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  • Aperture Versus Shutter Priority – Which Shooting Mode to Use and When

    I too was once a beginner and I completely understand that how difficult it is to move into using Manual Mode directly from shooting Automatic. Thankfully camera manufacturers have also thoughtfully provided us with Aperture and Shutter Priority modes. These two camera shooting modes are possibly the best ways you can understand the nature and role of aperture and shutter speed.

    Aperture and Shutter Priority are semi-automatic, or we can call them semi-manual camera modes. These two modes can help you get away from the fully automatic modes (P, Auto) and at the same time get you a step closer to using Manual Mode.

    What is Aperture Priority Mode?

    The Aperture Priority shooting mode allows you to take control of the aperture, whereas the shutter speed and ISO (if you are set on Auto-ISO) are still controlled by your camera. This means that you can adjust the amount of light entering into the camera through the lens. So using Aperture Priority you can set the aperture value as per your need and control the depth of field.

    Aperture Versus Shutter Priority - Which Shooting Mode to Use and When

    Unlike the automatic modes, this mode gives you the freedom to adjust the aperture value and set the amount of blur effect that you want in your photo.

    When should you use the Aperture Priority Mode?

    As we discussed, Aperture Priority mode allows you to control the aperture value, which ultimately affects the depth of field. This shooting mode is ideal if you wish to adjust the depth of field as per your desire, whereas leaving the shutter speed and ISO value selection up to the camera.

    Situation 1: Portraits

    While taking portrait or close-up shots, I am sure you would want to keep the subject in focus and blur out the background by choosing a large aperture (small aperture value). Using Aperture Priority Mode you can manually choose the required aperture value such as f/1.8 or f/2.8 to achieve a shallow depth of field.

    Aperture Versus Shutter Priority - Which Shooting Mode to Use and When

    Situation 2: Landscapes

    While shooting landscapes or cityscapes, you might want to have both the foreground and the background very much in focus. This is only possible if you manually choose a small aperture (high aperture value). Aperture Priority Mode gives you the freedom to select desired aperture value such as f/16 or f/22 to get deep depth of field, while your camera takes care of the shutter speed and ISO value.

    Situation 3: Low lighting

    Suppose you are in a dim lighting condition and your photos are coming out underexposed. By increasing the size of the aperture opening (selecting a smaller aperture value like f/1.8), you can allow more light into the camera and capture a better-exposed photo. Read: 6 Tips for Getting Consistent Results Shooting in Low Light

    Situation 4: Midday bright sunlight

    If you are shooting in broad daylight and are getting overexposed photos while shooting in automatic mode, you can close the aperture opening. This means that by using a higher aperture number (like f/16), you can minimize the amount of light entering the camera through the lens.

    Aperture Versus Shutter Priority - Which Shooting Mode to Use and When

    What is Shutter Priority Mode?

    As the name suggests, Shutter Priority mode allows you to take charge of the shutter speed. Just to brainstorm, shutter speed is the duration for which the camera shutter remains open for the light to enter the camera and ht the sensor. The slower the shutter speed is set on the camera, the more the light is received by the image sensor. Similarly, the faster the shutter speed the less light would hit the image sensor.

    Aperture Versus Shutter Priority - Which shooting Mode to Use and When

    While you are shooting in Shutter Priority mode, you have the freedom to adjust the shutter speed as per your requirement while the camera chooses the aperture and ISO value on its own.

    When should you use Shutter Priority Mode?

    As we just discussed, if you want to take full control of the shutter speed and experiment with your camera then this is the ideal camera mode. Let’s look at two situations when you are most likely to shoot in Shutter Priority mode.

    Situation 1: Freeze a moving subject

    If you want to freeze a fast moving bird, animal, or car in your photo, using Shutter Priority mode will allow you to do so by setting a fast shutter speed. A shutter speed of anything faster than 1/500th of a second is considered ideal for freezing an object, but this may vary depending on the speed of the subject. Your camera will judge the required aperture and ISO values as per the available light.

    Situation 2: Showing movement

    If you are out and planning to capture star trails, light trails, or blue hour photos, you would have to select a slow shutter speed so that the subject’s movement is well captured in the single photo. To capture long exposure photos, you must carry a tripod along to avoid any kind of shake.

    Aperture Versus Shutter Priority - Which shooting Mode to Use and When

    Situation 3: Dim lighting

    If you are in dim lighting conditions you might get underexposed photos while shooting in automatic mode. By simply reducing the shutter speed (e.g. from 1/200th to 1/50th), you can allow more light into the camera and capture a well-exposed photo.

    Note: Watch out for the shutter speed going too slow as to introduce camera shake into your image;

    Situation 4: Broad daylight

    Let’s suppose you are shooting in broad daylight and your camera is capturing overexposed photos while shooting in automatic mode. Here you can increase the shutter speed. This means that by using a faster shutter speed (e.g. from 1/200thh 1/1000th), you can minimize the amount of light entering the camera sensor.

    Aperture Versus Shutter Priority - Which shooting Mode to Use and When

    Conclusion

    Using Aperture and Shutter Priority camera modes enables you to get familiar with how the lens’s aperture and the camera shutter works. These modes ensure that you get well-exposed photos with your desired selection of aperture value or shutter speed, unlike automatic mode (where the camera makes all the choices for you).

    So if your utmost priority is to manually choose the desired aperture value in order to get a particular depth of field, then you must shoot in Aperture Priority Mode. Otherwise, if your priority is to choose a specific shutter speed to capture something creative with the available light (freeze or blur motion), then you must go with Shutter Priority camera mode.

    The post Aperture Versus Shutter Priority – Which Shooting Mode to Use and When by Kunal Malhotra appeared first on Digital Photography School.


    Digital Photography School

  • Kodak says over 40,000 investors are interested in its cryptocurrency

    In a statement released today, Kodak said more than 40,000 potential investors are interested in the company’s recently announced KODAKCoin Initial Coin Offering (ICO). The cryptocurrency was introduced in early January alongside the company’s new KODAKOne blockchain-based image rights platform for photographers.

    Of course, it’s not really Kodak’s cryptocurrency, just cryptocurrency with the Kodak name attached, but you can read about all that below before moving on.

    Kodak didn’t get into cryptocurrency and bitcoin mining, “Kodak” did

    Ready to move on? Okay.

    The company explains that it is beginning an “accredited investor” phase for KODAKCoin that will verify the status of the investors who have expressed interest in Kodak’s cryptocurrency. This won’t be a rapid process, though, and Kodak expects the verification phase to take several weeks.

    The company explains that an accredited investor status is dependent on the potential investor’s income, requiring an individual or couple to have a net worth greater than $ 1 million or requiring a minimum 2-year history of income exceeding $ 200k a year ($ 300k for couples). The ICO will also be available to “select non-US persons.”

    In short: if you thought (or hoped) this whole Kodak Cryptocurrency thing was just a marketing stunt to help juice the stock and get people talking, it doesn’t look that way.

    Articles: Digital Photography Review (dpreview.com)

  • Video: The ultimate Godox studio flash guide

    If you are confused by the massive range of flash heads produced by Chinese manufacturer Godox, you’re in luck. Professional photographer Robert Hall has produced a very useful video that aims to explain the differences (and similarities) between them all.

    In the video, Hall goes through the functions of five ranges of heads, points out who they are designed for, and then talks about each of the 17 models Godox produces in all, covering the features each of the heads do and don’t have. He includes an amazing amount of detail and specification, making clear what you get with each model. He even provides a spreadsheet that lists prices, output, recycle times and flash duration, as well as other features and physical characteristics.

    The video has information on the DP, SK, QS, GS and QT studio and portable heads, and if you can’t take all the information in quickly enough Hall has written a lot of it in the video’s description.

    Articles: Digital Photography Review (dpreview.com)

  • Photographing in Daulatdia: The world’s largest brothel town

    The location

    Daulatdia is a brothel town Bangladesh and is considered the biggest in the world. The number of prostitutes there is estimate at 1,600 and the average age of new arrivals is 14. Most women and girls that end up in this shanty town brothel are trafficked from remote parts of Bangladesh and are slaves to the brothel owners that buy them from the traffickers.

    Daulatdia is located on the side of the Padma river, the Bangladeshi part of the Ganges, where ferries carrying trucks, buses and people across the river. Lines of trucks queue to cross the river toward Dhaka and the drivers are the target clientele of the brothel.

    There is no luxury for the prostitutes. Simple food is cooked on clay stoves fueled by wood in a common area between shacks.

    How did I come to be there

    After 15 years of photographing in South & South East Asia, I decided that it was time to give back by donating my time and skills and offering two weeks of free photography a year to an aid organization working in a deprived area. I thought it would be fitting, as some of my income is generated from photographing in these “third world” environments.

    I am based in New Zealand, so I got in touch with an umbrella organization there (The Council of International Development) and gave member organizations a couple of months deadline to submit proposals for my work. Fast-forward several months, and I found myself in Daulatdia on behalf of Save the Children, to cover the school that they support and the environment it is situated in.

    The school is for the children born in the brothel. In the past they had no school to go to because of their association to the brothel. The school offers a way out for many of the children, especially the girls, who are pressured to join the “work force.” An education gives them options to escape that life.

    The door way is used to frame the girl (15 years old). I had no choice in the matter, as the shack was so small that the door would not open any farther. Better looking prostitutes make more money, hence their madam will give them a bit more money to decorate their shack and make it a more pleasant place to live. This image was taken with the camera against my hip with eye focus and silent shutter. The horizon is slightly off due to this technique.

    Photographing in Daulatdia

    I prepared myself as well as I could for this experience, but the reality on the ground is far sadder then I imagined. I wanted to capture as much as possible but the freedom to photograph, as per a usual documentary assignment, is limited when you work for a child-focused NGO.

    A big part of my documentary images are taken while people are not aware that they are being photographed. The reason is that I want to document them without affecting the scene and behavior by waving a big camera in their faces (for technic tips please refer to my previous article).

    Babies and toddlers will be put under the bed while the mother is working, while older kids will be sent out of the room. From a technical point of view, I made sure that I had the lit window shutter in the frame to balance the scene.

    But on this assignment, all the images of women and girls inside the brothel had to have consent, for two good reasons:

    1. Save the Children staff have an on going relation within the brothel, and I did not want to jeopardize that.
    2. These women and girls have had every thing taken from them, and I did not want to add to this by taking away their power to say no to being photographed. I had to be invited into the small shacks that the women and girls live and work in, and had very limited time to shoot.

    I was escorted by Save the Children staff almost like body guards in side the complex but never really felt under threat.

    So, whenever possible, I used the Sony a7R II’s eye autofocus and silent shutter while holding the the camera off my eye at about chest hight or to the side of my hip. This way, even with the subject well aware of my presence, they did not know when I was shooting. This allowed me to get less guarded moments. Other wise I used very simple portraiture composition. I did not position or direct people. I just captured what in-front of me.

    Daulatdia is a hard place, and displays of emotion are not easy to come by. I wanted to ask if I can take a photo, but the moment of tenderness came before I could, so I took the old school “shoot-first-ask-later” approach. The average age of new arrivals at Daulatdia is 14 years old.

    Technically, this is a very simple image. It was shot with my camera against my hip and eye focus, hence the severe angle, which is the price of not looking through the viewfinder or at the camera at all.

    The story, however, is in the details. This new arrival is in a bare room with a simple bed. The buckets under her bed are the toilet, bath and food preparation gear. This is the face of a girl looking at a life with no choices or hope. When she has finished paying off “her buying price” one day in the far future, she will have nowhere to go.

    The Gear

    About a week before I left for Bangladesh, I switched to the Sony a7R II. Not the wisest decision at one level, and a very wise decision on another. The not-wise part is that the camera was completely new to me, which is not the best when going into a technically and mentally challenging assignment.

    The wise part? Keep on reading.

    I had a bunch of Sony native lenses but mostly used the 16-35mm F4 and the GM 24-70mm F2.8. I really enjoyed using both but would prefer the 24-70mm F4 for its compact size. It makes photographing in this type of environment easier. The reason I chose to stick to zoom lenses, rather then switching primes constantly, is that the time frame I had for each shoot was extremely tight and changing lenses would ‘eat’ into the time given.

    The two a7R II’s I used were just the right stuff for this type of work. Setting all the custom buttons to do what I needed saved me from getting into the overwhelming menu, the auto focus capabilities were very impressive, and the Eye Autofocus made shooting with a camera away from my eye easy and accurate.

    One thing that I am almost too embarrassed to admit is my love for the EVF. Setting the EVF effects on let me focus on composition and timing, and removed the need to look at the bottom or side of the frame for exposure information.

    Does it make me a lazy photographer? Maybe, but I will take any technological advantage I can if it’ll help me get the job done.

    The shacks that the women and girls work in is also their ‘home’. The Pokemon pattern-covered bed will be used later that day for work.

    This image was taken with the camera against my chest, using eye focus and silent shutter. This way, I could capture a somewhat unguarded moment while standing in front of them.

    Final Thoughts

    Daulatdia represents both sides of humanity. It is a place where people are commodities and are traded for money with no self-determination; on the other hand, it has drawn to it very dedicated people that help with free health-care and education, trying to make the best of a place of very little hope.

    Giora Dan is an internationally published documentary and commercial photographer based in Christchurch New Zealand. His images have been widely published in geographical magazines in North America, Europe, Africa and the Asia/ Pacific region, including NZ Geographic, the Smithsonian Magazine and British Geographical. You can see more of his work at his website, www.gioradan.com

    Articles: Digital Photography Review (dpreview.com)

  • 3 Bad Habits You Need to Break to Improve Your Photography

    Teaching our photography workshops over the years, my wife and I have come to recognize there are three things many people do habitually which do not help the advancement of their photography experience. Here are three bad habits for you to break in order to improve your photography.

    Man who works making gold leaf in Mandalay, Myanmar - 3 Bad Habits to Break to Improve Your Photography

    1. Don’t always stand when you take photos

    Most beginner photographers do this. They stand at their full height to take a photo. It’s very natural to stand upright and take photos, but it is incredibly limiting. Sure, you see the world from a standing position most of the time, but it’s not always, (or even often,) the most interesting point of view from which to photograph something.

    Climbing up on a chair or lying down on the ground will often give you a far more interesting perspective. Getting low or getting up high will afford you a different view of your subject which may be far more interesting because it is not how your subject is typically seen.

    Parents and young daughter working in a field in Myanmar - 3 Bad Habits to Break to Improve Your Photography

    Squat down to make eye contact with your smaller subjects.

    Look around you for opportunities

    I am always looking around for opportunities to get above my subject to make photographs. But you don’t have to go to extremes. Just squatting down or even bending your waist slightly and you will see your subject differently than when you’re standing upright – as will the viewers of your images (that is the key to standing out from the pack).

    Snacks on a blue table in Myanmar. - 3 Bad Habits to Break to Improve Your Photography

    Getting up higher, above your subject can create a more interesting photo.

    Think about it each time you go to make a new photo. Consider getting lower or higher up than your subject. If you can, make a series of photos at each position and compare them all later on your computer. If you do this, pretty soon it will become a new habit.

    men sitting having breakfast in a market in Myanmar - 3 Bad Habits to Break to Improve Your Photography

    A lower perspective and using the man’s arm in the foreground created this interesting portrait.

    2. Research and understand your subject

    Starting to photograph something new and not knowing anything much about your subject is limiting. If you don’t have some understanding of what you are creating photos of they will be more likely to look like anyone else’s photos of the same subject. Getting to know and understand your subject, even a little, before you take any photos will help improve your photography.

    I am often surprised when we begin a day photography workshop here in Chiang Mai, Thailand, how little our customers know about the location. We don’t spend a lot of time teaching about the history or the economy. But some essentials about culture and way of life are so beneficial to help people have some understanding of what they are photographing.

    For example, knowing that it’s okay to politely photograph monks, knowing a few phrases in the local language, knowing which direction the traffic moves on the road, etc. These are all simple things that can help you have a richer photography experience if you know about them in advance.

    Young novice monks in a morning market in Mandalay, Myanmar - 3 Bad Habits to Break to Improve Your Photography

    Monks in a morning market in Myanmar.

    Connect with people

    Getting to know a person before you photograph them will help you relate to one another and certainly alter the type of images you will make compared to having no communication with them beforehand. Photographing someone you already know is often easier, unless they are adverse to having their picture taken. But when you meet a stranger and want to photograph them it’s often best to connect with them first, even on some level (a smile can work too).

    Happy market vendor in Mandaly, Myanmar. - 3 Bad Habits to Break to Improve Your Photography

    It does not often take much to encourage a smile.

    A smile and saying “Hello”, (preferably in their language) are the best icebreakers most of the time. Often when I am photographing in the streets or markets I will just smile, say hello, and nod at my camera. If the person smiles back I go ahead and make a few pictures. I will then show them the back of my camera so they can see their photos. If I get a favorable response I will turn the camera around and continue to make some more photos.

    When I find a person who enjoys the interaction and the experience I will spend more time. This relationship is valuable. Taking the time to relate to and get to know your subject even a little, will help you to make more creative photographs of them because they will be more relaxed and happy that you are showing an interest in them.

    A quick internet search on anything you are want to photograph will provide you with more reading than you’re willing to do in a single sitting. You don’t have to go overboard with it, but do spend some time finding the essential information about your chosen subject so you are more informed and more interested in the location and/or person.

    blue yellow and green painted boat on the water. 3 Bad Habits to Break to Improve Your Photography

    3. Use Manual Mode

    Learning to use Manual Mode consistently when you are photographing will help your photography more than anything. Having your camera set to any of the Automatic or semi-automatic modes means your camera is in control of the exposure.

    Photography is so much about light. The word “photography” literally means drawing with light. If you have no light you cannot make a photograph. The more you can appreciate and understand light, the better you can learn to control the exposure settings on your camera, and the more you will develop as a photographer.

    Worker in a field in Myanmar - 3 Bad Habits to Break to Improve Your Photography

    Learn to master your camera

    I know there are a lot of hard-core photographers who prefer using auto modes, but it’s really not that difficult to learn to master your camera in Manual Mode and gain the maximum amount of control and creativity with your exposures.

    Your camera is incredibly intelligent and capable of making even exposures in many situations. But your camera is not creative. You are!

    Kayan long neck woman cooking outdoors in Myanmar - 3 Bad Habits to Break to Improve Your Photography

    Taking the time to study a little about how cameras function to capture an image will help you to control your camera more precisely. It doesn’t matter that much which camera you study as they have not essentially changed how they make an exposure since they were first invented.

    Practicing in Manual Mode, (and not cutting corners and slipping back into an auto mode,) will help you build your confidence and speed every time you come to make photographs.

    Kayan long neck woman in a house in Myanmar - 3 Bad Habits to Break to Improve Your Photography

    Conclusion

    Stepping out of your comfort zones and breaking some (bad) habits will help you to develop your style and you will come to enjoy your photography experience more and more.

    Move around, look for alternative locations to make your photos. Learn about your subject. The more interested you are and the more knowledge you have will enhance your experience and you will therefore also produce more interesting photographs. Take the time and practice in Manual Mode. You may be frustrated at first because it is more difficult, but the results you will achieve will be well worth your effort.

    The post 3 Bad Habits You Need to Break to Improve Your Photography by Kevin Landwer-Johan appeared first on Digital Photography School.


    Digital Photography School

  • Fujifilm introduces XC 15-45mm F3.5-5.6 lens, its first X-series power zoom

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    Fujifilm has announced its first power zoom lens for X-series cameras: the XC 15-45mm F3.5-5.6 OIS PZ. This compact, stabilized lens is equivalent to 23-69mm on Fuji’s X-series cameras, such as the new X-A5 with which it will be kitted. It has a minimum focus distance of 5 cm, a length of 44mm (1.7″) when fully collapsed and a weight of just 136 g (4.8 oz).

    The XC 15-45mm F3.5-5.6 OIS PZ comes in silver and black and will ship in early February for $ 299.

    Press Release:

    FUJIFILM ANNOUNCES THE NEW X-A5 – THE LIGHTEST CAMERA-ZOOM LENS COMBINATION IN THE X SERIES LINEUP

    Featuring an enhanced sensor, newly developed zoom lens, the latest Bluetooth® technology, and 4K video recording, the X-A5 delivers outstanding image quality and ease of use

    Valhalla, N.Y., January 31, 2018 – FUJIFILM North America Corporation is excited to announce the new FUJIFILM X-A5 Digital Camera Body with XC15-45mm Lens Kit, the lightest camera-zoom lens combination within the X Series lineup. With a host of new and improved features, the X-A5 kit debuts the new FUJINON XC15-45mmF3.5-5.6 OIS PZ, the first electric powered zoom lens for X Mount digital cameras. Available in three colors of synthetic leather, the X-A5 is equipped with the latest Bluetooth® technology for quick and easy image transfer and allows for a broader range of video capabilities with its 4K output.

    “The X-A5 packs Fujifilm’s renowned image quality and exciting fun features in a compact, lightweight body,” says Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “We are excited to bring a user-friendly camera that can capture great images, to the market at an affordable price.”

    Featuring an Enhanced Sensor and Color Reproduction Technology

    The X-A5 features a powerful 24.2MP APS-C sensor equipped with phase detection autofocus and a newly developed image processing engine with a processing speed 1.5 times faster than that of previous models. Combined with Fujifilm’s renowned color reproduction technology, the X-A5 achieves outstanding image quality and outperforms previous models in its scene recognition accuracy and skin tone reproduction, making it perfect for portraits.

    The X-A5 is the first in the X-A series to feature phase detection pixels, and an intelligent Hybrid AF system that focuses twice as fast as previous models to ensure capture of swiftly moving subjects. With an ISO sensitivity range now up to ISO12800 and extended sensitivity range up to ISO51200, camera shake and noise are significantly reduced even in low-light conditions.

    New Compact and Lightweight Electric Powered Zoom Lens

    The new X-A5 introduces the first electric powered zoom lens for X Mount cameras, the FUJINON XC15-45mmF3.5-5.6 OIS PZ. With a minimum working distance of just 2 inches, this lightweight and compact lens is great for achieving clear close-up shots while making the photographic experience easy and comfortable. Capable of capturing crisp, intricate textures, the XC15-45mmF3.5-5.6 OIS PZ is ideal for food and macro photography. Starting at a wide angle, this smooth electric-powered zoom also allows for great freedom in composition framing.

    The new XC15-45mmF3.5-5.6 OIS PZ lens will also be available for standalone purchase as a portable addition for existing X Series users.

    Equipped with 4K Video Capabilities

    The X-A5 features a variety of 4K video capabilities. Utilizing the Burst Function, users are able to shoot 15 frames per second in 4K image quality, ensuring that photo opportunities are never missed. Offering an HD video function to record videos up to quad speed for slow motion clips and a Multi Focus Mode which stacks 4K quality images and automatically changes the depth of field setting, the X-A5 is the perfect companion for a wide range of creative captures.

    Bluetooth® Pairing Technology for Easy Image Transfer

    Featuring the latest Bluetooth® technology, the X-A5 allows for automatic transfer of images and videos to paired smart devices using the free “FUJIFILM Camera Remote” app. The camera is compatible with Instax Share™ Printers to instantly transfer and print images directly from the camera.

    Film Simulation Modes and Improved User Interface for Ease of Operation

    The X-A5 allows for artistic expression through Fujifilm’s unique Film Simulation Modes that boast the company’s advances in color reproduction. Offering eleven different modes, users can add a creative twist to their images. In addition, the camera offers seventeen variations of Advanced Filters including the new “Fog Remove” and “HDR Art.”

    An improved user interface allows for superior ease of use. The large LCD screen uses new touch-panel GUI, facilitating intuitive operation and is capable of rotating 180 degrees, making the X-A5 perfect for taking high quality self-portraits. When the panel is rotated 180 degrees, the Rear Command Dial switches to the Zoom and Shutter Release function and automatically activates the Eye AF function for sharp focus on the subject’s eyes. Additionally, the Portrait Enhancer Mode allows for users to select from three levels of skin tone enhancement with easy touchscreen operation.

    FUJIFILM X-A5 Key Features:

    • 24.2MP APS-C CMOS sensor and newly developed processor equipped with phase detection AF system
    • FUJINON XC15-45mmF3.5- 5.6 OIS PZ wide angle electric-powered zoom lens with minimum working distance of 2”
    • 3” (approx. 1,040K-dot) high resolution LCD touchscreen using new touch-panel GUI can be tilted to 180°
      • Portrait Enhancement Level, Touch AF in Movie Mode, Advanced Filter Select
    • Standard output sensitivity of ISO200 – ISO12800
      • Extended output sensitivity: ISO100 – ISO51200
    • 4K video recording up to approx. 5 mins
      • Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p; continuous recording up to approx.14 mins
      • HD 1280 x 720 59.94p / 50p / 24p / 23.98p; continuous recording up to approx. 27 mins
      • High Speed Movie 1280×720 1.6x / 2x / 3.3x / 4x
    • Bluetooth® version 4.1 low energy technology
    • In-camera RAW processing
    • New Advanced Filters: “Fog Remove” and “HDR Art”
    • Wi-Fi® image transfer and remote camera operation
    • Improved battery life for still images – approx. 450 frames
    • Improved start-up period:
      • 0.4 sec., when High Performance mode set to ON
      • 0.8 sec., when High Performance mode set to OFF
    • Photos can be sent to instax SHARE printers using the free instax SHARE App (iOS and Android)
    • Accessories include:
      • Li-ion battery NP-W126S
      • AC power adapter
      • Plug adapter
      • USB cable
      • Shoulder strap
      • Body cap
      • Owner’s manual

    Availability and Pricing

    The new FUJIFILM X-A5 Camera Kit will be available on February 8, 2018 in the U.S. and Canada for USD $ 599.95 and CAD $ 749.99.

    The new standalone XC15-45mmF3.5- 5.6 OIS PZ Lens will be available on March 15, 2018 in the U.S. and Canada for USD $ 299.95 and CAD $ 379.99.

    Fujifilm XC 15-45mm F3.5-5.6 OIS PZ lens

    Principal specifications
    Lens type Zoom lens
    Max Format size APS-C / DX
    Focal length 15–45 mm
    Image stabilization Yes
    CIPA Image stabilization rating 3 stop(s)
    Lens mount Fujifilm X
    Aperture
    Maximum aperture F3.5–5.6
    Minimum aperture F22
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 10
    Groups 9
    Special elements / coatings 3 aspherical + 2 ED elements
    Focus
    Minimum focus 0.13 m (5.12″)
    Maximum magnification 0.24×
    Autofocus Yes
    Motor type Stepper motor
    Full time manual No
    Focus method Internal
    Distance scale No
    DoF scale No
    Focus distance limiter No
    Physical
    Weight 136 g (0.30 lb)
    Diameter 63 mm (2.48″)
    Length 44 mm (1.73″)
    Sealing No
    Colour Black, silver
    Zoom method Rotary (extending)
    Power zoom Yes
    Zoom lock No
    Filter thread 52 mm
    Hood supplied No
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm’s new X-A5 adds phase-detect AF and 4K video capture

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    Fujifilm has introduced its budget-friendly X-A5 mirrorless camera – the follow-up to the X-A3. The 24MP APS-C sensor (which uses the traditional Bayer color filter, rather than X-Trans) X-A5 appears to address the weak spots of its predecessor, namely sluggish performance and a so-so autofocus system. The updated processor on the X-A5 is 1.5x times faster, according to Fujifilm, and its phase-detect AF system should do a better job with subject tracking.

    Fujifilm boasts of better scene recognition and color/skin tone reproduction, and battery life has increased to an impressive 450 shots/charge (CIPA standard). The X-A5 also has Bluetooth for easy pairing and image transfer, up to 5 minutes of 4K video capture (albeit at 15 fps) and two new Advanced Filters: Fog Remove and HDR Art. A jack for an external microphone has also been added.

    The X-A5 will be bundled with the new XC 15-45mm F3.5-5.6 OIS Power Zoom lens for $ 599 and will begin shipping in early February. Color choices include silver & black, silver & brown and silver & pink.

    Press Release:

    FUJIFILM ANNOUNCES THE NEW X-A5 – THE LIGHTEST CAMERA-ZOOM LENS COMBINATION IN THE X SERIES LINEUP

    Featuring an enhanced sensor, newly developed zoom lens, the latest Bluetooth® technology, and 4K video recording, the X-A5 delivers outstanding image quality and ease of use

    Valhalla, N.Y., January 31, 2018 – FUJIFILM North America Corporation is excited to announce the new FUJIFILM X-A5 Digital Camera Body with XC15-45mm Lens Kit, the lightest camera-zoom lens combination within the X Series lineup. With a host of new and improved features, the X-A5 kit debuts the new FUJINON XC15-45mmF3.5-5.6 OIS PZ, the first electric powered zoom lens for X Mount digital cameras. Available in three colors of synthetic leather, the X-A5 is equipped with the latest Bluetooth® technology for quick and easy image transfer and allows for a broader range of video capabilities with its 4K output.

    “The X-A5 packs Fujifilm’s renowned image quality and exciting fun features in a compact, lightweight body,” says Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “We are excited to bring a user-friendly camera that can capture great images, to the market at an affordable price.”

    Featuring an Enhanced Sensor and Color Reproduction Technology

    The X-A5 features a powerful 24.2MP APS-C sensor equipped with phase detection autofocus and a newly developed image processing engine with a processing speed 1.5 times faster than that of previous models. Combined with Fujifilm’s renowned color reproduction technology, the X-A5 achieves outstanding image quality and outperforms previous models in its scene recognition accuracy and skin tone reproduction, making it perfect for portraits.

    The X-A5 is the first in the X-A series to feature phase detection pixels, and an intelligent Hybrid AF system that focuses twice as fast as previous models to ensure capture of swiftly moving subjects. With an ISO sensitivity range now up to ISO12800 and extended sensitivity range up to ISO51200, camera shake and noise are significantly reduced even in low-light conditions.

    New Compact and Lightweight Electric Powered Zoom Lens

    The new X-A5 introduces the first electric powered zoom lens for X Mount cameras, the FUJINON XC15-45mmF3.5-5.6 OIS PZ. With a minimum working distance of just 2 inches, this lightweight and compact lens is great for achieving clear close-up shots while making the photographic experience easy and comfortable. Capable of capturing crisp, intricate textures, the XC15-45mmF3.5-5.6 OIS PZ is ideal for food and macro photography. Starting at a wide angle, this smooth electric-powered zoom also allows for great freedom in composition framing.

    The new XC15-45mmF3.5-5.6 OIS PZ lens will also be available for standalone purchase as a portable addition for existing X Series users.

    Equipped with 4K Video Capabilities

    The X-A5 features a variety of 4K video capabilities. Utilizing the Burst Function, users are able to shoot 15 frames per second in 4K image quality, ensuring that photo opportunities are never missed. Offering an HD video function to record videos up to quad speed for slow motion clips and a Multi Focus Mode which stacks 4K quality images and automatically changes the depth of field setting, the X-A5 is the perfect companion for a wide range of creative captures.

    Bluetooth® Pairing Technology for Easy Image Transfer

    Featuring the latest Bluetooth® technology, the X-A5 allows for automatic transfer of images and videos to paired smart devices using the free “FUJIFILM Camera Remote” app. The camera is compatible with Instax Share™ Printers to instantly transfer and print images directly from the camera.

    Film Simulation Modes and Improved User Interface for Ease of Operation

    The X-A5 allows for artistic expression through Fujifilm’s unique Film Simulation Modes that boast the company’s advances in color reproduction. Offering eleven different modes, users can add a creative twist to their images. In addition, the camera offers seventeen variations of Advanced Filters including the new “Fog Remove” and “HDR Art.”

    An improved user interface allows for superior ease of use. The large LCD screen uses new touch-panel GUI, facilitating intuitive operation and is capable of rotating 180 degrees, making the X-A5 perfect for taking high quality self-portraits. When the panel is rotated 180 degrees, the Rear Command Dial switches to the Zoom and Shutter Release function and automatically activates the Eye AF function for sharp focus on the subject’s eyes. Additionally, the Portrait Enhancer Mode allows for users to select from three levels of skin tone enhancement with easy touchscreen operation.

    FUJIFILM X-A5 Key Features:

    • 24.2MP APS-C CMOS sensor and newly developed processor equipped with phase detection AF system
    • FUJINON XC15-45mmF3.5- 5.6 OIS PZ wide angle electric-powered zoom lens with minimum working distance of 2”
    • 3” (approx. 1,040K-dot) high resolution LCD touchscreen using new touch-panel GUI can be tilted to 180°
      • Portrait Enhancement Level, Touch AF in Movie Mode, Advanced Filter Select
    • Standard output sensitivity of ISO200 – ISO12800
      • Extended output sensitivity: ISO100 – ISO51200
    • 4K video recording up to approx. 5 mins
      • Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p; continuous recording up to approx.14 mins
      • HD 1280 x 720 59.94p / 50p / 24p / 23.98p; continuous recording up to approx. 27 mins
      • High Speed Movie 1280×720 1.6x / 2x / 3.3x / 4x
    • Bluetooth® version 4.1 low energy technology
    • In-camera RAW processing
    • New Advanced Filters: “Fog Remove” and “HDR Art”
    • Wi-Fi® image transfer and remote camera operation
    • Improved battery life for still images – approx. 450 frames
    • Improved start-up period:
      • 0.4 sec., when High Performance mode set to ON
      • 0.8 sec., when High Performance mode set to OFF
    • Photos can be sent to instax SHARE printers using the free instax SHARE App (iOS and Android)
    • Accessories include:
      • Li-ion battery NP-W126S
      • AC power adapter
      • Plug adapter
      • USB cable
      • Shoulder strap
      • Body cap
      • Owner’s manual

    Availability and Pricing

    The new FUJIFILM X-A5 Camera Kit will be available on February 8, 2018 in the U.S. and Canada for USD $ 599.95 and CAD $ 749.99.

    The new standalone XC15-45mmF3.5- 5.6 OIS PZ Lens will be available on March 15, 2018 in the U.S. and Canada for USD $ 299.95 and CAD $ 379.99.

    Fujifilm X-A5 specifications

    Price
    MSRP $ 599 (with 15-45mm PZ lens)
    Body type
    Body type Rangefinder-style mirrorless
    Sensor
    Max resolution 6000 x 4000
    Image ratio w:h 1:1, 3:2, 16:9
    Effective pixels 24 megapixels
    Sensor size APS-C (23.5 x 15.7 mm)
    Sensor type CMOS
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 200-12800 (expandable to 100-51200)
    Boosted ISO (minimum) 100
    Boosted ISO (maximum) 51200
    White balance presets 7
    Custom white balance Yes (3 slots)
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, Normal
    File format
    • JPEG (Exif Ver 2.3)
    • RAW (Fujifilm RAF format)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Digital zoom Yes
    Manual focus Yes
    Number of focus points 91
    Lens mount Fujifilm X
    Focal length multiplier 1.5×
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3″
    Screen dots 1,040,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/4000 sec
    Maximum shutter speed (electronic) 1/32000 sec
    Exposure modes
    • Program AE
    • Shutter Priority
    • Aperture Priority
    • Manual
    Built-in flash Yes
    Flash range 5.70 m (at ISO 200)
    External flash Yes
    Flash modes Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander
    Flash X sync speed 1/180 sec
    Drive modes
    • Single
    • Continuous
    • Self-timer
    Continuous drive 6.0 fps
    Self-timer Yes (2 or 10 secs)
    Metering modes
    • Multi
    • Average
    • Spot
    Exposure compensation ±5 (at 1/3 EV steps)
    AE Bracketing ±3 (3 frames at 1/3 EV, 2/3 EV, 1 EV steps)
    WB Bracketing Yes
    Videography features
    Resolutions 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p)
    Format MPEG-4, H.264
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC card (UHS-I supported)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    USB charging Yes
    HDMI Yes (mini-HDMI)
    Microphone port Yes
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
    Remote control Yes (Wired or via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description NP-W126S lithium-ion battery & USB charger
    Battery Life (CIPA) 450
    Weight (inc. batteries) 361 g (0.80 lb / 12.73 oz)
    Dimensions 117 x 68 x 40 mm (4.61 x 2.68 x 1.57″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • A strange shootout: $5,000 Zeiss Otus 28mm F1.4 vs $4,250 Leica Q

    PhotoShelter founder and CEO Allen Murabayashi recently decided to pit two unlikely competitors against each other. In a short, unscientific comparison review, Murabayashi wanted to see how the $ 5,000 Zeiss Otus 28mm F1.4 lens stacked up against the almost-as-expensive $ 4,250 Leica Q, which sports a fixed 28mm F1.7 lens.

    When you consider the identical focal lengths and “must have deep pockets” price tags, the shootout almost makes sense—so Allen slapped the Otus on a Nikon D850 and went out shooting with both cameras. And despite the fact that Allen admits “it’s impossible to make a straight apples to apples comparison” when it comes to image quality—given the D850’s 45MP resolution compared to the 24MP Leica Q—he was still able to draw a pithy conclusion about who the Otus is made for, and why you might choose the Leica Q instead:

    You can certainly make the argument that a 45MP sensor needs great glass, and in this regard, the Otus delivers the goods. But the slow operation of the lens turns a pretty great digital camera into something more like a large format camera.

    If you like “slow” photography and have deep pockets, the Otus might be for you. If you just have deep pockets (and a bad back), stick with the Leica.

    For a bit more depth, or if you want to check out some side-by-side comparison shots from PhotoShelter’s testing, watch the video above or check out the full written comparison on the PhotoShelter Blog.

    Articles: Digital Photography Review (dpreview.com)

  • Full-frame showdown: Nikon D850 vs Canon 5D IV vs Sony a7R III

    Dan and Sally Watson over at Learning Cameras recently put together a really useful comparison video that pits the Sony, Canon, and Nikon fanboys against each other in a series of real-world tests. Shooting with the Sony a7R III, Canon 5D Mark IV, and Nikon D850, Dan and Sally ran the cameras through a variety of tests that cover everything from skin tones, to low light, to dynamic range, to autofocus tracking and more.

    We’ll let you dive into the full 20-minute video if you want to see all of the comparisons for yourself, but one that we found particularly interesting—maybe because it confirmed our own tests—was the autofocus tracking comparison.

    The Sony and Canon were shot in Auto AF area mode—Sony at 8 fps with live view, Canon and Nikon at 7 fps—and Dan and Sally found pretty much what we did. At 8 fps live view, the a7R III sometimes just goes out-of-focus then snaps back, Canon’s iTR can be very jumpy, and Nikon’s 3D tracking is more or less perfect. For what it’s worth (since Dan and Sally didn’t test this) in our tests, the Sony performed more consistently at 10fps without live view.

    For the full breakdown, check out the video for yourself above—it gets the DPReview stamp of approval for being both entertaining and informative. And if you want to see more from Learning Cameras, you can follow the channel on YouTube, or catch Dan on Facebook and Instagram.

    Articles: Digital Photography Review (dpreview.com)

  • Reuters photographers banned from Olympic opening ceremony over leaked photos

    Reuters is in hot water with the IOC and PyeongChang Winter Olympics organizing committee after the news agency broadcast several images of the olympic cauldron being lit during an opening ceremony rehearsal this past weekend. The lapse—highly uncharacteristic for a major news agency with decades of experience respecting image embargoes—has gotten Reuters banned from covering the Opening Ceremony.

    The news broke through the Yonhap News Agency, who is reporting that Reuters pulled the photos after the IOC and PyeongChang organizers complained.

    However, as the damage had already been done, the IOC has decided to punish Reuters all the same, revoking the agency’s media accreditation for the Opening Ceremony on Friday, February 9th. Furthermore, the Reuters photographer who took the leaked photos has been banned from covering the games altogether.

    The PyeongChang organizing committee wants to make it clear that violating Olympic media embargoes is being taken very seriously, telling Yonhap that it will “enforce strong penalties on media companies and their reporters who disobey embargoes of the opening and closing ceremonies.”

    Articles: Digital Photography Review (dpreview.com)