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  • How to Create Colorful Artistic Images Using Oil and Water

    Colors are the smiles of nature. We see colors all around us and it makes us feel happy and alive. Just imagine a life without color, where everything is simply in black, white and in between, how dull and boring it would be. Luckily, our beautiful world is full of colors.

    In this article, you’ll learn how to create some colorful images using just water and oil to make your world even more beautiful.

    Oil in Water 17

    I am sure you have seen oil and water images on the internet before and may have even tried to photograph it. But this is your lucky day, as you are going to learn a very easy technique where you don’t need any flashes or artificial lights and your pictures will come out beautiful and vivid.

    Are you ready for this? Okay, let’s move on.

    What you need

    Like any other kind of photography, first, you need a camera. You can use any DSLR or compact camera or even your mobile phone. There is no restriction on lens choice as well.

    Second, you need a glass dish. Just look in your kitchen and you will find one. If it’s square, that will work great otherwise, a round dish will work too.

    I took some photos using a glass bowl but found a little problem. Bowls usually have a smaller bottom compared to the top and this shape affects the picture. Also, bowls may not be 100% transparent, so I went to a local aquarium shop and had them make an 8×12 inch glass tray with one-inch depth. You can also get the same for yourself.

    How to Create Colorful Artistic Images Using Oil and Water

    Background

    Next, you need background images and there is a super simple trick. Go to Google and search for “colorful wallpaper” images. You’ll find lots of wallpapers that you can download and use. Download whichever ones you like, just make sure they have lots of colors and patterns.

    Now send these photos to your iPad or tablet (or Google directly on the iPad and save). You will use these pictures as a background instead of a printed one, so you don’t need any lights and the colors will be very bright. If you don’t have a tablet, you may lay your computer monitor or laptop down and use it.

    NOTE: If you do this, please do so at your own risk and take all safety precautions.

    Other than this, you’ll need water, vegetable oil, dish soap, a plastic sheet to cover your tablet and two boxes about six inches high.

    Setup and camera settings

    Okay, place the two boxes about 8 inches apart so you can place your tablet between them. Now put your glass tray on top of the boxes. If you are using a glass bowl and it’s small in size, put two metal rulers on the boxes and place the bowl on them.

    Now pour some water in the tray and add 4-5 tablespoon vegetable oil to it. When it’s ready, set up your camera. You may fix it on a tripod or you can shoot handheld, but it’s always better to use a tripod and get your hands free to do other tasks.

    Set the ISO to 200, aperture to f/5.6, and your shutter speed will be around 1/25th (depending on the brightness of your screen). If you have a wide aperture lens like a 50mm f/1.8, it’s better to use that (you don’t need a lot of depth of field for this type of shot).

    Since the water and oil bubbles are on the same focal plane, even if you use an aperture of f/1.8, the entire picture will be in focus. The background will be more blurred which is actually a good thing. So, just go with the widest aperture your lens allows and change the other settings on the camera accordingly.

    Now place your tablet below the glass tray. It should be around six inches below the tray. Make sure you wrap it in plastic so if you accidentally drop some water or oil on it, it will be safe.

    How to Create Colorful Artistic Images Using Oil and Water

    Workflow

    Now relax because the hardest part is already done and all you have to do now is change the image on the tablet and take some pictures. When you shoot one image, use a spoon to stir the water gently, let it settle down and take another shot. After four or five shots, change the image on the tablet and repeat the process.

    You’ll find that oil drops are very big in size. Don’t worry about it and take some shots. When it’s complete, put a few drops of dish soap or any other liquid soap into the water, mix it well and voila, the oil drops have now become smaller. Don’t try to understand the science behind this, just change pictures on the tablet and shoot three or four pictures, change the photo again, and repeat the process.

    Large oil droplets.

    Smaller droplets created by adding soap.

    Even smaller yet.

    Post-processing and finishing up

    There is no need for heavy post-processing, just levels, sharpening, and cropping is enough.

    Okay, call your friends and tell them that you’ll be busy next Sunday because you’re creating some extraordinary beautiful images. Just do it, share with them and don’t forget to share in the comments below too.

    The post How to Create Colorful Artistic Images Using Oil and Water by Ramakant Sharda appeared first on Digital Photography School.


    Digital Photography School

  • Sigma announces nine full-frame E-mount Art primes

    Sigma has announced plans to bring seven of its existing full-frame Art-series primes, plus two newly-announced lenses, to E-mount. Sigma says that the E-mount versions will offer “a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed.” The lenses will work with Sony’s AF-C mode, and as with existing lenses adapted via MC-11, will work with in-camera stabilization and in-camera lens corrections.

    Below are the lenses Sigma plans to offer in E-mount:

    • 14mm F1.8 DG HSM | Art
    • 20mm F1.4 DG HSM | Art
    • 24mm F1.4 DG HSM | Art
    • 35mm F1.4 DG HSM | Art
    • 50mm F1.4 DG HSM | Art
    • 70mm F2.8 DG Macro | Art
    • Sigma 85mm F1.4 DG HSM | Art
    • Sigma 105mm F1.4 DG HSM | Art
    • Sigma 135mm F1.8 DG HSM | Art

    Sigma says that launch dates for all models are yet to be determined.

    SIGMA launches seven interchangeable Art prime lenses for Sony E-mount cameras with full-frame sensors

    SIGMA Corporation is pleased to announce the upcoming launch of interchangeable lenses for the Sony E-mount digital camera series with full-frame image sensors. SIGMA will gradually introduce the lenses as members of the Art line, which offers photographers the highest level of optical performance.

    While offering the same high-performance optical design as other lenses in the Art line, the new Sony E-mount models will feature a newly developed control algorithm that optimizes the autofocus drive and maximizes the data transmission speed. In addition, these lenses will be compatible with Sony’s Continuous AF (AF-C) and high-speed autofocus, which are not addressed by SIGMA MOUNT CONVERTER MC-11. Like the converter MC-11, the lenses will be compatible with in-camera image stabilization and in-camera lens aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion.

    The lineup will include the Art line set of seven prime lenses covering 14mm to 135mm. It will also include two models that SIGMA will be exhibiting at CP+ 2018: 70mm F2.8 DG MACRO | Art and 105mm F1.4 DG HSM | Art (launch date TBD). Further, SIGMA plans to introduce additional Sony E-mount models in the Art line going forward.

    Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

    Key features

    1. Autofocus tuned for each lens
    Thanks to an autofocus drive control program tuned for each lens and high-speed data transmission, the lenses will offer high-speed autofocus at the same performance level as that of a lens designed exclusively for mirrorless cameras. In particular, in E-mount cameras offering Sony’s Fast Hybrid AF, AF-C mode will deliver exceptional subject following performance. Moreover, autofocus will remain extremely precise even in those E-mount cameras offering only contrast AF.

    2. Compatible with in-camera image stabilization
    The lenses will be compatible with in-camera image stabilization. The Sony E-mount camera senses the focal length of the lens and automatically optimizes image stabilization performance.

    3. Data loaded for compatibility with in-camera aberration correction The lenses will be fully compatible with in-camera aberration correction, which includes corrections for peripheral illumination, chromatic aberrations, and distortion. By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.

    4. Native mount for a more rigid and stable feel Making the mount native to the lens makes possible a more rigid and stable feel to the lens. Featuring a special surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.

    5. Available Mount Conversion Service This service converts the mount of SIGMA lenses to that of a different camera body, allowing photographers to continue using their favorite lenses over the long term regardless of camera system.

    Note 1: The Mount Conversion Service is different from a normal repair. In order to apply for the service, please contact your nearest authorized SIGMA subsidiary or distributor. http://www.sigma-global.com/en/about/world-network/

    Note 2: This service is performed exclusively by SIGMA.

    Product lineup

    SIGMA 14mm F1.8 DG HSM | Art
    Launch date: TBD. Includes case

    SIGMA 20mm F1.4 DG HSM | Art
    Launch date: TBD. Includes case

    SIGMA 24mm F1.4 DG HSM | Art
    Launch date: TBD. Includes case and hood

    SIGMA 35mm F1.4 DG HSM | Art
    Launch date: TBD. Includes case and hood

    SIGMA 50mm F1.4 DG HSM | Art
    Launch date: TBD. Includes case and hood

    SIGMA 70mm F2.8DG MACRO | Art (CP+ 2018 exhibit)
    Launch date: TBD. Includes case and hood

    SIGMA 85mm F1.4 DG HSM | Art
    Launch date: TBD. Includes case and hood

    SIGMA 105mm F1.4 DG HSM | Art (CP+ 2018 exhibit)
    Launch date: TBD. Include case, hood, and tripod socket

    SIGMA 135mm F1.8 DG HSM | Art
    Launch date: TBD. Includes case and hood

    Articles: Digital Photography Review (dpreview.com)

  • Olympus offers major firmware update for OM-D E-M1 II, E-M5 II and Pen-F

    Olympus has announced updates for its OM-D E-M1 Mark II, OM-D E-M5 Mark II and Pen-F cameras in the lead up to CP+ 2018. All three cameras get a new Bleach Bypass Art Filter and added support for the Panasonic Leica 200mm F2.8 Power OIS lens, but the improvements go beyond that for the individual camera models.

    The E-M1 II’s list of updates is the longest. Firmware 3.0 brings improvements to Pro Capture Mode, increasing the pre-shutter buffer depth from 14 to 35 frames. Pro Capture Mode H can also now be used with any Four Thirds or Micro Four Thirds lens. Focus Stacking mode now works with the 12-100mm F4 Pro, and the camera will now provide in-body distortion correction for the 8mm F1.8 Fisheye Pro.

    Olympus OM-D E-M5 II firmware 4.0 adds the focus stacking feature found on the
    TG-5 and E-M1 II

    Other E-M1 II improvements include the ability to set smaller AF target points in S-AF and C-AF, a 100% magnification option in image playback and a Flicker Scan feature to help choose a shutter speed that avoids flickering from problematic light sources. Olympus also says that C-AF performance has been improved overall, as has stabilization in video shooting, among other minor feature updates.

    Olympus OM-D E-M5 II firmware 4.0 adds the focus stacking feature found on the TG-5 and E-M1 II. In this mode, eight images are captured as focus is shifted to create a composite final image with greater depth of field.

    Firmware 3.0 for the Pen-F adds the ability to save Monochrome and Color Profile Control settings to the camera by way of a computer. Shading effects are also added to Color Profile Control and Color Creator.

    For the full list of improvements, see the press release below or head to Olympus’ website.

    YOUR UPGRADE AWAITS: OLYMPUS UNLEASHES POWERFUL NEW FIRMWARE FOR ITS OM-D AND PEN CAMERAS

    New Functions and Improved Performance Are Delivered Through Firmware Version 2.0 for OM-D E-M1® Mark II, Version 3.0 for PEN-F®, and Version 4.0 for OM-D E-M5 Mark II

    CENTER VALLEY, Pa., February 28, 2018—Today Olympus announces a series of new firmware updates that are available immediately for several of its latest interchangeable lens cameras. The firmware upgrades include Version 2.0 for the flagship Olympus OM-D E-M1 Mark II, Version 3.0 for the Olympus PEN-F, and Version 4.0 for the Olympus OM-D E-M5 Mark II.

    Olympus is dedicated to providing ongoing product functionality and performance improvements to deliver cameras that users can depend on long after their initial purchase. The latest firmware updates are designed to bolster Olympus’s interchangeable lens cameras with the latest functionality, improved performance, and expanded creative options. Many of the firmware updates were implemented in response to users’ requests.

    For example, Firmware Version 3.0 for the PEN-F adds the ability to save the settings of the Monochrome and Color Profile Control from the user’s computer onto the camera. Firmware Version 4.0 for the OM-D E-M5 Mark II adds the Focus Stacking function available on the OM-D E-M1 and E-M1 Mark II. In addition to these upgrades, videographers will now have access to the Look Up Table (LUT) file for the OM-D E-M1 Mark II and the OM-D E-M5 Mark II, allowing for advanced control and optimal color grading using DaVinci Resolve®.

    Other new features include improved Pro Capture Mode functionality in the OM-D E-M1 Mark II’s Firmware Version 2.0, while the PEN-F’s Firmware Version 3.0 includes shading effects that were previously only available in Monochrome Profile Control and are now available in Color Profile Control and Color Creator.

    Main Features

    OM-D E-M1 Mark II Firmware Version 2.0 Details

    1. Improved Pro Capture Mode functionality
    Pro Capture Mode provides lag-free shooting so users can capture high-quality, full-resolution images at precise moments without compromise. Pro Capture buffers a running series of JPEG and RAW images when users press the shutter release halfway. With Firmware Version 2.0, the maximum number of pre-shutter frames that can be recorded once the shutter button is fully pressed has increased from 14 to 35.

    Additionally, a new display icon shows users that they have initiated Pro Capture Mode and the camera is currently buffering frames.

    All attachable lenses are now compatible with Pro Capture H (focus locks after first image is buffered).

    Lens Pro Capture L Pro Capture H
    Olympus Micro Four Thirds System standard lenses Yes Yes
    Other Micro Four Thirds System standard lenses No Yes
    Four Thirds System standard lenses No Yes
    Lenses without electrical contacts (MF only) Yes Yes

    2. Focus Stacking now supports the M.Zuiko Digital ED 12–100mm F4.0 IS PRO
    Firmware Version 2.0 now allows the M.Zuiko Digital ED 12–100mm F4.0 IS PRO to support in-camera focus stacking. Additionally, seven other lenses support focus stacking, including the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, ED 30mm F3.5 Macro, ED 60mm F2.8 Macro, ED 300mm F4.0 IS PRO, ED 7–14mm F2.8 PRO, ED 12–40mm F2.8 PRO, and ED 40–150mm F2.8 PRO.

    3. Small AF Target setting added to S-AF and C-AF
    In response to feedback from Olympus users looking for a greater level of precision when choosing a specific AF target, Small AF Targets have been added to the single target (1-point) AF area.

    4. In-body Fisheye Correction when using M.Zuiko Digital ED 8mm F1.8 Fisheye PRO
    Fisheye Distortion Correction is now available in-camera so that the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO can be used as a wide-angle lens without the fisheye effect. Fisheye Correction effects can be viewed by the user in real time on the rear monitor or EVF before shooting.

    5. The magnify setting now offers a 100-percent enlargement ratio for use during image playback
    Due to Olympus user feedback, pixel size display has been added to the magnification ratio options, making it possible to review images at a 1:1 pixel ratio.

    6. New Flicker Scan function removes flickering when using the electronic shutter
    The Flicker Scan function allows users to preview the scene and choose the proper shutter speed to avoid flickering, a phenomenon that is common when using the camera’s electronic shutter under fluorescent or LED light sources.

    Other Improvements

    • Continuous AF (C-AF) performance has been improved.
    • AF response has been improved when using back-button focus AF settings with the AEL/AFL button.
    • IS performance has been improved when shooting video, enabling more natural camera work (IS-equipped lenses require simultaneously released firmware update).
    • Tethered shooting responsiveness and stability using Olympus Capture has been improved, providing an easier shooting workflow.
    • The remaining battery level icon has been fine-tuned.

    PEN-F Firmware Version 3.0 Details

    1. Monochrome and Color Profile Control settings can be saved onto camera via computer
    It is now possible to save Monochrome and Color Profile Control settings in images recorded on the PEN-F to the camera via a computer. Using the latest Olympus Digital Camera Updater (Ver. 2.1), simply select the image with the profile you want to use and save the settings to the camera.

    2. Shading effects in Monochrome Profile Control are available in Color Profile Control and Color Creator
    Due to popular demand, shading effects have been added to Color Profile Control and Color Creator for a wider range of photographic expression.

    OM-D E-M5 Mark II Firmware Version 4.0 Details

    1. In-Camera Focus Stacking function
    The Focus Stacking function available on the Tough TG-5 and OM-D E-M1 Mark II is now available on the OM-D E-M5 Mark II. The focus is shifted in half-pixel increments while capturing eight images, which are then composited to form a single image that is in focus from the foreground to the background. A total of eight lenses are supported (the same lenses supported by OM-D E-M1 Mark II Firmware Version 2.0).

    Common Features for OM-D E-M1 Mark II, PEN-F, and OM-D E-M5 Mark II

    1. New Bleach Bypass Art Filter option
    The Bleach Bypass Art Filter included in the OM-D E-M10 Mark III (released in September 2017) is now available with these firmware updates. This option replicates the bleach bypass effect used to develop film creating images with a beautiful metallic sheen.

    2. Support for Panasonic LEICA® DG ELMARIT 200mm/F2.8/POWER O.I.S. interchangeable lens
    This firmware update improves the compatibility with the Panasonic LEICA DG ELMARIT 200mm/F2.8/POWER O.I.S. (H-ES200) interchangeable lens.

    Please visit the following URL for more details on the firmware updates: getolympus.com/firmware

    Movie-exclusive picture mode: “Flat” LUT file release
    An LUT file is released for movies recorded in the movie-exclusive picture mode “Flat” with the OM-D E-M1 Mark II and E-M5 Mark II. This file converts recorded videos to BT.709 in DaVinci Resolve from Blackmagic Design Pty. Ltd. for color grading.

    Please visit the following URL for more details: getolympus.com/firmware

    Articles: Digital Photography Review (dpreview.com)

  • Asus unveils ZenFone 5Z with wide-angle dual-cam and AI camera

    Asus has been one of the last manufacturers to unveil their new devices at this year’s Mobile World Congress, but looking at the newly announced Zenfone 5Z, it seems the wait has been worthwhile.

    The Taiwanese manufacturer’s new flagship model comes with premium specs all around, including Qualcomm’s latest and greatest chipset Snapdragon 845 and an iPhone X-style almost bezel-less 6.2″ display with “camera notch” and FHD+ resolution. 8GB RAM, 128GB of expandable storage, and a 3,300 mAh battery complete an impressive spec sheet.

    But the ZenFone 5Z is not only about processing power and big screens, it’s also got a lot to offer in the camera department. The main camera features a 12MP 1/2.55″ Sony IMX363 Sensor and a lens with 25mm equivalent focal length and fast F1.8 aperture.

    3-axis optical image stabilization and Dual-Pixel AF are on board as well. In video mode, the Zenfone 5Z can record 4K footage at 30 frames per second, and the secondary camera comes with a 120-degree super-wide-angle lens and 8MP pixel count—similar to what we’ve seen on recent LG models such as the G6 or V30.

    On the software side of things, the 5Z camera offers an HDR night mode and an AI-powered automatic scene mode selector that is capable of learning user preferences.

    All of the aforementioned components are wrapped up in a sleek-looking glass-covered body, and if the ZenFone 5Z performs as well as it looks, it could be one of the most compelling smartphone options in 2018.

    That’s especially true when considering its price point. In Europe, the Asus ZenFone 5Z will retail at 600 Euros (approximately $ 735 USD) which is a good chunk less expensive than similarly specced models from the more established competition.

    Articles: Digital Photography Review (dpreview.com)

  • Cactus announces palm-sized RQ250 wireless monolight

    Cactus has just announced the RQ250: a ‘palm-sized’ bare-bulb flash head that will feature wireless control and three times the power of a typical GN60m hotshoe unit. The battery-powered RQ250 is designed to offer 250Ws of power to photographers who want to work on-location/in-the-field without carrying around bulky lighting equipment or sacrificing power by shooting with speedlights.

    In fact, the RQ250 is so powerful for its form-factor that the company couldn’t find a bulb that suited what it wanted to achieve … so it designed one itself.

    The head comes with a reflector dish fitted with frosted glass that Cactus claims produces hotspot-free illumination when combined with the TubeOne flash bulb. With the reflector removed, the flash tube extends into softboxes and umbrellas to produce even distribution of light.

    The head will have its own mount, but will also accept Bowens-S mount modifiers via an adapter. Cactus will also offer a snoot kit that includes colored gels that attaches to the reflector, and an umbrella holder that will also mount the head onto a light stand.

    The RQ250 has a built-in fan to ensure the head keeps firing even in hot conditions, and an on-axis LED provides a modeling light and can operate as an AF-assist lamp as well. The head will be able to perform high speed sync for use with short shutter speeds, and wireless TTL control will be possible with Canon, Nikon, Olympus, Panasonic, Pentax, Sigma, and Sony cameras.

    The unit is powered by a rechargeable lithium ion battery that Cactus says will be good for over 400 full-power bursts per charge. Designed to be portable, the RQ250 will measure 194x80x80mm.

    Price has yet to be released, but Cactus promises to deliver the RQ250 sometime this summer. For more information, visit the Cactus website.

    Press Release

    Cactus RQ250 Wireless Monolight

    Cactus announces the RQ250, a palm-sized, bare-bulb wireless monolight that supports wireless TTL/HSS and gives you the best possible light in a compact body.

    Photographers always want a high output portable flash with consistent light quality for location shooting. Cactus set out to create one of its own carrying the motto – if we do it, we will have to do it right. It has to be compact in size, outputs high quality of light, and versatile.

    Today Cactus announces the RQ250 Wireless Monolight, a lithium-ion battery-powered wireless monolight with 250 Ws of power, which will be available THIS SUMMER.

    Cactus TubeOneTM

    “We could not find any off-the-shelf flash tube that meets our requirements for power output and uniform distribution of light in a built-in light modifier, so we designed one from the ground up for the RQ250,” said Henry Chan, head of Research and Development at Cactus.

    What makes the RQ250 unique is its special flash head design. When paired with the optical optimized reflector, the TubeOneTM flash tube is able to deliver power with maximum efficiency. Hot spots are kept to a minimum, producing a pleasing and very usable, consistent light straight out of the included reflector.

    Engineered for location shooting

    When engineering the RQ250, Cactus always had location shooting in mind. Versatility is the key.

    The detachable built-in reflector produces the best light possible with minimum hot spots even without an external light modifier. With the frosted glass lens, the RQ250 produces a beautiful and evenly spread of light. Remove the reflector and you will have a bare-bulb flash that excels in even light distribution when paired with soft boxes and studio umbrellas.

    Despite its compact size, the RQ250 is fan-cooled which means it can be pushed without being stressed even on a hot, sunny day.

    The perfect balance between size and power

    Designed from the ground up, Cactus completed various design iterations and many rounds of testing to create the perfect balance between size and power.

    Housed in its palm-sized body, the RQ250 is lithium-ion battery-powered, 250 Ws, and can fire 400 full-power flashes on a single charge. The extremely compact design comes with an on-axis LED modelling light, which also functions as an AF- assist.

    Builds on cross-brand platform

    Like Cactus’s triggering system, RQ250 also builds on a cross-brand platform that works with Canon, Nikon, Olympus, Panasonic, Pentax, Sigma, and Sony cameras.

    Wireless TTL and HSS are all supported.

    Product highlights

    • 250 Ws produces more than 3 times the power of a typical GN60 portable flash
    • Special designed reflector with frosted lens produces a powerful yet consistent and beautiful spread of light
    • Bare-bulb ensures the best possible distribution of light in large modifiers
    • Uni-body design with detachable reflector means compact and easy storage
      Lithium-ion battery powered
      400 full-power flashes on a single battery charge
    • Modelling light and AF-assist powered by on-axis LED modules
    • Fan-cooled protects flash in harsh shooting environments
    • Wireless TTL, HSS and manual power control supported on Canon, Fujifilm, Nikon, Olympus, Panasonic, Pentax, Sigma and Sony camera systems*
    • Built-in wireless receiver works seamlessly with Cactus V6 II and V6 IIs for Sony

    Price and Availability

    Cactus RQ250 is currently scheduled to be available in SUMMER 2018 and price is to be advised.


    * Wireless TTL support for Canon and Nikon will be available Q2 2018. Information is subject to change without notice.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Sony a7 III overview

    The a7 III may be the “basic” model in Sony’s full-frame mirrorless lineup, but it borrows many of its capabilities from the high-end a9. With a 24MP BSI-CMOS sensor, oversampled 4K video, silent shooting at 10 fps and a highly capable Eye AF mode all for $ 2000, “basic” starts to sound anything but. Take a look at the video above for a quick rundown of what’s included.

    Articles: Digital Photography Review (dpreview.com)

  • Announcing the Three Tamron Contest Winners

    The Winners of the Tamron 100-400mm Di VC USD Ultra-Telephoto Zoom, Tamron SP 35mm F/1.8 Di VC USD, and Tamron SP 70-300mm Di VC USD lenses are…

    A HUGE thank you to everyone who entered the recent contest from our friends at Tamron. Again, this was not actually a photography competition, but so many of you shared your beautiful photographs, we encourage you all to go back and scroll the comments section for some wonderful photos, and links to reader pages and sites.

    Yet again, the response was absolutely AMAZING with over 480 entries! But now…onto the winners! Drumroll please, and the winners are:

    Grand Prize Tamron 100-400mm

    Tamron 100-400mm Di VC USD

    The grand prize winner is: Lorrie L.

    100-400mm Di VC USD Ultra-Telephoto Zoom – Value $ 799. Winner’s choice of Canon, Nikon or Sony-A mount. No Substitutions. Please allow 4-6 weeks for delivery.

    Second Prize Tamron SP 35mm F/1.8

    Tamron SP 35mm F/1.8 Di VC USD

    The second prize winner is: Esther V.

    Tamron SP 35mm F/1.8 Di VC USD – Value $ 599. Winner’s choice of Canon, Nikon or Sony-A mount. No substitutions. Please allow 4-6 weeks for delivery.

    Third Prize Tamron SP 70-300mm

    Tamron SP 70-300mm Di VC USD

    The third prize Wwinner is: Debra S.

    Tamron SP 70-300mm Di VC USD – Value $ 449. Winner’s choice of Canon, Nikon or Sony-A mount. No substitutions. Please allow 4-6 weeks for delivery.

    Thanks for entering

    We were all thrilled with the entries, you tugged at our heartstrings, made us laugh, made us smile, but most importantly, you made us keep wanting to do more of what we are doing; providing you quality information and guidance to become a better photographer. We were so pleased to see that you came from every part of the world, young adults to grandparents, and everyone in between. Thank you all for your entries!

    The winning entries

    Here is a snippet of each of the entries from the winners of the Tamron 100-400mm Di VC USD, Tamron SP 35mm F/1.8 Di VC USD and Tamron SP 70-300mm Di VC USD, respectively. If you want to read the full entries head to the contest page here.

    Lorrie – Grand Prize Winner

    As with all bird photographers, I am really wanting a longer lens to “Get That Shot”. I am a regular reader of Digital Photography School. Today I was on your page looking for an article on aperture. I was hoping to understand aperture the best I can to make certain I am getting it correct for absolute sharpness. I was also wanting to understand how I should adjust aperture for the distance of subjects. I strive for sharp images with great focus. Suddenly I ran across this contest and I was like “Oh my Gosh!!” I have to enter!!

    I love Tamron lenses. I am familiar with the Tamron web page. I visited today for the most up to date information on the Tamron 100-400mm Di VC USD. I am certain it will improve my photography in so many ways. I know it is far more than just a birding lens. I know Tamron lenses produces high-quality, sharp images with excellent color. I have extreme confidence in the lenses knowing I can take them out and use them in less than perfect weather conditions and they will not be frail. I have also watched several videos on YouTube by different reviewers stating the Tamron 100-400mm Di VC USD is a value and is far superior to any other lens in this category! The lens is certainly on my wishlist! Thank you!! Best Always!!

    Esther – Second Prize Winner

    The more I researched the three lenses, the harder it became to decide which one would be my top pick!

    Thank you for doing this contest, it has helped me learn more about these lenses, and even if I don’t win any of the lenses I have been helped by this. I think that my top pick would be the Tamron SP 35mm f1.8. It is a very versatile lens that would be helpful for me in shooting portraits and getting clear shots of everyday life. I love that it is f/1.8, it will create stunning pictures with subjects that have that “pop.” It is also wide-angle which would be very nice to have! I am an 18-year-old amateur photographer and I look forward to using every piece of gear for capturing neat images of people and other wonderful things that God created.

    Debra – Third Prize Winner

    I live on 40 acres in southern California. On December 4th, everything burned in the Thomas Fire. I was able to get out with my camera bag but not my lens bag. I am living in a trailer on my property waiting to rebuild my house. At first, there was no life, not even a fly. The first life I saw was a stray hornet. Then the birds came back. Green is starting to sprout from the burned flora that I thought was dead and gone. I would have loved to record the return of wildlife but all I had in my camera bag was my Canon 5D Mark III, a nifty 50 and a kit lens. I feel like I am on a photo challenge.

    I would love the Tamron SP 70-300mm Di VC USD to give me more range to document the changing details of my new landscape. The 70- 300mm range would be perfect for capturing returning insects, rabbits looking for fresh greens and the coyotes that hunt them. I am drawn to the ultrasonic silent drive to prevent startling my subjects and capture sharp images faster. Most of the wildlife ventures out at dusk so the vibration compensation would help with longer shutter speeds.

    Honorable mentions

    We had so many wonderful entries, we have chosen 10 people to receive an “Honorable Mention” prize of the Living Landscapes eBook, by dPS. The 10 winners are listed below:

    1. Christian
    2. Eddie
    3. Debra Lee
    4. BJ
    5. Ronaldo
    6. Abhiman
    7. Anthony
    8. Martin
    9. Luis
    10. Gajendra

    Special offer for dPS readers

    Now, for those of you that didn’t win, Tamron has invited ALL dPS readers to download their eBooks. You can find them here.

    The winners will be emailed with the details of how to collect their prizes. Please make sure to look for our email. Thank you again for all the wonderful submissions and to Tamron for sponsoring this competition.

    Tamron Rebates

    For all of you residing in the USA, when you do purchase your next Tamron Lens, make sure to take advantage of the rebates* up to $ 200 off through March 3, 2018. Find additional information HERE!

    *Current rebate offers end March 3, 2018. US RESIDENTS ONLY.

    About Tamron

    Disclaimer: Tamron is a paid partner of dPS.

    The post Announcing the Three Tamron Contest Winners by Darlene Hildebrandt appeared first on Digital Photography School.


    Digital Photography School

  • Wacom releases 24-inch 4K Cintiq Pro pen display, 32-inch coming ‘later this year’

    Wacom has officially released the Cintiq Pro 24—a 4K 24-inch version of its popular Cintiq Pro Creative Pen Display for use with both Windows and Mac computers. The 32-inch version remains in-development, with an official release “slated for later this year.”

    Wacom first announced its Cintiq Pro 24- and 32-inch tablets back in July of last year, but that announcement was more of a teaser than anything else. At the time, Wacom only shared that the pen displays would have “4K edge-to-edge displays” and “maximum color accuracy.” Now, with the official release of the Cintiq Pro 24, we have a lot more details to share.

    The Cintiq Pro 24—which will be available in both Pen and Pen & Touch models—boasts an IPS UHD display with 4K (3840 x 2160) resolution, 98% Adobe RGB color accuracy (the store page claims 99%), and “a billion colors” (translation: 10-bit color). The tablet also features an etched glass surface to reduce glare and provide a “natural, pen on paper feel,” parallax reduction through “optical bonding,” close to zero latency, and support for the Pro Pen 2, which features 8,192 levels of sensitivity.

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    Finally, for those who want to take their Cintiq Pro 24 to the next level, Wacom also introduced the Cintiq Pro Engine. This plug-and-play PC module—which we covered in detail here—turns the Cintiq Pro 24 into a full-blown Windows 10 workstation with Intel processor, up to 32GB of RAM, NVIDIA graphics, and an SSD.

    The Cintiq Pro Engine costs at least as much as the Cintiq Pro 24 itself, but the SSD and RAM inside are both upgradable, and its plug-and-play nature means you can swap your entire workstation from display to display as needed. If you’re looking for a single, portable solution… it’s an intriguing option to be sure

    The Cintiq Pro 24 will be available in two variations: the $ 2,000 Pen Display version will start shipping in March, but if you want the $ 2,500 Pen & Touch version, you’ll have to wait until May. The Cintiq Pro Engine PC module also ships in May.

    For more information about the Cintiq Pro 24 or if you want to order one right away, visit the Wacom website or head over to the Wacom Store.

    Press Release

    Wacom introduces the Cintiq Pro 24-inch pen display

    Wacom extends the Cintiq Pro line-up with a new high performance mid-sized display built for cutting-edge creative and design applications including augmented and virtual reality. The Cintiq Pro family now features a range of sizes to meet the unique workflow and configuration needs of creative professionals.

    Tokyo, Japan – February 27, 2018 – Today Wacom announced the availability of the Wacom Cintiq Pro 24 pen display, expanding the Cintiq Pro high-definition range, which is designed for creative professionals seeking a larger digital canvas and the power to tackle an increasing onslaught of creative applications and programs. The new 24-inch Cintiq Pro pen display joins the previously introduced 13 and 16-inch models to form a comprehensive range of sizes for every need and workspace. The pen and touch display version will be available in May, the earlier announced 32-inch model is slated for later this year.

    Performance you can see and feel

    The brilliant 4k display, 98% Adobe RGB color accuracy and a billion colors deliver a true-to-life visual experience. The pen on screen experience was also improved. The combination of the new Pro Pen 2 technology (improved pressure sensitivity featuring 8,192 levels), the etched glass surface, the reduction in parallax through optical bonding and the close to zero latency, provide artists with precise control and a more natural feeling pen on screen experience.

    “We know that professional artists and designers are facing an increasingly vast array of computing and display demands as they embrace emerging technologies like augmented and virtual reality, and 3D, where one size doesn’t fit all,” says Faik Karaoglu, Executive Vice President for the Creative Business Unit at Wacom. “Everyone has their own way of working, and we are excited to offer larger sized digital canvases with flexibility that provides more pen space for those who need it to create.”

    Transforming the workflow

    With the Wacom Cintiq Engine Pro – also announced today – a Windows 10 computing module, featuring the new NVIDIA ® Quadro ® P3200 high performance graphic card, slides into the back of the Cintiq Pro 24 display. Thus creative professionals can easily transform their Cintiq Pro 24 into a high performance creative work station fully supporting state of the art applications and workflows, including 3D, animation and augmented and virtual reality.

    Availability

    The Cintiq Pro 24 pen display models are available in the U.S., Japan and selected European countries as of March; for further details visit our e-store at Wacom.com. Prices ranging from $ 1,999 to $ 2,499. The Pen & Touch version of Cintiq Pro 24 will be available in May 2018.

    Articles: Digital Photography Review (dpreview.com)

  • Wacom’s new Cintiq Pro Engine turns your Wacom pen display into a full-blown PC

    Back in July of 2017, Wacom announced that it would be releasing 24- and 32-inch versions of its popular Cintiq Pro pen display for creatives. But today’s debut of the 24-inch model isn’t the most interesting news out of Wacom; the interesting bit is the Cintiq Pro Engine: a plug-and-play PC module that turns your Cintiq Pro tablet into a full-blown Windows 10 workstation.

    Or, in Wacom’s own words:

    Designed for professional illustrators, designers, engineers and motion graphics users who require professional computing power and graphics performance, the modular Cintiq Pro Engine slots into the back of the Cintiq Pro 24, eliminating the space, cable clutter and compatibility issues that often result from using external computers and laptops.

    Attaching the Cintiq Pro Engine to the Cintiq Pro 24 tranforms the Cintiq Pro 24 into a full Windows 10 creative studio that supports even the most demanding programs and applications used by creative professionals.

    The Cintiq Pro Engine is a PC module that quite simply slides into a slot on the back of the 24-inch (and eventually 32-inch) Cintiq Pro pen display. Once added, your Cintiq Pro is now a Windows 10 PC in one of two variations:

    If go with the $ 2,500 Cintiq Pro Engine i5, you get:

    • A quad-core Intel Core i5HQ processor
    • NVIDIA Quadro P3200 graphics card with 6GB of dedicated GDDR5 RAM
    • 16GB of RAM
    • A 256GB PCIe Gen3 SSD
    • WiFi and Bluetooth Connectivity

    Or you can get the $ 3,300 Cintiq Pr Engine Xeon with:

    • An Intel XEON processor
    • The same NVIDIA Quadro P3200 graphics card with 6GB dedicated GDDR5 RAM
    • 32GB of RAM
    • A 512GB PCIe Gen3 SSD
    • Wireless and Bluetooth connectivity

    What’s more, the SSDs and RAM inside both versions are upgradable, so you can keep the PC modules current as demands increase. And since the Cintiq Pro Engine is plug-and-play, you can swap it between various Cintiq Pro 24- and 32-inch pen displays “while retaining the same computing environment.”

    Both versions of the Cintiq Pro Engine will be available starting in March in Japan, the US, and ‘select countries’ in Europe. To learn more about the Cintiq Pro 24-inch and the Cintiq Pro Engine, visit the Wacom website.

    Press Release

    Wacom Cintiq Pro Engine and Cintiq Pro displays: The first modular all-in-one creative studio

    Wacom Cintiq Pro Engine is a compact PC module that converts the Cintiq Pro into a powerful creative studio. Artists, Designers and Engineers can transform their Cintiq Pro into a powerful Windows 10 workstation with the power to run the demanding creative applications and workflows, including 3D, animation and virtual reality.

    Tokyo, Japan – Feb. 27, 2018 – Today Wacom announced the Wacom Cintiq Pro Engine, a creative PC module available in two configurations that fully integrates into the Cintiq Pro 24-inch pen display (announced today in a separate release). Designed for professional illustrators, designers, engineers and motion graphics users who require professional computing power and graphics performance, the modular Cintiq Pro Engine slots into the back of the Cintiq Pro 24, eliminating the space, cable clutter and compatibility issues that often result from using external computers and laptops.

    “It is our mission to help professionals create with the least amount of distraction and clutter and to give them the power to tackle the new spaces of creating content for AR, VR and MR. The Wacom Cintiq Pro Engine provides a beautiful, easy to use solution for creatives everywhere,” said Faik Karaoglu, Executive Vice President of the Creative Business Unit at Wacom.

    Attaching the Cintiq Pro Engine to the Cintiq Pro 24 tranforms the Cintiq Pro 24 into a full Windows 10 creative studio that supports even the most demanding programs and applications used by creative professionals. The combination of the Wacom Cintiq Pro display, the powerful Wacom Cintiq Pro Engine creative PC module, and a flexible and rotatable new Wacom Ergo Stand is an innovative approach to providing an all-in-one specialized working environment for creatives. Adding the use of the Wacom Pro Pen 3D, professionals who rely on 3D animation or sculpting software, or CAD applications, will see an immediate benefit to their workflow.

    Virtual Reality Support

    In addition to the benefits around creative applications and workflows, Cintiq Pro Engine supports the increasingly important virtual reality (VR) workflow. Most Wacom products are already capable of supporting VR content creation, but to review and check the VR content, customers frequently need to move the content to another PC that has the graphics power to run VR content.

    Powerful Graphics

    The Wacom Cintiq Pro Engine is powered by the NVIDIA Quadro P3200. This graphics card is based on the NVIDIA Pascal GPU architecture, which provides the power demanded by today’s creative applications with dramatically faster graphics and computing power than on the CPU.

    “Wacom designs products for the way artists and designers create. They’re intuitive, natural and fast and can be used anywhere,” says Bob Pette, vice president, Professional Visualization, NVIDIA. “Our new mobile Quadro P3200 packs a ton of graphics power into the new Cintiq and Cintiq Engine Pro, and we’re thrilled to have them showcased at our upcoming GPU Technology Conference.”

    Flexibility Found Nowhere Else

    The Wacom Cintiq Pro Engine memory and SSD are exchangeable and upgradable, ensuring system flexibility. Given the plug and play nature of the hardware, it’s easy to move between Cintiq 32” and 24” displays while retaining the same computing environment with the Cintiq Pro Engine. This flexibility is found nowhere else in the market and leads to a lower total cost of ownership (TCO) than any other solution.

    Two Versions of Cintiq Pro Engine

    Cintiq Pro Engine i5:

    • Operating System: Windows 10 Pro
    • Processor: Intel® Core i5HQ (Quad Core)
    • Graphics: NVIDIA® Quadro® P3200
    • Dedicated graphics memory: 6GB GDDR5
    • RAM: 16GB
    • Storage: 256GB SSD, PCIe Gen3
    • Wireless LAN: Wi-Fi IEEE 802.11 ac
    • Bluetooth: Bluetooth® 4.2
    • Security: fTPM(TPM2.0)
    • Input Voltage: 100 to 240 VAC, 50/60 Hz
    • Connectivity: Internal (communication between PC & Display) 1x USB-C, 1x Power
    • Connectivity: External (customer interfaces) 1x RJ45 (LAN), 2x USB-C, 1xmHDMI, 1xmDP, 2x DC-in
    • Price: $ 2,499

    Cintiq Pro Engine Xeon:

    • Operating System: Windows 10 Pro for Workstation
    • Processor: Intel® XEON
    • Graphics: NVIDIA® Quadro® P3200
    • Dedicated graphics memory: 6GB GDDR5
    • RAM: 32GB
    • Storage: 512GB SSD, PCIe Gen3
    • Wireless LAN: Wi-Fi IEEE 802.11 ac
    • Bluetooth: Bluetooth® 4.2
    • Security: fTPM(TPM2.0)
    • Input Voltage: 100 to 240 VAC, 50/60 Hz
    • Output Voltage: 19.5V/11.8A (230W)
    • Connectivity: Internal (communication between PC & Display); 1x USB-C, 1x Power
    • Connectivity: External (customer interfaces); 1x RJ45 (LAN), 2x USB-C, 1xmHDMI, 1xmDP, 2x DC-in
    • Price: $ 3,299

    Availability

    There are two versions of Cintiq Pro Engine, available as of May 2018 in Japan, US and selected countries in Europe. For details visit our homepage at Wacom.com. For more information on compatibility, visit www.wacom.com/comp.

    Articles: Digital Photography Review (dpreview.com)

  • SanDisk reveals ‘world’s fastest’ UHS-I microSD memory card

    At Mobile World Congress 2018, Western Digital introduced a new Extreme 400GB A2 microSDXC card that officially tips the scales as the world’s fastest UHS-I microSD memory card. According to the WD—which is launching the card under the SanDisk brand it acquired in 2016—the new Extreme 400GB microSDXC offers read speeds up to 160MB/s and write speeds up to 90MB/s, making it over 50% faster than current UHS-I Extreme microSD cards.

    The new Extreme 400GB microSDXC card has UHS Speed Class 3 (U3) and Video Speed Class 30 (V30) ratings, making it ideal for uninterrupted 4K Ultra HD video recording, among other things, says Western Digital. As with other Extreme-branded SD cards, this new model is durable across multiple fronts, including being water-, dust-, x-ray-, temperature-, and shock-proof.

    Western Digital currently lists the Extreme 400GB A2 microSDXC card on its SanDisk website without availability and price details; however, Tom’s Hardware reports that the card will cost $ 300 USD.

    Press Release

    Western Digital Transforms the Mobile Experience with New High-Performance Solutions Designed to Address Today’s and Tomorrow’s Consumer Demand for High-Quality Content

    At MWC 2018, company releases world’s fastest UHS-I microSD card, and reveals future of flash memory cards with PCIe enabled SD card demonstration.

    MOBILE WORLD CONGRESS, BARCELONA, Feb. 26, 2018 – As mobile content and applications grow increasingly sophisticated, Western Digital Corporation (NASDAQ: WDC) is transforming the mobile experience with new industry-leading mobile solutions designed to enable consumers to better capture, share and enjoy rich content on their devices. At Mobile World Congress, the company is releasing the world’s fastest UHS-I flash memory card, the 400GB1 SanDisk Extreme® UHS-I microSDXCTM card, and demonstrating the future of flash memory card technology with Peripheral Component Interconnect Express (PCIe)-enabled cards, designed to deliver the performance required for the next wave of data and content-intensive applications.

    Whether it’s exploring a new world in an immersive virtual reality app, or capturing 4K footage on a smartphone or drone, consumers can count on Western Digital to deliver even more robust mobile flash memory technology that offers them a premium experience on their favorite device.

    The company’s new 400GB SanDisk Extreme UHS-I microSD card is designed to help consumers move their high-quality content faster than ever. At 160MB/s*, the new card is more than 50 percent faster than current SanDisk Extreme UHS-I microSD cards. The card is able to reach this unprecedented speed by leveraging Western Digital proprietary technology. The card will also feature the A2 specification to help launch and load apps at blazing speeds.

    “Consumers expect an increasingly better mobile experience, and with our 3D NAND technology, we are pushing the boundaries of innovation to enable them to create and enjoy more rich content on their devices. Our expertise in flash memory and microSD card electronics enables us to achieve unmatched performance. The breakthrough SanDisk microSD card is evidence of Western Digital’s commitment to delivering more advanced solutions that enable data to thrive,” said Jim Welsh, senior vice president and general manager, Client Solutions, Western Digital.

    Western Digital is also showcasing a new platform to enable the future of flash memory cards with a demonstration of its PCIe-enabled SD card. In anticipation of the next generation of high-performance mobile computing requirements, implementing PCIe technology will deliver the ability to read data files faster than today’s platform. Through Western Digital’s broad portfolio, this technology can now be demonstrated to boost the performance of SD cards. These speeds are essential for high-resolution content applications such as super-slow-motion video, RAW continuous burst mode and 8K video capture and playback. PCIe has traditionally been reserved for use in high-performance data center systems, where the single-lane PCIe Gen 3.0 standard specifications denote capabilities of achieving speeds of up to 985MB/s.2

    At Mobile World Congress, Fira Gran Via Exhibition Center in Barcelona, Spain, Hall 3, stand number 3K33, Western Digital is demonstrating the world’s fastest UHS-I microSD card and PCIe-enabled flash memory card technology, as well as its new Western Digital PC SN720 and PC SN520 SSDs designed for responsive, always-connected user experiences on converged mobility devices.

    Enabling the possibilities of data, Western Digital offers the industry’s broadest portfolio of products and solutions to help people capture, preserve, access and transform their personal content. For more information, visit our websites: WD and SanDisk.


    * Up to 160MB/s read speed; up to 90MB/s write speed. Based on internal testing; performance may be lower depending upon host device interface, usage conditions and other factors. MB=1,000,000 bytes.

    1 1GB=1,000,000,000 bytes. Actual user storage less.

    2 Source: PCI-SIG specifications converted from listed 8GT/s bit rate. Results may vary based on host device, app type and other factors.

    Articles: Digital Photography Review (dpreview.com)