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  • Tips for Location Scouting to Get the Perfect Sunset Photograph

    Location scouting to find the ideal spot is just as important as what camera settings you use. Don’t miss this important first step in order to get your perfect sunset photograph.

    Scouting is part of the photography process

    “Hi. Are you a photographer?” a young voice called to me.

    “Hello,” I turned back and replied to a smiling and inquisitive face. It was a little girl with a point-and-shoot camera.

    “Yes, I am,” I nodded in affirmation. The backpack and tripod were a dead giveaway.

    “This is so beautiful,” and after a moment of watching me, “Aren’t you going to take a photo?” the girl continued, as she scrutinized me searching for something in between granite boulders on the beach but not taking photos.

    location scouting

    Composing for the water channel.

    Mother Nature had put on a mesmerizing show of stormy clouds and light at Camps Bay Beach in Cape Town, and it seemed that almost everyone had their cameras and cell phones pointed towards the far horizon. Our brains are programmed to do routine work subconsciously, like changing gears of a car.

    For a landscape photographer, scouting for a good location is part of the job. It can be a challenging, albeit fun routine, and I was doing exactly that an hour prior to what was going to be a stunning sunset. In fact, I find it quite therapeutic to search for a good spot. You pay attention to details and discover small wonders in the process.

    Tips for Location Scouting to Get the Perfect Sunset Photograph

    Lightning strike while location scouting.

    The question from the little girl triggered a lot of possible answers in my mind. “I am trying to make a good photo,” could be one of the answers, but it would have confused her even more, so I told her that I was looking for an interesting pattern of rocks for my sunset shot. My quest resumed after she and I finished chatting.

    Tips for Location Scouting to Get the Perfect Sunset Photograph

    Nature’s wonder.

    What makes a good photo?

    In my journey of landscape photography thus far, I have learned that the main characteristics to look for are good light and composition. After you find these, you need good camera settings and technique to capture the moment.

    What can you do to take a better photo?

    The light is not within your control. But you need to gain knowledge of the terrain, keep an eye on the weather and clouds, and possibly go around dawn or dusk to get softer colors and light.

    The choice of composition is yours based on your own style and preferences. As a landscape photographer, you need to have an aesthetic sense that attracts viewers to your images, a style that will become your own. Composition is a topic in itself, but obviously, the key is choosing a location that provides good subjects (e.g. a waterfall, mountains, icebergs, boulders, trees, rocks) or something that appeals and possibly tells a story.

    Camera settings and techniques come with experience. Do not compare it to the value of the equipment you own – the simplest equipment can take a great shot. The only way you can get better is by taking photos, learning more about the basics, and correcting yourself after making mistakes. If you can invest in the best camera, filters, tripods and other accessories, then that’s a bonus. Whatever equipment you own, you must know its full capabilities and how to make good use of it.

    Tips for Location Scouting to Get the Perfect Sunset Photograph

    Camp Bay boulders.

    How did I make a good photo that day?

    The day I met the girl, I was at one of the most picturesque beaches in the world, Camps Bay. The location and subjects were there, but I still had to work to narrow down my composition for the sunset.

    I needed to make decisions such as; Am I going to set up on the sand or in between the boulders? Should I go on the mossy rocks or stand in the water?

    The light, as per my assessment of the weather forecast, was going to be perfect if the clouds allowed the sun to peek through the horizon. I brought the lens and camera of my choice, filters, shutter release, and tripod to take photos in low light.

    After some exploration, I settled upon a water channel between two massive granite boulders. My test shot looked promising. My hunt for an agreeable foreground was finally over. The water would make interesting patterns through that small ally, and the leaden clouds and orange sun would be my background.

    Tips for Location Scouting to Get the Perfect Sunset Photograph

    Test shot with minimal post-processing.

    I took another test shot and soon realized that the sun was going to be behind the boulder on the left, and I would miss it in my photo as I had miscalculated the angle. I re-evaluated the scene and adjusted my perspective to align the composition with the drowning sun. Careful use of camera settings, a polarizer, and a soft graduated ND filter yielded a result that I was satisfied with. Mission accomplished!

    Tips for Location Scouting to Get the Perfect Sunset Photograph

    The water channel.

    Conclusion and video

    As you will see in the video (and image) below, I took an additional photo of this channel from a higher vantage point as well.

    So the next time you see a landscape photographer rushing to and fro on a location, you must know that he is busy making a photo, as pressing the shutter button is only the last part of the job!

    I hope these tips are helpful. Please share your questions and comments below.

    Tips for Location Scouting to Get the Perfect Sunset Photograph

    Water channel from above.

    The post Tips for Location Scouting to Get the Perfect Sunset Photograph by Mujahid Urrehman appeared first on Digital Photography School.


    Digital Photography School

  • Sigma releases updated firmware for 30mm F1.4 APS-C lens for Sony E-mount

    Sigma has released an updated firmware version for its 30mm F1.4 APS-C lens for the Sony E-mount. Firmware version 0.2 brings the following improvements:

    • Improved peripheral brightness correction when an aperture value of F1.7 is selected on the Sony a6300 camera.
    • Fixed the AF operation when using focus points in peripheral areas of the frame with the Sony a6300 camera
    • Fixed freezing and not properly operating touch focus feature on the Sony a5100 camera 

    Firmware Version 0.2 for the Sigma 30mm F1.4 APS-C lens for Sony E-Mount can now be downloaded from the Sigma support website. 

    Articles: Digital Photography Review (dpreview.com)

  • Dude Be Nice – Mastering the Art of Constructive Criticism

    Several years ago, one of the local high schools near me put on an anti-bullying campaign called “Dude, Be Nice!” During the time that the campaign was going on, I’d often see students, parents, and teachers wearing navy blue t-shirts with the slogan in huge white lettering across the front. I loved seeing those shirts around town because they served as a reminder to me that I almost always have a choice as to whether my words tear someone down or build them up.

    Since then, the phrase “Dude, Be Nice!” has become a kind of life motto for me (I even managed to get my hands on one of those t-shirts), and I think it is an especially relevant foundation for learning how to offer quality feedback in photography. Being nice is always the most important part in offering constructive criticism that is meaningful and will be heard.

    Here are a few other tips that will help you master the art of constructive criticism:

    Be Conscious of the Setting

    Dude Be Nice - Mastering the Art of Constructive Criticism

    Have you ever seen a photographer share an image on social media, saying how much they love this particular image, only to have some random person comment with criticism? Sometimes the comments may be constructive criticism, other times they’re just plain criticism like, ‘This photo sucks, and you’re a terrible photographer.” We don’t need to get into the dynamics of what might cause someone to leave the latter sort of comment because that’s just not worth any of our time.

    One thing that we should spend a bit of time thinking about is whether the person you’re responding to is actually asking for constructive criticism. There are a lot of great Facebook groups for new photographers to give and receive constructive criticism. That’s an appropriate place to offer thoughtful feedback about another person’s image. However, a photographer’s personal Facebook page may not be an appropriate place for that sort of feedback. You obviously have the freedom to say whatever you’d like, but I’d argue that offering criticism (even if it is constructive) when it hasn’t been asked for is very rarely helpful.

    Use a Compliment Sandwich

    Dude Be Nice - Mastering the Art of Constructive Criticism

    Most of us have heard about the concept of a compliment sandwich before. This idea isn’t new or groundbreaking, but I want to reiterate just how effective it can be in terms of providing constructive criticism that is actually heard by the recipient. For example, if we take my own image above, here’s an example of how to offer the same piece of criticism in several different ways:

    Straight Criticism: Your composition sucks. The baby should be either in the center or following the rule of thirds.

    Constructive Criticism: The photo would be stronger if you composed it differently. I would have put the baby in the center of the frame so that there was the same amount of greenery on either side.

    Compliment Sandwich:  The vibrant colors of the flowers are a really unique and fun contrast to the usual neutrals you see in newborn photos, I like it a lot! One thing that could make the image stronger would be to adjust your composition so that the baby is in the center of the frame. Or, you could adjust the other direction so that the baby is more off-center, following the rule of thirds, which would make your composition look more intentional instead of accidental. Overall though, good job on exposure, focus, and coloring!

    As you can see, the essential criticism is the same in all three examples. However, when you use a compliment sandwich, that same criticism is framed in a way that serves to build the recipient up which will make it more likely that they are able to hear and internalize your feedback.

    Ask a Question

    Dude Be Nice - Mastering the Art of Constructive Criticism

    Another really good method of offering constructive criticism is to phrase your criticism in a question. For example, you might ask something like, “Why did you choose to apply a matte treatment to this image?” Or, “Why did you decide to focus on the left petal of that flower rather than the center of the flower?”

    Framing something that may be a criticism in the form of a question helps to diffuse the psychological impulse that when we receive criticism, we’re being attacked. In addition, it requires the photographer to think about whether the element that you’re asking about was a conscious decision or an accident. This will help determine whether the criticism is coming from a stylistic difference (more on that in a minute!), or whether it was not an intentional decision, and an element that they may not have thought about before.

    Be Aware of Stylistic Differences

    Dude Be Nice - Mastering the Art of Constructive Criticism

    The novel, “The Road” by Cormac McCarthy received a Pulitzer Prize for fiction in 2007. It also breaks almost every conventional grammar rule known to man. Does the fact that it doesn’t follow the traditional rules mean that it’s less valuable? Nope. On the other hand, does the fact that it won a Pulitzer mean that it’s going to be everyone’s cup of tea? Again, nope.

    Whether you’re talking literature, art, music, or photography, there are lots of different styles or genres that will appeal to different people. The fact that I don’t personally prefer HDR photography doesn’t mean that there’s no value to HDR images.

    When giving constructive criticism, it’s important to consider whether or not your criticism is rooted in stylistic differences. For the most part, I’ve found that constructive criticism based primarily on stylistic differences is not a productive use of anyone’s time.

    Offer a Suggestion or Solution

    I’m a firm believer that learning how to offer constructive criticism is beneficial to both those giving and receiving the feedback. It forces the giver to think about an image in greater detail, and to really identify things that you like and dislike about an image (and why). When constructive criticism is done well, it allows the recipient the opportunity to hear from others about their photography, affirming the things they do well and identifying areas that may need improvement.

    Dude Be Nice - Mastering the Art of Constructive Criticism

    One of the ways that you can make your feedback even more beneficial to the person on the receiving end is to offer advice as to how to either correct or prevent the problem that you’re providing the feedback on, in the future. Whether you’re suggesting a remote shutter release in order to prevent camera shake in astrophotography or cropping an image in post-production to improve composition, giving someone else the tools to better their craft is one of the qualities that separates constructive criticism from quality constructive criticism that is likely to make an impact.

    It also makes YOU a better photographer, as it forces you to think in advance about how you’d handle different challenges and circumstances in advance, and create a game plan for how you’d handle them.

    Conclusion

    If you’re offering someone else constructive criticism, don’t forget that it is really hard to put yourself out there! Be kind, and encourage one another. Make sure that constructive criticism is actually wanted before you offer it. Utilize a compliment sandwich when possible. Frame your criticism in the form of a question, and be aware that some criticisms boil down to stylistic differences. Most importantly, if you want to offer quality constructive criticism, offer a suggestion or solution that will help to correct or prevent the issue you’re seeing.

    Then, chime in below–what was the most helpful piece of constructive criticism you’ve ever received? Why was it helpful? What was the least helpful? Why?

    The post Dude Be Nice – Mastering the Art of Constructive Criticism by Meredith Clark appeared first on Digital Photography School.


    Digital Photography School

  • Sony releases short film showing off Xperia XZ Premium super-slow motion mode

    Sony Mobile has released the first super-slow-motion short movie that has been completely recorded on a smartphone. All of the movie’s scenes were recorded by 120 amateur videographers from 21 countries on the Tróia peninsula near Lisbon, Portugal. The footage was shot under the direction of award-winning director Chris Cairns and using the new Motion Eye mode of the Sony Xperia XZ Premium smartphone that is capable of capturing moving images at 960 frames per second.

    Articles: Digital Photography Review (dpreview.com)

  • So you think you need to buy a RED camera

    Have you thought about getting a RED Cinema Camera? Sure, they’re pretty amazing tools, but do you really need one? Cooper over at Cooper films gives you some questions to ask and some good advice to consider before taking the plunge.

    Articles: Digital Photography Review (dpreview.com)

  • Good training: iFixit director of communications pays tribute to a repair-focused mom

     Kay Kay on the right, her mother Caroline on the left. (picture courtesy of Kay Kay Clapp)

    iFixit’s Kay Kay Clapp has a lot to thank her mother for, not least her insistence that children should learn how to repair things. While Kay Kay’s dad was traveling for work, her mom became a master at fixing and patching clothing and broken household items. 

    Not every mom would want their 8 year-old daughter tackling dry wall repair, but as Kay Kay says, ‘it’s empowering to learn how to fix things yourself’. Her early training paid off – as director of communications for iFixit, Kay Kay puts her passion for fixing things to good use every day.

    Caroline Clapp – we salute you.

    Read Kay Kay’s full article at iFixit

    Articles: Digital Photography Review (dpreview.com)

  • Fantasea FRX100 V underwater housing released for Sony RX cameras

    Fantasea has announced the launch of its new FRX100 V Housing, an underwater housing unit designed for the Sony Cyber-shot RX100 III/IV/V cameras. The housing offers protection from water, as well as elemental nuisances like sand and dust, and is rated for depths as low as 60m / 200ft. In addition to being shock-resistant and durable thanks to its injection-molded polycarbonate shell, the housing features a double O-ring seal, support for lighting accessories, and a removable anti-glare hood for using the camera’s LCD.

    FRX100 V Housing users are able to access all of the Sony camera’s functions and controls, according to Fantasea, which says they are all ‘clearly marked’ on the housing. A special mount is included for attaching lighting accessories, and there’s also removable connection point for a double fiber optic cable. Operators have access to a dedicated video control button, and there’s likewise a removable flash diffuser.

    Fantasea states that each underwater housing unit is equipped with a Moisture Detector installed inside, as well as a port cover and hand strap. The housing is available to purchase from Fantasea now for $ 530.

    Via: PhotographyBLOG

    Articles: Digital Photography Review (dpreview.com)

  • Google releases list of Street View-ready certified 360-degree cameras

    Google has released a list of 20 360-degree cameras that are available or will be launched over the coming months that have been certified according to Google’s new ‘Street View ready’ standard. This means they can be used in conjunction with the Street View app to create content for the Google Street View platform. 

    The cameras meet one of four new “Street View ready” standards, allowing users to choose the way of uploading 360-degree content that is most suitable for them.

    • Street View mobile ready: 360 cameras that can publish Street View directly from a mobile app, without requiring a desktop workflow

    • Street View auto ready: 360 cameras tailored for vehicle-based collection with the highest accuracy

    • Street View vr ready: 360 cameras or systems that collect geometry in addition to generating sets of connected 360 photos

    • Street View workflow ready: Publishing tools (sometimes bundled with cameras) that can upload to Street View accounts

    You can see the list of certified cameras in the graphic at the top of this page. More information on the Street View ready standards is available on the Google developer website. Many of the cameras in the list will be on show at Google’s Street View Summit in Tokyo, Japan this week.

    Articles: Digital Photography Review (dpreview.com)

  • How to Get Your Photos Featured in a Photo Magazine

    Your Instragram feed is flawless. You’ve got the likes, followers, fans even … what’s next?

    It’s time to make the jump from your personal digital stream to the big time.

    Get your work published in a real live magazine!

    We spoke with Megan Breukelman, the Editor-in-Chief of Atlas Magazine – only a super inspirational digital fashion magazine + website focused on the promotion of the next generation of fashion creatives, nbd. JK, BIG HUGE DEAL.

    She dished on why you would want to be published, how to even start your quest, and tips for getting accepted by your dream magazines.
    (…)
    Read the rest of How to Get Your Photos Featured in a Photo Magazine (772 words)


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    Photojojo

  • Panasonic Lumix DC GX850 review: Lean selfie machine

    The Panasonic Lumix DMC-GX850 (known as the GX800 and GF9 in some regions) is the brand’s most compact interchangeable lens camera (as of Spring 2017) and uses the same 16MP Four Thirds sensor as several of its siblings. Sold kitted with a 12-32mm collapsible zoom, stand-out features include a 180-degree flip-up touch LCD, Panasonic’s excellent Depth-from-Defocus AF and 4K video capture.

    At its core the GX850 represents a combining of Panasonic’s style-oriented GF-line with the ultra-compact-oriented GM-line and replaces both the GM5 and GF8. However, its most similar sibling currently on the market is the larger, EVF-sporting GX85.

    Key features:

    • 16MP Four Thirds MOS sensor
    • 4K/30/24p video capture
    • 4K Photo mode for 8MP stills at 30 fps
    • 5 fps bursts with continuous AF
    • 3″ 1.04M-dot touch LCD flips ups 180 degrees
    • Wi-Fi

    Panasonic’s core customer for this camera is the casual user seeking a carry-everywhere-cam for documenting friends or family. This user is someone who prefers a selfie-screen to an EVF and favors ease-of-use and compactness. Since this ‘lifestyle’ camera buyer is likely to use the camera for a range of different types of photography, we’re going to see how it performs in a range of situations.

    The rivals

    Though the GX850 is Panasonic’s most entry-level camera, this segment of the mirrorless market has a lot of strong contenders to choose from. We’ve compared it to several of its most direct competitors below:

      Panasonic GX850 Panasonic GX85 Fujifilm X-A3 Fujifilm X-A10 Olympus E-PL8 Canon M10
    MSRP w/ kit lens $ 550 $ 800 $ 600 $ 500 $ 650 $ 600
    Sensor 16MP Four Thirds 16MP Four Thirds 24.2MP APS-C 16MP APS-C 16MP Four Thirds 18MP APS-C
    Image stabilization Lens-only 5-axis in-body + lens Lens-only Lens-only 3-axis in-body + lens Lens-only
    AF system Contrast-detect Contrast-detect Contrast-detect Contrast-detect Contrast-detect Hybrid AF
    Viewfinder n/a 2.76M-Dot 0.7x n/a n/a n/a n/a
    Screen 3″ 1.04M-dot 180° tilting touch 3″ 1.04M-dot tilting touch 3″ 920k-dot 180° tilting touch 3″ 1.04M-dot 180° tilting
    (no touch)
    3″ 1.04M-dot 180° tilting touch 3″ 1.04M-dot 180° tilting touch
    Number of control dials 1 2 2 2 1 1
    Hotshoe No Yes Yes No Yes No
    Burst rate w/ AF-C 5 fps 6 fps 6 fps 6 fps 3.5 fps 4.6 fps
    Video 4K/24/30p 4K/24/30p 1080/60/24p 1080/30/24p 1080/30p 1080/30/24p

    CIPA battery life

    210 290 410 410 350 255
    Dimensions 106.5 x 64.6 x 33.3 mm 122 x 71 x 44 mm 116.9 x 66.9 x 40.4 mm 117 x 67 x 40 mm 115 x 67 x 38 mm 108 x 67 x 35 mm
    Weight 269 g 426 g 290 g 331 g 357 g 301 g

    As you can see from the chart, the two areas the GX850 has an advantage over its direct competitors include 4K video capture and size/weight.

    The number of control dials is definitely a differentiator in this class. The GX850 has just one, located slightly awkwardly on the back. This view also shows its USB-charging and HDMI port.

    Social, portrait and pet photography

    The camera’s small size, touch capability and selfie screen make it an appealing choice for casually snapping images of friends, family and pets.

    The default exposure behavior in its full auto mode, which is called Intelligent Auto (iA), tends to be sensible: the camera tries to maintain a shutter speed that is one over the focal length or greater. However, if the camera senses subject movement in iA mode, it will automatically increase the shutter speed, at the expense of ISO sensitivity. And if the shutter speed drops too low because of a lack of light, the camera will warn you that the shot might have blur due to camera shake. The GX850 never deploys the pop-up flash though, unless the user does. 

    ‘The default exposure behavior in Intelligent Auto mode tends to be sensible’

    When shooting moving subject like kids or pets indoors, the GX850 does not always choose a fast enough mode to freeze the action, even if it senses movement. One way around this is to switch the camera into ‘Sport/Action’ mode, represented by a tiny running figure on the dial. However this mode still won’t always provide a fast enough shutter speed, but should be a better option than any of the other auto settings.

    This is a good camera for casual photos of friends. And if you take the time to process the Raw files, as we’ve done here, you can get some great results. Photo by Dan Bracaglia

    Face Detection is turned on by default out of the box (when using the iAuto mode) and is quite useful for documenting fellow human beings. In most cases, when Face Detect is engaged, the camera will lock focus on the most prominent person in one’s frame. Of course if the face is too small, obstructed, or there simply is not enough light, this mode will occasionally fail. And if no face is detected, the camera defaults to its 49-point area mode, which tends to focus on the nearest or most central object. 

    Most users of this camera will leave it in JPEG mode and be totally satisfied. However to get the most out of the GX850, we recommend shooting Raw. The above image was processed through Adobe Camera Raw and ‘pops’ significantly more than the out of camera JPEG. In general, we found JPEG color to be a tad washed out, and skin tone color can occasionally look a little off.

    You want a selfie screen? You’ve got a selfie screen.

    Selfie screens are par for the course in this entry level class of camera. By default, when you flip the screen up, the camera uses a 3 sec timer before a photo is taken, and a countdown is displayed to prepare you for the decisive moment (this can be switched off).

    There are also several ‘beautifying’ filters that can be applied to make your selfie sing, including a ‘Soft Skin’ and a ‘Slimming Effect’ filter. Both of these are adjusted via sliders ranging from 0-10. There is also a background defocus option that simulates a shallow depth-of-field. These options are fun to try, but mostly pretty silly.

    As selfie, with no beautifying effects applied. A selfie with ‘Slimming’ and ‘Soft Skin’ set to 10/10.

    Sharing images with the GX850 is also fairly straightforward. There are multiple ways to connect the camera to one’s device (you’ll need to download the Panasonic Image App first), though sadly the camera does not offer NFC to make life easier for Android users.

    The first time you connect you’ll need to pull up Wi-Fi in the main menu, located at the bottom of page 1 in the ‘wrench menu,’ and select ‘Wi-Fi Function.’ There you can generate a local Wi-Fi network and connect your smart device. The app also allows you to control the camera remotely.

    Sometimes you just have to share that delicious plate of pancakes with the world. The GX850 makes zapping photos from the camera to your smart device fairly painless, once you set up the connection. Photo by Allison Johnson.

    Articles: Digital Photography Review (dpreview.com)