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  • GeoOrbital Wheel: Tron-Inspired Add-On Makes Any Bike Electric

    [ By SA Rogers in Technology & Vehicles & Mods. ]

    geoorbital-wheel-2

    Make any bicycle an electric bike in 60 seconds simply by replacing the front wheel with ‘GeoOrbital,’ a gadget made by a team of engineers from SpaceX and Ford. Available in two sizes to fit 95% of all adult sized bicycles, the GeoOrbital is the simplest electric conversion kit yet, letting you keep that comfy bike you love while adding speed and power for faster commuting. Just snap off the front wheel of any bike, install the electric wheel in its place and you’re good to go.

    Creator Michael Burtov says he got the idea while watching the science fiction film Tron. The glowing rims of the motorcycles in that movie are empty inside, representing what Burtov saw as a whole lot of wasted space. What could be put there instead? As it turns out, his answer is a futuristic spin on the orbital wheel, with an aerospace-grade aluminum unibody, a brushless DC motor, a Li-ion battery and a flat-proof tire.

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    geoorbital-wheel-5

    No tools are needed to install it, and everything you need to power your bike is included in the wheel. That means when you go to lock up your bike, you can take the GeoOrbital with you for security and peace of mind. It’s been tested on hundreds of bikes in all different styles, even vintage models from the ‘60s and ‘70s, and is available in 26-inch or 700C (28 and 29-inch) sizes. It takes 3-4 hours to recharge, features built-in regenerative braking and reaches up to 20 miles per hour without pedaling. When pedaling, you can hit 30mph on the 26-inch and an incredible 50mph on the 700C.

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    The only part of the GeoOrbital that isn’t built into the wheel is the thumb-activated throttle, which you clip onto your handlebar. Boost yourself up hills or accelerate past clogged traffic when you want the power, or turn it off and pedal when you don’t. The wheel charges via USB, and when you’re riding, you can use the outlet to charge a phone or power a speaker.

    geoorbital-wheel-6

    After a wildly successful Kickstarter, the GeoOrbital is now available for pre-order to the public for $ 799.99, $ 150 off the retail price, with expected delivery in February 2017.

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    [ By SA Rogers in Technology & Vehicles & Mods. ]

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  • Voigtlander shows off three new lenses including 65mm F2 Macro for E-mount

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    Lens manufacturer Voigtlander is set to introduce three unusual lenses this autumn and has posted pictures and specifications on its website, but isn’t letting on when they will arrive.

    The most interesting, visually at least, is a VM 50mm F3.5 Heliar designed for M-mount bodies. It uses an almost symmetrical configuration of five elements in three groups and forms a conical shape reminiscent of the Tessar 50mm lenses of the Carl Zeiss Jena Werra cameras. The lens will have a minimum aperture of F22 and will use a 10-bladed iris that promises nice circular out-of-focus highlights. Remarkably, the aperture ring will be without click stops.

    A more popular lens will be the 65mm F2 Macro Apo-Lanthar for the Sony E-mount system. This will have a closest focusing distance of 0.31m and will be able to transmit EXIF data to the camera as well as trigger manual focus assistance such as automatic magnification and peaking. It will have 10 elements in 8 groups and will offer apertures down to F22. The company has yet to decide whether the aperture ring will feature click stops, but again the iris will use 10 blades.

    The third lens on display is a SL ll – S 58mm F1.4 Nokton designed for Nikon AI-S bodies. This new version of the company’s existing SL ll – N lens appears to be optically unchanged but it offers a more retro barrel design that echoes Nikon’s own manual focus lenses, and it has the addition of a meter coupling prong that will allow it to be used with much older bodies.

    The company has not given any information on pricing or delivery dates, but you can read more specification on the Voigtlander website.

    Articles: Digital Photography Review (dpreview.com)

  • Totally Transparent: 14 See-Through Homes, Cars, Gadgets & Tech

    [ By SA Rogers in Design & Products & Packaging. ]

    transparent-kayak-3

    If all walls and opaque surfaces were to disappear, leaving only see-through materials, what effect would that have on how we perceive the world around us? Designers present transparency in all sorts of objects, from washing machines and kayaks to entire houses, as a way to get a clearer picture of how we interact with and connect to our environments and each other.

    PurePods: Clear Vacation Homes in New Zealand

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    Tiny vacation homes in the countryside of New Zealand, these ‘PurePods’ have all-glass floors, walls and ceilings to give guests uninterrupted views of their beautiful surroundings in every room – even the shower.

    Clear Acrylic Car

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    All of the inner workings of a full-sized functional car are on display through a transparent acrylic body on this clear car by TWR Automotive, a company that manufactures auto parts. The car may not actually be road-ready, intended for exhibitions only, but it looks pretty cool and it’s fun to imagine watching the parts in motion.

    Glass House Series by Santambrogiomilano

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    Designed to completely immerse occupants in nature in any location around the world, the glass houses by Santambrogiomilano consist of structural glass on every surface except the ground floor. Different versions are adapted for different climactic conditions, with ‘Snow House’ able to withstand heavy snow loads, for example. Want privacy in one particular room? Sliding curtains make it possible, but the houses are intended for places where peeping toms are not a concern.

    Infinity Kitchen

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    Better hope your kitchen cleaning habits are on point – the ‘Infinity Kitchen’ by Dutch firm MVRDV won’t be forgiving with crumbs and streaks, as it displays everything from your stored food to your flatware and even features a clear cooktop and sink. “I see this as part of a wider dream, this kitchen,” says designer Winy Maas. “Imagine if not only our kitchens were transparent, but the walls through to the neighbor and the next neighbor even. This would create infinite perspectives in our cities. It would make within our claustrophobic environments possibly a view into the direction of the mountains or the sea.”

    Transparent Kayaks

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    Crystal-clear kayaks are actually catching on, with models like the Molokini, Crystal Explorer Kayak and See Through Canoe offering users views of the aquatic life beneath them as they float. Made of Lexan for durability, these transparent vessels start at around $ 1,000 each.

    Next Page – Click Below to Read More:
    Totally Transparent 14 See Through Homes Cars More Reveal All

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    [ By SA Rogers in Design & Products & Packaging. ]

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  • Three’s company: Lensbaby launches Trio 28 for mirrorless cameras

    Lensbaby has announced the Trio 28, a unique creative lens designed specifically for mirrorless camera users. The Trio 28 is three lenses in one, offering the creative effects of Lensbaby’s Twist, Velvet and Sweet optics in one compact lens. A simple rotation of the lens lets you switch between the three effects, and the 28mm focal length makes it a useful all-around lens for mirrorless photographers. We are interested in how the fixed F3.5 aperture will work since aperture is a key part of controlling the creative effect in Lensbaby’s other lenses and optics, but we are excited to try it out!

    The Trio 28 is available for pre-order starting on October 26, 2016. It is priced at $ 279.95 and is available in Sony E, Micro 4/3, and Fuji X mounts.


    Press release:

    Lensbaby Launches One-of-a-Kind Lens for Mirrorless Camera Shooters

    Convenience meets creativity with unique, compact 3-in-1 lens design

    Portland, OR – October 5, 2016 – Lensbaby — makers of award-winning creative effects lenses, optics and accessories — announces the launch of their most versatile lens yet, Trio 28. Designed specifically for mirrorless camera users, Trio 28 features three selective focus optics in one compact lens and will be available for purchase on October 26, 2016.

    By simply rotating a dial to switch between Lensbaby’s most popular optical effects – Twist, Velvet or Sweet – the Trio 28 empowers photographers to shape their vision in the moment through the limitless creative options offered by the lens:

    • Twist gives you a large sharp central area of focus surrounding by twisty, swirling bokeh
    • Velvet has a sharp yet dreamy central area of focus with delicate glow from edge-to-edge
    • Sweet creates a sharp central sweet spot of focus surrounded by gradually increasing blur

    “Trio 28 offers a revolutionary shooting experience for mirrorless shooters,” said Lensbaby Co-Founder and CEO Craig Strong. “This is the first lens we’ve designed specifically with the mirrorless camera’s small form factor in mind. With mirrorless camera sales continuing to grow, this was a natural next step for Lensbaby.”

    “Our goal is to help photographers discover their unique visual voice through the creative freedom our lenses offer,” Strong continued. “With a variety of selective focus effects in a compact lens designed for the small form factor of mirrorless cameras, Trio 28 goes above and beyond, helping us reach this goal. We can’t wait to see what photographers create with it.”

    The wide 28mm focal length, as well as the small and compact form to match the size of mirrorless cameras, makes the Trio 28 an ideal lens for on-the-go adventure and will help photographers uniquely capture the soul of street scenes, landscapes, environmental portraits and more.

    Trio 28 Specs:

    • Focal Length: 28mm
    • Aperture: fixed f/3.5
    • 3 Optics for 3 effects – Twist, Velvet, Sweet
    • Minimum focus distance: 8”
    • Maximum focusing distance: Infinity
    • Focus Type: Manual
    • Size/Weight: 4.9oz, 2.75” x2.75” x2”
    • Twist Optic: 4 multi-coated elements in 3 groups
    • Velvet Optic: 3 multi-coated elements in 2 groups
    • Sweet Optic: 3 multi-coated elements in 3 groups
    • 46mm front threads
    • When shooting on full frame cameras, Twist will produce a subtle vignette

    The Trio 28 is designed for the following mirrorless cameras: Sony E, Micro 4/3 and FujiX. It retails for $ 279.95 and will be available for purchase at Lensbaby.com and other Lensbaby-authorized retailers on October 26, 2016.

    For more information please contact Keri Friedman at keri@lensbaby.com or Ally Hopper with Groundswell PR at ally@groundswellpr.com.

    About Lensbaby

    For over a decade, photographers have relied on Portland, Oregon-based Lensbaby to help them break free of routine, tinker, and open themselves up to unexpected results—dancing, playing and delighting in what’s possible with a creative lens and their imagination.

    Lensbaby makes award-winning creative effects lenses, optics and accessories that follow this philosophy, including the Velvet 56, a versatile portrait and macro lens; their unique Optic Swap System, which lets photographers swap their optic and tilt their lens for limitless effects; and mobile lenses that transform everyday smartphone photography. Lensbaby products are sold and distributed worldwide. For more information, visit www.lensbaby.com

    Lensbaby Trio 28 specifications

    Articles: Digital Photography Review (dpreview.com)

  • How Birds Can Help You Learn About Your Photography Journey

    When you feel like you don’t know what to do, what’s the next step? Frustrating, isn’t it? I think wisdom is found anywhere, from renaissance statues to butterflies, and even birds. Speaking of which, here’s a weird photography insight that I got by observing them.

    Photography Journey

    Why birds are amazing

    Birds are really awesome. Well, I guess they are, depending on what aspect you are looking at. I mean, we all know they can litter a lot, right? But one thing that has always amazed me is how birds can reach their destination halfway around the world, without ever having been there nor knowing how to get there. Take the Arctic Tern, for example, it’s a bird that goes from Greenland all the way to Antarctica. They make the trip without ever knowing where it is.

    Life will find a way?

    There’s this scene in Jurassic Park where raptors that were not supposed to reproduce ended up making babies on their own. That’s when Jeff Goldblum said, “Life will find a way”. That is weird but it is true. Birds fly miles upon miles, butterflies too and even turtles. They all reach their destinations without knowing how to get there.

    Now, call me crazy but I think that the same hand that made them also made me and you. And if these animals have an internal GPS, I am sure I have one too and so do you. A GPS that allows us to reach our destination as a photographer, wherever that may be. I don’t think any of us have any problem with that GPS concept. But between where we are and where we want to be is a big, scary gap, it’s called process. And if there’s something I’ve learned from nature, it is to embrace it.

    Photography Journey

    Embrace the process

    Try to think like the birds think (don’t worry it’s not that hard with your brain not being larger than theirs). They probably feel a strong urge to go in a certain direction, and I am pretty sure that’s it. They can’t possibly know 100% how to get to their destination for sure because they’ve never been there. All they did was start, and also began embracing the process of life.

    Normally when someone talks about the process of photography, they usually refer to stuff like exposure and the making of photographs. But what I would like to talk about here is more about the overall process of photography. I think it is all about accepting where you are and knowing paths will open up along the way. It is up to us to be open to it, and to be brave enough to take step after step, just like millions of birds, butterflies, and turtles.

    Photography Journey

    Just start even if you don’t know the end yet

    But unlike birds, sometimes our destination is not as we expected when we started, that’s where we need to be open. I remember a while back, when I was thinking of what to do with my life, I had no idea what to do next. I accepted that and felt that I would end up figuring it out somehow. I started with the lowest hanging fruit: Video Games. At first, I wanted to go into Video Games, then I realized what I really liked were the graphics. I did not want to spend all that time learning about art, so I entered Graphic Design. From there I got a camera on an impulse and started photography.

    When I started with photography, I had no idea what I would do, nor did I have an idea of what I needed to do. All I knew was I needed to start, even if I knew not what I was doing. I had all of the intent of being a wedding shooter but now I am more a street photographer more than anything!  You see, I think photography in an overall sense works that way. Decide to be a photographer, start right now, then be open to other paths that are in front of you. Providence will take care of you. Embrace the process.

    Getting past road blocks

    Of course, at every turn there are frustrations. No one said this stuff would be easy! But the thing is, you can recognize that you are in the middle of a process so that you can learn to embrace it.

    • Learning your exposure is frustrating you? Embrace the process.
    • Keep missing shots? Embrace the process.
    • Still not where you want to be? Embrace the process.
    • Have no clients knocking at your door? Embrace the process.

    Embracing the process is simply accepting the fact that you are where you are supposed to be right now. Once it is time for you to move on, you will. But you will never be able to move any step further if you do not accept the process. Say no clients are knocking at your door, you haven’t gone trough the process of marketing your work yet. It’s pretty simple really, your situation will probably never outgrow your own skills.

    Photography Journey

    Conclusion

    I don’t know where you are, reading this. But I’m pretty sure you know what you want out of photography. Will you trust your inner GPS and take the first step? God only knows what’s in store for you.

    All I know for sure is that you can always figure things out along the way. Embrace the Process. Be yourself, stay focused and keep on shooting. Please share your experiences in the comments below as well.

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    The post How Birds Can Help You Learn About Your Photography Journey by Olivier Duong appeared first on Digital Photography School.


    Digital Photography School

  • Fast and light: Nikkor 24mm F1.8G ED lens review

    The AF-S Nikkor 24mm F1.8G ED was first announced back in August 2015. It joins Nikon’s growing family of modern full frame primes alongside the 20mm F1.8G, 28mm F1.8G, 35mm F1.8G, 85mm F1.8G and the 50mm F1.8G. It’s priced at just under $ 750 making it a well matched option to be paired with cameras like the Nikon D610 and the Nikon D750. The Nikkor can also be used on DX format cameras with an equivalent focal length of 36mm.

    This fast wide-angle prime will most likely appeal to architecture, landscape and portrait or wedding photographers. Additionally, the F1.8 max aperture may come in handy for those looking to utilize the lens for astrophotography work as well.

    At 24mm the lens is Nikon’s second widest prime option to date, coming in just behind the Nikkor 20mm lens. It’s worth noting that there are a few other options at 24mm that potential buyers should definitely be aware of. One of those options is the slightly faster Sigma 24mm F1.4 DG HSM Art that comes in at just under $ 850.

    The Sigma 24mm can be seen mounted on a Nikon D810 on the left and the Nikkor 24mm can be seen mounted on a D810 on the right.

    Although the Sigma is a bit pricier, it is a sensible alternate option for folks looking for a lens at this focal length. By comparison the Nikkor 24mm F1.4G ED is is priced at just under $ 2000 which makes the Sigma version that much more attractive to potential buyers. We will be taking a closer look at the Nikkor 24mm F1.8G and the Sigma 24mm F1.4 as an alternative lens option in this review.

    APS-C

    If you’re an APS-C shooter the 36mm equivalent focal length with an equivalent aperture of F2.7 will be a nice addition to your lens kit, being flexible enough to allow environmental and photojournalistic portraits while still being wide enough to accommodate for some landscape and architectural photography as well. It is worth noting however that if you’re looking to purchase this lens for an APS-C camera, then other options, such as Sigma’s 18-35mm F1.8 lens, might be a better alternative for the money. For this reason, we’re not going to consider this lens for use on APS-C in this review.

    Nikkor 24mm F1.8G ED Headline Features

    • 24mm Focal Length
    • F1.8 Maximum Aperture
    • ‘Silent wave’ focus motor with full-time manual override
    • F-mount FX format lens, works on both DX and FX format Nikon SLRs
    • Accepts standard screw-type 72mm Filters

    Lens Specifications

      AF-S Nikkor 24mm F1.8G ED Sigma 24mm F1.4 DG HSM A (Nikon Mount)
    Price (MSRP) $ 745 $ 849
    Announced 2015 2015
    Lens Type Wide Angle Prime Wide Angle Prime
    Lens Mount Nikon F Nikon F
    Max Format Size 35mm FF 35mm FF
    Focal Length 24mm 24mm
    Image Stabilization No No
    Max Aperture F1.8 F1.4
    Minimum Aperture  F16 F16
    Aperture Ring  No No 
    Diaphragm Blades 7 (rounded)  9 (rounded)
    Elements 12  15
    Groups  9 11
    Special Elements/Coatings  2 extra-LD glass elements and 2 aspherical elements, Nano Crystal Coat and Super Integrated Coating 2 aspherical elements, 3 FLD and 4 SLD glass elements coupled with Multi Layer Coatings
    Minimum Focus 23cm (9.1″) 25cm (9.9″)
    Maximum Magnification 0.2x  0.19x
    Autofocus Yes  Yes
    Motor Type Silent Wave Motor autofocus mechanism HSM (Hyper Sonic Motor)
    Full Time Manual  Yes Yes
    Focus Method  Internal Internal
    Distance Scale Yes Yes
    DoF Scale Yes Yes 
    Weight  355g (12.5 oz) 665g (23.1 oz)
    Dimensions (DxL) Approx. 78 x 83mm (3.1 x 3.3″) 85 x 90mm (3.4 x 3.6″)
    Materials Metal Mount/Plastic and composite material Metal Mount/Thermally Stable Composite (TSC) material
    Sealing  None  None
    Color Black Black
    Filter Thread 72mm 77mm
    Hood Supplied  Yes Yes
    Hood Product Code HB-76 Bayonet Hood  
    Tripod Collar No No

    The Nikkor 24mm has a metal lens mount and a mostly plastic/composite material body. It feels surprisingly light for being such a fast prime lens; especially when compared to the Sigma 24mm lens which weighs nearly twice the amount and is slightly larger in size (this is broadly to be expected with the Sigma’s 2/3 stop extra light gathering ability). The build quality of the Sigma lens definitely feels more robust with the majority of its components constructed of metal and a composite material that can be found on most of Sigma’s Art series lenses.

    It’s worth mentioning that both the Nikkor and the Sigma 24mm lenses lack comprehensive weather sealing, but the Nikkor does offer some protection with rubber gasket around the lens mount, so that’s definitely something to keep in mind if you plan to use these lenses in adverse weather conditions.

    With these specifications in mind, how do these lenses stack up against one another in terms of performance? In this review we will be looking at the performance of the Nikkor 24mm and how it compares to the heavier and faster Sigma 24mm. 

    Articles: Digital Photography Review (dpreview.com)

  • Hoya Solas infrared neutral density filters launch in USA

    Hoya has launched new USA-exclusive Solas infrared neutral density filters. The company says its new IRND filters offer a consistent color balance across the density range while also suppressing infrared, the end result being a balanced image with reduced ‘IR contamination’ like excessive digital artifacts and color shifts.

    Hoya has launched the new Solar IRND filters in the following sizes and densities:

    0.3 (1-stop) – 49mm ~ 82mm
    0.6 (2-stop) – 49mm ~ 82mm
    0.9 (3-stop) – 46mm ~ 82mm
    1.2 (4-stop) – 49mm ~ 82mm
    1.5 (5-stop) – 49mm ~ 82mm
    1.8 (6-stop) – 46mm ~ 82mm
    2.7 (9-stop) – 49mm ~ 82mm
    3.0 (10-stop) – 46mm ~ 82mm

    B&H Photo currently lists the filters with the following prices: 46mm ($ 48.90), 49mm ($ 48.90), 52mm ($ 53.90), 55mm ($ 61.90), 58mm ($ 69.90), 62mm ($ 85.90), 67mm ($ 93.90), 72mm ($ 100.90), 77mm ($ 120.90), and 82mm ($ 151.90).

    Via: Kenko Tokina USA

    Articles: Digital Photography Review (dpreview.com)

  • Google launches Pixel and Pixel XL smartphones with gyroscope-based video stabilization

    Google has just launched its 2016 smartphones. The Nexus moniker has gone and the new models are Pixel-branded, just like the company’s top-end Chromebooks and tablet. The Pixel and Pixel XL are made by HTC, though only the Google logo appears on the device, and pretty much only differ in terms of screen size and resolution as well battery capacity. The smaller Pixel sports a 5″ 1080p AMOLED display and a 2,770mAh battery, while the XL variant comes with a 5.5″ QHD-screen and a 3,450mAh battery. 

    In the camera department the specifications have not changed much from last year’s Nexus devices. A 1/2.3″ 12MP sensor with 1.55µm pixel size is paired with an F2.0 aperture. There is no optical image stabilization but Google has added a new gyroscope-based video stabilization system that reads gyro data 200 times a second for smoother panning and shake-free handheld recording. The camera can record 4K video, and in stills mode Google’s excellent HDR+ mode is on by default, using an image stacking approach to reduce noise and capture better detail. In addition Pixel owners can store unlimited full-size images in Google’s cloud service.

    Check out the photography-specific features of the Google Pixel from the announcement.

    Both phones come with Google’s brand new Android 7.0 Nougat operating system and are powered by Qualcomm’s latest top-end chipset Snapdragon 821. 4GB of RAM can be combined with either 32 or 128 GB of local storage and a fingerprint reader on the back provides extra security. The Pixel phones will be available in Quite Black, Very Silver, and Really Blue color options. Pricing starts at $ 649 for the standard Pixel. In the US the devices will be exclusive to carrier Verizon, with pre-orders starting today. 

    Articles: Digital Photography Review (dpreview.com)

  • Google Pixel tops DxOMark’s Mobile rankings

    Google Pixel’s HDR+ mode wows DxO in real-world use. Photo via DxOMark.

    The Google Pixel smartphone has just been launched but DxO has already had a chance to put the new device’s camera through its paces – with impressive results. With a DxOMark score of 89 the Google Pixel features the best smartphone camera ever tested by the French company.

    The DxO engineers found the new Google phone to perform well across all situations but were particularly impressed by the high levels of detail and relatively low noise levels across all light situations. Exposures were accurate, with very good contrast and white balance, as well as fast autofocus. The testers also liked the white balance performance and detail preservation when shooting with flash. Minor weaknesses included some inconsistency in repeated autofocus and artifacts in low-light shots. You can read the full report on DxOMark.com.

    Articles: Digital Photography Review (dpreview.com)

  • Gitzo updates Systematic tripod range with new materials, big feet and Easy Link sockets

    Gitzo has introduced a new range of Systematic tripods that it says are more stable and stronger, and which feature new locking mechanisms for the leg sections. The latest models use what the company calls Carbon eXact for the leg tubing, which it claims offers improved ‘balance between rigidity and weight’. The Systematic range is Gitzo’s top end series and the tripods are designed for heavy cameras and long lenses. Larger feet have been introduced for the new models to prevent slipping and for making uneven ground more easy to rest on, and the twist-lock leg sections have been given G-lock Ultra clamps that Gitzo says are quicker and easier to use.

    The company has also added a connector for the Manfrotto Easy Link system in a first for the Gitzo line-up. This threaded socket allows accessory arms and clamps to be attached to the casting of the tripod so reflectors, flash units, trays and other accessories can be held in place.

    The new models will be priced from $ 799.99/£649.95 and a new range of monopods will start at $ 319.99/£214.95.

    For more information see the Gitzo website.

    Press release:

    Gitzo introduces:
    The New Generation of Photography Support Solutions

    October 2016 – Gitzo, pioneers in developing some of the most advanced and revolutionary technologies for professional camera equipment, proudly introduce the new generation Systematic tripod family and the latest Monopod family, setting new industry standards in premium photography equipment.

    The iconic Gitzo Systematic tripod family is the high-end choice for exacting professional photographers who use long lenses and heavy cameras and require extreme precision – down to the smallest detail – in their work and equipment. The new Gitzo Systematic tripods leverage the latest innovation for the greatest performance ever: the leg tubes are upgraded to Gitzo’s latest generation Carbon eXact, improving the balance between rigidity and weight. New, 50mm diameter big feet enable ultimate stability, preventing slipping and movement. The new G-lock Ultra allows even more comfortable operation and protection while the leg angle selectors guarantee a quicker switch between leg angles – further enhancing ergonomics. Moreover, the new Gitzo Systematic models feature the Easy Link attachment, a 3/8” thread through which a rich array of innovative photography accessories can be attached to facilitate the most advanced shooting techniques. The tripods are offered in a new sizing assortment.

    The new Gitzo Monopods are designed to guarantee unfailing support for the highest quality equipment, enabling professional photographers to comfortably capture the golden moment. They are the ideal combination of rigidity, light weight, precision, rapid set up speed and ergonomics. Now even stronger than before thanks to state-of-the-art Carbon eXact tubing and G-lock Ultra leg locks, their new big foot ensures rock-solid footing on any surface while providing smooth movement with its integrated ball; the new models also feature enhanced aesthetics and improved sizing selection.
    Series 4 Gitzo Monopod models (top leg diameter 37.0mm) replace the previous Series 5 models; the slimmer top tube contributes to an easier grip and lighter weight, while ensuring rigidity from the stiff Carbon eXact tubes.

    Underscoring Gitzo’s dedication to groundbreaking excellence, the refinements to the new Systematic tripods and Monopods – in terms of strength, stability and rigidity, safety and security, set-up speed, ease of use and ergonomics – set new paradigms in the photography equipment market.

    Gitzo photography products are superbly engineered to withstand the roughest handling. Precision assembly, high quality materials and fine control are distinguishing qualities that represent a market leader that has been unsurpassed for over half a century.

    Pricing for the new Systematic tripods starts at £649.95. The new Systematic monopods are available from £214.95.

    More information on the new Gitzo Systematic tripod and Monopod ranges can be found online at www.gitzo.co.uk/tripods-systematic

    Articles: Digital Photography Review (dpreview.com)