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Posts Tagged ‘mount’

Sigma US announces Mount Conversion Service for recent lenses

01 Aug

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Sigma has announced a ‘Mount Conversion Service’ for any of its recent ‘Global Vision’ lenses – a paid-for service designed to reduce the uncertainty of changing camera systems. The company says it will charge between $ 80 and $ 250, plus shipping costs, depending on the specific lens. The Global Vision range currently includes seven lenses – from the huge 120-30mm F2.8 DG OS Sport for full-frame DSLRs, down to the 19mm F2.8 DN Art for Micro Four Thirds. The company has also extended the warranties on all new products to four years.

News: Digital Photography Review (dpreview.com)

 
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Cinetics introduces CineVise camera mount with vise grips

12 Mar

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Video accessories maker Cinetics has announced the CineVise camera mount. Similar to its Cine System, it is built around Joby’s popular Gorillapod Focus flexible tripod. The CineVise includes clamps around its feet, allowing you to firmly mount a DSLR or small video camera to any surface. It can be purchased from the Cinetics store as a complete system, including the GorillaPod Focus and Ballhead X for $ 295. You can also purchase just the CineVise grips for $ 165.

News: Digital Photography Review (dpreview.com)

 
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RED ONE CAMERA GDX Nikon lens mount

14 Feb

The new Nikon G/DX lens mount for the RED One camera is demonstrated.

Redondo Beach Pier March 18, 2012. Very windy day with rough surf. Taken with Nikon D3x.

 
 

RED camera lens mount swap part 2

14 Feb

Douglas Underdahl of Long Valley Equipment www.longvalleyequip.com shows you how to swap the PL mount on the RED camera to Nikon mount; part 2 of 2
Video Rating: 4 / 5

This was filmed on the south side of Redondo Pier on Sunday, March 18, 2012. It was windy and very cold. The video was shot with a Nikon D3x at about 1 frame per second. Over 800 frames were taken than exported into a video using Photoshop 5 set to about 6 frames a second.
Video Rating: 0 / 5

 
 

DSLR/DV Rig Shoulder Mount Movie Kit BH52

28 Jan

Feature: Small (folded) design that you can carry it around easily Transformable design for different shooting style Extendable rear arm A lot of 1/4″ screws for LCD monitor, Light, Mic or other accessories mounting All hand grips and joint are rotatable and adjustable Non-slip rest pad on all hand grips Specification: Weight: approx. 1144g Dimensions: 30 x 17 x 8.5 cm (Folded) Available in www.greenlife-style.com now **The Z96 LED Light (code: BH48), Ext. Arm (code: BH50/BH53) & 7″ HD LED Monitor (code: BH51) are also availabe now, Please seach the item code in our site 🙂 **
Video Rating: 4 / 5

Here is my 8-9months old Black Mex Kingsnake eating his first ever live hopper. Previously he has been on pinkies and fuzzies. With the smaller mice he has been biting only with not much constricting. However, this larger hopper triggered the natural instincts in him to strike and constrict. Video was recorded on a DSLR Nikon D90.
Video Rating: 4 / 5

 
 

Suction Cup Camera Mount

02 Jan

Blog: www.thefrugalfilmmaker.com Facebook Group www.facebook.com Twitter Feed: www.twitter.com If you need to see your actors through a moving car window, this simple camera rig is your answer. Dual Suction Cup Lifter www.harborfreight.com Amazon Suction Cup Lifter rcm.amazon.com Frugal Clamp (C-Clamp Mount) filmflap.blogspot.com Sima Quickonnect www.amazon.com 1″ x 15′ Ratchet Strap tie-down (I found a single version for , but this is the basic idea) www.amazon.com 58mm Circular Polarizing Lens www.ebay.com
Video Rating: 4 / 5

Please share it if you like guys ! gear i used; fender custom shop “time machine series” Boss “ds-1” Ibaneze “WH10” Carl Martin “Classic chorus” DAW “Logic”
Video Rating: 4 / 5

 
 

Tokina 16-28mm f/2.8 Ultra-Wide Angle Lens Unboxing | Nikon Mount

22 Dec

Hello, Today I am going to be unboxing the Tokina 16-28mm Ultra-Wide Angle lens that come in either a Nikon or Canon mount. This lens offers a 107º Degree field of view that goes all the way to 76º Degree’s at 28mm, mind you this is on a Full-Frame camera. A cropped sensor APS-C or APS-H camera will offer a different degree of view. With a maximum aperture of f/2.8 this lens allows you to shoot in very low light conditions keeping your shutter speed high or ISO low. This results in clearer, sharper images from any camera. Consisted of 15 Elements in 13 groups, edge-to-edge sharpness is very well controlled as well as vignetting wide open and excellent CA handling. Optically what you are getting is a Nikkor 14-24mm f2.8 for half the price. What a deal! This lens is every bit as sharp as the Nikkor counter-part and even SHARPER in some instances. Feel free to look up these claims on DxOMark. Unlike the Nikkor 16-35mm f/4 with it’s VR (Vibration Reduction) this lens allows a full stop or more or light into the lens because it is an f/2.8. This can come into handy when that extra little bit of light is needed, especially when shooting video which only allows a 1/25 Shutter Speed or higher. The Tokina is built like a tank, weighing in at 2.09lbs or 950g, this lens is no light-weight. It’s meant to be a serious wide-angle lens and you can be assured it is exactly that. One draw-back of this lens is the exposed front-element and also most-importantly the inability to except
Video Rating: 3 / 5

 
 

Mount Trashmore Bike Park

12 Dec

Kitchener’s New Bike Park Built At Mount Trashmore (Mclennan Park) Just A Few Pictures I Took There
Video Rating: 3 / 5

Subscribe / Rate Video too =)! NYCTA 126th Street Bus M35 | East 125th Street, Lexington Avenue, Manhattan via Wards Island (Loop) ENJOY! Video Taken: June 2, 2011 C550D @1080p [FULL HD]

 
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Using a super clamp to mount your Zoom H4n on your boom pole – DSLR FILM NOOB

18 Nov

www.dslrfilmnoob.com Super Clamps are handy little devices. You don’t have to use them with a manfrotto magic arm for them to come in handy. One Great use for them is mounting your zoom h4n. Using the stud that comes with your super clamp you can mount a threaded cold show adapter rcm.amazon.com or threading it into the super clamp stud: rcm.amazon.com Either way provide you with a great way to mount your zoom h4n to your boom pole. The zoom h4n is light enough that you wont be over taxed by the extra weight, and with the multiple mounting options on a super clamp you could always mount a wireless transmitter/receiver to send audio out or bring it in from other sources. When i have to operate the boom mic from long distances I often attach a wireless transmitter to send my audio back to the camera. That way my 7d has a good solid sync track for dualeyes to work with. Equipment used in this video: Canon t2i canon 35mm f1.4 Zoom h4n Cowboy super clamp and manfrotto super clamp Sennheiser g2 wireless transmitter

 
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Gyro Stabilized Camera Mount- AV 200 Gimbal on a Droidworks frame

14 Nov

Here’s a Vid of our Gyro stabilized mount we use on our Mikrokopter its made by Kimberly Atwell of Photohigher.co.nz heres a link to where we got it.. shop.jet-1a.com Thanks for watching.
Video Rating: 4 / 5

Creator of this video: apricot? www.nicovideo.jp www.youtube.com Original video posted on NicoNicoDouga on November 5th, 2010 by apricot?: www.nicovideo.jp Original Song: kz (livetune) – Yellow feat. ????www.nicovideo.jp Choreography reference: ???www.nicovideo.jp Photography: takachii www.nicovideo.jp Camera: Nikon D90, 70mm, f2.8

 
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