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Fujifilm X-T20 firmware update improves subject tracking, enhances touchscreen functionality

13 Apr

In addition to the six other firmware updates released today, Fujifilm also released the previously announced upgrade to the X-T20. The most interesting features include:

  • Improved AF tracking: the company says that the camera can track moving subjects at twice the speed of the previous firmware. The X-T20 can now track subjects 50% smaller than before.
  • New touchscreen controls: Users can now move the AF area by touch when in ‘focus zoom’ mode. The Quick Menu can now be operated by touch, as well.
  • Exposure improved with face detection
  • RGB and highlight warnings now available

Version 2.00 of the X-T20 firmware can be downloaded here.

Here’s the full list of improvements:

The firmware update Ver.2.00 from Ver.1.11 incorporates the following issues:

1. New AF tracking algorithm for moving subjects
Thanks to the newly developed image recognition algorithm, the update enhances AF-C to track moving subjects twice as fast as previous firmware. In addition, the update also enhances tracking to be able to capture up to 50% smaller moving subjects than before.

2. Enhanced touch screen operation
The firmware update will add some of the touch screen operation features which are currently available on the FUJIFILM X-E3. These touch screen features include:
1) The Auto Focus area can be moved when in focus zoom with flick operation.
2) Pinch-in/out operation in playback mode will be updated to go from full-frame playback to multi-frame playback (Nine-frame view and Hundred-frame view)
3) Select the frame in multi-frame playback with tap or drag operation or return to full-frame playback by double-tapping
4) Q (Quick) menu selection
5) Input character with touch key-board (*1)
*1?Except for some functions. (ex. SSID input)

3. Support “FUJIFILM X RAW STUDIO”
After connecting a camera to a computer via USB cable, the “FUJIFILM X RAW STUDIO” enables users to convert RAW files with X Processor Pro. Fast batch processing will also be available. The “FUJIFILM X RAW STUDIO” can be downloaded from the FUJIFILM website for free.

4. Support for backup/restore of camera settings via FUJIFILM X Acquire
Once connecting a camera to a computer via USB cable, the “FUJIFILM X Acquire” allows users to backup/restore camera settings to/from a file. Copying all camera settings from one camera to another is available.
*Settings other than date and custom white balance can be backup and restored.

5. Compatible with the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens
The upgrade will add compatibility for the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens.
1) When changing the focus mode (AF/MF), the focus ring function (fine zoom adjustment, manual focus) automatically switches.
* Focus ring function when focus mode is “S” or “C”?Fine Zoom adjustment.
* Focus ring function when focus mode is “M”?Manual focus.
2) Memorize the lens zoom position when power off and return to the position when power on
3) Maintain the lens zoom position in playback mode to shorten the startup time for the next shooting

6. Improve radio flash controller usability
The upgrade allows users to shoot with compatible third party studio flash in high speed sync. or TTL mode via their radio controllers.

7. RGB histogram display and highlight warning
If you press the function button in the histogram, RGB histogram and highlight warning (high brightness portion will blink) will be displayed.

8. Enlarged and customizable indicators or information
The upgrade allows users to enlarge indicators and information in the viewfinder and/or LCD monitor. This upgrade will also enable users to customize the location of where the information is shown on the display. When enlarged display, some icons are not displayed like distance indicator, focus frame, focus mode, focus warning, microphone/remote release, AF+MF, button lock and sound and flash indicator.

9. AE optimization when face detection

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm to release spring firmware updates for six cameras

12 Apr

Fujifilm is releasing firmware updates, both large and small, for six of its X-series cameras, with the X-T2 receiving the most significant changes. These updates will begin rolling out this month and will continue through May. Some of the highlights include:

GFX 50S

  • Compatibility with new GF 250mm F4 R LM OIS WR lens
  • New flicker reduction feature
  • Large Indicators Mode for LCD and viewfinder

X-H1

  • Focus bracketing
  • Enlarged/customizable indicators in viewfinder and LCD
  • Enhanced phase detection during video recording; more phase detection AF area options for still shooting
  • Enhanced Bluetooth connectivity

X-T2

  • Focus bracketing
  • Enlarged/customizable indicators in viewfinder and LCD
  • F-log recording to SD card
  • 1080/120p high speed mode
  • Improved Phase Detect AF performance
  • Flicker reduction

X-Pro2

  • Enlarged/customizable indicators in viewfinder and LCD
  • Improved Phase Detect AF performance
  • Flicker reduction

X-E3

  • Enlarged/customizable indicators in viewfinder and LCD
  • Compatibility with XC 15-45 F3.5-5.6 OIS PZ lens
  • Improved radio flash controller usability
  • Supports FUJIFILM X RAW STUDIO

X100F

  • Enlarged/customizable indicators in viewfinder and LCD

Press Release

New Firmware Updates for GFX, X-H1, X-T2, X-Pro2, X-E3 and X100F

Fujifilm will release new firmware updates for the FUJIFILM GFX 50S, X-H1, X-T2, X-Pro2, X-E3 and X100F. Updates will vary by model and are expected in April 2018 and May 2018.

1. FUJIFILM GFX 50S (Ver.3.10) – Available in May 2018

• Compatible with the newly developed FUJINON GF250mmF4 R LM OIS WR lens including “Focus Preset,” “AF-L” and “AF-ON”.
• Addition of “Flicker Reduction” to reduce flicker in both pictures and display when shooting under fluorescent lighting.
• Addition of “Select Folder” and “Create Folder” allowing users to choose the folder that images are stored in and to create a new folder.
• New “Large Indicators Mode” enabling users to enlarge indicators and information in the viewfinder and/or LCD monitor and to customize the location of where the information is shown on the display.
• Addition of Fn button support for “35mm Format Mode” for quick setting changes.

2. FUJIFILM X-H1 (Ver.1.1.0) – Available in May 2018

• Addition of Focus Bracketing allows the photographer to shoot focus distance bracketing of up to 999 frames.
• Compatible with new cinema lenses FUJINON MKX18-55mmT2.9 and FUJINON MKX50-135mmT2.9.
• Enlarged and customizable indicators and information in the viewfinder and/or LCD monitor. Users can also customize the location of where information is shown on the display.
• Enhanced Phase Detection AF during movie recording.
• Expanded Phase Detection AF Area options during still shooting.
• Enhanced Bluetooth® connectivity with FUJIFILM Camera Remote app.
• Addition of Fn button support for “IS Mode”.

3. FUJIFILM X-T2 (Ver.4.0.0) – Available in May 2018

• Addition of Focus Bracketing allowing the photographer to shoot focus distance bracketing of up to 999 frames.
• Compatible with new cinema lenses FUJINON MKX18-55mmT2.9 and FUJINON MKX50-135mmT2.9.
• Enlarged and customizable indicators and information in the viewfinder and/or LCD monitor. Users can also customize the location of where information is shown on the display.
• Addition of F-log SD card recording.
• Addition of 1080/120P high-speed video mode ideal for recording slow motion footage.
• Enhanced Phase Detection AF to improve performance in various shooting environments.
• Addition of “Flicker Reduction” to reduce flicker in both pictures and display when shooting under fluorescent lighting.
• Addition of “Select Folder” and “Create Folder” allowing users to choose the folder that images are stored in and to create a new folder.

4. FUJIFILM X-Pro2 (Ver.5.0.0) – Available in May 2018

• Enlarged and customizable indicators and information in the viewfinder and/or LCD monitor. Users can also customize the location of where information is shown on the display.
• Enhanced Phase Detection AF to improve performance in various shooting environments.
• Addition of “Flicker Reduction” to reduce flicker in both pictures and display when shooting under fluorescent lighting.
• Addition of “Select Folder” and “Create Folder” allowing users to choose the folder that images are stored in and to create a new folder.

5. FUJIFILM X-E3 (Ver.1.2.0) – Available in Late April 2018

• Supports FUJIFILM X RAW STUDIO.
• Support for backup/restore of camera settings via FUJIFILM X Acquire when the camera is connected to a computer.
• Compatible with the newly developed FUJINON XC15-45mmF3.5-5.6 OIS PZ lens.
• Improved radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via a radio controller.
• Enlarged and customizable indicators and information in the viewfinder and/or LCD monitor. Users can also customize the location of where information is shown on the display.
• Enhanced Bluetooth® connectivity with FUJIFILM Camera Remote app.

6. FUJIFILM X100F (Ver.2.1.0) – Available in Late April 2018

• Enlarged and customizable indicators and information in the viewfinder and/or LCD monitor. Users can also customize the location of where information is shown on the display.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm GF 250mm F4 R LM OIS WR medium format lens announced

12 Apr

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The longest telephoto lens in Fujifilm’s medium format lineup has arrived with the introduction of the company’s GF 250mm F4 R LM OIS WR.

The lens has a 35mm equivalent of around 200mm, which can be further extended via the 1.4x teleconverter also announced today. The 250mm F4 has 16 elements, including 1 super ED and 2 ED elements, a linear focus motor and 5-stop image stabilization (per Fujifilm). The minimum focus distance is 1.4m while the maximum magnification is 0.22x.

This hefty lens is made of magnesium alloy and is sealed against the elements and can operate in temperatures as low as -10C/+14F. It has

The GF 250mm F4 R LM OIS WR will be available in late May for $ 3299.95 USD / $ 4124.99 CAD, while the 1.4x teleconverter will set you back $ 849.95 USD / $ 1059.99 CAD.

Press Release

FUJIFILM INTRODUCES A NEW TELEPHOTO LENS FOR THE GFX MEDIUM FORMAT MIRRORLESS CAMERA SYSTEM

The GFX System Expands with the New FUJINON GF250mmF4 R LM OIS WR Lens, FUJINON GF1.4X TC WR Teleconverter and MCEX-18G WR and MCEX-45G WR Macro Extension Tubes; Firmware Updates for GFX, X-H1, X-T2, X-Pro2, X-E3 and X100F

Valhalla, N.Y., April 12, 2018 – FUJIFILM North America Corporation today announced the launch of the FUJINON GF250mmF4 R LM OIS WR, a lens that expands the telephoto range for the FUJIFILM GFX 50S medium format mirrorless digital camera system.

When combined with the GFX medium format sized sensor with an area approximately 1.7 times larger than 35mm format, the GF250mmF4 R LM OIS WR lens achieves exceptional image quality. Composed of 16 lenses in 10 groups, this lens delivers unsurpassed color reproduction, three dimensional image quality, as well as ultra-high resolution and rich bokeh.

In addition, this telephoto lens is equipped with a powerful five-stop optical image stabilization and a new focus preset function, which allows the photographer to instantly activate focus settings previously saved in the lens memory. With a rugged, lightweight magnesium alloy lens barrel designed to be dust and weather-resistant, the GF250mmF4 R LM OIS WR is capable of operating in temperatures as low as 14°F/-10°C. The front lens element has a fluorine coating designed to repel water and dirt even under tough outdoor conditions.

FUJINON GF250mmF4 R LM OIS WR Lens Key Features:

• Ultra-high image quality achieved with16 lenses in 10 groups, 1 super ED lens and 2 ED lenses.
• Powerful five-stop optical image stabilization to maximize high image resolution.
• Silent, high-speed autofocus operation and new mechanism to fix linear motor position. when turning power off or when in playback mode. Available with new GFX 50S firmware.
• Made with magnesium alloy, ensuring a robust, durable body.
• Dust and weather-resistant design capable of operating in temperatures as low as 14°F/-10°C.

FUJINON Teleconverter GF1.4X TC WR

The new FUJINON Teleconverter GF1.4X TC WR is designed for use with the new GF250mmF4 R LM OIS WR giving approximately 277mm in 35mm format equivalent, without compromising image quality.

MCEX-18G WR and MCEX-45G WR Macro Extension Tubes

The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes further expand the range of macro photography. Connecting these macro extension tubes to GF lenses allows for images to be captured at high magnification ratio. The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes are compatible with all existing GF lenses.

Availability and Pricing

The new FUJINON GF250mmF4 R LM OIS WR lens will be available in Late May 2018 for USD $ 3,299.95 and CAD $ 4,124.99. The FUJINON Teleconverter GF1.4X TC WR will be available in Late May 2018 for USD $ 849.95 and CAD $ 1,059.99 and Macro Extension Tubes, MCEX-18G WR and MCEX-45G WR will both be available in Late May 2018 for USD $ 329.99 and CAD $ 409.99.

Fujifilm GF 250mm F4 R LM OIS WR specifications

Principal specifications
Max Format size Medium Format (44x33mm)
Focal length 250 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Fujifilm G
Aperture
Maximum aperture F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 16
Groups 10
Special elements / coatings 1 Super ED + 2 ED elements
Focus
Minimum focus 1.40 m (55.12″)
Maximum magnification 0.22×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 1425 g (3.14 lb)
Diameter 108 mm (4.25″)
Length 204 mm (8.03″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 82 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Video: A closer look at NiSi’s new F3 cinema prime lenses

12 Apr

One of the most surprising announcements from NAB this year came from filter maker NiSi, who decided to release a set of cinema prime lenses. No, that’s not a typo. And Cinema 5D’s Nino Leitner was at NAB to see the lenses in person and ask the NiSi rep some questions about the lineup.

The NiSi F3 Cinema Prime lenses cover focal lengths from 25 to 100mm—25mm T2.1, 35mm T2.0, 50mm T2.0, 75mm T2.0, and 100mm T2.0—and give video shooters yet another set of relatively affordable options in a market that is quickly becoming crowded. So the main question Leitner asked was: what makes these special?

The answer is two fold. First, Nisi boasts of the artistic properties of the lenses, which produce flaring with “a lot of character” while maintaining great center resolution. And second, the lenses feature an interchangeable mount; users can swap between Sony E, Canon EF, and PL mounts using a set of standard Allen keys that can be ordered alongside the lenses.

To learn more about these lenses, watch the full video above or check out our launch coverage here.

Articles: Digital Photography Review (dpreview.com)

 
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MindShift’s new ‘Exposure’ messenger bags are built to handle Mother Nature’s worst

12 Apr

MindShift Gear, the sister company of ThinkTank Photo, has released its all new Exposure messenger bag lineup. Like its backpacks, the MindShift Exposure lineup is made with outdoor photographers in mind, complete with water-repellent material and a rugged bottom.

The Exposure shoulder bags come in two versions: the Exposure 13 and the Exposure 15. As the names suggest, the Exposure 13 can fit a 13-inch laptop, as well as one ungripped DSLR with a 24–70mm F2.8 attached and 2–3 extra lenses depending on your setup. Moving up, the Exposure 15 can fit a 15-inch laptop, as well as one ungripped DSLR with a 70–200mm F2.8 lens attached and 2–5 extra lenses depending on the glass you’re packing. Both bags can also hold up to a 10-inch tablet inside a zippered pocket.

As for looks, the bags are available in two color schemes: Black and Solar Flare, the latter of which is essentially gunmetal grey with orange accents.

Here’s a closer look:

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Looks and capacity aren’t the Exposure lineup’s selling point though; these bags were purpose built to handle inclement weather.

The Exposure 13 and 15 were constructed out of durable water-repellant (DWR) fabric and lined with a polyurethane coating, with integrated waterproof sailcloth panels for increased protection from the elements. And for those times when you need to set the bag down, MindShift has constructed the bottom of the bag with Tarpaulin, a strong waterproof fabric that shouldn’t have a problem keeping your gear dry. Finally, if the weather gets even more demanding, there’s also an included rain cover.

The Exposure 13 and 15 messenger bags are available now for $ 160 and $ 170, respectively. To learn more, visit the MindShift Gear website.

Press Release

MindShift Gear’s “Exposure” Shoulder Bags Offer the Ultimate in Durability and Weather Protection for Outdoor Photographers

SANTA ROSA, CALIF – There is no such thing as bad weather, only bad gear. MindShift Gear’s new Exposure shoulder bags are storm-resistant carrying solutions for the active photographer in virtually any outdoor environment. Built with high performance waterproof sailcloth panels, strategically placed storm flaps, water-repellent DWR fabric, and a sturdy Tarpaulin bottom; the Exposure protects camera gear from the elements and withstands the rigors of adventure photography. And, with its cross-body stabilizer strap, the Exposure moves with you while you’re active or is removable for more causal environments. A waterproof rain cover is included when it’s time to put the camera away and hunker down.

Exposure shoulder bags come in two models, the Exposure 13 and the Exposure 15, and in two colors, Black and Solar Flare. The Exposure 13 fits a 13” laptop; the Exposure 15 fits 15” laptops. A 10” tablet fits in zippered pocket.

?“We believe it is time for outdoor photographers to have the optimal level of weather protection and durability in a shoulder bag,” said Doug Murdoch, MindShift Gear’s CEO and lead designer. “The X-Pac™ technology we employed is a four-layer laminated waterproof sailcloth material. It is abrasion resistant and the C6DWR coating meets current environmental concerns and regulations. Many of the large outdoor companies are using this level of DWR coating now.”

ADDITIONAL FEATURES AND BENEFITS

• YKK® AquaGuard® weather-resistant zippered front pocket sized for today’s large phones

• Weather Wings on flap for additional weather protection

• Anodized aluminum hardware is lightweight and resists corrosion

• Tripod attachment straps included

• Comfortably padded neoprene shoulder strap with easy adjustment

• Luggage handle pass-through

• Customizable divider layout for stacking short lenses

• Internal pockets hold batteries, card wallets, and other accessories

• Ultra-Stretch mesh water-bottle pocket fits most 1 liter water bottles and secures with an elastic cord-lock

• Deluxe organizer located in wide zippered pocket

• Gusseted pockets allow for large objects

• Compatible with the MindShift Filter Nest, Filter Hive, and Switch Case (sold separately)

• Compatible with the Peak Design Capture Clip and the SpiderLight Camera Holster

• Seam-sealed rain cover included

MATERIALS

Exterior: For superior water-resistance, all exterior fabric has a durable water-repellant (DWR) coating, plus the underside of the fabric has a polyurethane coating. It also has YKK® AquaGuard® (weather resistant) zippers, high-performance Sailcloth, 420D velocity nylon, 600D polyester, heavy-duty nylon tarpaulin, UltraMesh pockets, anodized aluminum hardware, nylon webbing, 3-ply bonded nylon thread.

Interior: PE board reinforced removable closed-cell foam dividers, 200D liner, PU backed nylex liner, 2x PU coated nylon 190T seam-sealed taffeta rain cover, 3-ply bonded nylon thread.

SPECIFICATIONS

Exposure 13

Exterior Dimensions: 16.1” W x 10.6” H x 6.5” D (41 x 27 x 16.5 cm)

Interior Camera Compartment: 13.8” W x 9.1” H x 4.9” D (35 x 23 x 12.5 cm)

Laptop Pocket: 13.3” W x 9.6” H x 1” D (34 x 24.5 x 2.5 cm)

Tablet Pocket: 11.8” W x 4.7” H x 0.8” D (30 x 12 x 2 cm)

Phone Pocket: 4.7” W x 6.7” H (12 x 17 cm)

Weight: 2.6 lbs. (1.2 kg) – With all accessories included

Exposure 15

Exterior Dimensions: 17.3” W x 12.2” H x 7.1” D (44 x 31 x 18 cm)

Interior Camera Compartment: 15.7” W x 10.4” H x 5.1” D (40 x 26.5 x 13 cm)

Laptop Pocket: 15.4” W x 11” H x 1.2” D (39 x 28 x 3 cm)

Tablet Pocket: 13.4” W x 9.4” H x 0.8” D (34 x 24 x 2 cm)

Phone Pocket: 5.5” W x 6.7” H (14 x 17 cm)

Weight: 3.0 lbs. (1.4 kg) – With all accessories included

Articles: Digital Photography Review (dpreview.com)

 
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Tech Insights teardown confirms Galaxy S9 uses Samsung and Sony image sensors

12 Apr

The analysts at Tech Insights have torn down the Samsung Galaxy S9 in order to analyze the device’s camera sensors and, as usual, the summary of their findings makes interesting reading for anyone who has an interest in image sensor technology. The main takeaway from Tech Insight’s report is that Samsung is once again using different image sensors by region.

Depending on where you buy the Galaxy S9, your device will either come with a Samsung S5K2L3 or Sony IMX345 chip.

Both imagers use a 3-layer stacked structure, comprising a CMOS image sensor, image signal processor (ISP) and DRAM. The Sony IMX345 is very similar in structure to the IMX400, the world’s first 3-layer stacked imager that was introduced on the Sony Xperia XZ flagship a year ago.

The Samsung S5K2L3 ISOCELL Fast sensor is the Korean manufacturer’s first 3-layer stacked model. In contrast to Sony’s custom solution with the DRAM in the middle, Samsung has opted for connecting the DRAM chip face-to-back on the ISP. The assembly also includes a dummy silicon structure filling the unoccupied space next to the DRAM chip.

This definitely won’t translate into noticeable performance or image quality differences between Galaxy S9 smartphones, but it does seem to show that Samsung is far from its goal of dethroning Sony to become #1 in the global image sensor market—it’s hard to dethrone the competition when you’re still using their sensors.

For a lot more detail on the sensor structure and assembly head over to Tech Insights, where you can also purchase even more in-depth reports if you really want to dive deep.

Articles: Digital Photography Review (dpreview.com)

 
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NAB 2018: This adapter lets you attach huge cinema lenses to your smartphone

12 Apr

A small Shenzhen-based company called Cinematics International Company Ltd. recently caught the eye of No Film School at NAB 2018, and in a second you’ll understand why. The company is showcasing a smartphone DOF lens adapter that enables full-size lenses to be used with an iPhone or Android handset.

Unfortunately, many key details about the adapter—including a product’s name—aren’t provided, but the company representative said Cinematics’ adapter supports just about any lens the user may want to attach to their phone. The product also features a pair of metal handles and what looks like a viewfinder.

When asked whether the handles on the adapter are sufficient enough to support such a large lens, Cinematics’ rep indicated the company has an additional hardware solution for that, one not shown in the video.

It isn’t clear whether Cinematics International Company Ltd. has any immediate plans to sell the adapter—although why would the company bring it to NAB if it didn’t?—but assuming it does, the product will probably appear first on the Cinematics’ eBay store.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram ‘Focus’ mode brings fake bokeh to single-camera smartphones

11 Apr

Instagram has released version 39 of its iOS and Android mobile apps, and the update brings with it a background-blurring portrait mode similar to the “Portrait”, “Depth” and “Bokeh” modes we have seen on most recent high-end smartphones… with one major twist.

While the baked-in bokeh modes on most smartphones use the slightly offset lenses of a dual-camera setup, or other partly hardware-based methods to create the effect, Instagram’s version appears to solely rely on face detection. That means you shouldn’t expect perfect subject/background isolation and super-smooth blur transitions, but it also means single-camera phones can take advantage of the feature.

Focus mode is available in the Stories camera UI, right next to “Superzoom”. It works with both front and rear cameras, automatically blurring the background when one or more faces are detected. Focus mode works on the Apple iPhones SE as well as the 6S, 7 and 8 generations and the iPhone X. It is also available on “select Android devices”, which appears to include most current high-end Androids.

In short: Focus mode looks like a nice addition to the Instagram feature set, but if your smartphone offers a native portrait mode you’re probably better off using that and inserting the image into Instagram via the gallery or camera roll. To find out more about Focus, head over to the Instagram Press blog or update the app and give the feature a try for yourself.

Articles: Digital Photography Review (dpreview.com)

 
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PolarPro expands into pro market with new QuartzLine camera filters

11 Apr

Lens filter manufacturer PolarPro is breaking into the professional lens filter market this week with the launch of its new QuartzLine Camera Filters for DSLRs, mirrorless and cinema cameras.

As the name suggests, PolarPro’s new filters are made of 99.9% pure fused quartz wrapped inside a brass frame. PolarPro says the use of quartz sets, “a new bar for light transmission and purity as the rare, fused quartz element delivers an extremely low refractive index compared to traditional filters.”

PolarPro QuartzLine ND Filter

QuartzLine Filters will be offered in ultraviolet, circular polarizing and multiple neutral density varieties. They come in 37mm, 46mm, 67mm, 77mm and 82mm thread sizes, with optional step-up rings available. Below is the entire collection of filter options and step-up ring sizes:

  • Filter Options: UV, CP, ND8, ND8/PL, ND16, ND16/PL, ND64, ND64/PL, ND1000, ND1000/PL, ND100000
  • Step-up Ring Options:
    • Step 52mm, 55mm and 58mm lens to 67mm filter
    • Step 62mm, 67mm and 72mm to a 77mm filter
    • Step 62mm, 67mm, 72mm and 77mm lens to an 82mm filter

PolarPro has also released a pair of Kanga Camera Filter Cases to keep either three or six filters safe and sound when traveling. They feature a soft microfiber lining and a magnetic opening for quick and quiet access. Like PolarPro’s filters, these come with a lifetime warranty.

PolarPro’s QuartzLine filters start at $ 60 and go up to $ 250, depending on the size and filter style. The three- and six-filter Kanga Camera Filter Cases retail for $ 40 and $ 50, respectively. You can find the full lineup of filters and cases on PolarPro’s website.

Press Release

PolarPro Leaps into Professional Lens Filter Market with Launch of QuartzLine Filters

PolarPro, long-trusted for its high-quality action camera and drone lens filters will bring new industry-leading glass to professional photographers and cinematographers with the full frame QuartzLine Filters.

Costa Mesa, C.A. – April 9, 2018 – PolarPro, developer of products inspired by adventure, announced today it is expanding its line of lens filters to professional photography and cinematography cameras. Well known for its industry-leading action camera and drone filters, PolarPro is continuing its tradition of quality with the new professional-focused QuartzLine Camera Filters for DSLRs, mirrorless and cinema cameras. The QuartzLine Filters range from $ 59.99 to $ 249.99 depending on size and filter style, for more information and specific pricing on the new PolarPro QuartzLine Lens Filters, please visit us here.

Constructed of 99.9% pure fused quartz, the QuartzLine Filters set a new bar for light transmission and purity as the rare, fused quartz element delivers an extremely low refractive index compared to traditional filters. A new optical coating method reduces surface reflectivity to less than one percent and increases surface hardness, all while maintaining a perfectly neutral color profile. The QuartzLine Filters will offer circular threaded UV, polarizers and neutral density filters from ND8 to ND100K, as well as hybrid single element ND/polarizing lens filters ranging from ND4/PL to ND1000/PL. With the filters running from 37mm, 46mm, 67mm, 72mm and 82mm, and an optional assortment of step-up rings, these stunning new optics will help adventure seeking creators capture perfection. All QuartzLine Filters can also be paired with PolarPro’s rugged construction Kanga Camera Filter Case to ensure they can go anywhere.

“As we have worked to establish PolarPro as the preferred option for drone cinematographers, we’ve also been working behind the scenes to make the QuartzLine Filters into an extremely precise and consistent filter for professional photo and video creators,” said Austen Butler, Co-Founder of PolarPro. “With QuartzLine, we wanted to create a rugged camera filter in line with our obsession over image quality. After testing 29 different materials we landed on a fused quartz glass element, with hyper neutral coatings to reduce reflectivity, increase scratch resistance, and most importantly, delivery a consistently neutral color profile.”

Ideal for professional photographers and cinematographers looking to ensure the most accurate representations of their creative vision, the QuartzLine Camera Filters combine PolarPro’s Death Valley-tested precision coatings with some of the most premium materials available.

Fused Quartz Glass At 99.9% pure, fused quartz is one of the purest glasses available. It’s this purity that allows the QuartzLine Filters to be extremely durable while delivering stunning optics and optimal clarity. The fused quartz glass also helps to ensure QuartzLine Filters have an extremely low refractive index of only 1.46 giving the filters increased stability and temperature resistance (from -50F up to 130F), so content creators can bring the true-life colors to their final product from the most extreme locations on the planet.

Color and Image Accuracy Light transmission in the QuartzLine Filters is perfectly neutral from the UV spectrum all the way across the IR spectrum, which gives photographers and cinematographers the confidence to stretch the boundaries of their creative vision while ensuring color and image accuracy. Unique among filter manufacturers, PolarPro leverages its new advanced coating technologies to eliminate any color cast or color inconsistency throughout the spectrum. The single-element QuartzLine Filters are available in a wide array of ND and ND/PL filters so photographers or cinematographers do not have to stack glass to achieve the desired effect, while also allowing wide-angle shots without fear of vignetting.

Precision Coatings The QuartzLine Filters rely on PolarPro’s advanced coating technologies to eliminate color shift, reduce flaring and ghosting, and to increase surface hardness for the already-durable fused quartz glass. Unlike other filters on the market, QuartzLine receives advanced coatings to eliminate color-casting or inconsistencies throughout the color spectrum. Each of the QuartzLine Filters feature:

• Neutral Density Coating – Precisely applied to reduce the desired light transmission without incurring color shifts, PolarPro’s ND coatings have been tested in the most demanding conditions possible from the workshop test bench to sun-blasted skies around the world.

• Anti-Reflective Coating – Reducing the reflectivity of the lens filter eliminates hot spots in the frame, and PolarPro’s coating technology allows the 3.45% native reflectivity of the fused quartz to be reduced to a negligible 0.455%.

• Anti-Scratch Coating – Protecting the coatings and base glass while hardening the filters surface, PolarPro’s anti-scratch coating has stood up to the demands of the most adventurous downhill thrashings possible.

• Hydrophobic Coating – Increasing surface hardness, while making for easy cleaning and water resistance, PolarPro’s hydroscopic coating provides the external layer on the QuartzLine Filters.

Durable Brass Frames The durable four-part frame which houses each QuartzLine Filter has been over-engineered to ensure it threads onto each lens perfectly. Wanting to use the absolute best materials possible, PolarPro eschewed the traditional aluminum frames in favor of the more durable, yet lightweight, brass frames. With the unique production demands of professional photographers and videographers in mind, the QuartzLine showcases the brass exterior portion of the frame while the interior is coated in a matte back to prevent unwanted reflections.

Comprehensive Product Range The QuartzLine Filters will be available for a wide array of lens sizes and a series of optional step-up rings will allow QuartzLine to accommodate most professional lenses. The range of UV, circular polarizing filters, traditional neutral density and hybrid neutral density/polarizing filters is detailed in brief below, or on the QuartzLine product page, here.

  • Filter Thread Sizes: 37mm, 46mm, 67mm, 77mm, 82mm
  • Filter Options: UV, CP, ND8, ND8/PL, ND16, ND16/PL, ND64, ND64/PL, ND1000, ND1000/PL, ND100000
  • Step-up Ring Options:
    • Step 52mm, 55mm and 58mm lens to 67mm filter
    • Step 62mm, 67mm and 72mm to a 77mm filter
    • Step 62mm, 67mm, 72mm and 77mm lens to an 82mm filter
  • PolarPro Kanga Camera Filter Cases: Available in 3-filter or 6-filter storage sizes, the PolarPro Kanga Camera Filter Case features a magnetic opening for quick and easy filter access, plush microfiber interior lining, and a pull-tab system for streamlined filter selection. The PolarPro Kanga Cases retail for $ 39.99 and can be purchased here.

For more information about the new PolarPro QuartzLine Camera Filters, retail availability and pricing, please visit our website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica unveils Super-Vario-Elmar-SL 16-35mm F3.5-4.5 ASPH zoom lens for the SL system

11 Apr
Credit: Leica

In the midst of all the NAB video news, Leica has unveiled a little something for the photography crowd. Meet the Leica Super-Vario-Elmar-SL 16-35mm F3.5-4.5 ASPH lens, an ultra-wide angle zoom lens that promises “performance and versatility, coupled with quick and quiet autofocus” for users of Leica’s full-frame mirrorless Leica SL.

Leica hopes the Super-Vario-Elmar-SL 16-35 will be a “go-to” lens for a variety of uses: from landscapes and architecture, to weddings, concerts, and even reportage and documentary photography.

Inside the lens barrel you’ll find 18 elements in 12 groups, including two aspherical elements and three elements “made from glass with anomalous partial dispersion.” This optical formula is paired with a specially developed focusing drive with stepping motor and linear positioning that, paired with a single dedicated focusing element, promises to deliver fast and quiet autofocus.

Here’s a closer look at the lens from all angles:

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The Super-Vario-Elmar-SL 16-35mm F3.5-4.5 ASPH joins two other zoom lenses in the Leica SL system—the Vario-Elmarit–SL 24-90mm F2.8-4 ASPH and the APO-Vario-Elmarit-SL 90-280mm F2.8-4—which now cover a combined focal range of 16mm to 280mm. The lens will be available at Leica stores, boutiques, and dealers worldwide starting April 23rd for $ 5,495.00.

Press Release

Leica Camera Announces Expansion of SL-System with an Ultra-Wide Angle Lens

The highly-anticipated Super-Vario-Elmar-SL 16–35/3.5–4.5 ASPH provides unparalleled imaging performance and versatility, coupled with supremely quick and quiet autofocus

April 9, 2018 – Leica’s new Super-Vario-Elmar-SL 16–35/3.5–4.5 ASPH. ultra-wide angle zoom lens perfectly rounds out the current zoom lens portfolio for the Leica SL, offering what is sure to be a go-to lens in the full-frame mirrorless Leica SL-System kit. While this ultra-wide angle lens is well-versed at capturing everything in a scene, its range of focal lengths makes it ideal for a diversity of uses, including landscape and architectural photography, wedding, event, and concert photography to reportage and documentary photography. The lens’s versatility and ability to capture not only wide scenarios, but also zoom in on a subject’s details, make it the most accessible, easy-to-use wide-angle lens in all of Leica’s impressive line-up.

In addition to excellent imaging quality throughout the entire range of focal lengths and at all apertures, the high-performance lens also offers simultaneously fast and quiet autofocus. This is driven by a specially developed focusing drive including a stepping motor and linear positioning. In combination, this moves a single, dedicated glass focusing element that, due to its low weight, allows for a very quick autofocus.

The camera is also crafted to perform well in challenging situations. The lens features protected construction and special AquaDura® front lens coating that can withstand adverse weather conditions. Additionally, the lens’s barrel does not extend when zooming, which further helps the lens endure more rugged scenarios.

The newly designed optical system of the Super-Vario-Elmar-SL 16–35/3.5–4.5 ASPH. contains a total of 18 elements in 12 groups that work to control distortion incredibly well. These elements include two asphericals for the correction of monochromatic aberrations and three elements made from glass with anomalous partial dispersion correct chromatic aberration. An improved mount geometry and high-quality coating ensure optimum suppression of reflections and stray light within the optical system.

With the addition of the Super-Vario-Elmar-SL 16–35/3.5–4.5 ASPH., the portfolio of zoom lenses for the Leica SL now covers a range of focal lengths from 16 to 280 mm. Together with the Vario-Elmarit–SL 24–90/2.8–4 ASPH. and the APO-Vario-Elmarit-SL 90–280 f/2.8–4, this trio of exceptional lenses are able to expertly capture all genres of photography and enables photographers a high degree of flexibility and versatility with their craft and creativity.

The Super-Vario-Elmar-SL 16–35/3.5–4.5 ASPH. will be priced at $ 5,495.00 and available worldwide in Leica Stores, Boutiques and Dealers starting April 23.

A new firmware update for the Leica SL, Version 3.2, will also be released April 23rd to address improvements specifically requested by Leica SL photographers:

  • The joystick can now be deactivated from the menu to prevent inadvertent changes to settings while the camera is in use
  • Eco Mode can be set to reduce the power consumption of the camera
  • The standard white balance value for daylight has been changed from 6600 K to 6500 K
  • Various improvements have been made for entering text and numbers (e.g. at WiFi password)
  • Compatibility with the Leica SF 60 System Flash and the SF C1 wireless flash controller
  • Other bug fixes

Technical Data:

Lens: Super-Vario-Elmar-SL 16-35/3.5-4.5 ASPH.

Field angle (diagonal, horizontal, vertical)

  • Focal length 16mm: 105,6°/ 95,3°/ 72°
  • Focal length 24mm: 84,7°/ 74,4°/ 53,7°
  • Focal length 35mm: 64,6°/ 55,5°/ 38,7°

Optical Design

Number of lenses/groups: 18/12

Number of aspherical lenses: 2

Entrance pupil position:

  • Focal length 16mm: 105,9mm
  • Focal length 24mm: 101,5mm
  • Focal length 35mm: 105,0mm

Distance setting

Working range: 250mm to infinity

Smallest object field: Focal length 35mm – 90 x 135 mm

Largest reproduction ratio

  • Focal length 16mm: 1:7,7
  • Focal length 35mm: 1:3,7

Aperture

Setting/function: Electronically controlled aperture, set using turn/push wheel on camera, including half values

Aperture setting range

  • Focal length 16mm: 3,5-22
  • Focal length 35mm: 4,5-22

Lowest value: 22

Bayonet/sensor format: Leica L bayonet, full-frame 35mm format

Filter mount: E82

Dimensions and weight

Length to bayonet mount: 123mm (without lens hood)

Largest diameter: 88mm

Weight: 990g

Articles: Digital Photography Review (dpreview.com)

 
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