Category: Photography

  • 9% of dPS Readers Have Owned More than 10 Digital Cameras

    Last month 14,002 readers responded to the question in our monthly poll which asked how many digital cameras they had owned.

    The results are in!

    Screen Shot 2013 07 02 at 9 34 03 PM

    It seems there was a fairly even spread among readers who have owned between 1-5 digital cameras – with 10-20% of respondents in each category.

    The interesting category to me was the 10+ category with just under 9% of our readers having owned more than 10 cameras! The comments that accompanied the original poll post showed that many of those who voted in this category reported having had significantly more than 10 too! It looks like we’ve got some enthusiasts in our midst! :-)

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    9% of dPS Readers Have Owned More than 10 Digital Cameras


    Digital Photography School

  • Photographing Twin Newborns by Hillarry Pitts

    For you newborn and baby photographers out there, you know that it requires a ton of patience and time to work with these tiny little ones. You also know that photographing newborns before 10 days new is best as they still like to be curled, tucked in and swaddled tight. Well, you may or may […]
    dslrBlog

  • Create Photos With IMPACT By Composing With Purpose

    After I started my own critique forum I soon started to realize that composition is one of the most commonly critiqued parts of a photograph and in reality composition is the most important element of a photograph next to the subject.

    That said, what composition really comes down to, and what I’m talking about today, is the idea of composing with purpose.

    Compose With Purpose Not As an After Thought

    I’m not here today to tell you about the different “rules” of composition. I’m not going to tell you what is right and what is wrong, because ultimately, the “rules” themselves are both right and wrong in different situations and it’s up to you as the photographer to determine when and how to use them – to do that – you must compose with purpose.

    It’s not easy to teach the idea of composing with purpose, but I’m going to attempt to do so by using one of the most commonly photographed landscape subjects out there – sunset – as an example. After all it’s probably safe to say that most of us have experienced at least one or two of these in our lives.

    So how many of you return to your computer after photographing a spectacular sunset to see that the entire import is filled with images that basically look exactly the same as one another? Not only do they all look the same, but they’re all missing something. They might look a little like this one right?

    Composed With Purpose-2

    It’s not that this is a bad photograph of the sunset, there’s detail in the water, the sky and even in the tree line behind the lake, but there’s no planned composition or story being told in the photo. It has nothing to keep the eyes of the viewer interested and ultimately it falls flat.

    Just a Small Change Can Have a Big Impact

    The photograph below is the exact same sunset at the same location the only difference is that I’ve just chosen a very specific composition for the scene and thus created a more complete photograph.

    Composed With Purpose

    By taking a little extra time to think about all the elements of the scene in front of me (with my eyes not my camera) and consciously place everything from the setting sun, to the trees in the foreground, to the lily pads on the water within the frame I was able to take what is not only a beautiful sunset and capture it in time, but I was able to add depth to what I captured which allows me to showcase not only what was happening, but where it was happening – this is what adds impact to your photos.

    Of course the above is a very simple example of what I’m talking about today, but it’s important to realize that composition isn’t just a set of rules that we must follow – instead composition is an active search for the best elements within the scene in front of you.

    Sometimes you’ll need to step back and take the entire scene in to find the composition that make the most sense, other times you might want to put on a super telephoto or grab some binoculars and zoom way in to find some very interesting details not obvious to your normal vision.

    So the next time you go out with your camera and something starts to attract your attention, whatever it may be, don’t stress too much about the rules that you’ve learned instead just try to compose with purpose. Hopefully by doing so you’ll get some unique and powerful compositions that will ultimately allow your photographs to stand out from the crowd.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Create Photos With IMPACT By Composing With Purpose


    Digital Photography School

  • LumoPro LP180 Speedlight: Full Walk-Thru

    The $ 199 LumoPro LP180 quad-sync, all-manual speedlight has arrived. I have been shooting with a couple pre-production units for several months now, so have had ample time to formulate some thoughts.

    Short version: The LP180 is rock-solid, with a near-perfect feature set for lighting photographers. It's the first flash that I actually prefer over a Nikon SB-800.

    Long version: below.

    Read more »
    Strobist

  • The Best Android Photo Apps You Can’t Live Without

    In the app marketplace, it’s a fact that Apple is out in front, mainly thanks to its huge iTunes website. There is literally an endless amount of iPhone apps, including fine serious iPhone photography apps, which we spotlighted not too long ago. However, as far as Android, Google’s smartphone operating system, is concerned, it is catching up faster and faster Continue Reading

    The post The Best Android Photo Apps You Can’t Live Without appeared first on Photodoto.


    Photodoto

  • How to Use the Adjustment Brush in Lightroom

    In this video tutorial Trevor Dayley gives a few quick and helpful tips on using the Adjustment brush in Lightroom. If you’re new to Lightroom this is a great place to start to get a little more creative control. Enjoy!

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    How to Use the Adjustment Brush in Lightroom


    Digital Photography School

  • Introduction to Puppet Warp in Photoshop

    By Frank Wang

    One of the most retouching powerful tools in Photoshop is a relatively new feature called Puppet Warp. Introduced in Photoshop CS5, it can be extremely useful when you want to bend and shape parts of your image as if it were silly putty (or, as the name implies, like a puppet). I am going to give you a quick crash-course into how to make the most out of Puppet Warp.

    The first step to puppet-mastery is to isolate the object you want to warp. This often involves making a selection of the object and deleting the background.

    Assuming you are familiar with selection tools, I am going to start with an isolated image below. I would suggest making the object you want to edit into it’s own later after you’ve selected it (control+J or command+J). Puppet Warp works even if you don’t isolate the object from the background, but I find it less effective as you’ll end up moving background elements unintentionally. Not isolating the object will also slow things down, as you’ll be moving more pixels than necessary.

    Puppet warp 01

    With the layer you want to edit selected, go to the Puppet Warp tool, which is found under the “Edit” menu.

    Puppet warp 02

    Once you’ve entered the Puppet Warp mode, you can start adding anchor points or “joints” that function both as anchors and points where you can click and drag. I’ve added some anchor points to my jewelry pieces below.

    Puppet warp 03

    Next, select an anchor point and start dragging. Puppet Warp is a fairly intuitive tool once you’ve added some anchor points and started to move them around. The anchor points you are not dragging will stay put, while the ones you’ve selected (hold shift to select multiple points) bend to your will. Cool, right?

    Puppet warp 05

    Another useful feature of Puppet Warp is the Pin Depth option. As you add anchor points and move them, you may discover you want to move one part of the object behind another. This is where Pin Depth comes into play. If I want a part of this chain to move behind the left leaf, all I have to do is to select the anchor point on the chain, click on the Pin Depth button with the “down” arrow, and voila, I can drag that part of the image behind another.

    Puppet warp 06

    Puppet warp 07

    The “mode” option of Puppet Warp allows you to control how dramatic the changes to your image are when you move an anchor point. The default is Normal, which should suffice for most situations. For more dramatic changes, you can select the “Distort” option.

    Puppet warp 08

    To delete anchor points simply select the point in question and hit the DELETE or key on your keyboard. Alternatively, you can hold down the ALT key and click an anchor point to delete it.

    Puppet Warp is fairly intuitive but it takes a bit of experimenting to get a sense of how best to use it. I suggest alternating between the “Rigid”, “Normal”, and “Distort” modes to get an idea of how the tool works. Once you’ve gotten the hang of it, Puppet Warp is a VERY powerful tool.

    As an additional example, I am going to warp the following black square. I’ve added four anchor points at the corners.

    Puppet warp 09

    Once I’ve added the anchor points I can bend and stretch the rectangle to something else entirely.

    Puppet warp 10

    If you want to edit it further, you can add even more anchor points until you’ve warped the square to something akin to a Rorschach inkblot test. What do you see? A moth? A bird? Hm…

    Puppet warp 11

    Frank Wang is a NYC photographer specializing in portrait and architectural photography. You can find him online at www.frankwangphotography.com and www.framephotographics.com. Connect with him via Twitter / Instagram: @frankwangphoto

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    Introduction to Puppet Warp in Photoshop


    Digital Photography School

  • TetherTools – Shooting Tethered and other Fun Things..

    We had a look at the AERO from Tether Tools a while back (Read that review here) well, I’ve been in touch with the photographer who did that review for us, London based commercial photographer, Nathan Pask. He was on his way out to a shoot and did indeed have his Aero with him – Nathan snapped a couple of shots for me of the Aero in action and had this to say when asked “are you still using that Tether Table?” (I love a review that actually has a few months of use and a recap! Two weeks to get a proper feel for a product is a bit silly, really)

    “Sure do mate. All the time! I get a lot of admirers ask about it. I like that its light. It does have a little bit of flex, but I have the big one because of the 17″ lappy so I guess that’s to be expected. I never feel like its going to topple though. So I mostly attach it to my carbon sticks and it becomes a really nice lightweight option when I’m on location particularly as myself or my Digi-op can easily pick it up and move to the next spot without too much fuss and the strap over the laptop keeps it pretty secure. Can’t recall ever having a scary moment that the table has been responsible for. It is quite expensive for what it is, but there isn’t a product I’ve seen that can compare, so they kinda have the market sewn up currently.”

    Tether-Tools-Nathan-Pask-Photographer-London

    Nathan Pask on a shoot using the Tether Tools Aero Master

    Since getting hold of my own Aero, I’ve been using her for a lot more than simply shooting tethered on a set or in the studio – the Tether Tools Aero has become a second desk space when I need a little more space – as you can see below, the option for pretty much anything else besides my frequent cups of coffee isn’t really an option. It takes me about 45 seconds to set up a tripod and my tether table to use as an extra desk.

    simon_pollock_melbourne_based_photographer

    Since our last look at Tether Tools, their quiver of gear has expanded to include a desk full of extra handy stuff that is set to make your life easier, from iPad holding gizmos to cup holders (I’m not even joking) – I wanted to bring some of it to your attention, perchance you’re struggling and these will bring a smile to your face and a bit of extra speed and security to your workflow. I went across to visit the terribly attractive team at Kayell in Melbourne and picked up the “essentials kit” it has Jerk Stopper and the super handy USB light in a little case, as well as a couple of the TetherPro cables – I got them in orange as, on a darker set, they’re “less easy” to trip over… (I’m a clutz ok..!)

    For those of you still unfamiliar with exactly what tethering is, here… check this out!

    I’m using the Aero Master and an Aero XDC to run my external “on location” disc underneath the Aero.. This way, as Mark mentioned in the video, I can shoot straight to my laptop and have a copy load into my external disk via folder actions. I also have the CF in the camera with a copy on should something go horribly wrong. Some other examples of where I’ve used my Aero – most of which you may find a little amusing – include a coffee table (yes, with a tablecloth over it) as a work desk to use my Macbook Air on when I’m sitting outside working while watching my 3 year old ride his bike around and around… I’ve used it on a 3LeggedThing “Keith” as a tabletop recipe book holder AND I’ve also used it as a flag to block light on a shoot. (I usually use a NastyFlag or similar if I’m simply shaping light to shoot a product, but hey – I needed something bigger!)

    simon_pollock_tether_tools_3leggedthing_photographer

    The bottom line I guess is that the Aero has sooo many other uses than simply being a great, portable tethering accessory and workbench.

    I’d like to close todays proceedings with a couple of actual photographs from the set Nathan was working on, you can see his Aero with a thinkTank Pixel Sunscreen on top, combining these two means you have a stable work surface and a non-glare option to make sure you’re shooting and getting exactly what you need. I agree that the Aero may not be for everyone, but if you’re a semi-pro or pro that is continually moving that annoying coffee table around to rest your laptop on, well, it may just be for you….

    NN_IFX 0671

    NN_IFX 0673

    The Tether Tools Aero is a great bit of kit, though as Nathan mentioned, it is towards the pricier end of the scale, but I’d say for a working pro that does a lot of tethered work on location, the Aero is invaluable. (And my mum always said “buy well, buy once)

    ~Sime

     

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    TetherTools – Shooting Tethered and other Fun Things..


    Digital Photography School

  • What Type of Photography Do You Do? [POLL]

    It is time for another of our polls – this one revisits a topic that we did a poll on back in 2009 – What Type of Photography Do You Do?

    Please choose all categories that apply to what you do (as many as you like).

    Note: There is a poll embedded within this post, please visit the site to participate in this post’s poll.

    If there’s a category that you don’t see in the list – feel free to tell us about it in comments below.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    What Type of Photography Do You Do? [POLL]


    Digital Photography School

  • So You’re Going to Shoot A Wedding: Part 1 of 3 [Preparation]

    About 5 seconds after I purchased my first professional camera, long before I hung a shingle or had any idea of what I was doing, the requests to shoot weddings came flooding in. Because let’s face it; someone’s always getting married. And your cousin’s dentist’s cleaning lady’s daughter would love a deal. And you are maybe just the photographer to give her one.

    There are thousands of opinions regarding if non-wedding photographers should ever even consider taking a stab at shooting a wedding– free, favor, or otherwise. For the purpose of this article (and my sanity) we aren’t going to touch the politics of that with a 10 foot pole. Instead, we are going to assume that for whatever reason, you are shooting your first or near first wedding, like, tomorrow and you need a little reassurance that going ahead and shooting it as planned is a better idea than attempting to break your leg on purpose so you can be hospitalized and therefore legitimately unable to work. (The recovery time for this is longer than you would think. I’ve looked into it.) Here are 5 tips for the preparation of said wedding/non-purpose-leg-breaking.

    PHOTO ONE 1

    Value Yourself

    Never, ever, ever shoot a wedding for free. I know it’s tempting. Maybe you’ve never shot one before and you feel awkward about charging. Or maybe it’s your brother/sister/neighbor/dry-cleaner’s wedding. Still, absolutely no.

    Here’s why: these pictures, even if they aren’t of the caliber of work you hope to produce in the future, have worth. Great, amazing worth. A worth that is only increased when they aren’t just handed over for nothing in exchange. Now, in the right situation, I do a TON of work for cheap or trade and always have. But there has to be an energy exchange of some kind.

    Work for trade, work for the slightest possible fee to cover your time and equipment rental or wear, but don’t work for free. Never, ever.

    You don’t want to work with people who would expect you to and they don’t want to work with someone who doesn’t value their abilities. No matter how new you are to photography, you are right now reading an article on a website all about photography. That says that you have enough interest to research it, and I’m willing to bet, enough skill to pull it off.

    PHOTO TWO 1

    Prepare Yourself

    I’m pretty high energy. I inhale coffee like it’s air and have to constantly remember to slow down when I talk. And walk. And drive. (Though that one probably doesn’t have much to do with caffeine.) Even so nothing lays me out like shooting a wedding. I don’t care if I have two assistants and the kindest, easiest, and most photogenic couple on the planet; it’s still exhausting.

    Plan nothing the day before, and nothing the day after. The night before, sleep like it’s your job. Ice your eyeballs. If you’re into that kind of thing. You will likely be carrying twice as much equipment as normal, working five times as long, and running around like a toddler that mistook Red Bull for apple juice. No matter if you accepted actual compensation for this job or not—you owe yourself and the resulting images the best possible set-up. Day of, that set-up is comfortable shoes, a shirt that gives you renewed faith in human kind, and your lucky underwear. Or whatever. 

    PHOTO THREE 1

    Have a plan…..and Faith

    Most brides have been told by wedding planners, magazines, and overzealous soon-to-be mother-in-laws that they need to provide their photographer with a “shot list”. If you can avoid this upfront, do. Instead tell them that you plan on taking all the typical and expected shots you can and if they want to provide you with a short list of requested special shots that you may not think of on your own, they are welcome to. You may not know that it’s very important to the bride that all of her uncles fifth removed on her father’s side get a picture together.

    But you darn well know that she wants a shot of the kiss, a shot of the wedding party, a shot of cute flower girls doing cute flower girl things, and all the other standard shots that these lists tell brides they need to ask for. If they have a few simple unusual requests, this list goes in your pocket and is all you need. Everything else will happen as it’s supposed to, when it’s supposed to, and if you worry about it, you’ll just miss the cute flower girls doing cute flower girl things.

    PHOTO FOUR

    Bring the Right Equipment (and it’s Not what you Think)

    Pack a lunch, water, and easy to eat snacks. I’m not even kidding. I know what you are thinking right now—but they will have food there! Yes, they will. But the logistics of you and said food meeting up for a little break time rendezvous are extremely complicated. Trust me.

    Also, you’ll want gum, Advil, and safety pins.

    Correction: someone will want these things. It may be you. It may not be. But everyone will assume you are packing minty freshness, pain relief, and an emergency dress fix, so you may as well pleasantly surprise them.

    Finally, and this may seem a bit excessive to some but I am nothing if not a bit excessive; I bring an entire change of clothes. A lesson learned after a waitress carrying a tray of full wine glasses and I collided at the very beginning of a reception. I got to spend the rest of the evening smelling like a winery and everyone else got to wonder why the photographer had already hit the free bar when they hadn’t even gotten to the front of the buffet line yet.

    PHOTO FIVE 1

    Do you have an Exit Buddy?

    Whether you have an assistant or not, you need a friend. A go-to. A pal. A person on the inside.  A free Girl Friday, if you will. I don’t know who that person is. Right now, you don’t know who that person is. But it will be obvious who it’s supposed to be and you will find them early on. And you will latch on to them in a way that will have you trading BFF necklace halves by the end of the night.

    This person is going to explain who is who to you. Help you out when cousin Johnny is begging for your number and you still have 3 hours of dodging him while trying to remain professional.

    This person knows who is giving the toast, every bridesmaid’s name, and will happily fetch you bouquets when you have everything set-up for the perfect shot but everyone forgot their bouquets in the bathroom. It’s a bridesmaid, an aunt, an unofficial wedding planner, a step-sister, or maybe just a knowledgeable family member that is only there for the free food.

    And to help you, it turns out.

    Post originally from: Digital Photography Tips.

    Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

    So You’re Going to Shoot A Wedding: Part 1 of 3 [Preparation]


    Digital Photography School