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  • Tamron introduces 2nd-generation 15-30mm F2.8 full-frame lens for Canon and Nikon

    Tamron has updated its SP 15-30mm F2.8 Di VC USD lens with new elements and coatings, a more powerful autofocus CPU and an enhanced Vibration Correction system.

    The use of XGM (eXpanded glass-molded aspherical) and low-dispersion elements reduce distortion and lateral chromatic aberrations, according to Tamron, while an AX (Anti-reflection eXpand) coating handles ghosting and flare. The lens is weather-sealed and has a fluorine coating to keep water and oil off of the front element. The 15-30 F2.8 has nine rounded aperture blades.

    A Dual Multi-Processing Unit and new algorithms have boosting AF speed and precision, and the VC system now corrects for up to 4.5 stops of shake. The 15-30 has a minimum focus distance of 28cm (11″), a magnification of 0.2x and support for rear gel filters on the Canon model. It supports Tamron’s TAP-in Console for making fine adjustments to autofocus and Vibration Correction.

    The Nikon FX-mount lens will ship first on September 21st, with the Canon EF-mount version coming about three weeks later. The Tamron SP 15-30mm F2.8 G2 will be priced at $ 1299.

    Press Release

    Tamron Announces A New Advanced, Super High-Quality, Fast, Ultra-Wideangle Zoom Lens

    SP 15-30mm F/2.8 Di VC USD G2 (Model A041)

    August 31, 2018, Commack, New York— Tamron announces the launch of a new high-speed ultra-wide-angle zoom lens, the SP 15-30mm F/2.8 Di VC USD G2 (Model A041), for full-frame DSLR cameras. The new model will be available in Nikon mount on September 21st and in Canon mount October 12th at a suggested retail price of $ 1299.

    With a well-established reputation for ultra-high-quality wideangle zoom lenses with its Model A012, Tamron carries on the tradition of high optical performance with the new SP 15-30mm F/2.8 Di VC USD G2 (Model A041). By incorporating an XGM (eXpanded Glass Molded Aspherical) lens element, as well as multiple LD (Low Dispersion) lens elements, the distortion and lateral chromatic aberrations so common in wideangle shooting have been greatly minimized. Furthermore, a newly developed AX (Anti-reflection eXpand) Coating has been applied to reduce ghosting and flare more thoroughly than ever before. The optical performance in this high-speed F/2.8 ultra-wideangle zoom lens is outstanding. In addition, the built-in Dual MPU (Micro-Processing Unit) enables vastly improved AF speed and precision and image stabilization. This is a next-generation super high-quality, high-speed ultra-wideangle zoom lens with first-rate optics and a wide range of features that serve to revitalize the user’s shooting experience. With the release of this model, three of Tamron’s high-speed F/2.8 zoom lens with VC (Vibration Compensation) are now G2 (Generation 2).

    PRODUCT HIGHLIGHTS

    1. Super high-quality high-speed ultra-wideangle zoom lens
    The Model A041 is an F/2.8 ultra-wideangle lens with a focal length starting at 15mm that offers high resolution even in the peripheral area of the image. By incorporating an XGM (eXpanded Glass Molded Aspherical) lens element and multiple LD (Low Dispersion) lens elements to curtail distortion and lateral chromatic aberrations, Tamron has achieved a degree of resolution throughout the range that is just as good as a fixed focal length lens.

    2. Newly developed AX Coating
    The AX (Anti-reflection eXpand) Coating, especially effective for wideangle lenses that tend to let in harmful light from peripheral areas, was developed to control rays that affect image quality. It is a revolutionary new proprietary coating developed in-house by Tamron using specialized deposition technology. The new coating keeps the reflection factor for peripheral areas at the same high level as that for the center area, not only overcoming standard curvature issues, but even overcoming the problems of conventionally produced convex surface with large curvatures for which uniform deposition has always proved difficult to achieve. Furthermore, the Model A041, along with eBand (Extended Bandwidth & Angular-Dependency) Coating utilizing nanotechnology, and BBAR (Broad-Band Anti-Reflection) Coating, makes effective use of three different types of coatings, thereby enabling unsurpassed curtailment of ghosting and flare and consequently enabling superlative, exceptionally clear image quality edge to edge.

    3. High-speed, high-precision AF
    Superb AF speed and precision is delivered by equipping the lens with a Dual MPU (Micro-Processing Unit) system and employing an enhanced AF control algorithm to improve performance. The AF drive uses proprietary Tamron technology, USD (Ultrasonic Silent Drive), enabling high torque, high response, and silent operation. And because it comes with a Full-time Manual Focus override system, manual focus adjustments can be made on the fly.

    4. VC promises sharp images for all varieties of shooting
    Tamron released the first high-speed F/2.8 ultra-wideangle zoom lens in the world equipped with a VC (Vibration Compensation) mechanism, the original Model A012. The new Model A041 has been further improved with a newly developed VC mechanism that surpasses former versions and reaches 4.5 stops , according to CIPA standards. This makes it possible to shoot sharp photos over a wide range of photographic scenes, including indoor and outdoor shots as well as handheld shots at stopped-down aperture settings for landscape photography.

    5. Rear filter holder
    The Model A041 made for use on Canon (EF-mount) cameras comes with a filter holder as a standard feature that lets you insert gelatin and other sheet filters into the rear side of the lens. This makes photography using filters much easier and simpler by overcoming the problem of the curvature of the front lens elements that made shooting with filters so difficult in the past.

    6. Vastly improved highly durable Fluorine Coating
    Abrasion resistance capability has been vastly improved on the new Model A041. The front surface of the lens element is coated with a Fluorine Coating based on a newly developed fluorine compound with high water- and oil-repellent properties. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture, and fingerprints, and enabling your important lenses to be continually protected on a long-term basis.

    7. The new design provides greater operability and design consistency
    With the new SP design applied, Model A041 shares the same feel of high quality and operability as the other two models in this series, SP 24-70mm F/2.8 Di VC USD G2 (Model A032) and SP 70-200mm F/2.8 Di VC USD G2 (Model A025). Tamron has merged beautiful craftsmanship with intuitive design in this new high-speed ultra-wideangle zoom lens. Even details like the shape of the switch box, distance-scale window, and the precision and stability of the metallic mount reveal a commitment to functionality, as well as design. The result is a next-generation lens that’s easy to use yet loaded with cutting-edge technology.

    8. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory
    The new Model A041 is compatible with the TAMRON TAP-in Console, an optional accessory product that provides a USB connection to a personal computer for easy updating of the lens’s firmware as well as customization of features including fine adjustments to the focus position of AF and VC control.

    9. Moisture-Resistant Construction
    Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain to provide Moisture-Resistant Construction. This feature affords an additional layer of protection when shooting outdoors under adverse weather conditions.

    10. Manufacturing innovation with thorough attention to details based on the rigorous quality standards worthy of the SP series
    Tamron has enhanced the SP series lenses to fulfill high-level photographic requirements and provide the pleasure of ownership. While introducing a new exterior design, Tamron reviewed the SP series standards. The new SP series has been developed by setting rigorous standards for design, manufacturing and quality that apply to the optical design and mechanical design as well as such wide-ranging areas as the product’s robustness and improvements in a variety of individual functions. This has helped to achieve a more consistently superb optical performance, making it a lens that fulfills the demand for higher image quality that is compatible with the latest high-pixel cameras. To maximize the optical performance of the SP series, Tamron will continue to enhance the accuracy of the component parts of each lens element unit and improve the mechanical precision of the entire lens, thereby achieving a high overall performance.

    Tamron SP 15-30mm F2.8 Di VC USD G2 specifications

    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 15–30 mm
    Image stabilization Yes
    CIPA Image stabilization rating 4.5 stop(s)
    Lens mount Canon EF, Nikon F (FX)
    Aperture
    Maximum aperture F2.8
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 9
    Optics
    Elements 18
    Groups 13
    Special elements / coatings 2 eXpanded glass molded aspherical + 1 molded glass aspherical + 3 aspherical elements, Anti-reflection eXpand + BBAR + fluorine coatings
    Focus
    Minimum focus 0.28 m (11.02″)
    Maximum magnification 0.2×
    Autofocus Yes
    Motor type Ring-type ultrasonic
    Full time manual Yes
    Focus method Internal
    Distance scale Yes
    DoF scale No
    Physical
    Weight 1110 g (2.45 lb)
    Diameter 98 mm (3.86″)
    Length 145 mm (5.71″)
    Sealing Yes
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Zoom lock No
    Filter notes Canon version accepts rear gel filters
    Hood supplied Yes
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Sony launches the Xperia XZ3 high-end smartphone

    Sticking to its usual 6 months cycle, Sony has launched a new model in its high-end XZ smartphone line. The Xperia XZ3 follows on from the XZ2 which was released earlier this year. The new device is more evolution than revolution and the major differences to the XZ2 are an updated screen, a bigger battery and a slightly modified body design.

    The new 6-inch OLED display supports HDR and comes with a 2880 x 1440 pixel resolution. It is protected by Gorilla Glass 5 that is curved at the edges to integrate smoothly with the aluminum body. The bezel dimensions have also been reduced, allowing for an improved display/body ratio.

    Probably thanks to the marginally larger device body Sony has been able to use a beefier 3330 mAh battery which, compared to the XZ2’s 3180 mAh unit, should deliver a slightly improved battery life. Sony has also improved the S-Force front speakers, offering better base and treble as well as a 20% increased overall volume.

    At 1/2.3″ the sensor is comparatively large for a smartphone camera and is combined with a 25mm equivalent wideangle lens and F2.0 aperture

    Other specs include a Snapdragon 845 processor, 4GB of RAM and 64GB of storage, all wrapped up in a IP68 water and dust resistant body. At least on paper the rear camera specification has not changed for the new model and the XZ3 comes with the same 19MP camera module as the XZ2. At 1/2.3″ the sensor is comparatively large for a smartphone camera and is combined with a 25mm equivalent wideangle lens and F2.0 aperture. Predictive PDAF, laser AF and 4K video recording are on board as well.

    The front-facing unit has been updated, however, and now comes with a higher 13MP resolution and faster F1.9 lens. The Xperia XZ3 will b available from October 17 for $ 900. More information is available on the Sony Mobile Blog.

    Articles: Digital Photography Review (dpreview.com)

  • Polaroid launches Mint digital instant camera and mobile printer

    Polaroid has launched the Mint 2-in-1 digital instant camera at the IFA trade show in Berlin. The Mint camera (not to be confused with the Instax-mini-compatible Mint InstantFlex TL70) comes with a 16MP image sensor, a microSD-slot for cards of up to 256GB capacity, a built-in selfie mirror, and a self-timer. A smartphone-like LED-flash is on board as well.

    Polaroid says the camera “makes it easier than ever to capture and print instant photos that last a lifetime” and the built-in printer, which uses the inkless ZINK-technology can produce color, black-and-white or sepia prints in less than a minute. Before printing, users have the option of adding a frame to the image. The Polaroid Mint instant camera is available in black, white, red, blue and yellow and will set you back $ 99.99.

    The Mint Instant Digital Pocket printer is Polaroid’s second new product at the trade show and meant to be used in conjunction with mobile devices. The pocket-sized printer uses the same ZINK technology as the Mint camera and lets you print any photo from your smartphone or tablet via the Polaroid Mint app and a bluetooth connection. The app features many common editing functions, including filters, frames and stickers.

    The printer can be charged via a USB port and is the battery is good for 50 prints. The Polaroid Mint printer is available in black, white, red, blue and yellow and retails at $ 129.99. More information on the Mint camera and printer is available on the Polaroid website.

    Articles: Digital Photography Review (dpreview.com)

  • Updated firmware for Fujifilm X-T100 and X-A5 include two new filters, square capture mode

    Fujifilm has new firmware updates for its X-A5 and X-T100 mirrorless cameras. The updates include new and updated features in addition to a number of bug fixes.

    First up is the Fujifilm X-A5. Firmware version 1.20 adds two new Advance Filters called ‘Rich & Fine’ and ‘Monochrome [NIR].’ The ‘Rich & Fine’ filter is made for food and still life photography, with an emphasis on saturated colors and a slight vignette. As the name suggests, the ‘Monochrome [NIR]’ filter simulates the look of a near-infrared camera through selective toning of the scene.

    Also included in the update is a new Square Mode, which enables 1:1 format capture and improved autofocus accuracy in AF-C mode when the shutter is half-pressed. A bug that caused the highlight warning not to show in the Info display has also been squashed, alongside a few others.

    Onto the X-T100, firmware version 1.10 adds the same two new Advance Filters, Square capture mode, improved autofocus accuracy in AF-C mode present in the X-A5 firmware update. Fujifilm has also made the default ISO setting when switching between P, S, A, M, Adv modes ‘Auto.’

    Fujifilm also fixed an issue with the autofocus frame shifting when zooming in on the focus position display. Other bug fixes, including the aforementioned highlight warning issue, have been included as well.

    You can download firmware version 1.20 for the X-A5 and firmware version 1.10 for the X-T100 on Fujifilm’s website. Installation instructions are found on the bottom of the respective update pages.

    Articles: Digital Photography Review (dpreview.com)

  • Raw conversions added to Nikon Z7 pre-production gallery

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    Ever since getting our hands on a pre-production model of the new Nikon Z7 mirrorless camera, we’ve been very eager to play with the Raw files. Now, our wishes (and maybe yours) have finally come true: click through for a large selection of Raw conversions made using a beta version of Adobe Camera Raw 11.

    See our updated Nikon Z7 gallery with
    Raw conversions

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z6 vs Sony a7 III, which is the better buy? Hint: it’s too close to call

    Battle of the ‘budget’ full-frame mirrorless

    The Nikon Z6 and Sony a7 III are two cameras with much in common including 24MP full-frame sensors. If you’re looking to sink your teeth into the world of full-frame mirrorless, these two represent the most-affordable current models on the market, with body-only MSRPs of around $ 2000.

    But the Z6 is a first-generation product for Nikon, while the a7 III is Sony’s third go at a ‘budget’ full-frame offering. How much does this matter? Let’s dig in!

    Note: Our impressions on the Z6 are largely based on limited experience of using (but not shooting with) a pre-production model, plus significant time spent shooting with pre-production samples of the higher-resolution but operationally very similar Z7.

    Nikon Z6 vs Sony a7 III: Image quality

    Both of these cameras make use of 24MP full-frame sensors. The Sony a7 III’s sensor offers excellent low-light image quality, excellent dynamic range and best-in-class JPEG noise reduction. Our full review also notes improvements to color – specifically skin tones – over past Sony full-frame cameras.

    We’ve yet to test the Z6’s sensor, but if past Nikon 24MP full-frame sensors are any indication, we also expect excellent image quality. Generally speaking we prefer Nikon colors to Sony colors but the Sony may have an advantage when it comes to retaining detail while reducing noise at high ISOs. Still, it’s too soon to tell which camera will end up with the upper hand, so for now, it’s a toss up in the IQ department.

    Nikon Z6 vs Sony a7 III: Video

    Neither of these cameras is a slouch when it comes to video. In fact, the two have more in common than not, including: over-sampled 4K/24p video using full sensor readout, useful tools such as focus peaking, microphone and headphone jacks, in-body stabilization for hand-held shooting and a 1080/120p mode for slow motion work.

    For more experienced filmmakers, there are some important differences though: The Z6 can output 10-bit log over HDMI, while the a7 III cannot. On the other hand the a7 III can record 8-bit HLG and S-Log2 in-camera, while the Z6 cannot.

    Another area where the two cameras might vary is AF tracking in video. As noted in our a7 III review, the tap-to-track function uses Sony’s old Center Lock-on AF algorithm, which is somewhat unreliable and requires a combination of unintuitive button presses to engage. Conversely, based on our impressions shooting video with the Z7, Nikon’s tap-to-track is both easy to use and very reliable. Whether that proves true in use (bearing in mind that the Z6 features a slightly different AF system to the Z7) is something we’ll establish once we receive a reviewable camera.

    Overall, both the a7 III and Z6 offer compelling video packages, but provisionally, we’re going to give the Nikon the nod for what’s likely to be more usable video AF.

    Nikon Z6 vs Sony a7 III: AF

    Both the Nikon and Sony offer impressive on-sensor autofocus point coverage. The Z6 has 273 PDAF points covering 81% of its sensor, the Sony has 693 PDAF points covering 93% of the frame. In terms of usability, both have AF joysticks making point selection painless. But the Nikon AF points are illuminated in red, making them substantially easier to see than that of the Sony’s (which only illuminate slightly when focus is confirmed).

    Face detection modes are offered in both cameras, but only the Sony offers Eye AF which locks focus on a subject’s eye with incredible precision. For stills mode, we also prefer the Sony’s through-the-viewfinder subject tracking, which is easy to use and very reliable. The Z6 on the other hand does not inherit Nikon’s excellent 3D Tracking. Tracking through the EVF is clunkier than it is on Nikon DSLRs and requires pressing the OK button to reset and switch subjects – this is annoying and can cost you shots.

    We’re calling it in favor of Sony when it comes to autofocus through the EVF. If Nikon manages to squeeze 3D Tracking into the Z6 via firmware, we’ll reconsider. Until then, the Sony’s seamless tracking, excellent Eye AF and more precise AF point spread give it the advantage.

    Nikon Z6 vs Sony a7 III: Usability

    We realize that a camera’s usability or lack thereof depends on the photographer operating it and their needs. But there are some notable UI differences between the Z6 and a7 III.

    The a7 III has Sony’s latest menus, which have been cleaned up over previous versions, but we still find them a bit confusing and redundant. The camera offers a good level of customization, but requires a decent amount of time spent setting it up to really get the most out of it. The touchscreen is a disappointment: it has limited use when it comes to changing camera settings/navigating the menu and is overall, unresponsive.

    The Z6 inherits its (also pretty complex and often confusing) menus from Nikon DSLRs and largely functions like a Nikon DSLR except for its AF modes, which are inherited from the Coolpix line. Like the a7 III, it also offers a good level of customization, but in our opinion it’s an easier camera to simply pick up and shoot with. The Z6 also offers a top plate info panel – the a7 III does not. And unlike the Sony, its touchscreen can be used to change camera settings and navigate the menus.

    Overall, both cameras are very usable, but the Nikon’s better touch operation makes it the winner.

    Nikon Z6 vs Sony a7 III: Body design

    The Nikon Z6 and Sony a7 III are remarkably similar in terms of size and weight – the Sony is 25g lighter, 7mm narrower, 5mm shorter and 6mm thicker. And while both cameras are weather-sealed, the Sony lacks proper sealing on its bottom battery door (the Nikon battery door is well-sealed) which is something to consider if you shoot in wet conditions.

    Grip preference is obviously very subjective, but as a staff, we prefer the Z-series grip to that of the a7 III. However, the Sony offers dual SD card slots, (only one is rated for faster UHS-II memory cards), while the Nikon offers a single XQD slot (but will support CFexpress media in a future firmware update). Does this matter? That depends on how and what you shoot. Judging by the comments on our Z7 launch content, for a lot of you it’s a deal-breaker.

    Overall, we really like Sony’s dual slots, but appreciate the Nikon’s comfier grip, top plate info panel and more robust sealing. Still, we’re calling this one a toss up.

    Nikon Z6 vs Sony a7 III: Lenses and mount

    At launch, the Nikon Z6 will have three available native lenses, shown above.

    Nikon’s new Z mount is larger than Sony’s E mount by a good margin (55mm vs 46.1mm) and has a shorter flange distance (16mm vs 18mm). So what does this actually mean? Well, in theory it means that Nikon will be able to put out faster glass because their lenses will be less constrained by the limitations that the E-mount’s comparatively narrow throat imposes. This also means the Nikon Z might become the most adaptable camera ever, since it has the shortest flange distance we’ve ever seen.

    On the other hand, right now there are only three native Z lenses available for the Nikon Z6 whereas the a7 III can make use of 25+ native Sony lenses as well as an ever growing list of third party lenses. Then again, thanks to the $ 250 FTZ adapter ($ 150 for a limited time if bought with a Z camera) the Z6 will work with most F mount lenses, autofocus and all.

    Again, though, this one is also a toss up. The Nikon clearly has the more versatile lens mount for those looking to invest in a system today – the Sony has more native glass to offer, sans adapter.

    Nikon Z6 vs Sony a7 III: EVF & LCD

    The Nikon Z6 has a a 3.68M dot electronic viewfinder with 0.8x magnification, compared to the Sony a7 III’s 2.36M dot EVF with 0.78x magnification. That difference in EVF resolution gives the Nikon a crisp and clear advantage. It’s also worth noting the Nikon doesn’t appear drop its EVF resolution when in shooting mode, while the Sony does.

    And while both cameras have tilting LCDs, the Nikon has a larger, higher-res screen: 3.2″ and 2.1M dots compared to 3″ and 922k dots. Overall, Nikon is the winner when it comes to EVF and LCD.

    Nikon Z6 vs Sony a7 III: Performance

    In terms of speed, both cameras offer solid burst rates for anyone wishing to capture sports or action. The Sony a7 III can shoot up to 10 fps with AF compared to 12 fps on the the Nikon Z6. But the Sony has the Nikon beat when it comes to battery life, pumping out 710 shots per charge (CIPA rated) compared to a measly 330 shots per charge (CIPA rated) on the Nikon. We assume that like the Z7, the Z6 will be able to shoot for a great many more photos than that on a single charge for most people’s normal use, but so does the a7 III.

    Due to the better battery life Sony gets the nod in the performance department.

    Nikon Z6 vs Sony a7 III: Conclusion

    It’s almost as if Nikon developed the Z6 intending to match the a7 III spec for spec. Of course, we know this isn’t true since the Z system has been in development for years. Still both cameras make a compelling case for your cash – such a compelling case, in fact, that picking a winner is far too difficult until we’ve fully tested the Z6. Until then, here’s a quick recap of how they stack up:

    Both cameras should be capable of excellent image and video quality. But the Nikon Z6 has a better EVF, more responsive/high-res touchscreen, probably better video AF and a more versatile lens mount, including excellent near-native support for legacy F-mount lenses. On the other hand the Sony a7 III appears to offer a better autofocus experience for stills shooters, better battery life and obviously far more native lenses at launch.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z7 pre-order deliveries will be delayed for some buyers

    Nikon Japan has issued an apology advising Nikon Z7 buyers that some pre-ordered deliveries will be delayed. The company plans to start delivering its newly announced full-frame mirrorless camera to early buyers in September, but Nikon says high demand for the model will result in some customers receiving their products at a later date.

    The apology also warns that Nikon Z7 orders placed in the future may take some time to deliver, though Nikon didn’t offer specific timeframes; the 500mm F5.6 PF ED VR lens will also be impacted. A recent report published by Myzaker claims Nikon is producing 20,000 of its Z7 mirrorless cameras per month at a factory in Sendai, Japan.

    We received the following comment from Nikon US:

    “Interest in the Nikon Z series has been exceptional. We will work to fulfill customer demand as quickly as possible and will be shipping product as scheduled beginning September 27.”

    Articles: Digital Photography Review (dpreview.com)

  • Nikon D3500 gets smaller and cheaper, battery life gets a boost

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    Nikon has replaced its entry-level D3400 DSLR with the aptly named D3500. The main change is that the body is similar to that of the even-smaller D5600, minus the articulating touchscreen display. The D3500 is also cheaper than its predecessor, with a list price of just $ 499 with an AF-P 18-55mm F3.5-5.6 VR lens, compared to $ 649 for a D3400 kit.

    Nikon has also managed to increase battery life by 30% to 1550 shots per charge, despite using the same processor and battery as the D3400.

    The D3500 has the same 24MP DX-format CMOS sensor, 11-point AF system, easy-to-use Guide Mode, 1080/60p video and Bluetooth-only connectivity as the D3400.

    As mentioned above, the D3500 will sell for $ 499 with an 18-55mm kit lens. A two-lens kit which includes the 18-55 as well as a non-VR AF-P 70-300 F4.5-6.3G ED lens will be priced at $ 849. Both kits will ship in September.

    Press Release

    THE NEW NIKON D3500: CAPTURE AND SHARE YOUR TREASURED MOMENTS WITH THE LIGHTEST, FRIENDLIEST NIKON DSLR YET

    The Redesigned Nikon D3500 is the Most Portable Entry-Level Nikon DSLR Ever, and the Easiest Way to Capture the Moments that Matter Most

    MELVILLE, NY (AUGUST 30, 2018 at 12:01 A.M. EDT) – Today, Nikon unveiled the new Nikon D3500, a compact, entry-level DSLR that makes capturing the world easier and more convenient than ever. The 24.2-megapixel D3500 features an updated CMOS image sensor and Nikon EXPEED image processor to capture sharp details and vivid colors, and is packed with easy-to-use features that help first-time DSLR users start capturing better photos and video right away.

    With its ergonomic and lightweight body, approximately 1,550 shots on a single charge and convenient features like Nikon SnapBridge1 and helpful Guide Mode, the Nikon D3500 is a great option for parents, travelers and photo enthusiasts who are eager to take their photography to the next level.

    “The Nikon D3500 is ideal for consumers who are looking to easily capture the kinds of images that their smartphone simply cannot match, and share them seamlessly with family and friends,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The D3500 reaffirms our commitment to releasing convenient DX-format DSLR options for those just discovering photography.”

    Capture Stunning Images and Video with Ease

    The Nikon D3500 is bursting with high-performance features that help first-time DSLR users capture amazing images in a variety of situations. The camera’s broad ISO range of 100-25,600 makes it easy to capture sharp, clear images in low-light shooting situations with very little noise, while the 11-point autofocus (AF) System locks onto subjects, even fast-moving pets or children to help ensure that fleeting moments aren’t missed. The D3500 also features built-in Effect Modes to help entry-level users discover and express their personal creative vision.

    Additionally, the Nikon D3500 is capable of continuous shooting up to five frames-per-second (fps), helping to capture candid moments with ease. The Nikon D3500 is also equipped with Full HD 1080/60p video capability. Users can switch from shooting photos to video at the press of a button, allowing them to capture spur-of-the-moment memories that will last a lifetime with stunning sharpness and clarity.

    To further expand creativity, the in-camera Guide Mode gives new DSLR users the tools they need to learn about their new camera’s capabilities and become better, more knowledgeable photographers.

    All these amazing features have been incorporated into a new ergonomic and lightweight design featuring a more comfortable, deeper grip and the slim monocoque body design similar to the Nikon D5600. The new design also features a more beginner-friendly and intuitive control layout, with a larger playback button and the most frequently-used controls all relocated to the right side of the camera’s LCD where they are easiest to access.

    The redesigned Nikon D3500 is ideal for a fast-paced on-the-go lifestyle, making it the perfect companion for any family event or travel adventure.

    Always Connected for Easy Sharing

    Sharing photos with the ones you love is easier than ever with the Nikon D3500 and Nikon SnapBridge app. The D3500 uses Bluetooth2 to create an always-on3 connection between the camera and a compatible smart device, making it possible to seamlessly share 2MP images to social media as they are captured. Additionally, D3500 users will now be able to trigger their camera remotely via Bluetooth using SnapBridge. Nikon SnapBridge users can also access Nikon Image Space4, a free online image sharing and storage service that preserves memories in the cloud.

    Pricing and Availability

    The Nikon D3500 will be available in a two-lens kit option, including the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED, for a suggested retail price (SRP) of $ 849.95* in September 2018. A Nikon D3500 single-lens kit with the AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR will also be available for (SRP) of $ 499.95* in September 2018. For more information on the new Nikon D3500, please visit www.nikonusa.com.

    Nikon D3500 specifications

    Price
    MSRP Body w/AF-P 18-55mm VR lens ($ 499), body w/AF-P 18-55mm VR and 70-300 F4.5-6.3 non-VR lenses ($ 849)
    Body type
    Body type Compact SLR
    Body material Composite
    Sensor
    Max resolution 6000 x 4000
    Other resolutions 4496 x 3000, 2992 x 2000
    Image ratio w:h 3:2
    Effective pixels 24 megapixels
    Sensor photo detectors 25 megapixels
    Sensor size APS-C (23.5 x 15.6 mm)
    Sensor type CMOS
    Processor Expeed 4
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-25600
    White balance presets 12
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, Normal, Basic
    File format
    • JPEG (Exif v2.3)
    • NEF (RAW, 12-bit)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom No
    Manual focus Yes
    Number of focus points 11
    Lens mount Nikon F
    Focal length multiplier 1.5×
    Screen / viewfinder
    Articulated LCD Fixed
    Screen size 3″
    Screen dots 921,000
    Touch screen No
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Optical (pentamirror)
    Viewfinder coverage 95%
    Viewfinder magnification 0.85× (0.57× 35mm equiv.)
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Scene modes
    • Auto
    • Auto [Flash Off]
    • Child
    • Close-up
    • Landscape
    • Night Portrait
    • Portrait
    • Sports
    • Special effects
    Built-in flash Yes (Pop-up)
    Flash range 7.00 m (at ISO 100)
    External flash Yes (via hot shoe or wireless)
    Flash modes Auto, Auto slow sync, Auto slow sync with red-eye reduction, Auto with red-eye reduction, Fill-flash, Off, Rear-curtain sync, Rear-curtain with slow sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync
    Flash X sync speed 1/200 sec
    Drive modes
    • Single-frame
    • Self-timer
    • Quiet shutter-release
    • Quick response remote
    • Delayed remote
    • Continuous
    Continuous drive 5.0 fps
    Self-timer Yes (2, 5, 10, 20 secs (1-9 exposures))
    Metering modes
    • Multi
    • Center-weighted
    • Spot AF-area
    Exposure compensation ±5 (at 1/3 EV steps)
    WB Bracketing No
    Videography features
    Resolutions 1920 x 1080 (60, 50, 30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps)
    Format MPEG-4, H.264
    Modes
    • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
    • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
    • 1280 x 720 @ 30p, MOV, H.264, Linear PCM
    Microphone Mono
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    USB charging No
    HDMI Yes (mini-HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes SnapBridge (Bluetooth only)
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description EN-EL14a lithium-ion battery and charger
    Battery Life (CIPA) 1550
    Weight (inc. batteries) 365 g (0.80 lb / 12.87 oz)
    Dimensions 124 x 97 x 70 mm (4.88 x 3.82 x 2.76″)
    Other features
    Orientation sensor Yes
    Timelapse recording No
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Blackmagic releases first Pocket Cinema Camera 4K footage

    Blackmagic Design has released three videos demonstrating the performance of its upcoming Pocket Cinema Camera 4K. It updates the Pocket Cinema Camera introduced in 2013, was revealed at NAB 2018 in April and is expected to launch next month.

    Ahead of that launch, Blackmagic Design has published the videos “Nature” by Mark Wyatt, “Models Walking at Night” by John Brawley, and “Models Walking in Daylight” also by John Brawley, each showcasing the upcoming camera’s capabilities. This is the first time footage from the camera has been published.

    Both Wyatt’s and Brawley’s experiences with the camera are provided in each video description. In describing his time with the Pocket Cinema Camera 4K, Wyatt said:

    I had the Blackmagic Pocket Cinema Camera 4K for only a few days, but overall I was really impressed by it. The weight of the camera is very liberating, especially when you are used to using larger camera systems. The screen is big and bright enough to use in daylight, which I found great for judging focus and exposure. And, the colors too on the screen, were also nicely represented. In fact, I would argue it is Blackmagic’s best screen yet.

    The Blackmagic Pocket Cinema Camera 4K features a full size Four Thirds HDR sensor offering a native 4096 x 2160 resolution and 13 stops of dynamic range. The upgraded model also features dual native ISO, a USB-C expansion port with direct support for external storage drives, a new multi-function grip design, and much more.

    Via: Newsshooter

    Articles: Digital Photography Review (dpreview.com)

  • Microsoft introduces AI-powered audio and video transcription for OneDrive

    Managing media files, especially when sharing them across a group of people is not always an easy task. This is especially true for video files. Today Microsoft has launched a new AI-powered media search function for OneDrive that should help simplify things.

    The new feature is capable of transcribing audio and video files and displaying timestamped quotes alongside the media viewer, which is compatible with 320 file types. The new feature is an addition to Microsoft’s already available AI-powered photo screening system that can detect location, objects and text in image files.

    As an end result all media files become fully searchable. For example, you could search for a scanned receipt by typing one of the items listed on it, or use a piece of dialogue or voiceover to search in video or audio files.

    The new feature is designed to facilitate collaboration across larger groups but could certainly also provide benefits for photographers and especially videographers with large archives. The automated transcription services will be natively available for video and audio files in OneDrive later this year.

    Articles: Digital Photography Review (dpreview.com)