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Pentax K1 firmware update adds electronic shutter in live view mode

04 Oct

Pentax has released new firmware for its flagship K1 full frame camera that includes the ability for users to select electronic shutter shooting for the first time. Firmware version 1.3 adds a live view Electronic Shutter option to the menu system that the company says avoids the vibrations caused by mechanical shutter actions immediately prior to the exposure of the sensor. There are some limitations however, as the shake reduction system can’t operate during electronic shutter exposures, HDR mode won’t work, external flash units won’t be triggered and the drive is limited to single shot or multiple exposure modes.

Other functions added by this update include the ability to shoot square images and to record only two frames (Off and Type 2) when using the anti-aliasing filter simulation bracketing feature. Previously, three frames had to be recorded in a sequence that included Type 1 as well. A general ‘bracketing cancel’ Off option has also been added to the camera menu under the BKT function.

Pentax says that other more general stability issues are fixed too with this update. To read more and to download the firmware see the Pentax website.

Release information:

Release of the function expand Firmware version 1.30 for PENTAX K-1

RICOH IMAGING COMPANY, LTD. is pleased to announce the release of the function expanding Firmware version 1.30 for PENTAX K-1 digital SLR camera (launched on April, 2016) on September 29, 2016.

The function expand firmware is to add new function or increase number of setting for currently used PENTAX K-1 camera, so that improve the function, easy handling and update to the latest function.

New Enhanced Functions

*The Electronic Shutter at Live View mode
The Electronic Shutter can be selected at the Menu to reduce camera shake from the mechanical shutter when shooting with Live View mode.

*Add the [1:1] format at the Crop mode
Added and selectable [Square format (1:1)] size at the Crop mode.

*Add [2 frames bracketing] for the [AA Filter Simulator bracketing]
Addition to the current [3 frames bracketing (OFF, TYPE1, TYPE2)], the [2 frames bracketing (OFF, TYPE2)] is added and selectable for the [AA Filter Simulator bracketing]

*Smart Function
At the [BKT] setting, the bracketing range [±0 (=single frame)] can be selected.

[Others]
*Improved stability for general performance.

Articles: Digital Photography Review (dpreview.com)

 
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Lumulabs Lumu Power adds a light and color meter to your iPhone

22 Sep

Lumulabs is showing off its new Lumu Power light and color temperature meter add-on for smartphones that was successfully funded through a Kickstarter campaign earlier this year. Attached to an iPhone, the Lumu Power can measure ambient light and flash output, as well as color temperature. It uses two sensors, one on each side of the half-dome design. A photodiode with CIE spectral luminous efficiency measures the light levels and a True Color sensor, which is compliant with the CIE 1931/DIN 5033 color standard, analyzes the color temperature. 

The electronics are protected by a stainless steel housing and the device attaches to your Apple device via the Lighting connector. An Android version that uses a USB Type-C port is planned for next year.

The diffusers are made from polycarbonate lexan, and like the original Lumu, the Lumu Power is controlled via a dedicated app. The latter is still in development but Lumulabs says new functions are added almost on a daily basis. Color temperature, illuminance flash output curve, flash duration and flash versus ambient light ratio are some of the functions that have already been implemented. You can pre-order now on the Lumu website for $ 229. Shipping is planned to start by the end of the month.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma adds the 85mm F1.4 Art, 12-24mm Art, 500mm F4 Sport lenses to its Global Vision line

20 Sep

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Sigma has announced three new full-frame lenses for its Global Vision Line. The long-rumored and long-awaited 85mm F1.4 Art, the 12-24mm F4 Art, and the 500 F4 DG OS HSM Sport.

The 85mm F1.4 Art has been designed with resolution and bokeh in mind. A stronger HSM AF motor produces 1.3x the torque of the previous setup hopes to improve autofocus speed as well. The lens will be available in late October at a price $ 1199.

The Sigma 12-24mm F4 DG HSM Art is a new ultra-wide-angle zoom. It too features the stronger AF module, and also features the largest aspherical glass mold in the industry, which helps produce minimal distortion, flare and ghosting. The lens will be available in late October for $ 1599.

The Sigma 500mm F4 DG OS HSM Sport uses lightweight materials like carbon fiber and magnesium alloy and features a dust and splash resistant construction. In Nikon mount it features a brand-new electronic diaphragm. The Sigma 500mm F4 Sport lens, in Canon and Sigma mounts, will be available in late October. The Nikon mount will be available in late November. The 500mm F4 will retail for $ 5999.

Press Release:

Sigma Adds the 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art, and 500mm F4 DG OS HSM Sport Lenses to Its Global Vision Line

Outstanding optical performance, ultra-wide zoom range, and versatile flagship sports lens headline the Sigma line-up at Photokina 2016

Cologne, Germany – September 19, 2016 – Sigma Corporation of America, a leading camera, DSLR lens, flash and accessories manufacturer, unveiled its new 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art and 500mm F4 DG OS HSM Sport Global Vision lenses at the Photokina 2016 event (hall 4.2, stands B020, B028 and C029).

“We are thrilled to announce three state-of-the-art additions to the Global Vision line. The Sigma 85mm 1.4 Art has been a highly requested lens and we are very confident those customers who have been waiting for us to deliver this lens will be more than pleased with the superior optical performance and zero compromise,” states Mark Amir-Hamzeh, president of Sigma Corporation of America. “In addition, the re-engineered 12-24mm F4 and highly competitive 500mm F4 Sport lens both embody the world-class performance our Global Vision lenses are known for. We look forward to seeing the incredible images our customers will create using these new Sigma lenses.”

Sigma 85mm F1.4 DG HSM Art – The Ultimate Portrait Lens
Delivering the ultimate in creative expression, the new Sigma 85mm F1.4 Art lens is engineered to support the highest resolution sensors on the market with an exceptional degree of sharpness. The high-performance optical system is purpose-built by Sigma R&D to produce the attractive bokeh effect sought after by discerning photographers. The lens’ advanced architecture features two SLD (special low dispersion) glass elements and one glass element with a high rate of anomalous partial dispersion and refraction. A re-engineered AF system brings 1.3X the torque of its predecessor, while other features such as a full-time manual focus override have been added, which can be controlled when the focus ring is rotated, even during continuous AF.

The Sigma 85mm F1.4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature a brand new electromagnetic diaphragm.

The Sigma 85mm F1.4 Art lens will be available in late October and retails for a recommended street price of $ 1199.00 USD.

Sigma 12-24mm F4 DG HSM Art Ultra-Wide Angle Zoom for the Era of Ultra-High Resolution Digital Cameras
Boasting the renowned Global Vision image quality from center to edge, the new Sigma 12-24mm F4 features the largest aspherical glass mold in the industry, offering photographers an ultra-wide angle zoom with virtually no distortion, flare or ghosting. Encompassing the long history of Sigma wide angle lens development expertise, the new 12-24mm F4 performance highlights include constant F4 brightness and the brand new Sigma AF system with 1.3X torque boost. The 12-24mm F4 features lens elements made with FLD (“F” Low Dispersion) glass, which is equivalent to calcium fluorite in performance. Combined with an optimized power distribution, the result is outstanding image quality from center to edges. With a minimum focus distance of 9.4 inches at 24mm, photographers can compose incredible close-up shots with expansive backgrounds.

The all new Sigma 12-24mm F4 DG HSM Art lens supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.

The Sigma 12-24mm F4 Art lens will be available in late October and retails for a recommended street price of $ 1599.00 USD.

Sigma 500mm F4 DG OS HSM Sport Lens – Pro Fast-Aperture Prime Super Telephoto
The flagship Sigma super telephoto 500mm F4 Sport lens incorporates the very latest in Sigma optical technology and innovation. Designed for the professional sports and wildlife shooter, the ultra-durable lens features magnesium alloy components, a carbon fiber hood, a water and oil resistant front element, and is dust and splash proof. The 500mm F4 features a drop-in rear filter slot for polarizers, UV and other critical filters. To help prevent damage during shooting and maintenance, the lens is also compatible with the exclusive SIGMA Protector LPT-11 (sold separately).

The lens incorporates two FLD and one SLD glass elements, while the optimized power distribution helps minimize spherical aberration and axial chromatic aberration. The optical system also effectively minimizes transverse chromatic aberration, which can affect the edges of the shots taken in the telephoto range. In addition, image quality remains exceptional when the lens is used with a Sigma Telephoto Converter (sold separately).

Other key performance features include Sigma’s two-mode Optical Stabilizer for enhanced performance when shooting handheld for still subjects or panning and tracking for moving subjects. There is also a customizable AF “return” function for setting the focus position of one’s choice and returning to that preset distance.

The all new Sigma 500mm F4 supports Canon, Nikon and Sigma mounts. The Nikon mounts feature the brand new electromagnetic diaphragm.

The Sigma 500mm F4 Sport lens, in Canon and Sigma mounts, will be available in late October. The Nikon mount will be available in late November. The 500mm F4 will retail for a recommended street price of $ 5999.00 USD.

All Sigma Global Vision lenses, including the new 85mm F1.4 DG HSM Art, 12-24mm F4 DG HSM Art, and 500mm F4 DG OS HSM Global Vision lenses, can be updated with the latest lens firmware from a workstation or laptop using the Sigma Optimization Pro software and Sigma USB Dock (sold separately).

Tested for Optimum Performance

Sigma lenses are born of well thought-out design concepts, exceptional Japanese craftsmanship and manufacturing, and advanced lens performance testing and evaluation. To this end, Sigma has developed its own A1 proprietary MTF (modulation transfer function) measuring system using 46-megapixel Foveon direct image sensors. Even the most elusive high-frequency details are within the scope of Sigma’s quality control inspections. Every Global Vision lens is A1 tested, analyzed and approved before leaving the factory, ensuring maximum performance out of the box.

For more information on Sigma’s industry leading testing, please visit http://blog.sigmaphoto.com/2012/a1-mtf-testing-for-new-sigma-lenses/.

About Sigma Corporation
Craftsmanship. Precision. Dedication. Since 1961, Sigma has been devoted the pursuit of advancing photographic technology. Unique to the industry, the family-owned business produces its high-quality, award-winning camera lenses, DSLR cameras, flashes, filters and accessories from its state-of-the-art manufacturing facility located in Aizu, Japan.

In 2012, the company introduced the Sigma Global Vision with three distinct lens lines: Art, Contemporary and Sport. Designed for industry camera mount systems including Canon, Nikon, Olympus, Pentax, Sony and Sigma, each lens is handcrafted and tested in Japan to ensure a high-performance, premium product that is purpose-built to last.

Sigma continues its tradition of imaging excellence with the mirrorless sd Quattro, sd Quattro H and the compact dp Quattro camera line. Leveraging the ultra-high resolution Foveon sensor, the Sigma Quattro cameras are designed to produce the highest quality image with every shot.

For information about Sigma, please visit www.sigmaphoto.com or follow the company on Twitter, Instagram and Facebook.

Articles: Digital Photography Review (dpreview.com)

 
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Creative Crosswalks: Artist Adds Color to Brighten Crossings for Students

19 Sep

[ By WebUrbanist in Art & Street Art & Graffiti. ]

creative crosswalks

Part art project and part urban safety experiment, this series of Funnycross installations in Madrid have been positioned outside a cross section of city schools.

funnycross installation art

art crosswalk

Designed by Bulgarian artist Christo Guelov (images by Rafael Perez Martinez, the creative crossings weave diamonds, circles and other shapes into the visual language of existing horizontal wide lines.

colorful creatie sidewalk crossings

sidewalk art school

The brightly-colored interventions are designed to enliven the streets beyond conventional sign-posting while their eye-catching patterns are aimed at making the crossing points more visible.

dots circle cross

artistic crossing pattern

The artist also aims to raise larger questions about the role of color in cities, where infrastructure is often monochromatic, systematic and ultimately dull.

crosswalk geometries

“Opening up new horizons for human experience has always been the main source of creative energy, both in science and in art,” says guelov. “To inquire into something apparently non-existent or invisible to others and to provide it with real presence has always been the natural mechanism to generate usefulness for art objects.”

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Zeiss adds 85mm F2.4 to Loxia line for full-frame E-mount

16 Sep

Zeiss has just added an 85mm F2.4 to its Loxia range for full-frame Sony E-mount cameras. The 85mm brings a traditional portrait option to the 35mm F2, 50mm F2 and 21mm F2.8 existing models in the lineup. The manual focus lens offers the aperture de-click feature found on its siblings and promises ‘virtually distortion-free’ optics. The Zeiss Loxia 85mm F2.4 will go on sale in mid-December for $ 1399/€1399.

Press release:

Telephoto lens for the ZEISS Loxia family

With the ZEISS Loxia 2.4/85, the optics company expands its compact lens family for mirrorless Sony full-frame cameras with E mount

OBERKOCHEN/Germany, 15/09/2016.

The newest member of the ZEISS Loxia family is a short telephoto lens called the ZEISS Loxia 2.4/85. It supplements three focal lengths that are already available for this lens family, namely the ZEISS Loxia 2.8/21, Loxia 2/35 and Loxia 2/50, and was specially designed for mirrorless full-frame cameras with E mount. The compact ZEISS Loxia lenses are the ideal choice for travel and street photographers who value light and compact camera equipment. “In terms of its technology and the feel of its surface, the ZEISS Loxia 2.4/85 fits perfectly with the existing focal lengths, and is particularly well suited for portrait photography,” said Christophe Casenave, product manager with ZEISS Camera Lenses. The ZEISS Loxia 2.4/85 will be available in stores starting mid of December 2016.

Optimized ZEISS Sonnar® design

The new ZEISS Loxia 2.4/85 has been designed for digital sensors. Based on an optimized ZEISS Sonnar design, it has seven lens elements in seven groups. “With the ZEISS Loxia 2.4/85, we have managed to develop a well-rounded and new interpretation of the original ZEISS Sonnar optical design that meets all the requirements of digital photography and videography,” continued Casenave. The lens has a minimum object distance of 0.80 meters and a manual focus ring with a rotation angle of 220 degrees, enabling the subtlest variations of focusing. The large aperture of f/2.4 combined with the high-quality optical design ensures an appealing bokeh. The electronic interface transfers both lens data (EXIF) and focus movements, and activates the magnification function of the camera if desired by the user. “Precise manual focusing with hard stop and the mechanical setting of the aperture (working aperture priority mode) provide sophisticated photographers who don’t want to leave everything to the camera abundant possibilities for composition,” said Casenave.

Also suitable for cine applications

With the well-known De-Click function of the ZEISS Loxia lenses, the optics company is also targeting videographers. The De-Click function allows to mechanically deactivate the click stops on the aperture ring — a condition for silent and smooth adjustments of the aperture. As a result, the ZEISS Loxia 2.4/85 is also an attractive lens for video cameras that have an E mount, such as the Sony PXW-FS7 and PXW-FS5. A robust metal barrel, the filter diameter of M52 (which is identical across all focal lengths) and protection against penetration of dust and spray onto the lens mount complete the entire package. In addition, the external diameter, which is uniform across all ZEISS Loxia lenses, simplifies film shoots.

ZEISS Lens Gears

ZEISS Loxia lenses can also be used with a follow focus system. Made of high-quality aluminum with a hardened surface coating, the ZEISS Lens Gears are slid onto each respective lens and, through simple mounting, attached to the focus ring of the lens by turning two rings that each go in the opposite direction. Supplemented by a follow focus system, precise focusing is therefore possible and ZEISS Loxia lenses become endowed with similar features as a full-scale cine lens. The ZEISS Lens Gear Rings in the sizes mini (62 – 69mm, 60 – 67mm with GumGum) fit the ZEISS Loxia lenses.

Price and availability

Global delivery of the ZEISS Loxia 2.4/85 will begin mid of December 2016. The lens shade is included with delivery. The recommended retail sales price is 1,399 euros (including 19% VAT in Germany) or 1,399 US$ .

Articles: Digital Photography Review (dpreview.com)

 
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Leica S firmware update improves top LCD panel info, adds Adobe-compatible image rating

14 Sep

Leica has released new firmware for its S and S-E medium format cameras that improves the quality of information displayed on the top plate and in the viewfinder. Firmware versions 4.0.0.0 for the S (Typ 007) and 2.5.0 for the S-E (Typ 006) also allows users to mark images with a rating that can be displayed in Adobe’s Lightroom and Bridge applications. With the firmware loaded the cameras will also remember the degree of magnification last used in review mode and automatically default to that next time the magnify button is pressed.

The information panels now provide more icons to indicate what modes the camera is using, and critically offer a measure of how much time capacity is left on the memory card when shooting video and how many more shots are left in the buffer for high-drive shooting in stills mode.

The new firmware is available for download now for customers who like to update for themselves, while others can take their camera to their nearest Leica store or service center.

The firmware can be downloaded from the support section of the Leica website.

Press release

Firmware updates for Leica S cameras now available

New firmware updates are available today for the Leica S-System. Registered owners can log in to the Leica Owners’ Area and download the new firmware version 4.0.0.0 for the Leica S (Typ 007) and 2.5.0 for the Leica S/S-E (Typ 006) medium format cameras, or take their camera to a Leica Store or Leica Customer Care in the UK for a complimentary update service.

Leica works in close collaboration with users on the continuous development and optimisation of its products. As a result, a number of improvements in this latest firmware update are based on the direct recommendations and suggestions of professional photographers.

The new features of Firmware Update 4.0.0.0 include a revised layout for the top plate display panel, which now provides even more information for the user. The new ‘Rating Function’ is supported by Adobe Photoshop Lightroom CC, Photoshop CC and Bridge CC software, and improves the workflow of selecting images – giving users much faster access to the images they have tagged.

With this firmware update, the most recently used zoom setting in review mode is now saved, enabling faster assessment of image sharpness/focus when reviewing a specific part of a picture. Distances displayed on the top panel can also be shown in feet, and it is now possible to see the remaining recording time when shooting video. Also new in this update is the ‘PC’ symbol, which indicates when the camera is connected to a computer. In addition to the above, the first resistance point of the shutter release now displays the number of exposures remaining for sequential shooting (maximum buffer memory) in the viewfinder, and the new ‘mirror-up’ icon appears on the camera monitor screen.

Articles: Digital Photography Review (dpreview.com)

 
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Facebook Moments app adds support for full-resolution photo storage

13 Sep

Facebook Moments, a private photo-sharing mobile app, has been updated with support for full-resolution images. Previously, Facebook Moments didn’t store the full-res version of users’ images, and makes it possible now when a user ‘favorites’ an image within 30 days of it being uploaded or shared.

In addition to adding full-res image support, Facebook also now makes it possible to share a Moments photo album with others (regardless of whether they’re on the platform) using a web link. Those who receive the link to the private album can then join it and, if they’d like, add their own images to the collection. The web link can be accessed via the album’s menu by choosing ‘Share link.’

Facebook Moments is available for both iOS and Android.

Via: TechCrunch

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss adds super-wide and tele- options to Milvus line

11 Sep

Zeiss has announced it’s adding 15mm F2.8, 18mm F2.8 and 135mm F2 options to its manual focus Milvus line. Counting these three, there are now nine lenses in the Milvus range. Zeiss puts an emphasis on robust construction with their full metal barrels, video-friendly features and optical designs that minimize chromatic aberration and distortion. 

The new lenses will be available in October. The 15mm F2.8 will cost $ 2699/€2699, the 18mm F2.8 will cost $ 2299/€2299 and the 135mm F2 will cost $ 2199/€2199.

Press release

Three new lenses for the ZEISS Milvus family

The lens family with manual focusing for DSLR cameras is now also available with focal lengths of 15, 18 and 135 millimeters

Oberkochen, September 8, 2016

Two super-wide angle lenses, the ZEISS Milvus 2.8/15 and ZEISS Milvus 2.8/18, and the telephoto lens ZEISS Milvus 2/135 have expanded this family of manual focus lenses for DSLR cameras, bringing the total number of ZEISS Milvus focal lengths to nine. “The ZEISS Milvus family of lenses is an invaluable investment for the future due to its excellent imaging quality and its large range, which now covers 15 to 135 millimeters,” says Christophe Casenave, product manager at ZEISS Camera Lenses. Delivery of the new ZEISS Milvus lenses begins at the end of October 2016.

For high-end DSLR cameras

“The ZEISS Milvus lenses have been designed in particular to fulfill the requirements of today’s powerful digital cameras and those of the future thanks to their high imaging performance, even in difficult lighting situations,” says Casenave. The new lenses are characterized by a harmonious bokeh and very high degree of flare control due to the T*® anti-reflective coating from ZEISS. Further optimization of the lens coating has also ensured less likelihood than ever of ghosting, flare or shading effects, even in critical lighting situations. And all ZEISS Milvus lenses come with a floating elements design, which compensates imaging errors at different distance settings.

ZEISS Milvus for video

The new ZEISS Milvus lenses also allow the user to create high-quality film shoots with a pleasing cinematic bokeh. “Due to their extremely high contrast rendition, the lenses fulfill the most modern video standards of 6K and higher, and have uniform color characteristics,” said Casenave. All ZEISS Milvus lenses have a focus ring with a very large rotation angle to enable precise focusing, and are made of comfortable rubber to ensure a good grip while focusing. The De-Click function on lenses with a ZF.2 mount lets cinematographers set the aperture in a soft and infinitely variable way so they can work professionally in changing lighting conditions. The ZEISS Milvus lenses’ robust full-metal barrel ensures long and reliable usage. In addition, the lenses are protected against dust and spray water. The robust metal lens shade is an integral part of the overall product design and included with all ZEISS Milvus lenses.

The new focal lengths of the ZEISS Milvus family are also compatible with the ZEISS Lens Gears, providing filmmakers with additional value-add. The ZEISS Lens Gears, which are made of high-quality aluminum with a hardened surface coating, slide into the respective lens and are attached to the focus ring by turning two counter-rotating rings through a simple mounting procedure.

The new ZEISS Milvus lenses in summary:

ZEISS Milvus 2.8/15:

This super wide-angle lens with a field of view of 110 degrees allows every photographer to consciously compose using extreme perspectives. The lens has excellent imaging performance – even with an open aperture – thanks to the correction of color errors. Color fringing and distortion are minimal. This is all thanks to a ZEISS Distagon® lens design with 15 lens elements in 12 groups, including two aspheric lenses, special glass with anomalous partial dispersion, and the floating elements design. A removable lens shade and the 95-millimeter filter thread also make this lens the ideal companion for special applications with additional slide-in filter holders.

ZEISS Milvus 2.8/18:

This compact super-wide angle lens with a newly calculated ZEISS Distagon optical design has 14 lens elements in 12 groups, including two aspheric elements. The ZEISS Milvus 2.8/18 has a short close-up distance of 0.25 meters and internal focusing. With an angular field of 99.9 degrees, this lens is the ideal companion for landscape and architectural photography, as it allows creative shots to be taken using unusual perspectives. The filter thread has a diameter of 77 millimeters. The ZEISS Milvus 2.8/18 delivers outstanding imaging performance and very good distortion correction.

ZEISS Milvus 2/135:

This fast telephoto lens delivers excellent correction of all color errors. Thanks to a large aperture and pleasing bokeh, it is the perfect lens for portrait photography from a medium distance. The angular field is 18.7 degrees. The short minimum object distance of 0.80 meters makes this lens even more versatile. It has an optical design with 11 lens elements in eight groups and, like the ZEISS Milvus 2.8/18, a filter diameter of 77 millimeters.

Price and availability

The delivery worldwide of the three new lenses will begin at the end of October 2016. The lens shade is included with the corresponding lens. Sales prices are EUR 2,699 (including 19% German VAT) or 2.699US$ for the ZEISS Milvus 2.8/15; EUR 2,299 (including 19% VAT ) or 2.299US$ for the ZEISS Milvus 2.8/18; and EUR 2,199 Euro (including 19% German VAT) or 2.199US$ for the ZEISS Milvus 2/135. For ambitious cinematographers and photographers, a set solution is also available for up to six ZEISS Milvus lenses. A discount of 8% is available with the purchase of three to four lenses. Purchasing more than five lenses gives the user a 10% discount.

Articles: Digital Photography Review (dpreview.com)

 
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Shutterstock adds Photoshop CC plugin

09 Sep

Shutterstock is bringing its collection of stock imagery and photography directly into Photoshop CC with a new plugin. It gives users the ability to search Shutterstock’s catalog and access their accounts within the app, as well as access previously purchased images. The plugin will also allow users to make adjustments to watermarked images, and will re-apply edits to the image once purchased.

Photographers won’t find a way to easily contribute images through the plugin, a feature that Adobe’s own Stock app supports for its contributors. But the Shutterstock plugin will no doubt appeal to designers who rely on the service and want to smooth out their workflow. The plugin is available now for Photoshop CC 2014 and 2015 Mac and PC users.

Press release

Shutterstock Launches Adobe Photoshop® Plugin: Simple Installation Enables Access to Largest Collection of Stock Images

Shutterstock brings nearly 100 million photos and illustrations direct to creative professionals’ workflow

NEW YORK, Sept. 8, 2016 /PRNewswire/ — Shutterstock, Inc. (NYSE: SSTK), a leading global provider of commercial imagery and music, today announced that its vast collection of high-quality photos and illustrations is now accessible within Adobe Photoshop® software through its new custom built plugin. With more than 100,000 new images added every day, the Shutterstock plugin boasts the largest collection of photos and illustrations that can be licensed directly within the Creative Cloud desktop application.

This plugin is the latest technological innovation by Shutterstock that furthers its mission to empower the world’s storytellers, providing an image experience that enables creative professionals to work smarter and faster. The first-ever Shutterstock plugin for Adobe Photoshop® software is designed to simplify the creative process, saving users time searching and downloading imagery online and enhancing productivity within the design workflow.

“This is the largest stock photography collection to ever integrate with the Adobe Photoshop® application. With this plugin we are providing creative professionals the convenience to search for and test more images than ever, directly from the editing tool they are using,” said Jon Oringer, Founder and CEO of Shutterstock. “We are bringing productivity, efficiency and inspiration to designers everywhere, through tighter integration of Shutterstock with their workflow.”

Key features of the new Shutterstock plugin include:

  • Access to Shutterstock’s fast and innovative search technology
  • Ability to edit any watermarked image for free, with those edits automatically reapplied to the image when purchased
  • Direct access to existing Shutterstock accounts, including Premier, Shutterstock’s Enterprise Platform
  • Ability to view existing lightboxes and access previously previewed and purchased images
  • Instant inspiration from Shutterstock’s curated collections
  • Everyday design essentials such as isolated images, textures, and images with room for text
  • The Shutterstock plugin works for Photoshop® CC 2014 and Photoshop® CC 2015 and it is available for Mac and PC users in English.

Learn more about this integration, as well as Shutterstock’s API here.

Articles: Digital Photography Review (dpreview.com)

 
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Snapseed 2.9 for iOS adds Raw support for 144 camera models

02 Sep

The iOS version of Google’s Snapseed mobile photo editing app just got an update with a major new benefit: full Raw support for 144 cameras and all DNG files. With the update, the app can now be used to edit Raw files from a lengthy list of advanced compacts and interchangeable lens cameras.

A full list of cameras included in the update is available at Google’s Snapseed support website. The website also suggests supported workflows to get those Raw files onto your device, listing EyeFi MobiPro, Google Drive and Apple’s Lightning to SD card reader or USB camera adapter as possibilities. Realistically, a Raw editing workflow will probably make most sense with an iPad Pro.

Version 2.9 also introduces a face tool with various pre-set options to apply different smoothing and brightening effects to detected faces in a photo. Also added is an option to specify the JPEG compression rate applied when exporting photos, and the ability to save a lossless PNG.

Original photo from front-facing camera of an iPhone SE.  ‘Subtle’ face effect. Not usually a fan of ‘beauty’ settings on cameras, but I won’t lie: I am fine with this.

Articles: Digital Photography Review (dpreview.com)

 
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