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  • Balance of power in international relations pdf

    Hooper also argues that this gendered lens requires a complete overhaul of traditional methods; athens and restoring a balance of power among Greek cities. Theory and Meta – is this effort to be? here gender refers not to the “biological” differences between men and women but the social constructs of masculine and feminine identity. While […]
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  • Tips and Tricks for Night Photography of the Starry Sky

    During the last year, I’ve become a big fan of night photography and the night sky. I’ve always enjoyed it but my hometown in Norway doesn’t have the most interesting landscape. So I rarely bothered to go out during night – unless there was a rare show of Northern Lights or meteorite showers. After packing up my stuff and moving to the north of Spain, however, I’ve found myself spending more and more time photographing the stars. What appears pitch black to the naked eye can be beautiful scenery through the camera.

    In this article, I’ll share some tips and tricks on how you can photograph the various states of the night sky including The Milky Way, new moon, or northern lights.

    Camera Settings for Night Photography

    Light is the most important part of photography; without light, there’s no picture to be taken. During the night it is dark and the light is sparse, making it challenging to photograph. In fact, in order to capture an image during the night, you’ll most likely have to sacrifice some image quality – forget about using a narrow aperture and low ISO.

    Unlike regular landscape photography, night photography requires less than ideal settings in order to capture enough light to properly expose the scene. Since there’s not a lot of available light, that means opening the aperture, increasing the ISO and lengthening the exposure time (shutter speed).

    Tips and Tricks for Night Photography the Starry Sky

    There isn’t one correct setting for each and every scenario as it depends on many factors (such as the brightness of the moon). But as a rule of thumb, you want to use the widest aperture your lens allows in order to get the sky as detailed as possible. Lenses with an aperture of f/2.8 are widely popular amongst nighttime and astrophotographers and if your lens allows for such an open aperture, this is where you should begin.

    ISO and shutter speed

    The ISO also needs to be increased quite a lot for night photography. For regular landscape photography, I always stress the importance of shooting with the lowest possible ISO. Even though we still want to shoot with the lowest possible setting we’re now looking at an ISO of at least 1600 at night. It’s not uncommon to use an ISO of 3200 or 6400 during the night. Still, to maintain as much quality as possible, try to use the lowest possible option.

    Tips and Tricks for Night Photography the Starry Sky

    Choosing the shutter speed is slightly more challenging as it depends on the focal length of your lens, but I recommend not going longer than 30 seconds unless you want to photograph star trails (I’ll come back to this later in the article). The 500 Rule is a good guideline when choosing the shutter speed. Basically, divide 500 by the focal length of the lens you’re using and you’ll know the maximum shutter speed you can use (to avoid star trails). If you’re using a crop sensor camera you’ll need to calculate the equivalent focal length of a full-frame lens (for example 20mm on crop sensor = 30mm. 500/30 = 16.6 seconds).

    Remember that a tripod is essential for night photography in order to get a sharp image. It’s simply not possible to hold your camera still for several seconds!

    Planning to Photograph the Night Sky

    Scouting can be hard during the night so it’s often beneficial to have familiarized yourself with the area before going there in the dark. I know this isn’t always possible but the very least use an app such as PhotoPills to learn the phase of the moon, its position, as well as the time of sunrise, sunset, moonrise, moonset and anything else related to your shoot. The more you’ve prepared, the higher the chance you’ll get a great image.

    Tips and Tricks for Night Photography the Starry Sky

    Let’s summarize what you should know before going out photographing:

    • Time of twilight
    • Time of Nautical and Astronomical dark
    • Phase of the moon
    • Moon’s position in the sky
    • Time of moonrise and moonset
    • When The Milky Way is visible (if applicable)
    • The Milky Way’s position (if applicable)

    All this information is easy to find in an app such as PhotoPills or by doing a quick search online.

    General Ideas for Night Photography

    If your goal is photograph stars and the natural night sky, I think it’s fair to guess that you want to see as many stars as possible. In order to get the best possible view of the stars, you’ll need to position yourself at a location that’s away from larger cities and light pollution.

    Tips and Tricks for Night Photography the Starry Sky

    A subtle display of Northern Lights in Lofoten.

    Website and maps such as DarkSiteFinder are great resources when searching for areas with less light pollution. If you live close to a major city you’ll probably have to travel a little further than if you live near a small town. There are filters, such as NiSi’s Natural Night Filter, that help reduce the light pollution but it won’t magically remove it all and give you a starry sky – it simply neutralizes the color of the light pollution.

    For the most detailed night sky, it’s also ideal to avoid the weeks closest to a full moon. During that period, the sky is brighter and there are fewer stars visible to both the camera and the naked eye. However, that doesn’t mean that you should stay home; there are many interesting subjects during the full moon as well.

    The Milky Way

    Norway is known for Northern Lights, dark and starry nights, as well as the overall beautiful landscape but what we don’t have is The Milky Way. Let me be a little more specific; the Galactic Center (the brightest most visible part of The Milky Way that you see in most photos) is never visible in Norway – we only see the edges of it. So, you can imagine my excitement every time I get a chance to photograph the Galactic Center and The Milky Way in its most beautiful display.

    Milky Way photography - Tips and Tricks for Night Photography the Starry Sky

    The techniques for photographing The Milky Way are mostly similar to other types of night photography. You’ll want to use an open aperture, high ISO and a shutter speed of no more than 30 seconds. I find that a slightly higher ISO and a shutter speed of around 25 seconds (when shooting at 14mm @f/2.8) gives the highest amount of detail when photographing The Milky Way. By using a slower shutter speed, the camera starts picking up slight movement in the stars (due to earth’s rotation) and it begins to get blurry.

    It’s also best to photograph The Milky Way during the new moon or before the moon has risen. The darker the sky, the more stars you see and the more detailed The Milky Way becomes.

    Photographing a Meteor Shower

    Whenever there’s a meteor shower, such as the recent Perseids Meteor Shower, I keep my fingers crossed for clear skies. There’s nothing more magical than being outside in the pitch black, looking up at dozens or even hundreds of shooting stars during a span of several hours.

    Northern Light Meteorite - Tips and Tricks for Night Photography the Starry Sky

    Since most the shooting stars last for only a second or two, it can be hard to capture them in an image. In order to capture as many of them as possible, I set my camera to interval shooting and I let it go continuously. To pick up even the smaller shooting stars I increase the shutter speed slightly to approximately 15 seconds (depends on the brightness of the night).

    Photographing the Northern Lights

    Northern Lights is a phenomenon that we’re lucky to have in the northern hemisphere. It’s unlike anything else and I can guarantee that once you see it, you’ll want to witness it again.

    The challenges when photographing the Northern Lights is that it often moves quite quickly and it can be rather bright. In order to freeze the motion, you’ll need a quicker shutter speed such as 1-10 seconds. Exactly how quick depends on the intensity of the lights. Just keep in mind that if they’re moving quickly, you should use a quicker shutter speed.

    Northern Lights Iceland - Tips and Tricks for Night Photography the Starry Sky

    Also, pay attention to the histogram as it’s easy to blow out the highlights. Since it’s a bright phenomenon in the otherwise dark night, the contrast can be great. I recommend always exposing for the highlights and if needed take a second exposure for the landscape that you can blend in later during post-processing.

    Slow it Down and Photograph Star Trails

    Due to the rotation of the earth, your camera registers movement in the stars once the shutter speed becomes too long. This creates a blurry and soft sky and can be quite displeasing to watch.

    That being said, every now and then this is something you want to use as an advantage rather than viewing it as a problem. By lengthening the shutter speed to several minutes or even an hour (this lets you use a low ISO and narrow aperture but may result in hot pixels) you’re able to capture what’s known as star trails. This effect can be really interesting but make sure that the shutter speed is long enough so that the stars don’t just look blurry.

    Tips and Tricks for Night Photography the Starry Sky

    Stars over the Sahara desert – image by dPS Editor Darlene Hildebrandt. Series of 30-second exposures over 45 minutes, stacked using StarStax, blended with a couple of light painted images of the tent.

    Alternatively, you can capture a series of images using a shorter shutter speed and merge them together in Photoshop or a software such as StarStax.

    Full Moon and Bright Moon Phases

    As I’ve mentioned previously, nights, when the moon is small, are best for night photography as it’s during this period you’ll see most stars. However, when the moon is up there are still many interesting images to be captured.

    moonrise in lofoten - Tips and Tricks for Night Photography the Starry Sky

    First of all, since the moon is a bright source of light, you can get away with using a slightly lower ISO or narrower aperture. It can also be easier to find a composition as the landscape is brighter. Use this light to your advantage and pay attention to the shadows in the landscape. Perhaps the moon lights up a mountain? Perhaps it creates a nice reflection in a lake? During this period, it can be wise to compose your image to include more landscape than sky as that’s where the most interesting things are happening.

    Personally, I prefer to photograph the moon when it has a low position in the sky as I find the shadows to be slightly more interesting during that time. Note: This is for the same reasons shooting at sunrise and sunset are best for daytime landscape photography.

    Conclusion

    Have you tried night photography before? If not, grab your camera and tripod (and maybe a buddy for some company) and get out and give it a go. Share any other night photo tips you have in the comments below as well as your night sky images. We’d love to see them.

    The post Tips and Tricks for Night Photography of the Starry Sky by Christian Hoiberg appeared first on Digital Photography School.


    Digital Photography School

  • Late Summer Stand Up Paddling with Olympus TG-5 Camera

    After paddling a heavy expedition paddleboard in Missouri River 340 race I returned back to my racing board – 14×30 All Star by Starboard. It is definitely more fun for short 4-6 mile workouts. Of course, I wonder how my […]
    paddling with a camera

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  • Venus Optics Laowa 15mm F2 FE Zero-D gallery and user impressions

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    Venus Optics, a Chinese lens manufacturer established in 2013, has released several interesting manual focus lenses, but perhaps none as intriguing as the Laowa 15mm F2 FE Zero-D. This lens, for Sony Full Frame E-mount cameras, strikes a unique balance with its small size, wide field of view (110 degrees) and fast aperture. Even more impressive is its promise of almost zero distortion. Venus Optics claims that it is ‘the world’s fastest 15mm rectilinear lens for full-frame.’

    See our Laowa 15mm F2 FE Zero-D gallery

    At $ 850 MSRP, it’s also priced competitively. So how does it hold up in the field? Read on.

    Handling

    The build quality of this lens is very good. At 500 g (17.6 oz) it’s not too heavy but has some heft to balance out the weight of the camera (I shot mostly with a Sony a7R II). The body and lens mount are all made of metal, as is the accessory lens hood. In hand, it has a reassuringly dense and sturdy feel to it.

    ‘It has a reassuringly dense and sturdy feel to it.’

    The focus ring is slightly stiffer than I’d expected, but still rotates smoothly. Perhaps with a little use, it will loosen up. A focus scale is helpful for hyperfocal focusing, but for absolute accuracy you’ll want to use the camera’s focus magnifier. I programed a button on our a7R II to this function. The focus rings turns slightly past infinity but on our copy, infinity lined up pretty closely with the center of the infinity symbol on the lens.

    The Venus 15mm F2 is a nice complimentary size and weight to the a7r II.

    The Venus 15mm F2 has a 72mm filter thread, which is a nice feature, especially for videographers who might want to attach a neutral density filter. Speaking of video, the lens has a toggle switch to turn on/off the click stops on the aperture ring.

    Only full stop apertures are marked on the ring and there are no click stops for third stops. However, you can still set the aperture in between the full stops. One major drawback of this lens is the lack of electronic contacts, meaning no EXIF data is communicated to the camera. Whereas some manual focus lenses will automatically bring up focus assist when the ring is turned, this 15mm will not.

    Image quality

    Distortion is very well-controlled.

    As the name would suggest, distortion on this lens is VERY well controlled, though not quite ‘zero’ as there is a tiny bit of barrel distortion. Still, this is an excellent choice for architectural or interior photography. It also focuses quite close: 15cm (6 in).

    Even when shooting wide open, this lens is impressively sharp dead center. And by F4-5.6 it’s sharp throughout the whole field of view. In general, I found it to offer the best results between F4-8 ; as we’d expect, diffraction becomes an issue at F11 and beyond.

    The 7-blade aperture results in sun stars like the one above.

    Flare is well controlled and while lateral chromatic aberration is present in some of the sample photos, it’s easily correctable. The Venus 15mm uses a 7-blade aperture resulting in sun stars that look pretty good – see the example above.

    If you’re planning to use this lens predominantly for landscape work, it’s worth noting there is moderate vignetting throughout the aperture range. You can see an example of this in our aperture progression at the end of the sample gallery.

    As well as stills work, this is an excellent lens for videographers, thanks again to its almost non-existent barrel distortion and the versatility of its fast maximum aperture of F2.

    Takeaway

    The Venus Laowa 15mm F2 FE Zero-D is a great lens for a variety of applications, if you don’t mind manual focus and the lack of electronic communication with your camera. Sharp, fast, light and wide, it is capable of outstanding results, especially once stopped down a little.

    What I like:

    • Distortion is very well controlled
    • Fast, wide and reasonably small
    • Good build quality
    • Sharp, even wide open
    • 15cm (6 in) minimum focus distance
    • 72mm filter thread

    What I don’t:

    • No electronic communication so no EXIF info
    • Vignettes moderately throughout aperture range

    Articles: Digital Photography Review (dpreview.com)

  • How To Pick the Best Camera For Your Photography Needs

    What is a good camera for me? Everyone might have a different answer to this question. At  the end of the day, the best camera is subject to someone’s photography needs. Sometimes you don’t need to buy the most expensive one just to take that simple shot. And of course, you can’t just use your point and shoot if you Continue Reading

    The post How To Pick the Best Camera For Your Photography Needs appeared first on Photodoto.


    Photodoto

  • Grand Slammed: Closed & Abandoned Denny’s Restaurants

    [ By Steve in Abandoned Places & Architecture. ]

    Denny’s has been a powerhouse of fast-casual family dining for over 60 years with over 1,600 restaurants but even Denny’s has to close some time.

    More than just a slogan, Denny’s famous “we never close” policy was put to the test in 1988 when all but six stores closed for Christmas. Several restaurants were unprepared by the corporate-wide closing: some had lost their keys while others – rumor has it – were built without lockable doors.

    Contrast that open-door policy with the fate of closed and/or abandoned Denny’s restaurants and diners like this one in Dayton, Ohio, snapped by Flickr member vistavision in the fall of 2010. Stores like this one will never open again, at least not under the classic Denny’s hexagonal sign.

    Shoreline Scar

    The above abandoned Denny’s was snapped by Flickr member Curtis Cronn in early February of 2015. Looks like the crew charged with removing visual references to expired businesses, crashed airliners and so on neglected to erase the labelscar lingering on the Shoreline, Washington restaurant’s sun-blasted exterior wall. Guys, you had ONE job.

    Laurel Turpitude

    Denny’s wasn’t always “Denny’s”… the chain opened in 1953 with a single store in Lakewood, California named Danny’s Donuts. In 1959, the growing company changed its name to avoid any conflict with Coffee Dan’s, a Los Angeles-based chain of coffee shops. Known since 1961 as just plain “Denny’s”, the company expanded exponentially… by 1980 there were over 1,000 restaurants and diners spread across all 50 U.S. states.

    The store above, located just off Route 73 in Mount Laurel, New Jersey dates from the 1970s, back when the corporate color scheme was heavily into pinks and oranges… no doubt a hangover from the psychedelic Sixties. Will the succeeding Chinese restaurant carry on that lurid theme? Flickr member John (JSF0864) captured this still-sharp-looking abandoned Denny’s in June of 2011.

    Sign In Stranger

    Now here’s something unusual: all that’s left of this former Denny’s restaurant in Lorain, Ohio is its main sign – the building was demolished in early 2011. What’s more, the sign (displaying Deny’s “new” logo instituted in 2001) appears to be in excellent condition having escaped the attentions of the de-branding crew. Maybe they forgot to bring a ladder. Kudos to Flickr member Nicholas Eckhart, who captured this rather bleak scene in December of 2014.

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    Grand Slammed Closed Abandoned Dennys Restaurants

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    [ By Steve in Abandoned Places & Architecture. ]

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  • Behind the scenes: Mountain bike self-portrait under the Milky Way

    Here in Marlborough, New Zealand, I’ve been able to indulge two of my passions: night sky photography and mountain biking. But my time in this part of the world is almost up, and lately I’ve been wondering how I can combine these. So a couple of weeks ago I did a bit of location scoping around the outlying hills. I jogged to the top of the mountain bike park, and ended up at a spot that I might be able to make something of.

    Back in front of the PC I consulted the planetarium software, Stellarium, and checked the moon phases. Conditions looked OK in just a couple of days, but would the forecast cloud cover hold off?

    On the day I set my internal alarm and had a glance outside, almost hoping there would be cloud so I could retreat under the covers. Not to be, so I leapt on the bike and put the hammer down to get up the hills in time. I really had to shift it as the galactic arc was dropping rapidly—anything too long after 3:30am would be too late. After a brutal hill climb in subzero conditions (and the odd wrong turn in the dark) I made it to the spot. Time: 3:31am.

    I allowed myself a minute to catch my breath and then set up the equipment for the panorama. The idea was to radio trigger the flashgun and position it on the fence line, but with frozen fingers and a lack of time I decided to keep the strobe in the hotshoe instead. To get myself into the frame I simply used the self-timer.

    A number of attempts were needed to position myself and then get the flash output on point. Because I had decided to shed my heavy jacket for the shoot, there was a degree of urgency before I froze solid. Finally I was satisfied, and then there was the dicey descent back to civilization.

    The great thing about night sky photography is the surprise that awaits back at the PC when you stitch the images together. Not bad, I thought. It would have been nice to have a bit more moonlight on the singletrack, and the arc a bit higher, but for a first time Milky Way Mountain Bike Self Portrait… I’ll take it. Thanks Marlborough.


    Sarnim Dean is a photographer and loyal DPReview reader who has been featured previously in a reader showcase here on DPR. To see more of his work, be sure to visit his website.

    Articles: Digital Photography Review (dpreview.com)

  • Tutorial: How to shoot a martini splash photo using only speedlights

    Photographer Dustin Dolby of workphlo is back with another of his straightforward, easy-to-follow lighting tutorials. This time, he’s showing us how to shoot (and post-process) a professional-looking splash photography shot—a very popular ad style—using just the affordable speedlights in his home studio.

    As usual, his setup is extremely affordable. To start, he places the empty glass-and-lime combo onto a sheet of plexiglass, with two diffusers behind it and a cheap Yongnuo speedlight behind that. Then he uses a second speedlight off to the side to light the garnish, and that same speedlight is what he’ll use to light the splashes once he adds water and begins throwing in his fake ice cube.

    From start to finish, here are all of the exposures he captured and combined in post to create his final image:

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    Along the way Dolby offers a bunch of little tips and tricks that help really round out the final image, and produce something beautiful. Here’s the final shot, after a bit of post-production magic:

    To see the full tutorial, click play above. And if you love product photography his YouTube channel is definitely worth a look.


    All photographs by Dustin Dolby/workphlo and used with permission.

    Articles: Digital Photography Review (dpreview.com)