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  • Ricoh adds 15-30mm F2.8 SDM WR and 28-105mm F3.5-5.6 ED DC WR to full-frame lens range

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    Ricoh has expanded its full-frame lens range, announcing the HD Pentax-D FA 15-30mm F2.8 and FA 28-105mm F3.5-5.6 alongside the introduction of the full-frame K-1 DSLR. The 15-30mm F2.8 brings a fast, constant wide-angle zoom to the lineup offering a Supersonic Direct-drive Motor, rounded nine-blade aperture, and close focus distance of 28cm. The 28-105mm offers a DC motor and a minimum focus distance of 0.5m.

    The ‘WR’ in their names means that these lenses are weather-resistant, with SP (Super Protect) coatings on the front lens element to repel water.

    The 15-30mm F2.8 and 28-105mm F3.5-5.6 join two Pentax full-frame lenses announced last year, the HD Pentax D FA* 70-200mm F2.8 and FA 150-450mm F4.5-5.6.

    Press releases:

    Ricoh announces HD PENTAX-D FA 15-30mm f/2.8 lens for new PENTAX K-1 full-frame DSLR

    Weather-sealed, ultra-wide-angle zoom lens, ideal for landscapes and nightscapes

    DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the HD PENTAX-D FA 15-30mm f/2.8ED SDM WR lens. This new lens is designed to work seamlessly with the full-frame sensor of the new PENTAX K-1 camera, also announced today.

    When mounted on the PENTAX K-1 camera body, the lens covers a focal-length range from 15mm ultra-wide-angle to 30mm wide-angle.(Note: with a PENTAX  APS-C-size digital SLR camera body, the lens covers a focal-length range from 23mm to 46mm.) Its exaggerated ultra-wide perspective and state-of-the-art optical design enable capturing high-resolution, dynamic, sweeping views of subjects, ideal for landscape photography. Treated with PENTAX-developed HD Coating, the lens produces well-defined, fine-detailed images with ample light levels even at the edges of the image field, while effectively reducing chromatic aberration and distortion to a minimum. 

    Its large f/2.8 maximum aperture is also well-suited for photographing nightscapes and starry skies. The built-in SDM (Supersonic Direct-drive Motor) provides quiet, high-speed autofocus operation.

    | Pricing and Availability | 

    HD PENTAX-D FA 15-30mm f/2.8ED SDM WR lens will be available in April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1,499.99.

    Main Features

    1. Exceptional imaging power

    When mounted on the PENTAX K-1 35mm full-frame digital SLR camera body, the lens provides an ultra-wide-angle focal-length coverage from 15mm to 30mm. Its exaggerated perspective helps the photographer produce spectacular landscape photographs. With a 30mm focal length at the telephoto end, the lens is also well-suited to portrait and street photography.

    2. State-of-the-art optical design

    The zoom lens incorporates three ED (Extra-low Dispersion) glass optical elements and three aspherical optical elements in its 18-element, 13-group optics to deliver high-resolution images rich in contrast even at the edges of the image field, while effectively minimizing chromatic aberration, distortion and coma. 

    3. Large-aperture zoom lens, with a maximum aperture of f/2.8

    Since this zoom lens provides a maximum aperture of f/2.8 over its entire zoom range, it is versatile enough to be used for many different subjects and scenes, ranging from sweeping landscapes to nightscapes and starry skies. Despite its ultra-wide-angle perspective, it can capture the subject with an excellent bokeh (defocus) effect on the background. Even in macro photography from its minimum focusing distance of 28 centimeters, it can capture subjects with a well-defined sense of depth.

    4. Built-in SDM (Supersonic Direct-drive Motor)

    The incorporation of a new-generation SDM (Supersonic Direct-drive Motor) assures that this zoom lens provides quiet, high-speed autofocus operation, letting the photographer react swiftly to all types of subjects.

    5. Weather-resistant construction

    Special seals applied throughout the lens body provide this zoom lens with dependable weather-resistant construction, effectively preventing the intrusion of water into the lens interior. By pairing it with a weather-resistant PENTAX digital SLR camera body, the photographer has a durable, dependable digital imaging system that performs superbly under demanding shooting conditions — even in the rain or mist, or at locations prone to water splashes or spray.

    6. HD Coating to improve image description

    The lens is treated with high-grade, multi-layer HD (high-definition) coating. Compared with conventional multi-layer coatings, this PENTAX-original coating assures higher light transmittance and less reflection to deliver bright, high-contrast images free of flare and ghost images, even under demanding lighting conditions such as backlight. 

    7. Other features

    • Quick-Shift Focus System for instant switching from autofocus to manual-focus operation, by holding the shutter-release button halfway down and turning the focus ring after the subject is captured in focus by the camera’s AF system.
    • Rounded diaphragm with nine blades produces a smooth, beautiful bokeh (defocus) effect, while minimizing the streaking effect of point light sources.
    • SP (Super Protect) coating applied to the front surface of the lens to effectively repel water and grease.

    Ricoh announces 28-105mm lens for new PENTAX K-1 full-frame DSLR

    Compact, lightweight and weather-sealed lens offers popular zoom range, is ideal companion to new PENTAX K-1 full-frame DSLR

    DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the             HD PENTAX-D FA 28-105mm f/3.5-5.6ED DC WR lens. This new, compact and lightweight zoom lens provides the most frequently requested focal-length range for general photography, from wide angle to medium telephoto.

    This versatile zoom lens is designed to cover the large full-frame sensor found in the new PENTAX  K-1 camera, incorporating state-of-the-art optics and high-performance optical elements. When mounted on the K-1 camera body, it delivers high-resolution imaging power, and is an ideal every day-use lens for the new camera.

    | Pricing and Availability | 

    The HD PENTAX-D FA 28-105mm f/3.5-5.6ED DC WR lens will be available in April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 499.99.  

    | About Ricoh Imaging Americas Corporation |

    Ricoh Imaging Americas Corporation is a subsidiary of Ricoh Company Ltd., a global technology company specializing in office imaging equipment, production print solutions, document management systems and IT services.  Headquartered in Tokyo, Ricoh Group operates in about 200 countries and regions.

    The company now known as Ricoh Imaging Americas Corporation, was originally founded in 1919, under the name Asahi Optical Joint Stock Co. and launched its first SLR camera in the 1950s under the PENTAX name. Today, Ricoh Imaging Americas Corporation continues to produce the heritage-rich, award-winning line of PENTAX DSLR cameras, lenses and sport optics equipment as well as Ricoh’s offering of stylish and compact digital cameras, known for their wide-ranging, rich set of features.

    For further information, please visit www.ricohimaging.com/pentaxff

    Main Features

    1. Standard zoom lens covering most frequently-used range

    This standard zoom lens accommodates the image circle of a 35mm full-frame image sensor, and covers focal lengths between 28mm wide angle and 105mm medium telephoto. By incorporating the latest optics and a number of high-performance optical elements, it retains a sufficient brightness level even at edges of the image field, while effectively compensating for aberrations. It delivers high-resolution images by optimizing the imaging power of the PENTAX K-1 camera’s approximately 36.4 effective megapixels. Its compact, lightweight body and excellent cost performance make this lens a perfect companion lens to the PENTAX K-1.

    2. Excellent image resolution, complementing the PENTAX K-1 full-frame digital SLR camera performance

    With 15-element, 11-group optics, this zoom lens incorporates two high-precision aspherical optical elements, one ED (Extra-low Dispersion) glass optical element and one anomalous-dispersion glass optical element to deliver bright, sharp images with minimal chromatic and spherical aberrations. The optics are designed to deliver ample resolving power for the large, high-pixel image sensor, producing well-defined, fine-detailed images.

    3. HD Coating to improve image quality

    This lens is treated with the high-grade, multi-layer HD (high-definition) coating. Compared with conventional multi-layer coatings, this PENTAX-original coating assures higher light transmittance and less reflection to deliver bright, high-contrast images that are free of flare and ghost images, even under demanding lighting conditions such as backlight. 

    4. Quick-Shift Focus System

    This PENTAX-developed system allows for flawless, delay-free switching from autofocus to manual-focus operation, after the subject is captured in focus by the camera’s AF system.

    HD Pentax-D FA 15-30mm F2.8 SDM WR and FA 28-105mm F3.5-5.6ED DC WR Specifications

      HD PENTAX-D FA 15-30mm F2.8 ED SDM WR HD PENTAX-D FA 28-105mm F3.5-5.6 ED DC WR
    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 15–30 mm 28–105 mm
    Image stabilisation No
    Lens mount Pentax KAF3
    Aperture
    Maximum aperture F2.8 F3.5 – F5.6
    Minimum aperture F22.0 F22.0 – F38.0
    Aperture ring No
    Number of diaphragm blades 9
    Optics
    Elements 18 15
    Groups 13 11
    Special elements / coatings Three ED and aspherical elements + HD and SP coatings One ED and two aspherical elements + HD and SP coatings
    Focus
    Minimum focus 0.28 m (11.02″) 0.50 m (19.69″)
    Maximum magnification 0.2× 0.22×
    Autofocus Yes
    Motor type Ultrasonic Micromotor
    Full time manual Yes
    Focus method Internal
    Distance scale Yes
    DoF scale No
    Physical
    Weight 1040 g (2.29 lb) 440 g (0.97 lb)
    Diameter 99 mm (3.9″) 73 mm (2.87″)
    Length 144 mm (5.67″) 87 mm (3.43″)
    Sealing Yes
    Colour Black
    Power zoom No
    Filter thread 62.0 mm
    Hood supplied Yes
    Hood product code PH-RBC62
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Weekly Photography Challenge – The Dinner Table

    Photos of food, when done well, serve to make the viewer hungry or at the very least make the food in the photo look appetizing. Often food is photographed right at the table.

    Stéphanie Kilgast

    By Stéphanie Kilgast

    Laura Thorne

    By Laura Thorne

    Weekly Photography Challenge – The Dinner Table

    Your goal for the photography challenge this week is to photograph some food. It could be your meal, or like this image of mine I shared previously, someone else’s that looked appealing.

    This is actually my photo taken of someone else's sandwich in Trinidad, Cuba. It just looked so amazing!

    This is actually my photo taken of someone else’s sandwich in Trinidad, Cuba. It just looked so amazing!

    Interpret the theme – the dinner table – however you want. It could be even just the table and place setting, maybe a candle or two, or an entire spread of food. Include people eating and enjoying the food, or for scale and perspective. Get close up on one item, or shoot the whole plate. The choice is yours.

    Gwaar

    By gwaar

    Dan Foy

    By Dan Foy

    Robert S. Donovan

    By Robert S. Donovan

    Scott Norris

    By Scott Norris

    Stacy Spensley

    By Stacy Spensley

    Ari Helminen

    By Ari Helminen

    Equipe Integrada

    By Equipe Integrada

    Share your images below:

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

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    The post Weekly Photography Challenge – The Dinner Table by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Here at last: Ricoh unveils the Pentax K-1 full-frame DSLR with 36MP sensor for $1800

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    After years of development, not to mention months of teasers, Ricoh has made its Pentax K-1 full-frame DSLR a reality. The first 35mm format Pentax-branded DSLR (the first to make it to market, anyway), the K-1 offers a 36.4MP CMOS sensor, 5-axis sensor-shift image stabilization, a ‘nearly 100%’ optical viewfinder and 33-point AF system with 25 cross-type points. The 3.2″ 1.04M-dot LCD uses a new flexible tilting design which allows for horizontal, vertical and diagonal movement while keeping the screen in alignment with the lens axis.

    The Pentax K-1 doesn’t have a conventional anti-aliasing filter, instead, like the K-3 II, offering a simulated AA filter by way of minute sensor vibrations. The K-1’s sensor is capable of moving in all directions, supporting Ricoh’s Pixel Shift Resolution system. This does not increase linear resolution, but as in the K-3 II, it shifts the sensor slightly to record full color information at each pixel, utilizing a motion correction function in an effort to neutralize the effect of moving subjects in the frame.

    The K-1 provides a dustproof and weather-resistant construction along with built-in Wi-Fi, 1080/30p video, 14-bit Raw capture, 4.4 fps burst shooting for up to 23 images in Raw or 70 in JPEG.

    The long-awaited Pentax K-1 will cost $ 1799 body-only when it ships it in April.

    Click here to read our Pentax K-1 First Impressions Review

    Press release:

    Ricoh defines full-frame benchmark with new PENTAX full-frame DSLR offering

    PENTAX K-1 camera offers innovations not available in any other DSLR

    DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the PENTAX K-1 full-frame digital single-lens reflex (DSLR) camera. The K-1 combines the performance of a full-frame sensor with unique, user-friendly PENTAX technology and convenience features loved by professional and serious amateur photographers the world over.  

    The foundation of the PENTAX K-1 is its large, full-frame image sensor. This AA-filterless CMOS sensor with 36.4 effective megapixels sets the stage for ultimate creativity, facilitating super-high-resolution images rich in gradation and superb in high-sensitivity rendition. 

    Built around the full-frame sensor is a compact, high-performance weather-sealed and dustproof body with features only found in PENTAX cameras. “The K-1 is a blend of advanced, full-frame performance with the kind of features and advancements that PENTAX users have come to know and love,” said Jim Malcolm, president, Ricoh Imaging Americas Corporation. “As a result, the K-1 creates a solution for full-frame shooters that is unique in the industry.”

    Within its compact body, the PENTAX K-1 features several advanced technologies that help the photographer to produce top results in a wide variety of challenging conditions. SR II Shake Reduction is a newly refined and highly sensitive five-axis shake-reduction system that is capable of reducing camera shake with a compensation range of up to five exposure steps, allowing photographers to freely move and compose – and to focus on their subjects, not the gear. SR II also facilitates other advanced PENTAX-unique features such as AA Filter Simulator, which effectively eliminates moiré effect without the need for an anti-aliasing filter, while increasing sharpness and overall image quality. Key to great autofocus performance on the K-1 is the new SAFOX 12 autofocus mechanism with 33 autofocus points, assuring fast and accurate autofocusing, even in the most demanding shooting situations.  A newly-designed optical viewfinder equipped with the famous PENTAX Pentaprism boasts a bright, nearly 100-percent field of view.

    In addition to a long list of technological advancements, the PENTAX K-1 also features a number of convenience features, making camera operation fast and easy. Designed to move in ways never before imagined is the new Flexible-tilt LCD monitor—a first for any DSLR camera. This rugged yet highly adjustable display can be positioned to the desired angle horizontally and vertically, making it easy to shoot at challenging angles. Other significant firsts include the K-1’s Operation Assist Lights – small, white LEDs that facilitate camera operation in low-light environments, making it easy to change lenses, swap memory cards and adjust back-of-camera controls, and a Smart Function dial that allows photographers to easy select frequently-used functions without going into the LCD menu. 

    Current PENTAX lens owners will appreciate that they can incorporate their APS-C lens collection into their new PENTAX K-1 full-frame camera kit by utilizing the K-1’s Crop Mode, which offers settings in-camera for either APS-C or Full-Frame sized shooting, regardless of the attached lens. There is also an “auto” mode that detects the lens type and sets the camera accordingly. 

    Upon launch, PENTAX is offering 12 full-frame compatible lenses, including two new models being announced concurrent with the K-1 camera: the HD PENTAX-D FA 15-30mm f.2.8 ultra-wide angle zoom lens and the HD PENTAX-D FA 28-105mm f/3.5-5.6 compact, lightweight zoom lens. (Note: separate news releases have been issued today to provide details on each lens).

    | Pricing and Availability | 

    The PENTAX K-1 camera will be available April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1,799.95.

    For further information, please visit www.ricohimaging.com/pentaxff

    Main Features

    1.  High-resolution, fine-gradation images supported by approximately 36.4 effective megapixels 

    The K-1 features an AA (anti-aliasing) filterless design that prioritizes image resolution, as well as the new PRIME IV imaging engine, which is capable of 14-bit RAW-format image recording. The    K-1’s unique full frame sensor and imaging engine design also allows for super-high-sensitivity shooting up to ISO 204800, producing beautiful, high-resolution images.

    2. New-generation SR II five-axis system

    • In-body SR II mechanism assures optimal shake reduction performance
      The SR II (Shake Reduction II) five-axis mechanism enables accurate control of the large full-frame image sensor with all compatible PENTAX interchangeable lenses.* In addition to camera shake caused by pitch and yaw, it effectively compensates for camera shake caused by horizontal and vertical shift, as well as camera shake caused by roll, which is difficult to deal with by lens-installed shake reduction mechanisms. Even when taking a panning shot, this system automatically detects the direction of the camera’s movement, and efficiently controls the SR II unit to always produce the best image possible.
    • Pixel Shift Resolution System with a new motion correction function
      This system uses the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color data unit, this innovative system obtains all color data within each pixel. It incorporates a new motion correction function, which automatically detects a moving object during continuous shooting.
    • Innovative AA filter simulator to minimize moiré
      By applying microscopic vibrations to the image sensor, the K-1’s AA (anti-aliasing) filter simulator provides the same level of moiré reduction as an optical AA filter.
    • Supportive shooting functions
      Since the K-1’s SR II unit has a flexible design that tilts the image sensor unit in all directions, it provides a host of handy shooting functions, including auto level compensation, image-composition fine-adjustment, and AstroTracer, which simplifies advanced astronomical photography using a built-in GPS module.

    3. Flexible tilt-type LCD monitor to accommodate various shooting angles

    The K-1 features a newly designed, Flexible-tilt LCD monitor, which tilts horizontally, vertically or diagonally with a single action, without deviating from the lens’s optical axis. 35 degrees of horizontal and 44 degrees of vertical adjustment can be achieved; the LCD panel can even be laid flat up or down. The 3.2-inch LCD monitor features a tempered-glass front panel for added durability, a unique air-gapless construction effectively reduces reflection, and a new Outdoor View Setting mode allows the user to instantly choose the desired monitor brightness level.

    4. Newly developed SAFOX 12 with 33 sensor points and full-frame-proportioned AF frame

    The SAFOX 12 AF sensor module features 33 AF sensors (25 cross-type sensors positioned in the middle). The center sensor and the two sensors located just above and below it are designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on a subject when using a large-aperture lens. 

    5. Upgraded PENTAX Real-Time Scene Analysis System, with application of artificial  intelligence technology 

    The K-1’s advanced PENTAX Real-Time Scene Analysis System performs near-instant analysis of exposure, color, movement and other factors. Combined with a breakthrough artificial intelligence technology called deep learning, the K-1 instantly optimizes settings for even the most difficult shooting situations.

    6. Easy-to-focus optical viewfinder with nearly 100-percent field of view

    Newly developed for its 35mm full-frame design, the K-1’s optical viewfinder provides a nearly 100-percent field of view and an approximately 0.7-times magnification. A Natural Bright Matt III focusing screen allows ease of focusing and a true-to-life rendition of defocused areas in the viewfinder image.

    7. High-speed continuous shooting with a top speed of approximately 4.4 images per second

    The K-1 has a larger shutter unit that easily accommodates the camera’s full-frame image sensor and provides high-speed, high-accuracy control of the mirror unit. A high-speed data transmission system incorporated in the PRIME IV imaging engine allows the user to continuously record as many as 17 images in the RAW format (or a maximum of 70 images in the JPEG Best format) in a single sequence, at a top speed of approximately 4.4 images per second. 

    8. Supportive shooting functions to improve picture-taking efficiency and operational comfort

    • Operation assist light function, which provides LED lights above the lens mount, behind the LCD monitor, at the memory car slot, and at the cable switch terminal to facilitate fast and easy operation in poorly lit settings.
    • Key lock function, which prevents erroneous operation of the four-way controller and other exposure-related control buttons.
    • Smart function, which allows the user to swiftly choose and set desired functions using just the function dial and the set dial on the camera’s upper panel, without referring to the menu screen on the LCD monitor.
    • Control panel customize function allows the user to change aspects of the on-screen menu.

    9. Compact, solid body with dustproof, weather-resistant construction

    Constructed of sturdy yet lightweight magnesium alloy with the inclusion of 87 sealing parts in the body, the K-1 also boasts a dustproof, weather-resistant and cold-resistant construction.

    Other Features 

    • Wi-Fi operation allowing camera control and image transfer to tablet or smartphone via the free ImageSync app
    • Full HD movie recording at 1920 x 1080 pixels in the H.264 recording format
    • Built-in GPS module and electronic compass
    • High-grade DR II (Dust Removal II) mechanism for effective elimination of dust on the image sensor using ultrasonic vibration
    • Crop mode with a choice of image area from AUTO, FF (Full Frame) and APS-C, to accommodate different types of lenses
    • Clarity control and Skin Tone correction functions, a pair of the latest image processing technologies developed by RICOH Central Laboratory
    • HDR (High Dynamic Range) shooting mode with RAW-format data filing, usable in handheld shooting
    • The PENTAX-invented hyper operating system for quick, accurate response to the photographer’s creative intentions
    • Dual SD card slots for memory card flexibility (compatible with SDXC UHS-1 speed class in SDR104 buss speed mode)
    • Compensation of various parameters: lens distortion, lateral chromatic aberration, diffraction, and brightness level at image-field edges. Fringe effect compensation is also available in RAW-format processing.
    • Compatibility with PENTAX Image Transmitter 2 tethering software (Software update required from RICOH IMAGING official website) 
    • Digital Camera Utility 5 software (latest version) included

    Optional Accessory

    • D-BG6 Battery Grip
      This battery grip is designed to facilitate vertical-position shooting with the PENTAX K-1 camera body. It provides a shutter release button, a set of control buttons (AE lock, AF, ISO, exposure compensation, green), a preview lever, and dual electronic dials — just like those provided on the camera body. It also features the dustproof, weather-resistant construction identical to the PENTAX K-1 camera body. In addition to the dedicated lithium-ion rechargeable batteries, it also accepts six AA-size batteries.

    Ricoh Pentax K-1 Specifications

    Price
    MSRP $ 1799/£1599 (body only)
    Body type
    Body type Mid-size SLR
    Body material Magnesium alloy
    Sensor
    Max resolution 7360 x 4912
    Image ratio w:h 3:2
    Effective pixels 36 megapixels
    Sensor photo detectors 37 megapixels
    Sensor size Full frame (35.9 x 24 mm)
    Sensor type CMOS
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-204800
    White balance presets 8
    Custom white balance Yes (3 slots)
    Image stabilization Sensor-shift
    Uncompressed format RAW
    JPEG quality levels Best, better, good
    File format
    • JPEG (Exif v2.3)
    • Raw (PEF/DNG)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 33
    Lens mount Pentax KAF2
    Focal length multiplier 1×
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3.2″
    Screen dots 1,037,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentaprism)
    Viewfinder coverage 100%
    Viewfinder magnification 0.7×
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/8000 sec
    Exposure modes
    • Program
    • Aperture priority
    • Shutter priority
    • Aperture and shutter priority
    • Sensitivity priority
    • Manual
    Built-in flash No
    External flash Yes (via hot shoe or flash sync port)
    Flash modes Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
    Flash X sync speed 1/200 sec
    Drive modes
    • Single Frame, Continuous, Self-timer, Remote Control, Bracketing, Mirror- up, Multi-Exposure, Interval Shooting, Interval Composite, Interval Movie Record, Star Stream
    Continuous drive 4.4 fps
    Self-timer Yes (2 or 12 sec, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    AE Bracketing ±5 (2, 3, 5 frames at 1/3 EV, 1/2 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types Dual SD/SDHC/SDXC (UHS-I)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes 802.11b/g/n
    Remote control Yes (wired, wireless, or smartphone)
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description D-LI90 lithium-ion battery & charger
    Battery Life (CIPA) 760
    Weight (inc. batteries) 1010 g (2.23 lb / 35.63 oz)
    Dimensions 137 x 110 x 86 mm (5.39 x 4.33 x 3.39″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes (Still or video)
    GPS BuiltIn

    Articles: Digital Photography Review (dpreview.com)

  • Canon PowerShot SX720 HS boasts new 40x zoom lens with a compact form factor

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    Canon has released a new long-zoom compact dubbed the PowerShot SX720 HS. New for this model is a lens with a wider zoom range compared to its predecessor, offering a 35mm-equivalent of 24-960mm at F3.3-6.9. The sensor remains a 20.3MP 1/2.3″ BSI CMOS unit with a DIGIC 6 image processor.

    In addition to the new lens, the SX720 HS has a redesigned grip, and battery life has increased to a CIPA-rated 250 shots (355 in ECO mode). Photos can be composed on a 3″ LCD display with 922k dots. The camera carries over Canon’s Zoom Framing Assist system to automatically zoom in or out to follow subject movement and more accurately keep focus, and also comes with the Story Highlight feature to automatically compile images and videos from a day or event into a highlight reel with music and effects. Speaking of video, the SX720 can capture 1080/60p clips with stereo sound.

    The SX720 HS will be available in March 2016 with an MSRP of $ 379.99.

    Press release:

    TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

    Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

    MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

    Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

    “In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

    Sleek and Sophisticated 
    The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the 

    PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

    • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
    • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
    • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
    • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
    • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
    • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
    • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
    • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
    • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

    The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

    Powerful Zoom Delivers Virtually Shake-Free Images
    The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

    As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

    • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
    • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
    • 1080p/60 Full HD video capture with stereo sound;
    • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
    • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
    • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
    • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
    • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

    1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

    2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

    3 Videos must be shot in Hybrid Auto or Short Clip.

    * Image processing may cause a decrease in the number of pixels.

    ** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    *** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

    Canon PowerShot SX720 HS specifications

    Price
    MSRP $ 379
    Body type
    Body type Compact
    Sensor
    Max resolution 5184 x 3888
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 20 megapixels
    Sensor photo detectors 21 megapixels
    Sensor size 1/2.3" (6.17 x 4.55 mm)
    Sensor type BSI-CMOS
    Processor DIGIC 6
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-3200
    White balance presets 5
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format No
    JPEG quality levels Superfine, fine
    File format
    • JPEG (Exif v2.3)
    Optics & Focus
    Focal length (equiv.) 24–960 mm
    Optical zoom 40×
    Maximum aperture F3.3 – F6.9
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4X)
    Manual focus Yes
    Normal focus range 5 cm (1.97″)
    Macro focus range 1 cm (0.39″)
    Number of focus points 9
    Screen / viewfinder
    Articulated LCD Fixed
    Screen size 3″
    Screen dots 922,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 15 sec
    Maximum shutter speed 1/3200 sec
    Exposure modes
    • Hybrid Auto
    • Auto
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • Sports
    • Portrait
    • Smile
    • Wink Self-Timer
    • Face Self-Timer
    • Handheld Night Scene
    • Low Light
    • Fireworks
    Built-in flash Yes
    Flash range 4.00 m
    External flash No
    Flash modes Auto, on, off, slow synchro
    Continuous drive 5.9 fps
    Self-timer Yes (2 or 10 secs, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±2 (at 1/3 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps)
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC card
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n with NFC
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description NB-13L lithium-ion battery & charger
    Battery Life (CIPA) 250
    Weight (inc. batteries) 270 g (0.60 lb / 9.52 oz)
    Dimensions 110 x 64 x 36 mm (4.33 x 2.52 x 1.42″)
    Other features
    Orientation sensor Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Western Digital upgrades its My Cloud NAS system with multi-tasking processor

    Storage manufacturer Western Digital Corporation has added a new 1.3 GHz dual core processor and 1GB of DDR3 memory to its latest network attached storage system and increased its maximum capacity to 12TB. The My Cloud EX2 Ultra is a twin-bay data storage device that the company aims at creative users, and which it is says is especially suited to those working with still and moving images. The new faster processor and built-in memory will allow users to multi-task ‘with ease’ and to stream high resolution content from the device to other connected PCs, smartphones and TVs.

    The EX2 Ultra comes empty or fitted with Western Digital’s Red hard drives in total capacities of 4TB, 8TB or 12TB. The drives can be managed in RAID 0, RAID 1; JBOD and spanning modes, and they can be hot swapped while the unit is still running. Temporary expansion can also be achieved by connecting additional USB 3.0 external hard drives via the EX2’s USB ports.

    The Western Digital My Cloud EX2 Ultra is compatible with Windows and Mac operating systems, and is priced from £135 with no disks, to £245 for 4TB, £390 for 8TB and £519.99 for 12TB.

    For more information visit the Western Digital website.

    Press release:

    New Western Digital Prosumer NAS Storage Gives Creative Pros The Power To Multi-task And Easily Share Files

    New My Cloud® EX2 Ultra Delivers High Performance with Up to 12 TB Capacity

    IRVINE, Calif. – Feb. 17, 2016 –Western Digital Corporation (NASDAQ: WDC), a world leader in connected storage solutions, today updated its prosumer solutions with My Cloud EX2 Ultra, a high-performance, two-bay network attached storage (NAS) system. The My Cloud EX2 Ultra NAS is designed from the ground up for creative professionals and prosumers that need to automatically sync content across computers, easily share files and folders and enjoy multiple backup options so they can create their own personalized digital library with ease.

    “We know our My Cloud users, especially creative professionals, need comprehensive solutions as digital storage needs continue to soar as well as the need for ongoing streaming capability,” said Jim Welsh, executive vice president, WD Branded Products. “With the My Cloud EX2 Ultra, creative professionals are able to combine high performance with multi-tasking optimization and data protection to create a NAS system that simplifies their workflow and provides peace-of-mind.”

    My Cloud EX2 Ultra has been upgraded with a powerful 1.3 GHz dual-core processor enabling users to get ultra-fast transfer rates for high performance and smooth video streaming. Users also have access to 1 GB of DDR3 memory, allowing them to multitask with ease and leverage applications for HD media streaming, surveillance and much more. Several data management and security features allow users to select a preferred method for managing and protecting their movies, photos, music and digital files. Drive management options include RAID 0, RAID 1; JBOD and spanning modes, while data protection options include NAS to NAS, USB, cloud or LAN/WAN backup. The My Cloud EX2 Ultra  NAS comes preconfigured in RAID 1 mode to help protect data right from the start and is easily configurable into other data protection modes.

    High Capacity and Ultimate Reliability
    From unpopulated to 12 TB capacities1, the My Cloud EX2 Ultra provides several capacity options for customers to choose from. Additionally, customers can attach compatible USB 3.0 hard drives to the USB expansion ports on the My Cloud EX2 Ultra to instantly expand their storage capacity. The populated My Cloud EX2 Ultra features the award-winning WD Red® hard drives, specifically built for NAS systems to provide non-stop performance within 24×7 environments. WD Red drives are powered by NASware™ 3.0 technology, improving drive reliability and minimizing data corruption in the event of a power loss or disruption.

    Easy Sharing with Anywhere Access
    With simplified file and folder sharing, users can send customized, private links that allow recipients read/write access to particular files on the user’s My Cloud EX2 Ultra. Whether on a photo shoot, or editing at home, saving creations at full fidelity and sharing with your entire network is a breeze. The My Cloud EX2 Ultra features an intuitive dashboard, so user accounts can be created, features customized and storage can be monitored with ease. With MyCloud.com web access, or the My Cloud mobile app, users can access their media and manage users from any internet connected device. With WD Sync™, users can automatically synchronize their media and files across their computers and their My Cloud device with the confidence that their computer content is up to date and accessible from all devices.

    Advanced Features
    My Cloud EX2 Ultra includes advanced data serving options including an integrated FTP and WebDAV server, backup server, P2P download server and Microsoft Active Directory support. Additionally, users can download and run a host of third party apps, including, Plex®, Milestone Arcus™ surveillance, aMule, Icecast, Joomla!®, Anti-Virus Essentials, WordPress®, SqueezeCenter, and more. Users can also stream videos and photos to connected TVs, media players, gaming consoles and other DLNA®/UPnP® devices with  the included Twonky 7.2 DLNA-certified 1.5 media server, and built-in iTunes® support.

    Price and Availability
    My Cloud EX2 Ultra is currently available at select U.S. retailers and online at the wdstore.com. MSRP is $ 159.99 USD for the diskless My Cloud EX2 Ultra, $ 349.99 USD for 4 TB, $ 449.99 USD for 8 TB and $ 599.99 USD for 12 TB. The WD My Cloud mobile app currently is available for download for free from the Apple App StoreSM and Google PlayTM. My Cloud EX2 Ultra comes with a two-year limited warranty on the diskless device and a three-year limited warranty on the pre-configured devices.

    Compatibility
    My Cloud EX2 Ultra is compatible with Windows® 10, Windows 8, Windows Vista®, OS X® El Capitan™, Yosemite™, Mavericks™, Mountain Lion™ as well as DLNA®/UPnP® enabled devices.

    Forward Looking Statements
    This news release contains forward-looking statements, including statements relating to the approximate price and estimated availability of the My Cloud EX2 Ultra, the growth of digital storage needs, as well as the demand for ongoing streaming capability. These forward-looking statements are subject to risks and uncertainties that could cause actual results to differ materially from those expressed in the forward-looking statements, including but not limited to, the risks detailed from time-to-time in our Securities and Exchange Commission filings and reports, including, but not limited to, our most recent annual report on Form 10-K to which your attention is directed. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak as of the date hereof, and WD undertakes no obligation to update these forward-looking statements to reflect subsequent events or circumstances.

    About Western Digital
    Founded in 1970, Western Digital Corp. (NASDAQ: WDC), Irvine, Calif., is an industry-leading developer and manufacturer of storage solutions that enable people to create, manage, experience and preserve digital content. It is a long-time innovator in the storage industry. Western Digital Corporation is responding to changing market needs by providing a full portfolio of compelling, high-quality storage products with effective technology deployment, high efficiency, flexibility and speed. Its products are marketed under the HGST and WD brands to OEMs, distributors, resellers, cloud infrastructure providers and consumers. Financial and investor information is available on the company’s Investor Relations website at investor.wdc.com.
    1System is shipped in RAID 1 configuration, which leaves half of the system capacity available for data storage. System is configurable to RAID 0; JBOD or spanned, which leaves all system capacity available for data storage. Up to 0.1TB may be reserved for non-user accessible storage.

    Articles: Digital Photography Review (dpreview.com)

  • Rumors hint at super-fast Sigma 50-100mm F1.8 Art lens for APS-C DSLRs

    Rumors suggest Sigma is getting ready to launch a 50-100mm F1.8 lens for APS-C cameras. Full specifications and convincing images of the lens have been leaked, suggesting the lens will be part of the company’s impressive ‘Art’ range. Such a lens would offer a fast partner to the company’s 18-35mm F1.8 Art lens, giving the same angle-of-view, depth-of-field and total light gathering capability as a ~75-150mm F2.8 lens on full-frame.

    Specifications reported on Digicame-info.com seem plausible, so we’re looking forward to next week’s CP+ show in Yokohama, Japan, to see if the rumors are true. We’ll be reporting from the show, so stay tuned for all the details.

    Lens construction (elements/groups) 21/15
    Filter size 82
    Minimum focus distance 95cm
    Aperture blades 9
    Length 170.7mm (mount not specified)
    Diameter 93.5mm
    Weight 1490g

     The site suggests a price of ¥167,400 (~$ 1500) and a launch date of April 22nd.

    Articles: Digital Photography Review (dpreview.com)

  • Modern Masters: 10 Installations by Artist & Activist Ai Weiwei

    [ By Steph in Art & Installation & Sound. ]

    weiwei forever 1

    China has incarcerated him, put him on house arrest and made every attempt to shut artist and activist Ai Weiwei up, but they haven’t stopped him from expressing his scathing criticism of the country’s rapid industrialization and cultural oppression at every turn. Known for investigating government corruption and cover-ups, Weiwei was arrested on highly questionable tax evasion charges and held in a tiny, constantly-lit room overseen by two guards around the clock, and wasn’t allowed to leave the country for a year after his release. He remains under heavy surveillance, and his moments are restricted, but through his art installations around the world, he’s still able to express the views Chinese officials find so threatening. Here are 10 of Weiwei’s most striking projects addressing everything from the current refugee crisis to the ‘Made in China’ phenomenon.

    Safe Passage: Life Jackets on the Konzerthaus, Berlin
    weiwei life jackets 1

    weiwei life jackets 2

    weiwei life jackets 3

    weiwei life jackets 4
    Life jackets left behind by refugees when they reach the shores of the Greek island of Lesvos adorn the columns of Berlin’s landmark Konzerthaus in a poignant installation completed on February 15th, 2016. Weiwei retrieved the jackets himself and in doing so, was present as even more refugees landed. Drawing attention to the humanitarian crisis, the project provides a striking visual representation of the scale of the problem, with the 14,000 jackets standing out in safety orange.

    Forever Bicycles: Scotiabank Nuit Blanche, Toronto

    weiwei forever 2

    weiwei forever 3

    weiwei forever 4

    weiwei forever 5
    3,144 interconnected bicycles come together into one big 3D structure in Toronto’s Nathan Phillips Square in this reinterpretation of Weiwei’s ‘Forever Bicycles’ exhibition. Presented by Scotiabank’s Nuit Blanche in 2013, the sculpture is made of frames from China’s biggest bicycle brand, and represents the rapid changes that are taking place in the nation and across the world.

    Er Xi: Silk Dragons at Le Bon Marché, Paris
    weiwei paper dragons

    weiwei paper dragons 2

    weiwei paper dragons 3

    weiwei paper dragons 4

    weiwei paper dragons 5
    Figures from Chinese mythology blend with symbolism from Ai Weiwei’s own portfolio in ‘Er Xi’ (Child’s Play), a serene exhibition of three-dimensional white silk and bamboo sculptures at Paris’ Le Bon Marché department store. The display combines 2,000-year-old tales told to Chinese children with the kite making tradition, presenting the narratives in the front store windows and continuing them in the atrium with interpretations of Shan Hai Jing woodcuts.

    An Archive: 6,830 Tweets on Rice Paper
    weiwei archive

    weiwei archive 2

    weiwei archive 3
    Tweets may seem ephemeral and unimportant in the grand scheme of our culture, but what if they were carefully preserved for future generations as a real documentation of the current era? With ‘An Archive,’ Weiwei makes his own history of 6,830 Twitter posts dating back to 2005 into a tangible chronicle of his thoughts, printing them on rice paper sheets and laying them out like a traditional Chinese textbook. “Social media is annoying and distracting in certain ways because we are familiar with an older lifestyle,” says the artist. “The world today is very different. You can sit at your computer and, within minutes, you can see the best ideas and research on any topic. This is in conflict with our old habits, but there can be nothing better than this. Human beings are not created equal and we have never had that opportunity. Technology, especially with computers and the internet, has gone further than anything else in leveling the field.”

    Next Page – Click Below to Read More:
    Modern Masters 10 Introspective Installations By Ai Weiwei

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  • Finding your story: National Geographic grant winner Max Lowe

    ‘If you want to be a better photographer, stand in front of more interesting stuff.’
    – Jim Richardson, National Geographic Photographer

    Born into a family with a taste for the ‘restless life,’ Max Lowe was indoctrinated into a life of far-flung travel basically at birth. ‘Traveling,’ Lowe says, ‘more than anything, has inspired me.’

    It was during his years in college in Salt Lake City that Lowe first picked up a camera. In addition to bringing his camera along while he and friends were ‘chasing pow,’ Lowe found that pitching himself as a photographer often allowed him access to live musical performances for free. ‘This was really the first time I experienced photography as a tool that could take me to these places that I wouldn’t be able to access otherwise,’ Lowe says. ‘It was an addicting thing.’

    After receiving his first payment as a photographer in the form of a gift certificate to a local pizza joint (‘the pizza was great’), Lowe decided to explore photography as more than a hobby. He began to experiment with combining his natural inclination for travel with his photography to actually build a career. It was while traveling through India that Lowe received word back from National Geographic that he had won the ‘Young Explorers’ grant. He was to leave India and travel to the Khumbu region of Nepal to document the influence of Western tourism culture on the native Sherpa people. And Lowe’s journey with National Geographic continues from there.

    ‘I found stories living in the experiences I already craved,’ Lowe says. ‘Find your story. Find something you’re truly hungry for. The rest will follow suit.’

    Watch more talks, panels and demonstrations

    Articles: Digital Photography Review (dpreview.com)

  • The long, difficult road to Pentax full-frame

    Pentax’s road to full-frame has been long, winding and not without a few wrong turns. But it could all have been so different. 

    Way back in 2000, when the 21st Century was just beginning to find its feet and photography journalists were starting to get used to putting a ‘D’ into ‘SLR’, Pentax announced that it was making a full-frame (D)SLR. Had it shipped, that camera – which was developed out of the company’s then-flagship film model the MZ-S – would have predated anything from Canon, Nikon, Kodak or (unthinkable at the time) Sony. And Contax, too, but the less said about that, the better. 

    Ambitious, powerful, innovative and ultimately doomed, the original Pentax full-frame DSLR was in some ways the Spruce Goose of cameras, but tragically it never even achieved the short, thrilling first and final flight of Howard Hughes’ most famous creation. 

    The progenitor. The original, unnamed Pentax full-frame DSLR, which was to be based around a 6MP Phillips CCD sensor, and was originally intended to ship in spring 2001. Officially, the camera (which has become known as the MZ-D) was canceled due to concerns over cost, but it’s likely that the poor performance of the sensor (which made it into the very poorly received Contax N1) played a part.

    Instead, like Hughes himself the camera withdrew from public view amid a swirl of rumors. Whispers around the glass case at PMA in 2001 hinted at problems with the troubled 6MP Phillips CCD sensor (later confirmed in the woeful Contax N1). The camera would be too costly to produce, became the official line. The brash confidence behind its announcement at Photokina the previous autumn faded into memory. Meanwhile, Pentax’s projected ship date of spring 2001 came and went, and other full-frame cameras stole the headlines. A nurse was called for, the screens were drawn, and they remained drawn for almost 15 years. 

    And we never even knew its name.

    Over time, people forgot about the Pentax full-frame DSLR. Pentax representatives (and later, representatives from Hoya and Ricoh) didn’t seem to like talking about it, when they admitted to remembering it at all. A whole generation of tech journalists emerged whose only experience of full-frame photography with a Pentax camera was that one roll of film they tried to put through that old K1000 they found in a junk shop that time. 

    And Pentax moved on. 

    In 2003, Pentax created the *ist D, its first APS-C DSLR and in 2005, the company announced that it was leapfrogging full-frame altogether in favor of developing a medium-format DSLR. A couple of years later and with no shipping MF camera in sight, the company was acquired by Hoya. Shortly after the takeover we heard that actually, medium format digital was no longer a priority, but two years after that, in 2010, the 645D – with updated specs in the five years since its development was first announced – was officially unveiled.

    In 2011, a full ten years after the original Pentax full-frame DSLR should have shipped, the company was bought again, this time by Ricoh. 

    The original 645 model, the 645D, saw Pentax branching out into the medium format digital market. The 645Z, which succeeded the original 645D, has proven very popular. 

    And all the while, through the course of two buyouts, Pentax was doing what it did best – creating a string of capable, solid, workman-like DSLRs and compact cameras that attracted a small and loyal customer base but which didn’t do much to bother the fortunes of the bigger players in the camera market. The company’s one and (so far) only large-sensor mirrorless camera, the K-01, was not a success, but the medium format 645D did well and was followed by the excellent 645Z. It seemed for a while that with some solid differentiators in the APS-C and medium format spaces, Pentax didn’t really need to create a full-frame camera.

    But now, almost 16 years after that fated Photokina announcement, that’s exactly what Pentax (or rather Ricoh) has done. 

    ‘So why now, and who is the K-1 for?’

    So why now? Ricoh claims that the timing is very deliberate. The company seems to recognize that after the late-2000s its chances of making a meaningful dent in the full-frame market were very slim. After leaving the full-frame space to its competitors for more than a decade, it made more sense for Ricoh to attack the much less competitive medium format digital market, and position the Pentax brand as a serious but affordable player in a marketplace that for years has been dominated by stupendously expensive systems from Hasselblad, Phase One and others. 

    Meanwhile, although Ricoh / Pentax never managed to wrest a particularly big share of the APS-C market from its competitors, cameras like the K-3 II quietly introduced a host of impressively innovative features. These days we take image stabilization for granted, but Pentax deserves credit for iterating on the basic principle of in-body stabilization over several generations of DSLRs, ultimately leading to the various imaginative and effective sensor-shift features that grace the K-3/II and, now, the new K-1. 

    The K-1 becomes the first conventional DSLR to offer a stabilized full-frame sensor. But as well as image stabilization, the K-1’s sensor can also be shifted by minute degrees for higher color resolution capture, AA filter simulation, and star tracking. 

    So after all this time, who is the K-1 for? In conversations with DPReview, Ricoh representatives have never tried to deny the fact that after 15 years of inactivity in the full-frame space, a lot of their customers (especially semi-professional and professional photographers) have defected to Canon, Nikon and Sony. But some of these professionals have rediscovered Pentax – and others have discovered it for the first time – thanks to the 645D and 645Z. 

    When I spoke to Kazunobu Saiki, general manager of Ricoh’s Marketing and Communication department last year in Japan, he told me that the company’s forthcoming full-frame DSLR was aimed at ‘our existing customers’. I.e. those new 645D/Z fans and a whole generation of DSLR photographers (especially in Asia) who love Pentax cameras for their features, pricing, and custom color options. Plus of course the ultra loyalists around the world who have stuck with the Pentax brand over the years and refused to switch systems in the hope that one day, a camera like the K-1 would eventually be produced. I know they’re out there. They send me emails. 

    ‘The K-1 is primarily a camera for Pentax fans, and there’s nothing wrong with that at all.’

    At this point in time, Mr Saiki’s strategy makes perfect sense. The K-1 is primarily a camera for Pentax fans, and there’s nothing wrong with that at all. It seems highly unlikely that anyone who’s been happily using a full-frame camera from another manufacturer for the past few years will suddenly throw it all away and buy a K-1. The K-1 looks like a pretty good camera, and $ 1800 is a pretty good price, but it’s still a considerable chunk of change, and that’s not including lenses. 

    And lenses, it seems to me, is where Ricoh has a real battle on its hands, not only in terms of attracting potential system switchers but (probably more importantly) also catering to its existing user base.

    It has been 13 years since the last full-frame Pentax camera, and understandably, neither Pentax nor third-parties have had much incentive to release full-frame K-mount lenses in the intervening time.

    The existing audience of digital Pentax users may very well have a collection of autofocus lenses for their DSLRs, but most are designed for the APS-C format (and many contain the notoriously troublesome SDM focus motor). They’ve got modern coatings, they’ll fit on the K-1, and some will offer almost a full-frame imaging circle. But like training wheels on a bicycle, I suspect that most self-respecting photographers will be keen to stop using them as soon as possible in favor of a more authentic, grownup experience. Why rumble along at 15MP when you could be enjoying 36?

    I suspect that a lot of former Pentax users still have one of these in a closet somewhere – the 50mm F2 was bundled with mid-range Pentax SLRs in the 70s and 80s, and still gives ok-ish, more-or-less-acceptable performance on digital cameras. As long as you don’t look too closely, especially at the edges.

    Before you leave an angry comment, I know there are plenty of better manual focus lenses in Pentax’s historical lineup (we just happened to have this one lying around the office), and the K-1 will work with pretty much all of them. 

    But what about the legacy manual focus lenses? Ah yes. With decades of compatible K-mount lenses, Pentax users are very well-served. In theory. I have a collection of 70s and 80s-vintage Pentax primes, and I can’t wait to try them out on the K-1. Unfortunately, while putting old glass on high-resolution cameras is a lot of fun, it does tend to show up the defects in that glass pretty glaringly. There are some excellent lenses in Pentax’s historical lineup, but there is a very real risk that a zoom or even a prime that always delivered lovely 6×4 inch prints on film might not quite live up to customer expectations when paired with a 36MP sensor. 

    And unfortunately for the proud new K-1 owner, Pentax K-mount lenses are their only option. Like Nikon F, the Pentax K mount is old, and cursed with a particularly long flange-back distance. What this boils down to its that lenses from other mounts cannot be adapted to work on the K-1 (not without the addition of extra corrective elements, at any rate). So unlike the Sony a7R II, for instance, which will accept pretty much any lens you can think of, made by anyone, ever, with the correct adapter, that’s just not possible with the K-1. 

    ‘Once you’ve bought a couple of lenses to go with your new K-1, that fairly reasonably $ 1800 has turned into a much, much bigger investment.’

    Which for a quality-focused enthusiast K-1 owner arguably leaves only one genuinely safe option. Buy a set of new Pentax full-frame zoom lenses. The new 15-30mm and 24-70mm seem to perform well (they should do, since they’re most likely based on proven Tamron lenses with the stabilization mechanics removed and some proprietary coatings) and we enjoyed using the 70-200mm when we shot with the K-1 recently. But once you’ve bought a couple of lenses to go with your new K-1, that fairly reasonably $ 1800 has turned into a much, much bigger investment.

    All that being said, I want the K-1 to succeed, and I think it deserves to. It’s truly innovative, bold, and represents a brave move by Ricoh (and one that I suspect was motivated by a certain amount of justifiable pride on the part of the engineers). To an extent, my investment in the K-1 is emotional. My first proper camera was a Pentax MX, and along the way I’ve owned various other Pentax cameras (including for a few brief, glorious weeks, an LX) all of which I have enjoyed. I was genuinely excited when Ricoh told us, some time ago now, that a full-frame Pentax DSLR was once more being prepared for launch. Hopefully this time it will get a little higher off the ground – and hey – at least this time it has a name. 

    Articles: Digital Photography Review (dpreview.com)

  • 11 Premium & Free Resources for Photographers (Bundles, eBooks, Courses)

    How do I start my own photography business? How can I improve my shooting skills? What do I need to edit images faster? There’s no lack of information to answer these and other questions photographers may face. But then again, choosing the right eBook, email course, or Lightroom preset collection from an overwhelming amount of available resources may be quite Continue Reading

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