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OWC’s Thunderbolt 3 Dock adds 13 ports to your MacBook

15 Nov

When Apple introduced the 2016 generation of its MacBooks the new machines were criticized for the lack of an SD-card reader and a generally reduced number of ports. OWC’s Thunderbolt 3 Dock looks like an interesting solution for anyone who owns a new MacBook or any other computer with a limited number of ports and connectors. 

The Thunderbolt 3 Dock makes full use of Thunderbolt 3 technology and offers a 40Gb/s throughput which allows for the inclusion of 13 ports. Through a single Thunderbolt 3 cable, the Dock allows you to charge mobile devices, connect multiple 4K displays, add external storage, transfer images and data from SD cards, connect to wired networks via Gigabit Ethernet, plug in audio accessories and power the 2016 MacBook Pro. Here is a list of all available connections:

  • 2 x Thunderbolt 3
    • Two USB-C ports
    • Daisy chain and power up to 5 Thunderbolt 3 devices
  • 5x USB 3.1 Gen 1
    • Including two high-power USB Type-A ports for fast mobile device charging
  • FireWire 800
  • Gigabit Ethernet
  • mini DisplayPort
  • SD Card reader
    • Easily transfer photos and video from an SD card
  • Audio combo port
    • For headphones or microphones
  • S/PDIF digital audio

The OWC Thunderbolt 3 Dock can now be pre-ordered at a number of authorized resellers and shipping is scheduled for February 2017. When preordered the OWC Thunderbolt 3 Dock is priced at $ 279 and comes with a free 0.5 meter Thunderbolt 3 40Gb/s USB-C cable. The regular retail price will be $ 300.

Press Release:

OWC INTRODUCES THUNDERBOLT 3 DOCK WITH 13 PORTS – THE MOST POWERFUL OWC CONNECTIVITY SOLUTION EVER – AVAILABLE FOR PRE-ORDER TODAY 

FEATURING THUNDERBOLT 3, USB 3.1 GEN 1, FIREWIRE 800, ETHERNET, MINI DISPLAYPORT, SD CARD READER, COMBO MIC & HEADPHONE PORT, AND DIGITAL AUDIO 

WOODSTOCK, IL – November 3, 2016 – OWC®, a leading zero emissions Mac and PC technology company, today introduced the all-new Thunderbolt 3 Dock – the latest in its award-winning lineup of connectivity expansion solutions.

Now available for pre-order, the Thunderbolt 3 Dock offers exceptional flexibility and connectivity with 13 ports, up to 40Gb/s of bandwidth, and the capability to power the new 2016 MacBook Pro, all in an elegant, industrial design. For anyone concerned with the limited port options on new Thunderbolt 3-equipped Macs or PCs, the Thunderbolt 3 Dock is the ideal solution for connecting a wide variety of existing and future devices including external hard drives, webcams, audio interfaces, Ultra HD displays, wired networks, and more.

“With our critically-acclaimed Thunderbolt 2 Dock and USB-C Dock, OWC defined a new standard in providing more connectivity at a time when new computers were shipping with fewer ports,” said Larry O’Connor, Founder and CEO, OWC. “The all-new Thunderbolt 3 Dock is the best expansion solution we’ve ever made, offering the incredible speed of Thunderbolt 3 technology coupled with 13 ports of connectivity, perfect for getting the most out of the new 2016 MacBook Pro.” 

ALL YOUR DEVICES. INCREDIBLE PERFORMANCE. ONE CABLE. 

At twice the bandwidth of Thunderbolt 2, the Thunderbolt 3 Dock takes full advantage of the cutting-edge performance of Thunderbolt 3 technology with throughput up to 40Gb/s. As a result, the new Thunderbolt 3 Dock offers more ports than ever, including 13 ports of connectivity and the capability to charge mobile devices, connect multiple 4K displays, add external storage (including legacy devices like FireWire drives), import photos and videos from SD cards, access wired networks via Gigabit Ethernet, connect audio accessories, and even power the new 2016 MacBook Pro – all through a single Thunderbolt 3 cable. 

EXTREME CONNECTIVITY WITH 13 PORTS 

  • (2) Thunderbolt 3
    • Two USB-C ports
    • Daisy chain and power up to 5 Thunderbolt 3 devices
  • (5) USB 3.1 Gen 1
    • Including two high-power USB Type-A ports for fast mobile device charging
  • FireWire 800
  • Gigabit Ethernet
  • mini DisplayPort
  • SD Card reader
    • Easily transfer photos and video from an SD card
  • Audio combo port
    • For headphones or microphones
  • S/PDIF digital audio 

PRICING & AVAILABILITY 

The OWC Thunderbolt 3 Dock is currently available for pre-order at MacSales.com and other authorized resellers. Deliveries of the dock will begin in February 2017.

The OWC Thunderbolt 3 Dock is priced at $ 279.00 during the pre-order event. Plus, it ships with a free .5 meter Thunderbolt 3 40Gb/s USB-C cable–valued at $ 24.95. 

THE LEADER IN THUNDERBOLT AND USB CONNECTIVITY EXPANSION 

OWC has a history of creating full-featured connectivity solutions for Mac users around the world. In addition to the upcoming Thunderbolt 3 Dock, OWC offers the award-winning Thunderbolt 2 and USB-C Docks. The OWC Thunderbolt 2 Dock provides 12 ports of connectivity all united with just a single Thunderbolt 2 cable, while the OWC USB-C Dock provides a complete connectivity solution for computers that utilize USB-C ports. 

NEED IMMEDIATE CONNECTIVITY FOR YOUR 2016 MACBOOK PRO? 

If you need an immediate connectivity solution, the OWC USB-C Dock and OWC Thunderbolt 2 Dock are currently shipping and fully compatible with the new 2016 MacBook Pro. Simply connect the OWC Thunderbolt 2 Dock via a Thunderbolt 3-to-Thunderbolt 2 adapter (sold separately) or directly connect the OWC USB-C Dock to your 2016 MacBook Pro, or MacBook, and bring a new world of connectivity to your workflow.

Articles: Digital Photography Review (dpreview.com)

 
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PanoMoments cleverly adds the element of time to 360-degree images

14 Nov

PanoMoments’ ‘360-degree living photos’ are a kind of mashup between 360-degree images and Apple’s Live Photos. It’s not quite video, and it’s not a static image: PanoMoments can be created using any robotic panorama head (though the company is producing a specialized one), uploaded to their website for conversion and viewed on the web, with a VR headset or on a mobile device. Varying the time it takes for the device to complete a full rotation gives the resulting product a ‘live photos’ feel or a more time-lapse effect. 

Click to view this PanoMoment. Note that you will need to be running Google Chrome version > 52.x or viewing on a modern Android/iOS smartphone.

The process for creating a PanoMoment begins with the camera of your choice (ideally a larger sensor ILC) and a circular fisheye lens. Using PanoMoments’ PanoCatcher Loop or any panorama head, the camera is rotated 360-degrees while capturing at least 120 images. Convert your images to equirectangular format, upload them to PanoMoments.com and voila – you’ve got a PanoMoment. You can upload up to 20GB worth of images for free, while a ‘Pro’ membership will get you 500GB.

At the moment, PanoMoments’ creators are looking for funding through Kickstarter to help with building costs. Currently, a $ 270 pledge will get you a PanoCatcher Loop along with a 1 year Pro membership.

Head over to their Kickstarter page to learn more and see additional PanoMoments.

Articles: Digital Photography Review (dpreview.com)

 
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DxO ONE adds Raw image workflow for iOS

11 Nov

DxO announced that it has added a full Raw processing workflow to its iPhone-connected DxO ONE camera. Taking advantage of Raw image support in iOS 10, the update provides one-touch transfer of DxO ONE Raw files to the iOS photo library, from which images can be processed or shared.

Additionally, the company has introduced new Raw files that save an average of 30% space, improved responsiveness and boot time, faster application startup, full remote control of the camera using a direct Wi-Fi connection and a smart lighting feature to enhance dynamic range in difficult lighting situations.

A free update to the DxO ONE iOS app (v2.1) will be available in November, however the company did not provide a specific date.

Press release:

DxO ONE 2.1 update integrates full RAW processing workflow in an iPhone environment

DxO ONE update makes mobile an option for demanding photographers

PARIS—November 10, 2016—DxO, pioneer in digital imaging technologies, announces a major update to its award-winning DxO ONE miniaturized camera that lets demanding photographers take their mobile image making to the next level. Less than three months after the release of a 2.0 update that brought Wi-Fi as a new feature, DxO continues to extend the use of its pro-quality camera by introducing the world’s first seamless RAW workflow, direct from the DxO ONE to your iPhone or iPad. The version 2.1 update takes full advantage of RAW support in iOS 10, enabling a one-touch transfer of DxO ONE RAW files to the iOS Photos library where they can be processed on-the-go. Available to all DxO ONE users free of charge, the update also enables direct Wi-Fi remote control, and adds other performance boosting enhancements.

The DxO ONE camera revolutionized mobile photography by being the first to combine a large, high- resolution sensor and fast, razor-sharp lens in a miniaturized design that pairs directly with the iPhone or iPad. From the start, the DxO ONE has allowed photographers to store images in the RAW file format, which offers superior quality over JPEGs and considerable flexibility. Until now, post processing of RAW images necessitated they first be imported to a desktop computer. With this latest update, the DxO ONE camera can seamlessly transfer RAW photos direct to the iPhone where they can be further enhanced by Google Snapseed, Adobe Lightroom Mobile, and other popular iOS photo editing applications that have embraced support for mobile RAW image processing.

“I prefer to capture in RAW, because it gives me enhanced dynamic range, which is especially useful in bringing back details in blown highlights and deep shadows,” said professional photographer Camilla Ferrari. “Thanks to new developments by Apple and DxO, I’m now able to transfer RAW images from my DxO ONE camera right to my iPhone with a single tap, where I can process them in Adobe Lightroom Mobile and other iOS apps while I’m still on location. Welcome to the future!”

To further streamline the new mobile RAW workflow, DxO has introduced a lighter and faster recording speed for RAW files, which squeezes an average of 30% more storage space out of existing microSD cards. Overall responsiveness has also been improved, with a faster boot time for the camera, quicker application start-up, and improvements to the loading speed of the photo gallery.

The update also adds a number of other enhancements to the user experience, including a direct Wi- Fi connection that provides full remote control over the DxO ONE camera even when no existing Wi- Fi network is available. Version 2 also added a host of innovative features further extending the many uses for the DxO ONE, including the ability to tap into the Wi-Fi network that your iPhone is already logged into for remote control in-home or in-office, and a Mobile Smart Lighting feature designed to dramatically enhance the dynamic range of photos taken in tricky lighting situations. DxO also recently introduced a complete ecosystem of accessories, including a waterproof outdoor shell, ultra- compact stand and optical adapters, all intended to let photographers take their DxO ONE absolutely anywhere, without restrictions, to extend their creativity even further.

Pricing & Availability

The DxO ONE Miniaturized Pro Quality Connected Camera for iPhone® and iPad® is available for purchase at dxo.com, Amazon, Best Buy, B&H, Target and other respected retailers for $ 499 (US).

The DxO ONE 2.1 iOS app and companion Apple Watch® app will be made available in November as free software updates via the iTunes App Store®. Every DxO ONE user is invited to download DxO Connect for Mac/PC, or on Mac DxO OpticsPro for Photos – DxO ONE camera only, both of which harness the power of the DxO OpticsPro photo engine designed to make your best photos look even better.

Articles: Digital Photography Review (dpreview.com)

 
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Apple revamps MacBook Pro lineup, adds ‘Touch Bar’

28 Oct

On the 25th anniversary of the first PowerBook, Apple has announced three new MacBook Pro models. The long-awaited new flagship 13″ and 15″ MacBook Pros bring performance boosts compared to the previous generation, revamped ergonomics, and a new ‘Touch Bar’, aimed at making the machines more versatile for creative professionals.

It’s no surprise that the two new flagship MacBook Pro models are slimmer and lighter than their predecessors, but the ergonomic changes are more fundamental than that. Their new ‘force touch’ trackpads are twice as large as the previous-generation, and the keyboards have been redesigned, with a slimmer butterfly switch design, that Apple claims will offer superior tactile feel to the similar switches in the 12″ MacBook. 

The big news, however, is the addition of a ‘Touch Bar’. Much anticipated (and leaked), this is a touch-sensitive display strip, that effectively replaces the traditional function keys which have been a feature of consumer computing for more than 40 years. The Touch Bar is fully customizable, and its default functions change depending on the application. Obvious uses including scrubbing through a video timeline in Final Cut Pro, and quick text formatting and email flagging in Apple’s Mail app.

In addition to the new 13″ and 15″ Touch Bar-equipped models, a third new 13″ MacBook Pro has also been introduced, which is even slimmer, even lighter, but features only two thunderbolt ports, and a traditional function key array. Base configurations of the new 13″ and 15″ MacBook Pro models will be available starting at $ 1799 and $ 2399 respectively, and the slimmer non-Touch Bar model will start at $ 1499.

During a demo at the launch event, a representative from Adobe demonstrated how the Touch Bar can be used in Photoshop to quickly switch between layers, blending modes and select brushes without needing to access any of the usual on-screen pallets – effectively allowing true ‘full-screen’ image editing. Adobe is expecting to add full support for the Touch Bar before the end of 2016.

Another big change is how the new MacBook Pro models manage peripherals. Gone is the built-in SD reader, MagSafe connector, and any traditional USB or HDMI ports. Instead, the new computers offer four Thunderbolt 3 ports, all of which can serve as power, USB 3, HDMI, display, or ThunderBolt connectors.

In terms of performance, Apple claims that the new MacBook Pro’s displays are 67% brighter, offer a 67% greater contrast ratio and 25% greater color gamut than the previous generation, and the 15in version offers 130% greater 3D graphics performance. Video editing on the 15in model should be 57% faster than the previous generation, thanks to a quad-core Intel Core i7 processor, faster 2133Mhz memory and up to 4GB of video Ram. Built-in storage has been boosted too, up to 3TB with a maximum rated data transfer rate of 3.1 gigabytes per second. 

We’re intrigued by the possibilities of the new Touch Bar, and after watching Adobe’s demonstration of its integration into Photoshop, we can see it becoming popular with photographers. Likewise video editing. The ability to run a video at full-screen, without any on-screen clutter but still have access to key navigation and editing tools from the Touch Bar is pretty neat. Business users will appreciate Touch Bar integration with MS Office, and an integrated iOS-style Touch ID fingerprint scanner for quick unlocking and user-switching.

Every time Apple adds or removes an I/O port, certain Internet commenters get up in arms, but with the exception of the lack of SD slot, the move to an all-Thunderbolt I/O interface makes sense. We suspect that for serious users, the sheer versatility of the four USB-C style ports should outweigh the inconvenience of switching away from traditional USB, HDMI and display connectors in the long run.

Less clear-cut is the matter of how Apple intends to evolve its desktop and mobile operating systems. With iOS getting more powerful (just anecdotally, the iPad Pro has effectively replaced laptops for several of us here at DPReview), and Mac OS getting progressively more iOS-like, we’re curious to see what happens next. The addition of the Touch Bar to the new MacBooks brings OS integration a little closer, but will Apple continue to expect developers like Adobe to create separate versions of its applications for both iOS and Mac OS – even as the user bases overlap?

What do you think? With Microsoft’s new hybrid device, the Surface Studio snapping at their heels, is Apple still providing creative professionals with the high-end computers that they need? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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iOS 10.1 adds ‘beta’ support for Portrait mode to iPhone 7 Plus

26 Oct

Apple has released an update to iOS 10, which alongside various bug fixes and refinements, adds beta support for ‘Portrait’ mode in the iPhone 7 Plus.

The Portrait mode feature is only supported by the dual-lens iPhone 7 Plus model running iOS 10.1, and is designed to replicate the look of shooting at a shallow depth of field – an effect traditionally limited to larger imaging formats. Although anyone with an Apple developer account has been able to shoot with the new mode for a while (we posted a gallery including some samples last month), iOS 10.1 represents the first truly public ‘beta’ test of the new feature.

Are you curious? Have you downloaded it? Did you jump straight to the comments section before you finished reading this paragraph? Let us know. 

Articles: Digital Photography Review (dpreview.com)

 
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Google adds auto image rotation, GIF creation to Photos app

13 Oct

Google has added four new features enhancing its Photos app for iOS and Android.

The first two features are similar in that they highlight photos related to specific people. A ‘Rediscover your memories’ feature will dig up old pictures of people who have appeared in more recent images. A ‘Recent highlights’ option will bring up a ‘card’ showing the best photos of a subject you’ve taken pictures of recently, such as a baby.

Perhaps a more useful feature is the ability to rotate images to the correct orientation, as illustrated above.

Finally, the Photos app can analyze videos you’ve taken to find ‘action’ and then turn it into an animated GIF.

Google blog via Droid Life

Articles: Digital Photography Review (dpreview.com)

 
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Sony a6500 adds 5-axis stabilization, touchscreen and processing power

07 Oct

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Sony has taken the wraps off of its 24MP a6500 mirrorless camera. The flagship APS-C camera gains five-axis image stabilization and touchscreen operation. A larger buffer and more processing power also help set it apart from the existing a6300. It will cost around $ 1400.

The a6500 is now the company’s top-end APS-C camera, sitting above the a6300. It makes use of the same copper-wired 24MP sensor with 425 on-sensor PDAF points but gains a faster (LSI) processor to allow high speed operation. Sony also promises improved processing at high ISO settings, thanks to this new LSI.

The camera gains 5-axis image stabilization which continues to work in both stills and video. The system is rated as offering 5 stops of stabilization, by CIPA standard testing.

When used in conjunction with stabilized ‘OSS’ lenses, the in-lens stabilization takes over correction of the axes that is can stabilize, though Sony makes no claims for this adding to the degree of stabilization offered.

It also gains a touchscreen for faster operation, particularly in terms of AF point positioning. The rear screen works as a touchpad if you’re holding the camera to your eye.

The buffer has been significantly increased, allowing the camera to shoot at 11 frames per second for around 300 JPEGs or 100 Raw+JPEG frames. Sony says this (presumably in combination with the additional processing power) also helps it offer a faster image review when you’ve been shooting large bursts.

It can shoot 4K video much like the a6300 but with the touchscreen allowing touch-to-pull-focus. The AF drive speed during video shooting can be controlled for smooth focus transitions. This autofocus ability is maintained across all the camera’s video modes, including 1080/120p capture.

Beyond that, the camera’s video capabilities are very similar to those of the a6300: UHD 4K  at up to 100Mbps from 6K readout, meaning roughly 1.54x oversampling in each dimension (2.4x overall). The camera can also capture Full HD (1080) at up to 120p which is now offered as part of a feature that allows the camera to offer anything from 1fps to 120fps capture, for playing back as anything from 60x high speed to 1/5th speed slow motion.

Sadly, Sony is making no promises of improved rolling shutter, compared with the a6300 (suggesting it’s a sensor read-out limitation, rather than one of processing).

Like the a6300, the a6500 has a mic input but no headphone socket.

The camera’s menu has also been updated, which the company says will make it easier to search and navigate. At present, it does not appear that the camera can shoot uncompressed Raw.

Battery life is rated at 350 shots per charge when using the rear screen and 310 shots per charge when using the EVF.

The a6500 will be available for $ 1400/€1700 in the end of November and December for the US and EU, respectively.


 Press release:

Sony Introduces New ?6500 Camera with Exceptional All-Around Performance

New Flagship APS-C Sensor Camera Combines World’s Fastest AF speed1and Highest Number of AF points2 with In-camera 5-axis optical image stabilization, Touchscreen AF Operation, 24.2 MP Exmor® CMOS sensor and more

NEW YORK, Oct. 6, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their new flagship APS-C sensor camera, the ?6500 (model ILCE-6500).

As the latest addition to Sony’s lineup of award winning mirrorless cameras, the new ?6500 shares the same unrivaled 4D FOCUS™ system as the ?6300 camera, which can lock focus on a subject in as little as 0.05 seconds, the world’s fastest1 AF acquisition time. Also shared with the ?6300, the new ?6500 features 425 phase detection AF points that are densely positioned over nearly the entire image area – the world’s highest2 number of AF points on any interchangeable lens camera. The new model can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking and up to 8 frames per second in a live-view shooting mode that makes it easy to track fast moving subjects, as it combines all of the benefits of an electronic viewfinder with the immediacy of an optical viewfinder.

The camera can shoot at these high speeds for up to 307 frames3 thanks to its expanded buffer, which, along with the fast response speeds described above, are all achieved with the support of a new front-end LSI chip that has been added to the camera. This new front-end LSI also serves to enhance both still and video image quality.

Additionally, the new ?6500 features Sony’s acclaimed in-camera 5-axis optical image stabilization, making it the first Sony APS-C sensor camera to offer all of the benefits of advanced in-body stabilization, which include a shutter speed advantage of approximately 5 steps4. It also offers touchscreen AF capabilities for focus point selection and adjustment.

“We are continuing to push the boundaries of modern innovation in digital imaging, in particular within the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “By equipping the ?6500 with 5-axis image stabilization and touchscreen AF, we’re offering photographers and videographers more control than ever before and a seemingly endless amount of creative possibilities. As our flagship APS-C camera, it far exceeds the performance threshold of any camera in its class, and many above its class as well.”

Unmatched AF Capability

Sony’s new ?6500 camera utilizes the same 4D FOCUS system as the ?6300 – a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. It also features 425 phase detection AF points and High-density Tracking AF Technology, which significantly improves subject detection and tracking performance.

New for the ?6500, thanks to faster internal processing capabilities enabled by the front-end LSI, the maximum buffer for high-speed continuous shooting is an impressive 307 frames3, greatly increasing the chances to catch that decisive moment.

The camera’s 425 phase detection AF points, focusing tracking and accuracy are also available when using non-native A-mount lenses5 with Sony’s LA-EA3 mount adaptor. Additionally, it includes silent shooting, Eye AF in AF-C mode, AF in focus magnifier modes, Expand Flexible Spot AF and more.

5-axis Image Stabilization Provides 5 Steps Shutter Speed Advantage

One of the most exciting developments in the new ?6500 is the implementation of 5-axis image stabilization for the first time in a Sony APS-C sensor camera. Additionally, through a total revision of the internal design of the camera, this newly developed stabilization system fits entirely within a body that is nearly the same size as the ?6300 model6. This innovative 5- axis system provides a shutter speed advantage of 5 steps4, ensuring the full resolving power of the sensor can be realized, even in challenging lighting.

The shake compensation provided by the system works with a variety of lenses, including E-mount lenses without OSS (Optical SteadyShot) stabilization and A-mount lenses7 when used with a compatible mount adapter. When an E-mount lens with OSS is mounted, pitch and yaw are compensated in the lens and horizontal, vertical and roll axes are compensated in the camera body, resulting in optimal 5-axis stabilization7.

Also, with a simple half press of the shutter button, the effect of the image stabilization can be monitored in the viewfinder or on the LCD screen, allowing framing and focus to be accurately checked and continually monitored. This is available even when a lens is attached that does not have built-in shake compensation.

New Touch Screen Focusing

The new ?6500 comes equipped with touch screen functionality, allowing users to lock focus on a subject simply by touching it on the screen. This is a powerful compliment to its advanced AF system and video shooting capabilities.

Additionally, in a first for Sony cameras, the ?6500 features touchpad functionality. When utilizing the viewfinder for framing and shooting, the LCD screen can be used as a touch pad. Simply drag a finger across the screen to shift the focus point from one area to another.

Powerful 24.2 MP8 Exmor CMOS Sensor, BIONZ X® Processor and New Front-End LSI

The new ?6500 features an APS-C sized 24.2 MP8 Exmor CMOS sensor that works together with a BIONZ X image processor and the newly developed front-end LSI to maximize processing power and achieve an impressive sensitivity range of ISO 100-512009.

The image sensor employs a thin wiring layer and large photodiode substrate that maximizes light collection efficiency, plus copper wiring in its structure for outstanding read-out speed. The BIONZ X image processor and newly developed front-end LSI ensure superior image and video quality with low noise even when using higher ISO settings, in particular those at high sensitivity values where other cameras typically struggle. The LSI is also responsible for the expanded buffer depth for continuous shooting.

Professional Video Capabilities

The new ?6500 becomes the latest Sony interchangeable lens camera to offer internal 4K movie recording, as it can shoot 4K (3840x2160p) video in the popular Super 35mm format on the full width of the image sensor. When shooting in this format, the camera uses full pixel readout without pixel binning to collect 6K of information – approximately 2.4x10 (20 MP equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality 4K footage with exceptional detail and depth.

Additionally, the ?6500 will focus exceptionally fast during movie shooting thanks to its Fast Hybrid AF system, offers touch focusing for professionally smooth focus shifts, while also offering adjustable AF transition speed and AF tracking sensitivity. The camera supports the XAVC S codec11 during video shooting, which records at a high bit rate of up to 100 Mbps during 4K recording and 50 Mbps during Full HD shooting, ensuring maximum detail and clarity in both video formats.

Other professional caliber video features include the ability to record Full HD at 120 fps at up to 100 Mbps, which allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD (24p) resolution with AF tracking.

New on the ?6500 is the incorporation of a ‘Slow and Quick’ (S&Q) mode that supports both slow motion and quick motion. In this mode, frame rates from 1 fps to 120 fps can be selected in 8 steps for up to 60x quick motion and 5x slow motion recording12. Footage shot in this mode can be previewed after shooting without the need for PC-based post processing.

The camera also offers S-Log gamma recording13 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space. Both options allow for greater creativity for processing video post-production.

Shooters also now have the ability to select, extract and save still images from movie footage directly on the camera. Approximately 8 MP images and 2 MP images can be pulled from 4K modes and Full HD modes, respectively.

Enhanced Operability and Reliability

The new ?6500 has a refined design, maintaining the mobility of the ?6000 series while adapting much of the usability of Sony’s acclaimed ?7 II series. The new model features the same high contrast, high-resolution 2.4 million dot XGA OLED Tru-Finder as the ?6300 that offers exceptional corner-to-corner visibility.

New hardware features on the ?6500 include a magnesium alloy body and a high-durability shutter with a tested life span of approximately 200,000 release cycles14. It also has several design features that are borrowed from the ?7 II series of full-frame cameras, which include a robust lens mount, a recessed grip to improve handling, a larger release button and ten total custom buttons including ‘C1’, ‘C2’ and ‘C3’. It also has an improved operation feel for its mode and control dials and rear face buttons, as well as a softer eyepiece cup for more comfortable usage.

On the software front, there is a new overall user interface, which allows for a much smoother process for searching and adjusting menu settings, as well two new metering modes – Highlight, where exposure metering is focused on the brightest area of the frame, and Entire Screen Avg, which maintains an average metering for the entire image.

The camera is Wi-Fi®, QR and NFC compatible and fully compatible with Sony’s PlayMemories Mobile™ applications15 available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™. The ?6500 also offers location data acquisition via a Bluetooth16 connection to a compatible mobile device and an updated menu structure to deliver a smoother navigational experience.

Pricing and Availability

The Sony ?6500 interchangeable lens camera will ship this November for about $ 1,400 US and $ 1,750 CA. It will be sold at a variety of Sony authorized dealers throughout North America.

There is also a new genuine leather body case (model LCS-EBG) that will ship in November and a new eyepiece cup (model FDA-EP17) that will be launched at a later date.

Notes:

  1. Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of October 2016, based on Sony research, measured using CIPA-compliant guidelines, and internal measurement method with an E PZ 16-50mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use.
  2. Among digital cameras as of October 2016, based on Sony research.
  3. With “Hi” continuous shooting mode and “Fine” image quality.
  4. Based on CIPA standard. Pitch/yaw shake only. With Sonnar T* FE 55mm F1.8 ZA lens mounted. Long exposure NR off.
  5. A-mount lenses with SSM or SAM only. Users can choose phase-detection AF or contrast-detection AF in AF System menu. “Phase-detection AF” is not available during movie shooting. AF-C in AF System menu is available only with “Contrast-detection AF” selected, but no motion tracking is performed during continuous shooting (Hi+, Hi, Mid).
  6. Excluding grip, frontal-view size and main body thickness are the same as for the ?6300
  7. All 5-axis stabilization is performed in-camera when SEL90M28G is mounted
  8. Approximate effective MP
  9. Standard ISO range: 100-25600 for stills and movies. Expandable up to ISO 51200 for stills only.
  10. In 24p recording. Approx. 1.6 times in 30p recording.
  11. SDHC/SDXC memory card of Class 10 or higher is required for movie recording in XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps recording.
  12. Sound cannot be recorded. SDHC/SDXC memory card of Class 10 or higher is required.
  13. S-Log2 and S-Log3 are premised on processing pictures.
  14. With the electronic front curtain shutter, under internal test conditions of Sony.
  15. Use the latest version of PlayMemories Mobile
  16. Can be connected via Bluetooth with smartphones featuring (as of the date of release)

Sony Alpha a6500 specifications

Price
MSRP $ 1400 (body only)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Bionz X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expandable to 51200)
Boosted ISO (maximum) 51200
White balance presets 8
Image stabilization Sensor-shift
Image stabilization notes 5-axis
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Sony E
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
Flash X sync speed 1/160 sec
Drive modes
  • Single
  • Continuous (Hi+/Hi/Mid/Lo)
  • Self-timer
  • Bracketing
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes (3 frames, H/L selectable)
Videography features
Format MPEG-4, AVCHD, XAVC S
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 50i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 50i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 6 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 25p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 25p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 25p / 16 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 24p / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 25p / 6 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC + Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50
Battery Life (CIPA) 350
Weight (inc. batteries) 453 g (1.00 lb / 15.98 oz)
Dimensions 120 x 67 x 53 mm (4.72 x 2.64 x 2.09)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-Pro2 firmware 2.0 adds focus points, improves PDAF accuracy

07 Oct

Fujifilm has released firmware v 2.0 for the Fuji X-Pro2, bringing many tweaks, changes and bug fixes to the company’s flagship APS-C camera. Among the changes is an increase in the number of focus points to 325, as well as improved phase detection autofocus accuracy via the X-T2’s AF algorithm, improved AF tracking in Continuous L burst rate shooting in AF-C mode, the addition of support for the EF-X500 shoe mount flash, new 15/30 second and 1 minute time options for ‘Auto Power Off,’ and improved optical image stabilization when using the electronic shutter.

The full firmware 2.0 changelog:

  • 1. The NUMBER OF THE FOCUS POINT has increased.(*) The options available are 91 POINTS(7×13) and 325 POINTS(13×25) on the NUMBER OF THE FOCUS POINT of the AF/MF SETTING in the Shooting Menu.
  • 2. Improvement of phase detection AF accuracy. By employing the new AF algorithm used in the X-T2, the AF accuracy has been improved.
  • 3. AF tracking function has been improved when CONTINUOUS L in the AF-C mode.
  • 4. In AF-C mode, AE function will work while pressing the shutter button halfway.
  • 5. AF tracking function works while CONTINUOUS shooting in the AF-C mode with the Electronic Shutter.
  • 6. AF tracking function works while CONTINUOUS H shooting in the AF-C mode instead of zone AF.
  • 7. STILL IMAGE(single frame shooting) is available when CONTINUOUS L in the AF-C mode.
  • 8. The focus point of Eye Detection AF has been changed to the eye closer to the camera.
  • 9. Compatibility with the Shoe Mount Flash EF-X500.(*) Additional functions like the multi-flash lighting, high-speed flash sync and so on can be used with the EF-X500. Accordingly, the FLASH SETTING and the Shooting Menu is dramatically changed.
  • 10. The items that can be assigned to the Quick Menu have changed.(*) FLASH FUNCTION SETTINGS and FLASH COMPENSATION have been added due to the compatibility with the Shoe Mount Flash EF-X500.
  • 11. The roles that can be assigned to the Function buttons have changed.(*) FLASH FUNCTION SETTINGS, TTL-LOCK and MODELING FLASH have been added due to the compatibility with the Shoe Mount Flash EF-X500.
  • 12. Addition of AUTO POWER SAVE.(*) AUTO POWER SAVE option has been added to the POWER MANAGEMENT of the Setup Menu. Select ON to save the power consumption and make the battery life longer.
  • 13. Addition of setting time in AUTO POWER OFF.(*) 15 SEC, 30 SEC and 1 MIN have been added to the AUTO POWER OFF of the POWER MANAGEMENT in the Setup Menu.
  • 14. S.S OPERATION option has been added to BUTTON/DIAL SETTING in the Setup Menu.(*) Select OFF to disable the shutter-speed fine-tuning using the command dials.
  • 15. Change of the CORRECTED AF FRAME in the OVF.(*) Specification of the CORRECTED AF FRAME of AF/MF SETTING in the Shooting Menu has been changed. OFF: The frame moves according to parallax to show the focus point. ON: The CORRECTED AF FRAME in the OVF is fixed on the recommended value described in the Owner’s manual. If the minimum focus range of the attached lens is greater than the recommended value, the frame is displayed on the position of the minimum focus range. *Upgrade the firmware of the lenses after the firmware of the camera is upgraded.
  • 16. The phenomenon is fixed that in rare cases the magnification of the OVF doesn’t switch appropriately when a lens is changed.
  • 17. The bright frame movement in the OVF has become more smoothly while zooming in and out.
  • 18. OIS function has been improved while using Electronic Shutter.
  • 19. The phenomenon is fixed that in rare cases frames of live view on a smartphone drop while using the application software “FUJIFILM Camera Remote”.
  • 20. The phenomenon is fixed that exposure sometimes doesn’t change appropriately in Aperture Priority AE while using an M MOUNT ADAPTER.

Articles: Digital Photography Review (dpreview.com)

 
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ExoLens offers Zeiss-branded accessory lenses for iPhone 7, adds ‘Prime’ lens line

06 Oct

ExoLens has announced that it will sell its Zeiss-branded accessory lenses for iPhone 7, and has also introduced a second product line. Calling its existing lineup of lenses with Zeiss optics the ‘Pro’ line, it emphasizes their high quality construction while adding the ‘Prime’ line for ‘artistic expression and non-technical social sharing.’ ExoLens does not mention support for the iPhone 7 Plus and its dual camera modules.

Three Pro lenses are offered: the Wide, Telephoto and Macro-Zooms first introduced in January. Each will come with an ExoLens Edge machined aluminum mount, as well as a key ring loop. Launching for iPhone 7, 6/6 Plus and 6s/6s Plus in December, the wide-angle and telephoto kits will also sell for $ 199.99 and $ 249.99, respectively.

Following the launch of these two kits, ExoLens will release the Pro Macro-Zoom Lens in January for $ 199.99 bundled with the lens mount bracket. This kit will include the Zeiss Vario-Proxar 40-80 T macro-zoom lens for taking photos of items that measure between 3cm and 12cm. 

The Pro macro lens kit will be joined by Telephoto 2x, Wide-Angle 0.6x, and Super Wide-Angle/Macro combo lenses in the PRIME range, all of which launch in the first quarter of 2017; prices for the Prime kits haven’t been released yet.

Press release:

ExoLens® Introduces PRO and PRIME Ranges of Professional Accessory Lenses for the iPhone 7

The new lines offer photographers a range of exceptional mobile lenses that are made for a wide variety of usage scenarios, from professional landscape and portrait imagery to selfies used by social sharers.

Itasca, IL – October 5, 2016 – ExoLens®, accessory brand dedicated to elevating the mobile photography category, announces the launch of the ExoLens PRO and PRIME ranges. Each line is designed for a specific consumer, which allows everyone from the novice to the professional to join the mobile photography movement. Leading the collection, is the ExoLens® PRO line for the iPhone 7, which feature Optics by market leading brand, ZEISS, to offer truly professional-grade mobile lenses to photographers, artists and journalists to seriously step up your mobile photography game.

“We are very excited to launch the high-performance ranges of PRO and PRIME iPhone lenses,” says John Fellowes, Chief Executive Officer of Fellowes Brands, which acquired ExoLens in 2014. “The new product lines signify an expanded brand strategy for ExoLens, which will now reach mobile photographers of all levels.”

First to market will be the ExoLens PRO Wide-Angle and Telephoto Kits for iPhone 7. These kits will bring the aspherical lens technology previously reserved for high-end DSLR lenses, straight to your iPhone as a compact mobile accessory lens. With more than 170 years of experience engineering professional optics, ZEISS has gained unrivaled trust among professional photographers and cinematographers in the industry. The series of high-performance lenses is a new breed of mobile photography optics that will allow the massive community of iPhone photographers and videographers to tell a deeper story with gold-standard gear. All PRO Kits come with the new machined aluminum ExoLens Edge mount, which features an integrated cold shoe accessory mount (compatible with accessories such as external video light) and key ring loop.

The ExoLens PRO Wide-Angle Kit with Optics by ZEISS features a ZEISS Mutar™ 0.6x Asph T* Wide-Angle lens, which provides virtually no distortion and exceptional edge-to-edge contrast, resulting in an image quality that is unmatched by any other iPhone accessory lens. This Kit helps professionals capture expansive scenery and immerse viewers with frame filling detail, while expanding the frame of the iPhone to see the world in a beautiful new perspective. The ExoLens PRO Wide-Angle Kit with Optics by ZEISS will be available for iPhone 6/6s, iPhone 6 Plus/6s Plus, and iPhone 7 in December for $ 199.99.

The ExoLens PRO Telephoto Kit with Optics by ZEISS features a ZEISS Mutar™ 2.0x Asph T* Telephoto lens. The Kit offers photographers a narrow depth of field to add a beautiful bokeh to the background while focusing attention on the subject. The focal length of the telephoto allows the contours of the face to appear more natural and closer to real life, and is ideal for street photography, portraits or capturing events. The Telephoto Kit will be available for iPhone 6/6s, iPhone 6 Plus/6s Plus, and iPhone 7 in December for $ 249.99.

ExoLens PRO Macro-Zoom Kit with Optics by ZEISS features the ZEISS Vario-Proxar 40-80 T* macro-zoom lens. The ZEISS Vario-Proxar 40-80 T* macro-zoom lens has a variable focal length of 40 to 80 millimeters. “In combination with the optics of the smartphone camera, turning the ring does not result in an increase or reduction of the field of view,” Product Developer Vladan Blahnik from ZEISS explains. “Instead, the ring functions much like a manual focus with which different planes can be set. If photographers want to shoot objects that are three to five centimeters away, they turn the ring to the right as far as it will go, and to the left for objects that are five to eight centimeters away.” This allows users to capture objects measuring three to twelve centimeters filling the complete field of view and capture astonishing details beyond what is visible to the human eye to put you impossibly close to the subject. The PRO Macro-Zoom Kit will be available for iPhone 6/6s, iPhone 6 Plus/6s Plus, and iPhone 7 in January for $ 199.99.

The ExoLens PRIME product line allows for artistic expression and non-technical social sharing to step up your iPhone photography and videography game. They are intended for the photographer looking to create unique, artistic and candid snapshots. The lenses offered for PRIME Kits are the Wide Angle 0.6X, the Telephoto 2X and the Super Wide-Angle/Macro Combo.. The PRIME product line will be available starting Q1 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Phase One XF IQ3 100MP update adds electronic shutter

04 Oct

Danish medium-format manufacturer Phase One has released a firmware update for its XF camera system that introduces an electronic shutter function to its IQ3 100MP digital back as well as a menu screen for controlling Profoto flash heads via the Air Remote TTL radio communication network.

This will be the third firmware update for the XF body since it was launched. The benefit of the electronic shutter is that it will be possible to record images with the 100MP sensor without involving any moving parts in the camera. Although previously the XF offered a mirror-up mode, the shutter unit still created some vibration during the exposure that could diminish the resolution of the final image. Phase One says that exposures of between one hour and 1/4000sec will be possible in electronic shutter mode.

The new firmware also adjusts the function of the Profoto Air radio trigger that is built into the XF body. While previously the trigger just controlled when wirelessly connected flashes fired, now users are also able to control output directly from the camera’s back using a TTL metering system. This allows users to control and monitor up to six groups of heads directly from the back’s own display. The update has also brought an information panel that demonstrates how the flash duration and output curve correspond to the camera’s shutter synchronization so photographers can ensure they are optimizing the timing of the shutter to make the most of the period during which the flash is lit.

The company has altered its 5-year warranty terms too, abolishing the limit on shutter actuations – presumably as the body no longer needs to trigger the mechanical shutter to make an exposure. Phase One has also officially introduced the vertical grip it had displayed ‘unofficially’ at Photokina. The V-Grip offers almost the same right hand control dials as the body’s own grip including, obviously, a shutter release button in the same place. The grip will be available from November at $ 1490, and the new firmware has been released today as a free download. For more information see the Phase One website and the firmware download page.

Press release:

Phase One Releases XF Camera System Feature Update #3

Adding new functionality, new hardware and improved warranty

COPENHAGEN, Oct. 3, 2016 – Phase One, the world’s leading medium format camera system provider, today released a major XF Camera System update. Available now and free to all XF Camera System owners, this update demonstrates Phase One’s commitment to the continuous upgrade and improvement of the XF camera platform.

Feature Update #3 greatly advances the features of the world’s first full frame medium format CMOS sensor. The IQ3 100MP system now includes complete Electronic Shutter integration — the world’s first in medium format photography. With the ability to capture images without a single moving component, the IQ3 100MP is now even more versatile.

The update adds significant improvements for studio and flash photography applications such as advanced flash controls with the in-camera Profoto Air Remote enabling Profoto TTL metering. Further, a post capture Flash Analysis Tool has been added to ensure unparalleled control.

Phase One also today introduced the new XF V-Grip, providing advanced ergonomic capabilities and control options.

The world’s best warranty becomes even better
Phase One’s dedication to product quality, in combination with the maturity of the XF Camera System, provides professional photographers with the assurance they demand.

“All XF IQ3 Camera Systems come with a five-year warranty that now includes unlimited shutter actuations, a warranty unprecedented in our industry,” says Stefan Sandor, VP Marketing and Product Management, Phase One.

Phase One’s XF Camera System Feature Update #3 introduces

Advanced Studio Hardware, Controls and Workflow:

Flash Analysis and Rear Curtain Trim
Review all aspects of the flash output just after the capture, directly on the XF Camera System and offset the flash sync to meet your requirements;

Profoto Air
Full functionality of the Profoto Air for up to six groups, now built directly into the XF Camera System;

Profoto AirTTL
Integrated with the XF Camera System’s Auto Focus sensor to provide active feedback and deliver accurate exposures with every capture, no matter the variables.

V-Grip for the XF Camera System
Providing advanced ergonomic capabilities and control options, the XF Camera System V-Grip ensures simplicity as well as dynamic improvements to handheld workflow applications.

Advanced Technology, Tools and Customization:

Electronic Shutter for the IQ3 100MP ?
The IQ3 100MP now includes complete Electronic Shutter integration. With the ability to capture images without a single moving component, the IQ3 100MP is even more versatile.

Additional New Customization and Workflow Options
With Feature Update #3, the XF Camera System now includes Icon Control, Create, Load & Save System Setup, Advanced Tool Options for sequence tools, as well as several other new improvements and features.

For all the details, please go to: www.phaseone.com/feature-update-3 or book a demo on: www.phaseone.com/demo

Availability and Pricing

Firmware for the XF Camera System Feature Update #3 is free and available for download here: www.phaseone.com/feature-update-3

New XF V-Grip will be shipping in November and is available through Phase One photography partners worldwide: www.phaseone.com/partners?

Prices for Phase One XF V-Grip – 1,490 USD

Articles: Digital Photography Review (dpreview.com)

 
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