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Archive for the ‘Uncategorized’ Category

Composite timelapse combines Death Valley’s night sky with New York City’s streets

14 Apr

In honor of International Dark Sky Week 2018—which will run from April 15th to the 21st—timelapse filmmakers Gavin Heffernan and Harun Mehmedinovic decided to create an interesting composite. Using their ample post-processing skills and footage they’d captured across the country, they replaced the light-polluted skies over New York City with long-exposure footage captured in pristine locations like Death Valley and Grand Canyon National Parks.

The whole thing is part of the duo’s project Skyglow: an ongoing quest to raise awareness about and examine the dangers of light pollution. The project features a 192-page hardcover book and blu ray video series made up of footage and photos captured all over the United States, but it was also the impetus behind an inspiring series of Skyglow timelapses. The project began three years ago with another composite timelapse—in which they ‘darkened’ the skies over LA—so Heffernan and Mehmedinovic decided they would cross the country and do it again, this time in NYC, for Dark Sky Week 2018.

You can learn more about the Skyglow Project at this link, watch the new New York City composite timelapse above, and scroll through some stills from the project below.

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Articles: Digital Photography Review (dpreview.com)

 
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You will soon be able to download your entire photo archive from Instagram

14 Apr

Currently, if you wanted to download all of your content from Instagram, you have no choice but to use a third party service like DownloadGram and 4K Stogram. Fortunately, that may not be the case for too much longer. In a statement to TechCrunch earlier this week, an Instagram spokesperson said:

We are building a new data portability tool. You’ll soon be able to download a copy of what you’ve shared on Instagram, including your photos, videos and messages.

It’s not known exactly how the tool will work or what other data will be available for download beyond your photos, but if Facebook’s Download Your Information tool is anything to go on, it’s likely you’ll be able to download most of your content and activity into a ZIP file.

As noted by TechCrunch, if Instagram implements its new download tool before May 25th, it will ensure it’s in compliance with the EU General Data Protection Regulation (GDPR) privacy law, which requires organizations to let individuals download any data that’s been gathered on them. But there’s no guarantee Instagram will get the tool out in time.

Regardless of when it happens, it’ll be nice to see an integrated tool for easily downloading your content, be it because you’re jumping to another platform or simply want to make an offline copy. It also means days are numbered for apps like DownloadGram.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Chinese company Xiaomi may purchase GoPro

13 Apr

Chinese electronics company Xiaomi is considering an offer to buy action-cam makers GoPro, according to a report in The Information. This news follows GoPro’s January announcement that it would be exiting the market for drones in order to streamline business and become more profitable. At the same time, CEO Nick Woodman said in an interview with CNBC the company was open to a buy-out:

If there are opportunities for us to unite with a bigger parent company to scale GoPro even bigger, that is something that we would look at.

Details on the potential offer are sparse at this point in time, but the deal could be worth as much as $ 1 billion. Once valued at more than $ 10 billion, in its heyday GoPro was a success story in consumer electronics, but the company’s market capitalization has since fallen to about $ 761 million, mainly due to aggressive competition from China.

According to analysts, a buyer could leverage GoPro’s brand and make profits through device sales. Xiaomi in particular could also use some of GoPro’s camera IP in the development of camera modules for its smartphones. That said, if the Chinese company does end up buying GoPro, we hope they won’t just use the brand name and patents, and will let GoPro action-cams live on.

GoPro’s stock price has spiked 8.8 percent on the news.

Articles: Digital Photography Review (dpreview.com)

 
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The RedRock DigiBoom is a gimbal-stabilized camera boom

13 Apr

Cinema and video accessory makers Redrock Micro have teamed up with Disney/ABC Television Group and Disney Research to design and develop the DigiBoom, a handheld gimbal-stabilized camera boom.

The DigiBoom is targeted at solo operators and small production teams who want to add unusual angles and smoothly stabilized footage to news, sports, and event video productions. The DigiBoom lets you place the camera anywhere from ground level to more than 8 feet (243 cm) up; 12 feet (365 cm) with the optional extension.

Redrock Micro says the DigiBoom is ideal for creating sweeping camera moves or unusual points of view. Key Features include complete control of operation and settings for both camera and gimbal from the grip, automated, manual, or hybrid control of camera aim and angle, and professional audio-connections and functions.

Additionally, the device comes with a single power source for camera, DigiBoom, and accessories, and the option to use an external power input. A high-resolution display allows for full-time monitoring. DigiBoom can be used with a wide range of cameras and displays but Redrock Micro recommends the Blackmagic Video Assist and Micro Studio Camera 4K recorder and camera for best performance.

The DigiBoom can be preordered for $ 500 on the Redrock Micro website, where you’ll also find additional product information. Target availability is Summer 2018.

Press Release

New DigiBoom Aims to Energize Location Shots, Breaking News, and Sports Footage

New Hybrid Camera Rig from Redrock Micro and Disney ABC Television Group/ Disney Research Merges Best of Gimbal, Jib, Drone, and Handheld to Achieve Cinematic Moves and Impossible Camera Angles

Dallas, TX and Hollywood, CA – Redrock Micro in collaboration with Disney/ ABC Television Group and Disney Research today announced DigiBoom® – a new gimbal-stabilized camera rig that merges the best of jib, gimbal, Steadicam®, drone, and handheld into a single highly mobile platform. DigiBoom is on display beginning today in the Redrock Micro and Blackmagic booths at the National Association of Broadcasters (NAB) conference in Las Vegas.

DigiBoom pushes content above the competition. DigiBoom is used by solo operators and small production teams to add eye-popping shots and premium cinema-style feel to live and pre-recorded news, sports, and events. DigiBoom can place the camera from ground level to over 8 feet (up to 12 feet with the optional extension) and everywhere in between while the full-time powered gimbal keeps shots smooth and steady. Use DigiBoom to create sweeping camera moves or place cameras into unusual point-of-views for maximum visual impact, including:

  • Reach any target, move quickly, and get angles that were previously unimaginable
  • Extend the pole to get shots of the tallest on the court, a crowded field and even places where tripods or handheld aren?t practical. Use the optional 3 foot extension for even higher and truly epic views
  • Get in front of, above, below, or around any obstacles with total control of camera angle and position
  • Create dynamic and premium cinema-style shots with smooth gimbal stabilization that will have people saying “How did they do that?”

Designed for Fast-Moving Productions and Small Crews

Key Features

DigiBoom is the only camera rig that delivers this wide range of creative shots while enabling full-time operator control over camera position and settings:

  • Versatility – that enables solo camera operators to be more productive and creative. The highly mobile rig means shots and angles can be easily improvised for breaking news or on-the-spot creative choices
  • Complete Control – of operation and settings for both camera and gimbal right
  • Dual Gimbal modes – for fully automated, fully manual, or hybrid control of camera aim and angle
  • Professional audio – including standard connectors and shielded wiring that is fully integrated into the DigiBoom for onboard camera audio, onboard mixer, or external sound mixer.
  • Professional power – with one power source for camera, DigiBoom, and accessories. Use the external power input for unlimited run time.
  • Full time monitoring – via the bright high resolution display mounted right where the operator needs it
  • Modular for many different setups – including jib, drone-like, Steadicam, and handheld all with one rig
  • Broadcast workflow and quality – whether live or pre-recorded, DigiBoom provides industry-standard video, audio and wireless with connectors and accessories
  • Minimal training – enables broadcast quality and delivery of totally unique content from day one

Redrock’s Cinema and Video Product Expertise Brings DigiBoom to Life

Redrock Micro has long been recognized as the premiere innovator for independent production equipment. Over the past decade, Redrock’s original designs and products have made high production value affordable and accessible for any budget level. DigiBoom joins Redrock’s existing family of over 400 rigs, automation, and camera accessories including the Eclipse™ the latest generation of networked camera-top accessories.

“Redrock has empowered small crews and solo operators to punch above their weight class for over a decade,” said James Hurd, President of Redrock Microsystems. “DigiBoom represents this kind of leap forward for location news, sports, and events. When we first saw DigiBoom we recognized this spark of an idea. With Redrock’s product expertise and injection of Eclipse™ technology, we are now delivering a finished product that is ready for the demands of full-time professional production.”

Powered by Technology from Disney

Core DigiBoom technology and associated patents were developed by Disney/ABC Television Group and Disney Research, and licensed to Redrock Micro to bring DigiBoom to market. DigiBoom has been field tested and refined over the past two years in organizations including Disney/ABC, ABC News, Marvel, and continues to be widely used at ESPN for live and recorded sports coverage.

“Over the past two years we have seen DigiBoom deliver tremendous value to Disney/ABC, ESPN and other subsidiaries within the Disney family,” said Anthony Accardo, Director, Research & Development, Disney/ABC Television Group. “Through our collaboration with Redrock, we are really pleased to see DigiBoom come to market and help elevate the state of the art for the industry.”

“DigiBoom gives us a distinctive look – delivering high-quality, cinematic images in a portable and versatile package,” said Brian Kennedy, vice president, Global News Gathering Operations & Planning. “At the 2017 Presidential Inauguration in Washington, D.C., DigiBoom provided incredible images and was the perfect tool allowing us to be live inside the story. No other tool could have delivered this type of coverage.”

“The Rose Bowl is one of the most beloved and most watched football contests in the US today,” said Lorenzo Lamadrid, ESPN Supervising Director, Rose Bowl. “Our use of DigiBoom for the 2018 Rose Bowl really enhanced the quality of the footage and sharpened the sense of ‘being right there in the action’ for our viewers. DigiBoom worked beautifully to create shots we couldn’t otherwise achieve.”

“DigiBoom allowed our camera operator to access high traffic spaces and deliver angles that wouldn’t have been possible with a traditional camera,” said John Vasallo, Sr. Coordinating Producer for ESPN.

Blackmagic Design Cameras Unlock DigiBoom’s Potential

DigiBoom can be used with any appropriate camera and display. To get the most from DigiBoom, the preferred recorder and camera are the Blackmagic Video Assist and Micro Studio Camera 4K, the world’s smallest broadcast quality live production camera.

The unique connectivity of the Micro Studio 4k Camera’s expansion port gives operators fingertip control over all camera functions directly from the DigiBoom handgrips. The Video Assist offers full-time operator monitoring, recording to internal SD cards and offering SDI pass-through for live broadcast.

“Blackmagic Design’s mission is to empower creative people. When we saw what Redrock and Disney were creating with DigiBoom, we wanted to make sure they could get the most from Blackmagic cameras,” said Grant Petty, CEO and Founder of Blackmagic Design. “We worked together to expand the Micro Studio Camera 4K and designed it to be versatile. It is incredibly exciting to think about how much more creative camera operators will be with DigiBoom, and with the combined solution DigiBoom essentially becomes a single integrated experience for the operator.”

Pricing and Availability

DigiBoom target availability is Summer 2018 and pricing has not yet been announced. In addition to the standalone product, DigiBoom will also be available as a Deluxe Field Broadcast kit and includes the most popular DigiBoom accessories. DigiBoom will be available from Redrock direct and Redrock’s Worldwide Authorized Resellers.

DigiBoom accessories and extensions

  • DigiBoom Jib adapter – mounts DigiBoom to your existing fluid head tripod for conversion to a more traditional jib
  • DigiBoom extension pole 3′ – extends DigiBoom for even higher shots while still retaining full operator control of gimbal and camera
  • DigiBoom body strap – supports the fulcrum of DigiBoom for additional support and easy operation
  • DigiBoom stand
  • DigiBoom hard case with fitted foam, ready for road and air travel

Articles: Digital Photography Review (dpreview.com)

 
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Harrowing image from Venezuela named 2018 World Press Photo of the Year (NSFW)

13 Apr

Finalists for 2018 World Press Photo of the Year were announced in February; now, a winning photo has been selected. Ronaldo Schemidt’s image titled ‘Venezuela Crisis’ takes the top prize, chosen from six semi-finalists and 73,044 total contest entries.

The image, displayed below, is disturbing and may not be suitable for children or viewing in the workplace. It depicts José Victor Salazar Balza on fire during a violent clash between police and protestors. He survived with first- and second-degree burns.

Title: Venezuela Crisis
© Ronaldo Schemidt, Agence France-Presse

José Víctor Salazar Balza (28) catches fire amid violent clashes with riot police during a protest against President Nicolas Maduro, in Caracas, Venezuela.

Schemidt’s image won first prize in the Spot News, Singles category. All winning images can be seen at the World Press Photo website.

Articles: Digital Photography Review (dpreview.com)

 
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Video: $7000 superzoom lens + DSLR compared to $35 smartphone lens

13 Apr

NYC-based filmmaker Casey Neistat recently compared a $ 35 clip-on smartphone lens with a $ 7,000 DSLR (the Canon EOS-1D X Mark II to be precise) and superzoom lens. The results, to no one’s surprise, were not in the smartphone lens’ favor. However, Neistat expresses surprise at the (admittedly very minor) capabilities of the cheap lens, saying, “So, I very gently, very reluctantly, recommend this total piece of sh*t $ 35 lens because it sort of almost works.”

That recommendation is given to potential buyers who need something to use with a smartphone. If a more capable lens and camera are within budget, the resulting content will benefit greatly from them, as the comparison screenshot below pretty clearly demonstrates:

Via: PetaPixel

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases 1.4x teleconverter and macro extension tubes for GF system

13 Apr

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Fujifilm is set to ship three new lens accessories for its medium format GF system.

First is the GF 1.4X TC WR teleconverter, which is designed for the 250mm F4 R LM OIS WR lens also announced today. It boosts the 35mm equiv. focal range of that lens to 277mm, though the aperture increases by a stop. The teleconverter is weather-sealed and weighs in at 400g. It will be available in May for $ 849.95 USD / $ 1059.99 CAD.

Next are a pair of macro extension tubes, which increase the magnification ratio of any of Fujifilm’s GF lens. The MCEX-18G WR is 18mm long while the MCEX-45G WR is 45mm. Both are weather-sealed and are priced at $ 329.99 USD / $ 409.99 CAD.

Press Release:

FUJIFILM INTRODUCES A NEW TELEPHOTO LENS FOR THE GFX MEDIUM FORMAT MIRRORLESS CAMERA SYSTEM

The GFX System Expands with the New FUJINON GF250mmF4 R LM OIS WR Lens, FUJINON GF1.4X TC WR Teleconverter and MCEX-18G WR and MCEX-45G WR Macro Extension Tubes;
Firmware Updates for GFX, X-H1, X-T2, X-Pro2, X-E3 and X100F

Valhalla, N.Y., April 12, 2018 – FUJIFILM North America Corporation today announced the launch of the FUJINON GF250mmF4 R LM OIS WR, a lens that expands the telephoto range for the FUJIFILM GFX 50S medium format mirrorless digital camera system.

When combined with the GFX medium format sized sensor with an area approximately 1.7 times larger than 35mm format, the GF250mmF4 R LM OIS WR lens achieves exceptional image quality. Composed of 16 lenses in 10 groups, this lens delivers unsurpassed color reproduction, three dimensional image quality, as well as ultra-high resolution and rich bokeh.

In addition, this telephoto lens is equipped with a powerful five-stop optical image stabilization and a new focus preset function, which allows the photographer to instantly activate focus settings previously saved in the lens memory. With a rugged, lightweight magnesium alloy lens barrel designed to be dust and weather-resistant, the GF250mmF4 R LM OIS WR is capable of operating in temperatures as low as 14°F/-10°C. The front lens element has a fluorine coating designed to repel water and dirt even under tough outdoor conditions.

FUJINON GF250mmF4 R LM OIS WR Lens Key Features:

• Ultra-high image quality achieved with16 lenses in 10 groups, 1 super ED lens and 2 ED lenses.
• Powerful five-stop optical image stabilization to maximize high image resolution.
• Silent, high-speed autofocus operation and new mechanism to fix linear motor position. when turning power off or when in playback mode. Available with new GFX 50S firmware.
• Made with magnesium alloy, ensuring a robust, durable body.
• Dust and weather-resistant design capable of operating in temperatures as low as 14°F/-10°C.

FUJINON Teleconverter GF1.4X TC WR

The new FUJINON Teleconverter GF1.4X TC WR is designed for use with the new GF250mmF4 R LM OIS WR giving approximately 277mm in 35mm format equivalent, without compromising image quality.

MCEX-18G WR and MCEX-45G WR Macro Extension Tubes

The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes further expand the range of macro photography. Connecting these macro extension tubes to GF lenses allows for images to be captured at high magnification ratio. The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes are compatible with all existing GF lenses.

Availability and Pricing

The new FUJINON GF250mmF4 R LM OIS WR lens will be available in Late May 2018 for USD $ 3,299.95 and CAD $ 4,124.99. The FUJINON Teleconverter GF1.4X TC WR will be available in Late May 2018 for USD $ 849.95 and CAD $ 1,059.99 and Macro Extension Tubes, MCEX-18G WR and MCEX-45G WR will both be available in Late May 2018 for USD $ 329.99 and CAD $ 409.99.

Articles: Digital Photography Review (dpreview.com)

 
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Dunning-Kruger Effect: Why you’re not as good a photographer as you think you are

13 Apr

Have you ever noticed that as you learn more about the world of photography, you tend to realize just how little you actually know? This phenomenon is what’s referred to as the Dunning-Kruger effect.

London-based photographer Jamie Windsor recently took to his YouTube channel to explain what it is, how it affects you and your work and even shares five things you can do to overcome thinking you know more than you actually do.

A chart from the video showing how perceived ability compares with actual ability according to the Dunning-Kruger Effect.

As explained in the video, the name of the phenomenon came from two social psychologists David Dunning and Justin Kruger. During a study, the two recognized that the less competent someone was at a given task, the better they thought they were. Put more simply, if you think you’re a great photographer, there’s a good chance you’re not nearly as amazing as you think you are.

Almost everyone falls victim to the Dunning Kruger effect at some point in their career. But the more self-aware you can become, the less likely you are to fall into the trap of being a bad photographer who thinks they’re good. To help combat this downward spiral, Windsor shares a few tips, which we’ve paraphrased and elaborated on below:

  1. Beware of feeling comfortable – If you start feeling comfortable in your abilities, try something new and expand your horizons. Don’t get complacent.
  2. Learn to let go of old work – Always try to one-up yourself and make your next shot your best shot. If you still think that shot from four years ago is your best, you probably haven’t improved much.
  3. Ask for feedback and constructive critique – It’s not always easy to hear, but an outside perspective can help you get a broader and more realistic view of your skills and ability.
  4. Always keep learning – “You have never learnt everything.” Never think you’ve finished learning something—everything is a rabbit hole of knowledge.
  5. Feeling bad about your old work is a sign of progress – Thinking your old work isn’t great means you’ve learned where you’ve fallen short and know how to improve your work.

In the end, Windsor emphasizes that no matter what you think of your work or how far you’ve come, it’s ultimately about enjoying the ride. His parting piece of advice is to ‘learn why you’re doing things, not just how to do them’.

To find more videos, head over to Windsor’s YouTube channel and subscribe.

via Reddit

Articles: Digital Photography Review (dpreview.com)

 
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Tiny micro-camera sensor is self-powered by light

13 Apr

University of Michigan engineers Euisik Yoon and Sung-Yun Park have developed a nearly microscopic image sensor that doesn’t require an external source of power. Measuring less than a millimeter across, this prototype camera could be placed just about anywhere – it only requires a light source to harvest energy. The technology is detailed in a study recently published in IEEE Xplore.

This isn’t the first self-powered image sensor project, however earlier explorations of the technology had limitations. One previous example involved embedding photovoltaics into a sensor for harvesting the energy to power it, which reduced the amount of light available to produce the image.

When put to the test, the sensor was able to capture 15 images per second

The prototype created by Yoon and Park differs, instead sensing the image and harvesting energy simultaneously without reducing the sensing area. This is made possible by placing a second diode, which acts as a photovoltaic, beneath the photodetector. When exposed to daylight, some photons pass through the initial photodetector diode, where they then reach the second diode and are converted into electricity to power the sensor.

With this arrangement, the sensor’s pixel area is almost fully dedicated to capturing the image while the “waste” photons are grabbed to power the camera. When put to the test, the sensor was able to capture 15 images per second at the quality shown below.

The number of frames that can be captured per second depends on the amount of available light. Full, sunny daylight at 60k lux provided enough power to capture 15 frames per second, though normal daylight at 20k to 30k lux produced enough energy for half that rate at 7.5 frames per second.

Eventually, as IEEE Spectrum notes, the proof-of-concept prototype could be refined to improve its efficiency in lower lighting conditions. The engineers could also choose to embed other components, such as a tiny wireless transceiver, to create a complete wireless camera capable of being placed and operated nearly anywhere.

Via: TechCrunch

Articles: Digital Photography Review (dpreview.com)

 
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Google lens can now identify pet breeds, create pet photo books and compile pet movies

13 Apr

Google first introduced Google Lens with the Pixel 2 smartphone. The feature uses Artificial Intelligence to power its visual recognition algorithms and provide information about whatever your smartphone’s camera is pointed at, and recently it was made available on iOS devices and integrated in the Google Photos app.

With Google Lens now available to a very large customer base many more users will be able to enjoy some new functions. The app is now capable of not just identifying the pet you are pointing the camera at, but also the exact breed – pretty impressive. This works for cats and dogs, and reportedly also some other kinds of animals. Some additional information about the breed is provided as well.

In addition, Google Photos can now automatically create a photo book starring your pet. Again, artificial intelligence is used to find the best pictures. If you look what you see and are based in the US or Canada, all you need to do is decide if you prefer a hardcover or softcover and hit the order button.

There is also a movie option which in a similar way as the photo book feature. In the Assistant tab in Google Photos you’ll find a movie button. You’ll then be able to choose the “Meow Movie” or “Doggie Movie” option and select your pet. The best photos of your pet are then compiled into a movie, accompanied by pet-themed music.

Articles: Digital Photography Review (dpreview.com)

 
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