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Posts Tagged ‘Announces’

Ricoh spins off its 360-degree camera division, announces new ultra-compact selfie camera

10 Mar

Ricoh has announced it’s spinning off its 360-degree camera division into a new startup called Vecnos and simultaneously releasing the first product from the Ricoh-backed venture.

The Vecnos venture started back in 2018 when Ricoh decided, as part of its new business development initiatives, to create a team tasked with creating ‘specialized cameras for a new generation of consumers.’ This new team, led by Shu Ubukata (now Vecnos’ CEO), proved entrepreneurial enough to Ricoh that it decided to turn it into a separate startup, with Ricoh as the investor.

There’s not much information about Vecnos, aside from a bare Twitter account, but to drum up some interest, Vecnos has announced its first product, a 360-degree ultra-compact camera that’s designed to ‘reinvent the selfie for social media natives.’

Specifications are scarce for the prototype camera, but Vecnos does say it will feature a proprietary four-lens optical system with a single lens on the top and three lenses around the perimeter of the wand-like device. Vecnos says the camera will work with an upcoming mobile app that will allow users to ‘users can easily enhance and share their images and videos on social media platforms.’

Based on the above promotional video, the camera appears to function almost identical to the Ricoh Theta cameras, with the ability to capture 360-degree photos and video and recompose the content as you see fit using the accompanying mobile app. The device itself features a power button, a shutter button, a dedicated button for switching between still and video mode and a what appears to be a pair of holes for an internal stereo microphone.

No pricing information has been shared, but Vecnos says the camera will be available in 2020.

Ricoh spins out Vecnos to focus on consumer 360-degree camera segment

First product aims to reinvent the selfie for social media natives

MARCH 10, 2020, YOKOHAMA, Japan – Vecnos Inc., the visual revolution company, today unveiled its vision to be a leader in the consumer 360-degree camera market and announced its first product, an ultra-compact camera that aims to reinvent the selfie for social media natives. Vecnos is a new startup venture spun out of and funded by Ricoh Company, Ltd.

Vecnos was founded by the core team that designed and launched the pioneering Ricoh Theta 360 camera in 2013. At Vecnos, the team—led by CEO Shu Ubukata—will leverage its expertise in optical and artificial intelligence (AI) technologies to develop new approaches to 360-degree and other specialized cameras, software and apps with a goal of making advanced imaging accessible to and enjoyable for broad consumer audiences.

“Enabled by advances in technology, combined with new social networking platforms, we are building a new generation of cameras, with our first product designed to reinvent the selfie and be used by a younger consumer,” explained Ubukata. “Our objectives are to combine ease of use with advanced capabilities for shooting, enhancing and sharing images, in beautiful and elegantly designed products that people will want to use. We aim to inspire a new generation.”

Vecnos’ first product will be a 360-degree camera that achieves new levels of miniaturization in a sleek and sophisticated design. A proprietary four-lens optical system, with three lenses on the side, and one on the top, enables the camera to be ultra-slim and pen-shaped. Using the Vecnos app, users can easily enhance and share their images and videos on social media platforms. The 360-degree camera and app will be available in 2020.

Emerging from Ricoh’s new business development initiatives, Vecnos was founded on the principles of open innovation and leveraging third-party knowledge, said Ricoh Company, Ltd. President and CEO Yoshinori “Jake” Yamashita. He explained: “Ricoh has always been committed to supporting innovation in visual communications. As part of our new business development initiatives, a team led by Shu Ubukata was formed in 2018 to create specialized cameras for a new generation of consumers. Ultimately, we all realized that it made sense for this highly entrepreneurial team to be spun out into its own venture. And with that, Vecnos was born. Ricoh is proud to be the lead investor in a young company with a Ricoh pedigree and a vision to build revolutionary products.”

Articles: Digital Photography Review (dpreview.com)

 
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Irix announces its long-awaited 45mm F1.4 still lens for Canon EF, Nikon F and Pentax K mounts

09 Mar

Irix has announced the details of its new 45mm F1.4 manual lens for full-frame camera systems.

The lens was originally teased as a prototype way back in 2017 at The Photography Show. Last year, a cine version of the lens was released, but the still photography version remained to be seen, until today.

The 45mm F1.4 lens is based around Irix’s Dragonfly design technology, which uses an aluminum-magnesium alloy and composite elements to create a lightweight, but sturdy design that’s weather-resistant thanks to multiple gaskets throughout the lens. The focus ring has a 140-degree throw, a focus-lock feature and offers laser-engraved markings with luminescent paint for easier viewing in low-light environments.

No launch date or pricing information is available at this time. When the 45mmm F1.4 lens does launch, it will be available for Canon EF, Nikon F and Pentax K camera systems. We have contacted Irix to request more information and will update this article accordingly if and when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Lensrentals announces it’s hit the 1,000,000 order milestone, shares the history of the company

03 Mar

Lensrentals has announced it’s shipped its one millionth order, an incredible feat that took just 13 years to achieve after Lensrentals founder, Roger Cicala, decided to rent out gear to sustain his photography hobby.

To celebrate the occasion, Lensrentals shared the above video, an accompanying blog post and shared a 45-minute podcast episode (Apple Podcasts, Spotify, Google Podcasts, YouTube) that goes into the history of the company and the work it took to hit the monumental milestone.

If you can find the time, be sure to read, watch and listen to the history of Lensrentals to see how Roger and his team have crafted an incredible success story in an industry that continues to struggle. And, of course, from all of us here at DPReview, congratulations to Roger and team for the monumental achievement. We look forward to many more humor-riddled teardowns.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 announces upcoming Android, iOS mobile app set to ship ‘in the first half of 2020’

29 Feb

ON1 has announced it’s currently working on ON1 Photo Mobile 2020, a mobile app for Android and iOS that will be able to both capture and edit Raw images. The app will also sync with ON1 Photo RAW for desktop computers, with the ability to view, edit and sync images across devices.

Not much information is given on the teaser page, but from what information is available, it seems the app is part mobile camera app, part editing tool, with many features taken from ON1 Photo RAW. ON1 says the capture component of ON1 Photo Mobile 2020 will offer ‘pro-level controls you are familiar with on your interchangeable-lens camera’ and ‘is packed full of advanced features.’

As for editing on-the-go, ON1 says the app will offer ‘ the same power as […] in ON1 Photo RAW.’ Specifically, ON1 mentions the ability to enhance shadows, remove distractions, lighten/darken areas ‘and more.’ Put in more parallel terms, it sounds like ON1 Photo Mobile 2020 will offer highlight/shadow controls as well as a healing brush-style tool. Presets and local adjustments will also be available within the app.

The app will also sync with ON1 Photo RAW on your computer to ‘push edits […] back to ON1 Photo Mobile using ON1 Sync,’ a process that provides ‘a complete, open, photo editing and organizing system,’ according to ON1

ON1 says ‘ON1 Photo Mobile 2020 will be available in the first half of 2020’ for Android and iOS devices. No pricing information has been given at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Sirui announces 50mm F1.8 anamorphic lens for mirrorless cameras set for April release

26 Feb

Budget-conscious filmmakers looking for an anamorphic lens will finally be able to stop cropping the top and bottom of their movie frames next month when the Sirui 50mm F1.8 1.33x anamorphic lens will begin shipping through distributors outside of the initial Kickstarter and Indiegogo campaigns. The company has already shipped to many of its backers, but the Coronavirus has created delays that have set the general release back to April.

The lens, which enables 2.4:1 aspect ratio shooting, is available in mounts for Sony-E, Fujifilm X and Micro Four Thirds, and will retail for around $ 700 / £660. Designed to cover APS-C sized sensors the lens offers a field of view that equates to a 37.5mm lens, according to Sirui, as the optics increase the horizontal angle of coverage by 33%.

The compact lens is only 106.6mm (4.2in) long and has a maximum diameter of 69.2mm (2.72in), while weighing 560g (1.23lbs). It has a 10-bladed iris with openings covering F1.8-16 and the closest focus distance is 0.85m (33.5in).

For more information see the Sirui website

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces pricing, availability for its MC-31 PL-to-L-mount adapter

21 Feb

Sigma has announced its upcoming Mount Converter MC-31, which will allow PL-mount lenses to be used with L-mount camera systems, will start shipping on February 27, 2020 for a retail price of $ 679.

First announced at IBC2019, the MC-31 is constructed of an aluminum-alloy with a brass mount and locking ring. When used on the Sigma fp, the lens can also fasten with a screw thread for even more security while shooting.

Conventional? No. But it certainly gets the job done.

Sigma has included shim adjustments within the adapter at two points on the mount. ‘The flange depth can be adjusted on the camera-side mount as well as the lens-side for proper calibration of both camera and lens accuracy,’ according to Sigma.

There’s also a removable tripod socket, making it possible to attach the MC-31 to a tripod or other filmmaking rigs, as well as luminous paint (the same used on Sigma’s Cine lenses) for times when you’re shooting in low-light environments.

We will update this article with purchase links when they go live at the usual retailers.

Press release:

Sigma Mount Converter MC-31 to Begin Shipping on February 27, 2020

Pricing for the MC-31, which allows PL-Mount lenses to be used with L-Mount cameras such as the Sigma fp, will retail for $ 679 USD

Ronkonkoma, NYSigma Corporation of America, a leading camera, photography lens, cine lens, flash and accessories manufacturer, today announced that its Mount Converter MC-31 will begin shipping on February 27, 2020. The Mount Converter MC-31 will retail for $ 679 USD from authorized Sigma dealers.

Announced at IBC2019, the new Sigma Mount Converter MC-31 is a converter that allows creatives to easily adapt PL-Mount cine lenses, which are widely used in filmmaking, for L-Mount cameras including the Sigma fp as well as cameras from Leica and Panasonic. Designed for durability, its metal construction with aluminum alloy body, brass mount and locking ring ensures a secure connection between lens and camera.

For full product details and technical specifications as well as press imagery, please refer to the official press release here and imagery here.

Key Product Features:

Shim Adjustments

The MC-31 has shim adjustments on two points of the mount. The flange depth can be adjusted on the camera-side mount as well as the lens-side for proper calibration of both camera and lens accuracy.

All-Metal Construction

With an aluminum-alloy body and strong brass mount and locking ring, the MC-31 boasts excellent durability. It is also designed to be fastened on the mount of the Sigma fp with a screw thread, ensuring an even more secure connection between the lens and the camera. This allows users to shoot steady without the lens rattling even after long-term use.

Tripod Socket

The removable tripod socket allows MC-31 to be attached to a tripod or other filmmaking accessories such as a camera cage.

Secure Lens Mounting

With the screw thread removed, the stopper of the locking ring is released. This makes it possible to use MC-31 with a PL mount lens that requires tighter mounting than the MC-31’s specifications, allowing the lens to lock securely in place on the converter.

Luminous Paint for Low Lighting

The markings on the upper part of the converter are in the same luminous paint as the one used for Sigma Cine Lenses, helping make it easier to replace or adjust a lens in the dark.

Articles: Digital Photography Review (dpreview.com)

 
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Cosina announces upcoming Voigtlander Nokton 35mm F1.2 III lens for M-mount

20 Feb

Alongside the 60mm F0.95 it released, Cosina Japan has also announced the Voigtlander Nokton 35mm F1.2 Aspherical III VM lens for Leica M-mount camera systems.

Like the 60mm F0.95 lens, the Voigtlander Nokton 35mm F1.2 VM lens doesn’t yet have pricing or availability information available for regions outside of Japan, where it’s expected to be released in March 2020 for ¥135,000.

The lens is constructed of nine elements in seven groups, features an aperture range of F1.2 through F22 and has a 12-blade aperture diaphragm. The minimum focusing distance is 50cm (20in) and the front filter thread is 52mm.

Compared to its second-generation predecessor, the Voigtlander Nokton 35mm F1.2 Aspherical III VM has been reduced in size, coming in at 20-percent shorter and 30-percent lighter at 50.5mm (2in) and 332g (11.7oz), respectively. The lens will work with all M-mount Leica cameras and most Vessa cameras (not the Bessa L or R).

You can find out more information on Cosina’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Cosina announces new Voigtlander Nokton 60mm F0.95 lens for Micro Four Thirds cameras

19 Feb

Cosina Japan has lifted the veil on its latest lens for Micro Four Thirds camera systems, the Voigtlander Nokton 60mm F0.95.

The manual focus lens, which is set for an April 2020 release in the Japan market for ¥145,000, is constructed of 11 elements in 8 groups, features an aperture range of F.095 through F16 and features a ten-blade aperture diaphragm. The minimum focusing distance is 34cm (13.4in) and it features a 77mm front filter thread.

Below are a few low-res sample images provided by Cosina:

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Cosina has also added a new aperture switching mechanism that will de-click the aperture ring for times when you don’t want the tactile and auditory feedback. The lens measures in at 82.5mm (3.25in) diameter and 87.7mm (3.45in) long, and weighs in at 860g (1.9lbs).

No pricing or availability information has been given for regions outside of Japan.

Articles: Digital Photography Review (dpreview.com)

 
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Rokinon announces 16mm T2.6 and 35mm T1.5, two new carbon fiber cine lenses

18 Feb
Rokinon XEEN CF 16mm T2.6

Rokinon has announced a pair of wide-angle primes that add to Rokinon’s growing lineup of XEEN CF Professional Cine Lenses for Canon EF, PL and Sony E mount camera systems. The 16mm T2.6 and 35mm T1.5 round out Rokinon’s Xeen CF lineup alongside the previously-announced 24mm T1.5, 50mm T1.5 and 85mm T1.5 lenses.

As with the other three primes in the lineup, the ‘CF’ denotes the carbon fiber used in the construction of the lenses’ barrels for these lenses. The use of carbon fiber reduces the weight of the lenses compared to metal housing, with the 16mm and 35mm primes weighing .9kg (2lbs) and 1.1kg (2.4lbs), respectively.

Rokinon XEEN CF 35mm T1.5

Both lenses feature an eleven-blade aperture, a 95mm front filter thread, a 200-degree focus throw and dual-side focus scales made of luminescent material for easier viewing in low-light conditions. They also use Rokinon’s X-Coatings for improved control of internal reflections.

No pricing or availability information has been shared at this time, but all of the other XEEN CF lenses in Rokinon’s lineup retail for $ 2,495, so it’s not unreasonable to assume these will cost the same. DPReview has contacted Rokinon for more details and will update the article accordingly if we receive a response.


Update (February 17th, 2020): Updated to clarify the 16mm is a T2.6 lens, not a T1.5 lens, as suggested by the original headline.

Articles: Digital Photography Review (dpreview.com)

 
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Vazen announces new 28mm T2.2 1.8x anamorphic lens for Micro Four Thirds mount

17 Feb

Chinese cinema lens manufacturer Vazen has announced its latest anamorphic lens for Micro Four Thirds (MFT) cameras and teased another one that’s due out ‘in a few months.’

Vazen’s new 28mm T2.2 1.8x anamorphic lens for MFT camera systems is the second lens in its MFT anamorphic lineup, following up on its 40mm T2, an impressive anamorphic lens we had a little fun with on DPRTV. The new 28mm T2.2 features a lightweight design that Vazen claims makes it the ‘World’s Lightest 1.8x Anamorphic Lens for Panasonic GH5, Z-Cam E2 & Blackmagic Pocket 4k.’

It weighs just 720g (1.59lbs) and measures 80mm (3.15in) diameter and 107mm (4.2in) long. Its T-stop range is T2.2 through T16, it features a 72-degree angle of view and it has a minimum focusing distance of 82cm (2.7ft). Below is a sample video of footage captured with the lens on a ZcamE2(Vazen also shared this slightly NSFW music video captured with the lens):

In addition to the new 28mm T2.2 lens, Vazen also confirmed it’s adding a third lens to this lineup, a 65mm anamorphic lens. No details are given on the specs, but Vazen does not the 65mm lens ‘is expected to have the strongest anamorphic “character.”’

The Vazen 28mm T2.2 1.8x anamorphic lens for MFT camera systems is currently available to purchase through Vazen’s website for $ 3,250. If you purchase both the 28mm T2.2 and the 40mm T2 as a kit, Vazen drops the price for the pair by $ 400.

Articles: Digital Photography Review (dpreview.com)

 
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