Category: Photography

  • Simplicity – Weekly Photography Challenge

    low, yellow, Green, yellow, yellow, yellow, yel...It’s the simple things in life that are often the best – so in this weeks photography challenge we’re expecting to see some great photos because the theme is ‘simplicity’.

    Feel free to take any approach to this assignment that you wish and to be as creative as you like!

    Once you’ve taken your ‘KITCHEN’ image and have upload it to your favourite photo sharing site either share a link to it or – embed it in the comments using the our new tool to do so.

    Related Reading: Check out this post on Minimalism and Using Negative Space in your photos to give you a starting point.

    If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPSSIMPLICITY to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

    Also – don’t forget to check out some of the images posted in our last challenge – Kitchens challenge where there were some great images submitted.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Simplicity – Weekly Photography Challenge


    Digital Photography School

  • Bluebirds and Stink Bugs

    We have a bluebird nest in our backyard. There are two fledglings, and this is their dad.

    To me, bluebirds have always had a specific connotation (i.e., the "bluebird of happiness," or more lately, "Twitter"). But this guy is a fearless badass. He'll fight off other birds, cats, squirrels—and photographers—if they get too close to his nest.

    And for two afternoon this week, this particular bluebird led me down a photographic rabbit hole.

    Read more »
    Strobist

  • Ultimate Guide To Blending Modes in Photoshop

    The blending modes feature is one of Photoshop’s most undervalued tools for Photographers. Blending modes can be used to alter the ways in which each layer interacts with the layers below it, allowing for endless possibilities when it comes to setting the right tone or adding artificial lighting. Graphic designers and digital illustrators use blending modes all the time to Continue Reading

    The post Ultimate Guide To Blending Modes in Photoshop appeared first on Photodoto.


    Photodoto

  • Discover the Wonder of Time-Lapse Photography

    13661683091928251025This week over at our sister site – SnapnDeals – we have a great deal running where you can get 20% off Time-Lapse Photography: A technical and practical time-lapse tutorial guidebook for all skill levels designed to get you out the door and shooting now!

    Louie Schwartzberg is an award-winning cinematographer, director and producer who captures breathtaking images that celebrate life, he is also one of the most inspirational speakers I’ve ever listened to. His work is largely responsible for starting my time-lapse journey many years back and I just have to share this with you.

    TED Gratitude Presentation by Louie Schwartzberg from ecodads on Vimeo.

    “Beauty and seduction are nature’s tools for survival because we protect what we fall in love with. It opens our hearts and makes us feel we are part of nature and we’re not separate from it. When we see ourselves in nature it also connects us to every one of us because it’s clear that it’s all connected and one.”

    We protect what we fall in love with. It’s true and so many times as photographers we are searching for that connection with our subjects, we might not realize it at the time or be actively searching for it but those shots that really strike us are more than just the ones that have really good composition or that we nailed the perfect exposure.

    Time-lapse is a strange thing and Louie hits it straight on: It can free you from the normal flow of your routine and all the busyness of life, yet at the same time it can cement a connection between you and your surroundings more than anything else. It is an awareness we seldom experience.

    Here is another photographer and inspiration I’d like to introduce you to: Ole’s Salomonsen and his third short film about the northern lights. His work is truly amazing.

    POLAR SPIRITS from Ole C. Salomonsen on Vimeo.

    He described his main focus as one of getting the auroras to show as close as possible to real-time speed given the time available in a short video. He works to show us the slower majestic dancing lights, as well as the more faster, dramatic and abstract shows, and finally the auroras in combination with city lights and urban elements. You can connect with Ole and learn more about his work via Facebook here.

    The video is shot using Canon DSLR’s and the Stage One and Stage Zero time-lapse dolly systems by Dynamic Perception.

    Time-lapse has a way of slowing the world for the photographer while at the same time accelerating it for everyone else. I personally shoot time-lapse because it alters the way I think, it challenges my view of the world and teaches me things that I hope to bring back and share with everybody else.

    The entrepreneurial aspect of the art is extremely exciting. So many photographers and filmmakers, having looked around and not found what they need to achieve the time altered shots they envision, have gone ahead and built the tools themselves – often creating new companies or open source communities in the process.

    The level of innovation, especially over the last few years, is incredible. Not only are we quickly fixing problems that have plagued photographers for years, but advanced camera controls, processing tools, and motion control devices that used to be cost prohibitive are now becoming affordable for the most basic hobbyist.

    This is the change and energy that gets me so fired up. This is why I’m so excited to share this with you. I am a hobbyist a shooter, a teacher… and I certainly don’t proclaim to have all the answers but I do have some and I can share with you the time-lapse learning path I took. The one thing I know for sure is that the more people that become involved with time-lapse the bigger the ideas, the better the innovations and the more amazing the stories we can tell.

    If you are interested in learning more about Time-lapse the book Time-lapse Photography: A complete introduction to shooting, processing and rendering time-lapse movies is currently 20% at SnapnDeals.

    It’s a technical and practical time-lapse tutorial guidebook for all skill levels designed to get you out the door and shooting now!

    The six most important topics you’ll learn inside:

    • Time-lapse gear from basic to advanced: cameras, tripods, intervalometers / remote timers, ND filters, lenses, and time-lapse motion control devices (motorized sliders, panning, tilting)
    • Balancing time-lapse image settings, how to fit all those pictures on your memory card and the important considerations regarding aspect ratio and HD quality
    • How to shoot time-lapse: composition, exposure, dragging your shutter and selecting the right time-lapse interval to get the look you want
    • Time-lapse flicker: What the heck is it, how to prevent it, and if it does occur how to correct it
    • Creating the time-lapse movie: Everything you need to know about time-lapse video software, easy to follow workflows and walkthrough of free and not so free rendering applications, codecs and frame rates, output settings, adding music and effects and where to upload and share
    • Test your time-lapse skills! Intro challenges covering astrophotography time-lapse (Astrolapse), flicker free day to night transitions (the time-lapse Holy Grail), HDR timelapses and time-lapse motion control devices

    Take a look at a 30 page or so excerpt:
    BOOK PREVIEW FROM SCRIBBED TO EMBED

    Time-Lapse Photography eBook by Ryan Chylinski 25 Page Preview by Ryan Chylinski

    More reviews and chapter excerpts can be found on the main book information page here.

    “Time Lapse book : 4 thumbs up! I’ve been in photography since I’m 15 (so that’s almost 30 years .. gosh !!), and I’ve tried many things.. but your book gave me that kick I love so much in photography, there are new exiting things I can try and do, and you just made me not only discover it, but also WANT to do it… really badly :) – Eric

    You had me at “It’s 2:20 in the morning”! – Kennith

    “I loved the book. I found it very informative, thank you for putting in so much effort. It’s really helped me and I’ve been shooting away constantly.” -Robert

    “Just what I was looking for to get started with time-lapse photography. The book provides easy to follow steps for setting up, taking and then processing time-lapse photos. There’s also a nice comparison of various pieces of equipment and software along with recommendations and tips that I found very helpful.” K. Mahon

    Get your copy of a Time-Lapse Photography: A technical and practical time-lapse tutorial guidebook for all skill levels designed to get you out the door and shooting now now at 20% off!

    Ryan Chylinski is an American photographer, entrepreneur, and outdoors enthusiast from the flagship city of Erie Pennsylvania. Founder of LearnTimelapse.com, a community powered time-lapse education and experimentation hub, Ryan’s philosophy centers on teaching, sharing and a continual drive to never stop learning.

    Connect with Ryan on Facebook or via Learntimelapse.com

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Discover the Wonder of Time-Lapse Photography


    Digital Photography School

  • Why a 50mm Lens is your new Best Friend

    nifty-fifty-featured
    You may have heard the term “Nifty Fifty“ before.  If you haven’t, it is usually a reference to the Canon 50mm f1.8 lens. But for the purpose of this article I’m going to use it synonymously with any prime 50mm lens.

    What’s the best “next” lens to buy?

    I get asked all the time by my students about what lens they should buy next after the basic kit lens that came with the camera. I almost always recommend picking up a simple 50mm prime lens. Let’s look at some reasons . . .

    Reasons why this lens should be in your bag

    •  GREAT FOR LOW LOW PHOTOGRAPHY – with the wide aperture of f1.8, especially going from your typical kit lens which is usually f5.6, this lens gives you 3 stops or EIGHT times (2x2x2) more light coming through the lens opening. This allows you to use either a faster shutter speed and avoid camera shake, or a lower ISO and avoid the noise you get from higher ISOs, or a combination of both.

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      Shot at ISO 1600, 1/50th a f1.8. Without the 1.8 aperture I would have needed a much slower shutter speed or even higher ISO.

    • GREAT VALUE, LOW COST – at a price range of $ 100-200 for most popular brands this lens’ low price tag makes it affordable as a good first lens investment
    • LIGHT WEIGHT – ranging from only 4.3 oz to 6 oz (Pentax, Canon, Nikon, Sony in order of lightest to heaviest) there is no reason to leave this lens at home. That means even when you don’t want to haul a whole bag full of stuff around, you can easily grab your camera and the Nifty Fifty and go. No excuses!
    • KILLER BOKEH – prime lenses typically produce nicer bokeh (how the lens renders out of focus areas) than most zooms, and with the f1.8 aperture you can make some really nice bokeh. Bright lights, off in the background, twinkle with this little lens! DrinkClickDec2012-0021-600px
    • SUPER SHARPNESS – prime or fixed focal length lenses are usually inherently sharper than zoom lenses, partly due to there being less moving parts inside the lens, and less lens elements. You will also experience increased sharpness due to the wider aperture which allows, as I mentioned above, being able to shoot at faster shutter speeds and lower ISO.  Being able to get a fast enough shutter speed to eliminate camera shake, or freeze a moving subject has a lot to do with getting sharper images as does minimizing noise.
    • IT’S VERSATILE – the 50mm lens is a great street shooting lens, not too wide, not too long. On a cropped or APS-C sensor (any non full frame camera body) it is also a great portrait lens, just long enough to remove distortion from your subject’s face and flatter them a bit more, not so long you need to stand across the street.
    • GREAT FOR TRAVELING – because it’s light weight, and is a fast lens (big aperture f1.8) the 50mm is a great addition to your bag for trips. Usually I take along a good wide zoom lens (my 17-35mm), a good long zoom (70-200mm) but I never forgot my little Nifty Fifty.  Even if you have two kit lenses that cover that focal length, say an 18-55mm and a 55-200mm, the 50 f1.8 fills the bill for low light photograph that the other two can’t because of their aperture limitations.  Plus it weighs practically nothing, you don’t even know it’s in there.Latinfest2010-00333-600px
    • HELPS MAKE YOU A BETTER PHOTOGRAPHER – whoa, what?!
      I’ve been thinking a lot lately about “the good old days” when I all my lenses were prime or fixed focal length, and how we’ve come to be dependant on using zoom lenses for convenience. They absolutely have a place in photography especially if you’re photographing things like sports or weddings. However, I also think they can make us lazy as photographers.  Instead of walking two feet to get the crop we want, we can just zoom in.  But what if that angle of view two feet closer makes for a better image?  We’ll never know because we have our feet planted, so use your feet and walk around your subject and see different views. I believe using a prime lens challenges you to think more about composition before you press the shutter, which often makes for better photos in the end. If you want more challenges, you might want to read my free ebook 10 Challenges to help you take better photos without buying any new gear.
    Fun bokeh at a wedding using ambient light. Almost impossible to get this shot without the big aperture.

    Fun bokeh at a wedding using ambient light. Almost impossible to get this shot without the big aperture.

    Summary and action plan

    Like I tell most of my students, I highly recommend you have a 50mm lens in your bag.  If you can afford a fancier one go for the f1.4 or even the f1.2.  However they do come with much bigger price tags, and are a lot heavier.  So keep that mind if you go shopping for a 50.

    Here’s some of these 50mm lenses listed on Amazon:

    • Canon EF 50mm f/1.8 II Camera Lens
    • Canon EF 50mm f/1.4 USM Standard & Medium Telephoto Lens for Canon SLR Cameras
    • Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras
    • Sigma 50mm f/1.4 EX DG HSM Lens for Canon Digital SLR Cameras
    • Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras
    • Nikon AF-S 50mm f/1.4G SIC SW Prime Nikkor Lens for Nikon Digital SLR Cameras
    • Nikon 50mm f/1.2 Nikkor AI-S Manual Focus Lens for Nikon Digital SLR Cameras
    • Sigma 50mm f/1.4 EX DG HSM Lens for Nikon Digital SLR Cameras
    • Sony 50mm f/1.8 SAM DT Lens for Sony Alpha Digital SLR Cameras
    • Pentax DA 50mm f1.8 lens for Pentax DSLR Cameras

    Then think outside the zoom lens box and see what other prime lenses might be perfect for the kind of photography you do. I love my 85mm f1.8 as well, it’s great for portraits (I use a full frame camera so will be similar to the 50 on a cropped sensor).  If you like macro work perhaps a 60mm macro or 100mm will do the trick for you.  Either can also double as a nice portrait lens.   Take on my 10 challenges if you dare!

    Lastly – show me your Nifty Fifty photos!  Share some images you’ve done with your little 50mm lens. Let’s see what it can do!

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Why a 50mm Lens is your new Best Friend


    Digital Photography School

  • Panasonic Lumix DMC-GH3 Review

    Panasonic Lumix DMC-GH3 Review.jpg

    For whatever reason it was a long wait for the Panasonic Lumix DMC-GH3 — I counted about six months. Worth waiting for?

    Yes, for a number of reasons, not all directly to do with image making either.

    As a MILC (mirrorless interchangeable lens camera) this is as fully featured as you can get and then offers more in the rugged department: it has a magnesium alloy, full diecast body, coupled with splash and dustproof construction, achieved by tightly sealing sections of the camera body.

    Test lens was the Lumix G Vario Power OIS f2.8/12-35mm, equating to a 24-70mm lens in a 35 SLR.
    Panasonic Lumix DMC-GH3 Back.jpg

    Panasonic Lumix DMC-GH3 Review Top.jpg

    Panasonic Lumix DMC-GH3 Controls

    There’s a ton of external controls planted on the GH3′s body.

    Top deck: at left is a tiny wheel that gives access to single shot or burst shooting as well as the self-timer and an auto bracketted exposure option.

    The mode dial has eleven positions: PASM; ‘creative’ video shooting; three custom modes; stills creative control; 13 scene modes (inc portrait, backlit, children’s faces etc); intelligent auto; intelligent auto plus.

    By now you will have sussed out that this camera attempts to straddle two levels of user: the expert who wants precise control of image capture and the dabbler, keen to fiddle with images.
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    Pool 3.JPG

    Further along the top deck is the prominent on/off lever; three buttons that take you to ISO, AWB and exposure compensation; there is a front and a rear rotating dial that take you through a number of options; the shutter button is right at the front of the pronounced speed grip. And then there is the first of five Function buttons, with the other four sprinkled around the rear surface of the camera.

    Rear: replay; Function buttons 2, 3, 5; auto focus and exposure lock button; video record; display options; a rotating control dial and concentric menu button.

    So you can see, as I said: ‘There’s a ton of external controls …’

    Panasonic Lumix DMC-GH3 Features

    The 16.05 megapixel Live MOS sensor can capture a maximum image size of 4608×3456 pixels, or 39x29cm as a print.

    Video? You can shoot Full HD in either MPEG4 or AVCHD. I was able to shoot stills while recording video with no apparent interruption to the latter. The AF tracked seamlessly mid video recording … a great performance.

    Video users will appreciate the enhanced handling of the program material as it embeds SMPTE-compliant time code either in Rec Run or Free Run count-up methods; this makes it easy to synchronise multiple video shots or sound sources in post production.

    In video sound recording, the DMC-GH3 has Dolby Digital for AVCHD Progressive /AVCHD videos, and linear PCM (LPCM) for un-compressed MPEG4 video. There are two 3.5mm terminals for an external microphone and headphone.

    The camera uses OLED displays both in the rear LCD and the turret finder: while both displays are excellent, the former suffers in bright sunshine.

    In the design of the GH3 great attention was paid to minimising sensor noise, preventing sensor noise from entering the output signal and preventing noise from entering the signal processing circuit, power supply and grounding lines. Sensitivity ranges from ISO 200 to ISO 12800, but you can extend this to ISO 25600 by accessing a special function.
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    More

    The camera’s HDR mode takes three shots at different exposure levels and automatically combines them to produce a single image. Other shooting functions include Time lapse shooting and multiple exposures using four shots to combine into one.

    The rear LCD screen can rotate 180 degrees laterally and tilt 270 degrees vertically.

    Continuous speed: the GH3 can shoot at 6 fps in full res of 4608×3456 (maximum 18 consecutive shots in RAW+JPEG) and 20 fps at 2336×1752 pixels (maximum 80 consecutive shots in JPEG).

    I much appreciated the on screen distinct level gauge, which detects the horizontal/vertical angle of view as well as sensing if the camera is tilted forwards or back.

    The touch screen can be more useful than you think: just by touching the subject you want as your point of focus, the camera will focus on the subject and take the picture automatically.

    In Creative Control mode you can access a range of additional image effects. You set the effects to add by selecting example images and confirming them on the screen. Such effects as expressive, retro, high and low key, mono. etc.

    Panasonic Lumix DMC-GH3 ISO Tests

    Panasonic DMC-GH3 ISO 125.JPG

    Panasonic DMC-GH3 ISO 400.JPG

    Panasonic DMC-GH3 ISO 800.JPG

    Panasonic DMC-GH3 ISO 1600.JPG

    Panasonic DMC-GH3 ISO 3200.JPG

    Panasonic DMC-GH3 ISO 6400.JPG

    Panasonic DMC-GH3 ISO 12800.JPG

    Panasonic DMC-GH3 ISO 25600.JPG

    Going well at ISO 1600. Still clean at ISO 3200. OK at ISO 6400. Noise becoming visible at ISO 12800 but colour OK. At ISO 25600 noise is well up and there are signs of a colour shift.

    Panasonic Lumix DMC-GH3 Review Verdict

    Quality: excellent colour, tops in the sharpness dept.

    Why buy the Panasonic Lumix DMC-GH3: built in flash with a GN of 12 (ISO 100 in metres) that covers a 24mm range; access to a wide range of lenses, inc Leica’s optics.

    Why not: too many pro-ish controls for some users; too many amateur options for pros!

    To me, this would make an excellent camera for an ambitious beginner: you could start by using it as a point-and-shoot, then gradually move upwards as you learn the more complex controls.

    Panasonic Lumix DMC-GH3 Specifications

    Image Sensor: 16.05 million effective pixels.
    Metering: Multiple, centre-weighted and spot.
    Effective Sensor Size: Four thirds 17.3×13.0mm CMOS.
    Lens Factor: 2x.
    Compatible lenses: Micro Four Thirds.
    Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
    Shutter Speed: Bulb, 60 to 1/4000 second; flash sync 1/160 sec.
    Burst Speed: 6 fps.
    Memory: SD/SDHC/SDXC cards.
    Image Sizes (pixels): 4608×3456 to 1712×1712. Movies: 1920×1080, 1280x720p, 640×480.
    Viewfinders: Turret finder (1.74 million pixels), 7.6cm LCD screen (614,000 pixels).
    File Formats: JPEG, RAW, JPEG+RAW, AVCHD/MPEG4, MPO (3D).
    Colour Space: Adobe RGB, sRGB.
    ISO Sensitivity: Auto, 200 to 12800.
    Interface: USB 2.0, AV, HDMI mini, WiFi, DC input.
    Power: Rechargeable lithium ion battery, AC adaptor.
    Dimensions: 133x93x82 WHDmm.
    Weight: Approx. 550 (inc battery).
    Price: Get a price on the Panasonic Lumix DMC-GH3 (body only) or the Panasonic Lumix DMC-GH3 with Panasonic H-FS 45-150mm Lumix G Series Lens.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Panasonic Lumix DMC-GH3 Review


    Digital Photography School

  • 50 Brilliant Photo Sites of Professional Photographers & 1 Quick Way To Launch Your Own

    Are you a successful photographer? Or are you a beginner who just started the way to fame? Modern world requires new rules and these days you just can not be a famous photographer without personal online portfolio. But why is it so important? The point is that most clients believe only what they see. And your photo portfolio is the Continue Reading

    The post 50 Brilliant Photo Sites of Professional Photographers & 1 Quick Way To Launch Your Own appeared first on Photodoto.


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