Category: Uncategorized

  • SEO…The Beginning

    When attempting a SEO campaign to boost your website’s ranking on Google, Bing and Yahoo – it is important to remember the most important aspects… the SEO basics.  This article isn’t meant to be an informative one, but really a reminder of the crucial aspects of your website’s SEO.

    • Keywords
    • Meta Title & Descriptions
    • H1 and H2 tags
    • ALT tags within images
    • Line breaks in text
    • Internal linking
    • External linking
    • Long tail keywords
    • Local SEO w/ Google Places and Bing Business Portal
    • Google and Bing webmaster tools
    • Social profiles
    • Guest blogging
    • Link building

    To learn more, you can sign up for the free 8 part SEO eClass available on Photographers SEO.  This email series educates photographers on 8 things to think about when optimizing. The strategies cover keywords, splash pages, links, photography blogs, analytics, and many other topics.

    Remember, SEO evolves every day but as long as you retain the basics, you will do fine.

    Thanks for reading,

    Scott

    dslrBlog

  • The Aviator Travel Jib | KickStarter

    A friend of ours, Zeke Kamm over at Nice Industries is launching a great little product, the Aviator Travel Jib… With video in dSLR cameras becoming more accessible, a lot more people are giving film making a go with their own camera. One thing that makes your films more dynamic is sweet, smooth movement, and to get that movement you need some sort of tripod / rail / dolly / jib / amazingly muscular and steady arms like superman… Until now there have been very few accessories on the market to make this job easier – when I say very few, I mean very few that you can actually afford or carry on your own! (unless you are actually superman...)

    See the KICKSTARTER for the Aviator Travel Jib Here

    Enter the Aviator Travel Jib! The whole unit packs down to 24″ long, extends up to 6 feet long (in seconds and without a degree!) and weighs in at about 3 3/4 lb… A compact, lightweight solution that will hold a camera that weighs up to 6lb. Thanks to the included fluid pan base, The Aviator works great with any photo or video tripod rated to support 17lbs or more.

    The Aviator kit comes complete with a fluid pan base, a high end padded bag, mounting hardware, bubble levels, and a ballast bag that you can fill with sand, or chocolate or…

    This is what you get with the Aviator travel Jib

     

    A little info on the Aviator from the KickStarter Page.

    What will we use the money for? We are ready to start production and your pledge will help us pay for the many molds, materials, and other manufacturing costs involved in bringing The Aviator to market.

    When will the rewards ship? We have been through several prototypes and are ready to start manufacturing. The factory is ready for us to place the order. That means if we make our funding goal The Aviator should ship by August.

    What makes The Aviator Travel Jib so great? Jibs (camera cranes) stabilize your camera while moving it through space around and above your subjects creating graceful, sweeping moves that you just can’t get any other way.

    Unlike normal jibs that are heavy, large, expensive, and a big hassle to set up, severely limiting the locations and situations where filmmakers could put them to use, The Aviator is super portable, lightweight, compact, and affordable.

    The Aviator features leg locks designed by world renowned tripod makers 3 Legged Thing. And they are supplying us with their exclusive 8 core Stealth Carbon Fiber. We’re even manufacturing The Aviator at their factory! Thanks 3LT!!!

    What skill level of shooter is this for? The Aviator is super simple to set up and use. Whether you are a seasoned pro or just a passionate beginner, you’ll get breathtaking footage within minutes.

    I hope you’ve found this little unearthing helpful!

    –Sime

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    The Aviator Travel Jib | KickStarter



    Digital Photography School

  • Where the Green River Is Really Green – Flaming Gorge to Browns Park

    After recent 4 days of paddling in Canyonlands I took a longer to return back to Colorado.

    I spent one day exploring with camera rock art in Nine Mile Canyon in northeastern Utah. Then, I took tour on Flaming Gorge Dam and drove down the Green River through Browns Park to Colorado. The Green River is really very green and clear below the dam. I hope to return back to this section of the river with a kayak or, maybe, a packraft.


    Green River at Little Hole, Utah
    Green River at Little Hole, Utah
    valley of Green River, Utah
    Overview of a Green River valley near Browns Park, Utah
    Green River at Browns Park, Utah
    Green River below historic John Jarvie Ranch

    I added these three pictures to my stock photography portfolio together with a few others from our paddling down the Green River from the town of the same name to the confluence and up the Colorado River to Potash near Moab.

    Related posts and resources:
    4 Days of Paddling and Sailing in Canyonlands
    Green River from Flaming Gorge Dam to Browns Park
    Belknap’s Waterproof Dinosaur River


    paddling with a camera

  • My Thoughts on Mat Honan’s Gizmodo Article on How Yahoo Killed Flickr and Lost the Internet

    Flickr Product Chief Markus Spiering Shoots an Old Skool Polaroid Camera at Last Month's Mission District Photowalk
    Flickr Product Chief Markus Spiering Shoots an Old Skool Polaroid Camera at Last Month’s Mission District Photowalk

    Quote from Mat Honan’s Gizmodo article on Flickr: “Flickr wasn’t a startup anymore,” explains the engineer, “people didn’t really want to work that hard to turn the entire product around. Even if they had, Flickr [was] very techie hipster, many didn’t use or like Facebook and considered it bland, boring, evil, poorly designed, etc., and were certainly not ready to fast follow it. Emphasis was put more on how things looked, and felt, rather than on metrics and on what worked. The whole experience was very frustrating for me all around, as I slowly watched Flickr and Yahoo fade into irrelevance.”

    [Warning, this is going to be a very long post by me. I’ve got a lot to say about Flickr.]

    Mat Honan has a pretty detailed and in-depth story on the history of Flickr and how Yahoo strangled the once exciting and promising photo sharing site over at Gizmodo. Mat talks to a lot of insiders and former insiders and the picture he paints overall is pretty bleak. I have no idea how accurate the story is. Many of the people cited in the article are cited unnamed and anonymously, but a lot of it feels about right to me.

    I joined Flickr during their first year in 2004 — pre-Yahoo. I’m what you’d call “old skool” on Flickr and have been pretty active there just about every single day since signing up except for a brief hiatus. I’ve uploaded over 71,000 photos, participated actively in groups for years, and have handed out thousands of comments and over 100,000 favorites.

    After the Yahoo acquisition I became more and more and more negative on Flickr over time. This manifested itself in countless blog posts I wrote criticizing the company and its management.

    For me, most of my frustration was around three key issues.

    1. It felt like Flickr simply refused to innovate.

    2. It felt like the people who managed Flickr and worked for Flickr simply didn’t care about the users or the product.

    3. My data didn’t feel safe and I worried about the community management team irrevocably and permanently deleting accounts without warning to users.

    In my frustration, primarily over these three issues, I wrote open letters to Yahoo executives. I wrote an article that got alot of attention titled Flickr is Dead. When promising competitors came on the scene like 500px or Google+ I lauded their efforts. Forcing competition on Flickr felt like a good thing to me.

    Because of my criticism I felt like Flickr had retaliated against me. I was banned from the Flickr Help Forum after criticizing the company and their practices. I was blacklisted from the popular Explore section of the site (even as Flickr’s former community manager Heather Champ denied that an Explore blacklist existed).

    I think I was so passionately vocal about my feelings on Flickr because I’d become so emotionally invested in it over the years. I found real community there for so long — in the groups, in the photowalks, in the photo trips and meetups, in the day to day back and forth between me and people that I met and became friends with through the site. I wanted so much more for Flickr than what it felt like it had stagnated into.

    I wanted the people who ran Yahoo and who worked on Flickr to care and to give a damn. I wanted to see passion and people who wanted to change the world.

    By being so vocal and negative about Flickr I made a lot of enemies. In hindsight I’m not sure my approach was the best one. Over the years Flickr has had their band of sycophantic defenders who have simply refused to accept anyone saying anything critical about the site. These people by and large hate my guts today.

    Some of Flickr’s most ardent supporters over the years created a cabal on the site. They’d dominate the Flickr Help forum and talk down to users who expressed any sort of dissatisfaction over the service. They would attack me there when I was banned and unable to defend myself.

    When users would complain about having their account deleted without warning, they would almost always blame and attack the user rather than admit that a system with no “undo” button on deletions was dangerous and stupid. Everyone makes mistakes sometimes, even Flickr censors. This problem went ignored for years until Yahoo accidentally deleted Mirco Wilhelm’s account last year and ended up getting trashed in the mainstream media on sites like CNN over it.

    It’s almost cathartic a little to read Mat’s detailed post on Flickr because so much of it resonates with me as a heavy user over the years — the forcing of everyone into Yahoo accounts for example (which we were told would have no impact on us whatsoever but which was soon used to censor photos to German and other members). Mat’s description of focus by Yahoo executives on money and short-term profits and business while they ignored the huge social significance of what Flickr could have become feels spot on. In my mind Flickr could have become Facebook if only Yahoo had tried. They could have been just as big. Flickr could have been the company completely dominating Yahoo instead of the other way around. It could have been so much more than just photosharing.

    I do think there are some things that Mat gets wrong in his article though. Mat paints Flickr today as an abandoned ghost town. Mat writes, “The site that once had the best social tools, the most vibrant userbase, and toppest-notch storage is rapidly passing into the irrelevance of abandonment. Its once bustling community now feels like an exurban neighborhood rocked by a housing crisis. Yards gone to seed. Rusting bikes in the front yard. Tattered flags. At address, after address, after address, no one is home.”

    He adds, “As I scroll down I note that friend after friend has quit posting. At the bottom of the page I am already back in mid 2010. So many of my friends have vanished. It feels like MySpace, circa 2009.”

    I’m more active on Flickr today than Mat is. I still use the site daily and this doesn’t really describe my experience there. If I boot up my contacts photos there is still page after page after page of new and vibrant photos freshly added, not just this year or this month or this week, but this very day.

    A lot of what your Flickr experience will be today depends on who you follow. I still have new users adding my photostream every single day. New blood is the lifeblood of every community and Flickr does indeed still get alot of new blood even as many old users have left. You have to keep up with these new people too and that takes energy. Page views on my photos were declining for a while, but they were always significant. Today I probably average about 14,000 views a day per Flickr’s stat program. That’s probably up 20% or so for me since the beginning of the year.

    I think that there are tons of people who are still quite active on Flickr and will be for a very long time, even if overall traffic has been down for the site with people being pulled away by competition.

    Flickr has the Getty deal which is pretty compelling even if the paltry 20% payout to photographers feels unfair. What other site out there will actually *pay* you for photo sharing?

    SmugMug [who sponsors my weekly photo show Photo Talk Plus] has a similarly attractive financial engine paying photographers 85%, but other than Flickr/Getty and SmugMug, there are not really many social avenues where you can monetize your photos. I do make a lot of stock photography sales through people finding my photos on Google Image Search (which probably ties into Google+ through “Search Plus Your World”), but neither Google+ or Facebook have any direct stock photography path at present.

    Flickr has a lot of people currently participating in the Getty deal. At present there are over 382,000 Flickr photographs represented on Getty. Thousands of people make from a few bucks to several hundred dollars a month through that deal. These are some of the most talented photographers on Flickr and these people are not likely to leave anytime soon unless someone can give them a better way to sell their photos as stock than Flickr does.

    Mat acknowledges that Flickr is in fact trying to turn the ship around. “Despite years of neglect, Flickr’s miniscule yet highly talented team is trying desperately to right the ship,” he writes.

    I think I’d emphasize the significance of this more than he has.

    More specifically, I think Markus Spiering, who took over as Product Chief for Flickr after Matthew Rothenberg quit deserves a ton of credit. I was critical of Rothenberg. He had an award with a masturbating dinosaur in his office for “excellence in the field of community abuse and advocacy.” Maybe that was a joke, but it felt to me more like a big “I don’t really care about you the user” from my seat. The photo was taken by Heather Champ who was the one who’d banned me from the Help Forum and nuked a popular group I ran without warning.

    I reached out to Markus when he became the new Head of Product but didn’t hear back from him initially. Eventually I did though and through him and Zack Sheppard (the current community manager) my ban from the Help Forum and blacklist from Explore were both removed.

    Markus took the time to have lunch with me and shared his vision about a new and improved Flickr. After what felt to me like years of stagnation he talked with me about the big plans that he had this coming year for Flickr.

    In January of this year Markus wrote a blog post promising us all a renewed sense of purpose for Flickr and I think he’s largely delivering on that. The first big push came in the form of a redesign of the “photos from your contacts” page. Markus chose Adrianne Jeffries as the journalist to first offer this story to. Adrienne is one of the best journalists covering Flickr out there today. She’s reported more deeply than others and I thought that was a great choice for him to go with for this story that got a ton of attention online.

    In addition to the “photos from your contacts” page redesign, Flickr seems to be reigniting their interest in social events and photowalks. After years of limiting our photo file sizes to 20MB, last month they increased that limit to 50MB (for Pros) along with a pretty cool new photo uploader — and just today Flickr rolled out their new “liquid” photo page.

    Markus feels to me like an enthusiastic, passionate leader who cares about the future of the site and one who has embraced innovation rather than the status quo which was a big part of what was bringing Flickr down.

    I no longer feel like Flickr is dying. It’s got a long way to go, but I think they’ve still got a fighting chance left. I think they lost their opportunity to become Facebook, but they are improving and innovating once again and I think this will pay dividends over the next few years. Users feel like they are more respected to me. There is now an undo if Flickr deletes your account. A friend of mine even deleted his own account and was able to get them to reinstate it. This is all very positive.

    I don’t know what the future of Flickr looks like, but as long as Markus and his team continue down the path of innovation, I think they are moving in the right direction. I suspect you’ll see more innovation in mobile later this year and I think other areas of the site will continue to be refreshed. Flickr’s new justified view for “your contacts photos” and for your “favorites” page is beautiful. I hope it’s rolled out to our sets page next.

    It would be great to see Jeremy Brooks’ SuprSetr technology actually integrated into Flickr. Flickr still has the best album/set functionality in the business, photo organization remains their strong suit. I’ve got over 1,700 sets there and they have all been built by keywords on my photos with Jeremy’s awesome app. There is a ton of improvement that can still be made with groups and especially with mobile.

    I’m more hopeful on Flickr than I’ve been in a long, long time. They still have the best image search in the business. They still have the best photo organizational tools in the business. They seem to have positive leadership.

    Given the turmoil that’s going on at Yahoo and the poor fit for Flickr over the years, I actually think Flickr would make an impressive acquisition target for either Google or Facebook. With Dan Loeb running the show at Yahoo now there’s a strong case to be made for maximizing Yahoo shareholder value by breaking it up.

    Google probably needs the leg up in social more than Facebook right now, but both could probably turn Flickr into a stock photography juggernaut, with it’s rich, highly organized archive. Both could also probably better optimize the rich library of photographs there into their other social properties and both could probably benefit from the relationships that Flickr has built with important institutional accounts like the White House, the Royals, or the countless number of museums, libraries and other historical and cultural institutions that now have a presence on the site.

    Time will tell, I suppose, time will tell.


    Thomas Hawk Digital Connection

  • Brian Parillo: Skyscrapers of Downtown LA

    As the clouds are rolling over the skyscrapers of downtown LA, it’s 3:30pm on a Sunday afternoon in the month of March. It’s empty down here for the most part. The business crowd won’t be back until tomorrow so driving around looking for potential shooting moments makes things feel a little safer on the driving end of things. However being safe is never usually a preoccupation when down here but finding the right moment is. I like the way the wind sounds on days like these when the streets are fairly empty. It’s a hollower sound and makes things feel even more desolate. As I see something lighting wise that looks interesting I decide to pull a quick u turn and park in the yellow loading only zone.

    © Brian Parillo

    It’s Sunday, nobody will care. I quickly change my lens and I feel like I’m in a race. What am racing for? Light usually and cloud positioning. These poor buildings. They must feel like I’m paparazzi when I show up because I really do want to invade them in every way. So out of my car I go as I begin staring up at these giants. It amazes me every time. I walk around them for a while and try to find something that looks different to me. Something that gives these enormous slabs of concrete a voice. I can imagine what I must look like to the average passerby.

    © Brian Parillo

    Lying in the middle of the street on my back or standing on some ledge must look fairly ridiculous. However, when I find a moment that truly speaks to me everything slowly goes to silent. The only thing I hear, which I ignore for as long as I can, is the security guard who is quickly walking toward me shouting “Sir, excuse me, Sir excuse me,! Excuse me!” Here’s where things get a little hairy. I’ve almost got my shot and he’s getting really close to ending this for me. I open up a little wider on my focal length, drop my camera speed one stop as the sun tucks behind a cloud, and I start shuttering away. “Excuse me Sir”, I hear again for the last time as I pull my camera down from my face. “Hi,” I say as politely as possible. “You can’t take pictures here,” he says as I ponder the idea of that phrase being my epitaph. “Oh you can’t?” “Okay sorry, take care.”

    © Brian Parillo

    As I get in my car I quickly review my shots. No, no , no, no, no, maybe, maybe, possibly but the light is a little to hot on the top portion of the far building in this shot. I may be able to save it in post. I start my car and off to the next location. I’ve always felt like some refugee on the run while stalking these buildings. It feels a bit sin city like down here and I’m enjoying every minute of it.

    I’ve been shooting architecture for quite a few years now. I choose to shoot in black and white mainly because it extenuates the lines of a building and because it separates the elements of the photograph resulting in a more clean and efficient look. It also creates a feeling as if you’re being dropped into a mysterious abstract world. I see integrity, elegance, strength and vulnerability in black and whites and I try to carry those emotions into my shots as well.

    Website: www.brianparillophotography.com

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    dslrBlog

  • Camille Seaman: On Photographing Icebergs

    In this video Camille Seaman shares photos and a little of her passion for photographing icebergs.

    See more of her work including other subject matter at Camille’s website.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Camille Seaman: On Photographing Icebergs



    Digital Photography School

  • more POST 2009 info

    more info for this weekend here:
    http://us1.campaign-archive.com/?u=2f4dfd6044841d9249793ca6f&id=c055ab98ce&e=c26ab09ae3

    Tweet This Post Stumble This Post


    F/1.0

  • BLUE: Weekly Photography Challenge

    Image by Auntie P

    Image by Auntie P

    This week your challenge is to take and share an image or two on the theme of BLUE!

    It’s been over two years since we went blue in a challenge and last time was very popular. Like last time I’m sure we’ll see lots of blue skies, eyes and other blue things. Let your imagination run wild!

    Once you’ve selected the ‘Blue’ image that you’d like to share – upload it to your favourite photo sharing site or blog and either share a link to it or – embed them in the comments using the our new tool to do so.

    If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSBLUE to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    Also – don’t forget to check out some of the great shots posted in last weeks challenge – Posed challenge where there were some great shots submitted.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    BLUE: Weekly Photography Challenge



    Digital Photography School

  • Flickr Integrates More Deeply With Pinterest Providing Attribution and Links Back to Flickr Photos

    Flickr Integrates More Deeply With Pinterest Providing Attribution and Links Back to Flickr Photos

    Pinterest has been one of the most popular social sharing sites of the past year. It’s growth has been explosive. Last week Pinterest said that Monday and Tuesday were their highest traffic days ever. Last month Experian said that Pinterest was now the third most popular social network behind Facebook and Twitter.

    Photographer reaction to Pinterest has been mixed. Some photographers have been pleased with yet another avenue for their work to be seen, promoted and enjoyed by the world. Other photographers have expressed reservations about their work being pinned to the site without their permission, which they feel is a violation of their copyright. One of the big concerns about Pinterest has been that oftentimes photos are pinned without any sort of attribution to the original photographer. With so many beautiful images floating all over the web it seems easy for users to simply grab an image anywhere and pin it.

    In what seems like a win-win-win for Pinterest, Flickr, and photographers, Flickr and Pinterest are announcing today that they are more deeply integrating their two sites. Most significantly, photographers will receive attribution on any of their Flickr photos that appear on Pinterest both in the future and for any of their Flickr photos posted in the past. This attribution will visibly include their name as well as a link back to their original Flickr photo.

    “We want to embrace photo sharing, make it easy and beautiful and at the same time want to ensure that photographers are credited and attributed correctly. We also will continue to work with Pinterest on future enhancements to make sure Flickr members get the best tools to maintain control while sharing their photos with the world,” said Flickr head of product Markus Spiering.

    So what does this new deeper integration between Flickr and Pinterest mean more specifically?

    First, starting today Flickr members can share directly from Flickr to Pinterest. Pinterest will be included in Flickr’s share infrastructure.

    Second, all Flickr photos pined to Pinterest (for both new photos and old photos already pinned from Flickr) will include attribution, including the Flickr photographer name, photo title, and a direct link back to their photo on Flickr. This attribution cannot be edited by the Pinterest user and will ride with the photo wherever it is repinned on Pinterest.

    Third, anywhere someone grabs your photo that is linked back to Flickr (even non-Flickr blogs, websites, etc.) your attribution will flow through into Pinterest as long as your Flickr photo is the linked original source of the image.

    Fourth, as always you can always opt out of Pinterest sharing entirely. Flickr has a setting that you can enable which will restrict your Flickr photos from being pinned to Pinterest or shared elsewhere on the web.

    Today’s announcement should go a long way towards improving the relationship between Flickr photographers concerned about unauthorized photo usage on Pinterest and Pinterest. While someone still could download/screenshot your photo and reupload it to the web without attribution, at least where images are pinned directly there is a serious attempt being made here to credit the photographer for the image.

    This is also smart from both Flickr and Pinterest’s viewpoint. Although Flickr/Pinterest declined to release the total number of Flickr photos that have been pinned to date, the number is very large and now this means that Flickr just earned a boatload of new links directly back to Flickr. This should be good for Flickr’s page view count and drive traffic back to the site. For Pinterest, they are getting valuable real estate as a direct sharing partner for Flickr photos which should also drive more existing Flickr users to their site.

    Flickr more deeply integrating with one of the hottest social sharing sites on the web right now is yet another positive step forward for Flickr and is more evidence that Flickr is serious about ramping up innovation on the site as promised earlier this year. For Pinterest, this can be seen as a positive step forward in showing that they are more serious about addressing copyright/attribution concerns which have plagued the site over the course of the past year.

    You can follow me on Pinterest here and on Flickr here.


    Thomas Hawk Digital Connection

  • Control Flare from Sun, Rim Lights with a Shoot-Thru Gobo


    Just a quickie today on the whys and whens of using a single, small shoot-thru shade to completely control contrast-killing glare when shooting into backlight. Read more »


    Strobist