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  • Western Digital upgrades its My Cloud NAS system with multi-tasking processor

    Storage manufacturer Western Digital Corporation has added a new 1.3 GHz dual core processor and 1GB of DDR3 memory to its latest network attached storage system and increased its maximum capacity to 12TB. The My Cloud EX2 Ultra is a twin-bay data storage device that the company aims at creative users, and which it is says is especially suited to those working with still and moving images. The new faster processor and built-in memory will allow users to multi-task ‘with ease’ and to stream high resolution content from the device to other connected PCs, smartphones and TVs.

    The EX2 Ultra comes empty or fitted with Western Digital’s Red hard drives in total capacities of 4TB, 8TB or 12TB. The drives can be managed in RAID 0, RAID 1; JBOD and spanning modes, and they can be hot swapped while the unit is still running. Temporary expansion can also be achieved by connecting additional USB 3.0 external hard drives via the EX2’s USB ports.

    The Western Digital My Cloud EX2 Ultra is compatible with Windows and Mac operating systems, and is priced from £135 with no disks, to £245 for 4TB, £390 for 8TB and £519.99 for 12TB.

    For more information visit the Western Digital website.

    Press release:

    New Western Digital Prosumer NAS Storage Gives Creative Pros The Power To Multi-task And Easily Share Files

    New My Cloud® EX2 Ultra Delivers High Performance with Up to 12 TB Capacity

    IRVINE, Calif. – Feb. 17, 2016 –Western Digital Corporation (NASDAQ: WDC), a world leader in connected storage solutions, today updated its prosumer solutions with My Cloud EX2 Ultra, a high-performance, two-bay network attached storage (NAS) system. The My Cloud EX2 Ultra NAS is designed from the ground up for creative professionals and prosumers that need to automatically sync content across computers, easily share files and folders and enjoy multiple backup options so they can create their own personalized digital library with ease.

    “We know our My Cloud users, especially creative professionals, need comprehensive solutions as digital storage needs continue to soar as well as the need for ongoing streaming capability,” said Jim Welsh, executive vice president, WD Branded Products. “With the My Cloud EX2 Ultra, creative professionals are able to combine high performance with multi-tasking optimization and data protection to create a NAS system that simplifies their workflow and provides peace-of-mind.”

    My Cloud EX2 Ultra has been upgraded with a powerful 1.3 GHz dual-core processor enabling users to get ultra-fast transfer rates for high performance and smooth video streaming. Users also have access to 1 GB of DDR3 memory, allowing them to multitask with ease and leverage applications for HD media streaming, surveillance and much more. Several data management and security features allow users to select a preferred method for managing and protecting their movies, photos, music and digital files. Drive management options include RAID 0, RAID 1; JBOD and spanning modes, while data protection options include NAS to NAS, USB, cloud or LAN/WAN backup. The My Cloud EX2 Ultra  NAS comes preconfigured in RAID 1 mode to help protect data right from the start and is easily configurable into other data protection modes.

    High Capacity and Ultimate Reliability
    From unpopulated to 12 TB capacities1, the My Cloud EX2 Ultra provides several capacity options for customers to choose from. Additionally, customers can attach compatible USB 3.0 hard drives to the USB expansion ports on the My Cloud EX2 Ultra to instantly expand their storage capacity. The populated My Cloud EX2 Ultra features the award-winning WD Red® hard drives, specifically built for NAS systems to provide non-stop performance within 24×7 environments. WD Red drives are powered by NASware™ 3.0 technology, improving drive reliability and minimizing data corruption in the event of a power loss or disruption.

    Easy Sharing with Anywhere Access
    With simplified file and folder sharing, users can send customized, private links that allow recipients read/write access to particular files on the user’s My Cloud EX2 Ultra. Whether on a photo shoot, or editing at home, saving creations at full fidelity and sharing with your entire network is a breeze. The My Cloud EX2 Ultra features an intuitive dashboard, so user accounts can be created, features customized and storage can be monitored with ease. With MyCloud.com web access, or the My Cloud mobile app, users can access their media and manage users from any internet connected device. With WD Sync™, users can automatically synchronize their media and files across their computers and their My Cloud device with the confidence that their computer content is up to date and accessible from all devices.

    Advanced Features
    My Cloud EX2 Ultra includes advanced data serving options including an integrated FTP and WebDAV server, backup server, P2P download server and Microsoft Active Directory support. Additionally, users can download and run a host of third party apps, including, Plex®, Milestone Arcus™ surveillance, aMule, Icecast, Joomla!®, Anti-Virus Essentials, WordPress®, SqueezeCenter, and more. Users can also stream videos and photos to connected TVs, media players, gaming consoles and other DLNA®/UPnP® devices with  the included Twonky 7.2 DLNA-certified 1.5 media server, and built-in iTunes® support.

    Price and Availability
    My Cloud EX2 Ultra is currently available at select U.S. retailers and online at the wdstore.com. MSRP is $ 159.99 USD for the diskless My Cloud EX2 Ultra, $ 349.99 USD for 4 TB, $ 449.99 USD for 8 TB and $ 599.99 USD for 12 TB. The WD My Cloud mobile app currently is available for download for free from the Apple App StoreSM and Google PlayTM. My Cloud EX2 Ultra comes with a two-year limited warranty on the diskless device and a three-year limited warranty on the pre-configured devices.

    Compatibility
    My Cloud EX2 Ultra is compatible with Windows® 10, Windows 8, Windows Vista®, OS X® El Capitan™, Yosemite™, Mavericks™, Mountain Lion™ as well as DLNA®/UPnP® enabled devices.

    Forward Looking Statements
    This news release contains forward-looking statements, including statements relating to the approximate price and estimated availability of the My Cloud EX2 Ultra, the growth of digital storage needs, as well as the demand for ongoing streaming capability. These forward-looking statements are subject to risks and uncertainties that could cause actual results to differ materially from those expressed in the forward-looking statements, including but not limited to, the risks detailed from time-to-time in our Securities and Exchange Commission filings and reports, including, but not limited to, our most recent annual report on Form 10-K to which your attention is directed. Readers are cautioned not to place undue reliance on these forward-looking statements, which speak as of the date hereof, and WD undertakes no obligation to update these forward-looking statements to reflect subsequent events or circumstances.

    About Western Digital
    Founded in 1970, Western Digital Corp. (NASDAQ: WDC), Irvine, Calif., is an industry-leading developer and manufacturer of storage solutions that enable people to create, manage, experience and preserve digital content. It is a long-time innovator in the storage industry. Western Digital Corporation is responding to changing market needs by providing a full portfolio of compelling, high-quality storage products with effective technology deployment, high efficiency, flexibility and speed. Its products are marketed under the HGST and WD brands to OEMs, distributors, resellers, cloud infrastructure providers and consumers. Financial and investor information is available on the company’s Investor Relations website at investor.wdc.com.
    1System is shipped in RAID 1 configuration, which leaves half of the system capacity available for data storage. System is configurable to RAID 0; JBOD or spanned, which leaves all system capacity available for data storage. Up to 0.1TB may be reserved for non-user accessible storage.

    Articles: Digital Photography Review (dpreview.com)

  • Rumors hint at super-fast Sigma 50-100mm F1.8 Art lens for APS-C DSLRs

    Rumors suggest Sigma is getting ready to launch a 50-100mm F1.8 lens for APS-C cameras. Full specifications and convincing images of the lens have been leaked, suggesting the lens will be part of the company’s impressive ‘Art’ range. Such a lens would offer a fast partner to the company’s 18-35mm F1.8 Art lens, giving the same angle-of-view, depth-of-field and total light gathering capability as a ~75-150mm F2.8 lens on full-frame.

    Specifications reported on Digicame-info.com seem plausible, so we’re looking forward to next week’s CP+ show in Yokohama, Japan, to see if the rumors are true. We’ll be reporting from the show, so stay tuned for all the details.

    Lens construction (elements/groups) 21/15
    Filter size 82
    Minimum focus distance 95cm
    Aperture blades 9
    Length 170.7mm (mount not specified)
    Diameter 93.5mm
    Weight 1490g

     The site suggests a price of ¥167,400 (~$ 1500) and a launch date of April 22nd.

    Articles: Digital Photography Review (dpreview.com)

  • Finding your story: National Geographic grant winner Max Lowe

    ‘If you want to be a better photographer, stand in front of more interesting stuff.’
    – Jim Richardson, National Geographic Photographer

    Born into a family with a taste for the ‘restless life,’ Max Lowe was indoctrinated into a life of far-flung travel basically at birth. ‘Traveling,’ Lowe says, ‘more than anything, has inspired me.’

    It was during his years in college in Salt Lake City that Lowe first picked up a camera. In addition to bringing his camera along while he and friends were ‘chasing pow,’ Lowe found that pitching himself as a photographer often allowed him access to live musical performances for free. ‘This was really the first time I experienced photography as a tool that could take me to these places that I wouldn’t be able to access otherwise,’ Lowe says. ‘It was an addicting thing.’

    After receiving his first payment as a photographer in the form of a gift certificate to a local pizza joint (‘the pizza was great’), Lowe decided to explore photography as more than a hobby. He began to experiment with combining his natural inclination for travel with his photography to actually build a career. It was while traveling through India that Lowe received word back from National Geographic that he had won the ‘Young Explorers’ grant. He was to leave India and travel to the Khumbu region of Nepal to document the influence of Western tourism culture on the native Sherpa people. And Lowe’s journey with National Geographic continues from there.

    ‘I found stories living in the experiences I already craved,’ Lowe says. ‘Find your story. Find something you’re truly hungry for. The rest will follow suit.’

    Watch more talks, panels and demonstrations

    Articles: Digital Photography Review (dpreview.com)

  • The long, difficult road to Pentax full-frame

    Pentax’s road to full-frame has been long, winding and not without a few wrong turns. But it could all have been so different. 

    Way back in 2000, when the 21st Century was just beginning to find its feet and photography journalists were starting to get used to putting a ‘D’ into ‘SLR’, Pentax announced that it was making a full-frame (D)SLR. Had it shipped, that camera – which was developed out of the company’s then-flagship film model the MZ-S – would have predated anything from Canon, Nikon, Kodak or (unthinkable at the time) Sony. And Contax, too, but the less said about that, the better. 

    Ambitious, powerful, innovative and ultimately doomed, the original Pentax full-frame DSLR was in some ways the Spruce Goose of cameras, but tragically it never even achieved the short, thrilling first and final flight of Howard Hughes’ most famous creation. 

    The progenitor. The original, unnamed Pentax full-frame DSLR, which was to be based around a 6MP Phillips CCD sensor, and was originally intended to ship in spring 2001. Officially, the camera (which has become known as the MZ-D) was canceled due to concerns over cost, but it’s likely that the poor performance of the sensor (which made it into the very poorly received Contax N1) played a part.

    Instead, like Hughes himself the camera withdrew from public view amid a swirl of rumors. Whispers around the glass case at PMA in 2001 hinted at problems with the troubled 6MP Phillips CCD sensor (later confirmed in the woeful Contax N1). The camera would be too costly to produce, became the official line. The brash confidence behind its announcement at Photokina the previous autumn faded into memory. Meanwhile, Pentax’s projected ship date of spring 2001 came and went, and other full-frame cameras stole the headlines. A nurse was called for, the screens were drawn, and they remained drawn for almost 15 years. 

    And we never even knew its name.

    Over time, people forgot about the Pentax full-frame DSLR. Pentax representatives (and later, representatives from Hoya and Ricoh) didn’t seem to like talking about it, when they admitted to remembering it at all. A whole generation of tech journalists emerged whose only experience of full-frame photography with a Pentax camera was that one roll of film they tried to put through that old K1000 they found in a junk shop that time. 

    And Pentax moved on. 

    In 2003, Pentax created the *ist D, its first APS-C DSLR and in 2005, the company announced that it was leapfrogging full-frame altogether in favor of developing a medium-format DSLR. A couple of years later and with no shipping MF camera in sight, the company was acquired by Hoya. Shortly after the takeover we heard that actually, medium format digital was no longer a priority, but two years after that, in 2010, the 645D – with updated specs in the five years since its development was first announced – was officially unveiled.

    In 2011, a full ten years after the original Pentax full-frame DSLR should have shipped, the company was bought again, this time by Ricoh. 

    The original 645 model, the 645D, saw Pentax branching out into the medium format digital market. The 645Z, which succeeded the original 645D, has proven very popular. 

    And all the while, through the course of two buyouts, Pentax was doing what it did best – creating a string of capable, solid, workman-like DSLRs and compact cameras that attracted a small and loyal customer base but which didn’t do much to bother the fortunes of the bigger players in the camera market. The company’s one and (so far) only large-sensor mirrorless camera, the K-01, was not a success, but the medium format 645D did well and was followed by the excellent 645Z. It seemed for a while that with some solid differentiators in the APS-C and medium format spaces, Pentax didn’t really need to create a full-frame camera.

    But now, almost 16 years after that fated Photokina announcement, that’s exactly what Pentax (or rather Ricoh) has done. 

    ‘So why now, and who is the K-1 for?’

    So why now? Ricoh claims that the timing is very deliberate. The company seems to recognize that after the late-2000s its chances of making a meaningful dent in the full-frame market were very slim. After leaving the full-frame space to its competitors for more than a decade, it made more sense for Ricoh to attack the much less competitive medium format digital market, and position the Pentax brand as a serious but affordable player in a marketplace that for years has been dominated by stupendously expensive systems from Hasselblad, Phase One and others. 

    Meanwhile, although Ricoh / Pentax never managed to wrest a particularly big share of the APS-C market from its competitors, cameras like the K-3 II quietly introduced a host of impressively innovative features. These days we take image stabilization for granted, but Pentax deserves credit for iterating on the basic principle of in-body stabilization over several generations of DSLRs, ultimately leading to the various imaginative and effective sensor-shift features that grace the K-3/II and, now, the new K-1. 

    The K-1 becomes the first conventional DSLR to offer a stabilized full-frame sensor. But as well as image stabilization, the K-1’s sensor can also be shifted by minute degrees for higher color resolution capture, AA filter simulation, and star tracking. 

    So after all this time, who is the K-1 for? In conversations with DPReview, Ricoh representatives have never tried to deny the fact that after 15 years of inactivity in the full-frame space, a lot of their customers (especially semi-professional and professional photographers) have defected to Canon, Nikon and Sony. But some of these professionals have rediscovered Pentax – and others have discovered it for the first time – thanks to the 645D and 645Z. 

    When I spoke to Kazunobu Saiki, general manager of Ricoh’s Marketing and Communication department last year in Japan, he told me that the company’s forthcoming full-frame DSLR was aimed at ‘our existing customers’. I.e. those new 645D/Z fans and a whole generation of DSLR photographers (especially in Asia) who love Pentax cameras for their features, pricing, and custom color options. Plus of course the ultra loyalists around the world who have stuck with the Pentax brand over the years and refused to switch systems in the hope that one day, a camera like the K-1 would eventually be produced. I know they’re out there. They send me emails. 

    ‘The K-1 is primarily a camera for Pentax fans, and there’s nothing wrong with that at all.’

    At this point in time, Mr Saiki’s strategy makes perfect sense. The K-1 is primarily a camera for Pentax fans, and there’s nothing wrong with that at all. It seems highly unlikely that anyone who’s been happily using a full-frame camera from another manufacturer for the past few years will suddenly throw it all away and buy a K-1. The K-1 looks like a pretty good camera, and $ 1800 is a pretty good price, but it’s still a considerable chunk of change, and that’s not including lenses. 

    And lenses, it seems to me, is where Ricoh has a real battle on its hands, not only in terms of attracting potential system switchers but (probably more importantly) also catering to its existing user base.

    It has been 13 years since the last full-frame Pentax camera, and understandably, neither Pentax nor third-parties have had much incentive to release full-frame K-mount lenses in the intervening time.

    The existing audience of digital Pentax users may very well have a collection of autofocus lenses for their DSLRs, but most are designed for the APS-C format (and many contain the notoriously troublesome SDM focus motor). They’ve got modern coatings, they’ll fit on the K-1, and some will offer almost a full-frame imaging circle. But like training wheels on a bicycle, I suspect that most self-respecting photographers will be keen to stop using them as soon as possible in favor of a more authentic, grownup experience. Why rumble along at 15MP when you could be enjoying 36?

    I suspect that a lot of former Pentax users still have one of these in a closet somewhere – the 50mm F2 was bundled with mid-range Pentax SLRs in the 70s and 80s, and still gives ok-ish, more-or-less-acceptable performance on digital cameras. As long as you don’t look too closely, especially at the edges.

    Before you leave an angry comment, I know there are plenty of better manual focus lenses in Pentax’s historical lineup (we just happened to have this one lying around the office), and the K-1 will work with pretty much all of them. 

    But what about the legacy manual focus lenses? Ah yes. With decades of compatible K-mount lenses, Pentax users are very well-served. In theory. I have a collection of 70s and 80s-vintage Pentax primes, and I can’t wait to try them out on the K-1. Unfortunately, while putting old glass on high-resolution cameras is a lot of fun, it does tend to show up the defects in that glass pretty glaringly. There are some excellent lenses in Pentax’s historical lineup, but there is a very real risk that a zoom or even a prime that always delivered lovely 6×4 inch prints on film might not quite live up to customer expectations when paired with a 36MP sensor. 

    And unfortunately for the proud new K-1 owner, Pentax K-mount lenses are their only option. Like Nikon F, the Pentax K mount is old, and cursed with a particularly long flange-back distance. What this boils down to its that lenses from other mounts cannot be adapted to work on the K-1 (not without the addition of extra corrective elements, at any rate). So unlike the Sony a7R II, for instance, which will accept pretty much any lens you can think of, made by anyone, ever, with the correct adapter, that’s just not possible with the K-1. 

    ‘Once you’ve bought a couple of lenses to go with your new K-1, that fairly reasonably $ 1800 has turned into a much, much bigger investment.’

    Which for a quality-focused enthusiast K-1 owner arguably leaves only one genuinely safe option. Buy a set of new Pentax full-frame zoom lenses. The new 15-30mm and 24-70mm seem to perform well (they should do, since they’re most likely based on proven Tamron lenses with the stabilization mechanics removed and some proprietary coatings) and we enjoyed using the 70-200mm when we shot with the K-1 recently. But once you’ve bought a couple of lenses to go with your new K-1, that fairly reasonably $ 1800 has turned into a much, much bigger investment.

    All that being said, I want the K-1 to succeed, and I think it deserves to. It’s truly innovative, bold, and represents a brave move by Ricoh (and one that I suspect was motivated by a certain amount of justifiable pride on the part of the engineers). To an extent, my investment in the K-1 is emotional. My first proper camera was a Pentax MX, and along the way I’ve owned various other Pentax cameras (including for a few brief, glorious weeks, an LX) all of which I have enjoyed. I was genuinely excited when Ricoh told us, some time ago now, that a full-frame Pentax DSLR was once more being prepared for launch. Hopefully this time it will get a little higher off the ground – and hey – at least this time it has a name. 

    Articles: Digital Photography Review (dpreview.com)

  • Canon offers EF-S 18-135mm F3.5-5.6 IS USM, power zoom adapter and directional microphone

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    Introduced alongside the Canon EOS 80D is an updated 18-135mm F3.5-5.6 IS USM, offered separately and as a kit with the camera. The 18-135mm offers a new ‘Nano USM’ motor and boasts between 2.5x (wide-angle) and 4.3x (telephoto) faster performance compared to the previous STM version. 

    Canon has also announced the PZ-E1 Power Zoom Adapter for the lens, a detachable device that can smoothly and silently operate the zoom at 10 different speed levels. The adapter can also be used remotely with Canon’s Camera Connect app.

    Emphasizing the 80D’s appeal to video enthusiasts, Canon has introduced its first external microphone for use with DSLRs, the Canon Directional Stereo Microphone DM-E1. It ships with a wind screen and offers a response range of 50Hz to 16kHz. 

    The EF-S 18-135mm F3.5-5.6 IS USM will ship in March for $ 599.99. The PZ-E1 Power Zoom Adapter will be sold for $ 149.99 and the DM-E1 Directional Microphone will be offered at $ 249.99; both will be available in June.

    Press release:

    SHARE YOUR PASSION THROUGH IMAGES USING
    THE NEW EOS 80D DSLR CAMERA AND EF-S 18-135mm NANO USM LENS

    Designed to Help Unleash the Creative Potential in Us All, New Imaging Technology
    Will Help You Shoot & Share Amazing Images and Video

    MELVILLE, N.Y., February 17, 2015 – Artists looking to turn their passion into popular online videos or to show the world their unique perspective through social networks now have a new tool available to them that helps them tear down creative barriers and produce dynamic visual content for both still and video.  Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to introduce the new Canon EOS 80D Digital SLR camera, featuring an new 45-point AF system1, 24.2 megapixel CMOS sensor for crisp images with fine detail. For the budding videographer or online video star, the camera features Dual Pixel CMOS Autofocus (DAF) technology coupled with an intuitive touchscreen capability for easy focusing when shooting video.

    Canon is also introducing a new EF-S 18-135mm f/3.5-5.6 IS USM lens optimized for high-speed autofocusing when shooting stills and quiet and smooth zoom when shooting video. The lens is also compatible with Canon’s new Power Zoom Adapter for smooth cinematic ‘pulls’ when changing focal length on a subject, and responsive adjustments at the push of a button for stills or video.

    Updated features in Canon EOS 80D DSLR Camera include: 

    • New 45-point all cross-type AF system 
    • Intelligent Viewfinder with approximately 100% viewfinder coverage 
    • Newly Developed 24.2 Megapixel (APS-C) CMOS sensor
    • DIGIC 6 image processor for enhanced image quality
    • Improved Dual Pixel CMOS AF for smooth, fast and accurate autofocus with video and stills 
    • Built-in Wi-Fi®2 and NFCTM2 capability for easy transfer of images and movies to compatible mobile devices
    • 1080/60p Full HD video to capture brilliant results in MP4 format for easy movie sharing on select social networking sites
    • Vari-angle Touch Screen 3.0-inch Clear View LCD II monitor enables flexible positioning and clear viewing even outdoors 

    “In today’s world, where everyone is a photographer or videographer, we at Canon are looking to provide the tools and features that help creative-minded people stand out from the pack and get noticed. The right technology cannot make someone creative, but it will help bring a creative vision to life,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The right combination of camera and lens helps those with a vision stand out and be recognized. We look forward to seeing what this new generation of passionate artists will create with these new tools.” 

    New AF System and Dual Pixel CMOS AF
    The 45-point all cross-type viewfinder AF system in the new Canon EOS 80D DSLR camera, compared to 19-points in the Canon EOS 70D DSLR camera, is now wider both horizontally and vertically for easier compositions with off-center subjects. Low light AF performance has been improved all the way down to EV-3 at the center point to achieve sharp results even in extreme low-light situations. The camera’s AI (Artificial Intelligence) Servo AF II autofocusing system utilizes color tracking with a 7,560-pixel RGB+IR metering sensor that automatically detects skin tone and colors to enhance tracking sensitivity, even with moving subjects that are rapidly changing pace or direction.  Enhancing the ease-of-use of the new AF system is the Canon EOS 80D’s new Intelligent Viewfinder which features approximately 100% viewfinder coverage. The full coverage helps prevent photographers from missing objects that are in the corners of the scene, which can reduce the need to crop images later on. 

    Dual Pixel CMOS AF employs a new Canon CMOS sensor with which all of the effective pixels are able to perform both still imaging and phase-detection AF simultaneously to achieve dramatically improved AF performance during Live View and video shooting. The Dual Pixel CMOS AF technology in the Canon EOS 80D camera features enhanced tracking sensitivity and is compatible with the full line of Canon EF Series lenses, including the new Canon EF-S18-135mm f/3.5-5.6 IS USM  standard zoom lens. 

    High-Quality Still and Video Image Performance
    Featuring a new 24.2 megapixel APS-C Canon CMOS sensor and Canon’s superb DIGIC 6 Image Processor, as well as an improved still image ISO range of 100–16000 (Video ISO range 100–12800, both expandable to 25600), the Canon EOS 80D DSLR camera is capable of producing sharp, detailed images and videos even in low-light conditions. High-speed continuous shooting up to seven frames per second (fps) combined with the 45-point all cross-type AF allows photographers to capture fast moving subjects easily and accurately, while the camera’s Scene Intelligent Auto Mode delivers optimized photos and offers outstanding scene detection for amazing results even when shooting in low light. HDR mode provides creative filter effects, such as natural, art standard, art bold, art vivid and art embossed. For added convenience, the Canon EOS 80D camera features Anti-Flicker shooting, similar to that found in the EOS 7D Mark II DSLR camera. Anti-Flicker shooting produces consistently high-quality results even when shooting in areas with fluorescent lighting or other flickering light sources by detecting the flicker cycle of the light source and shooting when brightness is near its peak. 

    When users select the EOS Movie mode, the Canon EOS 80D DSLR camera offers the ability to shoot in 1080p Full HD video up to 60 fps, compared to 30 fps in the Canon EOS 70D, in MP4 format and in either ALL-I or IPB compression modes with optional embedded time code. For expanded creativity the Canon EOS 80D DSLR camera features HDR movie and Time-Lapse movie modes and Movie creative filters like fantasy, old movie, memory, dramatic monochrome and miniature. Movie Servo AF custom settings allow users to speed up or slow down focusing speeds, enhancing creativity and artistic expression. For added flexibility, the Canon EOS 80D digital SLR camera also features a built-in headphone jack, a built-in stereo microphone with manual audio level adjustment, and an additional stereo microphone jack.

    News Lens, Power Zoom Adapter, and Directional Stereo Microphone Enhance Video Quality
    In addition to the new Canon EOS 80D DSLR camera, Canon U.S.A., Inc., is also introducing the Canon EF-S18-135mm f/3.5-5.6 IS USM Lens, a newly designed lens with a premium exterior design that will serve as the kit lens for the new Canon EOS 80D camera. This the first Canon lens equipped with Nano USM, a new type of focusing motor that combines the benefits of a ring USM (ultrasonic motor) for high-speed AF during still photo shooting and lead-screw type STM (stepping motor) for smooth and quiet movie AF, and improved AF speeds up to 4.3x (Tele) and 2.5x (Wide) faster than the previous model. The Canon EF-S18-135mm f/3.5-5.6 IS USM Lens also provides up to four stops of optical image stabilization. A new lens hood, the EW-73D, is included with the new lens.

    To further enhance the ease-of-use when shootings movies with a Canon DLSR or Cinema EOS cameras, Canon is introducing the Power Zoom Adapter PZ-E1, specifically constructed to be compatible with the design of the new Canon EF-S18-135mm f/3.5-5.6 IS USM Lens. The Canon Power Zoom Adapter PZ-E1 is the world’s first detachable zoom adapter that provides silent and smooth zoom and can adjusted incrementally to 10 different levels of zoom speed3. Additionally, the PZ-E1 can be controlled remotely using the Canon Camera Connect app4.  

    In addition to the new lens and power zoom adapter, Canon is introducing the first Canon-branded external microphone for the EOS system, the Canon Directional Stereo Microphone DM-E1. This new accessory microphone will help improve sound quality while shooting video, allowing users to rotate the direction of the microphone up and down from 90 to 120 degrees depending on the shooting situation. The DM-E1’s durable shock mount construction helps to reduce camera operation noise and lens drive sounds and is built to withstand the rigors of a variety of shooting situations. Featuring a frequency response range of 50Hz to 16kHz, the DM-E1 comes with a wind screen to help limit peripheral sound from wind and other outside factors, allowing shooters to utilize the microphone in a broad amount of shooting situations. Featuring a built-in power supply from a single “button-type” lithium cell battery, the DM-E1 also has a power indicator lamp allowing users to easily check its battery level. 

    Availability
    The Canon EOS 80D Digital SLR camera and EF-S18-135mm f/3.5-5.6 IS USM Lens are currently scheduled to be available in March 2016 for an estimated retail price of $ 1,199.00 for the body only, $ 1,799.00 with the new EF-S18-135mm f/3.5-5.6 IS USM Lens and $ 599.99 respectively. 

    The Canon Power Zoom Adapter PZ-E1 and Directional Stereo Microphone DM-E1 are currently scheduled to be available in June 2016, for estimated retail prices of $ 149.99 and $ 249.99 respectively.  

    For more information visit, www.usa.canon.com/eos.

    1 The number of AF points, cross-type AF points and dual cross-type AF points vary depending on the lens used.

    2 Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    3 As of 2/17/ 2016.

    4Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    Canon EF-S F3.5-5.6 IS USM specifications

    Principal specifications
    Lens type Zoom lens
    Max Format size APS-C / DX
    Focal length 18–135 mm
    Image stabilisation Yes
    Lens mount Canon EF-S
    Aperture
    Maximum aperture F3.5 – F5.6
    Minimum aperture F22.0 – F38.0
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 16
    Groups 12
    Special elements / coatings One UD and one aspherical elements
    Focus
    Minimum focus 0.39 m (15.35″)
    Maximum magnification 0.28×
    Autofocus Yes
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Focus distance limiter No
    Physical
    Weight 515 g (1.14 lb)
    Diameter 77 mm (3.03″)
    Length 96 mm (3.78″)
    Materials Plastic barrel, metal mount
    Sealing No
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter thread 67.0 mm
    Hood supplied Yes
    Hood product code EW-73D

    Articles: Digital Photography Review (dpreview.com)

  • Canon PowerShot G7 X Mark II boasts faster performance and improved ergonomics

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    Canon has introduced the PowerShot G7 X Mark II with a new DIGIC 7 processor, bringing much-needed improvements to camera performance. Maintaining its predecessor’s 20.1MP 1″-type CMOS sensor and 24-100mm equiv. F1.8-2.8 lens, the G7 X II brings some updates to the camera’s exterior as well, with a re-designed grip, bottom-hinged 3″ 1.04M-dot LCD and a front control dial that can switch between clicking or smooth-turning operation.

    The new processor allows for face registration and better subject detection in scenes of low saturation or similar colors. In addition, it dramatically speeds up camera performance, with Canon claiming continuous 8 fps Raw shooting. Battery life is also 25% better than the original G7 X, with a CIPA-rated number of 265 shots per charge.

    Full 1080/60p HD video is offered, as in its predecessor, along with Wi-Fi and NFC. The G7 X II provides Picture Style processing modes borrowed from the EOS DSLR line, and time-lapse movie mode is included.

    The Canon PowerShot G7 X Mark II will be offered for $ 699 with availability in May.

    Press release:

    TAKE THAT CAMERA TO GO!  CANON U.S.A LAUNCHES COMPACT POWERSHOT G7 X MARK II AND POWERSHOT SX720 HS DIGITAL CAMERAS

    Newest Canon PowerShot Digital Cameras Offer Outstanding Quality in Convenient Compact Size 

    MELVILLE, N.Y., February 17, 2016 – Ideal for both advanced amateur and pro photographers looking for a convenient, high performance compact camera with the ability to connect to compatible digital devices, Canon U.S.A. Inc., a leader in digital imaging solutions, proudly introduces the compact PowerShot G7 X Mark II1 and lightweight PowerShot SX720 HS digital cameras.

    Canon’s new PowerShot G7 X Mark II digital camera pairs a 1.0-inch, 20.1 Megapixel* CMOS sensor with Canon’s new DIGIC 7 Image Processor to help reduce noise and deliver outstanding image quality, even in low light shooting situations. The PowerShot SX720HS digital camera boasts a new 40x Optical Zoom lens (equivalent to 24-960mm), providing outstanding performance, reach and resolution for everyday use and when shooting memorable family events, while easily slipping into a pocket or purse.

    “In today’s world, compact cameras must work well with other devices and still offer superb quality. The PowerShot G7 X Mark II and PowerShot SX720 HS cameras both provide outstanding image quality with amazing optical zoom lenses and they easily connect with compatible phones, tablets and other smart devices so great images can be shared and enjoyed” stated Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.  

    Sleek and Sophisticated 
    The first Canon camera to feature Canon’s new high-speed DIGIC 7 Image Processor, the PowerShot G7 X Mark II digital camera is a model of compact sophistication and speed with a high-quality sleek body and optimum comfort grip. Building on the success of Canon’s PowerShot G7 X digital camera, the PowerShot G7 X Mark II digital camera features a fast startup and improved RAW continuous shooting speed of up to eight frames per second (fps) with short intervals between shots. Additional features include: 

    • Bright f/1.8 (W) – f/2.8 (T), 4.2x (24–100mm equivalent) optical zoom lens with Canon’s Intelligent Image Stabilizer (IS) and a 9-blade iris diaphragm;
    • Multi-angle 3.0-inch capacitive touch panel LCD with a screen resolution of 1.04 million dots and tilt options of 180° up and 45° down;
    • Ability to capture 1080p Full HD video in MP4 format with stereo sound;
    • Built-in Wi-Fi®** and Near Field Communications (NFC™)*** capability with a dedicated Wi-Fi button for easy sharing and transferring of images and videos;
    • Picture Style function that offers superb command of in-camera color, contrast, and sharpness;
    • In-camera RAW conversion, making it possible to preview customized image processing modifications on the camera, without the use of a computer;
    • Convenient control ring lever that enables users to quickly switch between stepped and continuous ring movement; 
    • Time-Lapse Movie feature to help capture images at preset intervals and combine them to create a short movie clip;
    • Panning feature that allows the camera to lock onto the main subject using Canon’s Intelligent IS technology to automatically adjust the shutter speed for beautiful background blur.

    The Canon PowerShot G7 X Mark II digital camera is currently scheduled to be available in May 2016 for an estimated retail price of $ 699.992.

    Powerful Zoom Delivers Virtually Shake-Free Images
    The Canon PowerShot SX720 HS digital camera is equipped with a new powerful zoom lens and is the ideal choice for amateur photographers looking to take a step up from a smartphone or entry-level digital camera to a lightweight, compact camera. The PowerShot SX720 HS digital camera’s new 40x Optical Zoom lens (24-960mm equivalent focal length range) uses one Hi-UD, three UD and three aspheric lens elements to help achieve high image quality and high magnification, while also utilizing Canon’s Intelligent Imaging Stabilizing (IS) technology for greater optical performance. 

    As the successor to Canon’s PowerShot SX710 HS digital compact camera, the PowerShot SX720 HS digital camera features increases its zoom range while maintaining compact size for maximum convenience. Additional features include:

    • A dedicated Wi-Fi® button for easy sharing and transferring of images and videos utilizing the camera’s built-in WiFi and NFCtechnology;
    • 20.3 Megapixel* CMOS sensor with Canon’s DIGIC 6 Image Processor to help deliver outstanding image quality, even in low light;
    • 1080p/60 Full HD video capture with stereo sound;
    • 3.0-inch LCD (approx. 922,000 dots) to allow for easy viewing, even from a wide angle;
    • Zoom Framing Assist that allows the lens to automatically zoom in or out while the camera follows subject movement  and helps keep it in focus;
    • Story Highlight feature that enables the camera to automatically compile images and videos3 from a certain day or event into a mini-highlight reel with music and effects;
    • Creative Shot mode that uses composition, color and lighting from an original image to create artistic images.
    • Canon’s PowerShot SX720 HS digital camera is currently scheduled to be available in March 2016 for an estimated retail price of $ 379.992.  

    1 This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

    2 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

    3 Videos must be shot in Hybrid Auto or Short Clip.

    * Image processing may cause a decrease in the number of pixels.

    ** Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions  4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    *** Compatible with Android smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.

    PowerShot G7 X Mark II specifications

    Price
    MSRP $ 699
    Body type
    Body type Compact
    Sensor
    Max resolution 5472 x 3648
    Other resolutions 5472 x 3080, 4864 x 3648, 4320 x 2880, 4320 x 2432, 3840 x 2880, 2304 x 1536, 2048 x 1536, 1920 x 1080, 720 x 480, 720 x 408, 640 x 480
    Image ratio w:h 4:3, 3:2, 16:9
    Effective pixels 20 megapixels
    Sensor photo detectors 21 megapixels
    Sensor size 1″ (13.2 x 8.8 mm)
    Sensor type BSI-CMOS
    Processor DIGIC 7
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 125-12800 (expandable to 25600)
    Boosted ISO (maximum) 25600
    White balance presets 8
    Custom white balance Yes
    Image stabilization Optical
    Uncompressed format RAW
    JPEG quality levels Super fine, fine
    File format
    • JPEG (EXIF v2.3)
    • Raw (Canon CR2, 12-bit)
    Optics & Focus
    Focal length (equiv.) 24–100 mm
    Optical zoom 4.2×
    Maximum aperture F1.8 – F2.8
    Autofocus
    • Contrast Detect (sensor)
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes (4x)
    Manual focus Yes
    Normal focus range 5 cm (1.97″)
    Macro focus range 5 cm (1.97″)
    Number of focus points 31
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3″
    Screen dots 1,040,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 15 sec
    Maximum shutter speed 1/2000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    • Custom
    Scene modes
    • Self Portrait
    • Portrait
    • Panning
    • Star Portrait
    • Star Nightscape
    • Star Trails
    • Star Time-Lapse Movie
    • Handheld Night Scene
    • High Dynamic Range
    • Underwater
    • Fireworks
    Built-in flash Yes
    Flash range 7.00 m
    External flash No
    Flash modes Auto, on, slow synchro, off
    Continuous drive 8.0 fps
    Self-timer Yes (2 0r 10 secs, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±3 (at 1/3 EV steps)
    AE Bracketing ±3 (3 frames at 1/3 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p)
    Format MPEG-4, H.264
    Videography notes Also has time-lapse (normal and star), miniature effect, and digest modes
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC (UHS-I compatible)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (micro-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n with NFC
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description NB-13L lithium-ion battery and charger
    Battery Life (CIPA) 265
    Weight (inc. batteries) 319 g (0.70 lb / 11.25 oz)
    Dimensions 106 x 61 x 42 mm (4.17 x 2.4 x 1.65″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Canon EOS 80D updates Dual Pixel AF, bumps resolution with 24MP sensor

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    Canon has updated its prosumer DSLR line with the EOS 80D, offering a newly developed 24.2MP APS-C sensor, 45-point all cross-type autofocus module, updated Dual Pixel AF for live view still and video recording, and Wi-Fi with NFC.

    Canon claims its new AF module, a notable improvement over the 70D’s 19-point system, is capable of focusing in low light conditions down to -3EV at the center point. Dual Pixel AF now offers continuous focus, and all pixels are able to perform phase detection focus while being used for still imaging. Video recording is offered at an improved 1080/60p.

    The 80D uses a DIGIC 6 processor and provides a native ISO range in stills shooting from 100-16,000, expandable to 25,600. Burst shooting at up to 7 fps is on par with the 70D. The 80D is equipped with an approximately 100% coverage optical viewfinder and a fully articulated 3″ 1.04M-dot touchscreen LCD, as well as built-in Wi-Fi with NFC.

    The Canon EOS 80D will be available in March for $ 1199 body-only or $ 1799 bundled with an updated EF-S 18-135mm F3.5-5.6 IS USM kit lens.

    Read our detailed Canon EOS 80D overview

    Press release:

    SHARE YOUR PASSION THROUGH IMAGES USING
    THE NEW EOS 80D DSLR CAMERA AND EF-S 18-135mm NANO USM LENS

    Designed to Help Unleash the Creative Potential in Us All, New Imaging Technology
    Will Help You Shoot & Share Amazing Images and Video

    MELVILLE, N.Y., February 17, 2015 – Artists looking to turn their passion into popular online videos or to show the world their unique perspective through social networks now have a new tool available to them that helps them tear down creative barriers and produce dynamic visual content for both still and video.  Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to introduce the new Canon EOS 80D Digital SLR camera, featuring an new 45-point AF system1, 24.2 megapixel CMOS sensor for crisp images with fine detail. For the budding videographer or online video star, the camera features Dual Pixel CMOS Autofocus (DAF) technology coupled with an intuitive touchscreen capability for easy focusing when shooting video.

    Canon is also introducing a new EF-S 18-135mm f/3.5-5.6 IS USM lens optimized for high-speed autofocusing when shooting stills and quiet and smooth zoom when shooting video. The lens is also compatible with Canon’s new Power Zoom Adapter for smooth cinematic ‘pulls’ when changing focal length on a subject, and responsive adjustments at the push of a button for stills or video.

    Updated features in Canon EOS 80D DSLR Camera include: 

    • New 45-point all cross-type AF system 
    • Intelligent Viewfinder with approximately 100% viewfinder coverage 
    • Newly Developed 24.2 Megapixel (APS-C) CMOS sensor
    • DIGIC 6 image processor for enhanced image quality
    • Improved Dual Pixel CMOS AF for smooth, fast and accurate autofocus with video and stills 
    • Built-in Wi-Fi 2 and NFC2 capability for easy transfer of images and movies to compatible mobile devices
    • 1080/60p Full HD video to capture brilliant results in MP4 format for easy movie sharing on select social networking sites
    • Vari-angle Touch Screen 3.0-inch Clear View LCD II monitor enables flexible positioning and clear viewing even outdoors 

    “In today’s world, where everyone is a photographer or videographer, we at Canon are looking to provide the tools and features that help creative-minded people stand out from the pack and get noticed. The right technology cannot make someone creative, but it will help bring a creative vision to life,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The right combination of camera and lens helps those with a vision stand out and be recognized. We look forward to seeing what this new generation of passionate artists will create with these new tools.” 

    New AF System and Dual Pixel CMOS AF
    The 45-point all cross-type viewfinder AF system in the new Canon EOS 80D DSLR camera, compared to 19-points in the Canon EOS 70D DSLR camera, is now wider both horizontally and vertically for easier compositions with off-center subjects. Low light AF performance has been improved all the way down to EV-3 at the center point to achieve sharp results even in extreme low-light situations. The camera’s AI (Artificial Intelligence) Servo AF II autofocusing system utilizes color tracking with a 7,560-pixel RGB+IR metering sensor that automatically detects skin tone and colors to enhance tracking sensitivity, even with moving subjects that are rapidly changing pace or direction.  Enhancing the ease-of-use of the new AF system is the Canon EOS 80D’s new Intelligent Viewfinder which features approximately 100% viewfinder coverage. The full coverage helps prevent photographers from missing objects that are in the corners of the scene, which can reduce the need to crop images later on. 

    Dual Pixel CMOS AF employs a new Canon CMOS sensor with which all of the effective pixels are able to perform both still imaging and phase-detection AF simultaneously to achieve dramatically improved AF performance during Live View and video shooting. The Dual Pixel CMOS AF technology in the Canon EOS 80D camera features enhanced tracking sensitivity and is compatible with the full line of Canon EF Series lenses, including the new Canon EF-S18-135mm f/3.5-5.6 IS USM  standard zoom lens. 

    High-Quality Still and Video Image Performance
    Featuring a new 24.2 megapixel APS-C Canon CMOS sensor and Canon’s superb DIGIC 6 Image Processor, as well as an improved still image ISO range of 100–16000 (Video ISO range 100–12800, both expandable to 25600), the Canon EOS 80D DSLR camera is capable of producing sharp, detailed images and videos even in low-light conditions. High-speed continuous shooting up to seven frames per second (fps) combined with the 45-point all cross-type AF allows photographers to capture fast moving subjects easily and accurately, while the camera’s Scene Intelligent Auto Mode delivers optimized photos and offers outstanding scene detection for amazing results even when shooting in low light. HDR mode provides creative filter effects, such as natural, art standard, art bold, art vivid and art embossed. For added convenience, the Canon EOS 80D camera features Anti-Flicker shooting, similar to that found in the EOS 7D Mark II DSLR camera. Anti-Flicker shooting produces consistently high-quality results even when shooting in areas with fluorescent lighting or other flickering light sources by detecting the flicker cycle of the light source and shooting when brightness is near its peak. 

    When users select the EOS Movie mode, the Canon EOS 80D DSLR camera offers the ability to shoot in 1080p Full HD video up to 60 fps, compared to 30 fps in the Canon EOS 70D, in MP4 format and in either ALL-I or IPB compression modes with optional embedded time code. For expanded creativity the Canon EOS 80D DSLR camera features HDR movie and Time-Lapse movie modes and Movie creative filters like fantasy, old movie, memory, dramatic monochrome and miniature. Movie Servo AF custom settings allow users to speed up or slow down focusing speeds, enhancing creativity and artistic expression. For added flexibility, the Canon EOS 80D digital SLR camera also features a built-in headphone jack, a built-in stereo microphone with manual audio level adjustment, and an additional stereo microphone jack.

    News Lens, Power Zoom Adapter, and Directional Stereo Microphone Enhance Video Quality
    In addition to the new Canon EOS 80D DSLR camera, Canon U.S.A., Inc., is also introducing the Canon EF-S18-135mm f/3.5-5.6 IS USM Lens, a newly designed lens with a premium exterior design that will serve as the kit lens for the new Canon EOS 80D camera. This the first Canon lens equipped with Nano USM, a new type of focusing motor that combines the benefits of a ring USM (ultrasonic motor) for high-speed AF during still photo shooting and lead-screw type STM (stepping motor) for smooth and quiet movie AF, and improved AF speeds up to 4.3x (Tele) and 2.5x (Wide) faster than the previous model. The Canon EF-S18-135mm f/3.5-5.6 IS USM Lens also provides up to four stops of optical image stabilization. A new lens hood, the EW-73D, is included with the new lens.

    To further enhance the ease-of-use when shootings movies with a Canon DLSR or Cinema EOS cameras, Canon is introducing the Power Zoom Adapter PZ-E1, specifically constructed to be compatible with the design of the new Canon EF-S18-135mm f/3.5-5.6 IS USM Lens. The Canon Power Zoom Adapter PZ-E1 is the world’s first detachable zoom adapter that provides silent and smooth zoom and can adjusted incrementally to 10 different levels of zoom speed3. Additionally, the PZ-E1 can be controlled remotely using the Canon Camera Connect app4.

    In addition to the new lens and power zoom adapter, Canon is introducing the first Canon-branded external microphone for the EOS system, the Canon Directional Stereo Microphone DM-E1. This new accessory microphone will help improve sound quality while shooting video, allowing users to rotate the direction of the microphone up and down from 90 to 120 degrees depending on the shooting situation. The DM-E1’s durable shock mount construction helps to reduce camera operation noise and lens drive sounds and is built to withstand the rigors of a variety of shooting situations. Featuring a frequency response range of 50Hz to 16kHz, the DM-E1 comes with a wind screen to help limit peripheral sound from wind and other outside factors, allowing shooters to utilize the microphone in a broad amount of shooting situations. Featuring a built-in power supply from a single “button-type” lithium cell battery, the DM-E1 also has a power indicator lamp allowing users to easily check its battery level. 

    Availability
    The Canon EOS 80D Digital SLR camera and EF-S18-135mm f/3.5-5.6 IS USM Lens are currently scheduled to be available in March 2016 for an estimated retail price of $ 1,199.00 for the body only, $ 1,799.00 with the new EF-S18-135mm f/3.5-5.6 IS USM Lens and $ 599.99 respectively. 

    The Canon Power Zoom Adapter PZ-E1 and Directional Stereo Microphone DM-E1 are currently scheduled to be available in June 2016, for estimated retail prices of $ 149.99 and $ 249.99 respectively.  

    For more information visit, www.usa.canon.com/eos.

    1. The number of AF points, cross-type AF points and dual cross-type AF points vary depending on the lens used.

    2. Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    3. As of 2/17/2016.

    4. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

    Canon EOS 80D specifications

    Price
    MSRP $ 1199 (body only), $ 1799 (w/18-135 lens)
    Body type
    Body type Mid-size SLR
    Body material Magnesium alloy
    Sensor
    Max resolution 6000 x 4000
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 24 megapixels
    Sensor photo detectors 26 megapixels
    Sensor size APS-C (22.5 x 15 mm)
    Sensor type CMOS
    Processor DIGIC 6
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-16000 (expands to 25600)
    Boosted ISO (maximum) 25600
    White balance presets 6
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, normal
    File format
    • JPEG (Exif v2.3)
    • Raw (Canon 14-bit CRW)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 45
    Lens mount Canon EF/EF-S
    Focal length multiplier 1.6×
    Screen / viewfinder
    Articulated LCD Fully articulated
    Screen size 3″
    Screen dots 1,040,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentaprism)
    Viewfinder coverage 100%
    Viewfinder magnification 0.95×
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/8000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    • Bulb
    Scene modes
    • Food
    • Kids
    • Candlelight
    • Night Portrait
    • Handheld Night Scene
    • HDR Backlight Control
    • Portrait
    • Landscape
    • Close-up
    • Sports
    Built-in flash Yes
    Flash range 12.00 m (at ISO 100)
    External flash Yes (via hot shoe)
    Flash X sync speed 1/250 sec
    Drive modes
    • Single
    • High speed continuous
    • Low speed continuous
    • Silent single shooting
    • Silent continuous shooting
    • 10/2 sec self-timer/remote ctrl
    Continuous drive 7.0 fps
    Self-timer Yes (2 or 10 sec)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
    Videography features
    Resolutions 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (60p, 30p)
    Format MPEG-4, H.264
    Videography notes Choice of ALL-I or IPB codecs
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC (UHS-I support)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    HDMI Yes (mini-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes 802.11/b/g/n with NFC
    Remote control Yes (Wired, wireless, or via smartphone)
    Physical
    Environmentally sealed Yes
    Battery Battery Pack
    Battery description LP-E6N lithium-ion battery & charger
    Battery Life (CIPA) 960
    Weight (inc. batteries) 730 g (1.61 lb / 25.75 oz)
    Dimensions 139 x 105 x 79 mm (5.47 x 4.13 x 3.11″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • In a nutshell: a video rundown of the Canon EOS 80D’s features

    Don’t have time to read through our rather tech-y hands-on overview of the Canon EOS 80D? We’ve put together a quick primer video on the camera’s features and changes to bring you up to speed. Lend us your ears for a mere 106 seconds and we’ll tell you what you need to know…

    Read our Canon EOS 80D hands-on overview

    Articles: Digital Photography Review (dpreview.com)

  • World Press Photo of the Year 2015 awarded for moonlight migrant portrait

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    Australian photographer Warren Richardson has won the 2015 World Press Photo of the Year. Richardson’s winning photo, taken on the night of August 28, 2015 at the Hungarian-Serbian border, shows a baby being passed through a barbed wire fence by a refugee.

    Speaking about his photo, Richardson explained:

    I camped with the refugees for five days on the border. A group of about 200 people arrived, and they moved under the trees along the fence line. They sent women and children, then fathers and elderly men first. I must have been with this crew for about five hours and we played cat and mouse with the police the whole night. I was exhausted by the time I took the picture. It was around three o’clock in the morning and you can’t use a flash while the police are trying to find these people, because I would just give them away. So I had to use the moonlight alone.

    According to World Press Photo Foundation, the latest contest received 82,951 images from 5,775 photographers across 128 countries. A total of 41 photographers from 21 countries were awarded prizes across eight categories – see a few above (click for full captions) and a full gallery at World Press Photo’s website.

    Via: World Press Photo

    Articles: Digital Photography Review (dpreview.com)

  • Worth the wait? A look inside the Pentax K-1

    Announcing the K-1

    Here it is – the long awaited full-frame Pentax. The K-1 is a solidly constructed camera that feels good in the hand, and should appeal to many photographers looking to step up from APS-C Pentax DSLRs, as well as those looking to use older K-mount glass on a full-frame format.

    The body of the K-1 is constructed of a lightweight magnesium alloy, and has 87 seals around the body. Ricoh claims that the K-1 is dustproof, weather-resistant and cold-resistant.

    Big viewfinder

    Although most people are likely to buy a full-frame camera because they tend to offer better image quality than smaller sensor models, full frame DSLRs gain an operational benefit as a side effect. The larger mirror needed to cover the larger sensor means that more light is reflected up into the viewfinder, meaning it’s easier for a full-frame DSLR to have a large, bright viewfinder, compared to a smaller-sensor version.

    The K-1’s viewfinder offers a ‘near 100%’ field of view at a pretty substantial 0.7x magnification. This isn’t the very largest available but it’s still very large and very bright, and will be a significant step up for any users of APS-C cameras. By way of comparison, the Pentax K-3 II’s 0.95x viewfinder is equivalent to 0.63x once you take crop factor into account.

    Tilting cradle LCD

    The K-1 features an unusual rear LCD arrangement. The panel itself is attached to a tilting cradle that itself is mounted on four legs that slide along a cross-shaped series of slots. As the legs slide out towards the outer points of this cross, the screen moves outwards from the back of the camera. Because the legs all move independently, the cradle can tilt slightly up/down and left/right, even before the LCD is tilted up or down.

    The ribbon cable extending from the back of the camera to the LCD is enclosed in a rubber sleeve, so that the weather sealing extends to the rear screen.

    LED lights

    On the back of the LCD cradle are four small LED lamps that can be used to shed light on the camera’s rear controls. Ricoh says that compared to backlit buttons, this is a better way of providing illumination while maintaining the weather sealing of the buttons on the back of the camera. You do, of course, have to position the LCD in such a way that it the light from those LEDs reaches the controls.

    Another LED sits below the viewfinder hump and lights up the lens mount to make it easier to swap lenses in the dark. Finally, there’s an LED fixed in the camera’s card bay that lights up both the card slots and the socket for remote control connection. The brightness of each of these lamps can be configured independently, so that only the area of illumination you want to operate have any effect when you press the lamp button on the top of the camera.

    Multi Function Dial

    One of the main areas on which the K-1’s controls differ from the well-liked K-3 series bodies is the addition of the Multi Function Dial. This adds a third command dial to the camera’s rear corner but one whose function can be changed simply by rotating a labelled dial just next to the viewfinder hump.

    This means that an already customizable two-dial camera becomes a three dial camera whose behavior can be altered without digging into the camera’s menus. We suspect most people will leave the third dial set to ISO or Exposure Comp, most of the time, but it’s an interesting way of extending the degree of direct control and we’ll be interested to see how it ends up being used.

    Autofocus module

    The autofocus sensor, which Ricoh is calling SAFOX 12, has been updated. Thirty-three AF sensors, twenty-five of which are cross-type (and centrally located), cover a relatively small portion of the frame. The center point along with those directly above and below can focus down to -3EV, and are also ‘high precision’ (longer baseline), which means that when a F2.8 or faster lens is attached, focusing using these points leads to higher accuracy. This is particularly important when shoot faster primes with this camera: as we’ve seen on other brands’ DSLRs, 36 megapixels have a way of highlighting any slight focus imprecision. We’d expect users to have to do some focus fine-tuning to get the best from the K-1, and Ricoh offers a rudimentary AF microadjustment feature to do just that.

    With the current ecosystem of Pentax lenses, we expect autofocus speeds to vary considerably based on lens (with older screw-driven lenses in particular likely to exhibit slower performance), but the good news is that the newest Pentax zoom lenses we’ve tried do appear to have significantly quicker AF motors.

    Metering and continuous AF

    Ricoh is also claiming a ‘Real-Time Scene Analysis System’ that utilizes the new PRIME IV engine and an 86,000-pixel RGB metering sensor for scene analysis using color, facial information, and movement to aid the camera’s metering and AF systems. Not only does this promise to increase accuracy of metering, it also allows the camera to automatically select the correct AF point to stay on your subject (subject tracking) when using continuous AF.

    This isn’t new to Pentax – nor any recent Nikon or Canon DSLR with 3D tracking and iTR, respectively – but we’ve found performance to be lacking in previous bodies like the K-3. A brief play with a pre-production K-1 and the relatively fast-to-focus 15-30mm F2.8 in a non-test environment indicated that the system, while fairly accurate, was slow at tracking subjects across the frame. The AF points do move to stay on a moving subject, but do so sluggishly, which means it’ll be of limited utility with faster moving subjects. The limited AF coverage also means it’s unlikely fast-paced shooters will experience much success shooting this way, possibly falling back to relying on single point AF.

    Pixel-shift to sample all colors

    The K-1 includes an updated version of the Pixel-Shift Resolution mode introduced on the K-3 II. Like that camera, the K-1 takes four shots, shifting its sensor by one pixel between each shot. This means it captures red, green and blue information at every capture location, resulting in an image with full color information for every output pixel.

    The latest implementation tries to cancel-out the effects of subject movement as its shooting the four images. Ricoh tells us not to expect it to cope with major changes, such as a car driving across the frame but that it should cope with leaves moving in the breeze.

    As well as the more accurate color capture, the benefit of capturing four frames is that the noise performance is improved (because noise can be averaged-out between the frames). It should also mean higher dynamic range, which theoretically could improve up to 2 EV from sampling four images, possibly putting it in competition with the 645Z’s industry-leading Raw dynamic range.

    AA-filter simulation

    The K-1 also offers the anti-aliasing filter simulator feature that first appeared on the K-3. This vibrates the sensor during exposure just enough to blur the light across more than one pixel. This removes the risk of high frequency patterns clashing with the camera’s color filter, which otherwise results in false color and spurious patterns (aliases) appearing in images.

    The camera offers two intensities of filter simulation and, because the sensor itself doesn’t have a physical AA filter, it can also offer an ‘Off’ mode. As on the K-3 II there’s also a filter bracketing option that lets you shoot consecutive images with different degrees of AA filter effect applied, so that you can use a filtered version of the shot if the unfiltered version exhibits moiré.

    Astrotracer

    The K-1 includes built-in GPS and an electromagnetic compass, giving it the kind of location awareness that you’d usually only expect from a smartphone. The camera uses this, in conjunction with its image stabilization system, to offer the Astrotracer feature that Pentax developed back in 2011. This uses the GPS to work out where the camera is and hence how much the Earth’s rotation will affect the apparent position of the stars overhead.

    The camera can then shift and rotate its sensor during a long exposure to track the relative movement of the stars so that they appear as points, rather than trails, in the resulting image. Since this inevitably blurs static objects in the scene, it is most useful for creating low noise starscapes. Night time landscape photographers will also find this tool useful if they combine images with the Astrotracer on and off, using appropriate masking techniques. (Image courtesy of Pentax)

    Lens-lineup: FA lenses

    At the time of launch, Ricoh offers approximately 12 FA and DFA full-frame lenses. This list includes five FA primes, including the 31, 43 and 77mm ‘Limited’ series. On top of these there are five D FA zooms: a 15-30mm F2.8, 24-70mm F2.8 and 70-200mm F2.8, along with the newly-announced 28-150mm F3.5-5.6 and the 150-450mm F4.5-5.6. Finally, there are two D FA macro lenses: a 50mm and a 100mm.

    In addition to these, the camera includes lens correction data for 14 out-of-production lenses – making clear how important backwards compatibility is to this camera.

    Using crop lenses on K-1

    The K-1 can, of course, still use the Pentax DA lenses designed for the company’s APS-C cameras. By default the camera will use a 15MP APS-C-sized crop of the sensor if a DA lens is mounted but can be made to use its full sensor region, if you’d prefer. Ricoh has published a list of those lenses (all of which are primes) that will produce relatively useable results in full frame mode, if the aperture is stopped down.

    DA Prime Lens / Utility on K-1
    DA 14mm Crop Mode Only DA 50mm F1.8 Stopped-down
    DA 21mm Limited Crop Mode Only DA* 55mm F1.4 Stopped-down
    DA 15 F4 Limited Crop Mode Only DA 70mm Limited Stopped-down
    DA 35mm F2.4 Stopped-down DA* 200mm F2.8 SDM Fully Functional
    DA 35mm F2.8 Macro Stopped-down DA* 300mm F4 SDM Fully Functional
    DA 40mm Limited Stopped-down DA 560mm F5.6 Fully Functional
    DA 40mm XS Stopped-down RC1.4X Crop Mode Only

    Summary

    It should be apparent to anyone that the K-1 is a very impressive-looking camera. While we doubt it’s going to be cutting-edge in every respect when it comes to performance, it offers a very solid looking set of specifications with some very clever and genuinely useful flourishes in a very solid looking body.

    That in itself is likely to be enough to satisfy the patient Pentax lens owners who’ve been wanting a camera like this for so long. For those people not already committed to the system, there’s the appeal of the price. $ 1799 is an aggressive price for a camera of this caliber and should help extend its appeal beyond the system’s existing users.

    Articles: Digital Photography Review (dpreview.com)