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Posts Tagged ‘releases’

DJI Studio quietly releases new STORM drone

11 Jun

When it comes to new releases, DJI isn’t exactly known for being quiet. Unplanned leaks typically surface in various online communities a few days ahead of every official announcement. Even with speculation leading up to an event in the form of photos and product descriptions, the world’s top drone manufacturer hosts glitzy, high-end affairs for media and industry insiders to introduce its new products. The Osmo Pocket, for example, launched last December at ‘Good Morning America’s’ New York-based television studio in front of a live audience.

This is why it’s surprising that DJI chose to officially introduce a new professional-grade drone, through a provider, at Cine Gear Expo in Los Angeles. The four-day event, which took place from May 30th to June 2nd, attracted top-tier creators in the technology, entertainment, and media industries. What’s even more perplexing is that the video announcing the release of the STORM was uploaded to DJI’s YouTube channel back in January and remained under the radar until DroneDJ first discovered it.

Why has DJI been relatively silent about STORM, along with its DJI Pro service which was released last December after being available in Asia for close to two years? To start, the STORM is not for sale. The Verge recently confirmed that one company outside of China, Helinet Aviation, based in the U.S., claims to own one and is testing it out.

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On display in the Helinet booth at Cine Gear will be the DJI STORM – the X8 drone made by DJI to seamlessly carry the industry standard DJI RONIN 2 gimbal. This drone is the only one in America. Cine Gear will be your chance to see this beast in person and grab some photos! @djiglobal @djipro BOOTH B106 in the B-Tank ?: @robgluckman_photography Helinet Aviation is the worldwide leader in aerial camera movement with solutions including Helicopter, Cinejet, Learjet, Moviehawk and Drone platforms led by world renowned Aerial Coordinator Kevin LaRosa II @k2_larosa Helinet Production Group: @k2_larosa @chad_daring @broby_thimpson @jfburton2 @aexandraalejandro @michaelfitzmaurice @fad2blk @dronepilotmike @cameronfitzmaurice @jaredslater @scherbas @bruno_04cl7 @airborneimages @bentonward @joe.kocsis @paddymoynahan @robgluckman_photography @jip_01 @steve_koster @insdangraming @tj.millard @mrsteelefpv @stingersswarm @helinetaviation @helinetmoviehawk @cinejet #philpastuhov #jasonlafargo

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How does a production company obtain access to this new-and-improved rig that can carry the heaviest, most advanced payload yet? It appears that DJI may be planning to offer the STORM for rent, packaged with the DJI Studio Custom Aerial Cinematography Service that includes a van and and professional crew. Comparable heavy-lift drones in its class, such as the xFold Dragon X12 start at $ 30,000.

Some STORM specs:

  • Comes equipped with eight propellers
  • Max speed: 49.7 mph (Sport mode) / 37.2 mph (GPS mode)
  • Operating temp: -10°C/14°F to 40°C/104°F
  • Flight time: 8-15 minutes
  • Max Payload: 40.8 pounds

Compared with DJI’s professional-grade Matrice 600, which starts at $ 5,000 and can carry a payload of around 5.9kg (13lbs), the STORM can handle up to 18.5kg (40.8lbs). This allows cinematographers to place and easily maneuver more sophisticated cameras on its DJI Ronin 2 PTZ gimbal including Arri and RED models.

U.S. representatives for DJI have not confirmed if more STORM models will be made available in the near future, stating they will have to check with Shenzen, China-based headquarters.

Articles: Digital Photography Review (dpreview.com)

 
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Microsoft releases Raw Image Extension to get raw image previews on Windows 10

06 Jun

Windows 10 does not ship with native support for previewing raw image files, meaning users can’t view thumbnails or metadata in the Photos app or Windows File Explorer. Microsoft has a solution for photographers in need of this capability, however, and it’s called the Raw Image Extension.

A screenshot of the download page for Raw Image Extension.

The Raw Image Extension gives Windows 10 native support for previewing raw file formats from ‘many mid- to high-end digital cameras,’ according to Microsoft. Once installed, both Windows File Explorer and the Photos app in Windows 10 will support displaying thumbnails and metadata for these raw image files.

The extension is only supported on systems that have installed the Windows 10 May 2019 Update version 1903. Microsoft utilized the libraw open source project for this extension; a full list of supported formats is available here.

Articles: Digital Photography Review (dpreview.com)

 
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Sony releases promotional videos to highlight Xperia 1 pro-oriented video features

02 Jun

The Sony Xperia 1 was announced back in February but has become available to buy in the shops only this week. It’s Sony’s first triple-camera phone and comes with a range of enticing imaging features, including a 21:9 OLED display with 4K resolution, 4K HDR video as well as ultra-wide and tele-cameras.

In order to highlight the camera’s video capabilities Sony has now released several promotional videos, explaining some of the more advanced new features.

Cinema Pro is a set of features aimed at mobile videographers. Users can choose from a range of color presets and footage can be recorded at a cine-compatible 24 frames per second and 21:9 aspect ratio. You can also shoot with any of three lenses and select manual shutter speeds.

Optical Steady Shot is another highlighted video feature. It combines electronic and optical image stabilization for smooth and shake-free footage. The results in the sample clip below look pretty impressive but we have seen similar results on other high-end devices. That said, Sony claims the Xperia 1 comes closest to ‘cinema-grade’ results.

Articles: Digital Photography Review (dpreview.com)

 
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The FAA releases new rules for recreational drone users

19 May

For the past several years, thousands of hobbyist drones, plus fleets from over 116,000 commercial remote pilots, have entered the airspace causing concern amongst regulators on how to combat aerial interference. Yesterday, the Federal Aviation Administration (FAA) issued a notice stating that recreational pilots of unmanned aircraft must steer clear of controlled airspace and other restricted airports.

While the notice is not legally binding, if any operation by a recreational pilot fails to satisfy any of the eight statutory conditions outlined in the notice, the FAA has the authority to take enforcement action — especially if the safety of the national airspace system is compromised.

Included in the act was the repeal of Section 336, a law that exempts model (hobbyist) aircraft from new FAA rulemaking, otherwise known as the ‘Special Rule for Model Aircraft.’ The agency is now demanding compliance.

The new set of measures is the first step in addressing some of the rules and regulations outlined in the FAA Reauthorization Act of 2018, signed by President Donald Trump after passing overwhelmingly by a 93-6 vote. Included in the act was the repeal of Section 336, a law that exempts model (hobbyist) aircraft from new FAA rulemaking, otherwise known as the ‘Special Rule for Model Aircraft.’ The agency is now demanding compliance.

‘While recreational flyers may continue to fly below 400 feet in uncontrolled airspace without specific certification or operating authority from the FAA, they are now required to obtain prior authorization from the FAA before flying in controlled airspace around airports,’ the FAA said in a statement Thursday. ‘Furthermore, they must comply with all airspace restrictions and prohibitions when flying in controlled and uncontrolled airspace.’

Prior to this notice, recreational pilots simply had to notify the airport operator and the airport air traffic control tower before flying within five miles of said airport. Now they need to obtain the same authorizations as commercial drones in controlled airspace. Because Low Altitude Authorization and Notification Capability (LAANC) is not yet available for recreational users, they’re confined to fixed sites within 5 miles of airports and Class G airspace.

The FAA intends to upgrade LAANC to allow recreational users to access the system. There are also plans for an aeronautical knowledge and safety test. Recreational users are required to pass and provide proof to the FAA or law enforcement if requested.

As the FAA’s Executive Director for UAS Integration, Jay Merkle, explains, ‘we view this as a very positive step forward for the safe integration of UAS. Including everyone under the same rules really does move everything forward.’

Articles: Digital Photography Review (dpreview.com)

 
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Nikon releases firmware version 1.20 for its D500 camera

23 Apr

Nikon has released firmware version 1.20 for its D500 camera. The firmware update, which comes two years after the camera was initially released, adds the ability to connect via Wi-Fi to devices running SnapBridge (version 2.5.4 or later) and fixes a number of additional issues.

Specifically, Nikon says it’s addressed an issue where focusing on the edge of the frame wasn’t accurate, a problem where the camera would sometimes stop working while shooting in continuous high-speed release mode and a bug where the camera would sometimes remain on even after the power button was turned to ‘Off.’

You can download the firmware version 1.20 for the Nikon D500 from Nikon’s website.

Nikon releases firmware version 1.20 for the D500

Changes from “C” Firmware Version 1.15 to 1.20

• The camera can now connect via Wi-Fi to devices running SnapBridge. Before using this feature, upgrade to the following version of the app:

– SnapBridge version 2.5.4 or later

• Fixed the following issues:

– The camera sometimes had trouble focusing on subjects in the focus points at the edges of the frame.
– The camera would sometimes stop responding during shooting in continuous high-speed (CH) release mode.
– The camera would sometimes not turn off after the power switch was rotated to “OFF”.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases 3.0 firmware for X-T3, brings improved AF for both stills and video

18 Apr

Fujifilm has released firmware version 3.00 for its X-T3 camera system, bringing with it improved face/eye detection, improved autofocus (AF) performance and basic bug fixes.

Firmware version 3.00, preceded by version 2.10, has an improved AF algorithm for both video and stills that detects distant faces more accurately than before. Fujifilm says the feature has been ‘enhanced by approximately 30%’ but doesn’t clarify whether that improvement is in accuracy, speed or some combination of the two. AF tracking is also more accurate, especially when objects come between the camera and the subject, and a new Face Select function has been added to provide priority autofocus on particular subjects when there are multiple faces in the frame.

Fujifilm has also added a new Double Tap Setting and Touch Function that can be turned on within the Touch Screen Setting menu. Other improvements include a new focus frame when the eye detection setting is turned on, improvement of AF/AE are tracking when using the EVF, an update to how the Flicker Reduction mode is labelled and multiple bug fixes.

For more information and to download the firmware, head over to Fujifilm’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases firmware updates for its SL, CL cameras to add L-Mount lens support

05 Apr

Leica has released new firmware updates for its SL (Typ 601) and CL cameras to add compatibility with current and future L-Mount lenses from Leica and other L-Mount Alliance partners, Panasonic and Sigma.

Aside from the vague description that current and future lenses will be supported in this update, no other information is given.

Firmware version 3.5 for the Leica SL and instructions on how to install it can be found here, while firmware version 2.2 for the Leica CL and instructions on how to install it can be found here.

Articles: Digital Photography Review (dpreview.com)

 
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DJI releases $39 mic adapter for its Osmo Pocket camera

20 Mar

DJI’s Osmo Pocket is an impressive little camera that punches well above its size and size. The video from it has proven impressive, but the one area it lacks is in the sound department.

The onboard microphone aren’t necessarily terrible, but it could use a little improvement, and up until now that wasn’t possible. After many hints that one was on its way, DJI has finally released a 3.5mm microphone adapter for the Oslo Pocket that plugs directly into the camera’s USB Type-C port.

The adapter works with TRS 3.5mm connectors, meaning it supports stereo audio when used with stereo microphones in addition to mono audio. If it’s being used with a TRRS microphone, an additional TRRS to TRS adapter will be needed.

The DJI Oslo Pocket 3.5mm Adapter is available now at B&H and the DJI Store for $ 39.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina releases 16-28mm wide zoom with constant F2.8 aperture

23 Feb

Lens manufacturer Tokina has officially released details, price and on-sale dates for the Opera 16-28mm F2.8 lens it first showcased at Photokina last September. Expected to ship mid-March the full-frame wide angle zoom will cost $ 699 and will be available in two versions for Canon EF and Nikon F DSLR mounts.

The lens joins the previously-released 50mm F1.4 in the Opera series. Tokina says it used the Opera name as it hopes these lenses will help photographers to create works of art. The company also says that these lenses are not designed to be small and lightweight but with image quality as a priority.

Using 15 elements in 13 groups the Opera 16-28mm F2.8 weighs 940g (~2lb) and measures 89 x 133.5mm. It also offers a nine-bladed iris for improved rendering of out-of-focus highlights and an upgraded AF system that is claimed to be both faster and more accurate than the original AT-X 16-28mm F2.8 PRO FX.

See the Tokina website for more information, and B&H Photo for sample shots taken with the lens and a first impressions review.

Press Release

New Tokina opera 16-28mm F2.8 FF

Inspired by the focal length and aperture of the widely acknowledged Tokina AT-X 16-28mm F2.8 PRO FX lens, Tokina opera 16-28mm F2.8 FF has been developed with the same concept as the already released opera 50mm F1.4 FF, to offer the photographers another contemporary tool for professional photography.

Super wide angle, superior resolving ability coupled with high contrast and beautiful bokeh rendering, fast f/2.8 constant aperture throughout the zoom range and accurate AF drive system make this lens attractive for photographers who specialize in landscape, interior architect, documentary, environmental style portrait and night sky/time lapse photography genres.

Sales start date worldwide: March 15th, 2019

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases M10-P ‘ASC 100 Edition,’ a still camera for cinematographers

12 Feb

Leica has released a limited edition model of its M10-P digital rangefinder to celebrate the 100th anniversary of the American Society of Cinematographers. In February 2019, the ASC will be presenting its awards for the 33rd time which Leica says is ‘an ideal occasion to present an exclusive tool for filmmakers: the Leica M10-P ASC 100 Edition.’

Leica has been linked to the world of cinematography since its very early days when Oskar Barnack took 35mm motion picture film strips to use them in still cameras. He also used the original Leica camera to test exposure settings for cinema cameras with a still camera.

According to the company ‘the Leica M10-P “ASC 100 Edition continues Barnack’s ingenious idea and translates it into modern times,’ making it the ‘ideal camera to recreate the authentic look of the cinema in still pictures.’

The limited edition set comes with a Leica M10-P body and a Summicron-M 35 f/2 ASPH lens. The camera includes two cinema-look software modes which have been developed in collaboration with ‘some of the world’s most influential cinematographers and members of the ASC.’ The ASC Cine Classic mode simulates the analog 35 mm motion-picture film look while the ASC Contemporary mode creates a contemporary digital movie look.

In addition the M10-P ASC 100 Edition lets users select from different aspect ratios used in cinematography. Aspect ratios are visible as a bright-line frame in Live View mode.

With the camera and lens buyers of the set receive a Visoflex electronic viewfinder and a Leica M-PL-Mount which allows for the use for most PL mount cine lenses with the camera. This means cinematographers can view and test scenes with a cine lens before motion picture shooting begins.

As one would expect, the limited edition camera also features a unique design, with black engravings on black chrome surfaces and leathering which is similar to the Leica SL. With its gold-colored anodized finish the design of the lens was inspired by the ‘Ur-Leica’ brass look. The final touch is the ASC logo on the top plate.

The Leica M10-P ‘ASC 100 Edition’ will be available beginning autumn 2019. No pricing information has been released yet but expect it to be expensive. More information is available on the Leica website.

Articles: Digital Photography Review (dpreview.com)

 
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