The Nikon 300mm F4E PF ED VR is an extremely light-weight, compact telephoto lens well-suited for use on both FX and DX Nikon bodies. It is 30% shorter and 1.5 lbs / 0.68kg lighter than its predecessor, thanks to the use of a Phase Fresnel design. We paired it with a variety of FX and DX cameras and put together a selection of real world sample images. See gallery
Articles: Digital Photography Review (dpreview.com)
Canon’s flagship superzoom is its PowerShot SX60 HS, which sports a 21-1365mm equivalent lens – not quite Coolpix P900 territory but still very impressive. It also features a fully articulating LCD, Wi-Fi with NFC, and 1080/60p video. We’ve spent some time shooting with the SX60 and have put together a gallery of rusting trucks, sunsets, snowy owls and even snowier mountains. See gallery
Articles: Digital Photography Review (dpreview.com)
Panasonic’s Lumix CM1 has the potential to break new ground in the territory between smartphones and cameras. It offers a 1-inch 20MP sensor, much larger than the typical smartphone camera chip. It also provides an F2.8 Leica-branded lens encircled by a control ring that can be used to adjust various exposure settings. We got out and about with it to see what its images look like. See gallery
Articles: Digital Photography Review (dpreview.com)
The latest from Lensbaby, the Velvet 56mm f/1.6, is designed to bring soft, dream-like effects to portraiture. It also provides a minimum focus distance of 5 inches for macro work. It’s by no means cheap for what it offers at $ 499.95, but for some photographers will offer the ability to capture soft focus effects in-camera rather than through processing. We took the Velvet 56 out for a spin. See gallery
Articles: Digital Photography Review (dpreview.com)
Sony’s line of FE lenses continues to grow. One of the most recent models to be released, the FE 28mm F2, recently landed in our office, and we spent some time toting it around on a variety of Sony FE bodies. Check out our samples. See gallery
Articles: Digital Photography Review (dpreview.com)
The Nikon D7200 improves over its predecessor in one important way, offering a greatly improved buffer. Other improvements are more subtle, but more sensitive AF and an improved video specification make the D7200 a more capable camera than the model which came before it. We’ve had a D7200 for a few days, and wasted no time pairing it with Sigma’s excellent 18-35mm F1.8 A to get some real-world samples. Click through to see more
Articles: Digital Photography Review (dpreview.com)
Canon’s new EF 11-24mm F4 L wideangle zoom lens is Canon’s widest ever rectilinear zoom by some margin, and may even challenge Nikon’s venerable 14-24mm F2.8 as the tool of choice for landscape, property and architectural photographers. When a reviewable sample arrived in our office last week we wasted no time taking it out shooting. See gallery
Articles: Digital Photography Review (dpreview.com)
After several iterations, Panasonic’s GF- series compact mirrorless camera line has settled into a comfortable position: providing mass market point-and-shoot appeal while giving photographers the option to fully control settings. The latest camera in the series, the Lumix DMC-GF7, continues this trend. Check out our sample gallery
Articles: Digital Photography Review (dpreview.com)
Sony announced three new FE primes yesterday, including a 28 f/2, a 35mm f/1.4 and a 90mm f/2.8 macro. We got our hands on the Zeiss Distagon T* FE 35mm f/1.4 and shot with it around Seattle. It features a 9-blade circular aperture and a Direct Drive SSM focus system. Check out our samples gallery
Articles: Digital Photography Review (dpreview.com)
After handling a prototype at Photokina, we brought a final shipping sample of Tamron’s new 15-30mm wideangle zoom back from CP+. The stabilized ultra-wideangle lens covers a full-frame sensor, offers a unique double lens hood design for added strength and boasts a very competitive $ 1200 price tag. We’re impressed so far – check out our samples gallery
Articles: Digital Photography Review (dpreview.com)