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  • Manfrotto introduces Xume magnetic holder system to make switching filters easier

    Accessory manufacturer Manfrotto has launched a new filter suite that features a magnetic adapter and filter holders that it says make fitting and removing filters quicker and easier. The new Xume system uses a magnetic adapter ring that screws into the front of the lens, while the filter itself screws into a metal filter holder. The two parts then connect securely when they are held close together and can be separated just by pulling them apart. The system removes the part of the attaching-a-filter process where the filter is screwed onto the front of the lens.

    The filter holders and lens adapters are available now in eight sizes: 49mm, 52mm, 58mm, 62mm; 67mm, 72mm, 77mm and 82mm and are priced from $ 10.99 to $ 34.99.

    For more information see the Manfrotto website.

    Press release

    Manfrotto Launches Innovative Lens Filter Suite

    Providing precision and ease to capture every shot

    Manfrotto, a leading global innovator and manufacturer of premium photo, video and lighting support products and accessories, has launched a new, groundbreaking Manfrotto Lens Filter Suite, a combination of Manfrotto’s successful high-quality lens filters and innovative Manfrotto XUME magnetic adapters.

    The new Manfrotto Lens Filter Suite enables professional and amateur photographers and videographers to avoid the hassle and frustration of changing filters while subjects wander or light slips away. With the Manfrotto Filter Suite, photographers instantly and precisely connect the filter to their lens so that they never miss the perfect shot.

    The Manfrotto Lens Filter Suite is comprised of a Manfrotto Lens Filter, a Manfrotto XUME Lens Adapter and Filter Holder plus an optional Cap (available only for 77mm diameter). It is the perfect choice for long exposures, wedding photography, macro, architectural photography, fine art photography – any style requiring the use of filters.

    Manfrotto’s camera lens filters are built to the highest quality standards. They feature flawless multi-coating which minimizes reflection and maximizes light transmission, consistently delivering the effects photographers wish to achieve. Each filter is provided with a practical, reusable storage case, ensuring the highest level of protection off-camera. Depending on the model, Manfrotto filters feature reliable water-repellent, oil-repellent and anti-static characteristics.

    • UV filters block out UV light, preventing it from entering the lens, reducing blurring, haziness and blue casting.
    • Circular Polarizer filters enhance color, contrast and saturation as well as removing undesirable reflections from non-metallic surfaces.
    • Neutral Density filters help control exposure times by reducing the amount of light hitting the camera sensor without altering the color of the scene.
    • Protect filters provide maximum protection against scratches, oil and moisture, without affecting overall image quality.

    Manfrotto XUME Adapters are the revolutionary magnetic solution which securely locks filters onto lenses, quickly and easily. Photography gear stays safe in-use with the filter magnetically secured to the lens. Manfrotto XUME accessories are safe for the lens’ focus mechanism, media cards, drives or other electronics.

    Unique to the market, Manfrotto’s XUME Adapters:

    • Install in an instant.
    • Are secure; no moving parts and completely safe to use.
    • Have very low profile rings and are completely unobtrusive.

    Manfrotto XUME Filter Holders and Manfrotto XUME Lens Adapters are now available nationwide in eight sizes: 49mm, 52mm, 58mm, 62mm; 67mm, 72mm, 77mm and 82mm. The Manfrotto XUME CAP is available only for the 77mm size. Manfrotto Filters range in price from $ 19.99 to $ 134.99 and Manfrotto Xume Adapters range in price from $ 10.99 to $ 34.99.

    The Manfrotto Lens Filter Suite will be on display at WPPI in Las Vegas, Feb. 7–9, at the Manfrotto Distribution booth, No. 349.

    Articles: Digital Photography Review (dpreview.com)

  • Winter Carousels: Circular Spinning Ice Islands Carved with Chainsaws

    [ By WebUrbanist in Culture & History & Travel. ]

    ice carousels

    Ice fishing huts and art shanties allow people to enjoy peaceful winters and creative expression on frozen lakes, but for those with something more dynamic in mind: rotating DIY islands of ice are also an option.

    ice

    Ice circles have been known to form naturally, particularly in streams where a current can round the edges of a free-floating chunk and keep it spinning. The ice circle below captured by Kaylyn Messer is one such example, found this winter in the Snoqualmie River near Seattle, Washington.

    ice circle

    These kinds of formations happen on their own at times in Scandinavian and American rivers, water currents slowly shaping the ice. Lakes with fully-frozen surfaces are another matter — creating ice islands on their surface requires a bit more ingenuity (or at least: labor and machinery).

    winter spinning ice

    Once created, these may or may not move on their own, depending on currents below the surface — in some cases they have to be helped along by an outboard motor. Seating and shelters can be brought out to make them more homey (small fires can even be lit if the intended use is temporary).

    Fair warning, though: if you plan to light your ice circle on fire at the end of a festival or gathering, be sure to stay far back from the flames and warming ice.

    The best part is that there is no waste in the making of these things nor assembly required. And if your first attempt fails (assuming you don’t go down with the island), you can always carve out more.

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    [ By WebUrbanist in Culture & History & Travel. ]

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  • Sony announces 100mm F2.8 STF G Master and FE 85mm F1.8 lenses

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    Sony has taken the wraps off of two full-frame new mid-telephoto prime lenses. The company is making big claims about bokeh produced by the FE 100mm F2.8 STF OSS GM, which it says is improved by the use of an apodization (APD) element. The optical design is said to minimize vignetting, and the lens offers an 11-blade aperture. A macro switching ring engages the lens’ close focus capabilities for shooting subjects as near as 0.57m/1.87ft (0.25x magnification). The lens includes Sony’s built-in optical stabilization, and like other G Master lenses, it’s dust- and weather-resistant.

    100mm F2.8 GM MTF chart via Sony. Lens configuration via Sony.

    Also new is the non-G-Master FE 85mm F1.8, a relatively compact and lightweight portrait prime for the E-mount system. It uses a 9-blade circular aperture, ‘double linear motor system,’ and is also dust- and moisture-resistant. The lens does not offer built-in stabilization.

    85mm MTF chart via Sony. Lens configuration via Sony.

    Both lenses are expected to ship in March. The FE 100mm F2.8 STF GM OSS will cost $ 1500, while the FE 85mm F1.8 will sell for $ 600.

    Press Release

    Sony Introduces 100mm F2.8 STF G Master™ with Highest Ever Quality Bokeh for an ? Lens

    New Full-frame 85mm F1.8 Mid-telephoto prime lens and Compact Radio-Controlled Flash announced as well

    LAS VEGAS, Feb. 7, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced two new lenses for their popular line of E-mount interchangeable lens cameras.

    Sony’s new lenses include one of their flagship G Master Series – an FE 100mm F2.81 STF GM OSS mid- telephoto prime lens (model SEL100F28GM) built to deliver breathtaking bokeh with a unique STF™ (Smooth Trans Focus) design, and a new compact, lightweight FE 85mm F1.8 mid-telephoto prime lens (model SEL85F18) that is a welcome addition to the bag of any hobbyist or enthusiast photographer looking to create amazing portraits.

    They have also introduced a new powerful, compact flash (model HVL-F45RM) with radio-controlled wireless communication that is ideal for professional shooting with Sony’s lineup of ?7 full-frame cameras.

    FE 100mm F2.81 STF GM OSS Telephoto Prime Lens

    A specially designed mid-telephoto, full-frame prime lens, the new 100mm STF is built to produce truly unique, magnificent and beautiful bokeh while maintaining the exceptional standard of resolution that is showcased by Sony’s entire line of flagship G Master series lenses, making it a powerful photographic tool for any portrait, fashion, nature or wedding photographer.

    These impressive defocus capabilities are made possible by the lens’ advanced optical structure, as it features a newly designed 11-bladed aperture and a unique optical apodization lens element. Similar to a neutral density filter that increases in density towards the edges, the apodization element creates beautiful transitions of in-focus to out-of-focus areas within an image, making for exceptionally soft, smooth bokeh that adds depth and dimensionality. This allows the subjects to stand out against beautifully defocused elements in both the foreground and background, producing an image that is naturally pleasing to the eye. The design of the lens also ensures that vignetting is kept to an absolute minimum, ensuring optimum image quality.

    Additionally, the new 100mm lens supports both contrast AF and focal-plane phase detection AF2, and has a high-precision, quiet direct drive SSM (Super Sonic Motor) system that ensures exceptionally fast and accurate AF performance. The SEL100F28GM also offers up to 0.25x close-up capabilities with a built-in macro switching ring, built-in Optical SteadyShot™ image stabilization, a customizable focus hold button, AF/MF switch, aperture ring and more. It is dust and moisture resistant as well3.

    FE 85mm F1.8 Telephoto Prime Lens

    The new 85mm F1.8 mid-telephoto prime lens offers an extremely versatile, lightweight and compact telephoto prime lens solution for a variety of Sony camera owners ranging from working professionals to emerging enthusiasts that have stepped up to full-frame or APS-C cameras for the first time. With its wide F1.8 aperture, it can produce impressive, exceptionally sharp portraits with soft background defocus that take advantage of its 85mm focal length and wide F1.8 maximum aperture.

    The new prime lens features a 9-bladed circular aperture mechanism that ensures smooth, natural looking bokeh, and a double linear motor system to allow for fast, precise and quiet focusing. It also has a focus hold button that can be customized and assigned together with functions in the camera body like the popular Eye AF feature. There is a smooth, responsive focus ring and AF/MF switch as well, and the lens is also dust and moisture resistant 3.

    New Compact Radio-controlled Flash

    Sony’s new HVL-F45RM flash enhances the radio-controlled lighting system capabilities of their growing system, offering a compact professional shooting solution when combined with the currently available wireless remote controller FA-WRC1M and receiver FA-WRR1.

    The new flash, which is designed to complement the compact bodies of Sony’s E-mount camera lineup including full-frame ?7 models, produces a maximum lighting output as expansive as GN45 4. This ensures sufficient illumination even when shooting with bounce lighting or high-speed-sync (HSS) flash. The radio capabilities of the HVL-F45RM allow it to be used as a transmitter or a receiver at up to 30m (approx. 98 feet5), making it an ideal fit for creative lighting with multiple flashes. Additionally, unlike optical flash systems, radio-control flashes do not require a direct line-of-sight between components to function properly, while also minimizing any impact that bright sunlight has on signal transmission and control.

    The HVL-F45RM flash has an impressive battery life of up to 210 bursts, and can tilt up to 150o vertically, a complete 360o horizontally and up to 8o downward to maximize versatility. Usability has been maximized with a new large, bright and highly visible LCD display, an LED light, dust and moisture resistant design3 and a revamped menu system that mimics those of Sony’s newest camera systems.

    Pricing and Availability

    Both of the new lenses and the new flash unit will ship to authorized dealers throughout North America.

    The new FE 100mm F2.8 STF OSS GM Telephoto Prime Lens will ship this March for about $ 1,500 US and $ 2,050 CA.

    The new FE 85mm F1.8 Mid-Telephoto Prime Lens will ship this March for about $ 600 US and $ 800 CA.

    Replacement lens hoods for each of the new models will also be available for purchase as well.

    The new HVL-F45RM flash will ship this May for about $ 400 US and $ 550 CA.

    Articles: Digital Photography Review (dpreview.com)

  • Urine for a Beautiful Day: Street Gardens Double as Public Pissoirs

    [ By SA Rogers in Design & Fixtures & Interiors. ]

    Screen Shot 2017-02-06 at 4.58.27 PM

    ‘Piss in peace’ is the tagline for the Urintrottoir, a recent addition to the streets of Paris that’s part urinal, part composter, part mini garden. City officials are hoping that offering these urinals right out in the open will be a viable way to get men to stop peeing all over everything in sight, especially at night when they’ve had a few drinks. It would be cool if our cities could smell a little nicer, guys.

    Screen Shot 2017-02-06 at 4.57.31 PM

    The problem is, most of us don’t want to stare at urinals as we’re walking down the sidewalk. The Urintrottoir design attempts to find a way around that and make use of waste products at the same time, by making each unit into a planter full of herbs and flowers. The top bins contain straw and sawdust, which help break down the urine into relatively neutral-smelling soil for the plants.

    urine garden 1 urine garden 2

    Larger versions of the device could potentially absorb the urine of 600 people before needing to be emptied. Two smaller versions are currently located near the Gare de Lyon station in Paris, and if the test is successful (and men really do choose to pee in them instead of in alleys or in the doorways of shops,) additional units will be rolled out to other stations in France.

    Screen Shot 2017-02-06 at 4.58.36 PM

    Some European cities already offer public ‘pissoirs’ that are considerably less decorative, but there’s not always a recycling component involved. This option makes lemonade out of lemons, so to speak (sorry, that metaphor is almost too perfect.) Now, if only there were similar options designed for people with different equipment.

    A previous effort to prettify public urinals came in the form of a rose-tinted marble fountain by Portuguese architecture firm Bureau A, attempting to make public pissing into an artistic act.

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    [ By SA Rogers in Design & Fixtures & Interiors. ]

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  • Samyang launches XEEN 20mm T1.9 video-cine lens

    Samyang Optics has announced the XEEN 20mm T1.9 video-cine lens. The latest model is part of the company’s XEEN cinema lens lineup, bringing the total number of lenses up to eight. The new XEEN lens will be available with PL, EF, F, E and MFT mounts, and will be offered with both metric and imperial units. 

    The XEEN 20mm T1.9 video-cine lens features X-Coating technology, according to Samyang, as well as 11 aperture blades, a focus ring, and an iris gear ring. The company bills the new XEEN product as suitable for shooting video at 4K or greater resolutions, including in low-light settings. Samyang plans to launch the new model globally starting on March 7 for the price of €2,200 (about $ 2,365).

    Via: Samyang Lens Global

    Articles: Digital Photography Review (dpreview.com)

  • Tamron announces 70-200mm F2.8 and 10-24mm F3.5-4.5 updates

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    Tamron has announced updates to two of its zoom lenses. The full-frame Tamron SP 70-200mm F2.8 Di VC USD G2 improves on its predecessor with faster autofocus and better stabilization. Tamron claims its boosted Vibration Correction provides 5 stops of stabilization. The lens is moisture and dust-resistant, and has received a thorough overhaul of optical and mechanical designs. The new optical design consists of 23 elements in 17 groups, and includes extra low dispersion and low dispersion elements to reduce chromatic aberrations. Tamron claims the inclusion of two microcomputers and a new AF algorithm has improved focus speed and accuracy. Minimum focus distance is also improved, reduced to 37.4in from the previous model’s 50.7in. The 70-200 also supports Tamron’s 1.4x and 2x teleconverters/

    Meanwhile, the Tamron 10-24mm F3.5-4.5 Di II VC HLD adds stabilization and refined optics to the company’s wide-angle zoom for APS-C introduced in 2008. It features LD, XLD, aspherical and hybrid aspherical elements, as well as a Broad-Band Anti-Reflection coating. Tamron was able to add Vibration Correction without increasing the size of the lens, and the company claims up to 4 stops of shake reduction. It also uses a new HLD (high/low torque-modulated drive) motor that allow for smooth control over the lens’ heavy elements. The lens is sealed against moisture and has a fluorine coating to keep oil and water off of the front elements.

    Both of the new lenses use electromagnetic diaphragm control on Nikon mounts.

    The Tamron 70-200mm F2.8 Di VC USD G2 is expected to arrive in March for $ 1299. The Tamron 10-24mm F3.5-4.5 Di II VC HLD is slated for availability this spring for $ 499.

    Press releases:

    TAMRON REDEFINES THE FAST TELEPHOTO ZOOM CATEGORY WITH THE INTRODUCTION OF THE NEXT GENERATION 70-200MM F/2.8 ZOOM

    All-new optical design delivers a dramatically faster autofocus speed and image stabilization performance of 5 stops

    SP 70-200mm F/2.8 Di VC USD G2 (Model A025) 

    February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of SP 70-200mm F/2.8 Di VC USD G2 (Model A025), a new telephoto zoom lens product for full-frame and APS-C DSLR cameras. Model A025 was developed by substantially enhancing the features of its predecessor.

    These include a thorough review of the optical, mechanical and electronic designs to increase autofocus speed and precision, reinforce VC (Vibration Compensation) functions and to shorten the MOD. New features include eBAND Coating, Moisture-Proof and Dust-Resistant Construction, Fluorine Coating and compatibility with teleconverters. The lens design features a metal-based barrel for improved handling and ease-of-use. The result of this dramatic evolution is Model A025, a high-speed telephoto lens that widens the scope of expression for photography in a broad range of genres, such as portraits, landscapes, sports and photojournalism. The lens is expected to be available in the U.S. in March at $ 1299.

    PRODUCT HIGHLIGHTS 

    1. Outstanding resolution and contrast reproduction performance, beautiful bokeh and full compatibility with Tamron teleconverters

    Based on the current model (A009), the optical design has been revised and improved. Both the resolution and contrast reproduction performance far exceed the present levels. Bokeh has been enhanced and expanded to deliver outstanding background effects across the entire zoom range. Use of a circular diaphragm with nine blades further improves bokeh. The optical design of the new A025 consists of 23 elements in 17 groups. Optimum deployment of XLD (eXtra Low Dispersion) and LD (Low Dispersion) glass elements thoroughly eliminate chromatic aberrations, which tend to become particularly prominent in high-speed telephoto lenses, across the entire zoom range, while ensuring uniform, high-level image quality even on the periphery of the image plane.

    The new lens is also fully compatible with the TELECONVERTER 1.4x (Model TC-X14) and TELECONVERTER 2.0x (Model TC-X20)1, which increase the focal length of the lens to 1.4 times and 2 times the original, respectively. Both teleconverters are carefully designed and constructed to provide outstanding high quality.

    Changes in zoom range when used with SP 70-200 mm F/2.8 Di VC USD G2 (Model A025)

     

    Mounted on full-frame DSLR camera

    Mounted on APS-C format DSLR camera

    Without tele converter

    70-200mm

    Approx. 109-310mm

    With 1.4x tele converter*2

    98-280mm

    Approx. 152-434mm

    With 2.0x tele converter*2

    140-400mm

    Approx. 217-620mm 

    Changes in magnification ratio when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)

     

    Maximum Magnification Ratio

    Without tele converter

    1:6.1

    With 1.4x tele converter

    1:4

    With 2.0x tele converter

    1:3

    Available focusing mode when used with SP 70-200mm F/2.8 Di VC USD G2 (Model A025)

     

    When using viewfinder

    When using live view mode

    With 1.4x teleconverter

    AF Possible

    AF*2 Possible

    With 2.0x teleconverter

    AF Possible

    AF*3 Possible 

    1. Improved VC system provides highest Vibration Compensation ability in its class3 (5 stops using CIPA standard compliant) and offers three situation-specific VC modes

    Utilizing Tamron’s original VC (Vibration Compensation) system, which uses a moving coil mechanism, further reinforcement of the drive system power and control performance has now achieved the highest VC level in its class, with an image stabilization performance of 5 stops according to the CIPA standard (using VC Mode 3). 

    Also, the VC system of Model A025 offers three VC modes, including one mode exclusively for panning. Photographers can freely choose between the different VC modes according to their shooting conditions. Even when telephoto shooting in low light, which tends to be severely affected by camera shake, photographers can now enjoy jitter-free handheld shooting with much greater flexibility. 

    • VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
    • VC MODE 2 is exclusively used for panning.
    • VC MODE 3 prioritizes the stabilization of the captured images and forgoes the stabilization of the viewfinder image.

    With the optional accessory TAMRON TAP-in ConsoleTM, you can customize the configuration of VC MODE 1. Choose the viewfinder view of either standard or image priority.

    1. Demonstratively improved autofocus speed and responsiveness

    Model A025 is equipped with a USD (Ultrasonic Silent Drive) ring-type ultrasonic motor, whose outstanding responsiveness and control ensures accurate high-speed focusing. Incorporating two advanced, high-performance microcomputers and optimizing the algorithm has improved both the focusing speed and accuracy compared with SP 70-200mm (Model A009). Additionally, thanks to the Full-time Manual Focus override mechanism, photographers shooting with AF can instantaneously make fine focusing adjustments using MF without wasting time by switching the AF-MF mode back and forth.

    1. Focuses closer (shorter Minimum Object Distance, or MOD) for greater versatility

    Improvements made to the focus cam and zoom cam inside the lens barrel have reduced the MOD from 50.7 inches in the older Model A009 to 37.4 inches for Model A025, which has a maximum magnification ratio of 1:6.1. The shorter MOD, coupled with the excellent optical performance of the SP 70-200mm (Model A025), allows photographers to further broaden their range of expression.

    1. Optimized and exclusively designed eBAND Coating

    The new A025 features Tamron’s original eBAND (Extended Bandwidth & Angular-Dependency) Coating, a technology that combines a nano-structured layer with an extremely low refractive index with the conventional multiple-layer coatings. Optimized and exclusively designed for this new zoom, the eBAND Coating provides superior anti-reflection performance, effectively reducing any flare and ghosting. Even when taking backlit portraits, the new lens delivers flawless, crystal clear images. 

    1. Moisture-Proof and Dust-Resistant Construction

    Ideal for use in outdoor photography, the new 70-200mm telephoto zoom has moisture-resistant construction because special sealants that are dust-resistant and moisture-resistant are used at every joint and seam. The sealant material helps to prevent the intrusion of any dirt, dust or water droplets, compared to conventional Moisture-Resistant Construction. 

    1. Fluorine Coating for greater protection

    The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints.

    1. Electromagnetic diaphragm system now used also for Nikon-mount lenses

    An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now available for Nikon-mount lenses4. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by the motor through electronic pulse signals.

    1. Lightweight and easy-to-hold tripod mount is compatible with Arca-Swiss style quick release plates

    A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. Because the tripod mount is made of lightweight magnesium, it is much easier to carry.

    1. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product

    The optional TAP-in Console provides a USB connection to a personal computer, enabling users to easily update the lens firmware as well as customize features, including fine adjustments to the AF and VC. 

    1. Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with a thorough attention to details

    For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in the various individual functions. Tamron thoroughly reviews all of the design and manufacturing processes in order to offer products to customers with even-higher levels of precision and quality.

    For the SP 70-200mm G2 (Model A025), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of the component parts and increased the precision of the overall zooming mechanism.

    1. For more detailed information about teleconverters, please refer to the Tamron website.

    2. Subjects with low contrast and/or luminosity values can sometimes result in out-of-focus images.

    3. Among 70-200mm F/2.8 interchangeable lenses for full-frame DSLR cameras (as of January, 2017; Tamron)

    4. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s, D600, D610, D700, D750, D800, D800E, D810, D810A, D3x, D3s, D4, D4s, Df, D500, D5). (As of January, 2017; Tamron)

    TAMRON INTRODUCES ULTRA-WIDEANGLE ZOOM WITH VIBRATION COMPENSATION

    Compact, high-performance lens boasts the largest focal length range in its class

    10-24mm F/3.5-4.5 Di II VC HLD (Model B023) 

    February 6, 2017, Commack, NY – Tamron, a leading manufacturer of optics for diverse applications, announces the launch of 10-24mm F/3.5-4.5 Di II VC HLD (Model B023), a new ultra-wideangle zoom lens for APS-C DSLR cameras. The lens is expected to be available in the U.S. this Spring at $ 499.

    Model B023 is a wideangle zoom lens that covers an exceptionally large range—the largest focal length range in its class1 (35mm equivalent is 16mm to 37mm). The lens is ideal for street photography, landscapes, group photos and casual everyday scenes. In 2008, Tamron launched the SP AF 10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001) that provided an unprecedented focal length range in its class. Building on that lens’s popularity, the successor Model B023 has improved optical performance and new features. It embodies Tamron’s most advanced technologies, including the VC (Vibration Compensation) system, Moisture-Resistant Construction and Fluorine Coating, and the first implementation of Tamron’s new HLD (High/Low torque modulated Drive). Additionally, the Model B023 has a refreshing new design derived from the design of the new product lineup in the SP series.

    PRODUCT HIGHLIGHTS 

    1. Inheriting the broadest focal length range in its class of ultra-wideangle zoom lenses

    The new Model B023 achieves a broad focal length range of 10-24mm, the largest range among ultra-wideangle zoom lenses for APS-C DSLR cameras. This is the 35mm equivalent of covering a very wideangle of view, from 16mm ultra-wideangle to 37mm semi-wideangle. A photographer can enjoy diverse wideangle expressions with just this one lens, from dynamic landscapes far beyond the normal human field of vision to simple, casual snapshots. 

    1. Improved optical performance across the entire zoom range

    The optical design of the new Model B023 consists of 16 lens elements in 11 groups. Special lens elements are utilized in an optimum configuration of one LD (Low Dispersion) lens element, one XLD glass element, one molded glass aspherical element, and one hybrid aspherical lens. While curbing an increase in the size of the optical system, the new lens very effectively compensates for a wide variety of aberrations in the entire zoom range, including transverse chromatic aberration, comatic aberration and distortions that tend to become more prominent with a wideangle lens.

    Tamron’s highly regarded BBAR (Broad-Band Anti-Reflection) Coating and the optical design paying close attention to internal reflections in the lens barrel also curb the effects of harmful light rays that tend to occur with a wideangle lens, achieving excellent resistance against ghosting and flare seen in backlighting situations.

    1. 4-Stop Vibration Compensation that is especially useful in low light conditions

    In response to the requests of many customers who have asked the company to equip a wideangle lens with image stabilization, we have now installed Tamron’s acclaimed VC (Vibration Compensation) on the new Model B023. Optimizing the actuator and the control algorithm has made it possible to incorporate the VC, while maintaining the compact design of the previous Model B001. The VC especially enhances the photographer’s freedom in handheld shooting at dusk or in a dimly lit room, and under other relatively low light conditions, as the mechanism proves particularly effective in the shooting conditions with slower shutter speeds.

    1. Equipped for the first time with the new HLD with outstanding driving power and stability

    Tamron’s new HLD (High/Low torque modulated Drive) has been developed for use as the AF drive system for Model B023. With its outstanding driving power and stability, the HLD is capable of smoothly controlling the AF mechanism of the new Model B023 that is actually equipped with large focusing lens elements. When shooting in AF mode, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.

    1. Compressed into a compact body with structural ingenuity

    While enhancing image quality, adding new functions and substantially improving the basic performance, Model B023’s space-saving design has ensured an optimum configuration for components such as the VC and AF unit, thus successfully reducing overall length compared to the previous Model B001. The lightweight and compact body with outstanding ease of use will prove to be very well-balanced when attached to an APS-C DSLR camera.

    1. An even more user-friendly lens with Fluorine Coating and Moisture-Resistant Construction

    The front surface of the foremost lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints, allowing for much easier maintenance. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.

    1. Electromagnetic diaphragm system now used also for Nikon-mount lenses

    An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses2. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

    1. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product

    The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.

    1. External design placing importance on functionality and ease of use

    While inheriting the design that makes use of a lot of organic curves and the delicately polished form down to fine details that characterize the SP lens series, the new Model B023 comes with a highly sophisticated design that also places much importance on the lens’s functionality and ease of use, featuring an overall form that faithfully encompasses the internal structures within, a slim Luminous Gold brand ring, the switch shape and the distance-scale window design.

    1. Among ultra-wideangle zoom lenses for APS-C DSLR cameras (As of January, 2017; Tamron)

    2. Available only with cameras compatible with the electromagnetic diaphragm (D3100, D3200, D3300, D3400, D5000, D5100, D5200, D5300, D5500, D5600, D7000, D7100, D7200, D300, D300s) (As of January, 2017; Tamron)

    Specifications

      Tamron SP 70-200mm 2.8 Di VC USD G2 Tamron 10-24mm F3.5-4.5 Di II VC HLD
    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF APS-C / DX
    Focal length 70–200 mm 10–24 mm
    Image stabilization Yes (5 stops) Yes (4 stops)
    Lens mount Canon EF, Nikon F (FX) Canon EF-S, Nikon F (DX)
    Aperture
    Maximum aperture F2.8–22 F3.5–22
    Minimum aperture F2.8–22 F4.5–29
    Aperture ring No
    Number of diaphragm blades 9 7
    Optics
    Elements 23 16
    Groups 17 11
    Special elements / coatings eBAND and fluorine coatings
    XLD, LD elements
    Broad-band Anti-reflection & fluorine coatings
    LD, XLD, aspherical, and hybrid aspherical elements.
    Focus
    Minimum focus 0.95 m (37.4) 0.24 m (9.45)
    Maximum magnification 0.16× 0.19×
    Autofocus Yes
    Motor type Ring-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale Yes No
    DoF scale No
    Focus distance limiter Yes
    Physical
    Weight 1500 g (3.31 lb) 440 g (0.97 lb)
    Diameter 88 mm (3.46) 84 mm (3.29)
    Length 194 mm (7.63) 85 mm (3.33)
    Sealing Yes
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock Yes No
    Filter thread 77.0 mm
    Hood supplied Yes
    Tripod collar Yes No

    Articles: Digital Photography Review (dpreview.com)

  • Pop-Up Car Tents: These 15 Rooftop Campers Are Like Portable Tree Houses

    [ By SA Rogers in Design & Products & Packaging. ]

    ikamper rooftop tent

    Popping up from the rooftops of everything from rugged Jeeps to adorable BMW MINIs or extending from the sides of motorcycles and bicycles, these vehicle-based tents make shelter on the go as easy as it can be. Some cantilever dramatically over the ground so you feel like you’re hovering in midair, and others stretch surprisingly high into the sky, like your own personal portable ‘treehouse’ built right onto your car.

    Overland Tacoma Habitat Levitating Tent

    overland tacoma 1

    overland tacoma 2

    This pop-up tent by Nemo Equipment is custom-designed to fit the Toyota Tacoma pickup truck, using a hardtop as a base for a lightweight aluminum structural shell that opens and closes with the help of gas springs. When standing in the truck bed, users have an impressive 7 feet of headroom.

    iKamper Skycamp & Hardtop One Rooftop Tents

    ikamper rooftop tent

    skycamp 2

    skycamp 3

    skycamp 4

    The SkyCamp by iKamper is envisioned as a mobile treehouse experience that’s secured to the roof of a vehicle rather than a tree, complete with ladder access to the sleeping quarters. Nearly flat when not in use, the SkyCamp expands to impressive proportions, and add-ons can make the setup extend all the way to the ground for a lofted suite. The Hardtop One is a similar design, but expands vertically rather than diagonally.

    Motorcycle Bivouac Exposed Camping

    motorcycle bivouac

    motorcycle bivouac 2

    motorcycle bivouac 3

    The ‘Bivouac’ by Exposed is designed to extend from a motorcycle to fit a single sleeper and their luggage, and pack up so tiny it can be mounted to the handlebars for transport. It may not be luxurious inside, but it’ll keep you and your motorcycle seat dry in the rain, and it’s perfect for the one-person explorer.

    Prius Plus Hard Top Camper

    camp inn camper 1

    camp inn camper 2

    camp inn camper 3

    There’s something hilarious about the proportions of this hard-shell ‘Prius Plus’ camper, which is made to clamp right onto a Toyota Prius hybrid as a camper converter. It’s been described as a ‘saggy diaper,’ ‘tumorous growth’ and a ‘giant marshmallow from outer space,’ and it’s not hard to see why. But Japan-based manufacturer Camp Inn did pull off quite a feat in creating a full-height entry to the back of a compact vehicle, leading to enough space for for or five people to sleep. It’s not clear how it latches on, it probably causes a significant plunge in your fuel economy and it costs twice as much as the Prius itself.

    Bike Tire Tent

    bike tire tent

    bike tire tent 2

    bike tire tent 3

    Cyclists can get in on the portable tent action, too, with ‘The Travel Tent’ by Chung-Jung Wu, Pei-Chun Chen & Li-Fu Chen. The design clips onto a bike wheel for easy portability while freeing up cargo space for other items, and extends into a pretty decently-sized one-person shelter.

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    Pop Up Car Tents These 15 Rooftop Campers Are Like Portable Tree Houses

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    [ By SA Rogers in Design & Products & Packaging. ]

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  • Super Bowl Halftime lit up by choreographed drone show

    Photo courtesy Intel

    The Super Bowl is American football’s premier event, and the big game is traditionally paired with an equally big halftime performance. This year’s show featured pop star Lady Gaga, who began her set with a pre-taped segment featuring a fleet of 300 drones as part of a choreographed, aerial light show.

    The drone fleet is known as Intel’s Shooting Star Drones and are specially designed for choreographed performances like the one we saw last night. Each vehicle has built-in LED lights, weighs 10oz/280g and can fly at up to 3 m/s (6.7 mph) during a light show. The show can be controlled by a single pilot, though Intel mentions that a backup pilot is always on hand.

    So how do you choreograph 300 dancing drones? Intel says it takes ‘days or weeks’ to create the light show depending on the complexity.

    ‘Intel’s proprietary algorithims automate the animation creation process by using a reference image, quickly calculating the number of drones needed, determining where drones should be placed, and formulating the fastest path to create the image in the sky.’

    This isn’t the fleet’s first show – Intel has also put on drone-powered light shows in Sydney and Orlando – but it is the first nationally televised event that it has participated in. You can check out the full performance below.

    Articles: Digital Photography Review (dpreview.com)

  • Valentines for Photographers

    Are you in love with a photographer?

    They’re quite loveable (if we may say so ourselves).

    Well, we just so happen to have made the perfect Valentine for your favorite photo snapper.

    Print one of our Valentine’s for Photographers, pick up a prezzy from the Photojojo Shop and your love is sure to develop into something special.
    (…)
    Read the rest of Valentines for Photographers (0 words)


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  • Leica Summilux-SL 50mm F1.4 sample gallery

    The full-frame Leica SL is no lightweight, and neither is its fast, normal prime. The Summilux-SL 50mm F1.4 is one of three lenses in its range, complemented by 24-90mm and 90-280mm F2.8-4 zooms. It went on sale at the end of last year and a loaner copy has found its way into our hands – take a look at what it can do.

    See our Leica Summilux-SL 50mm F1.4 ASPH sample gallery

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    Sample photoSample photoSample photoSample photoSample photo

    Articles: Digital Photography Review (dpreview.com)