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  • Weekly Photography Challenge – Transport

    The post Weekly Photography Challenge – Transport appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    This week’s photography challenge topic is TRANSPORT!

    Tuktuk Panning Using a Slow Shutter Speed to a Create Sense of Motion

    © Kevin Landwer-Johan

    Your photos can include anything includes transport. It could be old decaying transport, trains, buses, scooters, bikes, cars etc. You may want to do some panning or long exposures. They can be color, black and white, moody or bright. You get the picture. Have fun, and I look forward to seeing what you come up with!

    © Barry J Brady

    Some Inst-piration from some Instagrammers:

     

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    A post shared by Rust Never Sleeps (@jerrylofarorust) on

     

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    A post shared by Leif Egil Olsen (@leo2048) on

     

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    A post shared by Ricardo Heir (@heir_richard) on

     

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    A post shared by The Battles (@argosyodyssey) on

     

    Check out some of the articles below that give you tips on this week’s challenge.

    Tips for Shooting TRANSPORT

    Panning and Other Tips for Adding Motion to Your Street Photography

    6 Tips to Master Panning Photography

    6 Tips for Shooting Long Exposure Night Photographs

    10 Common Mistakes in Long Exposure photography

    6 Ways to Improve your Cityscape Photography

    How to Use Framing in an Urban Environment

    How to Improve the Impact of Your Urban Images Using Lines

     

    Weekly Photography Challenge – TRANSPORT

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPStransport to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    The post Weekly Photography Challenge – Transport appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • InukTech will launch Inuk, a carbon fiber tripod alternative, on Kickstarter next month

    On March 1st, InukTech will launch a Kickstarter campaign for Inuk, a portable folding camera tripod alternative. Unlike traditional tripods, Inuk features flat carbon fiber arms and legs joined by reinforced technopolymer hinges and soft rubber feet. The rig’s three legs and two arms can be folded flat against the device’s carbon fiber plate for compact storage.

    Inuk supports payload weights up to 1.5kg / 3.3lbs and features a ¼” -20 universal screw for connecting cameras and mounts. In addition to supporting cameras and smartphones, Inuk can accommodate accessories like microphones, flashes, and lights.

    Though the support can be used like a tripod, Inuk’s legs can also be folded for uneven surfaces, and accessories will be available for connecting the support to different structures. At this time, InukTech says its connection accessories include a magnet, suction cups, super suction cups, straps, and clamps.

    When folded, Inuk measures 17 x 9 x 2.5cm / 6.7 x 3.5 x 0.98in and weighs 160g / 0.35lbs. The model can extend up to 12cm / 4.3in in height with a 30cm / 11.8in footprint and 42cm / 16.5in arm width.

    InukTech hasn’t revealed any other information about the model, but plans to officially launch it on Kickstarter next month. Consumers will have the opportunity to ‘pre-order’ the camera support at up to 50% off the expected retail price with prices starting at $ 39.95 for the basic ‘Starter Kit’ and going up to $ 56.95 for the ‘Video Maniac’ kit.

    Articles: Digital Photography Review (dpreview.com)

  • How to Care for Your Beloved Camera [video]

    The post How to Care for Your Beloved Camera appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

    In another great video from our friends over at COOPH, they show you how to care for your beloved camera to keep her/him in great working order.

    ?

    Here’s how to care for your beloved camera

    1. Proper cleaning

    1. Use a blow brush to take off bigger particles and process both sides of the lens.
    2. Add finish with a lens cleaning cloth.
    3. Apply a cleaning solution to a cotton bud and clean the contact points.
    4. Use a rocket blower to clean the camera sensor. Tilt your camera down and blow.
    5. Still not clean enough? Put your camera into cleaning mode for a self-clean.
    6. Take out your Gel Stamp and gently stamp the sensor. To clean the gel stamp, use a piece of sticky tape.
    7. Lightly push the gel stamp onto the sticky tape, and the dust will transfer to the tape.
    8. Finish the job using sensor wipes.
    9. Shoot a long exposure against a white background, and when doing so, move the camera in a circular motion.
    10. Then check the image on a big screen to ensure the camera lens and sensor are clean.

    2. Lens Swapping

    No matter how good your jacket, never change lenses in the rain. Jump in your car and take a pit stop. Change the lens then.

    3. The UV Filter

    The UV Filter protects your camera from UV light and helps to avoid scratches on your lens when you are shooting wildlife in your home…

    4. The Hand Strap

    Buckle up so you don’t drop it. Carry it in your hand. Don’t use it like a yo-yo as you walk.

    5. The Lens Hood

    Not the type you wear. A lens hood gives the camera a safety guard for in case you bump the camera.

    6. The Dry Bag.

    Ziplock bags, along with some Dry Silica packs, make a perfect DIY Dry Bag. Airtight and condensation-proof.

    7. The Dust Blocker

    Shower Caps are perfect for dust protection and Sahara Safe!

     

    So, be good to your better half and clean them.

     

    You may also find the following articles helpful:

    How to Clean Your Tripod and Make it Like New

    How to Clean Your Photography Gear and Keep it in Good Shape

    How to Spring Clean Your Memory Cards

    How to Clean Your Camera Sensor in 3 Easy Steps

    How to Take Care of Your Camera in Cold Weather

    The post How to Care for Your Beloved Camera appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


    Digital Photography School

  • Canon EOS 80D DSLR Camera- A Closer Look

    The Canon EOS 80D DSLR Camera is the successor to the 70d with several nice improvements.  This is a dSLR that has great features to showcase and provide enthusiasts a perfect platform to begin with. It is an ideal mid-range photography and video-making camera. Let us find out in detail what this small monster packs inside… Specifications of Canon EOS Continue Reading

    The post Canon EOS 80D DSLR Camera- A Closer Look appeared first on Photodoto.


    Photodoto

  • How To Do Astrophotography Using DSLR And Telescope

    Growing up, I was one of those kids running around and telling everyone that I’m going to be an astronaut. I had a room that would make you feel like Buzz Lightyear could actually live in it and forget he’s on Earth. So it was pretty obvious that somehow I’d find myself getting into astronomy. Now I never really became Continue Reading

    The post How To Do Astrophotography Using DSLR And Telescope appeared first on Photodoto.


    Photodoto

  • Ricoh GR III, with updated lens, 24MP APS-C sensor and in-body IS to ship in March

    Five months after its development announcement, the Ricoh GR III will be shipping this March for $ 899. Unlike the GR II, which was a very minor upgrade to the original, the major components on the GR III are all-new.

    The controls have received a major shake-up as the GR III becomes the first in the series to use a touchscreen. The screen is a 3.0″, 1.04M-dot LCD, with all of the usual features like AF point selection, menu navigation and image review onboard.

    It also gains image stabilization, with a 3-axis sensor-shift system offering shake reduction rated at up to four stops. This ‘SR’ system can also be used to simulate an AA filter for when moiré reduction is desired. And there’s now an ultrasonic dust reduction system for the sensor, which is perhaps a nod to the dust problems that some encountered on the GR I and II.

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    The GR III’s autofocus system has been overhauled, with the addition of on-sensor phase detection. This, along with a redesigned lens, gives us hope that the GR II’s autofocus will be quicker than its predecessors. Ricoh is yet to provide any technical details but says it will be ‘faster and more responsive.’

    The GR III’s 28mm equiv. F2.8 lens has six elements in four groups, with two elements being aspherical. The lens can now focus as close as 6cm (2.4″), compared to 10cm (3.9″) on the previous models. The GR III continues to offer a built-in 2-stop ND filter.

    The resolution of the GR III’s APS-C sensor has been bumped from 16MP to 24MP, with a fully expanded ISO range of 100 – 102,400. The GR III can now record 1080/60p video, but no 4K. Ricoh has added a Type-C USB 3.0 port on the camera (which can be used to charge the battery,) and connectivity options now include Bluetooth in addition to Wi-Fi.

    Two things that the GR III lost are its built-in flash and a fair amount of its battery life. The latter has plunged from 320 shots to 200 shots per charge – a 38% drop – despite using a higher capacity battery. More than likely, the addition of in-body IS puts the biggest hit on battery life.

    As mentioned above, the GR III will be yours to purchase in March for $ 899. A new 0.75x wide-angle adapter (GW-4) will also be available for $ 249.

    Press Release

    Ricoh launches RICOH GR III high-end, compact digital camera

    Newest model in the popular RICOH GR series delivers exceptional image quality in a smaller, lightweight body, making it ideal for street photography

    WEST CALDWELL, NJ, February 21, 2019 – Ricoh Imaging Americas Corporation today announced the launch of the highly anticipated RICOH GR III camera. The new camera is the latest model in the RICOH GR series, a lineup of high-end digital cameras providing exceptional image quality in a compact, lightweight body ideal for street photography, travel and capturing candid images.

    The RICOH GR III features a newly designed lens, image sensor and imaging engine that further upgrade image quality, enhance functionality and improve usability. The 18.3mm F2.8 lens delivers exceptional imaging performance with a slim design, consisting of six optical elements in four groups, while retaining the 28mm angle of view. It produces the clearest, sharpest images in GR-series history while reducing distortion and chromatic aberration. It also comes equipped with a macro shooting capability with a minimum focusing distance of six centimeters.

    In keeping with the GR-series concept of packaging high image quality in a compact design, the RICOH GR III camera body is smaller than its predecessor, and is equipped with a large APS-C-size CMOS image sensor with approximately 24.24 effective megapixels to produce high-resolution images. Its short start-up time of approximately 0.8 seconds allows for quick, responsive shooting. The camera’s high-definition LCD monitor features touchscreen operation, offering intuitive control of various camera functions right on the screen.

    The camera also features a high-speed hybrid autofocus system, built-in shake reduction, in- camera image finishing options, USB Type-CTM, Bluetooth and wireless LAN connectivity options. An accessory wide-angle conversion lens designed exclusively for use with the RICOH GR III is also available. The GW-4 Wide Conversion Lens expands the angle of view to 21mm ultra-wide angle.

    “The Ricoh GR III is the ultimate street camera,” said William Hereford, a Brooklyn-based pro photographer, who has been shooting with GR series cameras for years. “The image quality and ease of use are equally amazing. I literally don’t leave my house without this camera. The GR III fits perfectly both in my hand and my pocket, so it is always available to capture a moment.”

    Hereford says that the image quality is so great, that photos taken with his GR cameras have the potential to be used in national ad campaigns and magazine articles.

    Designed to be the ultimate street photography camera, the RICOH GR III is a totally new breed of GR camera that will give the user new and different creative possibilities.

    | Pricing and Availability |

    The RICOH GR III will be shipping in March 2019 and will be available at www.us.ricoh- imaging.com and retail outlets nationwide. Price is $ 899.95 for the camera, $ 249.95 for the GW-4 Wide Conversion Lens.

    Ricoh GR III specifications

    Price
    MSRP $ 899 / £799
    Body type
    Body type Large sensor compact
    Body material Magnesium alloy
    Sensor
    Max resolution 6000 x 4000
    Image ratio w:h 1:1, 3:2
    Effective pixels 24 megapixels
    Sensor photo detectors 25 megapixels
    Sensor size APS-C (23.5 x 15.6 mm)
    Sensor type CMOS
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    White balance presets 8
    Custom white balance Yes
    Image stabilization Sensor-shift
    CIPA image stabilization rating 4 stop(s)
    Uncompressed format RAW
    File format
    • JPEG (Exif v2.3)
    • Raw (14-bit DNG)
    Optics & Focus
    Focal length (equiv.) 28 mm
    Maximum aperture F2.8–16
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Normal focus range 10 cm (3.94)
    Macro focus range 6 cm (2.36)
    Screen / viewfinder
    Articulated LCD Fixed
    Screen size 3
    Screen dots 1,037,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (optional)
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Program
    • Aperture priority
    • Shutter priority
    • Manual
    Built-in flash No
    External flash Yes (via hot shoe)
    Flash modes Auto, Flash On, Flash On+Red-eye, Slow-speed Sync, Slow Sync+Red-eye
    Flash X sync speed 1/4000 sec
    Drive modes
    • Single Frame
    • Continuous Shooting
    • Bracketing
    • Multi-exposure
    • Interval Shooting
    • Interval Composite
    Continuous drive 4.0 fps
    Self-timer Yes
    Metering modes
    • Multi
    • Center-weighted
    • Highlight-weighted
    • Spot
    Exposure compensation ±5 (at 1/3 EV steps)
    Videography features
    Format MPEG-4, H.264
    Modes
    • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types Internal, SD/SDHC/SDXC (UHS-I supported)
    Storage included 2GB
    Connectivity
    USB USB 3.0 (5 GBit/sec)
    USB charging Yes
    HDMI No
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n + Bluetooth
    Remote control Yes (via smartphone)
    Physical
    Battery Battery Pack
    Battery description DB-110 lithium-ion battery & USB charger
    Battery Life (CIPA) 200
    Weight (inc. batteries) 257 g (0.57 lb / 9.07 oz)
    Dimensions 109 x 62 x 33 mm (4.29 x 2.44 x 1.3)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Light and Sony team up to make the next-generation of multi-camera smartphones

    Light, the computational imaging company behind the L16 camera, has announced it’s partnering with Sony Semiconductor Solutions ‘to jointly work on development and marketing of multi-image sensor solutions.’

    According to a press release shared today, the two companies have signed an agreement that ‘allows Light to use and recommend to its customers and partners, Sony’s image sensors built in Light’s computational imaging solutions and reference designs.’

    Simply put, the agreement means Light will combine its experience and intellectual property in the world of multi-camera designs and computational photography with Sony’s imaging sensors to build future devices. Specifically, the press release mentions the partnership will help ‘to create new multi-camera applications and solutions beginning with the introduction of smartphones containing four or more cameras.’

    Light previously announced its intentions of bringing its multi-camera technology to smartphones, going so far as to show off various concepts and prototypes it’s developed that include between five and nine camera modules.

    Bradley Lauterbach, Senior Vice President of Marketing and Product Design at Light, also said back in December 2017, ‘one manufacturer is already at work on a Light-enabled phone, and more are in the works.’ It’s unknown if Lauterbach was referencing Sony, but whoever the manufacturer was, it appears clear now Sony will be the company behind the sensors.

    Press release:

    Light Announces Joint Development with Sony Semiconductors Solutions Corporation of Multi-Image Sensor Solutions Reference Designs

    Focused on Multi-Camera Applications for Smartphones with Four or more Cameras

    SAN FRANCISCO, Feb. 21, 2019 (GLOBE NEWSWIRE) — Light, the leader in advanced computational imaging announces the agreement with Sony Semiconductor Solutions, the leader in the Image Sensor industry to jointly work on development and marketing of multi-image sensor solutions.

    The agreement allows Light to use and recommend to its customers and partners, Sony’s image sensors built in Light’s computational imaging solutions and reference designs. These new reference designs combine Light’s multi-camera technology together with Sony’s image sensors to create new multi-camera applications and solutions beginning with the introduction of smartphones containing four or more cameras.

    “Sony is the recognized quality and market share leader in image sensors and we are thrilled to partner with them,” said Dave Grannan, CEO and co-founder, Light. “We are entering an entirely new era of intelligent imaging applications that will transform smartphones, autonomous vehicles, and security systems. With Sony’s world-class image sensors, we can introduce new innovations in the multi-camera imaging space.”

    “We are excited to be working with Light and driving multi-sensor-based products and solutions into the market,” said Hank Ochi, president of Component Solutions Business Division, Sony Electronics Inc. “Light and its technology are transforming how devices see the world. This new partnership will allow us to work together to evolve and speed up the design of today’s multi-image sensor enabled connected devices. Starting today, our jointly developed reference designs will help our smartphone OEMs to quickly and easily enhance the imaging capability of multi-camera enabled smartphones.”

    For more information, please visit https://light.co/.

    Articles: Digital Photography Review (dpreview.com)

  • Ross Lowell, founder of Lowel-Light and the creator of gaffer tape, dead at 92

    Photographer, cinematographer, Lowel-Light founder and creator of gaffer tape Ross Lowell died on February 15 at the age of 92, according to PDN. Lowell lived in Pound Ridge, New York, at the time of his passing, leaving behind his wife Marilyn Shapiro-Lowell and four children. Above is a video he participated in wherein he talks about various lighting tools and techniques.

    Over the course of his long career, Lowell pioneered numerous lighting solutions for photography and cinematography, ultimately registering more than 25 patents, founding lighting company Lowel-Light and publishing the book Matter of Light & Depth. Among Lowell’s inventions is gaffer tape, a type of cotton cloth tape popularly used during production and staging work.

    From the mid-1960s through 1985, Lowell also shot, directed, wrote and produced multiple documentaries and short films, including Oscar-nominated Oh Brother, My Brother. Lowell received multiple awards during his career, including a Technical Achievement Academy Award, the John Grierson Gold Medal and Lightfair Technical Innovation Award.

    Articles: Digital Photography Review (dpreview.com)

  • The Lomogon 32mm F2.5 lens features perfectly round apertures on a rotating wheel

    Lomography has launched the Lomogon 32mm F2.5, a compact lens with full frame sensor coverage and a unique wheel of aperture stops that protrudes from the barrel.

    Fitted with the Lomogon Circular Aperture Disk the lens uses a series of five round holes cut into a disk of metal as its aperture control. The toothed disk sticks out from the lens and is turned by the user to drop the desired hole behind the front element – a bit like Waterhouse stops from the 1850s. The holes in this disk correspond to F2.5, F4, F5.6, F8 and F11 – and each is completely round as they aren’t created by an iris.

    The Lomogon uses 6 coated elements in 6 groups, has a 62mm filter thread and a closest focus distance of 0.4m. Developed with Russian manufacturer Zenit and built in China, Lomography says the Lomogon uses ‘the finest glass optics’ and is assembled by hand. The result, according to the company, is high micro-contrast and ‘enhanced colors’. It will be available in Nikon F and Canon EF mounts, and adapters can be used for other camera fittings.

    Technical Specifications

    • Focal Length: 32 mm
    • Lens Construction: 6 elements in 6 groups
    • Maximum Aperture: f/2.5
    • Regular Apertures: dial aperture stops, f/2.5, f/4, f/5.6, f/8, f/11
    • Image Circle: 44 mm
    • Field of View: 68 degrees
    • Lens Mounting Profile: Canon EF and Nikon F
    • Electronic Contacts: No
    • Closest Focusing Distance: 0.4 m
    • Focusing Mechanism: Helicoid
    • Filter Thread: 62 mm

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    If all goes well the Lomogon will begin shipping in November 2019 and will have a retail price of $ 499. During the Kickstarter campaign though, it can be had for as little as $ 299.
    For more information see the Lomogon Kickstarter page.


    Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

    Articles: Digital Photography Review (dpreview.com)

  • How to Make Great Photo Invitations in Photoshop

    The post How to Make Great Photo Invitations in Photoshop appeared first on Digital Photography School. It was authored by Ana Mireles.

    Do you have an event coming up? Let’s make it a success!

    It doesn’t matter if you’re throwing a birthday party for your kid or organizing a fancy dinner for your clients and coworkers, every event needs an invitation. You want people to know about it, but you also want to get them excited so they want to come. Here are a couple of ideas to do photo invitations to start you off on the right foot.

    1 - How to Make Great Photo Invitations in Photoshop

    In this day and age, we are used to expressing ourselves with photos and a party is no exception to that. If you make a Facebook event it asks you to add a cover photo; if you want to do printed invitations, a photo works well too. The idea behind a photo invitation is to communicate more than just when and where. It also sets the tone for the party, so choose your image wisely and incorporate the text creatively.

    2- How to Make Great Photo Invitations in Photoshop

    Text box photo invitations

    One idea for your photo invitations is to create a text box within your photo, like the example above. I suggest this idea if you’re going with postcard format, or folding card, where you can put all the practical information on the back or inside. This is because too much text on top of the photo can look messy. However, it can work if you’re using a minimalistic photo.

    In any case, you can achieve this effect in just a few steps:

    Step 1:

    Once you’ve chosen your photo, open it in Photoshop. Then duplicate the layer by going to Menu -> Layer -> Duplicate Layer. You can also do this with the New Layer button at the bottom of the Layers panel if you prefer.

    3- How to Make Great Photo Invitations in Photoshop

    Step 2:

    You want the two layers to have different brightness, so depending on the exposure of your image you can either darken the original layer or lighten the new top one. You can do this by adjusting the levels. Go to Menu -> Image -> Adjustments -> Levels, making sure the right layer is selected.

    4- How to Make Great Photo Invitations in Photoshop

    Step 3:

    Now go to the top layer. Using the Rectangular Marquee Tool, select the area of the Text Box to the size you require. Once you have it, create a layer mask by clicking on the button at the bottom of the Layers panel. You can also delete the excess image by inverting the selection with Menu -> Select -> Invert and click the backspace key, however with this choice, you can’t adjust it later so I don’t recommend it.

    5- How to Make Great Photo Invitations in Photoshop

    Step 4:

    Give the text box a special effect so that it’s clearly separated from the background image. Click on the fx button at the bottom of the Layers panel and choose the one you like, usually an Outer Glow or Drop Shadow should work well.

    6- How to Make Great Photo Invitations in Photoshop

    Step 5:

    Finally, click on the Text tool and add your text. Remember that you can personalize the font, size, color, and much more on the top Options Bar. One trick I like to use is to type it twice in different colors, then move one of them a click or two to give it some depth.

    7- How to Make Great Photo Invitations in Photoshop

    There you go. Using the same technique, you can do the invitations to any event from a casual rooftop party with friends to a homey, intimate holiday party and much more. What sets the tone is the photo.

    8- How to Make Great Photo Invitations in Photoshop

    Faded background photo invitations

    If you need all the information to be in one place together with the image, you can use a fade effect:

    Step 1:

    With your image open in Photoshop, create a new layer by clicking the new layer button at the bottom of the Layers panel. Then go to Menu -> Edit -> Fill. Choose the color you want keeping in mind that this becomes the background of the text. However, it also interacts with the image you chose.

    9- How to Make Great Photo Invitations in Photoshop

    Step 2:

    Click on the Gradient Tool (if you don’t see it, check under the Fill Tool) and drag across your image to fade in the color layer into the image layer. This process is trial and error, so do it as many times as you need until you’re satisfied. If you need more information on how the Gradient Tool works I recommend you check out my tutorial “How to Customize and Use the Photoshop Gradient Tool.”

    10- How to Make Great Photo Invitations in Photoshop

    Step 3:

    Now you just have to include all the information using the text tool as shown in the first example and you’re good to go.

    Have fun and feel free to share your invitations with us in the comments section below.

    11- How to Make Great Photo Invitations in Photoshop

     

    The post How to Make Great Photo Invitations in Photoshop appeared first on Digital Photography School. It was authored by Ana Mireles.


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