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Nikon updates its lens roadmap with 3 lenses confirmed for 2020, 7 listed for 2021 release

09 Jan

Nikon has released an updated lens roadmap for its Nikon Z system that includes a number of amendments from the original roadmap shared in August 2018.

The new roadmap now makes clear the 20mm F1.8 S, 50mm F1.2 S and 14-24mm F2.8 S will ship some time in 2020. The 24mm F1.8 is expected to ship in 2019, a bump up from the original 2020 release timeframe.

Nikon also dropped a ‘TBA’ lens from its 2021 timeframe, dropping to seven lenses from eight.

Articles: Digital Photography Review (dpreview.com)

 
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Black Eye launches its 4th-gen universal Pro mobile lenses in North America

08 Jan

European mobile camera lens company Black Eye has announced the launch of its fourth-generation universal Pro lenses for smartphones in North America. As of now, Black Eye’s portfolio features nine mobile lenses across three product series, as well as a new Travel Kit G4, an upcoming Pro Kit G4 bundle and new cases for the iPhone 7 and later.

Black Eye was founded by professional photographer Arto Ekman and professional snowboarders Fredu Sirviö and Eero Ettala. The company’s mobile lenses center around a simple universal attachment system that can be clipped onto most smartphones and similar mobile devices, such a laptop’s webcam.

Black Eye’s most recent product lineup includes the Pro-series Portrait Tele G4, Cinema Wide G4, and Fisheye G4 lenses, as well as the regular wide, macro and combo G4 lenses. The company also recently launched the Travel Kit G4, a bundle featuring a case and the Wide G4, Macro G4 and Pro Portrait Tele G4 lenses.

In addition to its existing products, Black Eye will release a new Pro Kit G4 in the first quarter of 2019. This kit features all three Pro-series G4 mobile lenses and a durable case for $ 249.99 USD. In Q1 2019, Black Eye will also release protective iPhone cases for the iPhone 7 and later models for $ 19.99 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics announces 9mm F2.8 lens with DL mount for DJI cameras, drones

08 Jan

Venus Optics has the Laowa 9mm F2.8 DL Zero-D, the widest lens available for DJI X7 cameras and Inspire 2 drones.

The lens, which is identical in design and specs to the Fuji X, Sony E and Canon EF-M mount versions, features a 113-degree field of view and ‘close-to-zero distortion.’ Venus Optics notes the widest DL lens currently available, the DJI 16mm f/2.8 ASPH ND, has a diagonal field of view of just 80-degrees, meaning X7 and Inspire 2 users are able to get much more in the frame than previously possible, as seen int he comparison video below.

The lens weighs only 210g (0.46 lbs) and measures 60mm (2.36 in) long. It’s constructed of 15 elements in 10 groups with two aspherical elements and three extra-low dispersion elements. The front filter thread has a diameter of 49mm and it uses a seven-blade aperture diaphragm.

Below is a collection of sample footage captured by Ling Chen and shared by Venus Optics that shows the lens onboard a DJI Inspire 2 drone, as well as a sample gallery of still images shot by Liu Su Pei and shared by Venus Optics.

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The Laowa 9mm F2.8 DL Zero-D retails for $ 499 USD, but Venus Optics notes pricing may vary from country to country. It’s available now from Venus Optic’s online shop and authorized Venus Optics resellers.

Articles: Digital Photography Review (dpreview.com)

 
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Alleged 2019 iPhone renders show triple-camera arrangement

08 Jan

It’s still a long way to go until Apple’s usual iPhone launch month of September but it looks like iPhone photography fans will have a triple-camera setup to look forward to. A series of renders shared by @Onleaks in cooperation with digit.in shows alleged renders of a 2019 iPhone model with a Huawei Mate 20 Pro-style square camera setup, featuring three lenses.

Two of the lenses are vertically aligned, with the third lens offset to the right under the flash LED. It also looks like the phone’s rear panel is made from glass.

Onleaks notes the device is still in its EVT phase (Engineering Validation Test), so some design details are subject to change as we near the launch. We also don’t know what the function of the third camera will be, but with Huawei, LG and Samsung now all offering triple-camera smartphones with super-wide-angle and tele options, it’s likely Apple will want to go down the same route.

It’s still early in the year for new iPhone renders but @Onleaks has an excellent track record and is widely regarded a credible source, so there is a good chance one of the 2019 iPhones will look very similar to the renders. Given the latter are showing a triple-camera setup, were are likely looking at a top-end model here.

Articles: Digital Photography Review (dpreview.com)

 
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Canon reveals VIXIA HF G50 4K UHD, W10, and W11 camcorders at CES 2019

08 Jan

Canon has launched three new VIXIA consumer camcorders at CES 2019, the most notable being the VIXIA HF G50 with 4K/30p recording and 20x optical zoom. This is the first G-Series camcorder to offer UHD recording, making it ideal for advanced amateurs and projects requiring a higher level of quality, according to Canon.

The VIXIA HF G50 features a Canon 29.3 – 601mm 20x optical zoom lens, 8-blade aperture for still image bokeh, 4K 1/2.3-inch sensor, DIGIC DV 6 image processor, Dual-Pixel CMOS AF five-axis OIS, dual-card SD slots, a 3-inch LCD touchscreen, and a tilting EVF.

In addition to Full HD and UHD, the camcorder supports slow and fast recording with a range of 0.4x to 1200x. The model retains the same general design as the previous HF G40 camcorder model. Canon will offer the VIXIA HF G50 4K camcorder in April for $ 1,099.99 USD.

Joining the HF G50 are the new VIXIA HF W11 and HF W10 rugged camcorders targeted at adventurers and general consumers. Both models feature shockproof, dustproof, and waterproof (to 5m / 16.4ft) construction; they can be used in temperatures down to -10C / 14F. Likewise, both the HF W10 and HF W11 offer 40x optical zoom, 60x digital zoom, Full HD 1920 x 1080 AVCHD recording, 5-hour battery life, and a 3-inch touchscreen.

The two models differ in internal storage capacity: the W11 has 32GB, whereas the W10 only has 8GB. Users can expand the capacities via a removable SD card. As well, the W11 model features an automatic LED light. Both models will be released in April for $ 399.99 USD (HF W10) and $ 449.99 USD (HF W11).

Articles: Digital Photography Review (dpreview.com)

 
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Nikon’s new Z6 Filmmaker’s Kit saves you $650 on external recorder, mic, gimbal and more

08 Jan

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Nikon has introduced its Z6 Filmmaker’s Kit, which includes just about everything the budding videographer needs for more advanced movie-making. In the box with the Z6 and Nikkor S 24-70mm F4 S lens you’ll find:

  • FTZ Adapter
  • Atomos Ninja V 4K external recorder
  • Rode VideoMic Pro+
  • MOZA Air 2 3-axis hand-held gimbal
  • Extra EN-EL15b battery
  • Coiled HDMI cable
  • 12 month Vimeo Pro membership
  • Online course for making music videos, featuring Nikon Ambassador Chris Hershman

One thing not included is an XQD card, so that’s an additional expense.

The Filmmaker’s Kit will be priced at $ 3999 and will be available in late January. We did the math on what all of this would cost separately and came up with $ 4650, so you’re definitely saving some money if you need all of that gear.

Press Release

NIKON UNVEILS THE NEW NIKKOR Z 14-30MM F/4 S ULTRA-WIDE-ANGLE ZOOM LENS, THE WORLD’S FIRST1 FULL-FRAME 14MM FILTER-ATTACHABLE LENS

Nikon Also Debuts Z 6 Filmmaker’s Kit: An Immersive Toolkit for the Modern Multimedia Creative

LAS VEGAS CES BOOTH #14006 (January 7, 2019 at 9:01 P.M. EST/6:01 P.M. PST) Today, Nikon Inc. announced two new products, including the NIKKOR Z 14-30mm f/4 S, the first ultra-wide zoom lens to take advantage of the amazing capabilities of the next generation Nikon Z Mount. This newest S-Line NIKKOR lens is a popular focal length for landscape, travel, event and architecture photographers, offering a combination of performance and portability that’s only possible with Nikon’s revolutionary new Z Mount.

Featuring a new optical design, the compact and lightweight NIKKOR Z 14-30mm f/4 S delivers the high level of optical performance that still and video creators expect from the NIKKOR name. By utilizing the larger diameter and technological benefits of the Z Mount, Nikon was able to design an ultra-wide-angle lens that delivers superior optical performance and maximizes the potential of high pixel-count digital cameras such as the 45.7-megapixel Nikon Z 7. Additionally, the design features a nearly flat front lens element, making the NIKKOR Z 14-30mm the world’s first filter-attachable ultra-wide-angle zoom lens covering a focal length from 14mm.

Nikon Inc. has also announced the Nikon Z 6 Filmmaker’s Kit. Featuring a selection of popular video equipment for the Z 6, the kit allows video creators to take full advantage of the Z 6’s industry-leading video features. Included accessories such as the Atomos Ninja V 4K HDR 5” Monitor Recorder and MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer make the new Filmmaker’s Kit an enticing value for those ready to explore the Nikon Z 6’s stellar video capture and multimedia potential.

“The NIKKOR Z 14-30mm lens demonstrates the optical superiority of the Z system, taking advantage of the newest high-performance lens technologies while maximizing compactness and portability,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Nikon Z series is a powerfully capable camera system for all types of video production, and with the Z 6 Filmmaker’s Kit, we’re giving videographers and content creators the gear they need to begin capturing high-quality videos with the most compelling hybrid camera on the market.”

The NIKKOR Z 14-30mm f/4 S: An Exceptional Combination of Portability and Performance

The new 14-30mm lens was designed for photo and video shooters looking for a sharp ultra-wide zoom lens with which to seek out gorgeous landscapes or cityscapes on their next travel adventure, and is an excellent choice for capturing interiors, architecture or events. It’s a lens for those who need to pack light without sacrificing image quality – an ultra-wide-angle lens that delivers portability and performance that pushes the boundaries of what is optically possible in a lens of its size.

  • Lightweight and Ultra-Portable: At just 3.5-inches long when retracted, and weighing only 485g/1.07lbs, the NIKKOR Z 14-30mm f/4 S is approximately 28.6% lighter and 32% shorter than the popular AF-S NIKKOR 16-35mm f/4G ED VR, and approximately 51.5% lighter and 35% shorter than the tried-and-true AF-S NIKKOR 14-24mm f/2.8G ED for the F mount.
  • Uncompromising Optics: Featuring a new optical formula that utilizes four Extra-Low Dispersion (ED) elements and four aspherical elements, the 14-30mm f/4 offers unparalleled control of distortion and chromatic aberration. Additionally, the use of Nikon’s anti-reflective Nano Crystal Coat effectively reduces ghosting and flare, delivering clearer images that maintain contrast in challenging lighting situations.
  • Filter Attachable: For the first time on a 14mm FX-format (full-frame) lens1, photographers will be able to attach various types of screw-on filters (82mm) to the front of this ultra-wide-angle lens, infinitely expanding the creative possibilities of the NIKKOR Z 14-30mm f/4 S for landscape and cityscape photographers, videographers and more.
  • Stepping Motor Technology: Featuring the latest Nikon Stepping Motor (STM) technology, the new lens provides smooth, fast and quiet AF performance—ideal for photographers shooting in sensitive environments, as well as videographers who must avoid focus noise in productions.
  • Control Ring: As with the rest of the S-Line of NIKKOR Z lenses, the 14-30mm f/4 includes a customizable control ring that can be assigned to manual focusing, exposure compensation or aperture control depending on personal preference or shooting situation, maintaining different custom settings when in photo and video mode.
  • Fully Compatible with In-Camera 5-Axis VR: To help ensure the sharpest possible images and most stable video, the new NIKKOR Z 14-30mm f/4 S is fully compatible with the in-body 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops2 of image stabilization without adding to the size or weight of the lens itself.
  • Optimized Video Performance: In addition to the speedy and near-silent stepping motor technology and customizable control ring, the lens reduces focus breathing, preventing the angle of view from changing unintentionally when adjusting focus.
  • Reliability: The NIKKOR Z 14-30mm f/4 S is designed with consideration to dust and drip resistance, and features a fluorine coat that effectively repels dust, water droplets, grease and dirt.

The New Nikon Z 6 Filmmaker’s Kit

For users who are looking to take full advantage of the Nikon Z 6’s industry-leading video capabilities, this powerfully cinematic camera is now available as part of a new Filmmaker’s Kit. The bundle includes a range of equipment that helps users unlock the Z 6’s advanced video features and powerful potential.

The kit includes: a Nikon Z 6 camera, NIKKOR Z 24-70mm f/4 S lens, Mount Adapter FTZ, Atomos Ninja V 4K HDR 5” Monitor Recorder3, Rode VideoMic Pro+, MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer, an additional EN-EL15b battery, a coiled HDMI cable, 12-month Vimeo Pro membership, and The Art of Making Music Videos Nikon School online course featuring Nikon Ambassador Chris Hershman.

The Z 6 ushers in a new era in high-quality video capture for Nikon shooters. The camera’s fast and accurate autofocus, full-frame 4K/30p recording with full-pixel readout, zebra stripes, timecode and focus peaking offer users a professional-grade shooting experience. With the Z 6 Filmmaker’s Kit, users can access the advanced video features, like 10-bit HDMI output and N-Log video recording, while capturing gimbal-smooth video and crystal-clear audio. The kit provides filmmakers, vloggers and YouTubers with all the equipment they need to begin capturing high-quality 4K footage right away.

Price and Availability

The NIKKOR Z 14-30mm f/4 S lens will be available in the spring for a suggested retail price (SRP) of $ 1,299.954.

The Nikon Z 6 Filmmaker’s Kit will available in late January for a suggested retail price (SRP) of $ 3,999.954.

  1. Among FX-format (full-frame) compatible interchangeable lenses for digital cameras, available as of January 8, 2019. Based on Nikon research.
  2. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
  3. Batteries and SSD sold separately.
  4. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

– Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

– MOZA is a trademark of Gudsen Technology Co., Ltd, registered in the U.S. and other countries

Other trademarks and trade names are those of their respective owners.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon introduces 14-30mm F4 ultra-wide zoom for Z-mount

08 Jan

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Nikon has introduced the Nikkor Z 14-30mm F4 S lens, the first ultra-wide zoom for its full-frame mirrorless system. This compact lens weighs just 485g (17oz) and supports screw-in (82mm) filters, a rarity for this type of lens.

The 14-30 contains a total of 14 elements, including four aspherical and four ED. Nikon’s Nano Crystal Coat helps prevent ghosting and flare, and a fluorine coating makes it easier to clean water drops and fingerprints off of the front and back elements. Nikon claims that the design of the lens reduces focus breathing. The lens uses an STM (stepping motor) for responsive and quiet autofocus.

As with all of Nikon’s Z-mount lenses, the 14-30mm F4 is sealed against dust and moisture. There’s also a customizable control ring which can be assigned to handle manual focus, exposure compensation or aperture control.

The Nikkor Z 14-30mm F4 S will be available this Spring for $ 1299.


Official sample photos

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Press Release

NIKON UNVEILS THE NEW NIKKOR Z 14-30MM F/4 S ULTRA-WIDE-ANGLE ZOOM LENS, THE WORLD’S FIRST1 FULL-FRAME 14MM FILTER-ATTACHABLE LENS

Nikon Also Debuts Z 6 Filmmaker’s Kit: An Immersive Toolkit for the Modern Multimedia Creative

LAS VEGAS CES BOOTH #14006 (January 7, 2019 at 9:01 P.M. EST/6:01 P.M. PST) Today, Nikon Inc. announced two new products, including the NIKKOR Z 14-30mm f/4 S, the first ultra-wide zoom lens to take advantage of the amazing capabilities of the next generation Nikon Z Mount. This newest S-Line NIKKOR lens is a popular focal length for landscape, travel, event and architecture photographers, offering a combination of performance and portability that’s only possible with Nikon’s revolutionary new Z Mount.

Featuring a new optical design, the compact and lightweight NIKKOR Z 14-30mm f/4 S delivers the high level of optical performance that still and video creators expect from the NIKKOR name. By utilizing the larger diameter and technological benefits of the Z Mount, Nikon was able to design an ultra-wide-angle lens that delivers superior optical performance and maximizes the potential of high pixel-count digital cameras such as the 45.7-megapixel Nikon Z 7. Additionally, the design features a nearly flat front lens element, making the NIKKOR Z 14-30mm the world’s first filter-attachable ultra-wide-angle zoom lens covering a focal length from 14mm.

Nikon Inc. has also announced the Nikon Z 6 Filmmaker’s Kit. Featuring a selection of popular video equipment for the Z 6, the kit allows video creators to take full advantage of the Z 6’s industry-leading video features. Included accessories such as the Atomos Ninja V 4K HDR 5” Monitor Recorder and MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer make the new Filmmaker’s Kit an enticing value for those ready to explore the Nikon Z 6’s stellar video capture and multimedia potential.

“The NIKKOR Z 14-30mm lens demonstrates the optical superiority of the Z system, taking advantage of the newest high-performance lens technologies while maximizing compactness and portability,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Nikon Z series is a powerfully capable camera system for all types of video production, and with the Z 6 Filmmaker’s Kit, we’re giving videographers and content creators the gear they need to begin capturing high-quality videos with the most compelling hybrid camera on the market.”

The NIKKOR Z 14-30mm f/4 S: An Exceptional Combination of Portability and Performance

The new 14-30mm lens was designed for photo and video shooters looking for a sharp ultra-wide zoom lens with which to seek out gorgeous landscapes or cityscapes on their next travel adventure, and is an excellent choice for capturing interiors, architecture or events. It’s a lens for those who need to pack light without sacrificing image quality – an ultra-wide-angle lens that delivers portability and performance that pushes the boundaries of what is optically possible in a lens of its size.

  • Lightweight and Ultra-Portable: At just 3.5-inches long when retracted, and weighing only 485g/1.07lbs, the NIKKOR Z 14-30mm f/4 S is approximately 28.6% lighter and 32% shorter than the popular AF-S NIKKOR 16-35mm f/4G ED VR, and approximately 51.5% lighter and 35% shorter than the tried-and-true AF-S NIKKOR 14-24mm f/2.8G ED for the F mount.
  • Uncompromising Optics: Featuring a new optical formula that utilizes four Extra-Low Dispersion (ED) elements and four aspherical elements, the 14-30mm f/4 offers unparalleled control of distortion and chromatic aberration. Additionally, the use of Nikon’s anti-reflective Nano Crystal Coat effectively reduces ghosting and flare, delivering clearer images that maintain contrast in challenging lighting situations.
  • Filter Attachable: For the first time on a 14mm FX-format (full-frame) lens1, photographers will be able to attach various types of screw-on filters (82mm) to the front of this ultra-wide-angle lens, infinitely expanding the creative possibilities of the NIKKOR Z 14-30mm f/4 S for landscape and cityscape photographers, videographers and more.
  • Stepping Motor Technology: Featuring the latest Nikon Stepping Motor (STM) technology, the new lens provides smooth, fast and quiet AF performance—ideal for photographers shooting in sensitive environments, as well as videographers who must avoid focus noise in productions.
  • Control Ring: As with the rest of the S-Line of NIKKOR Z lenses, the 14-30mm f/4 includes a customizable control ring that can be assigned to manual focusing, exposure compensation or aperture control depending on personal preference or shooting situation, maintaining different custom settings when in photo and video mode.
  • Fully Compatible with In-Camera 5-Axis VR: To help ensure the sharpest possible images and most stable video, the new NIKKOR Z 14-30mm f/4 S is fully compatible with the in-body 5-axis VR found in the Nikon Z 6 and Z 7, providing up to 5 stops2 of image stabilization without adding to the size or weight of the lens itself.
  • Optimized Video Performance: In addition to the speedy and near-silent stepping motor technology and customizable control ring, the lens reduces focus breathing, preventing the angle of view from changing unintentionally when adjusting focus.
  • Reliability: The NIKKOR Z 14-30mm f/4 S is designed with consideration to dust and drip resistance, and features a fluorine coat that effectively repels dust, water droplets, grease and dirt.

The New Nikon Z 6 Filmmaker’s Kit

For users who are looking to take full advantage of the Nikon Z 6’s industry-leading video capabilities, this powerfully cinematic camera is now available as part of a new Filmmaker’s Kit. The bundle includes a range of equipment that helps users unlock the Z 6’s advanced video features and powerful potential.

The kit includes: a Nikon Z 6 camera, NIKKOR Z 24-70mm f/4 S lens, Mount Adapter FTZ, Atomos Ninja V 4K HDR 5” Monitor Recorder3, Rode VideoMic Pro+, MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer, an additional EN-EL15b battery, a coiled HDMI cable, 12-month Vimeo Pro membership, and The Art of Making Music Videos Nikon School online course featuring Nikon Ambassador Chris Hershman.

The Z 6 ushers in a new era in high-quality video capture for Nikon shooters. The camera’s fast and accurate autofocus, full-frame 4K/30p recording with full-pixel readout, zebra stripes, timecode and focus peaking offer users a professional-grade shooting experience. With the Z 6 Filmmaker’s Kit, users can access the advanced video features, like 10-bit HDMI output and N-Log video recording, while capturing gimbal-smooth video and crystal-clear audio. The kit provides filmmakers, vloggers and YouTubers with all the equipment they need to begin capturing high-quality 4K footage right away.

Price and Availability

The NIKKOR Z 14-30mm f/4 S lens will be available in the spring for a suggested retail price (SRP) of $ 1,299.954.

The Nikon Z 6 Filmmaker’s Kit will available in late January for a suggested retail price (SRP) of $ 3,999.954.

  1. Among FX-format (full-frame) compatible interchangeable lenses for digital cameras, available as of January 8, 2019. Based on Nikon research.
  2. Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
  3. Batteries and SSD sold separately.
  4. SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

– Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

– MOZA is a trademark of Gudsen Technology Co., Ltd, registered in the U.S. and other countries

Other trademarks and trade names are those of their respective owners.

Nikon Nikkor Z 14-30mm F4 S specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 14–30 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F4
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 12
Special elements / coatings 4 ED and 4 aspherical elements + Nano Crystal Coat
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.16×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 485 g (1.07 lb)
Diameter 89 mm (3.5)
Length 85 mm (3.35)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 82 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Nikon to add Eye AF, Raw video and CFexpress support to Z-series

08 Jan

Nikon has announced a trio of features under development for its Z6 and Z7 mirrorless cameras. First is Eye AF, a feature long found on Sony mirrorless cameras, including the a7 III and a7R III against which the Z6 and Z7 compete.

Another significant upcoming feature is the ability to output ProRes RAW video to an Atomos Ninja V. This would make the Z6 and Z7 the first stills/video hybrid cameras to support RAW video output, suggesting that Nikon is very serious about competing in the video space. In that context, the just-announced Z6 Filmmaker’s Kit with a bundled Ninja V recorder makes a lot of sense.

Finally, the company confirmed that support for CFexpress cards is on the way. CFexpress cards are capable of much higher read/write speeds than current XQD media.

More detail on all three features will be announced at a later date.

Press Release

NIKON DELIVERS IMAGING INNOVATION, INSPIRES CREATORS AT CES® 2019

New Products Including NIKKOR Z 14-30mm f/4 S Lens and Nikon Z 6 Filmmaker’s Kit Will be Showcased; Attendees Invited to Booth to See Amazing Speakers, Fun & Sharable Displays as Well as Future Z System Updates

LAS VEGAS – CES BOOTH #14006 (January 7, 2019) – Today, Nikon Inc. announced details surrounding their activities and new products at CES 2019. This year, Nikon will livestream a myriad of exciting and inspiring presentations from renowned Nikon Ambassadors and photographers directly from the show floor, while also offering instantly shareable and interactive experiences for show attendees. Additionally, Nikon will be showing the latest digital imaging innovations available now and in the near future with a Z Series exhibition featuring the new NIKKOR Z 14-30mm f/4 S lens, the Nikon Z 6 Filmmaker’s Kit and a display of upgrades currently in development for the Z Series that will add new features and enhance usability.

Booth Activities: Livestream, Presentations and Shareable Moments

During CES, the Nikon booth will host live presentations and panel discussions from various Nikon Ambassadors and photographers covering a wide array of topics; from capturing weddings to conservation, outdoor adventures to iconic rock legends and more. Nikon will also be holding hands-on demonstrations and discussions with Nikon Ambassadors at an additional stage within the booth. Show attendees are encouraged to visit Nikon for giveaways, to chat with a product expert, or to check out the full line of award-winning Nikon DSLR cameras. While there, visitors can also experience the vast selection of NIKKOR lenses and an assortment of other products, including the COOLPIX P1000 with its powerful 125x optical zoom lens.

For those around the world who want to join in, Nikon will again be livestreaming all presentations directly from the booth from Tuesday, January 8 to Friday, January 11. To watch, please visit www.nikonusa.com/live or www.facebook.com/nikonusa. A full schedule of Nikon presentations can be found below.

New for CES 2019

  • NIKKOR Z 14-30mm f/4 S Lens – This is the first ultra-wide zoom lens for the Z Mount System and the world’s first* full-frame 14mm filter-attachable lens. This new S-Line lens is ideal for a variety of shooting scenarios including landscapes, interiors and architecture. The 14-30mm f/4 S lens is both compact and lightweight while delivering incredible sharpness and versatility. This new lens takes full advantage of the benefits of Nikon’s new Z Mount and demonstrates superior optical performance that maximizes the potential of high pixel-count digital cameras like the 45.7-megapixel Nikon Z 7. The NIKKOR Z 14-30mm f/4 S lens will be available in Spring 2019 for a suggested retail price of $ 1,299.95**.
  • Nikon Z 6 Filmmaker’s Kit For content creators and filmmakers looking to fully utilize the Nikon Z 6’s advanced video capabilities, Nikon has created a new Filmmaker’s Kit incorporating the camera as well an array of essential video capture accessories. The bundle includes: a Nikon Z 6 camera, NIKKOR Z 24-70mm f/4 S lens, Mount Adapter FTZ, Atomos Ninja V 4K HDR 5” Monitor Recorder, Rode VideoMic Pro Plus, MOZA Air 2 3-Axis Hand-Held Gimbal Stabilizer, an additional EN-EL15b battery, a coiled HDMI cable, a 12-month Vimeo Pro membership and a complimentary Nikon School Online class. The Nikon Z 6 Filmmaker’s Kit will be available in late January 2019 for a suggested retail price of $ 3,999.95**.
  • Share Your Experience from the Nikon Pop-Up Studio – CES attendees are encouraged to stop by the Nikon booth to experience the interactive fan area, which will give show-goers the chance to capture visually fun and distinct moments to share with their own social media followers and friends. A selection of carefully curated scenes will depict whimsical and colorful interactive environments that create fun photo opportunities. All still images and slow-motion video will be captured by the latest Nikon Z series mirrorless cameras and NIKKOR lenses, delivering incredible image quality and results.

The Nikon Z Series: Upcoming Firmware on Display

The Nikon Z series will continue to adapt to changing user needs through the development and roll-out of firmware updates to meet and exceed creative expectations. Taking into account feedback from photographers and creators, Nikon will display three feature updates under development that open creative opportunities for the Z 6 and Z 7. Displays will include:

  • CFexpress Coming soon to the Z 6 and Z 7 cameras is support for CFexpress, which is compatible with the XQD memory card form-factor.
  • Eye AF Under development is an Eye AF function, which will automatically detect the subject’s eyes to make attaining critical focus on the eyes easier. It will allow users to capture photos in which focus has been clearly acquired on the subject’s eye, which is useful for portrait, event and street photography scenarios.
  • RAW Video Support Nikon is currently developing a feature that works with the ATOMOS Ninja V to output video in RAW format, using the ProRes RAW codec.

Details, including the release date of new firmware updates, will be shared at a later date.

Nikon Theater Presentation Schedule

The Nikon Theater will feature a full schedule of inspiring and engaging photographers throughout CES. Presentations will be available via livestream so those not attending CES 2019 can watch remotely here: www.nikonusa.com/live or www.facebook.com/nikonusa. Presentations will be captured using Nikon cameras, NIKKOR lenses and various automated broadcast solutions from MRMC, a Nikon company.

Day 1 – Tuesday, January 8 (Show Hours: 10:00 A.M. – 6:00 P.M. PST)

  • 10:45 AM- 11:15 AM: Day to Night – Stephen Wilkes
  • 11:30 AM- 12:00 PM: Adventures in Z Land – Joe McNally
  • 12:00 PM- 12:30 PM: Showing Motion with A Single Frame – Kristi Odom
  • 12:45 PM- 1:15 PM: Ocean’s Matter – Brian Skerry
  • 1:15 PM- 1:45 PM: Flowmotion (and the importance of finding your style) – Rob Whitworth
  • 2:00 PM- 2:45 PM: Framing the Narrative: Photography in Conservation – Panel Discussion with Ami Vitale, Brian Skerry, James Balog
  • 2:45 PM- 3:15 PM: Framing the Narrative – Ami Vitale
  • 3:30 PM- 4:15 PM: The Power of Personal Projects – Panel Discussion with Stacy Pearsall, Jen Rozenbaum, Tamara Lackey
  • 4:15 PM- 4:45 PM: Z Pictures Everywhere: Travel, In – Studio and Every Day Life! – Tamara Lackey
  • 5:00 PM- 5:30 PM: The Human Element: A New Vision of Nature – James Balog
  • 5:30 PM- 6:00 PM: How to Wow – Jerry Ghionis

Day 2 – Wednesday, January 9 (Show Hours: 9:00 A.M. – 6:00 P.M. PST)

  • 9:45 AM- 10:15 AM: A Colorful Career in Black and White – Stacy Pearsall
  • 10:30 AM- 11:00 AM: Sports Photography: Capturing Moments from Sandlots to the Pros – Rod Mar
  • 11:00 AM- 11:30 AM: Magazine Portraits: Celebrities, Athletes, and the Race Against Time – Joey Terrill
  • 11:45 AM- 12:30 PM: Photographing Animals and Wildlife – Panel Discussion with Ron Magill, Michelle Valberg, Keith Ladzinski
  • 12:30 PM- 1:00 PM: Storytelling the Wild Way – Ron Magill
  • 1:15 PM- 2:00 PM: Sports and Action Photography – Panel Discussion with Andrew Hancock, Jen Edney, Jen Pottheiser, Rod Mar
  • 2:00 PM- 2:30 PM: Creative Storytelling in Sports Photography – Andrew Hancock
  • 2:45 PM- 3:15 PM: Finding Your Way in Sports Photography – Jen Pottheiser
  • 3:15 PM- 3:45 PM: The Modern Photographer – Keith Ladzinski
  • 4:00 PM- 4:45 PM: Concert Photography: “Then and Now” – Panel Discussion with Baron Wolman, Knight, Owyoung, Jenn Deveraux
  • 4:45 PM- 5:15 PM: Music Photography: Low Light, All Access- Todd Owyoung
  • 5:30 PM- 6:00 PM: My Journey into Adventure Photography- Jen Edney

Day 3 – Thursday, January 10 (Show Hours: 9:00 A.M. – 6:00 P.M. PST)

  • 9:45 AM- 10:15 AM: Wildlife Photography: Creating Emotional Impact – Michelle Valberg
  • 10:30 AM- 11:00 AM: Z Joy of Photography – Matthew Jordan Smith
  • 11:00 AM- 11:30 AM: Journey Through Landscape – Taylor Glenn
  • 11:45 AM- 12:30 PM: Photography in Social World – Keith Ladzinski,
  • 12:30 PM- 1:00 PM: Small Footprint Video Production: The Making of Morning – Corey Rich
  • 1:15 PM- 2:00 PM: Storytelling with Motion – Video Panel Discussion with Corey Rich, Chris Hershman, Keith Ladzinski, Diane Fitzmaurice
  • 2:00 PM- 2:30 PM: Intimate Portraits: Healing on Both Sides of the Lens – Jen Rozenbaum
  • 2:45 PM- 3:15 PM: I Saw the Music – Baron Wolman
  • 3:15 PM- 3:45 PM: Filmmaking in The Music Industry – Chris Hershman
  • 4:00 PM- 4:45 PM: On the Rise – Getting Started in Photography – Up and Coming-Young Photographers – Panel Discussion with Taylor Gray, Kiamarie Stone, Nicolas Bruno
  • 4:45 PM- 5:15 PM: Be Consistent: Build Your Brand – Kiamarie Stone
  • 5:30 PM- 6:00 PM: Wedding Day Moments Captured – Cliff Mautner

Day 4 – Friday, January 11 (Show Hours: 9:00 A.M. – 4:00 P.M. PST)

  • 9:15 AM- 9:45 AM: Photographer Talk
  • 9:45 AM- 10:15 AM: Creative Landscapes: Finding Shots Beyond the Obvious – Mandy Lea
  • 10:30 AM- 11:00 AM: Relive the Moments: Documenting Life – Charmi Pena
  • 11:00 AM- 11:30 AM: Exploring the Art of Landscape and Time- lapse Photography – Taylor Gray
  • 11:45 AM- 12:30 PM: The Power of Portrait Photography – Panel Discussion with Jerry Ghionis, Charmi Pena, Dixie Dixon
  • 12:30 PM- 1:00 PM: Lights, Camera, Fashion – Dixie Dixon
  • 1:15 PM- 2:00 PM: Making Dynamic Landscape Photograph s- Panel Discussion with Mike Mezeull II, Joshua Cripps, Mandy Lea
  • 2:00 PM- 2:30 PM: Why I Love Chasing Extreme Weather – Joshua Cripps
  • 2:45 PM- 3:15 PM: The Wild Among Us – Melissa Groo
  • 3:15 PM- 3:45 PM: Nature’s Fury: The Allure of Tornado Alley – Mike Mezeul II

For more information on Nikon’s latest products including new the NIKKOR Z 14-30mm f/4 S lens and Nikon Z 6 Filmmaker’s Kit, please visit www.nikonusa.com. For more information about Nikon’s presence at CES 2019, including the livestreaming of presentations through the show, please visit www.nikonusa.com/live or www.facebook.com/nikonusa.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic S1/S1R to ship in March; HLG Photo and High-Res mode added to feature list

08 Jan

Panasonic has announced that its Lumix DC-S1 and DC-S1R full-frame mirrorless cameras will ship at the end of March. The company also disclosed two previously unmentioned features that will be offered on both cameras.

First is a ‘HLG Photo Mode’, which captures photos with high dynamic range using the Hybrid Log Gamma profile. Photos are saved as HSP files, which can be viewed on HLG-compliant devices.

These will be among the first cameras to be able to take advantage of the latest HDR displays: showing a natural-looking image with a wider dynamic range (not squeezing a wide dynamic range into the limitations of older, standard-DR monitors). The movie and broadcast industries have already developed a series of standards for capturing and showing HDR footage but there’s been less progress in the photographic world.

Apple’s recent iPhones can capture and display HDR images but it’s not clear which standard they’re using: the HDR images only currently appear as HDR on the device’s own screen. By adopting the simple and increasingly widespread HLG system (currently used by the BBC and cameras from Panasonic, Fujifilm and Sony), Panasonic could help establish a way for photographers to shoot and edit HDR stills, knowing that some displays will know how to show them correctly.

The second feature is a multi-shot high-resolution mode, that uses the camera’s sensor-shift image stabilizer. The camera moves the sensor a tiny amount to capture eight separate exposures, which are combined into a single image with high levels of detail. A ‘suppress motion blur’ option is available, which we’ll surely be testing once we have an S1/S1R to review.

Lumix S1 sample photos by Daniel Berehulak

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Press Release

Panasonic Announces Additional Key Functions for the New Full-frame Mirrorless Camera at CES 2019

Las Vegas, NV (January 7, 2019) – Following an announcement at Photokina 2018, Panasonic will unveil additional key features of the new LUMIX S full-frame mirrorless cameras at CES 2019. The LUMIX S full-frame mirrorless cameras and lenses will be available at the end of March 2019.*

A Whole New Style of Photo Expression

High Dynamic Range Still Photo – HLG Photo Mode

HLG Photo allows images to be shot with a wider dynamic range. By reproducing both glaring lights and dark shadows that are likely to be overexposed or underexposed, the Lumix S achieves rich, precise color expression as close as possible to visual memory.

HLG Photos are produced as an HSP file. The user can play back these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photographers’ photo presentations.

Stunning Details with a Realistic Sensation

High Resolution Mode

Taking advantage of the Body Image Stabilizer. (I.S.) mechanism, eight consecutive images are automatically shot while shifting the sensor. These eight images are synthesized into a single image by the new Venus Engine, which boasts high-speed signal processing. Precise details are faithfully reproduced to be saved as a beautiful, highly realistic image. This mode is ideal for shooting natural landscapes or fine art objects with delicate details.

Considering situations where moving subjects are included in the scene, sub options are available to suppress motion blur, so photographers can use this mode the same as shooting in a normal photo shooting mode.

Articles: Digital Photography Review (dpreview.com)

 
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Report: FAA to test new pilot programs to speed up remote drone identification tech

08 Jan

In 2017, news surfaced the Federal Aviation Administration (FAA) had taken the first steps toward establishing drone identification rules, which would require a drone to remotely identify itself to law enforcement. The remote ID system could help identify drones operated in restricted airspace, such as drones over airports, but multiple reports have indicated there could be a significant delay.

In November, the Wall Street Journal reported the FAA was ‘significantly behind’ schedule on establishing drone identification rules, something necessary for the large scale commercial use of drones. As well, law enforcement and government officials have increasingly expressed concerns over illegal drone operation and their inability to rapidly identify these UAVs.

In its most recent update, the WSJ has revealed a Federal Register notice from December that details pilot projects aimed at speeding up remote ID system testing. According to the report, the FAA wants to create up to eight prototype projects financed by private companies in order to test different identification options.

These prototype projects would be used both to gather real-world data and verify that the remote identification technologies work while speeding up the overall time it will take the FAA to establish the new rules. Neither timelines nor project costs have been revealed at this time, but assuming that a rule proposal in made in the next few months, final regulations may be established in the next year or two.

Articles: Digital Photography Review (dpreview.com)

 
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