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Archive for the ‘Creativity’ Category

Seascraper: Lush 3D-Printed Self-Sustaining Floating Cities

05 Jan

[ By Steph in Architecture & Cities & Urbanism. ]

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In the not-so-distant future, once we land-dwelling humans have exhausted all of our resources and trashed the climate-change-ravaged continents we live on, a new civilization will inhabit a floating 7th continent made up of self-sustaining 3D-printed cities. Architect Vincent Callebaut has unveiled a new vision encapsulating his hope for humanity’s kinder, gentler post-disaster future in the form of ‘Aequorea,’ an underwater farm recycling ocean pollution into building materials.

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Taking inspiration from a variety of sea creatures, the structure self-builds its own exoskeleton via natural calcification like sea shells, and is named for a bioluminescent jellyfish. Shaped like a Klein bottle, each structure is largely made up of petroleum-based waste recovered from the ocean gyres, mixed with a gelling algae and extruded by 3D printers. These ‘sea scrapers’ would recycle all of their own waste, generate energy through ocean turbines, filter sea water into freshwater and grow their own food. Each one houses 20,000 so-called ‘aquanauts.’

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In classic Vincent Callebaut fashion, the architect released information about the design by way of a dramatized letter from the future, addressed to ‘People of the Land’ and written by a fictional resident of Aequorea: “My name is Océane. I’m 15 years old. I’m an aquanaut teen. I was born in immersion in 2050 in an underwater farm called ‘Aequorea’ off the coast of Rio de Janeiro… When my grandfather tells me about his terrestrial way of life of the time, it seems totally preposterous today. The People of the Land, those supposedly, self-proclaimed Homo Sapiens, took two centuries to understand that they were living on finite territory with limited natural resources. They were consuming the city like a commodity, rather than a common good that should be nurtured in symbiosis with nature.”

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“They were suffocating from inhaling urban smogs, the infamous photochemical clouds caused by pollution. Without knowing it, they were ingesting plastic infesting the food chain. And because of overfishing, they had almost emptied the supply of fish in the oceans. In this December month of 2065, it’s still hard for me to believe how carelessly the Pople of the Land mortgaged the fate of future generations.”

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“…faced with climate change and the rise of water levels, a new civilization emerged: the People of the Seas. Once their lands and islands were underwater and salinize, a large portion of the 250 million climate refugees got involved with interdependent NGOs like the ones my grandparents created. Together, they invented new underwater urbanization processes that were energy self-sufficient, recycled all waste, and fought ocean acidification.”

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[ By Steph in Architecture & Cities & Urbanism. ]

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Brutalist Wonders or Blunders? Architecture by Marcel Breuer

05 Jan

[ By Steph in Architecture & Public & Institutional. ]

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A master of Modernism whose architectural legacy includes a range of monumental concrete structures around the world, Marcel Breuer remains divisive among Brutalism’s admirers and detractors decades after his death. From the Whitney Museum of American Art in New York to the vaguely dystopian IBM headquarters in Paris, Breuer’s work is alternately described as majestic and depressing; cold and clinical to some, and peacefully minimalist to others. Regardless of how you feel about concrete architecture in general and Brutalism in particular, Breuer’s buildings are emblematic of this architectural style. Here are 14 of his most notable creations, as preserved by Syracuse University’s Marcel Breuer Digital Archive.

St. John’s Abbey, Minnesota

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After completing a series of modernist residential projects in the 1930s and ‘40s, Breuer moved on to work on a far more ambitious and awe-inspiring scale, starting with the stunning St. John’s Abbey and University in Minnesota. The cast-in-place concrete wonder features a towering bell banner shielding the church’s honeycombed facade. Breuer also designed a number of buildings on the St. John’s University campus, including a dormitory hall (bottom photo.)

Whitney Art Museum, New York City

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One critic of Breuer’s 1966 building on the genteel Upper East Side of Manhattan called it “one of the most aggressive, arrogant buildings in New York.” An inverted ziggurat, the structure is undeniably bold. The Hungarian-born, Bauhaus-trained architect “believed that modern architecture needed to reintroduce monumentality and symbolism, age-old characteristics that had been disregarded by modernists earlier in the 20th century.”

UNESCO Headquarters, Paris
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As far as surviving Brutalist structures go, the UNESCO headquarters are nothing short of spectacular. Completed in 1958, the Y-shaped administrative building features a sculptural canopy and spiraling fire escape stairs that reach all the way to the roof. The whole building stands on 72 concrete piles.

The Lost El Parador Ariston, Argentina

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Among Breuer’s classics is the Ariston Hotel in Argentina, a curving clover-shaped building that has been abandoned and left to deteriorate despite its status as one of Argentina’s modern architectural landmarks. Architecture faculty and students at the University of Buenos Aires are currently flighting to preserve and restore it.

The Pirelli Tire Building, New Haven, Connecticut

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Originally built as the headquarters for Armstrong Rubber, what’s now known as the Pirelli Tire Building in New Haven, Connecticut stands out as one of America’s foremost surviving Brutalist structures. Testing of the tires on the ground floor research and development facility would be noisy, so Breuer elevated the administrative spaces. The result is imposing and authoritative; it’s easy to imagine it standing in as the headquarters of a villainous corporation or classified government agency in a movie.

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Brutalist Wonders Or Blunders Architecture By Marcel Breuer

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May The Art Be With You: Star Wars Stormtrooper Graffiti

04 Jan

[ By Steve in Art & Street Art & Graffiti. ]

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White-armored stormtroopers of the Star Wars universe may be the true face of the franchise if their stenciled images on walls worldwide is any indication.

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Sure their aim is lousy and low door frames are their nemesis but the stormtroopers of Star Wars have done a decent job of conquering pop culture since their 1977 debut. Just ask Los Angeles-based street artist Thierry Guetta – aka “Mr. Brainwash” – who employed them in his “Better to Dream Big” art exhibition in 2012. A gentle top o’ the cap to Artc. and Flickr user Jonas Bengtsson (Jonas B) for posting the above images.

Start the Revolution Without Me

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“Hasta la republica siempre” (“To the republic always”) states this subversive stormtrooper stencil snapped by Flickr user Daniel Lobo (Daquella manera) at Washington DC’s Garfield Skatepark on July 28th, 2013. Did this red renegade deliberately disobey Order 66 or merely read it upside-down as 99 reprO?

Go Home Stormtroopers, You’re Trunk

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If you start seeing pink elephants after leaving a Brighton, UK pub, maybe you’ve had a pint too many. If larger-than-life stormtroopers are riding those elephants, on the other hand, fear not – it’s just the local street art. Credit presumed street artist “MINTY”, Flickr user Quick HR (quickhr) and Instagram user @gallie23 for the above mildly hallucinogenic scenes. Right then, back to the pub!

Fashion Fighter

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“I love Star Wars and in particular Stormtroopers when used in Graffiti or Stenciling,” states Flickr user Walt Jabsco, who captured this fashionable film fighter on a sunny May 30th afternoon in 2008. “I don’t like the fact someone has given this one a blue pendant or Chest Logo but it’s still cool,” adds Jabsco, and with or without the blue bling we have to agree.

The Best Bad Thing

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May the Foco be with you, amigos! All things considered, prolific graffiti artist Foco’s colorful mural is the highlight of this run-down district in Itagüí, Colombia. Featuring a cute c’thulu-esque stormtrooper, the mural is captioned “Buena compañía, buenos consejos, las mejores cosa mala” by Flickr user Foco Graffiti, translated as “Good company, good advice, the best bad thing.” Make of that what you will.

City of Lightsaber

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It’s been over three years since Flickr user Geoffroy65 captured the stunning tableau above, located near the Bassin de la Villette in Paris’ 19th arrondissement. Let it be said that street art this good deserves to be preserved for posterity. The piece is signed “Marko93″ though it’s indeterminable whether the numeral denotes the artist’s age or the year he composed this piece.

Rooster Trooper

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Strange goings-on in Cardiff, Wales, where Flickr user Squid…Mk recorded this rooster-riding stormtrooper on August 3rd of 2012. Will we ever see such a sight in some yet-to-be-made Star Wars flick? At the rate they’re being planned & produced, it might not take as long as you think!

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May The Art Be With You Star Wars Stormtrooper Graffiti

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Buildings in Bottles: Crafty Test-Tube Architectural Models

03 Jan

[ By WebUrbanist in Art & Sculpture & Craft. ]

test tube architecture

A tiny twist on miniature architecture turns simply-crafted models into hovering micro-habitats, suspended in test tubes like the science experiment of some mad architect.

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Micro Matter is an ongoing project series by Rosa de Jong, an artist and designer from Amsterdam who uses both manufactured materials (paper and cardboard) as well as natural ones (sticks and moss) to shape small worlds enclosed in glass.

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The scenarios range from partial (the tops of skyscrapers poking above the clouds) to complete (homes resting on floating mountaintops), and vary in structural plausibility as well, bringing to mind less-controlled urban environments in places like Mexico, where ingenuity often trumps order.

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Each creation also comes with a behind-the-scenes look at its construction, including both the materials employed and the tools used to cut the pieces apart and assemble them into new forms.

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The results strike a balance between everyday believability – crooked walls and as-needed staircases – and utter fantasy, combining the rigor of a ship-in-a-bottle with the imagination of a science fiction artist.

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Ghostly Floating Farms: Abandoned Rural Buildings of Russia

02 Jan

[ By Steph in Abandoned Places & Architecture. ]

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The former USSR boasts some of the world’s weirdest and most hauntingly beautiful abandoned structures, from sci-fi monuments to prison camps and military facilities. Many of Russia’s abandoned wonders are byproducts of the Soviet collapse, including remote stretches of countryside that are no longer feasible to live in due to ill-kept or destroyed roads and infrastructure. Some of the structures that can be found there include intricate hand-carved wooden farmhouses and agricultural buildings that seem to hover in midair.

19th Century Farmhouses in Kostroma
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These stunning examples of 19th century Russian architectural craftsmanship have sadly fallen into disrepair on the inside, but the exteriors generally look as cool as ever. Some are in better condition than others, looking as if they’re just waiting for their owners to return. Located deep within the forests of Kostroma, the abandoned family homes are likely too far from civilization to support most present-day occupants. Photographer Andrew Qzmn travels through the countryside documenting these forgotten structures, as well as those that are still kept up.

Floating Farm Building, Ukraine
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Reportedly located in Ukraine rather than Russia, this farm building might seem like a Photoshop job at first, but a few pictures sent into the blog Curious Places confirm it to be part of a potato sorting facility, with speculation that part of it may have been dismantled since it was actively in use.

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Mountaintop Viewing Walkway Culminates in 300-Foot-Long Slide

01 Jan

[ By WebUrbanist in Destinations & Sights & Travel. ]

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After winding their way up a hundred-foot-tall pathway in the Czech Republic set atop a mountain peak (itself located over 3,000 feet above sea level), visitors are presented with two options: walk all the way back down, or take a ride on the slide that shoots back down through the center of the spiralling walkways on all sides.

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Another feature for daredevils comes in the form of netting suspended from a section along the top. Those who wish to can walk and lay on this mesh, experiencing whatever level of terror they can tolerate.

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Fránek Architects designed this massive wooden structure, dubbed Sky Walk and aimed at giving viewers a number of twists, turns and chances to find the perfect vista while they work their way up.

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“It offers an endless amount of views, situations and moments where an indiscernible human being enters the depth and emerges on the outskirts of this natural structure,” said Fránek.

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The pathways are suspended from a central structural core made up of metal-joined wood trusses, forming a space frame that also supports the stainless steel slide more brave guests will opt to take for their return trip.

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Located as it is on top of a tall and exposed mountain, the structure is heavily reinforced throughout and tied to concrete footings buried deep in the ground. It also features an emergency spiral staircase down its center. Travelers can get to this wheel-accessible pedestrian viewing spiral via a chairlift at the foot of the mountain, near Dolni Morava.

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“I don’t know of any other timber construction with steel elements of a similar size and purpose,” Fránek said. “There are constructions of a similar size but ours takes on an abstract form that suggests the flight of a nocturnal butterfly whose path is seemingly chaotic.”

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Wearable RIP: Coffin Hood Helps You Relax Among City Chaos

31 Dec

[ By Steph in Design & Products & Packaging. ]

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There’s no peace quite like death, a fact that seems to have inspired this coffin-shaped, sensory-dampening hood encouraging you to “say goodbye to everything” no matter how chaotic your environment may be. The ‘Wearable RIP’ fits around your head, with padding for your shoulders and a kangaroo pocket for your hands, so you can get some (hopefully not eternal, just yet) shuteye, even in airports or on the bus.

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What kind of burial do you want? That’s a serious question, because the hood will give you three options that change the type of music that auto-plays when you lean back enough to activate the sensor behind your head. Select the glory of a burial by fire, go deep into the silent earth, or float with the echo of the ocean in your ears.

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Designers Ting Wu and Yu Ting Chang want you to “cut down the connection between you and reality,” burying yourself in a world of your own choosing. There’s some heavy philosophy in their description of the project: “‘Lived-body’ is the alive body that you can perceive; ‘body as image’ is just the object, the shape of the body. If you can perceive the object, does that mean the object is alive to you? In contrast, if you can’t perceive someone, is he/she still alive?”

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The Wearable RIP hood: for when you just want to be a little bit dead.

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Caviar Warehouse to Modern Home: 14 Converted Residences

31 Dec

[ By Steph in Architecture & Houses & Residential. ]

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You wouldn’t mind living in a stable, boathouse, boiler room, post office or even a wartime bunker once they undergo modern renovations like these, contrasting the original historic architectural elements with smooth new wood surfaces and lots of glass. A former caviar warehouse in New York City gets a lantern-like sunken courtyard, a bridge connects two old brick food factory buildings, a Victorian church goes contemporary and priests party it up in a seminary turned retirement home.

Concrete Bunker to Hidden Home, Netherlands
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If not for the incongruously new and modern deck positioned adjacent to the entrance, you’d never imagine that this wartime bunker in Belgium is actually a functional residence. Architecture studio B-ILD transformed the half-buried structure into a vacation retreat big enough to sleep four people, but made no attempt to disguise its original purpose, leaving most of it stark and unfinished.

Bakery Warehouse, Australia
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Two brick buildings in a former bakery warehouse complex stretch out to each other from across verdant courtyard with the addition of a new wooden bridge. What was once the Golden Crust Bakery in Melbourne is now a luxury residence large enough to house a Brady Bunch-like extended family, with the teenagers in one building and the parents with their younger children in the other.

Stable to Off-Grid Home, Spain
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A crumbling stone stable in a remote area of western Spain is now an off-grid home with the help of Madrid-based studio Abaton. Oriented to maximize solar heat gain, the home sits within the restored stone exterior, its deep glazed windows hidden behind operable stable doors acting as shutters. A freshwater swimming pool in the front doubles as an irrigation tank.

Caviar Warehouse with Sunken Interior Courtyard, New York
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A glass-walled courtyard sinks from the landscaped rooftop of a former caviar warehouse in Manhattan by Andrew Franz into the renovated interior, acting as an oversized skylight. A retractible roof lets air flow into what was previously a poorly ventilated and ill-lit space. Within the living quarters, modern elements contrast with original factory materials, like a staircase made from the old roof joists.

Victorian Church, London, UK
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Look beyond the copious animal print and oversized dog paintings to the architectural bones of this Victorian-church-to-home conversion in London by Gianna Camilotti architectural studio. While the design is a bit heavy-handed on the contemporary additions, the beautiful timber elements and windows of the original structure still shine.

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Caviar Warehouse To Modern Home 14 Converted Residences

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Et tu, Brutalism? ‘Experimental Home’ Now a Modern Roman Ruin

30 Dec

[ By WebUrbanist in Abandoned Places & Architecture. ]

experimental house ruins rome

Photographers traveling to photograph the ruins of Rome are generally so distracted by ancient remnants they naturally overlook this unique decaying structure on the outskirts of the city: the ‘Casa Sperimentale’ (Experimental House) created as a model to study interactions light, space and geometry at 1:1 scale.

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Designer and shutterbug Oliver Astrologo sought out this decaying relic, which has gone into further decline since the death of its designer, Giuseppe Perugini, in the 1990s. A work of concrete, metal and class, the asymmetrical dwelling pushes out in unexpected directions and frames surprising spaces.

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As with many abandonments, signs of decay are showing, vandalism has further deteriorated the site and structure while wild plants continue to encroach as well. Figures in the photographs both help give the unusually-sized spaces and details a sense of scale, while also adding a layer of human emotion to the shots.

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The building is a product of its times, drawing on planes-in-space Modernism and thick concrete Brutalism, almost as if famous architects from these stylistic traditions got together to make a pavilion or playground. And today, that is what it effectively is: a semi-enclosed space for urban explorers to climb and document.

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Light Balance: Illuminated Seesaws in a Montreal Plaza

29 Dec

[ By Steph in Art & Installation & Sound. ]

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Don’t even try to suppress your inner child when you come across a public installation as fun as this interactive collection of illuminated seesaws in Montreal, which play music in time with riders’ movements. Looking to inspire a bit of spontaneity in the streets, collaborating firms CS Design and Lateral Office offer up an all-ages playground stretching for a full block in the city’s Place des Festivals.

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Entitled ‘Impulse,’ the installation is comprised of 30 glowing seesaws with built-in speakers. Take a seat and they’ll produce a series of musical sounds, the lights strengthening and fading in intensity depending on the angle of the board. When the bulk of them are occupied, they join together into symphonies of light and sound that can either spontaneously synchronize or become totally random and chaotic.

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The seesaws are paired with colored LEDs projected onto the adjacent building facades, turning the whole square into a light show after dark. Every visitor has a different experience depending on where they’re sitting, how fast they move up and down, and how many other seesaws are engaged.

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“Through the use of architectural lines, a hypnotic soundtrack and an entertaining illusion of depth, the nine architectural video projections echo the seesaws of the Place des Festivals,” say the designers. “Playing with the notions of balance and unbalance, symmetry and asymmetry, tension and harmony, the video projections are visual experiments illustrating the original soundtrack created for each video.”

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