). With Chandler McWilliams and Lust, Casey has just published Form+Code in Design, Art, and Architecture (PAPress, 2010), a non-technical introduction to the history, theory, and practice of software in the arts.

Casey is the recipient of a 2008 Tribeca Film Institute Media Arts Fellowship (supported by the Rockefeller Foundation), a 2005 Golden Nica award from the Prix Ars Electronica, and he was included in the 2008 ArtReview Power 100. His images have been featured in various publications including The New York Times, The International Herald Tribune, Print, Eye, Technology Review, and Wired.

December 3: Celia Pearce

Celia Pearce is a game designer, author, researcher, teacher, curator and artist, specializing in multiplayer gaming and virtual worlds, independent, art, and alternative game genres, as well as games and gender. She began designing interactive attractions and exhibitions in 1983, and has held academic appointments since 1998. Her game designs include the award-winning virtual reality attraction Virtual Adventures (for Iwerks and Evans & Sutherland) and the Purple Moon Friendship Adventure Cards for Girls.

Celia received her Ph.D. in 2006 from SMARTLab Centre, then at Central Saint Martins College of Art and Design, University of the Arts London. She currently is Assistant Professor of Digital Media in the School of Literature, Communication and Culture at Georgia Tech, where she also directs the Experimental Game Lab and the Emergent Game Group. She is the author or co-author of numerous papers and book chapters, as well as The Interactive Book (Macmillan 1997) and Communities of Play: Emergent Cultures in Multiplayer Games and Virtual Worlds (MIT 2009). She has also curated new media, virtual reality, and game exhibitions and is currently Festival Chair for IndieCade, an international independent games festival and showcase series. She is a co-founder of the Ludica women’s game collective.

Curator: Garnet Hertz
Doctor Garnet Hertz is a Fulbright Scholar and contemporary artist whose work explores themes of technological progress, creativity, innovation and interdisciplinarity. Hertz is a Faculty Member of the Media Design Program at the Art Center College of Design in Pasadena California, a Postdoctoral Research Scholar at the Institute for Software Research at UC Irvine and is Artist in Residence in the Laboratory for Ubiquitous Computing and Interaction at UC Irvine. He has shown his work at several notable international venues in eleven countries including Ars Electronica, DEAF and SIGGRAPH and was awarded the prestigious 2008 Oscar Signorini Award in robotic art. He is founder and director of Dorkbot SoCal, a monthly Los Angeles-based DIY lecture series on electronic art and design. His research is widely cited in academic publications, and popular press on his work has disseminated through 25 countries including The New York Times, Wired, The Washington Post, NPR, USA Today, NBC, CBS, TV Tokyo and CNN Headline News.

 
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Cool Visual Art images

15 Nov

Check out these visual art images:

AVRA
visual art
Image by N0 Photoshop

NATURAL ABSTRACTION
visual art
Image by ojoadicto
Abstract

 
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AVRA

14 Nov

Check out these visual art images:

AVRA
visual art
Image by N0 Photoshop

 
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Posted in Photographs

 

Cool Visual Art images

14 Nov

Check out these visual art images:

AVRA
visual art
Image by N0 Photoshop

 
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Posted in Photographs

 

Cool Visual Art images

14 Nov

Check out these visual art images:

Antim Monastery, Bucharest, Romania
visual art
Image by cod_gabriel

Circuit Bending Orchestra: Lara Grant at Diana Eng’s Fairytale Fashion Show, Eyebeam NYC / 20100224.7D.03621.P1.L1.SQ.BW / SML
visual art
Image by See-ming Lee ??? SML
Lara Grant, part of the circuit bending orchestra for Diana Eng’s Fairytale Fashion Show held at Eyebeam NYC. Through various hacks and circuit bending techniques, Lara’s sewing machine trigger signals that is then fed onto laptops running MAX/MSP to produce the final soundtrack for the runway. Other team members of the orchestra are Peter Kirn and Matt Ganucheau.

Lara and Sarah are a sisterly team with interests in physical computing, electronic textiles, controller design and signal processing.

Lara has a background in fashion and textile design and is currently studying at NYU’s Interactive Telecommunications Program. Sarah has a background in visual arts, programming and sound design. She is also an alumni of NYU ITP.

fsp.fm
laras-home.com
chootka.blogspot.com

facebook.com/lara.cat
flickr.com/8528527@N02

+++

Fairytale Fashion Show
2010-02-24
7pm – 9pm
Eyebeam

Diana Eng presented the Fairytale Fashion Collection in a technology fashion show on Wed., February 24, 7PM, at Eyebeam. Models hit the runway while an orchestra of circuit bending DJ’s create music from hacked video game consoles.

The Fairytale Fashion Collection uses technology to create magical clothing in real life. Electronics, mechanical engineering, and mathematics are used to create clothing with blooming flowers, changing colors and transforming shapes. Research and development for the Fairytale Fashion collection are shared online at FairytaleFashion.org as an educational tool that teaches about science, math, and technology through fashion. Fairytale Fashion was created with the support of Eyebeam Art and Technology Center, the leading not-for-profit art and technology center in the United States.

Diana Eng is a fashion designer who specializes in technology, math, and science. Her designs range from inflatable clothing to fashions inspired by mechanical engineering. She is a designer from Bravo’s Emmy nominated TV show, Project Runway season 2 and author of Fashion Geek: Clothes, Accessories, Tech. Diana is cofounder of NYC Resistor hacker group. Diana is currently a resident artist at Eyebeam.

eyebeam.org/events/fairytale-fashion-show
fairytalefashion.org

 
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Cool Visual Art images

14 Nov

Check out these visual art images:

IMG_3817
visual art
Image by emily geoff

IMG_5592
visual art
Image by emily geoff

 
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Under the Brooklyn Bridge / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54542.P1.L1.BW / SML

14 Nov

Some cool visual art images:

Under the Brooklyn Bridge / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54542.P1.L1.BW / SML
visual art
Image by See-ming Lee ??? SML
13th annual D.U.M.B.O. Art Under the Bridge Festival® (Sept 25 to Sept 27, 2009)
www.dumboartfestival.org/press_release.html

The three-day multi-site neighborhood-wide event is a one-of-a-kind art happening: where serendipity meets the haphazard and where the unpredictable, spontaneous and downright weird thrive. The now teenage D.U.M.B.O. Art Under the Bridge Festival® presents touchable, accessible, and interactive art, on a scale that makes it the nation’s largest urban forum for experimental art.

Art Under the Bridge is an opportunity for young artists to use any medium imaginable to create temporary projects on-the-spot everywhere and anywhere, completely transforming the Dumbo section of Brooklyn, New York, into a vibrant platform for self-expression. In addition to the 80+ projects throughout the historical post-industrial waterfront span, visitors can tour local artists’ studios or check out the indoor video_dumbo, a non-stop program of cutting-edge video art from New York City and around the world.

The Dumbo Arts Center (DAC) has been the exclusive producer of the D.U.M.B.O Art Under the Bridge Festival® since 1997. DAC is a big impact, small non-profit, that in addition to its year-round gallery exhibitions, is committed to preserving Dumbo as a site in New York City where emerging visual artists can experiment in the public domain, while having unprecedented freedom and access to normally off-limit locations.

www.dumboartscenter.org
www.dumboartfestival.org
www.video_dumbo.org

Related SML
+ SML Fine Art (Flickr Group)
+ SML Flickr Collections: Events
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Flickr Tags: Art
+ SML Pro Blog: Art

art-2010-5 – view in light box
visual art
Image by dietmut
Experimental-ART

art-2010-10 – view in light box
visual art
Image by dietmut
Experimental-ART

 
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Cool Visual Art images

13 Nov

Check out these visual art images:

repurposed art: sun catcher
visual art
Image by jessica wilson {jek in the box}
blogged

MIT+150: FAST (Festival of Art + Science + Technology): FAST LIGHT — String Tunnel
visual art
Image by Chris Devers
Quoting from the official pamphlet:

FAST LIGHT • May 7 + 8, 2011, 7 pm – 10 pm

Contemporary pioneers in art, science, and technology have come together at MIT to create one of the most exhilarating and inventive spectacles metro Boston has ever seen. On May 7 and 8, 2011, visitors can interact with 20+ art and architectural installations illuminating the campus and the Charles River along Memorial Drive at MIT.

arts.mit.edu / fast

Installations scattered around campus (we didn’t quite see all of them), again pasting from the official flyer:

• aFloat
MIT Chapel • Saturday, May 7th ONLY
Inspired by water in the Saarinen Chapel’s moat, a touch releases flickers of light before serenity returns as a calm ripple.
By Otto Ng, Ben Regnier, Dena Molnar, and Arseni Zaitsev.

• Inflatables
Lobby 7, Infinite Corridor
A dodecahedron sculpture made of silver nylon resonates with gusts of air, heat from light bulbs, and the motions of passersby.
By Kyle Barker, Juan Jofre, Nick Polansky, Jorge Amaya.

• (now(now(now)))
Building 7, 4th Floor
This installation nests layers of the past into an image of the present, recursively intertwining slices of time.
By Eric Rosenbaum and Charles DeTar.

• Dis(Course)4
Building 3 Stair, Infinite Corridor
A stairwell transformed by a shummering aluminum conduit inspired by the discourse between floors and academic disciplines.
By Craig Boney, Jams Coleman and Andrew Manto.

• Maxwell’s Dream
Building 10 Community Lounge, Infinite Corridor
An interactive mural created by magnetic fields that drive patterns of light, Maxwell’s Dream is a visually expressive cybernetic loop.
By Kaustuv De Biswas and Daniel Rosenberg.

• Mood Meter
Student Center & Building 8, Infinite Corridor
Is the smile a barometer of happiness? Mood Meter playfully assesses and displays the mood of the MIT community onsite and at moodmeter.media.mit.edu
By Javier Hernandez and Ehsan Hoque.

• SOFT Rockers
Killian Court
Repose and charge your electronic devices using green solar powered technology
By Shiela Kennedy, P. Seaton, S. Rockcastle, W. Inam, A. Aolij, J. Nam, K. Bogenshutz, J. Bayless, M. Trimble.

• LightBridge
The Mass. Ave Bridge
A dynamic interactive LED array responds to pedestrians on the bridge, illustrating MIT’s ties to both sides of the river. Thanks to Philips ColorKinetics, CISCO, SparkFun Electronics.
By Sysanne Seitinger.

• Sky Event
Killian Court, Saturday, May 7th ONLY
Immense inflatable stars soar over MIT in celebration of the distinctive symbiosis among artists, scientists and engineers.
By Otto Piene.

• Liquid Archive
Charles River
A floating inflatable screen provides a backdrop for projections that highlight MIT’s history in science, technology, and art.
By Nader Tehrani and Gediminas Urbonas.

• Light Drift
Charles River
Ninety brightly glowing orbs in the river change color as they react to the presence of people along the shore.
By Meejin Yoon.

• Unflat Pavilion
Building 14 Lawn
This freestanding pavilion illuminated with LEDs flexes two dimensions into three. Flat sheets are bent and unfurl into skylights, columns, and windows.
By Nick Gelpi

• Gradated Field
Walker Memorial Lawn
A field of enticing mounts create a landscape that encourages passersby to meander through, or lounge upon the smooth plaster shapes.
By Kyle Coburn, Karina Silvester and Yihyun Lim.

• Bibliodoptera
Building 14, Hayden Library Corridor
Newly emerged from the chrysalis of MIT’s diverse library pages, a cloud of butterflies flutters above, reacting to the movement of passersby.
By Elena Jessop and Peter Torpey.

• Wind Screen
Green Building Facade, Bldg 54
A shimmering curtain of light created by micro-turbines displays a visual register of the replenishable source of wind energy.
By Meejin Yoon.

• String Tunnel
Building 18 Bridge
A diaphonous tunnel creates a sense of entry to and from the Infinite Corridor and frames the surrounding landscape.
By Yuna Kim, Kelly Shaw, and Travis Williams.

• voltaDom
Building 56-66 Connector
A vaulted passageway utilizes an innovative fabrication technique that creates complex double curved vaults through the simple rolling of a sheet of material.
By Skylar Tibbits.

• Night of Numbers
Building 66 Facade & E15 Walkway
A lighting installation enlivens MIT architectre with numbers that hold special or historical significance to the Institute. Can you decode them all?
By Praveen Subramani and Anna Kotova.

• Overliner
Building E-25 Stairwell
Taking cues from a stairwell’s spiraling geometry, Overliner transforms a familiar and busy passageway into a moment of surprise and repose.
By Joel Lamere and Cynthia Gunadi.

• Chroma District
Corner of Ames and Main Streets.
Lanterns react to visitors by passing sound and color from one to another, increasing in intensity along the way and illuminating the path to MIT’s campus.
By Eyal Shahar, Akito van Troyer, and Seung Jin Ham.

The Gates of Hell
visual art
Image by kern.justin
The portal to The Inferno.
Through me the way is to the city dolent;Through me the way is to eternal dole;Through me the way among the people lost.
Justice incited my sublime Creator;Created me divine Omnipotence,The highest Wisdom and the primal Love.
Before me there were no created things,Only eterne, and I eternal last.All hope abandon, ye who enter in!.
– Canto III, The Inferno, Dante Alighieri
Part one of Dante Alighieri’s The Divine Comedy, known more affectionately by those who have read it as "The Inferno," was something close to required reading for college students at The University of Chicago. Dogeared copies of the most recent verse translations were a staple of tables throughout the library. As far as I could tell, every humanities course (a requirement for all students) included at least part of this master work. Much discussion as to its literary merits and political references surely followed, but I think what connected with students was Dante’s vision of the deepest, darkest levels of hell as miserably cold rather than blazingly hot. To an undergraduate facing finals in the depths of January’s arctic grip, this vision of a cold hell continually resonates. So much so that, during my ten years on campus, I could always spot a college student sporting a homemade t-shirt with the slogan "University of Chicago – The level of hell Dante forgot," or "Hell does freeze over." Beyond the delightfully geeky literary reference to Alighieri, these shirts were also remarkable for displaying a table of temperature lows for the dates of the winter quarter.
Such a table for the temperatures on Stanford’s campus through the corresponding period of time would paint a far sunnier picture. Imagine my surprise then, when I discovered that the Gates of Hell are actually on the Stanford Campus. The Gates of Hell is a massive sculpture by Auguste Rodin inspired by the famous poem; it, and many other of Rodin’s works, is a fixture of the B. Gerald Cantor Rodin Sculpture Garden. The illustrious sculptor worked to create this masterpiece over the course of nearly four decades, until his death. The word massive fails here to convey the size of the gate – it stands at nearly twenty feet tall and over thirteen feet wide. It is imposing without being utterly frightening. Rodin included some of his most famous sculptures within The Gates of Hell – notice the thinker jutting out at you far overhead at the center of the doors. He also included some unexpected things, like The Kiss within the doors and perhaps that little bit of romance and sweetness is the reason that we are not terrified of this massive vision of Hell’s Door.
112 megapixels of The Gates of Hell.

I created this image as a massive panorama for two primary reasons. One, because the sculpture defies the small-format photographer to capture its essence and requires a high-resolution approach. Two, because I have been working diligently to produce a workflow of image capture and processing that I will call "Large Format DSLR Photography." You will notice that the above image isn’t just properly exposed and very high-resolution, but it is also perfectly corrected for perspective. Look at the gates, follow the vertical and horizontal lines – you will notice they are all perfectly parallel to the edges of the frame. The door doesn’t shrink at the top where the subject is further from the camera, and it doesn’t expand at the bottom. All this is possible thanks to a very special tripod head (more details on that later) and some careful computation. You’ll be seeing more high resolution images like this and learn more about how to make "large format" digital images like this in the coming weeks and months – stay tuned. I’ve also included a smaller version of the image below so those of you who like to see the whole image all at once can do so. And if you were looking for another indication of scale here – that placard on the right of the frame is about four to five feet from the ground.

 
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Cool Visual Art images

13 Nov

Some cool visual art images:

AVRA
visual art
Image by N0 Photoshop

 
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