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Posts Tagged ‘releases’

Phase One releases Capture One 12 with new interface, third-party plug-in support

30 Nov

Phase One has released Capture One 12, the latest edition of its image editing software. The updated product features a redesigned interface, revamped menu aligned between the Mac and Windows versions, linear and gradient masks via the new Parametric Masking Engine, luminosity masking and a new plug-in ecosystem.

Capture One 12’s new plug-in ecosystem supports third-party extensions and will soon have access to plug-ins for sharing and editing, as well as connecting the software to “specialized editing tools,” according to the company. Phase One’s Capture One Plugin SDK enables developers to create their own plug-ins for the software.

The updated product also adds new Fujifilm Film Simulation, lens, and camera support, expands AppleScript support for macOS users, and features a redesigned keyboard shortcut manager. Capture One 12 supports more than 500 camera models across all major brands.

Phase One is offering Capture One 12 with a perpetual license to new customers for $ 299 USD, but existing customers can purchase the update starting at $ 149 USD. Alternatively, the company offers Capture One Pro Sony 12 and Capture One Pro Fujifilm 12 for $ 219 USD. Buyers also have a subscription option starting at $ 15/month for Capture One Pro 12 and $ 14/month for the Fuji and Sony editions.

Redesigned and reimagined for the needs of today’s creatives, expanding for tomorrow’s solutions

COPENHAGEN, November 29, 2018: Phase One, the world’s leading manufacturer of high-end digital camera systems, today released Capture One 12, the next major milestone in the evolution of the industry’s premier RAW conversion, image editing, and asset management software. This release takes a top-down approach to streamline, modernizing, and improving the user interface to continue the program’s tradition of providing powerful features in a customizable, uniquely-configurable interface.

New masking tools and improved workflow features continue Capture One’s tradition of providing the most powerful image editing tools available, while a new plug-in ecosystem will allow third-party developers to connect their services and applications to Capture One.

Capture One 12 furthers Phase One’s commitment to providing unparalleled RAW editing, with unmatched tethering, color handling and precise editing on images captured with any of more than 500 different camera models.

Capture One 11.3 introduced support for all Fujifilm cameras and their unique sensors. Capture One 12 now enhances that support with the ability to correctly read and interpret Fujifilm’s legendary Film Simulations.

“Capture One has long been recognized as the industry standard for RAW image editing and image management,” says Jan Hyldebrandt-Larsen, VP Software Business at Phase One. “With this update, we focused on creative control — updating and improving the user interface, adding powerful new masking tools, and extending the Capture One ecosystem through plug-in support. These updates further our commitment to ensuring that Capture One continues to be the industry’s recognized leader in accuracy, performance, and customizability.”

Download Capture One 12, as well as find resources and tutorials at: www.captureone.com/12

New features and tools in Capture One 12

Powerful, refined interface

Capture One 12 introduces a newly re-designed, contemporary interface, designed to make Capture One easier to use during long editing sessions and to make discovery, experimentation, and customizability easier than ever. New iconography better conveys tool functionality, and the new slider design, the spacing of the tools, and font size increase improves both the look and the usability of the program.

The result is a new environment that feels more welcoming for new users while being more customizable for power-users.

Revamped menu system

Every menu item in Capture One 12 has been evaluated, categorized, and organized according to its logical function and grouped along with associated tasks, which makes it easier to find the desired controls and settings, and brings the Mac and Windows menu options into alignment.

Luminosity masking

One of a trio of new masking tools, Luma Range allows users to quickly create masks based on the brightness of pixels in an image and is the most powerful luminance masking tool of its kind.

This masking technique is particularly powerful in landscapes and high-key portraits, as it allows for nearly-instantaneous masks in complex scenes based on brightness—eliminating the need to tediously paint complex masks. Once a luminance range is created and adjusted using the precision mask-adjustment tools, nearly any editing tool can be applied to the mask.

The masks created with the Luma Range tool are dynamic and can easily be tweaked and modified at any point in the workflow. Unlike a hand-drawn mask, Luma Range adjustments can be applied from one image to another, and the effect will be based on the luminance of each image. This functionality is a huge time-saver as it eliminates the need to create precision masks for each frame in a shoot.

The new Luma Range selection masks open up an incredible range of editing possibilities, from selective noise reduction to precise color grading.

Linear Gradient Mask

Capture One 12 takes gradient masks to the next level, allowing for editable, moveable, rotatable—and best of all—asymmetric gradient masks. Using a brand-new Parametric Masking Engine, Capture One allows for adjustments in the size, shape, and symmetry of the masks with simple mouse clicks and key presses, truly redefining the possibilities of linear gradients in Capture One. Rotate, feather and adjust a mask with a precision never before possible.

Radial Gradient Mask

The new Radial Gradient mask tool enables quick, flexible radial masks, useful for vignette and other adjustments with a desired falloff effect. Using the same Parametric Masking Engine as the Linear Gradient mask tool, radial masks can be adjusted, rotated and moved after creation for extreme control over desired effects.

Redesigned Keyboard Shortcut manager

Capture One is known for its ability to custom-assign and custom-configure virtually every task to a keyboard shortcut. With more than 500 individually-assignable and customizable commands, it’s essential to be able to find the exact shortcut, without having to hunt through hundreds of choices.

Users can now search by the specific menu command, or by the assigned keyboard shortcut, making it easy to find and manage shortcuts. To unify the interface between the Mac and Windows versions the new menu system has been moved to the same location on both platforms, making it easier for workgroups to stay in sync.

New plug-in ecosystem

To address the needs of photographers and creatives looking to share, edit and collaborate on their images, the new Capture One plug-in ecosystem will allow for powerful third-party extensions. The new Capture One SDK will allow any developer to create custom solutions to expand Capture One, and to transform Capture One into an open ecosystem.

Users of Capture One will be able to extend the platform with the upcoming addition of plug-ins that allow for sharing, editing, and that can connect Capture One to a variety of specialized editing tools.

For developers, the Capture One Plugin SDK—available as a free download—will provide access to the broad base of passionate professional and enthusiast photographers that use Capture One. Developers are now able to create solutions that leverage the image-editing and organizational prowess of Capture One, and the added capabilities of third-party resources.

The initial Capture One Plugin SDK allows for plugin development, and can be leveraged for common tasks like sharing, sending files to external editors, and allowing images to be opened in other applications, and more.

Fujifilm Film Simulation support

Fujifilm X-Series and GFX-series cameras feature Film Simulations, which are in-camera tonal adjustments that faithfully reproduce the color and tonality of classic Fujifilm photographic films. Sixteen Film Simulations are available, ranging from color stocks like Provia and Velvia to black and white film like Acros. These simulations give Fujifilm users the ability to digitally capture images with the feel of beloved photographic films.

Thanks to the collaboration between Capture One and Fujifilm, photographer’s using Fujifilm’s renowned X-Series and GFX-series cameras will be able to edit photos complete with Fujifilm Film Simulations. These in-camera settings have been faithfully reproduced in Capture One, to provide an identical experience when working with files, resulting in images that appear the same as if the Film Simulation picture profiles were applied in-camera.

Extended AppleScript support

Users of Capture One on Mac OS can take advantage of extended AppleScript support for automation and workflow streamlining. More than a dozen of Capture One 12’s areas and properties can now be directly modified with AppleScript, adding to the existing, robust AppleScript support in previous versions of Capture One.

New camera and lens support

Capture One provides users with the most accurate and powerful image editing available, and the wide-ranging support of cameras and lenses is a hallmark of the software. For enthusiasts and professionals alike, Capture One continually evolves to handle the newest cameras and lenses.

Phase One carefully evaluates and interprets each camera’s RAW formats, allowing Capture One to present images with the utmost fidelity, often bringing out nuances that other programs can’t even perceive.

In addition to the RAW support for more than 500 cameras, Capture One also provides profiling and image correction support for more than 500 lenses. Like with the RAW file interpretation, Phase One carefully measures the optical characteristics of each supported lens and builds correction algorithms that compensate for the various optical imperfections of various designs. As a result, Capture One can correct for numerous common optical issues such as vignette, and chromatic aberration as needed for each of the supported lenses.

New camera support:

  • Nikon Z7
  • Nikon Z6
  • Fujifilm GFX 50R
  • Canon EOS R
  • Canon EOS M50

For a complete list of supported cameras, please go to: www.phaseone.com/supported-cameras

Availability and pricing

Capture One is available in several versions. Capture One Pro 12 supports more than 500 cameras from all major camera brands, while Capture One Pro Sony 12 and Capture One Pro Fujifilm 12 supports cameras from those brands, respectively.

Phase One is committed to providing customers a choice when it comes to how they acquire their software, so Capture One Pro 12 is available for purchase, or via subscription. The perpetual license for Capture One Pro 12 is available for $ 299, with upgrade pricing from previous versions starting at $ 149. Capture One Pro Sony and Capture One Pro Fujifilm are available for $ 219

For those that prefer subscription models, Capture One Pro 12 is available for plans as low as $ 15 per month, and Capture One Pro Sony and Capture One Pro Fujifilm subscription plans start at $ 14 a month.

For a complete list of all products and licensing options, please visit: www.phaseone.com/store to learn more.

A 30-day fully-featured free trial of Capture One 12 is available. Download the trial here: www.captureone.com/download

Via: PDN

Articles: Digital Photography Review (dpreview.com)

 
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DJI releases nine new accessories for Ronin-S handheld stabilizer

22 Nov

DJI has released a total of nine new accessories for its Ronin-S handheld camera stabilizer, expanding the system and making it more attractive to ambitious video shooters and film makers. Below is a quick run-down of each of the new accessories.

The new Focus Motor enables motorized focusing of lenses and offers lens control with an accuracy of .02 degrees. The Command Unit attaches to the side of the stabilizer and lets users to modify settings such as motor parameters, remote control and operation modes without the need to connect a mobile device.

The Ronin-S BG37 Grip offers an extra 12 hours of operating time via a 2400mAh built-in battery and the Top Hotshoe Bracket mounts to the camera hot shoe and the Ronin for extra security during fast-paced shooting, for example when the stabilizer is mounted to a moving vehicle. The grip comes with a cold-shoe, so you can still attach accessories with the adequate connector.

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The Extended Lens Support helps secure the camera and larger lens on then Ronin-S and can be used when the standard support is not long enough. With the Ronin-S Universal Mount the stabilizer can be mounted to a car, jib, cable cam system and more.

Finally, the External GPS Module offers improved stabilization performance during fast accelerations or decelerations and better reaction to sudden camera movements. All new accessories are available now, pricing is as follows:

  • Focus Motor: $ 169 USD
  • Focus Motor Rod Mount: $ 20 USD
  • Focus Gear Strip: USD $ 20 USD
  • Command Unit: $ 129 USD
  • BG37 Battery Grip: $ 99 USD
  • Top Hotshoe Bracket: $ 49 USD
  • Extended Lens Support: $ 20 USD
  • External GPS Module: $ 69 USD
  • Universal Mount: $ 179 USD

More information can be found on the DJI website.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma releases official pricing for trio of Photokina lenses

03 Nov

Sigma has announced the prices for three of the lenses it announced at the Photokina trade show in September. The 40mm F1.4 DG Art lens for full frame cameras will cost $ 1400 while the 56mm F1.4 DC DN for crop-sensor mirrorless cameras will cost $ 479. The Sony E-mount version of its 105mm F1.4 Art will sell for around $ 1600. All three will be available this month.

The 56mm F1.4 completes a trio of small, comparatively affordable fast primes for Micro Four Thirds and Sony’s E-mount. The 16mm, 30mm and 56mm F1.4s act as a wide, normal and portrait telephoto on APS-C and as a 32, 60 and 112mm equiv on Micro Four Thirds.

FOR IMMEDIATE RELEASE

Sigma Ships Three New Global Vision Lenses

Sigma 105mm F1.4 Art in Sony E-Mount, Sigma 56mm F1.4 Contemporary and Sigma 40mm F1.4 Art are available this November

Ronkonkoma, NY – November 2, 2018 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced pricing and availability of two brand new lenses announced at Photokina – Sigma 56mm F1.4 DC DN Contemporary ($ 479 USD) and Sigma 40mm F1.4 DG HSM Art ($ 1399 USD). In addition, Sigma is now shipping the Sony E-mount version of its “Bokeh Master” – Sigma 105 F1.4 DG HSM Art ($ 1599 USD).

Key Features and Benefits

Sigma 56mm F1.4 DC DN Contemporary

This brand new Sigma 56mm F1.4 DC DN Contemporary lens completes the Sigma large-aperture series of portable wide-angle, standard and telephoto prime lenses in Micro Four Thirds and Sony E mounts, including Sigma 16mm F1.4 DC DN Contemporary and 30mm F1.4 DC DN Contemporary. Featuring compact design, light weight and outstanding image quality offered in Sigma’s Contemporary line, this latest lens stuns with a beautiful bokeh effect and the amount of brightness expected from F1.4 lenses even in the mid-telephoto range for cropped sensor cameras. In addition, this lens is characterized by smooth and quiet autofocus ideal for video shooting. Compatible with the Sony E mount Fast Hybrid AF, it also achieves precise AF tracking. By using the face recognition or eye AF functions of the camera, focus will continuously be on the face or the eye even if the subject moves during the shoot.

Sigma 40mm F1.4 DG HSM Art

The brand new 40mm F1.4 DG HSM Art is Sigma’s first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. Designed for exceptional sharpness at maximum aperture, this lens excels at available light photography. With less than 1% distortion and near non-existent sagittal coma flare, this lens demonstrates consistent optical results featuring both 8K-compatible resolution and a beautiful bokeh. It is available for Sigma, Nikon, Canon and Sony E mount camera systems.

Sigma 105mm F1.4 DG HSM Art in Sony E-Mount

A proven “Bokeh Master,” the Sigma 105mm F1.4 DG HSM Art is the ninth lens in the Sigma F1.4 line-up designed for full-frame cameras. To combine outstanding wide-aperture, mid-telephoto performance with F1.4 brightness at maximum aperture, this lens incorporates 17 optical elements in 12 groups, including three FLD glass elements, two SLD glass elements and one aspherical lens element. This optical setup minimizes axial chromatic aberration to deliver ultra-high resolution along with ample peripheral light volume, which minimizes vignetting. As a result, the area in focus is extremely sharp, while the out-of-focus area features a beautiful bokeh effect with highly natural colors, making this a desired lens for portrait photography. The optical design also minimizes sagittal coma flare, making it an excellent choice for capturing starry skies.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma releases interchangeable lens compatibility notes for Nikon Z7 and Canon EOS R

27 Oct

Sigma has released compatibility notes for its interchangeable lenses when used with the Canon EOS R and Mount Adapter EF-EOS R, as well as updated compatibility information related to the Nikon Z7. The updates follow Sigma’s compatibility note for the Nikon Z7 released in late September, during which time the company said it would continue testing products and publishing future updates.

According to the company, its interchangeable lenses for Canon mount “do not have any issues with general operation” when used with the Canon EOS R and EF-EOS R adapter. However, users will need to disable the in-camera Digital Lens Optimizer feature before using a Sigma interchangeable lens with the model.

Sigma states:

When the Digital Lens Optimizer is switched [OFF], but “Peripheral illumination correction”, “Chromatic aberration correction” and “Distortion correction”, located within the in-camera Lens Aberration Correction function is switched [ON], the appropriate corrections can be achieved in accordance with the optical characteristics of each lens. This is applicable to lenses listed below which were released after March, 2018, or those of which firmware has been updated to Ver.2.0 or later.

In regards to its updated Nikon Z7 compatibility data, Sigma has released a list of 36 interchangeable lenses for Nikon mount that it tested and found compatible with the Nikon Z7 and Mount Adapter FTZ. When used together, “both AF and AE operate without any issue,” the company stated in its latest release.

The full list of compatible lenses is available in the press release below:

[Updated Information] Operating conditions of the Nikon “Z7” and SIGMA’s interchangeable lenses for Nikon mount

Thank you for purchasing and using our products.

We would like to share results of our further investigations regarding the operating conditions of the Nikon “Z7” and SIGMA’s interchangeable lenses for Nikon mount.

When SIGMA’s interchangeable lenses in the current product lineup, listed below, are used in combination with the Nikon “Z7” and their “Mount Adapter FTZ”, both AF and AE operate without any issues.

Furthermore, lenses which incorporate Optical Stabilizer (OS) will work to maximum effect when both the lens’s OS and the in-camera stabilization are switched on simultaneously.

Applicable Products

DG Lens

  • 12-24mm F4 DG HSM | Art
  • 14-24mm F2.8 DG HSM | Art
  • 24-70mm F2.8 DG OS HSM | Art
  • 24-105mm F4 DG OS HSM | Art
  • 60-600mm F4.5-6.3 DG OS HSM | Sports
  • APO 70-200mm F2.8 EX DG OS HSM
  • APO 70-300mm F4-5.6 DG MACRO
  • 70-300mm F4-5.6 DG MACRO
  • 100-400mm F5-6.3 DG OS HSM | Contemporary
  • 120-300mm F2.8 DG OS HSM | Sports
  • 150-600mm F5-6.3 DG OS HSM | Contemporary
  • 150-600mm F5-6.3 DG OS HSM | Sports
  • APO 200-500mm F2.8 / 400-1000mm F5.6 EX DG
  • APO 300-800mm F5.6 EX DG HSM
  • 14mm F1.8 DG HSM | Art
  • 20mm F1.4 DG HSM | Art
  • 24mm F1.4 DG HSM | Art
  • 35mm F1.4 DG HSM | Art
  • 105mm F1.4 DG HSM | Art
  • 135mm F1.8 DG HSM | Art
  • 500mm F4 DG OS HSM | Sports
  • MACRO 105mm F2.8 EX DG OS HSM
  • APO MACRO 150mm F2.8 EX DG OS HSM
  • APO MACRO 180mm F2.8 EX DG OS HSM

DC Lens

  • 8-16mm F4.5-5.6 DC HSM
  • 10-20mm F3.5 EX DC HSM
  • 17-50mm F2.8 EX DC OS HSM
  • 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary
  • 18-35mm F1.8 DC HSM | Art
  • 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary
  • 18-250mm F3.5-6.3 DC MACRO OS HSM
  • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary
  • 50-100mm F1.8 DC HSM | Art
  • 4.5mm F2.8 EX DC CIRCULAR FISHEYE HSM
  • 10mm F2.8 EX DC FISHEYE HSM
  • 30mm F1.4 DC HSM | Art

Phenomena particular to 4 lenses were confirmed after our announcement of September 28th

After careful investigation, we confirmed some phenomena particular to 4 products listed below. Regarding a firmware update for the SIGMA 24-35mm F2 DG HSM | Art, 50mm F1.4 DG HSM | Art and 85mm F1.4 DG HSM | Art, we are going to announce them at a later date.

24-35mm F2 DG HSM | Art

[Phenomenon]- It may occasionally stop recording while shooting video. It is planned to be resolved by a firmware update.

50mm F1.4 DG HSM | Art

[Phenomenon] – When starting to shoot with the subject completely out of focus, the response to the AF operation is intermittent. It is necessary to release several times or to turn the focus ring once to release. It is planned to be resolved by a firmware update.

85mm F1.4 DG HSM | Art

[Phenomenon] – It may occasionally show overexposure when narrowing down the aperture from F5.6 while shooting. It is planned to be resolved by a firmware update.

APO 800mm F5.6 EX DG HSM

[Phenomenon] – Please focus using MF, since it is difficult to achieve sufficient focusing accuracy. There is no plan for a firmware update.

When the lenses listed below are used, due to product specifications, the in-camera stabilization cannot be turned off. In addition, the Auto Power Off function cannot be used. Please manually turn the power [OFF] after shooting.

Applicable products

Current lineup

  • 17-50mm F2.8 EX DC OS HSM
  • 17-70mm 2.8-4 DC MACRO OS HSM | Contemporary
  • 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary
  • 18-250mm F3.5-6.3 DC MACRO OS HSM
  • 24-105mm F4 DG OS HSM | Art

Discontinued models

  • 17-70mm 2.8-4 DC MACRO OS HSM
  • 18-50mm F2.8-4.5 DC OS HSM
  • 18-250mm F3.5-6.3 DC OS HSM
  • 18-200mm F3.5-6.3 DC OS HSM
  • 50-200mm F4-5.6 DC OS HSM
  • 70-300mm F4-5.6 DG OS

Other precautions

  • Please use manual focus while shooting with lenses which do not incorporate an AF driving motor.
  • Tele Converters cannot be used together.
  • Depending on shooting conditions, sufficient focusing speed and accuracy may not be achieved. As required, please use manual focus while shooting.
  • Despite being listed above, some lenses shipped out from SIGMA before November, 2013 may require a firmware update. (Please refer to “Various lenses shipped from SIGMA before November, 2013” below.)
  • Discontinued products have different operating conditions depending on each product and their shipping period. For details, please contact your nearest authorized SIGMA subsidiary / distributor.

Various lenses shipped from SIGMA before November, 2013

We have previously confirmed that some phenomena such as AF not working correctly with some lenses released or shipped from SIGMA before November, 2013, when they are used on Nikon’s digital SLR cameras incorporating the latest firmware. Under this circumstance, we will update the lens firmware free of charge. If the products do not operate on a Z7, even when they are listed above, the lens firmware update may improve the situation.

For customers who have these applicable products, please contact your nearest authorized SIGMA subsidiary / distributor for further details.

*1 For products of which firmware was updated after November, 2013, a firmware update is not necessary.
*2 It is not possible to update the firmware of products for which our support period has finished.
*3 For products with an engraved edition number of A012, C013 or S013, the lens firmware can be updated using the optional SIGMA USB DOCK.

[CANON COMPATIBILITY NOTE]

Thank you for purchasing and using our products.

We would like to announce that, as of this moment SIGMA’s interchangeable lenses for Canon mount in the current lineup do not have any issues with general operation when they are used on the “EOS R”, released by Canon Inc., via their “Mount Adapter EF-EOS R”.

In addition, please note the information below when using our lenses.

1. With SIGMA’s interchangeable lenses, the Digital Lens Optimizer located within the in-camera Lens Aberration Correction function cannot be used. Therefore, please set the Digital Lens Optimizer to [OFF] before shooting.

When the Digital Lens Optimizer is switched [OFF], but “Peripheral illumination correction”, “Chromatic aberration correction” and “Distortion correction”, located within the in-camera Lens Aberration Correction function is switched [ON], the appropriate corrections can be achieved in accordance with the optical characteristics of each lens. This is applicable to lenses listed below which were released after March, 2018, or those of which firmware has been updated to Ver.2.0 or later.

Contemporary line

  • SIGMA 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary *
  • SIGMA 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary *
  • SIGMA 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary *
  • SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary
  • SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary

Art Line

  • SIGMA 18-35mm F1.8 DC HSM | Art
  • SIGMA 50-100mm F1.8 DC HSM | Art
  • SIGMA 12-24mm F4 DG HSM | Art
  • SIGMA 14-24mm F2.8 DG HSM | Art
  • SIGMA 24-35mm F2 DG HSM | Art *
  • SIGMA 24-70mm F2.8 DG OS HSM | Art
  • SIGMA 24-105mm F4 DG OS HSM | Art
  • SIGMA 14mm F1.8 DG HSM | Art
  • SIGMA 20mm F1.4 DG HSM | Art
  • SIGMA 24mm F1.4 DG HSM | Art
  • SIGMA 30mm F1.4 DC HSM | Art *
  • SIGMA 35mm F1.4 DG HSM | Art
  • SIGMA 50mm F1.4 DG HSM | Art
  • SIGMA 70mm F2.8 DG MACRO | Art
  • SIGMA 85mm F1.4 DG HSM | Art
  • SIGMA 105mm F1.4 DG HSM | Art
  • SIGMA 135mm F1.8 DG HSM | Art

Sports Line

  • SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports
  • SIGMA 120-300mm F2.8 DG OS HSM | Sports *
  • SIGMA 150-600mm F5-6.3 DG OS HSM | Sports
  • SIGMA 500mm F4 DG OS HSM | Sports *

* These lenses will be compatible with the in-camera Lens Aberration Correction function by a firmware update to Ver.2.0 which will be announced in the future.

When lenses other than those listed above are used, “Peripheral illumination correction”, “Chromatic aberration correction” and “Distortion correction”, located within the in-camera Lens Aberration Correction function, may cause images to appear abnormal. Therefore please set these correction functions to [OFF] before shooting.

2. When SIGMA’s DC lenses are used, “1.6x (Crop)” will not be set automatically. Please select “1.6x (Crop)” manually.

We will continue verification and provide updates on the operating condition at a later date.

Via: Sigma 1, 2

Articles: Digital Photography Review (dpreview.com)

 
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Hex releases new camera backpack and sling as part of its 2018 Ranger Collection

12 Oct

Bag and accessory manufacturer Hex has shared its latest pair of bags as part of its 2018 lineup, the Ranger Collection. The collection consists of a clamshell backpack and a sling backpack that are “designed to be discrete and street-ready for the modern photographer.”

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The Clamshell Backpack is constructed of water-resistant 500D Cordura nylon and uses what Hex says is a patent-pending clamshell design. It features a typical internal foam divider system that can be arranged to fit your equipment and uses YKK zippers with metal pulls to access the compartments.

According to Hex, you can expect to fit one or two DSLRs and a few lenses, ranging from small primes to telephoto zoom lenses. There are also dedicated pockets for your phone and laptops up to 15 inches. A hidden rain cover is also included for when the weather takes a turn for the worst.

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Like the Clamshell Backpack, the DSLR Sling is constructed of water-resistant 500D Cordura nylon and YKK zippers with custom metal pulls. One of the most interesting details about the DSLR Sling is its ability to pack down flat when the bottom panel is removed, making it easier to travel with as an auxiliary bag.

The DSLR Sling can carry a non-gripped camera body and a lens or two, depending on what glass you’re using. It’s not large enough to fit a laptop, but there are dedicated faux-fur lined pockets for smartphones and even smaller tablets.

The Hex Clamshell Backpack and DSLR Sling are available through Hex’s online shop. They retail for $ 199.95 and $ 99.95, respectively. Both bags come in black and camo colorways.

Articles: Digital Photography Review (dpreview.com)

 
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Red releases Hydrogen One product photos, confirms release date

05 Sep

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When it was first announced in July 2017 the RED Hydrogen One super-phone created quite the splash, thanks to a Leica-made 5.7″ lightfield holographic display and a pin-based expansion system that allows for attaching a range of hardware modules. The system is similar to Motorola’s Moto Mods, but probably more focused toward high-end video given the brand we’re dealing with.

Since then delivery has been pushed back several times, most recently because the company needed some extra time to receive carrier certification. However, now we have a fixed release date: November 2nd. Pre-orders will ship on October 9th.

The Hydrogen One aluminum version will be available through AT&T, Verizon and Telcel
for $ 1295

Additionally, Red founder Jim Stannard has shared several actual product photos on the Hydrogen product forum that allow for a good look at the device’s large dual-camera module. The Hydrogen One also comes with a rugged-looking design that features a lot of carbon fiber, giving the phone a pretty unique appearance.

The price tag will unfortunately be unique as well. The Hydrogen One aluminum version will be available through AT&T, Verizon and Telcel for $ 1295. The titanium variant will be out in 2019 and set you back an additional $ 200.

Articles: Digital Photography Review (dpreview.com)

 
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Toshiba releases new UHS-II EXCERIA Pro SD cards in 32GB, 64GB, 128GB and 256GB capacities

01 Sep

Toshiba has unveiled its UHS-II EXCERIA PRO N502 SD cards, a new line of memory cards for the European market designed specifically for capturing 4K and 8K ultra-HD video.

The UHS-II EXCERIA PRO SD cards, which will come in 32GB, 64GB, 128GB and 256GB capacities, have a minimum data transfer speed of 90MB/s, the requirements for the Video Speed Class 90 label they’ve been given (which vastly exceeds the U3 and Class 10 designations the cards also carry). The maximum read speed is 270MB/s, while the maximum write speed is 260MB/s.

In addition to being x-ray proof, shockproof and waterproof, the EXCERIA PRO N502 SD cards can withstand temperatures ranging from -25ºC to 85ºC (-13ºF to 185ºF) without condensation. Each card includes a five-year warranty when purchased through an authorized retailer.

The cards appear to be limited to the UK, Denmark, Finland, Ireland, Italy, Netherlands, Norway, Spain, Sweden, Switzerland and Turkey for the time being, with no listings currently available. Prices are unavailable at the time of writing this article. We will update accordingly if a product page goes live.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic releases first Pocket Cinema Camera 4K footage

30 Aug

Blackmagic Design has released three videos demonstrating the performance of its upcoming Pocket Cinema Camera 4K. It updates the Pocket Cinema Camera introduced in 2013, was revealed at NAB 2018 in April and is expected to launch next month.

Ahead of that launch, Blackmagic Design has published the videos “Nature” by Mark Wyatt, “Models Walking at Night” by John Brawley, and “Models Walking in Daylight” also by John Brawley, each showcasing the upcoming camera’s capabilities. This is the first time footage from the camera has been published.

Both Wyatt’s and Brawley’s experiences with the camera are provided in each video description. In describing his time with the Pocket Cinema Camera 4K, Wyatt said:

I had the Blackmagic Pocket Cinema Camera 4K for only a few days, but overall I was really impressed by it. The weight of the camera is very liberating, especially when you are used to using larger camera systems. The screen is big and bright enough to use in daylight, which I found great for judging focus and exposure. And, the colors too on the screen, were also nicely represented. In fact, I would argue it is Blackmagic’s best screen yet.

The Blackmagic Pocket Cinema Camera 4K features a full size Four Thirds HDR sensor offering a native 4096 x 2160 resolution and 13 stops of dynamic range. The upgraded model also features dual native ISO, a USB-C expansion port with direct support for external storage drives, a new multi-function grip design, and much more.

Via: Newsshooter

Articles: Digital Photography Review (dpreview.com)

 
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DJI releases highly anticipated Mavic 2 Pro and Mavic 2 Zoom compact drones

23 Aug
DJI has announced the Mavic 2 Pro, featuring a 1-inch type CMOS sensor (left), and the Mavic 2 Zoom, which includes a 2x optical zoom lens (right).

Drone manufacturer DJI has announced the arrival of two new drones to its Mavic series: the Mavic 2 Pro and the Mavic 2 Zoom.

The Mavic 2 Pro is the first drone with an integrated Hasselblad camera—a project that the companies collaborated on for the last two years. The Mavic 2 Pro utilizes a newly redesigned 1-inch CMOS sensor and 10-bit Dlog-M color profile, which allows the Mavic 2 Pro to capture four times the level of color as its predecessor, the Mavic Pro. The drone can shoot 20-megapixel images, has an ISO sensitivity of 100-6400, an aperture range of F2.8 to F11 and shoots 4K video with 10-bit HDR.

Mavic 2 Pro sample video. Courtesy of DJI

The Mavic 2 Zoom is the first consumer-oriented drone with zooming capabilities. It offers users a 2x optical zoom (24mm-48mm) and a 2x digital zoom (49mm-96mm) and can capture lossless video in full HD resolution. It’s built around a redesigned 1/2.3-inch CMOS sensor, can shoot 12-megapixel images, has an ISO range of 100-3200 and improved focusing speed thanks to its upgraded phase and contrast detection.

A new auto mode on the Mavic 2 Zoom, called Super Resolution, uses the drone’s optical zoom to shoot nine individual images of a scene and then automatically stitch them together into a 48-megapixel photo. The drone’s zooming capabilities have led to new video modes too. Dolly Zoom QuickShot allows videographers to quickly replicate cinematic techniques popularized by folks like Hitchcock, where the camera zooms in on a subject while moving backwards.

The Mavic 2 Zoom can automatically create dolly zoom effects by coordinating the drone’s movement while adjusting the focal length of the lens. Courtesy of DJI

The bodies of the two new models are identical, and are slightly larger than the original Mavic Pro; like the orginal, they also fold down for easy transport. Both are equipped with omnidirectional sensors that can track the drone’s movements left, right, up, down, forward and backward, utilize a 3-axis mechanical stabilization and feature new auxiliary lights on the bottom to help with landing and flying in low-light situations (like dusk and dawn). A redesigned winglet and new motors make the two drones quieter than earlier models.

Example of a ‘Super Resolution’ photo, in which the Mavic 2 Zoom automatically stitches together 9 individual photos to create a high resolution image. Courtesy of DJI

Both models can record at a maximum bitrate of 100 Mbps using H.265 compression, include 8GB of internal storage, and can capture 4K video at up to 30fps as well as HD video up to 120fps. Each has a respectable flight time of 31 minutes.

The new drones also feature updated intelligent flight modes like Hyperlapse and ActiveTrack 2.0, which can now avoid obstacles and continuously track subjects thanks to the 10 sensors found on each drone. OcuSync also gets an update and help keeps the controller and the drone in communication—the Mavic 2 drones can transmit 1080p video up to five miles away from the controller.

The Mavic 2 Pro will retail for $ 1449, while the Mavic 2 Zoom will retail for $ 1249. Both models are available today from DJI.

Press release:

DJI Introduces Mavic 2 Pro And Mavic 2 Zoom: A New Era For Camera Drones

Mavic 2 Series Features Two Industry First Camera Options With New Intelligent Features And Optimized Flight Performance

August 23, 2018 – DJI, the world’s leader in civilian drones and aerial imaging technology, today introduced a new era for camera drones with two additions to its iconic Mavic series: Mavic 2 Pro, the world’s first drone with an integrated Hasselblad camera, and Mavic 2 Zoom, the world’s first foldable consumer drone with optical zoom capability.

The Mavic 2 is the most advanced DJI camera drone ever built, designed for professionals, aerial photographers and content creators. Incorporating the iconic folding design of the world’s most popular Mavic Pro, the Mavic 2 is a powerful platform with new gimbal-stabilized cameras and advanced intelligent features like Hyperlapse and ActiveTrack for easier and more dynamic storytelling. With an impressive flight time of up to 31 minutes and a more stable video transmission system, Mavic 2 delivers the optimal flight experience for capturing epic shots.

“When the Mavic Pro was launched two years ago, it redefined the way people looked at a drone and expanded possibilities for creators around the world,” said Roger Luo, President at DJI. “Today, we enter a new era of aerial photography with the introduction of DJI’s new flagship product, the Mavic 2 series. The Mavic 2 Pro and Mavic 2 Zoom will enable photographers and videographers to take their inspirations to the air quickly and elevate their creative ideas to new heights.”

Mavic 2 Pro: Superior Image Quality with Hasselblad

Co-engineered in partnership with Hasselblad, the world’s leader in medium format photography, the Mavic 2 Pro is the world’s first drone with an integrated Hasselblad camera for outstanding image quality with superior light and color performance. Housing a 1-inch CMOS sensor with a 10-bit Dlog-M color profile, the camera captures four times as many levels of color per channel compared to Mavic Pro to provide maximum flexibility for photo and video editing. The Mavic 2 Pro can capture 20-megapixel aerial shots with utmost color accuracy using Hasselblad’s unique Hasselblad Natural Color Solution (HNCS) technology, while an adjustable aperture from f/2.8-f/11 provides more control across a wide variety of lighting conditions. With 4K 10-bit HDR support, the Mavic 2 Pro can be plugged into a 4K TV with HLG and will play back footage with the right color tones.

Mavic 2 Zoom: A Dynamic Perspective with Optical and Digital Zoom

Powered by a 1/2.3-inch CMOS sensor, the Mavic 2 Zoom is DJI’s first foldable consumer drone with zoom, providing a dynamic perspective that ushers in a new era of creative storytelling. With the Mavic 2 Zoom, you can get closer to your subject at a moment’s notice by combining two-times optical zoom (24-48mm) with two-times digital zoom to simulate a 96mm telephoto lens that captures lossless video in full HD resolution. Hybrid auto-focus on the Mavic 2 Zoom combines phase and contrast detection for higher focus accuracy with an increased focus speed of up to 40% faster than before. Shoot vivid 12-megapixel photos or take advantage of the new Super Resolution feature that uses optical zoom to automatically capture and stitch nine photos together for a highly detailed 48-megapixel image, making it an ideal option for landscape photography.

Exclusive to the Mavic 2 Zoom, the new Dolly Zoom QuickShot mode opens a new visual language for storytelling that was previously reserved for professional cinematographers. It creates an otherworldly warped perspective by automatically zooming in as it flies away from its subject, keeping the subject the same size while the full background of the scene is revealed.

Mavic 2 Series: DJI’s New Flagship Consumer Drone with Powerful Camera Options

Both cameras capture vivid 4K ultra-high definition video with extreme detail, recording at a maximum bitrate of 100 megabits per second using the H.265 compression codec to give you an exceptional degree of latitude in post-production workflows. For photographers, new Enhanced High Dynamic Range capabilities blend a sequence of photos for ghost-free high dynamic range, giving the Mavic 2 Pro an impressive 14 stops of dynamic range and Mavic 2 Zoom up to 13 stops.

New Intelligent Tools For Epic, Cinematic Shots

The Mavic 2 is the ultimate tool for aerial content creation with new intelligent flight modes that make capturing professional-quality results almost effortless. A new Hyperlapse feature produces establishing shots that show the passing of time, which you can share to social media immediately. JPEG and RAW photos can be simultaneously saved on a Micro SD card or the internal storage, leaving more room for post editing. Choose between Circle, Course Lock, Waypoint or Free mode to create timelapses with a simple tap of a button in the DJI GO 4 Mobile App:

  • Free – pilots the drone manually while shooting a Hyperlapse video.
  • Circle – automatically flies the drone in a circular pattern around a subject you select to create a timelapse video that captures the action.
  • Course Lock – keeps the camera fixed on shooting subject while the drone flies in a straight direction to create a unique perspective.
  • Waypoint – plans a complex flight path based on both altitude and GPS coordinates to capture complex shots.

Keeping a moving subject in the frame is now easier than ever with ActiveTrack 2.0. This enhanced auto-track feature delivers a powerful combination of autonomous tracking and obstacle sensing capabilities never before seen in a DJI drone. Using the main camera and the front dual vision cameras, the Mavic 2 creates a three-dimensional map of the area in front of it, and uses new trajectory algorithms to analyze motion and predict the subject’s path up to three seconds in the future. When tracking a target, the Mavic 2 can recognize and avoid obstacles while shooting your target without interruption. It can stay on target, even if your subject momentarily goes behind an obstacle, and can track the subject at higher speeds of up to 44 mph (72 km/h).

Safer, Smarter and Stable Flight

The Mavic 2 delivers autonomous flight capabilities that help you capture shots with even more confidence in complex environments. A fully upgraded FlightAutonomy system transmits data to a more powerful central processor for more accurate obstacle sensing and safer flight. For the first time ever in a DJI drone, Mavic 2 has 10 sensors on all sides of the aircraft to automatically detect obstacles in its path and help prevent collisions, allowing you to focus on capturing the perfect shot.

An improved Advanced Pilot Assistance System (APAS) allows the aircraft to analyze its surrounding environment and automatically fly around obstacles without stopping. In addition, the Mavic 2 has a Bottom Auxiliary Light that turns on automatically to ensure safe and precise landings in low-light situations.

A newly designed OcuSync 2.0 video transmission system enables a more stable connection between the drone and its remote controller. The system features stronger interference resistance and auto-switching capabilities that supports both 2.4 GHz and 5.8 GHz frequency bands with the capability to use different frequencies for uplink and downlink data streams. It delivers 1080p video transmission feeds at a distance of up to 8km, allowing you to instantly edit and upload Full HD footage directly from the video cache in the DJI app in a wider variety of situations. Original resolution photos in JPEG can be saved directly to your mobile device, so you can immediately share what you create without the need to transfer files from the drone.

Aerodynamic Design and Extended Flight Time

The Mavic 2’s redesigned, more aerodynamic airframe reduces body drag by up to 19% compared to the Mavic Pro, allowing the Mavic 2 to fly at speeds of up to 44 mph (72 km/h) in Sport mode. Combined with a more efficient, quieter propulsion system and noise reducing propellers, the Mavic 2 has a maximum flight time of up to 31 minutes.

To ensure crisp photos and smooth, shake-free footage, the Mavic 2 houses an ultra-precise three-axis mechanical gimbal to stabilize its camera even during high-speed motion. Photos and videos can be saved directly to the drone using its 8 GB onboard storage. All DJI users have control over how their data is stored and managed, as part of DJI’s commitment to protecting its customers’ data.

A redesigned remote controller features detachable control sticks for ease of storage and portability. The Mavic 2 is compatible with DJI Goggles with the gimbal (yaw) control range up to -75°¬– +75° in Head Tracking mode, offering users a more immersive FPV flight experience.

Price and Availability

The US retail price of a Mavic 2 Pro, including the drone, battery, remote controller, charger, and four pairs of propellers, is $ 1,499 USD. The US retail price of a Mavic 2 Zoom, including the drone, battery, charger, remote controller and four pairs of propellers, is $ 1,199 USD. A Fly More Kit, including two additional batteries, a multi-battery charging hub, a car charger, a battery to power bank adapter, two pairs of propellers and a carrying bag, retails at $ 319 USD. A gimbal replacement service exclusively for Mavic 2, will be available soon.

Articles: Digital Photography Review (dpreview.com)

 
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Yongnuo releases 50mm F1.4 for Nikon F-mount

21 Aug

Lens and camera accessory manufacturer Yongnuo has announced the availability of the new YN 50mm F1.4N E II lens for Nikon F-mount cameras. This announcement comes roughly three months after Yongnuo released the same lens for Canon EF-mount cameras.

As is to be expected, the YN 50mm F1.4N E II lens for Nikon F-mount is identical to its Canon equivalent in every way aside from the metal lens mount. It features an electromagnetic aperture with full shooting mode support, a 7-blade aperture diaphragm and a built-in USB port for on-the-fly firmware updating.

The nine optical elements in seven groups feature a multi-layer coating for reducing glare and ghosting while simultaneously letting in more light. The front filter is 58mm in diameter and the lens weighs 577g/20.35oz.

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The YN 50mm F1.4N E II lens for Nikon F-mount is currently available through multiple sellers on eBay for roughly $ 175. The lens will likely make its way to other retailers, such as Amazon and B&H, in the coming weeks.

Articles: Digital Photography Review (dpreview.com)

 
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