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Posts Tagged ‘Professional’

Demo: How to edit professional beauty images with GIMP on Linux

24 Apr

Though Photoshop remains the most recognizable image editing application out there, open-source alternative GIMP is still around, still free, and still receiving updates. In this video tutorial, photographer Shane Milton spends around 25 minutes demonstrating how to use the software to apply a pro-level beauty edit to an agency’s model image.

If you want to go fully open source for your photo editing, Milton is a great resource. His YouTube library offers numerous other videos on GIMP and free Lightroom alternative Darktable. In this particular video, Milton uses a Wacom Intuos Pro Small tablet with GIMP 2.9 running on Linux. He previously demonstrated optimizations that users could make to this version of GIMP, as well as setting up the Wacom tablet for use with Linux.

GIMP can be downloaded at this link for Windows, macOS, Linux, BSD, and Solaris.

Articles: Digital Photography Review (dpreview.com)

 
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Western Digital debuts new G-Drive and G-Speed professional grade SSDs

09 Apr

Western Digital just revealed its new lineup of G-Technology G-DRIVE and G-SPEED external solid state drives at NAB 2018, and as you might expect, they’re built to handle ultra-high resolution video. In fact, WD claims these Thunderbolt 3 drives enable “real-time 4K and 8K workflows” for professionals who need serious speed, capacity, and reliability.

There are three new drives in all: the G-DRIVE Mobile Pro SSD, the G-DRIVE Pro SSD, and the G-SPEED Shuttle SSD.

G-DRIVE Mobile Pro SSD

The G-Drive Mobile Pro SSD aims to be one of the fastest mobile storage solutions you can bring with you in the field. Available in 500GB and 1TB configurations, this Thunderbolt 3 drive boasts read speeds up to 2800MB/s that should let you “edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of media in seven minutes.”

The most portable of today’s announcements, the drive has also been built to be rugged. The derive uses “specially engineered components” for its shock-resistant design, and the aluminum core is meant to prevent overheating.

To learn more about the G-DRIVE Mobile Pro SSD, head over to the G-Technology website. Both 500GB and 1TB capacity drives will be available in the US starting this summer for $ 660 and $ 1,050, respectively.

G-DRIVE Pro SSD

The G-DRIVE Pro SSD, as the name suggests, is the Mobile Pro’s big brother. Like its younger sibling, it features a Thunderbolt 3 connection (actually two of them) and can transfer data at up to 2800MB/s. Thanks to the dual-connection, however, you can daisy chain up to 6 of these bad-boys together and stack them on your desk like Jenga pieces.

Since this is a desktop solution, it’s not built with the same shock-proof design as the Mobile Pro, but the G-DRIVE Pro SSDs do boast enterprise-class solid state drives with an endurance rating of one drive write per day.

These drives will be available to US consumers starting in May, and will come in capacities of 960GB, 1.92TB, 3.84TB, and 7.68TB for $ 1,400, $ 2,100, $ 4,100, and $ 7,600, respectively. Just for fun we did the math: if you daisy chain six of the 7.68TB drives together, you will have spent $ 45,600 for 46.08TB of solid state storage.

You can learn more about the G-DRIVE Pro SSD on the G-Technology website.

G-SPEED Shuttle SSD

Finally, the biggest and baddest of the drives released today (if you can call this a “drive”) is the G-SPEED Shuttle SSD: an enclosure that comes with eight removable SSDs pre-loaded and configured in RAID 5. This is meant for “ultra-demanding” workflows like multi-stream HD, 4K, 8K, VR and VFX backup and editing.

The G-SPEED Shuttle SSD comes with up to 16TB of storage (eight, 2TB drives pre-loaded) and can be configured to run hardware RAID 0, 1, 5, 10, and 50. And, like the G-DRIVE Pro SSD, the G-SPEED features two Thunderbolt 3 connection that max out at 2800MB/s and can be daisy chained with up to five additional devices.

The G-SPEED Shuttle SSD will arrive on store shelves in the US this month, and can be purchased in either 8TB or 16TB configurations for $ 5,100 and $ 7,600, respectively. That means the same $ 45,600 mentioned above will buy you 96TB of solid state storage if you go with the G-SPEED Shuttle.

To learn more or order yours, visit the G-Technology website.

Press Release

Access, Edit and Share Massive 4K and 8K RAW Video from Multi Camera Shoots in Real Time with the Fast and Reliable Western Digital Thunderbolt 3 SSD Solutions

Award-Winning G-Technology® G-DRIVE® and G-SPEED® Families Enable Creative Professionals to Access and Work With Data Quickly

Las Vegas, 2018 NAB SHOW, Apr. 9, 2018 – Western Digital Corporation (NASDAQ: WDC) is meeting the escalating fast-transfer and high-capacity demands of professional content creators by enabling real-time 4K and 8K workflows with three new professional-grade ultra-fast solutions in its powerful G-Technology® G-DRIVE® and G-SPEED® Shuttle product families.

Working with large 4K and 8K RAW video means massive file sizes and is undoubtedly one of the largest pain points for content editors. With new cameras capable of capturing over 400 MB/s of RAW data, there is an opportunity for content professionals to create incredibly high-resolution footage and ever-more immersive viewer experiences. It is not uncommon for a production crew to be on-location for two or three months recording three to four terabytes per day of footage from multiple cameras. With this expansion of data capture, comes a potential bottleneck in maintaining a real-time workflow on location – until now.

“Saving time means getting more done, which means booking more jobs over the course of a year,” said Scott Vouri, Vice President of Strategy and Business Development, Western Digital. “Creative professionals need to know that their drives will keep up with the growing demands of their workflows. To capitalize on these opportunities, the right tools are crucial. When working in the field, production teams need a fast solution that can handle demanding workflows of 4K and 8K content with the ability to quickly collect that valuable footage and be able to edit on the spot. With the power of Thunderbolt 3*, and transfer rates up to 2800MB/s**, the the new G-Technology Pro SSDs offer an ultra-fast, super-reliable solution for any creative project team.”

G-DRIVE Mobile Pro SSD

With storage running at 2800MB/s, the G-DRIVE mobile Pro SSD (Up to 1TB of capacity) lets you edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of media in seven minutes or less (for capacities 1TB or larger) wherever you are. A durable, shock-resistant design uses specially engineered components to endure traveling, while a single Thunderbolt™ 3 port lets you instantly edit footage on the go with incredible speed without the need for wall power. An aluminum core prevents overheating and maintains a consistent high performance, and with a trusted 5-year limited warranty, you get durable, fast solutions. The G-DRIVE mobile Pro SSD solution with Thunderbolt 3 is available in the U.S. Summer of 2018 in capacities of 500GB ($ 659.95) and 1TB ($ 1,049.95) USD.

G-DRIVE Pro SSD

Equipped with scorching fast transfer rates of up to 2800MB/s, the G-DRIVE Pro SSD solution (up to 7.68TB of capacity) with Thunderbolt 3 technology enables a filmmaker to edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of content in seven minutes or less (for capacities 1TB or larger). Dual Thunderbolt 3 ports are ready to daisy-chain up to five additional devices, while a stackable, rugged aluminum enclosure offers a durable way to help keep your workplace tidy. Combined with Enterprise-class solid state drives, an endurance rating of one drive write per day (DW/D) endurance rating, and a trusted 5-year limited warranty, the G-DRIVE Pro SSD delivers reliable, high-performance desktop storage you can rely on. The G-DRIVE Pro SSD solution with Thunderbolt 3 is available in the U.S. May of 2018 in capacities of 960GB1 ($ 1,399.95), 1.92TB ($ 2,099.95), 3.84TB ($ 4,099.95) and 7.68TB ($ 7,599.95) USD.

G-SPEED Shuttle SSD

With up to 16TB of SSD capacity, the G-SPEED Shuttle SSD with Thunderbolt 3 is optimized to support multi-stream HD, 4K, 8K, VR and VFX workflows. Equipped with transfer rates up to 2800MB/s, hardware RAID 0, 1, 5, 10, 50, and eight removable SSDs pre-loaded and configured in RAID 5, it is built for ultra-demanding production workflows. The G-SPEED Shuttle SSD is available in the U.S. this month in capacities of 8TB ($ 5,099.95) and 16TB ($ 7,599.95).


*Backward compatible with Thunderbolt 2 using Thunderbolt 3 to Thunderbolt 2 adapter

**Based on read speed. As used for transfer rate, megabyte per second (MB/s) = one million bytes per second. Performance will vary depending on your hardware and software components and configurations.

1As used for storage capacity, one terabyte (TB) = one trillion bytes. Total accessible capacity varies depending on operating environment.

Articles: Digital Photography Review (dpreview.com)

 
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How to Choose the Best Portrait Lens According to Three Professional Photographers

30 Mar

Here on dPS, we’ve covered this topic in previous articles. For example: How to Choose the Perfect Portrait Lens.

In the following videos, see which lens these photographers chose and why.

85mm versus the 70-200mm f/2.8

Portrait photographer, Manny Ortiz takes you to a live shoot in this video. Watch as he shoots the same subject, in the same location with both the 85mm f/1.4 and a 70-200mm f/2.8 lenses.

See how they differ and watch all the way to the end to find out which is his favorite lens and why.

Is there such a thing as the “best” portrait lens?

In this next video, Gabriel Sanchez (Gabe) talks about the four lenses he uses most often for portraits and which are his go-to and favorites.

He goes over the 24mm f/1.4, 35mm f/1.4, 50mm f/1.2, and a Sigma 85mm f/1.4, and the benefits and results you can get with each lens. See why he says there is no “perfect” or best portrait lens, watch to the end.

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Favorite lenses – fashion photographer

Finally, get a different point of view from fashion photographer Julia Trotti as she explains why the 35mm f/1.4 and 50mm f/1.2 are her favorite lenses.

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Which lens do you use for portraits?

So at the end of the day which lens are you going to choose for doing portraits? Do you have any favorites? Tell us which lenses you use and why in the comments below.

If you’re still undecided here are some more dPS articles to help you out:

  • 3 Tips for Taking Portraits with a Kit Lens
  • Tips From a Pro to Help You Know Which Lens to Choose
  • Primes Versus Zoom Lenses: Which Lens to Use and Why?
  • Comparing a 24mm Versus 50mm Lens for Photographing People

The post How to Choose the Best Portrait Lens According to Three Professional Photographers appeared first on Digital Photography School.


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Contest – Win One of THREE Online Professional Photography Courses from the New York Institute of Photography

09 Mar

Over the last few years here at dPS, we’ve run some incredibly popular competitions with one of our partners – the New York Institute of Photography – to give away some of their great online photography courses to lucky dPS readers.

Photo by Finnur Tomason, NYIP Graduate.

Due to popular demand – we’re doing it again this week.

For this competition, NYIP will name 3 winners.

Each winner will receive a free enrollment in their most popular course:

Professional Photography Course – worth $ 1,199

The professional photography will teach you to take control your digital camera.

  • Develop your eye as a photographer and develop a visual signature.
  • Utilize exposure, lighting, and lenses on your camera.
  • Describe the proper composition and how to take the perfect photograph in all conditions.
  • Discuss different photographic genres including wedding, landscapes, portraits, studio, and more.
  • Use the manual mode on a camera.
  • Explain how to make money with your camera in a variety of fields.
  • A professional photographer will serve as your mentor.
  • NYIP Graduates are eligible to become certified by the Professional Photographers of America (PPA).

Photo by Etienne Ludovic, NYIP Graduate

All students get the benefit of online courses they can work through at their own pace, as well as one-to-one feedback from professional photographers on their work!

How to Win

To win this competition you’ll need to:

Watch the video below and visit the course page HERE

Leave a comment below and tell us why you’d like to enter to win this course from New York Institute of Photography. Please note: there is a limit of ONE entry per person.

Do this in the next two weeks and on March 30th, 2018, the team at NYIP will choose the best three answers and we will announce the winners shortly after that date.

Deadline is March 23rd, 2018 at 11:59 pm PDT. Comments left after the deadline will not be considered.

By “best” – we’re looking for people who understand what NYIP is, what the course offers, and how it suits their needs. There’s no need to write essay length comments to win – but we’re looking to hear what you like about NYIP, the course and how it would help your development as a photographer.

This competition is open to everyone around the world no matter where you live, but there is only one entry per person, please. To enter – simply leave your comment below.

Don’t forget to share this post with your friends!

 

 

 

 

 

 

 

Learn more about New York Institute of Photography here.

NYIP is partnered with the PPA – Professional Photographers of America. NYIP graduates are eligible to become certified by the PPA.

Contest open to all. No purchase necessary to enter. The winner is responsible for any fees or taxes. The prize will be delivered electronically by NYIP. Only ONE entry per person. Please allow 2-4 weeks for prize delivery.

Disclaimer: NYIP is a paid partner of dPS.

The post Contest – Win One of THREE Online Professional Photography Courses from the New York Institute of Photography by Juanita Nessinger appeared first on Digital Photography School.


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PyeongChang 2018: Behind the scenes with Nikon Professional Services

08 Feb
Sixty NPS staff members from 13 countries are gathered to help photographers at this year’s Winter Olympics in PyeongChang, South Korea.

The PyeongChang Winter Olympics offers a chance for athletes to shine on the world’s most prestigious stage, but it’s equally as important an event for the hundreds of professional photographers covering the proceedings. In order to capture the most critical sporting moments, they need everything – camera position, angle and timing – to come together at once. This is no place for gear trouble, and that’s where Nikon Professional Services (NPS) comes in.

NPS can be found at most major worldwide sporting events, including the Olympics, as well as international entertainment fixtures such as film and music festivals. NPS also provides camera support services at smaller domestic events like national sporting championships.

There will be 60 NPS staff members from 13 countries on hand, offering support in around 10 languages.

As preparations gear up for this year’s PyeongChang Winter Olympics in South Korea, we spoke to a senior NPS technician and veteran of 15 Olympic Games about what’s involved.

At the PyeongChang Olympics, there will be 60 NPS staff members from 13 countries on hand, offering support in around 10 languages. Planning for the event started two years ago, and as well as D5 and D850 bodies the NPS inventory will include a range of specialized prime and zoom lenses. The exact figure is confidential, but the total value of all the gear is equivalent to ‘several hundred luxury cars’.

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Located in the main press center, the NPS depot will serve all press photographers, regardless of NPS membership. Services offered will include camera check-ups, cleaning and repairs – as well as technical advice and loaner equipment.

Nikon’s professional DSLRs can keep shooting well below freezing, but the extreme temperature difference between inside and outside shooting environments can still present challenges. Among the services available to photographers will be solving a problem unique to shooting in winter – condensation buildup inside lenses.

It may look like a studio light at first glance, but it’s actually a Robotic POD ? an MRMC robotic motion control rig incorporating an AF-S NIKKOR 200-500mm f/5.6E ED VR lens and D5 combination.

The PyeongChang depot is also newly equipped to offer support for robotic remote shooting systems made by Mark Roberts Motion Control (MRMC), a British company that’s now part of the Nikon group.

Major international events like the Olympics are the front lines of technological development

Major international events like the Olympics are the front lines of technological development, and several press agencies will be using MRMC’s Robotic POD (pictured above) at the Winter Games. The latest remote head, it incorporates a D5 body and boasts a less complicated system than conventional models to allow for easier control. With accurate zooming, focusing and rotating, the Robotic POD enables remote shooting in a much wider range of scenarios.

But the depot isn’t just there to help when a photographer has gear trouble – NPS hopes it will serve as an ‘oasis’ amid the high-pressure environment of the games, providing a valuable opportunity for photographers and technicians to talk and share ideas.


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Articles: Digital Photography Review (dpreview.com)

 
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Thingyfy launches Pinhole Pro S: The widest modern professional pinhole lens ever

06 Dec

Thingyfy is back with another Kickstarter campaign, and this time they’re trying to fund the Pinhole Pro S-Series lenses. As with the original Pinhole Pro campaign launched this past summer, the new Pinhole Pro S seeks funding for a modern pinhole lens. Unlike the original, however, the latest campaign is for a model that Thingyfy calls the widest pro-tier pinhole lens in the world.

Pinhole Pro S comes in two varieties: the Pinhole Pro S11, an 11mm lens with a 120 degree FOV, and the Pinhole Pro S37, a 37mm lens with a 60 degree FOV. Both lenses feature a fully aluminum body. The S11 version is designed for mirrorless cameras with Micro Four Thirds, Sony E, and Fuji X mounts; the S37 is designed for SLR/DSLR cameras with Sony A, Nikon F, Canon EF, and Pentax K mounts.

The wide-angle S-Series weighs less while being wider and nine times sharper than the original Pinhole Pro lens, according to Thingyfy. The company explains that its Pinhole Pro lenses offer a very precise pinhole aperture due to the use of a micro-drill that is robotically controlled. The drill produces a “perfectly round” and smooth hole, says Thingyfy, whereas alternatives like chemical etching and laser etching have downsides, such as corroded or burnt, fuzzy edges.

Thingyfy is funding its new Pinhole Pro S lenses on Kickstarter, where an early bird unit of any camera mount is offered for $ 59 CAD / $ 46 USD with an estimated shipping date of April 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Professional photographers explain why they shoot Panasonic Lumix

13 Nov

Being a professional photographer used to mean carrying around heavy SLRs and medium-format camera, tripods and cumbersome accessories. As cameras have evolved to become smaller and smaller, those days are over.

Panasonic was a pioneer in the mirrorless camera market, and over the past decade its G and GH-series cameras have been adopted by a wide range of photographers, including professionals in various different fields. In a new video by filmmaker Griffon Hammond, professional photographers Daniel J. Cox, Ben Grunow, William Innes and Jennifer Maring explain why they choose to shoot with Panasonic Lumix cameras.

Panasonic’s latest G-series camera is the impressive flagship Lumix DC G9, which features a suite of powerful features including high frame-rate stills shooting and 4K video.

Read more about the G9 here

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Articles: Digital Photography Review (dpreview.com)

 
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The free Focos app brings more professional looking bokeh to your dual-cam iPhone

01 Nov

Apple’s ‘Portrait Mode’ on the company’s dual-camera iPhones is a cool feature that produces some neat photos. But if you’re not a fan of the fake bokeh Apple’s standard camera app generates, you might want to check out a free new app called Focos.

Created by the same indie developer behind the apps Colorburn and MaxCurve, Focos takes your iPhone 7 Plus, 8 Plus or X’s Portrait Mode shots and makes them look more ‘professional’ by adding more realistic and customizable bokeh effects.

Focos allows you to pick custom bokeh ‘shapes’, generate more professional-looking bokeh by selecting options like ‘creamy’ or ‘swirly’, import your current Portrait Mode photos and re-edit the background, and re-focus Portrait Mode photos after the fact. And since it’s already capturing 3D data, the app allows you to access that data and apply filters based on depth.

The results should ostensibly look better than what Apple is generating with its own Camera app, but at the very least they’ll be more customizable so you can find a more appropriate effect for every photo.

To learn more about Focos or pick up the free app for yourself, head over to the Focos website or go straight to the iTunes App Store.

Articles: Digital Photography Review (dpreview.com)

 
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Detu launches F4 Plus professional grade 360-degree 8K VR cam

19 Oct

Chinese manufacturer Detu has launched the F4 Plus: a professional grade 8K panoramic VR camera that can capture 360° stills, videos and broadcast livestream footage at a whopping 8K resolution. In other words, at 7680 x 3840 pixels.

Image data is captured using four 200° fisheye lenses coupled to 12MP Sony IMX117 1/2.3″ CMOS sensors. For livestreaming, the camera be connected to a computer via Ethernet cable, and wireless livestreaming to YouTube, Facebook and other 360° enabled platforms is possible via 2.4G and 5G dual frequency Wi-Fi.

The images recorded by the individual cameras are stitched together in-camera and Detu says its optical flow algorithm is suitable for dynamic stitching in case you’re capturing scenes with a lot of motion.

The camera comes with a copper and aluminum frame and an air duct cooling system for efficient heat dissipation during livestreaming. The 4800mAh lithium-ion removable battery allows for up to 120 minutes of continuous shooting and a microSD slot supports cards up to a capacity of 128GB. Audio is recorded via two built-in microphones. Finally, the camera can be controlled, and footage edited and shared, via dedicated iOS and Android apps.

The F4 Plus camera’s professional target clientele is reflected in its hefty $ 2,600 price, but the camera promises to deliver a lot of bang for that buck. For more information or if you’d like to see sample images captured with the F4 Plus, head over to the Detu website.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Professional fashion model hits 30 poses in just 15 seconds

25 Jul

If you’re a fashion model working with Taobao, an Chinese online retailer a la Amazon, your photographer expects some next-level posing from you. In this video posted by the Facebook page Shanghai Expat, we get to see what this looks like in real life: 30 poses hit in just 15 seconds of shooting.

Rapid-fire posing is nothing new, but it’s still hard to believe that each one of these split-second poses turns into a different look option for a catalog. Over the course of a day’s shooting, these models will reportedly pose up to 150 outfits, taking just one minute to change outfits and a 10-minute lunch break.

At that pace, we’re not entirely sure how the photographer is keeping up. Have you ever had the opportunity to work with a model at this skill level? What was it like? Tell us in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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