Category: Uncategorized

  • Macphun offers Aurora HDR Pro 3-month payment plan

    Macphun has announced a new 3-month payment plan for Aurora HDR Pro, the image editing application for Mac OS X it launched in November. Rather than requiring the full $ 99 USD price at the time of purchase, the payment plan allows users to pay $ 33 per month for three months, while still gaining immediate access to the software license.

    According to Macphun, Aurora HDR has been downloaded more than 150,000 times since its launch. The payment plan doesn’t involve a subscription and does not charge interest. The company’s ‘bonus of the month’ gift to customers is also provided to users who opt for the 3-month installment.

    The payment plan is now available through the Aurora HDR website.

    Articles: Digital Photography Review (dpreview.com)

  • Leica and Huawei announce partnership to ‘reinvent smartphone photography’

    We’ve seen established members of the optical industry partner with smartphone makers before – Nokia high-end phones used to come with Carl Zeiss branded lenses, and Schneider Kreuznach optics have been used in various models from Chinese manufacturer Oppo. Now it seems we could soon see Leica-branded lenses and other imaging technology in Huawei smartphones. Read more

    Articles: Digital Photography Review (dpreview.com)

  • CP+ 2016: Canon shows off new EOS-1D X Mark II, EOS 80D and G7 X Mark II

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    As usual at the CP+ show in Yokohama, one of the longest lines can be found Canon’s booth. This year, Canon’s EOS 80D and EOS-1D X Mark II were in huge demand from both press and public attendees alike, and we fought our way through the crowd to get hands on with both new models – and the surprisingly nice PowerShot G7 X Mark II.

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    First up is the Canon EOS 80D. The 80D features a 24MP APS-C CMOS sensor, 45-point all cross-type autofocus system, and the company’s DIGIC 6 processor. Cosmetically similar to the popular 70D, the new model offers a number of significant updates.

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

    The 80D will be familiar to users of the 70D of course, but operationally it shares a lot of features from much earlier cameras in Canon’s EOS lineup, going right back to the original D30 of 2000. It’s easy to dismiss this kind of homogeneity as conservative – even unimaginative, but there’s a reason that DSLRs in 2016 still look and function much like DSLRs from the early 2000s. It works. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

    When using live view or recording video users can take advantage of the 80D’s improved Dual Pixel CMOS AF system, which provides phase-detection autofocus with the mirror locked up in Live View. This particular iteration is Canon’s first attempt at Servo AF using Dual Pixel technology – and it works very nicely in our initial testing with moving subjects. So nicely, in fact, that we can’t to see it extended to all Canon DSLRs… and maybe even, well, that’s a lot of wishful thinking.

    The 3″ rear LCD is touch sensitive and fully articulating, which is handy for shooting from low and high angles, and also for video. The 80D can record 1080/60p video and offers sockets for both a microphone and headphones. Wi-Fi is also built in, with support for NFC.

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    Although it lacks 4K, the 80D is a capable HD video camera. With the addition of the PZ-E1 Power Zoom Adapter (currently only compatible with the new 18-135mm kit zoom) and DM-E1 shotgun microphone it’s a powerful and surprisingly ergonomic package. We suspect that most serious Canon videographers will look towards the Cinema EOS line but students and beginner filmmakers will appreciate the 80D’s ease of use, and potentially its excellent autofocus – with no hunting – in video. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    One camera that is definitely of interest to professionals is Canon’s new flagship stills model the EOS-1D X Mark II. The 1D X Mark II builds on the basic concept behind the 1D X, but offers increased resolution (from 16 to 20MP) increased speed (14fps in live view mode, 12fps in conventional DSLR mode) and 4K video capture. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    The EOS-1D X Mark II’s autofocus system has also been upgraded. The 61-point AF array covers a greater area, and these AF points work in concert with a 360,000 pixel metering sensor which should, in theory, mean better tracking of moving subjects. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    Ergonomically, the EOS-1D X Mark II is – like the 80D – very similar to its predecessors. Professional users are even less accepting of change than enthusiasts because with years of muscle memory built up, they need key controls to stay more or less in the same place from model to model. As such, the EOS-1D X Mark II looks and operates a lot like its predecessor, and indeed some key controls have barely moved since the original film EOS-1.

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    The EOS-1D X Mark II’s battery (which fits horizontally inside the base of the camera) should be good for more than 1200 images in normal use – a major differentiator of professional DSLRs compared to lower-end models (and any current mirrorless camera). Needless to say, the EOS-1D X Mark II is fully weather-sealed and feels like it’s been milled from a solid lump of something very solid, very expensive and very heavy.

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    Who would have thought that after 16 years, professional Canon DSLRs would still be using CompactFlash cards? But here we are in 2016, and the same media that fit inside the original EOS-1D can still be used in the EOS-1D X Mark II. New in the current flagship though is a second slot for cosmetically similar (but physically incompatible) C-Fast cards. C-Fast cards are capable of greater data throughput, which will help if you’re one of those people that likes to shoot extended bursts of 170 Raw files at 14fps.

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

    If you are one of those people, you should pay attention ti the warning inside the EOS-1D X Mark II’s card slot. Don’t go burning your fingers after shooting. It gives a new meaning to the term ‘blazingly fast’…

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    Ethernet? Why yes. Although the EOS-1D X Mark II features built-in Wi-Fi, a 330Mbps wired connection is still the best option for absolute speed when shooting intensely at (say) the Olympics. It’s no coincidence that Canon (like Nikon) likes to release new professional cameras in Olympic years. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

    At the other end of Canon’s camera range is the 20MP PowerShot G7 X Mark II. We really liked the original G7 X for everyday ‘carry everywhere’ shooting but it had some limitations. The Mark II has not been significantly changed when it comes to ergonomics or core features (inside you’ll find the same excellent 20MP 1-inch sensor and 24-100mm equivalent lens), but Canon has made some improvements. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    One of those improvements is a front dial that can be switched from clicking to non-clicking operation, and a subtle front grip, in place of the smooth body of the original G7 X. 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II

    A new Digic 7 processor brings very welcome performance improvements, especially in Raw mode. Raw capture is now possible at 8fps and while standing at Canon’s booth we shot for more than 20 frames before the camera that we used started to slow. Finally, a Canon PowerShot G-series compact that is genuinely usable in Raw mode… 

    CP+ 2016: Canon shows off new DSLRs and G7 X Mark II 

    The G7 X Mark II’s rear screen is a multi-angle 3.0-inch capacitive  model with 1.04 million dots, capable of tilting up to 180° upwards (for selfies) and 45° down (for other things). The G7 X Mark II will be available in May for $ 699.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon announces trio of long-zoom Coolpix cameras, two of which support 4K capture

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    Nikon has announced a trio of new superzooms, two of which support 4K/UHD video capture. All three have a new naming scheme, with the A-series replacing the ‘L’ cameras and the B-series taking over for the ‘P’ models.

    All three cameras offer what Nikon calls SnapBridge, which combines Wi-Fi (with NFC) and Bluetooth. By using a low energy version of Bluetooth, your phone can maintain a constant connection with the camera, meaning that you don’t have to re-pair every time you want to share photos.

    The compact Coolpix A900, which offers a 20MP BSI CMOS sensor, 35X (24-840mm equiv.) F3.4-6.9 lens, 3″ tilting LCD and 4K video capture at 30p. It will be available in silver and black at a price of $ 399.

    Next is the Coolpix B500, which loses 4K capture but uses four AA batteries for power – a real rarity these days. It sports a 40X (22.5-900mm equiv.) F3.0-6.5 lens, 16MP BSI CMOS sensor, tilting 3″ LCD and 1080/30p video recording. Your color choices for this model are black and red and the estimated selling price is $ 299.

    The B700 has the most zoom of the bunch, with a 60X (24-1440mm equiv.) F3.3-6.5 lens, 20MP BSI CMOS sensor, fully articulating, touch-enabled 3″ LCD, a 921k-dot electronic viewfinder and 4K video capture. You can pick one up for $ 499 in black only.

    All three models will be available later this spring.

    GET CLOSER TO WHAT MATTERS: NIKON’S NEWEST LONG-ZOOM COOLPIX CAMERAS OFFER OUTSTANDING IMAGE QUALITY AND PERFORMANCE TO CREATIVELY CAPTURE FROM AFAR

    With Nikon’s New SnapBridge, The New COOLPIX B700, B500 and A900 Provide a Simplified Way to Share and Transfer Images Easily

    MELVILLE, NY (Monday, February 22, 2016 at 11:01 P.M. EST) – Today, Nikon Inc. announced three new COOLPIX cameras, the latest additions to its compact zoom camera lineup. Designed to capture stunning images, 4K UHD (in select models) and HD video from up close or far away, these new COOLPIX cameras boast super-long zoom lenses and superior performance while also offering Nikon SnapBridge for easy sharing of photos. Providing outstanding zoom capabilities ranging from 60x and 40x respectively, the COOLPIX B700 and COOLPIX B500 allow users to explore their creative freedom regardless of the distance. With a powerful 35x zoom lens, the COOLPIX A900 is a compact, stylish and feature-packed camera that fits comfortably in a pocket. 

    All of these COOLPIX cameras offer a new way to share photos wirelessly through the new Nikon SnapBridge. SnapBridge creates an “always on” Bluetooth® supported connection between the camera and compatible mobile device, making automatic upload and sharing of images possible. 

    “Nikon’s latest COOLPIX cameras are exciting options for creative photographers seeking a compact camera that is easy-to-use, yet features incredible zoom capabilities, superior performance and stunning image quality,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “The COOLPIX B700, B500 and A900 provide the lens power needed to get closer to subjects and capture sharp images and HD video.”

    Easily Share and Transfer Images: The New Nikon SnapBridge

    With more images being shared than ever before, Nikon has developed the new Nikon SnapBridge to help consumers automatically transfer images via Bluetooth®1 low energy (BLE) directly to a compatible smartphone2 or tablet, establishing an “always on” connection, making it easier than ever to share amazing images with the world. The Nikon SnapBridge app allows users to document the time and location images were taken, embed copyright or photographer information on any image, as well as operate the camera remotely, which is great for capturing group shots. Built-in Wi-Fi3 and NFC are also available to further increase connectivity and promote sharing great images.

    Additionally, SnapBridge users can take advantage of Nikon’s free image storing service, Nikon Image Space, to store up to 20 GB of images and an unlimited number of thumbnail images (up to 2MB) to the cloud, while the application will also send registered users firmware updates directly to their smart device.

    COOLPIX B700

    The COOLPIX B700 is a compact superzoom camera that offers incredible range and outstanding image quality. Whether trying to capture birds in-flight or the star player from the sidelines, images captured will be rendered in amazing quality thanks to the camera’s impressive 20.3-megapixel BSI CMOS sensor, even when shooting in low-light. The B700 can capture impressive portraits or landscapes with a phenomenal 60x optical zoom NIKKOR ED glass lens (120x with Dynamic Fine Zoom4) that expands from wide-angle to telephoto zoom for accuracy and precision in every shot. Capable of shooting at 5 frames per second (fps), fast motion is captured with ease, while a 3-inch Vari-angle LCD display helps compose unique perspectives at any angle. Other user-friendly features include a myriad of Creative Modes, RAW (NRW) shooting support, new 4K UHD video capability (30p) and Nikon SnapBridge for seamless sharing of amazing images with friends and family. 

    COOLPIX B500

    Another superzoom option from Nikon, the COOLPIX B500 is an ergonomically designed zoom camera powered by AA batteries for added convenience. A 16-megapixel BSI CMOS sensor alongside an impressive 40x optical zoom NIKKOR glass lens (up to 80x with Dynamic Fine Zoom), lets users capture high quality images from near or far. The camera also offers hybrid VR to combat camera shake when shooting on-the-go. To complement still images captured, the B500 can record full 1080p HD video, while framing every shot is made easy using the high resolution tilting 920k-dot 3-inch LCD screen that helps capture images at any angle. Users can easily upload their creations to social media via Nikon SnapBridge using any compatible smartphone or tablet.

    COOLPIX A900

    Ideal for travel, the COOLPIX A900 is a slim long zoom compact camera that fits comfortably into any user’s pocket. While the A900 may be small, it packs an amazing 35x Optical Zoom NIKKOR glass lens (70x with Dynamic Fine Zoom) that helps reach far away subjects. Supported by a 20-megapixel BSI CMOS sensor that renders amazing quality and detail, users can also capture 4K UHD video at 30p; an impressive feature set for such a lightweight and pocketable compact camera. A 3-inch tilting high resolution 920k-dot LCD display helps frame an image at any angle and easily navigate through numerous creative options at the user’s disposal. The A900 also makes it easy to share incredible images and video using Nikon SnapBridge.

    Price and Availability

    The Nikon COOLPIX B700, COOLPIX B500 and COOLPIX A900 will be available in Spring 2016 with suggested retail prices (SRP*) of $ 499.95, $ 299.95 and $ 399.95, respectively. The B700 will be available in Black, the B500 in Black and Red and the A900 in Silver and Black.

    1 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation is under license. 

    2 WI-FI COMPATIBILITY

    This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera. The SnapBridge app is not yet available (coming soon Spring 2016).

    3 Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.

    4 Dynamic Fine Zoom magnification is calculated from the full-wide end of optical zoom

    Nikon Coolpix A900 specifications

    Price
    MSRP $ 399
    Body type
    Body type Compact
    Sensor
    Max resolution 5184 x 3888
    Image ratio w:h 4:3
    Effective pixels 20 megapixels
    Sensor photo detectors 21 megapixels
    Sensor size 1/2.3" (6.17 x 4.55 mm)
    Sensor type BSI-CMOS
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 80-3200
    White balance presets 5
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format No
    File format
    • JPEG (Exif v2.3)
    Optics & Focus
    Focal length (equiv.) 24–840 mm
    Optical zoom 35×
    Maximum aperture F3.4 – F6.9
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4x)
    Manual focus No
    Normal focus range 50 cm (19.69)
    Macro focus range 1 cm (0.39)
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3
    Screen dots 921,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 8 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Program AE
    • Aperture priority
    • Shutter priority
    • Manual
    Scene modes
    • Backlighting
    • Beach
    • Close-up
    • Dusk/Dawn
    • Easy Panorama
    • Fireworks Show
    • Food
    • Multiple Exposure Lighten
    • Night Landscape
    • Night Portrait
    • Party/Indoor
    • Pet Portrait
    • Portrait
    • Scene Auto Selector
    • Snow
    • Sports
    • Sunset
    • Superlapse Movie
    Built-in flash Yes
    Flash range 6.00 m (at Auto ISO)
    External flash No
    Drive modes
    • Single
    • Continuous H
    • Continuous L
    • Continuous H (120/60)
    • Pre-shooting cache
    Continuous drive 7.0 fps
    Self-timer Yes (2, 5, 10 secs)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±2 (at 1/3 EV steps)
    Videography features
    Resolutions 3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 30p, 25p)
    Format MPEG-4, H.264
    Videography notes High speed modes: 1080/15p and 480/120p
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes Has 'always on' Bluetooth to maintain connection
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description EN-EL12 lithium-ion battery & charger
    Battery Life (CIPA) 300
    Weight (inc. batteries) 289 g (0.64 lb / 10.19 oz)
    Dimensions 113 x 67 x 40 mm (4.45 x 2.64 x 1.57)
    Other features
    Orientation sensor Yes
    GPS None

    Nikon Coolpix B500 / B700 specifications

      Nikon Coolpix B500 Nikon Coolpix B700
    Price
    MSRP $ 299 $ 499
    Body type
    Body type SLR-like (bridge)
    Sensor
    Max resolution 4608 x 3456 5184 x 3888
    Image ratio w:h 4:3
    Effective pixels 16 megapixels 20 megapixels
    Sensor photo detectors 17 megapixels 21 megapixels
    Sensor size 1/2.3" (6.17 x 4.55 mm)
    Sensor type BSI-CMOS
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 80-3200 Auto, 100-3200
    White balance presets 5
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format No
    File format
    • JPEG (Exif v2.3)
    Optics & Focus
    Focal length (equiv.) 23–900 mm 24–1440 mm
    Optical zoom 40× 60×
    Maximum aperture F3.0 – F6.5 F3.3 – F6.5
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4x)
    Manual focus No
    Normal focus range 30 cm (11.81) 50 cm (19.69)
    Macro focus range 1 cm (0.39)
    Screen / viewfinder
    Articulated LCD Tilting Fully articulated
    Screen size 3
    Screen dots 921,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None Electronic
    Viewfinder coverage 100%
    Viewfinder resolution 921,000
    Photography features
    Minimum shutter speed 1 sec 15 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Auto
    • Scene
    • Scene Auto Selector
    • Smart Portrait
    • Special Effects
    • Program AE
    • Aperture priority
    • Shutter priority
    • Manual
    Scene modes
    • Backlighting
    • Beach
    • Bird-watching
    • Close-up
    • Dusk/Dawn
    • Easy Panorama
    • Fireworks Show
    • Food
    • Landscape
    • Moon
    • Night Landscape
    • Night Portrait
    • Party/Indoor
    • Pet Portrait
    • Portrait
    • Scene Auto Selector
    • Short Movie Show
    • Snow
    • Sports
    • Sunset
    • Backlighting
    • Beach
    • Close-up
    • Dusk/Dawn
    • Easy Panorama
    • Fireworks Show
    • Food
    • Multiple Exposure Lighten
    • Night Landscape
    • Night Portrait
    • Party/Indoor
    • Pet Portrait
    • Portrait
    • Scene Auto Selector
    • Snow
    • Sports
    • Sunset
    • Superlapse Movie
    Built-in flash Yes
    Flash range 6.90 m (at Auto ISO) 7.50 m (at Auto ISO)
    External flash No
    Drive modes
    • Single
    • Continuous H
    • Continuous L
    • Continuous H (120/60)
    • Pre-shooting cache
    • Single
    • Continuous H
    • Continuous L
    • Continuous H (120/60)
    • Pre-shooting cache
    • Interval timer
    Continuous drive 7.4 fps 5.0 fps
    Self-timer Yes (2, 5, 10 secs)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±2 (at 1/3 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60i, 50i, 30p, 25p), 1280 x 720 (60p, 50p, 30p, 25p), 640 x 480 (30p, 25p) 3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 30p, 25p)
    Format MPEG-4, H.264
    Videography notes High speed modes: 1080/15p and 12.5p, 480/100p and 125p High speed modes: 1080/15p and 12.5p, 720/60p and 50p, 480/120p and 100p
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC
    Storage included 20MB
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes Has 'always on' Bluetooth to maintain connection
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery AA Battery Pack
    Battery description Four AA batteries (alkaline, lithium, NiMH) EN-EL23 lithium-ion battery & charger
    Battery Life (CIPA) 600 350
    Weight (inc. batteries) 541 g (1.19 lb / 19.08 oz) 565 g (1.25 lb / 19.93 oz)
    Dimensions 114 x 78 x 95 mm (4.49 x 3.07 x 3.74) 125 x 85 x 107 mm (4.92 x 3.35 x 4.21)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Nikon covers all focal lengths with three ‘DL’ enthusiast compacts with 1″-type sensors

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    Nikon is entering the 1″-type premium compact market in a big way, introducing three new models: the Nikon DL18-50, DL24-85 and DL-24-500. Between them, they cover pretty much every focal length. The ‘guts’ of all three ‘DL’ models are the same, in that they share a sensor, image processor, autofocus system and support for 4K video (with clean HDMI output, no less). Parts of the design, especially the control layout and font, strongly resemble that of Nikon’s 1-series mirrorless cameras.

    Sensor-wise, the DLs use what is possibly the same 20.8MP 1″-type BSI CMOS sensor as Nikon’s J5 mirrorless camera. It’s paired with the company’s new EXPEED 6A image processor, which allows for a top ISO of 12800 and 4K/UHD video recording at 30p. All three cameras have ‘Dual Detect VR’, which combines data from the cameras’ angular velocity sensors and the scene itself to reduce shake. They also have fluorine coatings on their lenses to keep moisture and oil away. Each has a manual focus ring around the lens, as well.

    They also have 3″ touch-enabled OLED displays, tilting on the 18-50 and 24-85 and fully articulating on the 24-500. Naturally, they all have Wi-Fi with NFC, plus Nikon’s ‘SnapBridge’ technology, which uses Bluetooth to maintain a connection between camera and phone, so there’s no need to re-pair. Battery life on all three DL models is rated at 290 shots/charge (per the CIPA standard).

    One of the features that may set the DLs apart from the other 1″-type cameras is its Hybrid AF system, which combines 105 phase-detect with 171 contrast-detect points. This allows the camera to shoot at 20 fps with continuous autofocus, which is, by far, best-in-class (spec-wise). If you can live with single AF, then the DLs can shoot even faster: 60 fps.

    Nikon DL18-50

    The first camera is perhaps the most interesting, as it has the widest lens of any enthusiast compact on the market. That lens has an equivalent focal length of 18-50mm and a fast maximum aperture range of F1.8-2.8. The lens has a 3-stop ND filter and is Nikon’s first compact to have a Nano Crystal Coating, which reduces flare and ghosting. The lens has seven aperture blades and has a top shutter speed of 1/1600 sec (an electronic shutter, found on all three models, maxes out at 1/16000 sec). There is also built-in perspective correction, which is especially useful when shooting architecture.

    The camera has full manual exposure control, Raw support, tilting touch OLED display and aforementioned 4K/30p support. The DL18-50 also supports an optional tilting OLED electronic viewfinder with 2.36M dots. The 18-50 is the only one of the camera cameras to lack a built-in flash, though like its siblings it does have a hot shoe.

    Nikon DL24-85

    The DL24-85 is very similar to its wider sibling, both inside and out. The main difference is its lens, which is a 24-85mm equiv. F1.8-2.8 model, though it lacks the Nano Crystal Coating. Its standout feature is the ability to take life-size, 1:1 macro photos, with a minimum focus distance of 3cm. Macro shooters can also take advantage of focus peaking and bracketing as well as manual priority AF. Again it includes a built-in ND filter.

    Nikon DL24-500

    For those seeking a long zoom model, there’s the DL24-500. As its name implies, it has a 24-500mm equiv. lens, with a max aperture range of F2.8-5.6. Unlike the other two models, the 24-500 has a fully articulating display and a built-in OLED viewfinder. It’s also the only of the DL models with a mic input jack, with support for Nikon’s ME-1 shotgun mic. 

    All three cameras will be available in early summer with suggested retail prices of $ 649 (24-85), $ 849 (18-50), and $ 999 (24-500).

    Press Release:

    THE NIKON DL PREMIUM COMPACT SERIES: PUTTING POCKETABLE POWER AND LEGENDARY NIKKOR LENS PRECISION INTO THE HANDS OF PASSIONATE PHOTOGRAPHERS

    Pairing a Large 1-Inch Sensor with Superior NIKKOR Lens Technology, Nikon’s New Compact DL24-85, DL18-50 and DL24-500 Will Help Capture Stunning Images and 4K UHD Video

    MELVILLE, NY (Monday, February 22, 2016 at 11:01 P.M. EST) – Today, Nikon Inc. announced the new DL Series of premium compact cameras. These pocketable yet powerful imaging tools offer an elite level of imaging prowess that fits easily in one’s palm. Equipped with a variety of focal lengths optimized for different types of shooters, the DL24-85, DL18-50 and DL24-500 combine powerful NIKKOR optics with a large 20.8-megapixel (CX-format) 1-inch BSI CMOS sensor to produce stunning image quality and amazingly detailed images, even when shooting in low-light. Cameras in the new DL line will also feature powerful performance, with high-speed Autofocus (AF) and 20 frames-per-second (60 fps with fixed AF) continuous shooting capability for fast action moments, as well as 4K UHD video recording for users to tell their stories in new ways. Ergonomically designed and familiar for advanced users, all three cameras will utilize the new Nikon SnapBridge connectivity to make it easier than ever to shoot and share with ease.

    “We recognize consumers’ desire for smaller cameras capable of outstanding image quality,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “With the new DL line, Nikon is proud to fuse legendary NIKKOR optics with the latest innovations in imaging to provide advanced photographers amazingly compact tools capable of capturing photos and video that even the most discerned professional would be proud of.”

    The Nikon DL Series: Powerful Performance, Superior Optics

    The new DL line of premium compact cameras packs innovative and powerful imaging technology into elegantly designed yet remarkably compact camera bodies, making it easier than ever to carry pure imaging prowess in the palm of one’s hand. All of these new cameras are designed with a 20.8-megapixel CX-format (1-inch) BSI CMOS sensor, which when combined with fast, high quality NIKKOR glass, help to create stunning image quality for stills or 4K UHD video. Working alongside the new sensor is the new EXPEED 6A image processor that allows for impressive noise reduction and powerful, fast performance, making it possible to capture stunning low-light street photography, beautiful portraits or spectacular landscapes with ease. 

    For fleeting moments and fast-action, the DL line incorporates a high-speed hybrid autofocus (AF) system featuring 105 phase detect focus areas (with 171 focus points in contrast detect AF mode), as well as continuous shooting up to an incredible 20 fps, with capability to capture up to a blazing fast 60 fps with focus locked on the first frame. The DL series also features Dual Detect Optical VR technology to compensate for camera shake while handheld or at slower shutter speeds.

    Continuing the impressive legacy of NIKKOR glass, each new DL camera features a unique lens design capable of amazing resolution and beautiful background blur (bokeh), with impressively fast apertures. The lens barrel also includes a manual focus ring, giving users enhanced control over focus on any subject.

    Each NIKKOR lens is also equipped with a fluorine coating that helps repel dirt, water and oil, and also facilitates easy cleaning. For the first time in a Nikon compact camera, the DL18-50’s NIKKOR lens will utilize Nano Crystal Coat to help reduce ghost and flare, particularly useful when shooting at a wide-angle. With the best NIKKOR technologies now integrated into compact camera models, users will be able to capture phenomenal images with amazing detail time and time again. 

    Control and Versatility

    The DL24-85, DL18-50 and DL24-500 put creative control in the hands of each photographer and are all operated using the familiar Nikon DSLR menu design and an assortment of physical controls. The series also supports RAW (NEF) image capture, full PSAM manual controls and over 20 preset creative options, for use in both still and video shooting (including Picture Control, Creative mode, Multiple Exposure Lighten) to help challenge each user to expand their photographic horizons.

    The DL line provides the tools to frame nearly every shot, with all three cameras sporting high-resolution 1,037k-dot OLED Touch displays. While the DL24-85 and DL18-50 allow for tilting, the DL24-500’s display provides full Vari-angle capability, vitally important when shooting from unique perspectives. Even further customization and control is possible utilizing the hot shoe/accessory shoe available on DL24-85 and DL18-50 models that allows for complete system expandability with the DF-E1 optional electronic viewfinder. The DL24-500 also sports a hot shoe and a stereo microphone input jack, while all three models are compatible with Nikon i-TTL Speedlights. 

    Seamlessly Shoot and Share

    Nikon SnapBridge makes it easier than ever to shoot and share amazing images with friends and family. Available throughout Nikon’s newest line of premium compacts, SnapBridge utilizes Bluetooth®1 low energy technology (BLE) to provide an “always on” connection to a compatible2 smart device. Users can now seamlessly send images from their camera to a smart device (utilizing the new SnapBridge app) for easy sharing via social networks or to the cloud for instant storage. An unlimited number of thumbnails and 20 GB of storage will also be available for registered Nikon owners and SnapBridge users on Nikon Image Space, Nikon’s free image storing service. Additionally, built-in Wi-Fi3 and NFC remain available to help facilitate easy connection and sharing. 

    Through Nikon SnapBridge, users can also operate their cameras remotely using the app, automatically synchronize time and location information to any image utilizing the camera’s constant connection to a compatible smart device, as well as embed information on any image, including copyright or photographers’ names. Lastly, firmware updates have never been easier, as Nikon will send registered users firmware information via the new SnapBridge application, directly to their smart device.

    4K Video Capability

    The DL series will be among Nikon’s first compact offerings to support 4K UHD video capability [3840×2160] at 30p, affording users the ability to capture incredibly beautiful video with remarkable detail, all with a compact camera. Multimedia photographers will have free reign over their creative vision with the ability to utilize PSAM selectable exposure modes while recording, alongside popular movie features like HDMI output to an external recorder, slow motion to 1200 fps and the ability to grab stills from video. Other creative video functions available include: Full HD movie, HD movie, Motion Snapshot, Slow motion, 4-second movie, Time-lapse movie, Superlapse movie and Jump cut.

    DL24-85: The Premium Compact Camera Ready for Anything

    Great for travel, portraits and general photography, the DL24-85 offers pocket-sized imaging power with a fast and versatile 24-85mm focal range. Compatible with 40.5mm threaded filters, the newly designed NIKKOR lens (11 elements in 9 groups) features a 3.6x zoom range (7x with Dynamic Fine Zoom4) and a wide f/1.8-2.8 aperture, empowering users to capture a wide variety of subjects with incredible detail and natural bokeh, even in low-light. The 24-85mm offering also features Dual Detect Optical VR, AF bracketing and a tilting Touch OLED display to make composing from creative angles easier than ever.

    Exclusive to this DL model is a new Super Macro Mode (1:1) that helps capture even small subjects in life-size detail. Setting manual zoom on the camera to super macro position allows the user close-up shooting at a 35mm equivalent magnification, providing amazing detail whether shooting flowers in bloom or a wandering ladybug. Macro photographers can utilize a variety of camera functions within the mode, including focus bracketing, manual priority AF (M/A) mode and peaking indication, to truly customize the look and feel of every image.

    DL18-50: A Premium Pocket Camera That Can Capture It All

    For landscape and architecture shooters looking for compact, ultra-wide angle DL option, the DL18-50 provides a solution that fits easily into any photographer’s pocket. Starting at a wide 18mm and expanding to 50mm (2.8x zoom, 5.5x with Dynamic Fine Zoom) the camera sports a powerful NIKKOR lens with a wide f/1.8-2.8 aperture that makes it easier than ever to produce natural bokeh in any image, while capturing tack-sharp stills and video. This lens is compatible with 46mm filters and features Nikon’s Nano Crystal Coat to help reduce ghosting and flare. 

    Those who choose the wide-angle DL premium compact can also take advantage of perspective controls to help compensate for image distortion, particularly for shooting tall objects from the ground like landmarks and skyscrapers. Tailored for architecture shooters, this feature helps to capture the correct perspective with ease.

    For use with the DL24-85 and DL18-50, a newly designed optional DF-E1 electronic viewfinder (EVF) will be available for discerning photographers who desire for a traditional eye-level viewfinder to frame their photos. The compact DF-E1 features a 2,359k-dot resolution with eye sensor, alongside a tilting mechanism, diopter adjustment and anti-reflection coating, helping provide further clarity and versatility for DL shooters. 

    DL24-500: Get Close and Connect

    The DL24-500 offers the longest zoom capability of any DL premium compact, reaching an incredible 500mm focal length and 21x optical zoom (42x with Dynamic Fine Zoom). Combining Nikon’s new 1-inch sensor with this impressive super-zoom NIKKOR lens, the DL24-500 is an ideal choice for users eager to photograph and share anything from concerts to wildlife. Featuring an f/2.8-5.6 aperture, this lens (compatible with 55mm filters) integrates the newest NIKKOR technologies to help render amazing images and background blur, even from afar.

    The DL24-500 also features Dual Detect Optical VR, particularly useful when shooting at extremely long focal lengths or without a tripod, a built-in electronic viewfinder (EVF) with 2,359k-dot OLED display and an eye-sensor and a Vari-angle 1,037k-dot OLED screen.

    Price and Availability

    The new DL24-85, DL18-50 and DL24-500 will be available in early summer 2016 for suggested retail prices (SRP) of $ 649.95*, $ 849.95*, and $ 999.95*, respectively. Pricing and availability for the optional DF-E1 electronic viewfinder, compatible with both the DL24-85 and DL18-50, is TBD. For more information on these new Nikon products, please visit www.nikonusa.com.

    1 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation and its affiliates is under license. 

    2. WI-FI COMPATIBILITY This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera. The SnapBridge app is not yet available (coming soon in spring 2016) Apple, the Apple logo, iPhone, iPad and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries. App Store is a service mark of Apple Inc.

    3. Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.

    4. Dynamic Fine Zoom magnification is calculated from the full-wide end of optical zoom

    * SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

    Nikon DL18-50 / DL24-85 specifications

      Nikon DL18-50 Nikon DL24-85
    Price
    MSRP $ 849 $ 649
    Body type
    Body type Large sensor compact
    Sensor
    Max resolution 5584 x 3712
    Image ratio w:h 3:2
    Effective pixels 21 megapixels
    Sensor photo detectors 23 megapixels
    Sensor size 1″ (13.2 x 8.8 mm)
    Sensor type BSI-CMOS
    Processor Expeed 6A
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-12800
    White balance presets 7
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format RAW
    File format
    • JPEG (Exif v2.3)
    • Raw (NEF)
    Optics & Focus
    Focal length (equiv.) 18–50 mm 24–85 mm
    Optical zoom 2.8× 3.5×
    Maximum aperture F1.8 – F2.8
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4x)
    Manual focus Yes
    Normal focus range 15 cm (5.91) 30 cm (11.81)
    Macro focus range 3 cm (1.18)
    Number of focus points 171
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3
    Screen dots 1,037,000
    Touch screen Yes
    Screen type OLED
    Live view Yes
    Viewfinder type Electronic (optional)
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/2000 sec 1/1600 sec
    Maximum shutter speed (electronic) 1/16000 sec
    Exposure modes
    • Program AE
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • Bird Watching
    • Close-up
    • Food
    • HDR
    • Landscape
    • Multiple Exposure Lighten
    • Night Landscape
    • Night Portrait
    • Portrait
    • Selective Color
    • Sports
    Built-in flash No Yes
    Flash range 5.00 m (at ISO 100)
    External flash Yes (via hot shoe)
    Continuous drive 60.0 fps
    Self-timer Yes (2 or 10 secs)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1 EV steps)
    Videography features
    Resolutions 3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 50p, 30p, 25p)
    Format MPEG-4, H.264
    Videography notes Slow motion: 1080/120p, 720/240p, 800 x 296 (400p), 400 x 144 (1200p)
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes Wi-Fi with NFC and constant connection via Bluetooth
    Remote control Yes (via smartphone)
    Physical
    Battery Battery Pack
    Battery description EN-EL24 lithium-ion battery & charger
    Battery Life (CIPA) 290
    Weight (inc. batteries) 365 g (0.80 lb / 12.87 oz) 350 g (0.77 lb / 12.35 oz)
    Dimensions 106 x 63 x 58 mm (4.17 x 2.48 x 2.28) 105 x 61 x 50 mm (4.13 x 2.4 x 1.97)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes (video)
    GPS None

    Nikon DL24-500 specifications

    Price
    MSRP $ 999
    Body type
    Body type Large sensor compact
    Sensor
    Max resolution 5584 x 3712
    Image ratio w:h 3:2
    Effective pixels 21 megapixels
    Sensor photo detectors 23 megapixels
    Sensor size 1″ (13.2 x 8.8 mm)
    Sensor type BSI-CMOS
    Processor Expeed 6A
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-12800
    White balance presets 7
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format RAW
    File format
    • JPEG (Exif v2.3)
    • Raw (NEF)
    Optics & Focus
    Focal length (equiv.) 24–500 mm
    Optical zoom 20.8×
    Maximum aperture F2.8 – F5.6
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4x)
    Manual focus Yes
    Normal focus range 30 cm (11.81)
    Macro focus range 1 cm (0.39)
    Number of focus points 171
    Screen / viewfinder
    Articulated LCD Fully articulated
    Screen size 3
    Screen dots 1,037,000
    Touch screen Yes
    Screen type OLED
    Live view Yes
    Viewfinder type Electronic (optional)
    Viewfinder coverage 97%
    Viewfinder resolution 2,359,000
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/2000 sec
    Maximum shutter speed (electronic) 1/16000 sec
    Exposure modes
    • Program AE
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • Bird Watching
    • Close-up
    • Food
    • HDR
    • Landscape
    • Multiple Exposure Lighten
    • Night Landscape
    • Night Portrait
    • Portrait
    • Selective Color
    • Sports
    Built-in flash Yes
    Flash range 10.00 m (at ISO 100)
    External flash Yes (via hot shoe)
    Continuous drive 60.0 fps
    Self-timer Yes (2 or 10 secs)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1 EV steps)
    Videography features
    Resolutions 3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 50p, 30p, 25p)
    Format MPEG-4, H.264
    Videography notes Slow motion: 1080/120p, 720/240p, 800 x 296 (400p), 400 x 144 (1200p)
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port Yes
    Headphone port No
    Wireless Built-In
    Wireless notes Wi-Fi with NFC and constant connection via Bluetooth
    Remote control Yes (via smartphone)
    Physical
    Battery Battery Pack
    Battery description EN-EL20A lithium-ion battery & charger
    Battery Life (CIPA) 290
    Weight (inc. batteries) 780 g (1.72 lb / 27.51 oz)
    Dimensions 123 x 90 x 139 mm (4.84 x 3.54 x 5.47)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes (video)
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Oppo announces first sensor-based IS for smartphones

    Chinese smartphone manufacturer Oppo has a history of launching smartphone models with novel camera features and concepts, and has just launched the first sensor-based image stabilization system for smartphones at MWC. Oppo calls it the smallest image stabilizer of its kind, and claims it’s able to correct for shake with greater precision than current optical stabilization systems. Read more

    Articles: Digital Photography Review (dpreview.com)

  • CP+ 2016: Hands-on with new Panasonic lenses and ZS100

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    At this year’s CP+ show in Yokohama, Japan, Panasonic unveiled the Lumix G Vario 12-60mm F3.5-5.6 ASPH Power O.I.S. lens. Featuring a splash and dustproof design, the 24-120mm equivalent zoom is designed to be a lightweight, versatile companion to Panasonic’s Micro Four Thirds cameras. 

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    The new 12-60mm is smaller and much lighter than we expected from the specification. Although it is weather-sealed and boasts 11 elements in 9 groups, it weighs a mere 210 g (0.46 lb).

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    The lens is constructed from polycarbonate, but the mount is metal. It’s hard to see in this image but there’s a rubber gasket around the lens throat which prevents dust and moisture from getting into the camera. 

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    This is an O.I.S lens, which means that it is optically stabilized. In combination with the in-body stabilization of the Lumix DMC-GX8 this means that it supports Panasonic’s Dual IS feature, which we’ve found offers very good performance across a wide range of focal lengths, but especially at long telephoto settings, where in-body stabilization alone can sometimes struggle.  

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    The Lumix G Vario 12-60mm F3.5-5.6 ASPH will be available in May for $ 499.99.

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    Announced before the show, CP+ was the first chance that most Panasonic users have had to play with the new Leica DG Vario-Elmar 100-400mm F4-6.3 telezoom. We got the chance to shoot with one recently and it certainly impressed us.

    Covering a focal length range equivalent to 200-800mm when attached to a Micro Four Thirds body this powerful zoom appropriately features ‘Power’ optical image stabilization to keep things steady. It has has one aspherical, one UED, and two ‘regular’ ED elements, as well as a nine-bladed circular aperture. The minimum focus distance is 1.3m, with a magnification of 0.25x.  

    The Leica DG Vario-Elmar 100-400 F4-6.3 will be available in early April at a price of $ 1799.99.

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    Also annouced before the show, here’s the new Panasonic Lumix DMC-ZS100 (known as the TZ100 in most regions outside of North America). It’s a compact travel zoom of the kind that Panasonic has historically been particularly good at, but unusually it features a 20 megapixel, 1″-type sensor. 

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    That 20MP sensor is paired with a 25-250mm equivalent F2.8-5.9 Leica DC lens which incorporates the company’s snappy Depth from Defocus autofocus technology. It offers a 3″ touchscreen LCD as well as a 1.04M-dot electronic viewfinder, Raw support, 10 fps continuous shooting (5 fps with AF) and Wi-Fi. 

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    On the video side of things the ZS-100 can record 4K/UHD video at 30p and 24p as well as 1080/60p clips. Panasonic’s unique 4K photo mode lets you grab high quality 8MP stills from 4K video.

    CP+ 2016: Hands-on with new Panasonic lenses and ZS-100

    A built-in EVF, 25-250mm equivalent lens and plenty of manual controls make the ZS-100 a very attractive camera for traveling, in theory. We’re expecting a reviewable camera very soon and we’ll be posting sample images as fast as we can. 

    Articles: Digital Photography Review (dpreview.com)

  • CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    Tamron is showing off two brand new lenses at CP+ this year – the SP 85mm F1.8 Di VC USD (shown here) and SP 90mm F2.8 Di VC USD 1:1 Macro. The ‘SP’ in the model names stands for ‘Super Performance’ – a designation that Tamron reserves for its high-end optics. We headed to the Tamron booth today and got our hands on the new lenses, and Tamron’s upcoming TAP-in Console.

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    First up is the SP 85mm F1.8 Di VC USD, which slots right alongside the previously-announced 35mm and 45mm F1.8 primes that Tamron released last year. Like those lenses it is relatively compact, but feels extremely solid and has a nice weight to it, balancing well on a Canon EOS 5D Mark III (provided by Tamron to get a feel for the how the lens handles). 

    It’s worth noting the Nikon version of this lens uses an electromagnetic aperture control, rather than the traditional aperture lever.

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    The 85mm features LD (low dispersion) and XLD (extra low dispersion) elements to reduce flare and ghosting and a fluorine coating on the front element to keep moisture and fingerprints at bay. Nine aperture blades ensure circular out-of-focus highlights. MTF (theoretical) curves suggest outstanding resolution and contrast. The VC system offers up to 3.5 stops of shake reduction (tested to CIPA standards) and its ring-type ultrasonic motor provides fast and near-silent autofocus when we tested this pre-production sample.

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    It’s hard to see in this photo, but the lens mount of the new 85mm and 90mm SP primes is protected by a rubber gasket, to protect against dust and moisture incursion into the lens throat. Expected to be available in April in Canon and Nikon mount versions, a Sony A-mount version will follow later. Pricing is still TBC. 

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    Next up is the SP 90mm F2.8 Di VC USD 1:1 Macro, which offers true macro 1:1 reproduction at a focusing distance of 13.9cm/5.5in. A 9-blade aperture ensures circular out-of-focus highlights. Tamron has been making a 90mm macro lens of some or other kind for a very very long time, and all of them have been extremely well-regarded. Our first impressions of the new 90mm are that in terms of handling, this might be the best yet. 

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    Like the other recently-announced SP primes, build quality is very high, and just in terms of aesthetics, the new 90mm looks great. It seems that Tamron has been looking over its shoulder at Sigma’s ‘Art’ range and this is no bad thing. Like those lenses, all of Tamron’s new SP primes look more expensive than they are. The 90mm macro will be available next month for a very reasonable $ 649.

    Again, we’ve only handled a pre-production sample but just from first impressions we’re excited to get it into our studio as soon as possible. 

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    Tamron’s new ‘TAP-in Console’ is also distinctly Sigma-esque. (An early engineering sample is shown here). Available for Nikon and Canon-mount versions of the SP 85mm F1.8, SP 90mm F2.8 Macro, SP 45mm F1.8, SP 35mm F1.8 lenses (the older 35mm and 45mm primes will need updating at a Tamron service center) the TAP-in Console will allow users to calibrate their lenses for precise AF, at either end of a zoom and at three different subject distance ranges (near, mid, far), as well as adjust VC performance parameters. 

    CP+ 2016: Hands-on with Tamron’s new SP prime lenses

    Projected to be available next month, Tamron has not yet announced pricing information for the TAP-in console but after seeing coming to appreciate the value of Sigma’s dock, we’re very pleased to see this kind of solution being introduced by another manufacturer. Canon and Nikon take note…

    Articles: Digital Photography Review (dpreview.com)

  • Video: Hands-on with the Nikon DL trio at CP+ 2016 in Japan

    It’s all well and good to imagine what Nikon’s trio of 1″-type sensor compacts might be like based on spec, but there’s nothing like getting them in your hands. See what the buzz is all about – straight from the show floor of CP+ in Yokohama, Japan.

    Articles: Digital Photography Review (dpreview.com)

  • Tether Tools’ Case Relay provides continuous power for many DSLR and mirrorless cameras

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    The Case Relay Camera Power System from Tether Tools offers ‘infinite camera power’ for most DSLR and mirrorless cameras from Canon, Nikon, Sony and Panasonic. The system works via a DC coupler that plugs into both the camera’s battery port and the Case Relay. The Relay plugs into either a 5V USB external battery or a wall outlet.

    Tether Tools says Case Relay, which includes a secondary 1200mAh battery, is a solution for time-lapse photography and other tasks that require uninterrupted, long-lasting power. External battery packs can be swapped without interrupting power, as the Relay’s battery will continue to power the camera while the external source is unplugged. 

    The Relay Camera Coupler is available from $ 29.99 to $ 34.99, depending on camera, and the Case Relay is available now for $ 99.99. Tether Tools also offers an external 5V USB battery for $ 49.99 USD. Many Nikon and Canon DSLRs are compatible, as well as mirrorless models from Fujifilm, Sony, Olympus and Panasonic. For a full list of compatible cameras check tethertools.com/relay.

    Via: PetaPixel

    Articles: Digital Photography Review (dpreview.com)