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  • Black Friday and Cyber Monday Photography Deals

    Black Friday Cyber Monday Photography Deals

    It’s that time of the year – if you’re looking for a good deal, then you’re sure to be on alert for the next few days! We’re taking the opportunity to re-launch two of our popular courses for the year with some big savings and great bonuses.

    31 Days to Becoming a Better Photographer Course – Save $ 200

    This course only opens a few times a year and is currently our only instructor-supported course with a dedicated Facebook group. Students have direct access to photographer Jim Hamel for 3 months, and they love it!

    I have taken other on-line courses and found them not to as comprehensive as 31 Days to Becoming a Better Photographer. Since I took this course may photography has reach a whole new level. I am more confident in my camera settings; I have learned how to look and analyze the scene before I take the shot and not to be afraid to experiment. The concept of doing a daily photo after each lesson helps to put into practice what you have just learned. Jim Hamel is a wonderful instructor and I like that he is available for questions and answers back quickly. I have recommended this course to others that are just beginning. I also love the Facebook Group. It is such a supportive place for not just beginners but for photographers of all levels as we can always learn from each other.

    Bett Cox

    Canada

    Usually $ 199, we are repeating the original launch special of just $ 49. And, if you buy in the next few days you’ll also get a $ 50 credit to spend on our Landscape & Nature Photography course below. But you don’t have to spend it now, because we know you’ll want to do the 31 Days course first – so we’re letting you claim it up until the 31st of March 2019. 

    Act quickly if you want to get into the next intake of 31 Days to Becoming a Better Photographer because the will doors close for registration in less than two weeks. It’s one of the best ways to get your photography kickstarted for 2019.

    Learn More?

    Ready for something a little more challenging now? 

    Landcape & Nature Photography Course – $ 237 in Bonuses

    This was another popular video course we launched earlier this year with some great bonuses offered by instructor Johny Spencer. 

    Exactly what I was looking for. Johny has a unique Aussie way about him and his enthusiasm comes through. Easy to follow and I can take all the information in during my own time. Good length individual segments. My equipment and photographic knowledge is vastly improved now I’m ready to get out there and try with confidence. A very worthwhile investment.

    Bill Vincent

    Now the bonuses are even better with the addition of 15 landscape and nature video masterclasses worth $ 150 (previously only available via his community membership). But you’ll need to be quick to grab this and two other bonuses during the Black Friday and Cyber Monday sale. And if the bonuses were not enough, we’ve also taken $ 50 off the course fee too.

    Learn More?

    Looking for Photography Gear Deals?

    We took a quick look at what Amazon is offering. We get a commission if you buy anything through our links below, at no extra cost to you.

    There is a big sale happening in their Camera, Photo and Video section. Their specials are changing all the time so do check back later to see what else they’ve added. Or take a look at our most popular digital cameras and gear page for some hints as to what others are buying. Many of the cameras listed there are currently on sale at Amazon too.

    The post Black Friday and Cyber Monday Photography Deals appeared first on Digital Photography School.


    Digital Photography School

  • DPReview Buying Guides: Best cameras by budget

    It’s that time of year again, when retailers discount their wares to encourage us to upgrade everything from our clothing to appliances to cameras. In this selection of buying guides, you’ll find our current recommendations for the best cameras from under $ 500 to $ 2000+.

    Articles: Digital Photography Review (dpreview.com)

  • Nauticam launches underwater housing for Nikon Z7 and Z6 mirrorless cameras

    Underwater housing manufacturer Nauticam hasn’t taken long to create a new unit designed for owners of Nikon’s new full frame mirrorless cameras. The Nauticam NA-Z7 can accommodate either the Z7 or Z6, and enables users to take them down to 100m/330ft beneath the waves.

    The housing accepts cameras mounted with the new Z lenses, but as most users will have a collection of F mount lenses these can also be used via the FTZ adapter. Two lens release buttons have been incorporated into the design so both kinds of lens can be switched without the camera needing to be removed from the housing. If you want to take the adapter off, or indeed fit it, the camera will need to be removed.

    While the button layout of the new Z cameras is somewhat different to that of models like the D850, Nauticam has worked hard to ensure users of this new housing won’t struggle to adapt. The company has managed to keep the main controls in the same locations on the housing even though the buttons they give access to have moved. For example, the magnify controls have been kept on the right of the housing, where users of the N120 series housings would expect to find them, despite the fact that the actual buttons on the camera are now on the right of the LCD.

    The Nauticam NA-Z7 is available now and costs $ 3450. For more information visit the Nauticam website.

    Articles: Digital Photography Review (dpreview.com)

  • 5 Tips for Capturing Nature Across Different Seasons

    Taking photographs of nature can be an incredibly rewarding experience. During the year the change in seasons provides you with wonderful photo opportunities to capture the variety of nature subjects on offer. Here are some tips for capturing nature across the different seasons.

    Lavendar, Provence, France

    1) Shoot The Same Location in Different Seasons

    You may have a favorite location that you like to visit. For example, it could be a local woodland, a landscape or a place of interest you enjoy visiting during a holiday. When visiting there, you may find the scenery looks unique at different times of the year. The changing seasons mean the conditions may vary dramatically from one period to the next. Snowfall in winter makes way for spring flowers and lush green vegetation in the summer, which can have a significant effect on the look and feel of your image.

    Frosty sunrise, Kings Sutton, Oxfordshire, England

    Frosty sunrise, Kings Sutton, Oxfordshire, England

    A blanket of snow or frost transforms the landscape, giving the most mundane subjects, such as your favorite tree, some magical appeal. While winter provides a striking and crisp scene, spring’s greens and blues can give a more vibrant and colorful image. I recommend you return to your favorite place, observe the scene during a few different seasons and capture the seasonal changes.

    2) Shoot More Sunrises and Sunsets in Winter

    One significant advantage of photographing nature during winter is that sunrise and sunset times are more favorable than in summer. Many people prefer to spend the colder months of the winter season indoors. However, this is a great time to head outdoors while the days are shorter and timings are better than the rest of the year. Later sunrises allow you more sleeping time, and earlier sunsets mean you do not have to wait around for hours to capture it.

    3) Capture the Season of Changing Colours

    Autumn is a magical season to be out with the camera and is the favored time of year for many landscape photographers. The season brings a fantastic variety of warm and vivid colors. You can capture a variety of subjects during the fall from woodlands to foliage and wildlife.

    Consider the light and decide what you want to capture. You could zoom in on the leaves, or find a striking scene that is well lit. You can also shoot into the sun and work with backlight to create a dynamic image.

    4) Capture the Changing Light

    The Black Mountains, Brecon Beacons

    Dramatic lighting and changes in weather occur at any time of the year. Striking storm clouds replace sunny spells in an instant providing fantastic subjects for your nature photography. I find that during the summer months, storms can be very dramatic and give great moments of fleeting light. Passing rains can give way to radiant glows and if you are lucky – beautiful rainbows. I captured this scene in June while out walking. The change in light that occurred as the sun re-emerged after a considerable downpour was wonderfully atmospheric.

    I recommend capturing the change in light during autumn and winter seasons too, as the sun stays lower in the sky compared to the summer. Thus, providing longer shadows with which to play. The height of the sun can make an image look very different in the winter compared to the summer. In winter the sun strikes the scene from a lower angle making the overall composition and lighting unique.

    5) Capture the Seasons in All Weather

    Come rain or shine you should go out with your camera to capture the various seasons during all weather conditions. Don’t be discouraged from venturing out with your camera if it’s raining outside or the skies are grey and leaden. There may be breaks in the weather, and the rain eventually stops. Mist can often form after periods of rain making an attractive scene to photograph.

    Misty landscape, Northern Ireland

    If the rain is persistent, think of other ways to photograph the adverse weather. Photographing abstract scenes, water droplets, and close-ups of flowers or fresh water on lush landscapes can work. Waterfalls look good with overcast skies, and additional rainfall adds beauty with more water.

    Conclusion

    In summary, capturing nature in different seasons can be very enjoyable at any time of the year. Photograph your favorite place in changing seasons, take advantage of early winter sunsets and capture the changing light in all weathers.

    Whatever Mother Nature serves you next, get out there and capture the fantastic changes in our beautiful world in all its seasons. Once you do, please share your images with us below.

    The post 5 Tips for Capturing Nature Across Different Seasons appeared first on Digital Photography School.


    Digital Photography School

  • DJI releases nine new accessories for Ronin-S handheld stabilizer

    DJI has released a total of nine new accessories for its Ronin-S handheld camera stabilizer, expanding the system and making it more attractive to ambitious video shooters and film makers. Below is a quick run-down of each of the new accessories.

    The new Focus Motor enables motorized focusing of lenses and offers lens control with an accuracy of .02 degrees. The Command Unit attaches to the side of the stabilizer and lets users to modify settings such as motor parameters, remote control and operation modes without the need to connect a mobile device.

    The Ronin-S BG37 Grip offers an extra 12 hours of operating time via a 2400mAh built-in battery and the Top Hotshoe Bracket mounts to the camera hot shoe and the Ronin for extra security during fast-paced shooting, for example when the stabilizer is mounted to a moving vehicle. The grip comes with a cold-shoe, so you can still attach accessories with the adequate connector.

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    The Extended Lens Support helps secure the camera and larger lens on then Ronin-S and can be used when the standard support is not long enough. With the Ronin-S Universal Mount the stabilizer can be mounted to a car, jib, cable cam system and more.

    Finally, the External GPS Module offers improved stabilization performance during fast accelerations or decelerations and better reaction to sudden camera movements. All new accessories are available now, pricing is as follows:

    • Focus Motor: $ 169 USD
    • Focus Motor Rod Mount: $ 20 USD
    • Focus Gear Strip: USD $ 20 USD
    • Command Unit: $ 129 USD
    • BG37 Battery Grip: $ 99 USD
    • Top Hotshoe Bracket: $ 49 USD
    • Extended Lens Support: $ 20 USD
    • External GPS Module: $ 69 USD
    • Universal Mount: $ 179 USD

    More information can be found on the DJI website.

    Articles: Digital Photography Review (dpreview.com)

  • Photography gifts for every budget: 2018 edition

    With so many accessories, bags, lenses and so on to choose from, shopping for a photographer can be daunting. But we’re here to help: From stocking stuffers to, well, entire cameras, we’ve got you covered – at every budget.

    2018 Holiday Gift Guide: Under $ 50

    2018 Holiday Gift Guide: $ 50-250

    2018 Holiday Gift Guide: Over $ 250

    Articles: Digital Photography Review (dpreview.com)

  • Advantages DSLRs Have Over Smartphones, and Why They’ll Always Have Them

    I love watching the annual press events of Apple, Google, Samsung and others where they show off their latest high-tech gadgets, including mobile phones. With each new iPhone, Pixel, and Galaxy they seem to repeat a common refrain: “And the camera is the best one ever in a smartphone”.

    Are DSLRs fading away with modern advances in smartphone camera technology? Or are they primed and ready for an entirely new life?

    Mobile phone cameras are mind-blowing marvels of modern technology. With some of the tech showcased in the recent Pixel 3 announcement, you might be wondering if traditional DSLRs and mirrorless cameras are even relevant anymore.

    The answer is more complicated than you might think.

    Before you get too deep into this post, I want to make one thing abundantly clear. No-one can tell you which camera is best for you. If you have a 3-megapixel point-and-shoot that does what you want, then, by all means, keep using it and don’t let anyone stop you. Also, if your smartphone takes selfies and Instagram-worthy photos of your morning coffee, then keep snapping away.

    In this article, I’ll be looking at some advantages traditional cameras have over smartphones. However, I won’t be telling you which one to buy, and I certainly won’t be telling you to stop using the camera you already have. Too often, the point is missed entirely when people get caught up in silly arguments on internet forums and message boards about whether such-and-such camera is better.

    It’s important to know the advantages and disadvantages of different cameras, so you have enough information to choose one that best suits you and your needs. However, please don’t think I’m trying to tell you what you should or shouldn’t buy.

    In almost every way I can think of, modern smartphones can take incredible images compared to those from just a few years ago. These days they have real-time HDR, depth mapping, background separation, multiple lenses, machine learning, portrait mode, selective bokeh adjustment, and even computer-assisted sub-pixel digital zooming. It’s enough to make even the most staunch DSLR owner feel a tad envious.

    Still, don’t toss out your Canon or Pentax just yet. DSLRs and other traditional cameras have a treasure trove of advantages no current smartphone can match, and some features they may never be able to achieve.

    Lens Selection

    What’s the essential advantage of DSLRs over smartphones? I couldn’t tell you, but lens selection would undoubtedly be near the top of the list. Despite all the advances in smartphone photography in recent years, some laws of physics and photons are only overcome when switching lenses like a traditional camera. Most mobile phones have lenses roughly equivalent to a 28mm lens on a full-frame DSLR, although some dual-camera models roughly mimic a 50mm field of view to try and recreate professional-style portraits. Even though you can get adapters (such as the Olloclip) that let you do some creative experimentation, they rarely hold up to dedicated lenses mounted on interchangeable-lens cameras.

    By comparison, DLSRs can use hundreds of different lenses, each designed for specific photography needs and situations. No matter what you need from a DSLR, there’s a lens that does it – from wide-angle primes and telephoto zooms to basic kit lenses, tilt-shift, and specialized macro lenses.

    A photo like this, which requires a telephoto lens with a wide aperture, isn’t currently possible on any smartphone (and may never be).

    The AI-powered tricks and computational somersaults modern cell phones are capable of can work wonders for different photographic situations. But when it comes to choosing the perfect lens for the job, smartphones simply can’t compete. If you want to shoot close-up images, far-away wildlife, fast-moving sports or pleasing group portraits, your mobile phone will probably come up short. Sure, you can’t install apps on most DSLRs. But you can change out lenses which, when it comes to photography, is infinitely more useful.

    The portrait mode on mobile phones is amazing. But it doesn’t come close to what you can achieve with a portrait lens on a DSLR or mirrorless camera.

    Customizable Settings

    While phones can produce amazing photographs in lots of different conditions, you’re fairly limited in terms of settings. You usually can’t change the aperture or focal length (and no, digital cropping is not the same as changing focal lengths). All you can really control are the ISO and shutter speed, and the native camera apps rarely even let you do that much.

    When you press the button to take a picture on your phone, you’re letting the computer do most of the thinking it terms of white balance, shutter speed, ISO, and even which part of the image should be properly exposed.

    One of the biggest selling points of DSLRs and other dedicated cameras is that (while they have auto modes that do much of the heavy lifting) they have manual modes that let you choose everything – aperture, shutter speed, ISO, and even the focal length if you’re using a zoom lens. Admittedly, not everyone wants that much control, and you can choose to shoot in auto or semi-auto if you want. But having such fine-grain control is a huge advantage over smartphones.

    I could choose a slow shutter speed to get this shot on my Fuji X100F, whereas most mobile phones would have used a much faster shutter speed resulting in a vastly different image.

    Smartphones and the software that powers them are so advanced and sophisticated that people are perfectly happy letting them make the decisions and do most of the heavy lifting. But if you want more control you won’t get it on a mobile phone. Even the dedicated camera apps run up against physical limitations such as focal lengths that can’t be changed.

    There are times when the photo you want to take isn’t the photo your camera wants to take. In those situations, a dedicated camera will let you change aperture, shutter speed, and ISO to get the exact photo you want.

    I shot this image at 200mm, f/2.8, ISO 100, and 1/4000 second, which is impossible for any mobile phone.

    Low-Light Shooting

    DSLRs will always have the advantage over mobile phones in low light due to the way camera sensors collect light. Larger sensors mean larger photosensitive sites, which means they can capture more information about incoming light when there isn’t a lot of it.

    At Google’s recent Pixel 3 announcement they demonstrated a feature that vastly improves its low-light shooting. But it only works with still subjects. It also runs into the same limitations all mobile phones have such as fixed focal length and limited options for changing settings.

    I took this deep under the earth in Mammoth Cave National Park, 23mm, f/2.0, 1/20 second, ISO 6400. While some phones could have taken a shot similar to this they would have needed much longer shutter speeds, which would make the people a blurry mess.

    Try it for yourself to see what I mean. Even with the best night-mode options on the newest mobile phone, you’ll still struggle to get clear shots of moving subjects. It’s great if you only require pictures of static compositions such as buildings or parked cars. But if you want to capture shots of kids, animals or anything that moves around, your mobile phone will probably leave you wanting more.

    As the technology advances, low-light photography on mobile phones will improve. But there will always be physical limitations inherent in the platform that DSLRs and mirrorless cameras simply don’t have to deal with. Much of it stems from their larger image sensors, which collect much more light data per pixel. But the fact cameras let you specify the ISO value you need to get the image you want is also a big advantage.

    Model train in a dim basement, shot at 50mm, f/2.8, 1/60 second, ISO 3200.

    Not Quite There… Yet

    I’m a big believer in the promise of computational photography in mobile phones. If the best camera is the one you have with you, then for hundreds of millions of people around the world their mobile phone is the ideal choice. But even with all the rapid advances in technology, there are still plenty of reasons to own a traditional camera.

    If you have one that’s been relegated to a dark closet or dusty shelf and replaced by a high-tech mobile phone, get it out and see what it can do. The results may surprise you and have you wanting to use it more and explore the possibilities it offers.

    What about you? What are the advantages of using traditional cameras that keep you coming back to them time after time? I’d also like to hear your thoughts about mobile phones and the technology they offer photographers.

    One thing is clear. No matter where you stand on this issue, we certainly live in exciting times for photography.

    The post Advantages DSLRs Have Over Smartphones, and Why They’ll Always Have Them appeared first on Digital Photography School.


    Digital Photography School

  • Center Field – 9 Acceptable Ways For Breaking Rule of Thirds in Photography

    When starting, most photographers tend to shoot all subjects center-frame. As they learn more about photography and composition, they learn that centering a subject is not appealing and that they must follow the ‘Rule of Thirds’ to have a good composition. What if I suggest breaking Rule of Thirds?

    The Rule of Thirds

    The Rule of Thirds is taking a frame and dividing it into three equal sections both horizontally and vertically, creating a rectangular ‘tic-tac-toe’ box. Framing a subject so that it falls on one of the four intersecting points of that box can sometimes make an image more appealing to a viewer engaging with it.

    2 - Breaking Rule of Thirds in Photography

    Implementing the Rule of Thirds.

    While you may not perfectly frame your subject to fall within one of those four points, if your subject falls on one of the four internal lines within the box, in most cases, it still gives a better appeal than a centered image.

    When It’s a Good Idea to Center Your Subject

    1. Centering as a Compositional Tool

    Placing your subject dead-center can work to your benefit if the subject still tends to comply with the Rule of Thirds guideline. Such as, when more than one point of focus falls on more than one line within that ‘Rule of Thirds’ box as shown in the image below.

    The sets of pillars fall on one of the two vertical lines in the frame according to the Rule of Thirds even though the entire image is centered.

    2. Place Focus on Your Main Subject

    Sometimes when there is a busy foreground or background, placing your subject dead-center helps to draw the viewer’s attention to it. While the image below shows much texture, centering the stool brings focus to it.

    4- Breaking Rule of Thirds in Photography

    Bring better focus to a subject by centering.

    3. Emphasize Symmetry

    You may sometimes run into a subject that has a symmetrical value to it. The item could include columns at a building’s entrance, a person’s face or something with repetitional characteristics. Centering the subject, in this case, allows the viewer to relax because the order in the image makes sense.

    5- Breaking Rule of Thirds in Photography

    This nonsymmetrical image is not as appealing as the image below.

    In the next image, there is a sense of order due to the equal number of pillars to the right and left of the fountain, producing symmetry.

    6 - Breaking Rule of Thirds in Photography

    This image represents symmetry.

    4. Draw the Viewer’s Eye Inward

    One of the most common goals for a photographer is to draw a viewer’s attention into the image instead of out of it. Straight roadways, paths, or sidewalks are great examples that keep your viewer’s attention within the frame – by drawing the eye inward.

    The hall and chandeliers are centered taking the eye inward into the photo.

    5. Create a Sense of Size and Space

    Centering a subject can often showcase its size, especially when surrounded by people, buildings or other objects that serve as a comparison. Such as in the image below.

    8 - Breaking Rule of Thirds in Photography

    Centering a subject can sometimes emphasize the size of a subject.

    Centering a subject can also give a sense of space. A good example is when there is water or cityscape in the foreground of an image and a clear sky in an upper part of the image. See an example below.

    9 - Breaking Rule of Thirds in Photography

    Centering the Eiffel Tower in this image works to show a sense of space.

    6. Square Image Format

    A great way to justify centering an image is when you use the square image format. A square has all equal sides in length, so placing a subject dead-center works well. I also like it because, in most cases, it’s an equal distance from the subject to all edges of the sides.

    Centering the Eiffel Tower in this image works to show a sense of space.

    7. Shooting With Shallow Depth of Field

    When you open up your aperture and shoot with shallow depth of field around your subject, it creates a more three-dimensional feel, adding depth to your image. In this case, centering your subject works because it washes out distraction around your subject, as in the image below.

    11 - Breaking Rule of Thirds in Photography

    Shooting with a shallow depth of field.

    8. Overcoming Location Difficulties

    Sometimes the location of a fixed subject makes it difficult to capture a stunning shot. During these times try to get creative, as I did in the image of the clock at Grand Central Terminal in New York City below. I could’ve taken that shot from any number of directions or angles. However, for a better shot, I centered it at an angle that included the American flag in the background.

    12 - Breaking Rule of Thirds in Photography

    Center a subject to overcome location difficulties.

    9. Simplicity

    You know the saying, ‘less is more?’ While placing a subject off-center adds tension to an image, placing a subject dead center can give a calm and orderly feeling. In addition, placing your subject in a central position is like opening a book to its story. You are making it the most important element in the image. A natural environment, a natural face – it’s an open book. What is your subject’s story that you are introducing to your viewers?

    13 - Breaking Rule of Thirds in Photography

    Simplicity

    Tying It Altogether…

    Some ‘rules’ are meant to be broken. The Rule of Thirds is not the only way to guarantee a good composition. As long as you understand why you’re breaking the rules and foregoing guidelines with a specific intention, your images can be as compelling subject-centered as with your subject off-center.

    The post Center Field – 9 Acceptable Ways For Breaking Rule of Thirds in Photography appeared first on Digital Photography School.


    Digital Photography School

  • 1959 Canon 45-200mm F2.8 (C35) ‘rarest’ prototype lens appears in eBay auction

    An eBay listing is offering what the seller calls the ‘rarest prototype lens on Earth,’ a Canon 45-200mm F2.8 (C35) prototype lens. According to the listing, the lens was produced in Japan in 1959 and only “four or five” units were given to professionals for testing. Canon ultimately decided not to launch the lens commercially, possibly due to its heavy weight (approx. 3kg / 6.6lbs) and expensive price.

    The seller goes on to claim that there are only two or ‘maybe three’ people in possession of these lenses globally. This particular unit, which is offered via auction with a starting price of $ 29,999 USD, is described as being in ‘Excellent+++’ condition for its age.

    ‘The lens was recently serviced, optics are cleaned,’ the campaign reads, ‘and [the] rear optic has minor sign on the coating in the corner, as it was properly cleaned from fungus and is missing [a] little coating.’ The product is said to be mechanically ‘perfect.’

    The campaign references a 1959 Canon press release for the lens, but doesn’t provide a copy of it. Canon’s Lens Museum website doesn’t include any listing for this prototype, leaving only the seller’s claims. The seller has a 100% rating on more than 380 sales, but that doesn’t necessarily mean this listing is accurate.

    The seller told DPReview the lens was acquired from ‘a very old studio’ that was torn down and sold off ‘a lot of stuff in auction.’ According to the seller, ‘some old movies were shot with the lens.’ DPReview is waiting to hear back with confirmation of what movies they were.

    The auction includes the original metal lens storage box, front cap, filter, hood, focus knob and lens sliding attachment.

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm XF 8-16mm F2.8 R LM WR sample gallery

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    The Fujifilm XF 8-16mm F2.8 R LM WR promises to appeal to everyone from landscape to architectural photographers. It has 11 points of weather sealing, fast and quiet autofocus, and a field curvature correction element that adjusts according to focal length to reduce the curvature that often occurs in wide angle lenses. Does it live up to expectations? We’ve been shooting everywhere from the city streets to the Canadian Rockies to test it out.

    Articles: Digital Photography Review (dpreview.com)