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Slideshow: A bewildered roadrunner at the US—Mexico border took hom the grand prize in this year’s Bird Photographer of the Year competition

02 Sep

Bird Photographer of the Year 2021 winners

Winners of the 2021 Bird Photographer of the Year awards were announced today. Over 22,000 images were submitted from around the globe. Mexican photographer Alejandro Prieto took home the £5,000 grand prize for his image of a roadrunner standing next to the 3,000km-long US–Mexico border.

‘The border wall crosses deserts, mountains, and even mangroves. It is not just desert, and is in fact very biodiverse with more than 1,500 animal and plants species threatened by the wall,’ says Prieto. ‘I have watched many different animals reach the wall before turning around and heading back.’

The Bird Photographer of the Year awards also gives back. The organization donated £8,000 to Birds on the Brink. They fund grass-roots bird conservation projects around the world. All 2021 winners can be viewed on the competition’s main website.

Gold Award Winner and Bird Photographer of the Year: ‘Blocked’ by Alejandro Prieto (Mexico)

About this Image: The 3,000km-long US–Mexico border traverses and straddles some of the continent’s most biologically diverse regions. It is home to uniquely adapted mammals, reptiles, birds and plants, some of which are found nowhere else on the planet. Numerous species will be affected if the US government decides to build a wall along the border with Mexico. Border infrastructure not only physically blocks the movement of wildlife but it also destroys and fragments habitats.

Many desert animals are, to a degree, nomadic wanderers and a wall would sever habitat connectivity and prevent them moving freely from one place to another. In this photograph, a Greater Roadrunner approaches the border wall at Naco, Arizona, with what almost looks like a sense of bewilderment.

Gear and Specs: Nikon D850 with Nikkor 70–200mm f/2.8 lens. Focal length 112mm, 1/320 second, f/14, ISO 200.

Gold Award Winner, Best Portrait: ‘Underwater Portrait’ by Felipe Foncueva (Spain)

About this Image: This underwater image of a Brown Pelican was taken off the Pacific coast of Costa Rica, near the mouth of the T.rcoles River, where there are small fishing villages. Groups of pelicans await the return of fishermen and take advantage of the scraps they throw into the sea.

Looking at this image, I am struck by the similarity between the way the pouch beneath the pelican’s bill functions and the throat of a feeding baleen whale. At first glance you could be forgiven for thinking you are looking at a marine mammal rather than a bird!

Gear and Specs: Canon EOS 5D Mark IV with Canon 8–15mm f/4 Focal length 15mm; 1/10th, f/9, ISO 200.

Silver Award Winner, Best Portrait: ‘Sing Heartily’ by Maofeng Shen (China)

About this Image: June marks the start of the breeding season for Demoiselle Cranes on the vast grasslands of Keshiketeng in Inner Mongolia. It is a blessing to witness the arrival of these beautiful birds, and a privilege to have documented their nesting behaviour. In order to capture wonderful, intimate moments of breeding behaviour without causing disturbance, I did a lot of homework.

I drove more than 800km to the vast prairie of Keshiketeng two days before I planned to photograph and did my groundwork. I got up at 3am on 29 June 2018 and rushed to the location of the breeding cranes. In order not to disturb their peaceful life, I had previously set up my equipment in the long grass and lay down, disguised on the ground.

In the morning light, the figures of the Demoiselle Crane family of four gradually appeared out of the gloom. Just as they were leisurely foraging for food, suddenly the distant sound of shepherds herding sheep could be heard. It seemed as if the sound was enough to inspire the pair of adults to call, as they stood back to back. This evocative sound cut through the silent sky for a brief moment, then everything quietened down again. I enjoyed the company of the crane family for the next four hours.

Gear and Specs: Canon EOS-1D X Mark II with Canon 600mm f/4 lens, 1/640 second, f/6.3, ISO 400.

Bronze Award Winner, Best Portrait: ‘Night Hunter’ by Jonas Classon (Sweden)

About this Image: Poised for attack and staring intently, this Great Grey Owl has fixed its penetrating gaze on a vole in a Swedish forest. On the night of a full moon, I photographed the owl as it raised its deadly taloned foot, with my car headlights adding a little more illumination to the scene. When I looked at the photo afterwards it gave me goosebumps.

Gear and Specs: Canon EOS-1D X Mark II with Canon 200–400mm f/4 lens. Focal length 300mm, 1/160 second, f/4, ISO 3200.

Silver Award Winner, Birds in the Environment: ‘Claiming the Forest Floor’ by Joshua Galicki (United States)

About this Image: This image shows a male Ovenbird singing on top of a fallen log. The bird is staking its claim to a breeding territory shortly after arriving from a lengthy migration to the northeast United States from wintering grounds in Central America. Ovenbirds are quite small – 15cm or so in length – and unlike most other New World warblers, prefer to forage on the forest floor among the leaf litter. I have observed and studied North American songbirds for years and care deeply for all of my subjects.

This shot was taken with a non- intrusive remote set-up to capture the expanse of the Ovenbird’s environment. The camera and lens were camouflaged next to the bird’s favourite singing log and the shutter was remotely triggered. No bait or tape lure were used for this shot, nor was any stress placed on the bird. As a result, this is an image of an Ovenbird behaving naturally.

Gear and Specs: Canon EOS-1D X Mark III with Canon 24–70mm f/4 lens. Focal length 24mm, 1/500 second, f/8, ISO 6,400.

Bronze Award Winner, Birds in the Environment: ‘Yellow-billed Oxpecker with Cape Buffalo’ by Barbara Fleming (United States)

About this Image: Yellow-billed Oxpeckers chatter constantly as they fly in and out of a Cape Buffalo herd, landing wherever they can to rest and feed. They spend almost their entire lives around large mammals, to the point where even courtship and mating take place in their company. Oxpeckers feed on ticks and other insects, although they also have a predilection for the mammal blood.

In this image both oxpecker and buffalo were in motion, moving in different directions and at different distances from the lens. This added to the challenge of capturing this symbiotic pair, but enhanced the satisfaction at achieving my goal. The image was darkened in post-processing.

Gear and Specs: Nikon D4S with Nikkor 500mm f/4 lens and 1.4x teleconverter. Focal length 700mm, 1/1,600 second, f/8, ISO 1,600.

Gold Award Winner, Attention to Detail: ‘Disappearing’ by Rafael Armada (Spain)

About this Image: Reflections are one of the details I like most in nature because light undergoes incredible transformations when it interacts with water. In a way, it is nature playing with us, with our forms and with the forms that we see. In this photograph, the same water that creates the reflection strikes with force to destroy it, in a sense to overthrow the King. The King is still standing; he knows his reign is not over… not yet. But it will end the day that water no longer creates reflections in the sand.

Gear and Specs: Canon EOS-1D X Mark II with Canon EF 100–400mm f/4.5–5.6 II lens. Focal length 100mm, 1/30 second, f/14, ISO 100.

Silver Award Winner, Attention to Detail: ‘Growing Up’ by Raymond Hennessy (United States)

About this Image: Great Northern Divers (known as Common Loons in North America) and their chicks take to the water soon after the chicks hatch. The size difference between adult and youngster is evident in this image and shows just how much growing is left for this tiny chick: it is dwarfed by the large bill of the adult next to it. I took this photo as the pair floated incredibly close to my kayak in the soft afternoon light.

Gear and Specs: Nikon D4S with Nikkor 500mm f/4 lens. Focal length 500mm, 1/640 second, f/4, ISO 400.

Gold Award Winner, Bird Behavior: ‘Floral Bathtub’ by Mousam Ray (India)

About this Image: This image was taken at North Bengal Agricultural University in Cooch Behar, West Bengal. To set the scene, here in India autumn days (when the photo was taken) are typically hot and humid – sporadic rains interspersed with sweltering heat – while the nights are cold. I was keen to capture images of Crimson Sunbirds drinking nectar from banana flowers. Typically, these flowers point towards the ground, but in some ornamental species they point skywards and some of their outer petals open up like cups, holding water from rain or dew.

Late one evening, a female Crimson Sunbird suddenly arrived and started sipping nectar. Her thirst quenched, she then started bathing in the water stored in this banana flower petal. It’s quite common to find birds refreshing themselves in the evening, visiting puddles and pools, dipping their heads and wetting their wings and body. However, it was a unique experience to see this sunbird immersing herself upside down in water contained in an ornamental flower petal, like a lady in a bathtub. Her relaxed and indulgent manner, lit by the glow of sunset, was truly a sight to behold.

Gear and Specs: Nikon D500 with Nikkor 300mm f/4 and 1.4x teleconverter. Focal length 420mm, 1/4,000 second, f/7.1, ISO 1,600.

Silver Award Winner, Bird Behavior: ‘The Face of Death’ by Massimiliano Apollo (Italy)

About this Image: After many years of frequenting these rice fields in northern Italy, I finally managed to capture what is for me the perfect shot! In late summer, prior to migrating south, the region’s Purple Herons try to feed as much as possible and take advantage of the abundance of prey present in the rice fields.

I had long dreamt of a shot like this, one that would allow me to see the expressions of the two subjects – predator and prey. I can also say with some satisfaction that this shot is completely wild and no form of baiting was employed – just a lot of patience, perseverance and, why not, a little luck!

Gear and Specs: Sony A9 II with Canon 600mm f/4 lens and 1.4x teleconverter. Focal length 840mm, 1/2,000 second, f/6.3, ISO 3200.

Bronze Award Winner, Bird Behavior: ‘Entangled’ by Julie Halliday (Falkland Islands)

About this Image: In the past, the Imperial Shag went by the name of King Cormorant. This subantarctic and Antarctic species breeds in dense colonies, and on the Falkland Islands it favours gentle cliff-top slopes, often mixing with Southern Rockhopper Penguins and Black-browed Albatrosses.

Imperial Shags use various displays to reinforce pair-bonds, ranging from head-wagging, gargling and kinking their necks, to making throat-clicking noises and nibbling or biting the tips of the bill. This pair allowed a close approach, and as one came in to land, they went through a ritual courtship greeting.

Gear and Specs: Canon EOS 5D Mark III with Canon 70–200mm f/2.8 II lens and 2x teleconverter. Focal length 400mm; 1/1,600 second; f/5.6; ISO 250.

Gold Award Winner, Birds in Flight: ‘Thirsty’ by Tzahi Finkelstein (Israel)

About this Image: Common Swifts live their lives on the wing and are a challenge to capture in flight. With a diet of flying insects, they need to drink from time to time, and even that behavior is performed on the wing. I had had this image – of a swift skimming over water – in my mind for a long time.

I finally found a suitable place to attempt it, and to get the photo I had to sit in water wearing a wetsuit, shrouded by a portable hide, every day for three weeks. Eventually, I got this photo on the final day – the day after the birds had all gone.

Gear and Specs: Nikon D500 with Nikkor 300mm f/4 PF lens. Focal length 300mm, 1/4,000 second, f/7.1, ISO 1,800.

Silver Award Winner, Birds in Flight: ‘The Art of Motion’ by Nicolas Reusens (Spain)

About this Image: This image is one of my favorite shots from my last trip to Ecuador. Using a complicated set-up, I was able to trigger two sets of flashes during a single exposure, using a shutter speed of 1/25 second. I then tried to introduce a sense of movement into the image by adding continuous lighting to the scene. After three days of photographic attempts to get a single picture with an intense atmosphere, this is what I achieved. I hope it was worth it!

Gear and Specs: Canon R6 with Laowa 100mm f/2.8 Macro lens. Focal length 100mm, 1/25 second, f/13, ISO 200.

Bronze Award Winner, Birds in Flight: ‘First Come, First Served’ by Hannes Lochner (South Africa)

About this Image: This image captures the moment when two Southern Yellow-billed Hornbills chase after the same insect in a mid-air competition. In hornbill society, there appears to be no such thing as a fair fight, and the slower of the two birds played dirty by grabbing the tail feathers of the other. In spite of this cheating, the attempt failed, so maybe there is some justice after all in the world of hornbills!

Gear and Specs: Nikon D850 with Nikkor 70–200mm f/2.8 lens. Focal length 120mm, 1/5,000 second, f/4, ISO 200.

Articles: Digital Photography Review (dpreview.com)

 
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See the Stunning Nature TTL Photographer of the Year Winners

04 Jun

The post See the Stunning Nature TTL Photographer of the Year Winners appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Nature TTL Photographer of the Year Winners

The Nature TTL Photographer of the Year 2021 winners have been announced, featuring a mix of wildlife, landscape, and macro photos – all of them breathtaking.

More than 8000 images fought for the £1500 grand prize. In the end, it was Thomas Vijayan’s gripping photo, entitled “The World Is Going Upside Down,” that won the judges’ hearts and secured Vijayan the Nature TTL Photographer of the Year title:

Nature TTL Photographer of the Year Winners
The World Is Going Upside Down – Overall Winner, Animal Behavior Winner
© Thomas Vijayan / Nature TTL

Vijayan explained, “After spending a few days in Borneo, I got this frame stuck in my mind. To get this shot, I selected a tree that was in the water, so that I could get a good reflection of the sky and its leaves on the tree. The water formed a mirror, making the image look upside-down. Then I climbed up on the tree and waited for hours. This is a regular path for the orangutans to use, so patience would surely pay off.”

Vijayan’s image stands out thanks to its surreal composition, astonishing perspective, and intense intimacy. And it is in good company: in addition to the grand prize, judges awarded prizes in nine different categories to an astounding group of images, some of which are displayed below.

If you love nature photography or you’re after some powerful nature photography inspiration, then I recommend you check out the winning photos below. And to see additional winning images or to learn more about the Nature TTL Photographer of the Year competition, head over to the Nature TTL website.

Nature TTL Photographer of the Year Winners
Fish Caught by Surprise – Animal Behavior Runner-Up
© Johan Wandrag / Nature TTL
Nature TTL Photographer of the Year Winners
Silhouetted Wood Mouse – Camera Traps Winner
© John Formstone / Nature TTL
Nature TTL Photographer of the Year Winners
Pine Marten in an Abandoned Cottage – Camera Traps Runner-Up
© James Roddie / Nature TTL
Nature TTL Photographer of the Year Winners
Tree of Life – Landscapes Winner
© Jay Roode / Nature TTL
Nature TTL Photographer of the Year Winners
Bouquet of Flowers – Landscapes Runner-Up
© Fanny Reed / Nature TTL
Nature TTL Photographer of the Year Winners
Dance of the Termites – Small World Winner
© James Gifford / Nature TTL
Nature TTL Photographer of the Year Winners
Nature’s Pitfall – Runner-Up
© Samantha Stephens / Nature TTL
Nature TTL Photographer of the Year Winners
The Eye – The Night Sky Winner
© Ivan Pedretti / Nature TTL
Nature TTL Photographer of the Year Winners
Sleeping Dragon – The Night Sky Runner-Up
© Amos Ravid / Nature TTL
Nature TTL Photographer of the Year Winners
Manta Space Ship – Underwater Winner
© Grant Thomas / Nature TTL
Nature TTL Photographer of the Year Winners
Round – Underwater Runner-Up
© Zhi’yue Shi / Nature TTL
Nature TTL Photographer of the Year Winners
Winged Family Members – Urban Wildlife Winner
© Kallol Mukherjee / Nature TTL
Nature TTL Photographer of the Year Winners
The Fox of Arabia – Urban Wildlife Runner-Up
© Mohammad Murad / Nature TTL
Nature TTL Photographer of the Year Winners
Sleepy Polar Bear – Wild Portraits Winner
© Dennis Stogsdill / Nature TTL
Nature TTL Photographer of the Year Winners
The Cauldron of Creation – Wild Portraits Runner-Up
© James Gifford / Nature TTL
Nature TTL Photographer of the Year Winners
Spoilt for Choice – Young Overall Winner, Under 16 Winner
© Thomas Easterbrook / Nature TTL
Nature TTL Photographer of the Year Winners
Fight in the Mountains – Under 16 Runner-Up
© Raphael Schenker / Nature TTL

The post See the Stunning Nature TTL Photographer of the Year Winners appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Slideshow: Winning photos from the Pink Lady Food Photographer of the Year 2021 contest

07 May

Winning photos from the Pink Lady Food Photographer of the Year 2021 contest

Editor’s note: There are images in this gallery that show animal carcasses being butchered (slide 8 and 9, in particular). Keep this in mind going forward if you would rather not see this content.


The winning photographs for the Pink Lady Food Photographer of the Year 2021 contest have been announced, with the overall prize being taken by Chinese photographer Li Huaifeng for their photograph Taste, which shows a young family enjoying a meal in their home as the sun cast rays through the smoke-filled room.

The Pink Lady Food Photographer of the Year awards is celebrating its tenth anniversary. The finalists and winning images were whittled down from nearly 10,500 entries submitted from more than 70 countries around the world.

In lieu of an in-person event, due to the COVID-19 pandemic, the winners were announced in a livestream, which can be watched in its entirety, below:

In addition to the usual categories, this year’s contest also featured a ‘very special category’ to honor Claire Aho, ‘Finland’s greatest woman photographer,’ according to contest organizers. The inaugural winner of the Claire Aho Award for Women Photographers was Marina Spironetti for ‘her magnificent portrait Female Butchers of Panzano – Martina, one of the women trained by Dario Cecchini, world-famous butcher of Panzano.’

As for the judges of this year’s contest, the event organizers say:

This year’s global judging panel, chaired by legendary food photographer, David Loftus, includes Fiona Shields, Head of Photography, Guardian News & Media, Susan Bright, Writer and Curator, Nik Sharma, Cookbook Author and Photographer, Chef Simone Zanoni, Restaurant Le George, Four Seasons Paris, Alison Jacques, Founder, Alison Jacques Gallery and Vitalie Taittinger, President, Champagne Taittinger.

An exhibition for the 2021 finalists will premiere at The Royal Photographic Society in Bristol from November 20 through December 12. Entry is free.

The following gallery will showcase images from twelve of the more than three dozen categories in this year’s contest. You can see all of the finalists and winning images on the Pink Lady Food Photographer of the Year 2021 contest website.

Taste, Overall Winner

Credit: Li Huaifeng via Pink Lady Food Photographer of the Year

Photographer: Li Huaifeng, China

Image Description: The photograph was taken in Licheng, Shanxi, on a warm and sunny day, and shows a young family sharing in the joy of preparing food.

Drying Okra, Bring Home the Harvest

Credit: F. Dilek via Pink Lady Food Photographer of the Year

Photographer: F.Dilek Uyar, Turkey

Image Description: Drying okra flowers in Tokat, Turkey. Women pick okra flowers from the field and arrange them on a rope, then the dried flowers fall and the okra becomes ready to be used in winter

A Grape View, Errazuriz Wine Photographer of the Year – Overall

Credit: Oscar Olivera via Pink Lady Food Photographer of the Year

Photographer: Oscar Oliveras, Spain

Image Description: The photograph captures the filling up of Semillon grapes ready to be pressed at the cellar. It was taken on the first day of the harvest of Sauvignon Blanc at Chateau des Ganfards, in Saussignac, France. The harvesting machine is unloading the fruit into the tractor, ready to take them into the winery for pressing. The tractor is being driven by M. Jean Claude Géraud, the owner of Château des Ganfards. Oscar took the photo whilst working there as a winemaker.

Breakfast at Weekly Market, Food at the Table

Credit: Thong Nguyen via Pink Lady Food Photographer of the Year

Photographer: Thong Nguyen, Vietnam

Image Description: People enjoy their Pho (beef of chicken noodle) for breakfast at a local weekly market.

Making Rice Noodles, Fujifilm Award for Innovation

Credit: Abdul Momin via Pink Lady Food Photographer of the Year

Photographer: Abdul Momin, Bangladesh

Image Description: A worker is inspecting rice noodles if they got dried rightly or not.

Old Friends, Politics of Food

Credit: Sandro Maddalena via Pink Lady Food Photographer of the Year

Photographer: Sandro Maddalena, Italy

Image Description: Tskaltubo – Refugees from the Abkhazian – Georgian conflict gather in the basement of an abandoned sanatorium to share their food. Almost thirty years after the conflict, Abkhazian refugees are still living in abandoned buildings in conditions of poverty.

Female Butchers of Panzano-Martina, The Claire Aho Award for Women Photographers

Credit: Marina Spironetti via Pink Lady Food Photographer of the Year

Photographer: Marina Spironetti, Italy

Image Description: Part of a project about the female butchers at Dario Cecchini’s, the world’s famous butcher from Panzano in Chianti. For some time now, Dario has been training a team of young ladies, who came to Tuscany from all over the world to learn the art of deboning. Traditionally, women butchers have always existed in Tuscany.

Head to Head, The Philip Harben Award for Food in Action

Credit: David Thompson via Pink Lady Food Photographer of the Year

Photographer: David Thompson, Taiwan

Image Description: Taken at Wanhua District night market, Taipei, Taiwan the photo depicts a butcher preparing cuts for the daily traditional market, here seen working on a pigs head cutting out the cheeks.

Family, WFP Storytellers Award

Credit: Ziney Abdulhakim Ibrahim via Pink Lady Food Photographer of the Year

Photographer: Ziney Abdulhakim Ibrahim, Iraq

Image Description: The importance of all family members meeting around one dining table at least once a day, as this habit helps to strengthen family ties and gives family members a sense of emotional warmth and provides an opportunity for dialogue, exchange of ideas and problem-solving.

Orishas Tribal Markets, Young – 11 – 14

Credit: Indigo Larmour via Pink Lady Food Photographer of the Year

Photographer: Indigo Larmour, India

Image Description: The tribal markets in Odisha are some of the most colourful in all of India. Vendors commonly sit on the ground and spread-out vegetables that they are selling.

Spill the Tea, Young – 15 – 17

Credit: Dewi Hollema via Pink Lady Food Photographer of the Year

Photographer: Dewi Hollema, Egypt

Image Description: Men gather round on the side of the street in old Alexandria to share the local gossip with a cup of black sweet tea and snacks. This is a common sight in Egypt where their national drink is enjoyed throughout the day: tea ???.

Articles: Digital Photography Review (dpreview.com)

 
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How to Become a Travel Photographer: Types, Pay, and Skills

05 May

What photographer hasn’t dreamed of traveling the world, visiting exotic destinations, and capturing inspiring images? Imagine the sights you would see, the stories you would have to tell. But how practical is a career path as a travel photographer? Is there really a need? Can you actually make a living? What do you have to do to break into the Continue Reading
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Video: How to improve your compositions, from a photographer who worked with Ansel Adams

27 Apr

Born in 1949, award-winning photographer Huntington Witherill has been a fine art photographer since 1970. Witherill was fortunate enough to have worked with the famous Ansel Adams, among other notable photographers like Wynn Bullock, Steve Crouch, and Al Weber. Over the past 50 years, Witherill has learned a lot about photography. He recently chatted with Marc Silber of Advancing Your Photography to discuss composition.

In the video below, Silber asks Witherill the core areas he considers in terms of composition. Witherill replies, ‘Well, I think as an overriding sort of mantra for composition, I always like to refer to the way Edward Weston described composition, as being the strongest way of seeing.’ Witherill pays attention to everything in a scene, rather than what attracted him to the scene in the first place. When out shooting, it’s common to be drawn to a specific element of a scene. However, when making a composition, you don’t want to ignore everything in the scene. ‘Finding the strongest way of seeing is really, to my way of thinking, intellectualizing within myself what it is that attracted me to the scene in the first place. And then, doing my best to include all of that within the photograph itself and eliminate everything else out of the photograph,’ Witherill says.

In the video above, Witherill refers to an article he wrote in 2019, ‘The Strongest Way of Seeing.’ In this article, Witherill writes, ‘When it comes to the art of creating successful photographs, formulating an effective composition must surely be at (or near) the top of the list in terms of relative importance.’ He goes on to say when discussing whether or not there are prescribed rules of composition which could always prove successful, ‘As it also turns out, knowing where best to point your camera requires a skill set whose precepts appear to be instinctively derived, rather than intellectually prescribed. What might work in one situation can often prove disastrous in another. As such, employing a formulaic approach to composition will, more often than not, prove ineffectual.’

However, that is not to say that trying to improve your composition or that learning more about composition is a fool’s errand. While Witherill doesn’t believe that composition is a skill that can be taught in a rote fashion, he believes there are steps you can take to make it easier to ‘see’ composition in the field. Witherill likes to squint at a scene, which makes it easier to see the overall shapes and arrange a composition, as you are no longer able to focus on the finer details.

To learn more of Huntington Witherill’s tips for composition, watch the full video above. To view more of Witherill’s work, visit his website. For more videos from Marc Silber, visit the Advancing Your Photography YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
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The 3 Must-Have Camera Lenses Every Photographer Should Own

26 Apr

The post The 3 Must-Have Camera Lenses Every Photographer Should Own appeared first on Digital Photography School. It was authored by Guest Contributor.

3 must-have lenses every photographer should own

What are the essential camera lenses every photographer must have?

In this article, I’m going to share the three key lenses that no photographer should be without. These recommendations come from personal experience; I rely heavily on these three lenses in my own photography.

They offer enough versatility to shoot in almost any situation, and they’re available for just about every camera system and lens mount on the market, from DSLR to mirrorless, from Nikon to Sony.

So if you’re ready to discover the must-have camera lenses for every photographer, let’s dive right in, starting with…

1. The general-purpose zoom

must-have camera lens standard zoom

A general-purpose (standard) zoom goes from around 18mm to 70mm. At the wide end, you get an expansive field of view for environmental shots. And at the long end, you get a field of view close to that of the human eye.

These zooms are hugely popular and come in many shapes and sizes. For instance, you can grab an 18-55mm kit lens or a (more expensive) 24-70mm lens.

Out of all my lenses, a standard zoom sits on my camera the most. It lets me shoot fairly wide while also offering decent zoom for objects off in the distance. You can shoot landscapes at 18mm, environmental portraits at 24mm, street shots at 50mm, and tighter portraits in the 60mm+ range.

Ideally, your general-purpose zoom packs a wide maximum aperture for low-light shooting and precise depth of field control (f/2.8 is best, but f/4 also works). Of course, if you can’t yet afford a wide-aperture zoom, that’s okay; a standard kit lens will work fine in most situations.

Consider these general-purpose zooms from Canon:

  • Canon EF-S 18-55mm f/4-5.6 IS STM
  • Canon EF 24-70mm f/4L IS
  • Canon EF 24-70mm f/2.8L II USM
  • Canon RF 24-70mm f/2.8L IS USM

These general-purpose zooms from Nikon:

  • Nikon AF-S DX 18-55mm f/3.5-5.6G II
  • Nikon AF-S 24-70mm f/2.8G
  • Nikon Z 24-70mm f/2.8 S
  • Nikon Z 24-70mm f/4 S

And these general-purpose zooms from Sony:

  • Sony 16-50mm f/3.5-5.6 OSS
  • Sony 24-70mm f/2.8 GM
  • Sony 24-70mm f/4 Vario-Tessar OSS

2. The macro lens

must-have camera lens 85mm macro

A macro lens lets you get up close and personal to your subject so you can capture stunning details of insects and flowers – as well as close-ups of clothing, jewelry, and more.

Note that the length of your macro lens isn’t as important as its magnification capabilities (a 1:1 magnification ratio or higher is best; it’ll let you get insanely close to your subjects).

I currently keep a 50mm f/2.8 macro in my bag because it’s small and light. I carry it around with me all the time, and when I need it, I whip it out for a detail shot or two. My macro lens also doubles as a decent portrait lens (it’s very sharp and the f/2.8 maximum aperture provides a shallow depth of field). And the level of detail you can get when shooting objects up close is fantastic.

Having a macro lens opens up a whole new world of tiny objects to photograph. Also, if you do any type of product photography (jewelry, food, etc.), this lens will allow you to capture a much greater level of detail than is possible with non-macro lenses.

Consider these macro lenses from Canon:

  • Canon EF 100mm f/2.8L IS Macro
  • Canon RF 85mm f/2 Macro IS STM
  • Canon EF-S 35mm f/2.8 Macro IS STM

These macro lenses from Nikon:

  • Nikon AF-S Micro 60mm f/2.8G
  • Nikon AF-S Micro 105mm f/2.8G VR

And these macro lenses from Sony:

  • Sony 90mm f/2.8 Macro G OSS
  • Sony 30mm f/3.5 Macro

3. The telephoto zoom

telephoto zoom essential camera lens

The most useful telephoto zooms span from around 70mm to 200mm – so you can capture standard field of view shots on the wide end and tight shots on the long end.

For instance, you might shoot full-body portraits at 70mm, tighter landscapes at 150mm, and headshots at 200mm. You can also use a 70-200mm lens to photograph sports, architecture, weddings, and more.

Regarding the maximum aperture: f/4 is acceptable and will get you decent low-light capabilities plus a shallow depth of field (especially when shooting at 200mm). But an f/2.8 maximum aperture is the holy grail of 70-200mm lenses; the depth of field is gorgeous at f/2.8, plus you can shoot indoors for basketball games, wedding ceremonies, graduations, etc.

The wider aperture will also let you shoot at faster shutter speeds so you can capture moving subjects such as birds and other wildlife. And a 70-200mm lens is a handy portrait lens; the focal length minimizes distortion and narrows the field of view to fill the frame with your subject.

So check out these telephoto zooms from Canon:

  • Canon RF 70-200mm f/2.8L IS
  • Canon RF 70-200mm f/4L IS
  • Canon EF 70-200mm f/2.8L IS III
  • Canon EF 70-200mm f/4L IS II

These telephoto zooms from Nikon:

  • Nikon Z 70-200mm f/2.8 S
  • Nikon AF-S 70-200mm f/2.8E VR
  • Nikon 70-200mm f/4G VR

And these telephoto zooms from Sony:

  • Sony 70-200mm f/2.8 GM OSS
  • Sony 70-200mm f/4 G OSS

Wait, what about…?

super-telephoto zoom must-have camera lens

I am sure that many of you reading this have other lenses you would consider essential.

For instance, a fast 50mm prime is great for portraits and street shots. A wide-angle zoom is perfect for landscape, architecture, and environmental portraits. A longer zoom lets you capture ultra-tight landscapes, birds, wildlife, and sports.

And it’s true:

All of those lenses are great to own.

But I’m trying to give you the three lenses that are most useful for every photographer, including folks who are new to photography or who have just bought their first camera.

And if you’re new to photography, these three lenses will give you the versatility to shoot in almost any situation.

You can use them for:

  • Family gatherings
  • Sports
  • Wildlife
  • Insects
  • Flowers
  • Landscapes
  • Events
  • Street scenes
  • Portraits

Then, once you hone in on the type of photography that most interests you, you might find that other lenses are essential for that specific subject – but until then, these are the lenses you should be carrying.

3 must-have camera lenses: conclusion

Well, there you have it:

The three camera lenses that every photographer should have, especially when starting out.

If you already own these lenses, great! And if not, consider adding them to your wish list.

Now over to you:

What lenses would you include on your own must-have lens list? Share your thoughts in the comments below!

About the author: Chris Folsom is a hobbyist photographer who spends much of his time photographing abandoned buildings. His photos have been published in newspapers and on numerous websites.

The post The 3 Must-Have Camera Lenses Every Photographer Should Own appeared first on Digital Photography School. It was authored by Guest Contributor.


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How to Become a Real Estate Photographer + is it Worth it?

14 Apr

Real estate photography is often the underdog of the photography world, living under the shadow of the more glamorous photography niches like headshots, portraiture, or landscape. Real estate photography can be not only fun, but also profitable. In this article, we’ll discuss how you can become a real estate photographer and also if it is worth it for you. How Continue Reading
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See the Stunning Bird Photographer of the Year 2021 Finalists

09 Apr

The post See the Stunning Bird Photographer of the Year 2021 Finalists appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Bird Photographer of the Year finalist

Bird Photographer of the Year, “the world’s most prestigious bird photography competition,” has announced a handful of 2021 finalists. 

BPOTY 2021 features stunning bird photography from entrants around the world; this year, the contest received 22,000 submissions spanning 73 countries, all competing for a £5,000 grand prize plus category prizes from sponsors such as Swarovski Optik and F-Stop Gear.

Bird Photographer of the Year finalist
© Mario Suarez Porra / Bird Photographer of the Year

While the contest winners won’t be revealed until September 1st, the released images represent some of Bird Photographer of the Year’s best submissions, though not all finalists have been announced. According to BPOTY, these images are simply a “sneak preview of what is still to come.”

Bird Photographer of the Year finalist
© Mark Williams / Bird Photographer of the Year

The BPOTY Director, Will Nicholls, notes, “The standard of photography was incredibly high, and the diversity in different species was great to see. Now the judges are going to have a tough time deciding the winner of the competition!”

For those interested in entering: While the 2021 contest is closed to submissions, the 2022 competition will open before the year is out. 

Bird Photographer of the Year finalist
© Gábor Li / Bird Photographer of the Year

To learn more about the current and future competition and to view past winners, head over to the Bird Photographer of the Year website.

Now, without further ado, let’s take a look at a collection of stunning BPOTY 2021 finalists. And when you’re done, leave a comment letting us know which image was your favorite!

Bird Photographer of the Year finalist
© Thomas Vijayan / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Taku Ono / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Anupam Chakraborty / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Daphne Wong / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Tzahi Finkelstein / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Aguti Antonio / Bird Photographer of the Year
Bird Photographer of the Year finalist
© David White / Bird Photographer of the Year
Bird Photographer of the Year finalist
© James Wilcox / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Zdenek Jakl / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Andy Parkinson / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Amanda Cook / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Brad James / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Raymond Hennessy / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Irma Szabo / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Fahad Alenezi / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Irene Waring / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Scott Suriano / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Diana Schmies / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Mark Sisson / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Tom Schandy / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Gail Bisson / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Daniela Anger / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Terry Whittaker / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Øyvind Pedersen / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Li Ying Lou / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Daniel Zhang / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Brian Matthews / Bird Photographer of the Year
Bird Photographer of the Year finalist
© Eirik Grønningsæter / Bird Photographer of the Year

The post See the Stunning Bird Photographer of the Year 2021 Finalists appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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See the Wildlife Photographer of the Year People’s Choice Award Winners

13 Feb

The post See the Wildlife Photographer of the Year People’s Choice Award Winners appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The Natural History Museum in London just announced their Wildlife Photographer of the Year People’s Choice Award winner plus four highly commended images, and they are stunning.

Over 55,000 votes were cast. Here is the overall favorite photo, “Bushfire,” by Robert Irwin:

Robert Irwin / Wildlife Photographer of the Year
Robert Irwin / Wildlife Photographer of the Year

As explained by the Natural History Museum:

“After spotting smoke billowing out of the horizon, Robert knew he had a prime opportunity. Launching his drone, he sent it straight over to the location of the fire. With only a few minutes of battery left, he knew he had to act fast. Taking it right into the thick of the smoke, he managed to frame a clear 50:50 shot, with a pristine natural conservation area on one side juxtaposed with the blackened, devastated remains on the other. Taken near the Steve Irwin Wildlife Reserve in Cape York, Queensland, the area is of high conservation value and is home to over 30 different ecosystems with many endangered species.”

Robert goes on to comment:

“I am incredibly excited to win the Wildlife Photographer of The Year People’s Choice Award. For me, nature photography is about telling a story to make a difference for the environment and our planet. I feel it is particularly special for this image to be awarded, not only as a profound personal honor but also as a reminder of our effect on the natural world and our responsibility to care for it.”

The four “Highly Commended” images are equally inspiring.

First, Ami Vitale’s heartbreaking photo, entitled “The Last Goodbye:”

Ami Vitale / Wildlife Photographer of the Year
Ami Vitale / Wildlife Photographer of the Year

“Joseph Wachira comforts Sudan, the last male northern white rhino left on the planet, moments before he passed away at Ol Pejeta Wildlife Conservancy in northern Kenya. Suffering from age-related complications, he died surrounded by the people who had cared for him. With every extinction we suffer more than loss of ecosystem health. When we see ourselves as part of nature, we understand that saving nature is really about saving ourselves. Ami’s hope is that Sudan’s legacy will serve as a catalyst to awaken humanity to this reality.”

Then Andy Parkinson’s gorgeous image, called “Hare Ball:”

Andy Parkinson / Wildlife Photographer of the Year
Andy Parkinson / Wildlife Photographer of the Year

“Andy spent five weeks watching the mountain hares near Tomatin in the Scottish Highlands, waiting patiently for any movement – a stretch, a yawn or a shake – which typically came every 30 to 45 minutes. As he watched, frozen and prostrate, with 50 to 60 mph winds surging relentlessly around him, the cold started to distract and his fingers clasping the icy metal camera body and lens began to burn. Then relief came as this little female moved her body into a perfect spherical shape. A movement of sheer joy. Andy craves such moments: the isolation, the physical challenge and, most importantly, time with nature.”

Next, Guillermo Esteves’s “Close Encounter:”

Guillermo Esteves / Wildlife Photographer of the Year
Guillermo Esteves / Wildlife Photographer of the Year

“The worried-looking expression on this dog’s face speaks volumes and is a reminder that moose are large, unpredictable wild animals. Guillermo was photographing moose on the side of the road at Antelope Flats in Grand Teton National Park, Wyoming, USA, when this large bull took an interest in the furry visitor – the driver of the car unable to move it before the moose made its approach. Luckily, the moose lost interest and went on its way after a few moments.”

And finally, Neil Parkinson’s “Drey Dreaming:”

Neil Parkinson / Wildlife Photographer of the Year
Neil Parkinson / Wildlife Photographer of the Year

“As the weather grew colder, two Eurasian red squirrels (only one is clearly visible) found comfort and warmth in a box Neil had put up in one of the pine trees near his home in the Scottish Highlands. In the colder months, it’s common for the squirrels, even when unrelated, to share dreys. After discovering the box full of nesting material and in frequent use, Neil installed a camera and LED light with a diffuser on a dimmer. The box had a lot of natural light so he slowly increased the light to highlight his subjects – and using the WiFi app on his phone he was able take stills from the ground.”

The Natural History Museum in London is currently closed. But when it reopens, you’ll be able to view the physical images – along with other Wildlife Photographer of the Year photos – in person.

Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London.

The post See the Wildlife Photographer of the Year People’s Choice Award Winners appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Texas report details the harsh realities, risks of being a wedding photographer during the COVID-19 pandemic

17 Dec

A recent report of out South Texas reveals the harsh reality of being a wedding photographer in the middle of the COVID-19 pandemic in the United States. In an article titled ‘Texas Wedding Photographers Have Seen Some $ #!+’ shared by Texas Monthly, reporter Emily McCullar tells the story of a wedding photographer who was diagnosed with COVID-19 after it was revealed the groom of the party had tested positive for COVID-19 and didn’t inform the wedding photographer.

The photographer, who remains unnamed throughout the article, was informed of the groom’s positive diagnosis by a bridesmaid in the party. But not before the photographer had spent ‘an hour or two inside the unmasked wedding party’ taking photographs. The photographer said ‘[the bridesmaid] was looking for me to be like, “Oh, that’s crazy,” like I was going to agree with her that it was fine.’

That wasn’t the case though. The photographer suffers from asthma, a serious comorbidity factor that can increase the risks of a positive COVID-19 diagnosis. Additionally, the photographer has three kids and a husband at home that she didn’t want to infect, should she end up COVID-19 positive.

After discovering the groom’s secret, the photographer and her assistant left. Texas Monthly notes ‘her exit was tense.’ ‘The wedding planner said it was the most unprofessional thing she’d ever seen […] Bridesmaids accused her of heartlessly ruining an innocent woman’s wedding day.’ The photographer even recollected a bridesmaid telling her ‘I’m a teacher, I have fourteen students. If I’m willing to risk it, why aren’t you?’

After leaving, the photographer ‘canceled her Thanksgiving plans with family, sent her kids to relatives’ houses so they wouldn’t get sick, and informed the brides of her upcoming weddings that she’d be subcontracting to other shooters,’ says Texas Monthly. Sure enough, a few days after the wedding, the photographer started feeling symptoms and eventually tested positive for the novel coronavirus.

The photographer said the couple whose wedding she was photographing ‘didn’t care’ about the diagnosis and ‘didn’t offer to compensate her for the test, nor did they apologize for getting her sick.’

The article goes on to point out that this incident is far from an isolated one. As you browse through the hashtag ‘#TexasWedding’ on Instagram, there are a handful of images that show groups of friends and family celebrating matrimony with what appears to be little regard for protocols suggested for mitigating the spread of COVID-19, a disease that’s confirmed to have killed over 302,000 individuals in the United States alone.

A screenshot of a few images that show up when you search ‘#TexasWedding’ on Instagram. Faces have been blurred for privacy sake.

The report details statements from other photographers, who share their experiences trying to shoot weddings throughout the pandemic. A reoccurring theme is a lack of masks, proper social distancing and little means of sanitation options, such as hand sanitizer.

As for the original wedding photographer, she recalled a heartbreaking conversation she had with a bridesmaid at the wedding:

‘I have children,’ she told a bridesmaid, ‘What if my children die?’ The bridesmaid responded, ‘I understand, but this is her wedding day.’

The report notes that not all wedding anecdotes it came across from photographers were as reckless as the featured one, but even in the anecdotes that featured more responsible weddings, nearly half of the guests were unmasked, including those who had high risk factors. While Texas reduced the size of wedding gatherings — from 500 to 250 individuals — there’s still plenty of risk in having that many individuals together at a single venue.

Vaccines are being distributed around the globe, but according to experts on the matter, it will still be a while before anything gets back to ‘normal,’ whatever that may look like. And until then, this unfortunate reality is what many wedding photographers (and other professions) will have to face as the death toll continues to rise, particularly in the United States.

Articles: Digital Photography Review (dpreview.com)

 
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