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  • This 12K NYC flyover video was captured with three 8K RED Weapon Monstro VV cameras

    LA-based director and cinematographer Phil Holland of PHFX recently joined forces with Gotham Film Works to create something out-of-this-world. Using the first Shotover K1 Hammerhead Aerial Camera Array, Holland shot a flyover of New York City using not one, not two, but three 8K RED Weapon Monstro VistaVision cameras.

    The result, once processed, is a 100MP motion picture made up of images “with a sensor size of approximately 645 medium format film.” Put another way, the 12K by 8K footage above is 48.5 times the resolution of 1080p.

    Holland explains how the rig was used and the footage captured in a short behind the scenes blog post, where he also shared some BTS images that he is kindly allowing us to repost for you here:

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    Holland’s BTS post covers camera and lens selection, before moving on to explain what it takes to rig something like this up.

    “On a technical level there’s a lot that needs to happen in terms of proper spacing, finding the zero parallax point, lens selection, determining your overlap, rigging, payload balancing, etc.” writes Holland. “Every RED Weapon 8K VV Monstro has a JETPACK SDI Module attached to sync genlock, provide power, control the camera, etc. This is actually one of the first times I’ve ever seen this bad boy used to maximum intent. WIthout this module something like this would be very difficult to pull off.”

    All of this allowed Holland to control the rig from a single “brain” and create “a quality stitch with pixel and frame accuracy.”

    Check out the final video up top to see the stunning results for yourself, and then head over to Holland’s blog for even more details about how this beautiful creation was captured.


    All photographs ©Phil Holland/PHFX and used with permission.

    Articles: Digital Photography Review (dpreview.com)

  • Weekly Photography Challenge: Trees – With Prizes from ViewBug

    Over the last two weeks, you’ve done images of spring in general, and then flowers last week. So for this week’s photography challenge, let’s see if you can see the forest for all the trees!

    Image by Adam Welch, dPS writer.

    Need some help? Here are some tips:

    • Tips for Better Forest Photography
    • How to Create a Dream Forest in Adobe Photoshop
    • 4 Tips for Taking Better Photographs of Trees
    • Tips for Doing Nature Photography at Your Local Parks

    Weekly Photography Challenge – Trees

    Joshua Tree National Park, California, by Anne McKinnell

    Image by Anne McKinnell, dPS writer.

    Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

    Share in the dPS Facebook Group

    You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

    Win Prizes from ViewBug

    We’re excited to introduce a sponsor and prizes for this week’s challenge. ViewBug is the World’s biggest photo contest community with over 70 contests always open for submissions. Win prizes, exposure, and the bragging rights. It’s FREE to join! This week, ViewBug will be awarding three winners prizes!

    One Challenge winner will receive 1 year of ViewBug PRO ($ 139 value) plus a free photography logo bundle ($ 59 value). Two Runners Up will receive a 1 year of ViewBug Premium ($ 59 value) plus a free photography logo bundle ($ 59 value).

    To Enter

    Participate in the challenge as you normally would (as described above) by posting your photo. To be considered for a prize you just need to complete the entry form below (or via this link) and submit your photo.

    The Contest is open continuously from 05:00am Australian Eastern Standard Time (“AEST”) on May 19, 2018 (03:00pm United States Eastern Daylight Time (“EDT”) on May 18, 2018), through May 26 2018, 04:59am AEST (May 25, 2018, 02:59pm EDT) (the “Contest Promotion Period”).

    Full Terms and Conditions Digital Photography School Weekly Challenge Trees – ViewBug T&C.

    Winners are announced on the Weekly Challenge Winners page on 2nd of June.

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    The post Weekly Photography Challenge: Trees – With Prizes from ViewBug appeared first on Digital Photography School.


    Digital Photography School

  • Fujifilm EU accidentally leaks full specs of upcoming X-T100 camera

    The leaked X-T100 is basically an X-A5 with an EVF, 3-way tilting touchscreen, and a deeper buffer.

    Fujifilm EU accidentally leaked a complete specs page for an upcoming camera: the Fuji X-T100. The page was discovered by Nokishita and saved for posterity before it was removed, and though none of the sample images or photos of the camera survived, we basically got a rundown of what looks to be a Fuji X-A5 with a few extra features.

    Nokishita is a reliable source of leaks, typically publishing accurate specs and even product images a few days to a week before a product is announced.

    Taking a look at the full X-T100 specs (here), the leak seems legitimate to us here at DPReview. The camera shares most of its specs with the X-A5. The 24MP APS-C CMOS sensor (with a bayer array) is the same, as is the max video resolution (4K/15p max), the touchscreen resolution (3-inch 1.04M dot), and the continuous shooting speed max of 6fps.

    Unlike the X-A5 shown above, the X-T100 touchscreen will reportedly tilt three ways.

    Where the X-T100 distinguishes itself is with a deeper buffer (thanks to “newly equipped powerful memory”), 3-way adjustable touchscreen, and a built-in EVF.

    The EVF will be the big selling point, but the deeper buffer—30 JPEG frames at 6fps or unlimited at 3fps for the X-T100, compared to only 10 frames at 6fps and 50 at 3fps for the X-A5—and adjustable touchscreen are definitely nice additions as well. Finally, while video resolution hasn’t been improved, maximum recording time has. 4K15p and 1080/60p can both be recorded up to “approximately 30 minutes.” For comparison, the X-A5 maxes out at 5 minutes of 4K15p and 14 minutes of 1080/60p.

    Of course, it’s not all good news. The battery life has suffered a bit—dropping to 430 from the X-A5’s 450 while using the same NP-W126S battery pack—and the whole thing weighs almost 100g more than the X-A5. Trade-offs no doubt necessary in order to add that “powerful memory” and the EVF hardware.

    According to Fuji Rumors, the X-T100 is scheduled for official announcement on Thursday May 24th. If that’s indeed the case, you can be sure we’ll bring you detailed announcement coverage next week. In the meantime, you can find the (translated) Nokishita leak here with links to the cached spec sheet and product page.

    Articles: Digital Photography Review (dpreview.com)

  • How to Use Ordinary Items to Make DIY Photo Filters

    In photography, you can use filters in many ways to alter and/or enhance your images. But what if you don’t have any filters, or can’t afford the high prices to the top of the line ones? Time to rummage around the house for some things to make DIY photo filters!

    8 DIY photo filters you can make at home

    In this first video from COOPH, see how you can use some everyday things you likely have around the house to make some fun and interesting DIY photo filters.

    Keep in mind that you may not get top-quality images or award-worthy ones this way, but the point is to experiment and have some fun and see what you like. Then you can decide if you like a certain technique and will use it whether or not it’s worth investing in a more expensive filter.

    Make your own photo filters

    Next up is a video from CNET with a few more ideas for DIY photo filters.

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    Get some colored cellophane, a wine glass, some plastic wrap and a bit of Vaseline and you’re ready to give this a go.

    6 Creative photography tricks

    This last one isn’t so much about filters as it is things you can put in front of your lens (that’s kind of like a filter right?) to alter the image. Again, it’s about being creative, thinking outside the box and asking the question, “What if?”

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    How creative can you get? What other easy to find items have you used to make DIY photo filters or create other image effects? Please share in the comments below.

    The post How to Use Ordinary Items to Make DIY Photo Filters appeared first on Digital Photography School.


    Digital Photography School

  • This 7.3-gigapixel panorama ‘timelapse’ of London is made from 6,240 D850 pictures

    Photographer Henry Stuart has created a 24-hour panoramic timelapse image of London that combines 6,240 raw photographs to form a picture that contains over 7 billion pixels.

    Captured through a Nikon D850 and AF-S Nikkor 300mm F2.8 lens using a robotic mount by Nikon-owned robotics company Mark Roberts Motion Control (MRMC), the 155° view presents the city in an incredible amount of detail, with Nikon claiming that you can read signs up to 5 miles away from where the image was captured.

    The full frame
    A fully zoomed-in frame from the center of the picture above

    The Twenty Four Hour London project was taken on by Visualise—a company of virtual reality filmmakers—in partnership with Nikon UK and MRMC. The camera was supported and moved by MRMC’s Ulti-Head robotic camera mount, which allowed Stuart to repeat the exact shooting position—to pixel level, according to the release —for 260 shots per hour over the course of the 24-hour sequence.

    Once processed and stitched together, the resulting image allows viewers to pick the time of day and to zoom into the image to see the details of distant buildings—and even people relaxing inside their apartments!

    The concept was a commission for Lenstore, a UK vision-care company, to promote eye health. To see the full 7 gigapixel ‘timelapse’ for yourself, and explore London in all its glory, head over to the 24 Hour London website.

    Press Release

    World’s first 24-hour Gigapixel time-lapse panorama, captured with the Nikon D850 and MRMC’s robotic Ulti-Head

    24 Hour London is a unique collaboration between Lenstore, Nikon, Visualise and the Nikon-owned robotics company MRMC. Together they have created the biggest ever time-lapse of London’s skyline, taken from the roof of Canary Wharf’s One Canada Square.

    In total, over 6,240 photos were taken across a 155-degree view over 24 hours, and subsequently stitched together to create an incredibly detailed panorama, and the first gigapixel timelapse of London. This level of detail was achieved by combining a Nikon D850 and AF-S NIKKOR 300mm f/2.8 lens with MRMC’s robotic Ulti-Head to precisely repeat the same pattern of detailed photos 260 times an hour for 24 hours. The finished product allows you to see London change colours across the hours, from sunrise to sunset, with all the shades the capital has to offer in between.

    Commenting on the collaboration, Jeremy Gilbert, Marketing Director for Nikon Northern Europe said:

    We’re thrilled to be involved with this unique project. The Nikon D850 captured London in incredible detail in challenging conditions. Finding the best combination of camera, lens and precise motion-control was essential for this project and we are proud to have been integral to its success.

    The project was shot by Henry Stuart from Visualise, he had the following to say:

    Shooting gigapixel photos is hard – we have been shooting them for the Olympics, the World Cup, for events and places all around the globe. Each panorama is so large it needs specially built computers to process it. In this case, we had to build a special server system and network all of the workstations in our studio to the content so that we could stitch five of the photos at a time.

    To capture a photo like this you need a really capable camera – we used the Nikon D850. It has this beautiful big sensor and captures a huge range of light and dark (large dynamic range). This is so important when shooting panoramas where one part of the image is bright, such as towards the sun, and another is dark such as over the Thames. We shot everything on the camera’s ‘RAW’ setting, which keeps loads of extra information in the shots that you would usually lose.

    The 24 Hour London ‘Gigalapse’

    • The image is 7.3 Gigapixels (7,300 Megapixels or 7bn pixels), which is over 1000x more powerful than the camera on an iPhone X.
    • The Nikon D850 and Nikon AF-S NIKKOR 300mm f/2.8 lens combination delivered phenomenal detail – you can even read signs which are up to 5 miles away in the photo!
    • The robotic motion control technology using the MRMC Ulti-Head used to create the pinpoint accuracy of images, leading to every single pixel of every point in the panorama being the exact same position as the photos 24 hours earlier.

    Articles: Digital Photography Review (dpreview.com)

  • Report: Canon to release new 70-200mm F4L and F2.8L lenses next month

    Canon Rumors is reporting some big news if you’re in the market for a new 70-200mm lens. According to the rumor site, it’s a near certainty that Canon will be debuting two new 70-200mm lenses in early June: the Canon EF 70-200mm F4L IS II, and the Canon EF 70-200mm F2.8L IS III.

    Both of the current versions—the Mark I of the F4L and the Mark II of the F2.8L—are certainly due for an upgrade. The 70-200mm F2.8L IS II was released in 2010 and the F4L IS even farther back in 2006. Meanwhile, third-party manufacturers like Tamron and Tokina have released their own 70-200mm F2.8 and F4 lenses more recently, and Sigma confirmed to DPReview that it will release its much-anticipated 70-200mm F2.8 Art lens “not too far in the future.”

    In other words, early June would be a great time for Canon to get the jump on Sigma and fight back against the Tamron 70-200mm G2 that people have been so positive about.

    The good news is, this isn’t just a thin rumor. Canon Rumors says they can “100% confirm” that the 70-200mm F4L IS II is coming, and “95% confirm” that the 70-200mm F2.8L IS III will join it. Of course, as the rumor site points out, lens announcement and release dates can change at the last minute, but we’ll be keeping our fingers crossed for both these announcements in the coming month.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Tamron 28-75mm F2.8 FE face and eye-detect autofocus test

    The Tamron 28-75mm F2.8 Di III RXD for Sony FE cameras made a big splash when it was first teased back in February. People were intrigued by its small size and the new Rapid eXtra-silent stepping drive (RXD) AF motor; it even came up in our CP+ interview with Tamron, and we got to see the lens in person at the show.

    The lens isn’t going to be officially available for another week; however, photographer David Oastler was able to get his hands on a copy and, while he wasn’t allowed to take photos with it, he was allowed to put it through it’s autofocus paces to see how that RXD motor holds up.

    What Oastler really wanted to see is how well the Eye and Face-detect autofocus from the Sony FE body would perform through this third-party lens that was, ostensibly, designed from the ground up to work on this full-frame mirrorless system. While the video isn’t the best quality (a bit of glare) you can still see, and Oastler tells you, that the lens performs exceptionally well. In fact, Oastler goes so far as to say he noticed no performance difference between the Tamron and his own Sony-native lenses.

    Tamron promised as much when it released the lens, calling it “quiet, precise, and exceedingly quiet.” But it’s nice to see a real-world test confirm these claims.

    We’ll be trying to get our hands on a Tamron 28-75mm F2.8 Di III RXD as soon as humanly possible for our own in-depth testing. But in the meantime, if you’re interested in picking up this $ 800 USD lens when it ships at the end of next week and you want to see how its AF motor performs IRL, check out Oastler’s video at the top.

    Articles: Digital Photography Review (dpreview.com)

  • Venus Optics Laowa 9mm F2.8 Zero-D sample gallery

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    The Laowa 9mm F2.8 Zero-D is an ultra-wide lens for APS-C mirrorless cameras designed with minimal distortion. Available in Canon M, Fujifilm X and Sony E-mount it provides a 13mm equivalent focal length and a surprisingly fast F2.8 maximum aperture, given its wide angle of view. We took an E-mount version of the lens out for a spin on the a6500 – take a look at the results.

    See our Venus Laowa 9mm F2.8 Zero-D sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • Fujifilm rolls back firmware 4.0 for the Fuji X-T2 due to ‘malfunctions’

    Last week, Fujifilm released firmware version 4.0 for the Fuji X-T2, which brought the two-year-old camera almost on par with the newly-released Fuji X-H1. The update was hailed as yet another phenomenal example of Fuji’s ‘Kaizen’ policy, but we may have all jumped the gun. Today, Fuji rolled back the update after users who had updated discovered some major issues with v4.0.

    The roll back was announced in a note on Fuji’s website, where General Manager Toshi Iida writes:

    It has been brought to our attention that there are a few issues with the recently released X-T2 ver 4.00 firmware update. We have therefore taken the difficult decision to remove the update from the website until we are confident that all the issues have been completely fixed.

    We deeply apologize for any inconvenience and disappointment this has caused.

    The malfunctions listed include issues converting RAW files captured by the X-T2 before firmware 4.0 was released, live view flickering under certain conditions, and the rare chance of a “hang-up” while shooting.

    The good news is that Fuji has “identified the problem” and are planning to re-release the much-anticipated update “as soon as we can.” The bad news: for now, it’s highly recommended you “update” to version 4.01, which is actually a roll back to the stable version 3.0.

    Finally, due to this hiccup, Fujifilm has also announced that planned firmware updates for the GFX 50s, X-H1, and X-Pro2 that were due out later this month have been delayed so Fuji can more thoroughly test them.

    Read the full release notes for this roll back below, or visit the Fujifilm website to download Firmware v4.01.

    Release Notes

    To all loyal Fujifilm X Series customers and photographers,

    It has been brought to our attention that there are a few issues with the recently released X-T2 ver 4.00 firmware update. We have therefore taken the difficult decision to remove the update from the website until we are confident that all the issues have been completely fixed.

    We deeply apologize for any inconvenience and disappointment this has caused.

    Sincerely yours,

    Toshi Iida
    General Manager
    Optical Device and Electronic Imaging Products Division
    Fujifilm Corporation, Tokyo, JAPAN


    Details of the Problem

    We have discovered malfunctions in the firmware ver.4.00 released on May 8 2018. They are as follows:

    1. When RAW files, which were taken by X-T2 (before firmware ver.4.00), are converted in camera (ver.4.00) or by “FUJIFILM X RAW STUDIO”, they are not converted properly.
    2. When pressing the shutter button halfway under certain conditions, the live view can flicker.
    3. In rare cases, a hang-up can occur.

    We have identified the cause and plan to release the upgraded firmware to address the malfunctions as soon as we can.

    In the meantime, for customers who have upgraded the firmware to ver.4.00, the firmware ver.4.01*, whose functions are same as ver.3.00, have been posted on our website. Please download it and update your camera.

    • *Ver.4.01 doesn’t include the additional functions of ver.4.00.

    Again, we sincerely apologize for the inconvenience caused.

    [ X-T2 Ver.4.01 Download page ]

    • X-T2 Camera Body Firmware Update Ver.4.01

    Note

    We announced the firmware update for GFX 50S, X-H1 and X-Pro2, which was planned in May 2018, on the Global website on 12 Apr 2018. However, it will be postponed because we need more time to check the firmware for the three models. For detail, we will inform you later.

    Articles: Digital Photography Review (dpreview.com)

  • Video: How to safely and legally fly with camera batteries

    Photography tutorial website The Slanted Lens has published a useful YouTube video guide on how to fly with lithium-ion camera batteries. These batteries are known for their volatility, an issue that reached mass public awareness during the Samsung Galaxy Note 7 recall. The FAA likewise raised concerns last year over lithium-ion batteries in checked luggage, citing their potential fire risk.

    In its video, The Slanted Lens outlines all of the different types of batteries photographers may fly with, including ones installed in devices and standalone/spare li-ion batteries. Though some devices with built-in lithium-ion batteries can be packed in checked luggage, the team explains, the TSA requires others—such as a spare/standalone battery—to be packed in a carry-on.

    It’s a useful guide if you ever fly with your camera, and especially if you fly to shoots with multiple cameras, spare batteries, drones, etc. Check it out for yourself up top, see a written version of the guide here, and if you’re even more curious, the FAA also has a guide on batteries, which you can find here.

    Articles: Digital Photography Review (dpreview.com)