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  • DL or No DL? What you need to know about the Nikon DL compacts

    Three’s company

    Are compact cameras still relevant? Nikon seems to think they can be, if they’re good enough. It’s announced three premium compacts, all built around 20.8MP 1″-type BSI CMOS sensors its latest, ‘EXPEED 6A’ processor. If that sensor spec sounds familiar, it’s because the Nikon J5 uses a very similar…probably the same…one.

    The firepower in that new processor results in 4K video capture capabilities and bursts up 60 fps without AF, and 20 fps with. Combine this speed with a hybrid AF system that uses 105 phase-detect and 171 contrast-detect points (the same one found in the 1-System), and you should have three seriously capable compacts.

    When we sat down with Nikon reps back at CES 2016, they explained how engineers developed the three in unison, but targeted each camera’s focal length range toward a very specific customer. However, all three customers are expected to be DSLR shooters looking for a smaller, lighter alternative for everyday shooting. As such, all three can shoot RAW, offer Adobe RGB, can utilize Nikon i-TTL Speedlights, and use a menu system very similar to that found in their pro and enthusiast DSLRs.

    Meet the family

    The three cameras that make up Nikon’s DL line of premium 1″-type compacts include the DL24-85, DL18-50 and DL24-500. They may not have the most exciting or creative names, but at least they’re straightforward. As you might have guessed, the 24-85 offers a 24-85mm equivalent F1.8-2.8 lens and is the standard zoom compact of the bunch. Reasonably fast on the wide end, this camera has a lot of appeal as an everyday pocketable shooter.

    The DL18-50 is the first 1″-type camera to have an ultra-wide lens which, in this case, is a 18-50mm equiv. It also features an impressively fast 1.8-2.8 aperture range, and sits as the DL’s wide/normal option. And on the tele end you have the DL24-500 F2.8-5.6. It isn’t as fast as the other two and certainly isn’t pocketable, but it is easily offers the most versatile focal range of the three.

    Yet more choices

    Style-wise, the DL24-85 and DL18-50 may seem oddly familiar. The concealingly small dial on the back looks a lot like those on the Nikon 1 series bodies, but from the front, they look almost as if Nikon’s borrowed the leftover tooling from Panasonic’s LX5. This is no bad thing – the LX5 was a really classy little enthusiast compact, but we thought it was faintly amusing, given how fiercely Nikon has protected its industrial design in the past.

    We’re joking, of course, and there’s no such precedent for the DL24-500 – perhaps because its design resembles every other superzoom on the market. It’s pretty difficult to make an interesting-looking superzoom, just as it’s difficult to make an interesting looking SUV. And often inadvisable to do so.

    How do they compare?

    We’ve had to approximate how the available F number on each lens will decline, as you zoom in, but even with these approximated values, you can see that the DL24-85 sits between the lens range of the Sony Cyber-shot RX100 Mark III and IV, and that of Canon’s Powershot G7 X II.

    The graph should also make clear just how unusual the DL18-50’s lens is. 18mm equivalent is significantly wider than any of the other 1″ sensor compacts currently on the market, yet it’s bright and able to reach a relatively practical 50mm equivalent focal length.

    As usual, we’ve plotted these graphs to show both equivalent focal length and equivalent aperture.

    Reaching for it

    The DL24-500 joins an already impressive group of 1″ sensor superzooms, including the Sony RX10 II, Panasonic FZ1000 and Canon G3 X. These cameras are undeniably popular, especially amongst travel photographers. From its specs alone, the DL24-500 certainly seems like a competitor. Its 4K capture and slow motion video options compete directly with some of the most stand-out specs from the RX10 II (which we recently gave a Gold Award to).

    All of these cameras offer considerably better image quality than conventional, small-sensor superzooms. So, although they can’t boast >80x on the little metallic stickers they wear on camera store shelves, they still offer a degree of reach that will be suitable for a huge variety of shooting situations.

    And again, the factor that could set the Nikon apart from its competition is its Hybrid AF system. If the DL24-500’s AF system offers similar performance to that of 1-Series cameras (and there’s little reason to think it wouldn’t), the competition will have good reason to be concerned.

    Super steady

    Each of the three DL compacts offers a secret power, specific to their zoom range and unique to each. In the case of the DL24-500, its super power is Sports VR for added stability when panning at the tele end. Of course, all three cameras have Dual Detect Optical VR and historically, Nikon cameras have impressed us with their stabilization, especially the Nikon P900 superzoom. So we definitely have high expectations for the DL24-500.

    Of course, what good is VR and reach if you don’t have quality glass? All three Nikkor lenses have fluorine coatings to keep away moisture and grime, and the 18-50 is the company’s first compact to have a Nano Crystal Coat, which reduces flare and ghosting.

    The everyday pocket cam to beat?

    The Sony RX100 series of cameras has long been viewed as the pocketable premium compacts to beat. The most recent Sony RX100 IV in particular impressed us. But the Nikon DL24-85 has us ready to reconsider the crown.

    The two cameras share a whole lot of similar specs, including 4K video capabilities, optical image stabilization, fast burst rates with continuous AF, and tilting LCDs. They both offer 20MP 1″-type sensors and very similar focal range, though the Nikon does have a bit more reach.

    But the two do vary in some key areas. While the Sony has a pop-up EVF, you’ll have to pony up for an optional tilting model on the DL18-50 and 24-85. Conversely, the DLs all have touchscreen OLED displays, while the RX100s use non-touch LCDs. 

    But an even bigger difference can be found when looking into each camera’s AF system: the Sony uses a contrast-detection AF system, while Nikon uses a hybrid approach (combining depth-aware phase detection with high-precision contrast detection). But before you dismiss the Sony entirely, it’s worth noting that the RX100 IV really impressed with its AF capabilities during our testing. So, while the Nikon DL24-85 should  be able to outperform the Sony, we’ll just have to wait until we get one in to know for sure.

    Nice and close

    The DL24-85 is the only DL of the three to offer a 1:1 macro mode (its secret power). It can be accessed by turning the zoom ring all the way to the right to the S.macro position. In the macro mode, users have a 35mm equiv. field of view. And while all three cameras offer a manual focus mode, the DL24-85 also has a focus bracketing feature, which should be particularity useful for macros.

    Unfortunately, the ring around the lens barrel of the DL24-85 is not customizable (same goes for the other DL’s). It can only be used for manual focusing.

    Wide street shooter

    The DL18-50 is the widest DL of the bunch, and while its 18-50mm focal length may not appeal to casual shooters, street photographers are sure to be enticed by its range and fast lens. Its tilting touchscreen allows for tap-to-focus and, we assume, tap-to-shoot capabilities that should suit that ‘decisive moment’ shooting style.

    This camera’s focal range will also likely appeal to architecture and landscape shooters. To further tempt said group, it has a built-in perspective control feature that can be used to distort the image to correct for perspective distortion.

    Unlike the other two, it doesn’t have a built-in flash – perhaps because it would be too difficult to offer such wide coverage without some clever optics and a lot more distance away from the lens.

    Touch, see, shoot and share

    Touchscreens can be great, especially when paired with physical control points (this way you can choose). All three DLs offer 1.04M-dot OLED touch displays. The displays on the DL24-85 and DL18-50 can tilt, while the display on the DL24-500 is fully articulating. This only adds to the DL24-500’s appeal as a video-centric all-in-one.

    The DL24-500 also offers a 2.4M-dot OLED electronic viewfinder, while the other two cameras accept the the rather bulky accessory DF-E1 tilting electronic viewfinder with the same XGA resolution. 

    The three DLs are also Wi-Fi and Bluetooth enabled, allowing them to take advantage of Nikon’s ‘SnapBridge’ technology, first unveiled to the world at CES 2016 during the company’s press event announcing the D500. ‘SnapBridge’ allows a camera to stay connected to one’s smart device via low power Bluetooth connection, without the need to reconnect. It’s worth noting that while we’ve written about SnapBridge in the past and are excited by its implication, we have yet to try it. The cameras also support NFC, for quick and easy pairing with Android devices.

    Where they fit on the 1″ scale

    Here’s how they fit into the wider market. We don’t yet know exactly how their apertures will change as you zoom, so we’ve had to approximate them here.

    The pricing is exactly as we’d expect: the DL24-85 with its fast standard zoom is a direct competitor for Sony’s RX100 III and Canon’s G7 X Mark II. It doesn’t have a viewfinder, as the Sony does, so it’s no surprise to find it’s being pitched at $ 150 lower than the RX100 III’s launch price and $ 50 below the Canon’s.

    Meanwhile, the DL24-500’s long, increasingly slow lens makes it look like Nikon is targeting the same customers as the G3 X. And, guess what? The Nikon MSRP is exactly the same as the Canon’s, at $ 999.

    Finally, although it shares a lot in common with the 24-85, there’s a premium to be paid for the DL18-50. With no direct rivals, and the challenges of making such a fast, wide lens, it’s no surprise that it’s to be launched for $ 849.

    In summary

    It’s interesting to see how these new models fit in to the market. Ever since Sony announced the RX100, manufacturers have been developing ever more variations and options around the 1″ sensor. Since most cameras take at least two years to develop, it’s still relatively early in the timeline, but with the arrival of Nikon there are now four manufacturers building large sensor compacts.

    So far we’ve seen Sony focus its RX100 series on the idea of a small camera with a large sensor and a bright lens, with zoom range being the trade-off being made. Canon very much followed suit with its G7 X models. And the Nikon DL 24-85mm, with its F1.8 – 2.8 is clearly targeting the same potential buyers.

    Meanwhile, Sony, Panasonic and Canon have all developed riffs on the large bodied, long zoom theme. Sony’s RX10 (both I and II) opt for constant aperture zooms, while Panasonic’s FZ1000 gives greater range that gets slower as you zoom. Nikon’s DL 24-500mm is much closer to Canon’s G3 X, in offering still more zoom by letting the aperture drop even further.

    As such, the standout camera in this group is the DL 18-50. It’s fast (F1.8-2.8), ultra-wide to just-beyond-normal zoom range is unique, and offers an exciting option for wide-angle shooters looking for a pocketable camera with what should be good image quality. Whatever our reservations have been in the past about Nikon compacts, the image quality has usually been very good.

    Articles: Digital Photography Review (dpreview.com)

  • Sigma announces 30mm F1.4 for E-mount and Micro 4/3 and 50-100mm F1.8 Art for APS-C

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    Sigma has added two new fast-aperture lenses to its Art and Contemporary lineups. 

    For owners of Canon, Nikon and Sigma APS-C bodies there’s the 50-100mm F1.8 DC HSM Art, which is equivalent to 75-150mm. This lens has a redesigned Hyper Sonic Motor, nine-blade rounded aperture and internal zoom. Being a weighty lens (1490g/3.3lbs), it also has a built-in tripod socket.

    The other lens is for Sony E-mount and Micro Four Thirds bodies, and it’s a fast 30mm F1.4 prime, equivalent to 45mm and 60mm, respectively. This lens uses a stepping motor for fast and quiet focus during video and weighs just 263g/9.3oz. 

    The 30mm F1.4 will ship in mid-March at an MSRP of $ 339, while the 50-100mm F1.8 is expected in late April priced at $ 1099.

    Press release:

    Sigma Expands Its Global Vision Lens Line With Two New High-Performance Lenses

    50-100mm F1.8 DC HSM Art and 30mm F1.4 DC DN Contemporary 

    50-100mm is first constant aperture F1.8 telephoto zoom; 30mm represents first affordable F1.4 high-performance lens for mirrorless cameras

    KANAGAWA, JAPAN — February 23, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessories manufacturer, today announced the addition of two high-performance APS-C format lenses to the Sigma Global Vision product line: Sigma 50-100mm F1.8 DC HSM Art Lens and the Sigma 30mm F1.4 DC DN Contemporary Lens. 

    “Sigma’s aim is to provide high-performance lens options that lead with innovation and break new boundaries for every photographic scenario our customers can dream up,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “These new lenses build on Global Vision’s great IQ technology and reflect this goal, delivering immense value, quality and performance that the Sigma brand is known for.”

    Sigma 50-100mm F1.8 DC HSM Art

    Building on the groundbreaking Sigma Global Vision 18-35mm F1.8 DC HSM Art Lens, the new Sigma 50-100 F1.8 (75-150mm on 35mm format) mid-range zoom lens embodies the same engineering prowess to deliver outstanding prime lens-like results. Factoring in the APS-C image circle of 1.5x, the 50-100mm F1.8 covers three popular short tele prime focal lengths: 85mm, 105mm and 135mm. Like the 18-35mm F1.8, the new 50-100mm F1.8 maintains a constant F1.8 aperture yielding exceptional brightness and resolution throughout the zoom, while simultaneously maintaining focus as the lens is zoomed, a feature videographers will greatly appreciate. 

    Sigma Art Line Image Technology Innovation

    • Features three FLD (F Low Dispersion) glass elements, one SLD (Special Low Dispersion) glass element, and one high-refractive index, high-dispersion glass element to minimize aberrations.
    • Redesigned and enhanced, the new Hyper Sonic Motor is 30% slimmer and provides fast and accurate AF.
    • Highly durable polycarbonate diaphragm made with fluorine; blades feature carbon feather film offering exceptionally smooth operation even during continuous shooting.

    Outstanding Zoom Lens Maneuverability

    • Inner focusing and zoom design offer versatile shooting options
    • Tripod socket for stable, comfortable operation
    • Features 21 elements / 15 groups, Minimum Aperture: F1.6, 82mm filter thread, Minimum Focus Distance: 37.4in, Dimensions: 3.7×6.7, Weight: 52.6oz

    The new Sigma 50-100mm F1.8 Art will be available in Canon, Nikon and Sigma mounts. For more information, please visit www.sigmaphoto.com/50-100mm-f1-8-dc-hsm-art.

    Sigma 30mm F1.4 DC DN Contemporary 

    Combining outstanding optical performance and compact design, the new affordable Sigma 30mm F1.4 DC DN Contemporary Lens brings immense value to mirrorless cameras. Boasting superior image quality with F1.4 brightness, the versatile lens covers a wide range of photo and video capture scenarios, delighting users with its beautiful bokeh effects. 

    Contemporary Line Performance and Value

    • Represents first affordable F1.4 performance lens for the mirrorless market
    • Sigma engineered quality within a sleek compact design
    • Fast, smooth AF stepping motor designed to support video
    • Features one aspherical element and one double-sided aspherical element producing imaging quality comparable to the Art line.
    • Features 9 elements / 7 groups, Minimum Aperture: F16, 52mm filter thread, Minimum Focus Distance: 11.8in, Weight: 9.3oz, Dimensions: 2.6×2.9in.

    The new Sigma 30mm F1.4 DC DN Contemporary Lens will be available in Sony E-Mount and Micro Four Thirds mount. For more information, please visit www.sigmaphoto.com/30mm-f1-4-dc-dn-c.

    Sigma Global Vision lenses including the new 50-100mm F1.8 DC Art and 30mm F1.4 Contemporary lenses can be updated with the latest lens software from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).

    Tested for Optimum Performance

    Sigma lenses are born of well-thought-out design concepts, exceptional Japanese craftsmanship and manufacturing, and advanced lens performance testing and evaluation. To this end, Sigma has developed its own A1 proprietary MTF (modulation transfer function) measuring system using 46-megapixel Foveon direct image sensors. Even the most elusive high-frequency details are within the scope of Sigma’s quality control inspections. Every Global Vision lens is A1 tested, analyzed and approved before leaving the factory ensuring maximum performance out of the box.

    For more information on Sigma’s industry leading testing, please visit http://blog.sigmaphoto.com/2012/a1-mtf-testing-for-new-sigma-lenses/

    Specialized Mount Conversion Services 

    Ensuring continued ROI, Sigma will convert the current mount of your Sigma Global Vision lens to another of your choice. Sigma lenses currently from the Contemporary, Art or Sports line, in Sigma, Canon, Nikon, Sony, Pentax mounts can be converted to Sigma, Canon, Nikon, Sony or Pentax*.  Mirrorless lenses can be converted to Micro Four Thirds and Sony-E Mount. They cannot be converted to either an APS-C or a Full Frame format.  *For specific details, please visit http://www.sigmaphoto.com/service-support/mount-conversion-service

    Sigma 30mm F1.4 DC DN Contemporary and 50-150mm F1.8 Art specifications

      Sigma 30mm F1.4 DC DN | C Sigma 50-100mm F1.8 DC HSM Art
    Principal specifications
    Lens type Prime lens Zoom lens
    Max Format size APS-C / DX
    Focal length 30 mm 50–100 mm
    Image stabilisation No
    Lens mount Micro Four Thirds, Sony E (NEX) Canon EF, Nikon F (DX), Sigma SA Bayonet
    Aperture
    Maximum aperture F1.4 F1.8
    Minimum aperture F16.0
    Aperture ring No
    Number of diaphragm blades 9
    Aperture notes Rounded blades
    Optics
    Elements 9 21
    Groups 7 15
    Special elements / coatings 1 aspherical and 1 double-sided aspherical Three FLD, one SLD, one HRI elements
    Focus
    Minimum focus 0.30 m (11.81″) 0.95 m (37.4″)
    Maximum magnification 0.14× 0.15×
    Autofocus Yes
    Motor type Stepper motor
    Full time manual No
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 265 g (0.58 lb) 1490 g (3.28 lb)
    Diameter 65 mm (2.56″) 94 mm (3.7″)
    Length 73 mm (2.87″) 171 mm (6.73″)
    Sealing No
    Colour Black
    Zoom method Rotary (internal)
    Power zoom No
    Filter thread 52.0 mm 82.0 mm
    Hood supplied No Yes
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Wonder of nature: Eight winning photos from the 9th International Garden Photographer of the Year competition

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    A photographer from the UK has collected £7500 along with the title International Garden Photographer of the Year as the results of the ninth competition have been announced. Richard Bloom took the first prize with a picture of a field of lupins he came across while in the South Island of New Zealand in the summer of 2015. Bloom commented ‘The landscape was already amazing, scattered with drifts of naturalised lupins, which gave it an almost psychedelic, wonderland feel.’

    The competition has eight main categories along with additional prizes for portfolios, projects and photographers under the age of 16. The competition culminates in an exhibition at the Royal Botanic Gardens, in Kew, London, and a book is produced of the winning entries and those commended. On request judges also offer feedback on entries once the winners are announced.

    The 2016 competition is already open for entries, and is open to photographers around the globe, with a deadline of October 31st. Entry costs from £10 for adults.

    To see more of the winning entries visit the International Garden Photographer of the Year website.

    Articles: Digital Photography Review (dpreview.com)

  • Working with what you’ve got: Bambi Cantrell on photographing brides, babies and more

     

    Bambi Cantrell is a 30-year veteran of the photography industry specializing in portraiture and wedding photography. In this presentation from PIX 2015, she translates lessons learned over her career into real photographic results, whether her client is a bride, a couple or a young family. As Cantrell’s tastes and photography have evolved over the years, she encourages others to embrace change. ‘Lay a strong foundation on concepts,’ she says. ‘Don’t put blinders on…. You can adapt as you decide to change and get older.’

    Keep it simple.
    ‘Give me a wall, a window and a reflector, and I’m home free,’ says Bambi Cantrell, ‘Don’t feel like you have to have every single tool that’s made to get good pictures.’

    Do what you can with what you’ve got.
    ‘I love tungsten lighting as well,’ Cantrell says. ‘Use existing light sources to create beautiful images. It’s not that the planets line up perfectly for [pro photographers] and not someone else. It’s how can I take the best possible picture with what I’ve got in front of me right now.’

    A great expression can be perfection.

    ‘She’s just laying across the bed in her home, holding her newborn baby,’ Cantrell says. ‘It’s about who you’re photographing. What is this person like?’

    Articles: Digital Photography Review (dpreview.com)

  • Quick review: Nextbit Robin camera

    The Nextbit Robin is a different kind of smartphone. It’s an Android device with a fresh modern design, but its most important feature is the one you never see – it’s fully integrated with the cloud, backing up and archiving your phone’s images, apps and files so you never run out of local storage. We got ahold of an early unit to test out its camera and unique interface. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Week in Review: One for the history books

    Week in Review: One for the history books

    It was a Wednesday like any other Wednesday. The sun rose in the East. The DPReview staff made their morning coffee run. They sat down at their desks. And then they wrote. They wrote. For unlike another Wednesday, this Wednesday would see the introduction of a historic camera: the Pentax K-1. Memories of Pentax’s first promise of a full-frame DSLR were all but a distant memory, but Pentax would finally step into the world of full-frame digital photography. 

    To say it was a busy week is an understatement. The world didn’t only get full-frame Pentax this week, it got so many more things: a Canon EOS 80D! A kit lens with a strange detachable power zoom accessory! A Panasonic GF-series update made just for selfies! 

    Just to be sure you didn’t miss anything, you better take a look back with us.

    It’s all gonna be O-K

    After years of promises and months of teasing, this week Ricoh finally unveiled the Pentax K-1, a 36.4MP full-frame DSLR built around the K lens mount. At a very enticing body-only MSRP of $ 1800, the K-1 offers 5-axis IS, built-in Wi-Fi and 4.4 fps burst shooting. We took a look back at the long and winding road Pentax has taken to full-frame, and while the K-1 shows a lot of promise, we think Ricoh still has a tough road ahead.

    Read our full Pentax K-1 launch coverage

    Subtle video upgrades

    Just hours after the K-1 announcement, Canon swooped in and dropped the EOS 80D, G7 X Mark II, an updated 18-135mm F3.5-5.6 and a couple of interesting accessories (more on that in a second).

    The 80D is a fairly incremental update to the 70D, but it does offer updated Dual Pixel AF with continuous focus as well as an upgraded 45-point all cross-type AF system. Subtle enhancements in the video department, like the addition of 1080/60p recording and a headphone socket, nudge the camera 80D toward video enthusiasts, but don’t hoist it into the ranks of video-centric cameras like the Sony A7S and Panasonic GH4. Still, it should offer plenty to help a non-pro get good results.

    Read our full Canon EOS 80D launch coverage

    Smooth move

    In this week’s unusual innovations we saw Canon introduce the PZ-EI Power Zoom adapter, the first OEM-branded accessory of its kind, specifically built for its new 18-135mm. For just an extra $ 150, prospective 80D owners who are interested in shooting video with their new kit can pick up a PZ-E1 and gain control over zoom speed by way of physical controls or Canon’s Smart Utility app. It’s a neat solution and relatively inexpensive solution for video shooters, rather than building power zoom functionality into the lens and raising the cost (and weight of the lens) for everybody.

    Read more about the EF-S 18-135mm F3.5-5.6 IS USM and PZ-EI Power Zoom adapter

    Know thy selfie

    Speaking of long and winding roads, the introduction of the selfie-tastic Panasonic Lumix DMC-GF8 this week underscored just how far that series has wandered from where it started. The GF8’s brightly colored accents (or ‘unisex’ silver and brown, if you prefer), beauty re-touch features and 180-degree articulated selfie-friendly LCD are all a far cry from the pioneering little GF1. That camera’s enthusiast features long ago drifted and evolved into the GX-series, while Panasonic seems to be making a Casio-esque play with its entry-level GF-series to capitalize on shoppers interested in selfie-centric features in some Asian countries. To each his own, right?

    Learn more about the Panasonic Lumix DMC-GF8

    Two good?

    It’s easy to get excited about the Sony RX1R II‘s potential. A compact 42MP full-frame camera with updated AF and a Zeiss 35mm F2 lens has that effect. But it’s also easy to suffer a case of sticker shock when you realize it’s $ 3300. Our full review, published this week, digs into the camera’s performance to see if the problems that plagued the RX1R persist, and whether it’s a $ 3300 well spent. There’s just one way to find out…

    Read our Sony Cyber-shot RX1R II review

    Go wide

    Yeah, we’ve heard it before: a 75-100mm focal length is more flattering for portraits than wide-angle lenses. But what if we all stepped away from our 85mm portrait primes for a minute and embraced a different perspective? Tech Editor Rishi Sanyal does just that in our lens technique video. Using the Sigma 24-35mm F2 Art to make his case, he captured some environmental portraits at sunset in Seattle’s gorgeous Discovery Park (the nice part, not the bit by the sewage treatment plant). 

    Lens Technique: Wide-angle portraiture with the Sigma 24-35mm F2 Art 

    Rumor has it

    Rumors of new lenses are coming fast and furious, including this rumored Sigma 50-100mm F1.8 Art for APS-C. It would seem that the timing is right, too, what with CP+ starting next week. We’ll be in Yokohama covering the show, so tune in next week as we separate rumors, fact and fiction. 

    Articles: Digital Photography Review (dpreview.com)

  • Monument is an intelligent personal photo storage device

    Cloud photo storage services are abundant, but not all photographers are willing to pay the monthly fees associated with large storage amounts. Monument, a project currently seeking crowdfunding, aims to bring the organization and syncing features found in cloud services like Google Photos to a photography-centric storage device that you keep in your own home. Read more

    Articles: Digital Photography Review (dpreview.com)

  • Ricoh adds 15-30mm F2.8 SDM WR and 28-105mm F3.5-5.6 ED DC WR to full-frame lens range

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    Ricoh has expanded its full-frame lens range, announcing the HD Pentax-D FA 15-30mm F2.8 and FA 28-105mm F3.5-5.6 alongside the introduction of the full-frame K-1 DSLR. The 15-30mm F2.8 brings a fast, constant wide-angle zoom to the lineup offering a Supersonic Direct-drive Motor, rounded nine-blade aperture, and close focus distance of 28cm. The 28-105mm offers a DC motor and a minimum focus distance of 0.5m.

    The ‘WR’ in their names means that these lenses are weather-resistant, with SP (Super Protect) coatings on the front lens element to repel water.

    The 15-30mm F2.8 and 28-105mm F3.5-5.6 join two Pentax full-frame lenses announced last year, the HD Pentax D FA* 70-200mm F2.8 and FA 150-450mm F4.5-5.6.

    Press releases:

    Ricoh announces HD PENTAX-D FA 15-30mm f/2.8 lens for new PENTAX K-1 full-frame DSLR

    Weather-sealed, ultra-wide-angle zoom lens, ideal for landscapes and nightscapes

    DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the HD PENTAX-D FA 15-30mm f/2.8ED SDM WR lens. This new lens is designed to work seamlessly with the full-frame sensor of the new PENTAX K-1 camera, also announced today.

    When mounted on the PENTAX K-1 camera body, the lens covers a focal-length range from 15mm ultra-wide-angle to 30mm wide-angle.(Note: with a PENTAX  APS-C-size digital SLR camera body, the lens covers a focal-length range from 23mm to 46mm.) Its exaggerated ultra-wide perspective and state-of-the-art optical design enable capturing high-resolution, dynamic, sweeping views of subjects, ideal for landscape photography. Treated with PENTAX-developed HD Coating, the lens produces well-defined, fine-detailed images with ample light levels even at the edges of the image field, while effectively reducing chromatic aberration and distortion to a minimum. 

    Its large f/2.8 maximum aperture is also well-suited for photographing nightscapes and starry skies. The built-in SDM (Supersonic Direct-drive Motor) provides quiet, high-speed autofocus operation.

    | Pricing and Availability | 

    HD PENTAX-D FA 15-30mm f/2.8ED SDM WR lens will be available in April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1,499.99.

    Main Features

    1. Exceptional imaging power

    When mounted on the PENTAX K-1 35mm full-frame digital SLR camera body, the lens provides an ultra-wide-angle focal-length coverage from 15mm to 30mm. Its exaggerated perspective helps the photographer produce spectacular landscape photographs. With a 30mm focal length at the telephoto end, the lens is also well-suited to portrait and street photography.

    2. State-of-the-art optical design

    The zoom lens incorporates three ED (Extra-low Dispersion) glass optical elements and three aspherical optical elements in its 18-element, 13-group optics to deliver high-resolution images rich in contrast even at the edges of the image field, while effectively minimizing chromatic aberration, distortion and coma. 

    3. Large-aperture zoom lens, with a maximum aperture of f/2.8

    Since this zoom lens provides a maximum aperture of f/2.8 over its entire zoom range, it is versatile enough to be used for many different subjects and scenes, ranging from sweeping landscapes to nightscapes and starry skies. Despite its ultra-wide-angle perspective, it can capture the subject with an excellent bokeh (defocus) effect on the background. Even in macro photography from its minimum focusing distance of 28 centimeters, it can capture subjects with a well-defined sense of depth.

    4. Built-in SDM (Supersonic Direct-drive Motor)

    The incorporation of a new-generation SDM (Supersonic Direct-drive Motor) assures that this zoom lens provides quiet, high-speed autofocus operation, letting the photographer react swiftly to all types of subjects.

    5. Weather-resistant construction

    Special seals applied throughout the lens body provide this zoom lens with dependable weather-resistant construction, effectively preventing the intrusion of water into the lens interior. By pairing it with a weather-resistant PENTAX digital SLR camera body, the photographer has a durable, dependable digital imaging system that performs superbly under demanding shooting conditions — even in the rain or mist, or at locations prone to water splashes or spray.

    6. HD Coating to improve image description

    The lens is treated with high-grade, multi-layer HD (high-definition) coating. Compared with conventional multi-layer coatings, this PENTAX-original coating assures higher light transmittance and less reflection to deliver bright, high-contrast images free of flare and ghost images, even under demanding lighting conditions such as backlight. 

    7. Other features

    • Quick-Shift Focus System for instant switching from autofocus to manual-focus operation, by holding the shutter-release button halfway down and turning the focus ring after the subject is captured in focus by the camera’s AF system.
    • Rounded diaphragm with nine blades produces a smooth, beautiful bokeh (defocus) effect, while minimizing the streaking effect of point light sources.
    • SP (Super Protect) coating applied to the front surface of the lens to effectively repel water and grease.

    Ricoh announces 28-105mm lens for new PENTAX K-1 full-frame DSLR

    Compact, lightweight and weather-sealed lens offers popular zoom range, is ideal companion to new PENTAX K-1 full-frame DSLR

    DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the             HD PENTAX-D FA 28-105mm f/3.5-5.6ED DC WR lens. This new, compact and lightweight zoom lens provides the most frequently requested focal-length range for general photography, from wide angle to medium telephoto.

    This versatile zoom lens is designed to cover the large full-frame sensor found in the new PENTAX  K-1 camera, incorporating state-of-the-art optics and high-performance optical elements. When mounted on the K-1 camera body, it delivers high-resolution imaging power, and is an ideal every day-use lens for the new camera.

    | Pricing and Availability | 

    The HD PENTAX-D FA 28-105mm f/3.5-5.6ED DC WR lens will be available in April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 499.99.  

    | About Ricoh Imaging Americas Corporation |

    Ricoh Imaging Americas Corporation is a subsidiary of Ricoh Company Ltd., a global technology company specializing in office imaging equipment, production print solutions, document management systems and IT services.  Headquartered in Tokyo, Ricoh Group operates in about 200 countries and regions.

    The company now known as Ricoh Imaging Americas Corporation, was originally founded in 1919, under the name Asahi Optical Joint Stock Co. and launched its first SLR camera in the 1950s under the PENTAX name. Today, Ricoh Imaging Americas Corporation continues to produce the heritage-rich, award-winning line of PENTAX DSLR cameras, lenses and sport optics equipment as well as Ricoh’s offering of stylish and compact digital cameras, known for their wide-ranging, rich set of features.

    For further information, please visit www.ricohimaging.com/pentaxff

    Main Features

    1. Standard zoom lens covering most frequently-used range

    This standard zoom lens accommodates the image circle of a 35mm full-frame image sensor, and covers focal lengths between 28mm wide angle and 105mm medium telephoto. By incorporating the latest optics and a number of high-performance optical elements, it retains a sufficient brightness level even at edges of the image field, while effectively compensating for aberrations. It delivers high-resolution images by optimizing the imaging power of the PENTAX K-1 camera’s approximately 36.4 effective megapixels. Its compact, lightweight body and excellent cost performance make this lens a perfect companion lens to the PENTAX K-1.

    2. Excellent image resolution, complementing the PENTAX K-1 full-frame digital SLR camera performance

    With 15-element, 11-group optics, this zoom lens incorporates two high-precision aspherical optical elements, one ED (Extra-low Dispersion) glass optical element and one anomalous-dispersion glass optical element to deliver bright, sharp images with minimal chromatic and spherical aberrations. The optics are designed to deliver ample resolving power for the large, high-pixel image sensor, producing well-defined, fine-detailed images.

    3. HD Coating to improve image quality

    This lens is treated with the high-grade, multi-layer HD (high-definition) coating. Compared with conventional multi-layer coatings, this PENTAX-original coating assures higher light transmittance and less reflection to deliver bright, high-contrast images that are free of flare and ghost images, even under demanding lighting conditions such as backlight. 

    4. Quick-Shift Focus System

    This PENTAX-developed system allows for flawless, delay-free switching from autofocus to manual-focus operation, after the subject is captured in focus by the camera’s AF system.

    HD Pentax-D FA 15-30mm F2.8 SDM WR and FA 28-105mm F3.5-5.6ED DC WR Specifications

      HD PENTAX-D FA 15-30mm F2.8 ED SDM WR HD PENTAX-D FA 28-105mm F3.5-5.6 ED DC WR
    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 15–30 mm 28–105 mm
    Image stabilisation No
    Lens mount Pentax KAF3
    Aperture
    Maximum aperture F2.8 F3.5 – F5.6
    Minimum aperture F22.0 F22.0 – F38.0
    Aperture ring No
    Number of diaphragm blades 9
    Optics
    Elements 18 15
    Groups 13 11
    Special elements / coatings Three ED and aspherical elements + HD and SP coatings One ED and two aspherical elements + HD and SP coatings
    Focus
    Minimum focus 0.28 m (11.02″) 0.50 m (19.69″)
    Maximum magnification 0.2× 0.22×
    Autofocus Yes
    Motor type Ultrasonic Micromotor
    Full time manual Yes
    Focus method Internal
    Distance scale Yes
    DoF scale No
    Physical
    Weight 1040 g (2.29 lb) 440 g (0.97 lb)
    Diameter 99 mm (3.9″) 73 mm (2.87″)
    Length 144 mm (5.67″) 87 mm (3.43″)
    Sealing Yes
    Colour Black
    Power zoom No
    Filter thread 62.0 mm
    Hood supplied Yes
    Hood product code PH-RBC62
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Here at last: Ricoh unveils the Pentax K-1 full-frame DSLR with 36MP sensor for $1800

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    After years of development, not to mention months of teasers, Ricoh has made its Pentax K-1 full-frame DSLR a reality. The first 35mm format Pentax-branded DSLR (the first to make it to market, anyway), the K-1 offers a 36.4MP CMOS sensor, 5-axis sensor-shift image stabilization, a ‘nearly 100%’ optical viewfinder and 33-point AF system with 25 cross-type points. The 3.2″ 1.04M-dot LCD uses a new flexible tilting design which allows for horizontal, vertical and diagonal movement while keeping the screen in alignment with the lens axis.

    The Pentax K-1 doesn’t have a conventional anti-aliasing filter, instead, like the K-3 II, offering a simulated AA filter by way of minute sensor vibrations. The K-1’s sensor is capable of moving in all directions, supporting Ricoh’s Pixel Shift Resolution system. This does not increase linear resolution, but as in the K-3 II, it shifts the sensor slightly to record full color information at each pixel, utilizing a motion correction function in an effort to neutralize the effect of moving subjects in the frame.

    The K-1 provides a dustproof and weather-resistant construction along with built-in Wi-Fi, 1080/30p video, 14-bit Raw capture, 4.4 fps burst shooting for up to 23 images in Raw or 70 in JPEG.

    The long-awaited Pentax K-1 will cost $ 1799 body-only when it ships it in April.

    Click here to read our Pentax K-1 First Impressions Review

    Press release:

    Ricoh defines full-frame benchmark with new PENTAX full-frame DSLR offering

    PENTAX K-1 camera offers innovations not available in any other DSLR

    DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the PENTAX K-1 full-frame digital single-lens reflex (DSLR) camera. The K-1 combines the performance of a full-frame sensor with unique, user-friendly PENTAX technology and convenience features loved by professional and serious amateur photographers the world over.  

    The foundation of the PENTAX K-1 is its large, full-frame image sensor. This AA-filterless CMOS sensor with 36.4 effective megapixels sets the stage for ultimate creativity, facilitating super-high-resolution images rich in gradation and superb in high-sensitivity rendition. 

    Built around the full-frame sensor is a compact, high-performance weather-sealed and dustproof body with features only found in PENTAX cameras. “The K-1 is a blend of advanced, full-frame performance with the kind of features and advancements that PENTAX users have come to know and love,” said Jim Malcolm, president, Ricoh Imaging Americas Corporation. “As a result, the K-1 creates a solution for full-frame shooters that is unique in the industry.”

    Within its compact body, the PENTAX K-1 features several advanced technologies that help the photographer to produce top results in a wide variety of challenging conditions. SR II Shake Reduction is a newly refined and highly sensitive five-axis shake-reduction system that is capable of reducing camera shake with a compensation range of up to five exposure steps, allowing photographers to freely move and compose – and to focus on their subjects, not the gear. SR II also facilitates other advanced PENTAX-unique features such as AA Filter Simulator, which effectively eliminates moiré effect without the need for an anti-aliasing filter, while increasing sharpness and overall image quality. Key to great autofocus performance on the K-1 is the new SAFOX 12 autofocus mechanism with 33 autofocus points, assuring fast and accurate autofocusing, even in the most demanding shooting situations.  A newly-designed optical viewfinder equipped with the famous PENTAX Pentaprism boasts a bright, nearly 100-percent field of view.

    In addition to a long list of technological advancements, the PENTAX K-1 also features a number of convenience features, making camera operation fast and easy. Designed to move in ways never before imagined is the new Flexible-tilt LCD monitor—a first for any DSLR camera. This rugged yet highly adjustable display can be positioned to the desired angle horizontally and vertically, making it easy to shoot at challenging angles. Other significant firsts include the K-1’s Operation Assist Lights – small, white LEDs that facilitate camera operation in low-light environments, making it easy to change lenses, swap memory cards and adjust back-of-camera controls, and a Smart Function dial that allows photographers to easy select frequently-used functions without going into the LCD menu. 

    Current PENTAX lens owners will appreciate that they can incorporate their APS-C lens collection into their new PENTAX K-1 full-frame camera kit by utilizing the K-1’s Crop Mode, which offers settings in-camera for either APS-C or Full-Frame sized shooting, regardless of the attached lens. There is also an “auto” mode that detects the lens type and sets the camera accordingly. 

    Upon launch, PENTAX is offering 12 full-frame compatible lenses, including two new models being announced concurrent with the K-1 camera: the HD PENTAX-D FA 15-30mm f.2.8 ultra-wide angle zoom lens and the HD PENTAX-D FA 28-105mm f/3.5-5.6 compact, lightweight zoom lens. (Note: separate news releases have been issued today to provide details on each lens).

    | Pricing and Availability | 

    The PENTAX K-1 camera will be available April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1,799.95.

    For further information, please visit www.ricohimaging.com/pentaxff

    Main Features

    1.  High-resolution, fine-gradation images supported by approximately 36.4 effective megapixels 

    The K-1 features an AA (anti-aliasing) filterless design that prioritizes image resolution, as well as the new PRIME IV imaging engine, which is capable of 14-bit RAW-format image recording. The    K-1’s unique full frame sensor and imaging engine design also allows for super-high-sensitivity shooting up to ISO 204800, producing beautiful, high-resolution images.

    2. New-generation SR II five-axis system

    • In-body SR II mechanism assures optimal shake reduction performance
      The SR II (Shake Reduction II) five-axis mechanism enables accurate control of the large full-frame image sensor with all compatible PENTAX interchangeable lenses.* In addition to camera shake caused by pitch and yaw, it effectively compensates for camera shake caused by horizontal and vertical shift, as well as camera shake caused by roll, which is difficult to deal with by lens-installed shake reduction mechanisms. Even when taking a panning shot, this system automatically detects the direction of the camera’s movement, and efficiently controls the SR II unit to always produce the best image possible.
    • Pixel Shift Resolution System with a new motion correction function
      This system uses the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color data unit, this innovative system obtains all color data within each pixel. It incorporates a new motion correction function, which automatically detects a moving object during continuous shooting.
    • Innovative AA filter simulator to minimize moiré
      By applying microscopic vibrations to the image sensor, the K-1’s AA (anti-aliasing) filter simulator provides the same level of moiré reduction as an optical AA filter.
    • Supportive shooting functions
      Since the K-1’s SR II unit has a flexible design that tilts the image sensor unit in all directions, it provides a host of handy shooting functions, including auto level compensation, image-composition fine-adjustment, and AstroTracer, which simplifies advanced astronomical photography using a built-in GPS module.

    3. Flexible tilt-type LCD monitor to accommodate various shooting angles

    The K-1 features a newly designed, Flexible-tilt LCD monitor, which tilts horizontally, vertically or diagonally with a single action, without deviating from the lens’s optical axis. 35 degrees of horizontal and 44 degrees of vertical adjustment can be achieved; the LCD panel can even be laid flat up or down. The 3.2-inch LCD monitor features a tempered-glass front panel for added durability, a unique air-gapless construction effectively reduces reflection, and a new Outdoor View Setting mode allows the user to instantly choose the desired monitor brightness level.

    4. Newly developed SAFOX 12 with 33 sensor points and full-frame-proportioned AF frame

    The SAFOX 12 AF sensor module features 33 AF sensors (25 cross-type sensors positioned in the middle). The center sensor and the two sensors located just above and below it are designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on a subject when using a large-aperture lens. 

    5. Upgraded PENTAX Real-Time Scene Analysis System, with application of artificial  intelligence technology 

    The K-1’s advanced PENTAX Real-Time Scene Analysis System performs near-instant analysis of exposure, color, movement and other factors. Combined with a breakthrough artificial intelligence technology called deep learning, the K-1 instantly optimizes settings for even the most difficult shooting situations.

    6. Easy-to-focus optical viewfinder with nearly 100-percent field of view

    Newly developed for its 35mm full-frame design, the K-1’s optical viewfinder provides a nearly 100-percent field of view and an approximately 0.7-times magnification. A Natural Bright Matt III focusing screen allows ease of focusing and a true-to-life rendition of defocused areas in the viewfinder image.

    7. High-speed continuous shooting with a top speed of approximately 4.4 images per second

    The K-1 has a larger shutter unit that easily accommodates the camera’s full-frame image sensor and provides high-speed, high-accuracy control of the mirror unit. A high-speed data transmission system incorporated in the PRIME IV imaging engine allows the user to continuously record as many as 17 images in the RAW format (or a maximum of 70 images in the JPEG Best format) in a single sequence, at a top speed of approximately 4.4 images per second. 

    8. Supportive shooting functions to improve picture-taking efficiency and operational comfort

    • Operation assist light function, which provides LED lights above the lens mount, behind the LCD monitor, at the memory car slot, and at the cable switch terminal to facilitate fast and easy operation in poorly lit settings.
    • Key lock function, which prevents erroneous operation of the four-way controller and other exposure-related control buttons.
    • Smart function, which allows the user to swiftly choose and set desired functions using just the function dial and the set dial on the camera’s upper panel, without referring to the menu screen on the LCD monitor.
    • Control panel customize function allows the user to change aspects of the on-screen menu.

    9. Compact, solid body with dustproof, weather-resistant construction

    Constructed of sturdy yet lightweight magnesium alloy with the inclusion of 87 sealing parts in the body, the K-1 also boasts a dustproof, weather-resistant and cold-resistant construction.

    Other Features 

    • Wi-Fi operation allowing camera control and image transfer to tablet or smartphone via the free ImageSync app
    • Full HD movie recording at 1920 x 1080 pixels in the H.264 recording format
    • Built-in GPS module and electronic compass
    • High-grade DR II (Dust Removal II) mechanism for effective elimination of dust on the image sensor using ultrasonic vibration
    • Crop mode with a choice of image area from AUTO, FF (Full Frame) and APS-C, to accommodate different types of lenses
    • Clarity control and Skin Tone correction functions, a pair of the latest image processing technologies developed by RICOH Central Laboratory
    • HDR (High Dynamic Range) shooting mode with RAW-format data filing, usable in handheld shooting
    • The PENTAX-invented hyper operating system for quick, accurate response to the photographer’s creative intentions
    • Dual SD card slots for memory card flexibility (compatible with SDXC UHS-1 speed class in SDR104 buss speed mode)
    • Compensation of various parameters: lens distortion, lateral chromatic aberration, diffraction, and brightness level at image-field edges. Fringe effect compensation is also available in RAW-format processing.
    • Compatibility with PENTAX Image Transmitter 2 tethering software (Software update required from RICOH IMAGING official website) 
    • Digital Camera Utility 5 software (latest version) included

    Optional Accessory

    • D-BG6 Battery Grip
      This battery grip is designed to facilitate vertical-position shooting with the PENTAX K-1 camera body. It provides a shutter release button, a set of control buttons (AE lock, AF, ISO, exposure compensation, green), a preview lever, and dual electronic dials — just like those provided on the camera body. It also features the dustproof, weather-resistant construction identical to the PENTAX K-1 camera body. In addition to the dedicated lithium-ion rechargeable batteries, it also accepts six AA-size batteries.

    Ricoh Pentax K-1 Specifications

    Price
    MSRP $ 1799/£1599 (body only)
    Body type
    Body type Mid-size SLR
    Body material Magnesium alloy
    Sensor
    Max resolution 7360 x 4912
    Image ratio w:h 3:2
    Effective pixels 36 megapixels
    Sensor photo detectors 37 megapixels
    Sensor size Full frame (35.9 x 24 mm)
    Sensor type CMOS
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-204800
    White balance presets 8
    Custom white balance Yes (3 slots)
    Image stabilization Sensor-shift
    Uncompressed format RAW
    JPEG quality levels Best, better, good
    File format
    • JPEG (Exif v2.3)
    • Raw (PEF/DNG)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 33
    Lens mount Pentax KAF2
    Focal length multiplier 1×
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3.2″
    Screen dots 1,037,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentaprism)
    Viewfinder coverage 100%
    Viewfinder magnification 0.7×
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/8000 sec
    Exposure modes
    • Program
    • Aperture priority
    • Shutter priority
    • Aperture and shutter priority
    • Sensitivity priority
    • Manual
    Built-in flash No
    External flash Yes (via hot shoe or flash sync port)
    Flash modes Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
    Flash X sync speed 1/200 sec
    Drive modes
    • Single Frame, Continuous, Self-timer, Remote Control, Bracketing, Mirror- up, Multi-Exposure, Interval Shooting, Interval Composite, Interval Movie Record, Star Stream
    Continuous drive 4.4 fps
    Self-timer Yes (2 or 12 sec, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    AE Bracketing ±5 (2, 3, 5 frames at 1/3 EV, 1/2 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types Dual SD/SDHC/SDXC (UHS-I)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes 802.11b/g/n
    Remote control Yes (wired, wireless, or smartphone)
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description D-LI90 lithium-ion battery & charger
    Battery Life (CIPA) 760
    Weight (inc. batteries) 1010 g (2.23 lb / 35.63 oz)
    Dimensions 137 x 110 x 86 mm (5.39 x 4.33 x 3.39″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes (Still or video)
    GPS BuiltIn

    Articles: Digital Photography Review (dpreview.com)

  • Canon PowerShot SX720 HS boasts new 40x zoom lens with a compact form factor

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    Canon has released a new long-zoom compact dubbed the PowerShot SX720 HS. New for this model is a lens with a wider zoom range compared to its predecessor, offering a 35mm-equivalent of 24-960mm at F3.3-6.9. The sensor remains a 20.3MP 1/2.3″ BSI CMOS unit with a DIGIC 6 image processor.

    In addition to the new lens, the SX720 HS has a redesigned grip, and battery life has increased to a CIPA-rated 250 shots (355 in ECO mode). Photos can be composed on a 3″ LCD display with 922k dots. The camera carries over Canon’s Zoom Framing Assist system to automatically zoom in or out to follow subject movement and more accurately keep focus, and also comes with the Story Highlight feature to automatically compile images and videos from a day or event into a highlight reel with music and effects. Speaking of video, the SX720 can capture 1080/60p clips with stereo sound.

    The SX720 HS will be available in March 2016 with an MSRP of $ 379.99.

    Press release:

    TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

    Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

    MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

    Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

    “In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

    Sleek and Sophisticated 
    The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the 

    PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

    • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
    • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
    • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
    • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
    • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
    • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
    • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
    • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
    • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

    The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

    Powerful Zoom Delivers Virtually Shake-Free Images
    The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

    As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

    • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
    • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
    • 1080p/60 Full HD video capture with stereo sound;
    • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
    • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
    • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
    • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
    • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

    1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

    2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

    3 Videos must be shot in Hybrid Auto or Short Clip.

    * Image processing may cause a decrease in the number of pixels.

    ** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    *** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

    Canon PowerShot SX720 HS specifications

    Price
    MSRP $ 379
    Body type
    Body type Compact
    Sensor
    Max resolution 5184 x 3888
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 20 megapixels
    Sensor photo detectors 21 megapixels
    Sensor size 1/2.3" (6.17 x 4.55 mm)
    Sensor type BSI-CMOS
    Processor DIGIC 6
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-3200
    White balance presets 5
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format No
    JPEG quality levels Superfine, fine
    File format
    • JPEG (Exif v2.3)
    Optics & Focus
    Focal length (equiv.) 24–960 mm
    Optical zoom 40×
    Maximum aperture F3.3 – F6.9
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4X)
    Manual focus Yes
    Normal focus range 5 cm (1.97″)
    Macro focus range 1 cm (0.39″)
    Number of focus points 9
    Screen / viewfinder
    Articulated LCD Fixed
    Screen size 3″
    Screen dots 922,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 15 sec
    Maximum shutter speed 1/3200 sec
    Exposure modes
    • Hybrid Auto
    • Auto
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • Sports
    • Portrait
    • Smile
    • Wink Self-Timer
    • Face Self-Timer
    • Handheld Night Scene
    • Low Light
    • Fireworks
    Built-in flash Yes
    Flash range 4.00 m
    External flash No
    Flash modes Auto, on, off, slow synchro
    Continuous drive 5.9 fps
    Self-timer Yes (2 or 10 secs, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±2 (at 1/3 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps)
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC card
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n with NFC
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description NB-13L lithium-ion battery & charger
    Battery Life (CIPA) 250
    Weight (inc. batteries) 270 g (0.60 lb / 9.52 oz)
    Dimensions 110 x 64 x 36 mm (4.33 x 2.52 x 1.42″)
    Other features
    Orientation sensor Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)