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Samsung unveils massive 30TB solid state drive, the world’s largest SSD

20 Feb
Photo: Samsung

Samsung has reached another solid state storage milestone with its newly-announced Serial Attached SCSI PM1643 30TB SSD. The drive, which was developed for enterprise use, has double the capacity of the 15.36TB SSD Samsung introduced in early 2016. The company packed 512Gb V-NAND chips alongside 1TB NAND flash packages into the new drive, the combination enabling it to offer a 30TB capacity in a 2.5-inch form factor.

“With our launch of the 30.72TB SSD,” Samsung’s Jaesoo Han explained, “we are once again shattering the enterprise storage capacity barrier, and in the process, opening up new horizons for ultra-high capacity storage systems worldwide.”

In addition to hitting a record capacity, Samsung explains that its PM1643 is the first SSD to feature Through Silicon Via (TSV)-applied DRAM, which totals 40GB in this model. The company also managed to include an endurance level that supports writing 30.72TB of data to the drive every day for five years (the warranty period) without failure, an error correction code (ECC) algorithm for reliability, software offering sudden power failure and metadata protection, and sequential read/write speeds up to 2,100MB/s and 1,700MB/s.

Photo: Samsung

Samsung plans to offer other versions of this drive with capacities ranging from 800GB to 15.36TB. As for the 30.72TB model, the South Korean company explains that it started producing “initial quantities” of the drive last month, with lineup expansion planned for later in 2018.

The drive price isn’t listed, but we’re less excited about this specific drive (since it’s an enterprise drive) and more excited about the tech trickling down into consumer-focused higher capacity SSDs that photographers and videographers can use for backups.

Read the full press release below for more details about these drives.

Samsung Electronics Begins Mass Production of Industry’s Largest Capacity SSD – 30.72TB – for Next-Generation Enterprise Systems

New ‘PM1643’ is built on latest 512Gb V-NAND to offer the most advanced storage, featuring industry-first 1TB NAND flash package, 40GB of DRAM, new controller and custom software

Korea on February 20, 2018 – Samsung Electronics, the world leader in advanced memory technology, today announced that it has begun mass producing the industry’s largest capacity Serial Attached SCSI (SAS) solid state drive (SSD) – the PM1643 – for use in next-generation enterprise storage systems. Leveraging Samsung’s latest V-NAND technology with 64-layer, 3-bit 512-gigabit (Gb) chips, the 30.72 terabyte (TB) drive delivers twice the capacity and performance of the previous 15.36TB high-capacity lineup introduced in March 2016.

This breakthrough was made possible by combining 32 of the new 1TB NAND flash packages, each comprised of 16 stacked layers of 512Gb V-NAND chips. These super-dense 1TB packages allow for approximately 5,700 5-gigabyte (GB), full HD movie files to be stored within a mere 2.5-inch storage device.

In addition to the doubled capacity, performance levels have risen significantly and are nearly twice that of Samsung’s previous generation high-capacity SAS SSD. Based on a 12Gb/s SAS interface, the new PM1643 drive features random read and write speeds of up to 400,000 IOPS and 50,000 IOPS, and sequential read and write speeds of up to 2,100MB/s and 1,700 MB/s, respectively. These represent approximately four times the random read performance and three times the sequential read performance of a typical 2.5-inch SATA SSD*.

“With our launch of the 30.72TB SSD, we are once again shattering the enterprise storage capacity barrier, and in the process, opening up new horizons for ultra-high capacity storage systems worldwide,” said Jaesoo Han, executive vice president, Memory Sales & Marketing Team at Samsung Electronics. “Samsung will continue to move aggressively in meeting the shifting demand toward SSDs over 10TB and at the same time, accelerating adoption of our trail-blazing storage solutions in a new age of enterprise systems.”

Samsung reached the new capacity and performance enhancements through several technology progressions in the design of its controller, DRAM packaging and associated software. Included in these advancements is a highly efficient controller architecture that integrates nine controllers from the previous high-capacity SSD lineup into a single package, enabling a greater amount of space within the SSD to be used for storage. The PM1643 drive also applies Through Silicon Via (TSV) technology to interconnect 8Gb DDR4 chips, creating 10 4GB TSV DRAM packages, totaling 40GB of DRAM. This marks the first time that TSV-applied DRAM has been used in an SSD.

Complementing the SSD’s hardware ingenuity is enhanced software that supports metadata protection as well as data retention and recovery from sudden power failures, and an error correction code (ECC) algorithm to ensure high reliability and minimal storage maintenance. Furthermore, the SSD provides a robust endurance level of one full drive write per day (DWPD), which translates into writing 30.72TB of data every day over the five-year warranty period without failure. The PM1643 also offers a mean time between failures (MTBF) of two million hours.

Samsung started manufacturing initial quantities of the 30.72TB SSDs in January and plans to expand the lineup later this year – with 15.36TB, 7.68TB, 3.84TB, 1.92TB, 960GB and 800GB versions – to further drive the growth of all-flash-arrays and accelerate the transition from hard disk drives (HDDs) to SSDs in the enterprise market. The wide range of models and much improved performance will be pivotal in meeting the growing storage needs in a host of market segments, including the government, financial services, healthcare, education, oil & gas, pharmaceutical, social media, business services, retail and communications sectors.

Articles: Digital Photography Review (dpreview.com)

 
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Easy Color Grading With LUTs and Luminar 2018

20 Feb

Focusing on color can help you communicate style and emotion. This approach is often referred to as color grading.

Color grading versus color correction

You may have wondered how this differs from color correction, which is more of a technical adjustment. A tungsten bulb, for example, will produce a color shift in your images that’s warmer than what you’re accustomed to seeing with your eyes. Often you want to adjust that hue, cooling it off a bit so that it appears more natural. That’s a correction.

Color grading, on the other hand, leans toward the artistic. You may want to add or enhance orange tones and teals to create a mood similar to what one would experience in the movies. Exact reality isn’t the goal. It’s more about a creative look that elicits a feeling.

Here’s a simple example. Compare these two portraits. The first picture seems perfectly fine. The rendered colors are similar to what we would perceive if standing there during capture.

Color Corrected Portrait - color grading in Luminar 2018

A reasonably color correct portrait.

The second image is color graded to communicate a style, a look. And even though it isn’t natural by everyday lighting standards, it’s interesting – and probably more engaging than the “correct” color version.

Color Graded Portrait - color grading using LUTs

This version was color graded in Luminar 2018 using Chrono-Steel LUT by Lutify.me.

All image editors are equipped to correct color. But some are better than others at providing the means to manipulate it stylistically. Luminar 2018 is one of those creative applications.

The Power of LUTs

Lookup Tables (LUTs) sound like a technical adjustment. And indeed there is plenty of color science at work under the hood. They are used to precisely shift colors from one spot to another. But those shifts can be stored in a container, such as a “.cube” file, that can be used to color grade an image.

So even though LUTs are precise color science, their recipes can be wonderfully artistic.

Las vegas comparison - Easy Color Grading With LUTs and Luminar 2018

A side by side comparison of this Las Vegas scene shows how color grading can breathe life into an image.

The original version of this Las Vegas scene was serviceable, but certainly not exciting. Nor did it convey the majesty of the building. By color grading with a teal and orange LUT, suddenly the scene comes to life.

Does it look exactly like that in reality? No. But does the image feel like Las Vegas? Definitely more than the original.

Applying LUTs in Luminar 2018

Your gateway to this type of color grading in Luminar 2018 is via the LUT Mapping Filter. You can add this adjustment to your workspace by clicking on the Filters button, and by choosing LUT Mapping from the Professional category.

Adding LUT Mapping - Easy Color Grading With LUTs and Luminar 2018

LUT Mapping is available via the Filters menu in Luminar 2018.

Once the filter has been added to the workspace, click on the popup menu inside the panel to reveal the built-in LUTs (such as Tritone and Kodack chrome 3), or to access LUT files that you may have already added to your computer via Load Custom LUT File.

Before After Color Grading

LUT Mapping Filter - Easy Color Grading With LUTs and Luminar 2018

Luminar comes with built-in LUTs, or you can add your own.

Once you select a LUT, the image is color graded via the LUT’s recipe. You can fine-tune the recipe using the Amount, Contrast, and Saturation sliders. Also, a good companion filter for this color grading with LUTs is HSL, which provides color adjustments for hue, saturation, and luminance.

HSL Filter - Easy Color Grading With LUTs and Luminar 2018

Tips for Effective Color Grading with LUTs

Creating a separate adjustment layer for your color grading provides lots of flexibility. The base layer is used for basic adjustments via the Develop filter and the other tools that you need to establish a good range of tones. The adjustment layer (Layers > Add New Adjustment Layer) contains the LUT Mapping, HSL, and other creative filters. You can then use the blend modes and the opacity slider for precise control over the grading.

Custom Preset - Easy Color Grading With LUTs and Luminar 2018

Saving your LUT as a custom preset provides you with a preview thumbnail as well.

Another handy technique is to save your LUT color grading as a custom preset. Luminar makes this easy. Once you achieve a look that you want to use again, save it as a custom preset. Use the “Save Filters Preset” button in the lower right corner of Luminar. This provides the added benefit of a preview thumbnail for the LUT and its accompanying adjustments. You can create custom presets for all of your favorite LUTs. That’s a real time saver.

LUTs are also terrific for film emulation. There are LUTs for Kodachrome, Polaroid, and B&W film looks. This is a high-quality way to build your own Instagram-like filters, with a pinch of your own creativity added.

Downloading and Organizing More LUT Files

Skylum maintains a LUT downloads page that you can access through Luminar. Click on “Download New LUT Files” in the LUT Mapping popup menu. This will take you to the Skylum LUT catalog.

Download New LUTs - Easy Color Grading With LUTs and Luminar 2018

Once you download a new collection of LUTs, store them in a place that you will remember, such as a LUTs folder in Pictures or Documents. You’ll have to navigate there when you use the “Load Custom LUT File” command in Luminar. The application doesn’t store LUTs for you, so you have to remember where you are.

Bonus tip! Store your custom LUTs in Dropbox so you can access them from any computer.

Save Your Work

If you’re using Luminar 2018 as a standalone app (as opposed to a plug-in or editing extension), then save your favorite color gradings as a Luminar file. This allows you to return to the image and its settings at a future date to continue your work, or to change the color grading to another style.

Make it Look Easy

Your viewers may not realize the techniques that you used to create the enticing color schemes in your images. What they will notice are your style and creativity. Using LUTs can contribute greatly to that pursuit.

Disclaimer: Skylum (formerly Macphun) is a paid partner of dPS.

The post Easy Color Grading With LUTs and Luminar 2018 by Derrick Story appeared first on Digital Photography School.


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Samyang unveils ‘premium’ XP 50mm F1.2 lens for 50MP sensors and 8K capture

20 Feb

It’s official! 24 hours after product photos leaked online, the rumored Samyang/Rokinon XP 50mm F1.2 lens for Canon EF Mount has officially arrived. This is the third so-called “XP” lens—the first two, which were announced in 2016, were the XP 85mm F1.2 and XP 14mm F2.4—which are named for their ‘Excellence in Performance.’ That is: they’re designed to resolve over 50 megapixels for photography purposes, and easily capture crisp 8K video.

Like those lenses, the XP 50mm F1.2 is manual focus and currently only made for the Canon EF mount. It boasts a 9-blade aperture, and is made from 8 groups of 11 lens elements, including one aspherical and one high-refractive lens element that promise to “deliver sharp and vivid images to camera sensors by effectively tuning the light path.”

Finally, Samyang has also included its “ultra multi coating” to help ameliorate flare and ghosting. Here’s a closer look at this lens:

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And here are some sample photos, posted by Samyang on the new XP 50mm F1.2 product page alongside an MTF chart and detailed specs:

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Samyang/Rokinon XP 50mm F1.2 spec sheet

The Samyang XP 50mm F1.2 will be available for purchase in March, at an expected retail price of 950 Euro (and very likely the same price in USD). To learn more, head over to the Samyang Global website.

Press Release

Samyang Optics Launches the Premium Photo Lens- XP 50mm F1.2

February 20th, 2018, Seoul, South Korea – Global optics brand, Samyang Optics (http://www.samyanglensglobal.com) is pleased to unveil the Premium Photo Lens – XP 50mm F1.2 for Canon full frame DSLR cameras. The XP 50mm F1.2 is the third lens of the premium line up, XP series, created under the motto of ‘Excellence in Performance’. The XP 50mm F1.2 lens is expected to expand the brand power of Samyang in the premium lens market thanks to its great image quality, following in the footsteps of the XP 14mm F2.4, XP 85mm F1.2.

The moment of the drama with absolute resolution

This lens, built for DSLR cameras, has a resolution of more than 50 megapixels for photography and 8K for video. The XP 50mm F1.2 manual focus lens enables you to capture those dramatic moments in perfect image quality with a bright F1.2 aperture. In particular, it optimizes for portraits, capturing the delicate change of the eye at the time of a portrait, right down to a strand of hair, and bright and beautiful skin colour. You can express unconstrained depth with the bright aperture, while the 9 blades also deliver beautiful bokeh, starburst, and out-focusing effects. Also, you can even achieve high image quality in low light conditions and indoors thanks to the fast shutter speed

Excellence in Performance

Produced from a total of 11 lenses in 8 groups, you can minimize distortion and various aberrations while producing crystal clear resolution. The special optic lenses, aspherical lens, and high-refractive lens deliver sharp and vivid images to camera sensors by effectively tuning the light path. Also, flare and ghost effects can be well controlled thanks to the ultra multi coating.

Available from March 2018

The absolute resolution XP 50mm F1.2 lens will be available in March at a suggested retail price of EUR 949. To celebrate the launch, Samyang Optics will hold various consumer events on Facebook and Instagram. For more information on the product, visit Samyang Optics’ official website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm’s X-mount has suddenly become a credible option for video

20 Feb

When Fujifilm announced its new Fujinon MK 18-55mm T2.9 and MK 50-135mm T2.9 cinema lenses about a year ago it generated a lot of interest. Fujinon is a respected name in the cinema industry and getting these lenses—based on the company’s much more expensive Cabrio line—for a price in the neighborhood of $ 4,000 was exciting to a lot of people.

Unfortunately, for users of Fujifilm’s own X-mount mirrorless cameras, there was one catch: Fujifilm released the lenses in Sony E-mount.

E-mount? That seemed like a strange choice to people in the camera world.

It’s not so strange when you consider the target market. Sony Super 35 cameras like the FS5 and FS7 are very popular among small production houses, budget filmmakers, and independent producers of various stripes, many of whom can’t afford to spend tens of thousands of dollars on a single lens. As a result, there’s a large addressable market of E-mount shooters who would be interested in this type of product.

We had a chance to use the MK 18-55mm T2.9 when it was introduced and were very impressed. Click here to read our full shooting experience.

X-mount? Not so much. Sure, the X-T2 could shoot 4K video, but came with some big caveats. Video probably wasn’t the feature driving buyers to that camera, especially those serious enough to use cinema lenses for their work.

However, Fujifilm tossed a small easter egg into that announcement: it planned to release the lenses in X-mount (as ‘MKX’ models) by the end of 2017.

However, Fujifilm tossed a small easter egg into that announcement: it planned to release the lenses in X-mount…

While that was a nice bone to throw to its mirrorless customers, it made us wonder if Fujifilm was also giving us a hint of things to come.

Now we know. The new Fujifilm X-H1 is a camera that embraces video – and video shooters – more than any X camera before.

Fujifilm’s cameras don’t have a strong history when it comes to video performance. Early iterations of the company’s video were far from best in class, and in some cases embarrassing.

The Fujinon MK series of lenses were originally released for Sony E-mount (shown here on a Sony FS7 camera), but are now available to X-mount mirrorless camera shooters.

Meanwhile, other companies, such as Panasonic and Sony, overtly courted videographers with cameras that delivered high quality footage and included deep video feature sets.

With the X-H1, Fujifilm now has a camera that’s competitive with just about anything in the DSLR/mirrorless class when it comes to video. It may not MKX-class equipment targeted at working pros, but it holds its own against its peers, with the possible exception of the Panasonic GH5/S. But to be fair, nothing else in this class really holds up to the GH5/S either.

It’s fair to say that Fujifilm shooters no longer need to feel left out in the cold when it comes to video.

It’s fair to say that Fujifilm shooters no longer need to feel left out in the cold when it comes to video

I don’t want to blow this out of proportion. I doubt Fujifilm would have developed the MKX lenses just for the X-H1. It wouldn’t have been worth the sizable development cost, and the E-mount market for these lenses is much larger. The fact that the MK lenses now work on X-mount is a great side benefit, though.

With this set of products in the mix it’s a great opportunity for Fujifilm to test the waters around video. Just a couple years ago, choosing a Fujifilm system for motion picture work was a non-starter. Today, all the pieces seem to be falling into place: high quality 4K/30p, 200Mbps codec, internal F-Log gamma profile, and even a couple high quality cinema lenses. That’s an attractive combination, and I’m sure Fujifilm will be watching to see if it gets traction.

We don’t know whether the Fujinon’s MKX lenses for X-mount signal greater ambitions for Fujifilm, but for the moment it means there’s still a very impressive set of real cinema lenses for Fujifilm’s mirrorless users.

Fujifilm’s decision to focus on the APS-C market may even be helping it here. There’s no pressure to support full frame models, so the company can put its best technologies into flagship APS-C cameras, which will appeal to people wanting to shoot content in the popular Super 35 format. Throw in Fujifilm’s Hollywood-renowned color science, and you have the ingredients for an interesting path forward.

The X-H1 shows that Fujifilm is serious about video. Whether those MKX lenses might signal greater ambitions on the camera side, or are just a pleasant side effect of having already developed them for E-mount remains to be seen.

Until recently, Fujifilm users who wanted to move into the world of video often assumed they would need to migrate to a different system to do so. No longer. Unless you really need the advanced features found in a pro-level video camera, it’s a viable alternative to other DSLR and mirrorless options.

This is a great time to be a Fujifilm shooter, especially if motion pictures are on your brain.

Click here to read our Fujinon MK 18-55mm T2.9 shooting experience

Articles: Digital Photography Review (dpreview.com)

 
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Leaked: Samyang XP 50mm F1.2 EF lens coming soon

20 Feb
Leaked photo via CanonWatch

Nokishita and CanonWatch have both gotten their hands on some leaked photos of an upcoming Samyang/Rokinon lens that is very intriguing indeed. Meet the unreleased Samyang XP 50mm F1.2 EF.

Based on the moniker, we know that it’s part of Samyang’s manual focus eXtreme Performance series of lenses—the third lens to join the party, after the XP 85mm F1.2 and XP 14mm F2.4 announced in September of 2016. And judging by the “EF” at the end of the name, this one will only be made for the Canon-EF mount as well. Here’s a closer look, courtesy of Nokishita on Twitter:

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No word on price or specifications beyond the focal length and max aperture, but Nokishita’s image leaks typically come within 24-48 hours of release, so we expect this lens to make its official debut in the next day or two.

For comparisons’ sake, the XP 85mm F1.2 goes for $ 900, while the XP 14mm F2.4 retails for $ 1,000.

Articles: Digital Photography Review (dpreview.com)

 
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Photographer hit by Olympic skier Lara Gut during wipeout

20 Feb

Embed from Getty Images

//

Swiss Olympic skier Lara Gut crashed during a run last week, and slid directly into a group of sports photographers on the sidelines. While most of them were able to get out of her way in time, one photographer, Sean Haffey, was hit square on. Fortunately, Haffey was quick with his camera and managed to capture multiple excellent shots of Gut as she slid toward him (embedded above).

Neither individual was hurt, but the collision, which was caught on video, still looks pretty intense:

According to Reuters, the crash may have happened due to one of Gut’s skis hitting a gate. She lightheartedly said to reporters after the incident, “No, I‘m OK, I‘m OK. I asked the photographer if he was OK too and he said he was. I think it’s getting scary to be a photographer on skiing hills.”

As for Haffey, Getty told NBC that he and his gear are both fine. “Sean is all OK as is his gear,” said Director and Head of External Communications for Getty Images, Anne Flanagan. “Like a true professional, he was shooting the entire time.”

Articles: Digital Photography Review (dpreview.com)

 
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Our Next Two Strobist X-Peditions:Havana, Cuba and Hanoi, Vietnam

20 Feb

We are back from our inaugural Strobist X-Pedition, which was held last month in Havana, Cuba. The attendees are readjusting to life back on the grid, and busy editing photos and trading stories via email.

Havana X-Pedition, January 2018


Photo by Jeremy Langsky

Our week in Havana was filled with photography, new friends, eye-opening experiences and perhaps even a spot of Cuban rum. Now that we are back, I wanted to send a quick note out to Strobist’s readership both to show off some of the student work and give you a heads-up about plans for next year’s X-Peditions.


Photo by Martin Stephens


Photo by Michael Grigoriev


Photo by Bob Plotkin

Upcoming X-Peditions

If you would like to learn more about our planned X-Peditions for next year, you can read all about them here. We are planning to return to Havana in the winter and then we’re off to Hanoi in the fall. (I am headed to the latter on a shooting/scouting trip in three weeks.)

The info page linked just above is also where to sign up to ensure you’ll get advance notice about next year’s trips. As with 2018’s Havana X-Pedition, these will certainly sell out. There are only 12 slots available for each of the two trips. And because of the advance interest sign-up sheet, they may not be publicly announced.

I hope to see you next year, someplace really interesting.

-David
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How to Make Simple Stickers From Your Photos

20 Feb

When I was a kid a family friend used to pick me up from school and drop me off at home. The friend’s daughter and I always had a roaring time in the back seat, screaming and messing around like kids do. Then one day we were offered stickers for good behavior. And no stickers for bad behavior.

We silently collected a sticker each day and reverently stuck them on the inside of our wardrobes. We’d compare our collection when we visited each other’s houses and swap if we could agree on a fair trade. My friend moved away a long time ago, and I moved out of the family home. But my precious sticker collection remains in what is now my sister’s bedroom. And I’m not shy to admit that I do check in on them from time to time.

What is a sticker?

A sticker is a type of label made up of various materials that have a pressure sensitive adhesive on one side and an image on the other. They’re used for anything from decoration to functional purposes to bribing children. They can adhere to almost anything – walls, cars, clothing, and paper, to name a few.

While stickers are often associated with fun, they have quite a political presence, most commonly in the form of bumper stickers that demonstrate support for ideological or political causes.

How to Make Simple Stickers From Your Photos

A sticky bit of history

The history of stickers is more interesting than you might think. Some historians trace the origin of stickers back to ancient Egyptians where salespeople used a type of adhesive to advertise their wares. There is, however, conjecture about where the modern sticker originated. Some believe it was Sir Rowland Hill who invented the sticker in 1839 when he introduced the self-adhesive postage stamp. Others believe the stickers were created by European food merchants as an advertising technique – much like the Egyptians.

By the 1800s, lithography became the primary method for label making, though it was an expensive and complex process. But technology was moving quickly and toward the end of the century, and the labels became much more intricate and colorful. Labels around this time were affixed with a sticky gum or paste that required the user to lick or wet them before use. In the 1930s, R. Stanton Avery invented pre-cut stickers that didn’t require licking or wetting. As a result, stickers were used in mass as bumper stickers to distribute ideas to as many people as possible.

Because technology continued to streamline the making of labels, stickers exploded in popularity in the 1960s. This was especially the case for kids, who were fascinated by the colors and images. And they’ve “stuck” with us ever since.

Making your own photos into stickers

Making stickers is incredibly simple. You can send images to an online printing company and have a couple hundred stickers delivered to your door in a few days. Homemade stickers are a little different, but they’re more fun to make. They are also more personal, so they make lovely gifts too.

What you will need:

  • A printer
  • Some images on a computer
  • Plain sheets of label paper, not pre-cut
  • Scissors
How to Make Simple Stickers From Your Photos

Plain, un-cut label sheets are available at office supply stores.

How to Make Simple Stickers From Your Photos

Notice that the label paper here isn’t pre-cut into rectangles. This means you can print your images as large or as small as you like.

Method

First of all, open up your label paper. Some label packs come with sheets pre-cut into rectangles. Make sure you purchase sheets that aren’t already divided up. You will need a plain solid sheet of label paper or your images could be cut in half.

How to Make Simple Stickers From Your Photos

I really liked this sign I spotted on a trip overseas, I thought it would make a great sticker too.

Select a few images you are fond of. You could select images you find visually appealing, or perhaps some that hold some significance personally. Insert the label paper as you would a regular sheet of plain paper and print your images out.

How to Make Simple Stickers From Your Photos

Insert the label paper as you would regular paper and print your images out.

How to Make Simple Stickers From Your Photos

Finally, cut out your images and you are ready to go! Your own personal stickers ready to use anywhere you like! Simple, right?

How to Make Simple Stickers From Your Photos

The stickers you make are totally up to you. Find something sentimental or funny, or just gather a few photos you find inspiring.

Get creative

Of course, you don’t have to select your own images to print. Here I’ve sourced some designs for smaller stickers. Simply place your images into a Photoshop document as you would your selection of photographs. After printing simply cut them out and they are ready to go.

How to Make Simple Stickers From Your Photos

How to Make Simple Stickers From Your Photos

After printing this character onto label paper, I found that it made a great sticker for my boring phone case.

For this print of a cute little character named Pipo-Kun, I decided to add a layer of holographic contact paper to make the sticker a little more eye-catching. Peel and stick your original sticker to the front layer of contact paper. Then, when you want to stick your image somewhere, peel off the protective layer on the contact paper and stick it down instead.

Give it a try folks! I’d love to see the results!

The post How to Make Simple Stickers From Your Photos by Megan Kennedy appeared first on Digital Photography School.


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Photos of Tamron 70-210mm F4 lens leaked, announcement February 22nd

20 Feb
Tamron Japan shared this teaser on Instagram, shortly after leaked images of the 70-210mm F4 Di VC USD appeared online.

Tamron is preparing to release a couple of new lenses, teasing one (zoom?) lens last week, and now another, on the Tamron Japan Instagram account. Fortunately, unlike the speculation around last week’s teaser, we pretty much know what Tamron is hinting at in the image above.

That’s because, shortly before this teaser went up, a slew of leaked images of the upcoming Tamron 70-210mm F4 Di VC USD lens popped up online, leaving little doubt that this is the zoom depicted in the contrasty shot above. CanonWatch and Nokishita both got their hands on several leaked shots—CW mostly lifestyle images, Nokishita product shots.

Check them all out in the gallery below:

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As the teaser confirms, this new lens—very likely the 70-210mm F4 seen in the gallery—will be officially announced in three days time, on February 22nd, 2018. We expect the other Tamron lens teased last week to be announced at the same time.

Articles: Digital Photography Review (dpreview.com)

 
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Crypto-art ‘Forever Rose’ photo sells for $1M, making it the world’s most valuable virtual art

20 Feb

A blockchain crypto-art rose titled “Forever Rose” has been sold to a collective of investors for cryptocurrencies with a value equivalent to $ 1,000,000 USD. The collective is composed of 10 investors, each of whom contributed an equal amount toward the digital rose. The artwork is based on Kevin Abosch’s photograph of a rose and was created by Abosch and GIFTO, a decentralized universal gifting protocol.

Blockchain technology is behind cryptocurrencies like bitcoin and rights management platforms like KODAKOne. The tech can also be used for art, as demonstrated by Abosch with “Forever Rose.” Abosch previously sold an image of a potato titled “Potato #345” in 2016 for more than $ 1 million.

More than 150 buyers expressed interest in the Forever Rose, according to a press release detailing the sale. Ten collectors were ultimately chosen using a ballot—the buyers include ORCA Fund, Chinese crypto-investor Ms. Meng Zu, blockchain advisory firm TLDR Capital, and others. Payments were made in IAMA and GTO-by-GIFTO cryptocurrencies, with each buyer paying the crypto-equivalent of $ 100,000 to get 1/10 of the ROSE, an ERC20 token on the Ethereum blockchain.

Forever Rose is believed to currently be the most valuable virtual artwork in the world. The buyers can choose to hold onto their rose tokens, sell them, or give them away. Abosch and GIFTO will donate the sale proceeds to The CoderDojo Foundation, which provides kids around the world with the opportunity to learn coding skills for free.

Press Release

World’s Most Valuable Crypto-Artwork Sells for US$ 1 million

HONG KONG, Wednesday, February 14, 2018 – IN CELEBRATION of Valentine’s Day, the Forever Rose, a crypto-art project produced by world-renowned visual conceptual artist Kevin Abosch and blockchain universal virtual gifting protocol project GIFTO, sold for US$ 1 million worth of cryptocurrency to a group of 10 collectors.

With the sale, the Forever Rose is now the world’s most valuable piece of virtual artwork ever sold, and marks the historical merging of blockchain technology, fine art, and charitable causes.

Due to an overwhelming response with over 150 potential buyers from around the world indicating their interest, the decision was made to allow 10 buyers to buy the Forever Rose, as a way to show how the crypto community can come together to do their part to benefit the underprivileged.

To select the buyers for the Forever Rose, a ballot was held to determine the 10 collectors who can purchase the Forever Rose on 14 February at 14:00 Hong Kong time. These 10 collectors are some of the leading projects and investors in the crypto community. They are:

  • ORCA Fund, the premier digital asset fund in Asia
  • Future Money and Ink, a leading blockchain investment fund and IP asset exchange
  • Node Capital and Jinse Finance, a leading crypto fund and financial media in Asia
  • TLDR Capital, a leading blockchain advisory firm
  • Project Boosto, power global influencers with their own dApps and tokens
  • Project DAC, a platform for decentralized interactive audio
  • Project Nebulas, a search framework for blockchains
  • Project Caring Chain, a decentralized charitable cause platform
  • Ms. Meng Zu, a leading crypto investor in China
  • 1 collector who wishes to remain anonymous

Charles Thach, Managing Partner of ORCA Fund said: “ORCA is honored to support the Forever Rose project, our philosophy of bridging the best of west and east in blockchain industries fits nicely into the ethos of the Rose, and we will continue to contribute back to society via future charitable endeavors.”

Mori Wang, Founder of Project Caring Chain, said: “I believe blockchain technology has a huge potential to transform the entire charitable world, bringing transparency and accountability to projects worldwide. Project Caring Chain is proud to be a part of this historical milestone, the world’s first crypto charitable artwork.”

The cost of the Forever Rose was paid using two cryptocurrencies – GTO by GIFTO and IAMA by Kevin Abosch, with the 10 buyers splitting the cost of the crypto-artwork evenly, with each buyer paying US$ 100,000 in crypto currencies. The Forever Rose is an ERC20 token called ROSE on the Ethereum blockchain that is based on Mr Abosch’s photograph of a rose. The buyers each receives 1/10 of the ROSE token, as ERC20 tokens are divisible. They can then choose to hold their portion, sell it, or give it as a special gift for Valentine’s Day or any other special occasion.

The exact number of tokens required was determined according to their value on 14 February at 10:00 Hong Kong time. All proceeds from the sale will be donated to The CoderDojo Foundation, whose mission is to ensure that every child around the world should have the opportunity to learn code and to be creative with technology in a safe and social environment.

With the donation, Mr Abosch and the GIFTO team aim to inspire future generations to continuously push the boundaries and tap on technology to create a better world, and also to call on the crypto community to use more of the vast wealth created for charitable causes.

Ms Giustina Mizzoni, Executive Director of the CoderDojo Foundation, said: “A huge thank you to both Kevin and the GIFTO team for choosing the CoderDojo Foundation to benefit from this historic project. Technology is rapidly changing the world we live in. We have a duty to ensure that the next generation can not only seize the opportunities presented by this, but also influence and shape its future. Thousands of volunteers around the world are working to ensure this by creating opportunities for young people to code and create through the global CoderDojo movement.”

The Forever Rose project started as a personal collaboration between Mr. Abosch and Andy Tian, founder of GIFTO, as a way to stimulate a deeper discussion on the state of the crypto and blockchain industry, which has captured the world’s attention over the last few months. The project is symbolic of the current massive global popularity of cryptocurrency, and also aims to drive discussion regarding the entry of blockchain technology into the mainstream economy.

After it is sold, a dedicated website will be available to track the value of the artwork based on movements of GTO and IAMA and giving the public a visual representation of the movements and trends in the current cryptocurrency environment. Mr. Abosch and Mr. Tian hope that The Forever Rose will become a symbol of the blockchain and crypto world, and extend an invitation for everyone to participate in the project by recording and submitting their responses on video. Instructions are on the Forever Rose website.

Mr Abosch is most famous for creating and selling his iconic photographic portrait of a potato – “Potato #345” for more than US$ 1 million in 2016, and is much sought after for his portraits of top global celebrities from the entertainment and technology sectors. He has been pushing the limits of visual and conceptual art for most of his career.

He said: “I’m delighted that the crypto world has come together around The Forever Rose to further demonstrate the elegant power of the blockchain as a technology, but more importantly, as an instrument through which goodwill and humanity can be amplified.”

The GIFTO project, which completed the fastest-ever token sale in Asia in 1 min in Dec 2017, is the world’s first universal gifting protocol. GIFTO was created by the makers of Uplive (http://up.live/), one of the most popular live streaming mobile applications in the world with over 35 million users. IAMA Coin is a crypto-art project that Mr Abosch launched recently (http://www.iamacoin.com/), in which the artist himself explores the value of a crypto coin.

Mr Andy Tian, CEO and founder of GIFTO, said: “We are excited that the community has embraced the Forever Rose Project, and has come together for a great cause. We see a lot of parallels between blockchain technology and art, and hope that the Forever Rose can become a historical point marking blockchain moving from an esoteric technology, into the minds and hearts of every day people.”

Articles: Digital Photography Review (dpreview.com)

 
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