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  • Qualcomm shows off 4K HDR video captured on a smartphone with its Snapdragon 855 processor

    To show off the incredible image capabilities of its latest smartphone chipset, Qualcomm has shared a 4K HDR video filmed on a prototype smartphone powered by its Snapdragon 855 Mobile Platform.

    The video, which was filmed in Maui, Hawaii during Qualcomm’s Snapdragon Tech Summit in December 2019, was captured on a development platform—effectively a prototype smartphone—equipped with Sony’s 22.5-megapixel IMX318 image sensor at the heart of it. The footage was shot in the HDR 10 format with 10-bit color depth and in the Rec. 2020 color gamut. It’s worth noting the Snapdragon 855 is actually capable of both recording and playing back HDR 10+, which uses dynamic metadata instead of static metadata to provide more accurate rendering, so newer smartphones with even better image sensors could technically pull more impressive footage than what’s shown in the above video.

    A screenshot from Qualcomm’s spec sheet that shows the photo and video capabilities of its 855 processor.

    Qualcomm notes in its explainer blog post that the footage captured with compatible smartphones works with YouTube HDR, so it’s ready to share in its full dynamic range glory straight from compatible devices. Below are a few behind-the-scenes photos of the video shoot on Maui:

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    According to Qualcomm’s website there are 11 smartphones currently confirmed to be using the Snapdragon 855 chipset: the OnePlus 7 Pro 5G, OPPO Reno 5G, ZTE Axon 10 Pro 5G, Motorola Moto z3 with 5G Moto Mod, LG V50 ThinQ 5G, Xiaomi Mi MIX 3 5G, Samsung Galaxy S10 5G, Sony Xperia 1, LG G8 ThinQ, Xiaomi Mi 9 and Samsung Galaxy S10. However, not all of those are confirmed to support the 4K HDR video capabilities, as it’s up to the device manufacturer to make use of the Snapdragon 855’s video capabilities.

    Articles: Digital Photography Review (dpreview.com)

  • Top 5 Best Leica Digital Cameras

    The digital era is here and photography has taken many strides into the future of artificial intelligence, thanks to camera lenses that beat human imagination. That is not all. There are many different brands to choose from such as Nikon, Canon, Sony, Olympus among others. But, does it mean everything you are going to buy should be automated and have Continue Reading

    The post Top 5 Best Leica Digital Cameras appeared first on Photodoto.


    Photodoto

  • US visa applicants must soon submit social media accounts including Flickr, Instagram

    The majority of U.S. visa applicants are now required to submit social media handles/usernames as part of their applications. This requirement, which was billed as a necessity for national security by the State Department, includes Instagram and Flickr among the 20 social platforms listed on its online application form.

    The new requirement applies to both tourism and immigration visas, according to the Associated Press, which reports that in addition to select social media accounts from the past five years, applicants are also required to submit previous email addresses and phone numbers. The requirement was proposed in early 2018.

    The State Department includes a number of popular social media services on its application form, including Instagram, Facebook, Twitter, Reddit, YouTube, Flickr and even the mostly defunct Google Plus and Myspace. A few social networks popular outside of the U.S. are also included, such as China’s Sina Weibo and Russia’s Vkontakte.

    According to a report from The Hill, ‘Applicants will have the option to say that they do not use social media if that is the case. The official noted that if a visa applicant lies about social media use that they could face “serious immigration consequences” as a result.’

    Articles: Digital Photography Review (dpreview.com)

  • The North Face flooded Wikipedia with product images to manipulate Google ranking

    Last week, The North Face and ad agency Leo Burnett Tailor Made published a video detailing the company’s exploitation of Wikipedia as part of an ad campaign. The exploitation, according to the company’s video, involved swapping Wikipedia images of various destinations with new images that prominently featured The North Face gear.

    The oddly boastful video puts forth the following question: How can a brand be the first on Google without paying anything for it? The rest of the video details how The North Face pulled off its stunt, including sending photographers to capture original images of people using the company’s gear in ‘adventurous’ locations.

    The Wikipedia pages for these high-tourism destinations, the video notes, often appear at the top of the first Google search results page; the first images found on these pages are often at or near the top position on Google Image Search, as well.

    As part of its manipulation, The North Face swapped the first images in these Wikipedia pages with its own original photos of the destinations — ones that prominently featured apparel, backpacks, and other products.

    In pulling this stunt, the video brags that The North Face was able to manipulate Google Image Search into ranking its promotional content near the top of its results for these destinations.

    A screenshot of the Guarita State Park Wikipedia page before North Face added its own photos.

    The companies seemingly acknowledged the unacceptable nature of the activity to AdAge, reportedly stating the ‘biggest obstacle’ for the ad campaign was replacing the images ‘without attracting the attention of Wikipedia moderators.’ As well, the video at one point states that The North Face was ‘collaborating’ with Wikipedia in this effort, something Wikimedia Foundation addressed in a blog post.

    A screenshot of the Guarita State Park Wikipedia page after North Face added its own photos.

    The non-profit organization called the ad campaign an unethical manipulation of Wikipedia, saying, ‘They have risked your [the public’s] trust in our mission for a short-lived marketing stunt.’

    ‘Wikipedia and the Wikimedia Foundation did not collaborate on this stunt, as The North Face falsely claims,’ the non-profit states in its blog, comparing the ad campaign’s image manipulation to ‘defacing public property.’ As expected, Wikipedia proceeded to remove some of The North Face’s images from articles and to crop its logo out of other images.

    Wikimedia Foundation said:

    When The North Face exploits the trust you have in Wikipedia to sell you more clothes, you should be angry. Adding content that is solely for commercial promotion goes directly against the policies, purpose and mission of Wikipedia to provide neutral, fact-based knowledge to the world.

    For its part, The North Face published a lackluster apology on Twitter, stating:


    Articles: Digital Photography Review (dpreview.com)

  • Unreleased Sony 200-600mm F5.6-6.3 G OSS FE lens prototype appears on auction website

    Last month, a rumor surfaced that Sony has a new ‘wildlife/sports’ lens announcement scheduled for the first week of June. Following that leak, a new Sony 200-600mm F5.6-6.3 G OSS FE lens prototype appeared for sale on Yahoo! Japan’s auction website for 20,000 JPY ($ 185 USD). A number of images were included with the auction, which detailed the lens as ‘junk / for parts.’

    The auction went live on June 1 and ended at a price of 31,500 JPY ($ 291 USD) on June 2. The prototype’s origins remain a mystery; the product was listed as slightly disassembled with ‘unconfirmed’ functionality. No box or accessories were included with the product, fueling speculation that the prototype was either stolen or found discarded.

    The lens visibly contains Sony branding, as well as the model info stamped into the housing. The company hasn’t commented on the auction, which is still visible on Yahoo! Japan, but no longer open to bidding. It’s unclear whether the prototype was sold or the auction was cancelled. At this time, the lens doesn’t officially exist.

    Articles: Digital Photography Review (dpreview.com)

  • Gear: AFIDUS ATL-200 Time-Lapse Camera Introduction

    The post Gear: AFIDUS ATL-200 Time-Lapse Camera Introduction appeared first on Digital Photography School. It was authored by Sime.

    I don’t know how many of you have looked into long-term time lapse before now, but I’m renovating my house and I scoured the web for a solution that was simple to setup and use, and more economical than the ones I found.

    Skip forward a few months and this is something we spotted at NAB this year!

    An amazing little time lapse camera that is very big on features, but remains very economical on price – The AFIDUS ATL-200.

    I wanted to write up an overview of this product for any of you that might be interested. A Macro Time Lapse of a plant growing, or your house being renovated, the possibilities are mostly limitless…

     

    The camera was pointed out to me by my friend and filmmaker buddy, Lee Herbet. And then it went and won itself NAB Product of the Year! (Congrats!) To me, as a photographer first, what makes this little camera so appealing is its feature set.

    Specifications at a glance

    • Full HD Sony Sensor 1080p
    • Optical zoom equiv. of a 16-35mm lens
    • Wifi App controlled
    • IP65 weather resistant
    • System timer
    • Motion Detection
    • Pinch Zoom
    • MP4 Video output
    • Macro function
    • One Touch Autofocus
    • Wild battery life – weeks to months!

    (Full spec here)

    Features at a glance

    • The lens has a macro capture feature. With the camera inches away from your subject, you can fill the frame with perfect clarity.
    • Sony Exmor IMX sensor with HDR. Select the HDR amount within the app for great contrasts between bright and dark areas of your scene.
    • Built-in PIR motion detection. This is a great feature. Capture animals, traffic, pedestrian movement and more.
    • One tap autofocus with manual tap precision. If focus is off, manual saves the day and there is a focus calibration feature in the app.
    • 16-35mm DSLR equivalent, optical zoom lens. Yes, the lens zoom actually moves within the camera.
    • Full Wi-Fi app control. Press the camera button, connect to it with the Wi-fi signal on your phone and open the app. In seconds, you have complete control of your camera on your phone. IP65, which means dust protected and water splashing will have no effect on the camera. There is no need to purchase an optional housing with the ATL-200.

    I was looking around for a solution to capture my home renovation a few months back. While there are a handful of different systems on the market, for me, they were quite cost restrictive. Whereas, the ATL-200 comes in at $ 389.00, which is much easier on the bank account.

    There are a couple of the system’s features that really appeal to me. One is the system timer, which means you can set it up so that it captures your time lapse during the day while the workmen are on-site. It doesn’t fill your card with all the overnight photos where nothing is happening.

    The ATL200 has a macro mode, too. So it can do some really creative things (I’m thinking of things like watching little critters in a garden). Also, it’s weather resistant, so just sit it in the dirt and off you go! Alternatively, capture a plant growing, or that sort of thing!

    One of the real highlights is that the camera takes regular batteries. A set of four AA batteries will last you 45 Days at the 1-minute interval, 80 days at the 5-minute interval (8 hours a day). This is really quite amazing and great for long term time lapse. No special batteries required, and you can use rechargeable batteries, of course.

    Here are a couple of example videos:

    While we don’t have our own video made in-house just yet, we’re looking forward to trying the ATL-200 camera on a project very soon! For such a feature set at this price, this could be a really great addition to your content creation toolbox.

    Find out the full tech spec and details here.

     

    The post Gear: AFIDUS ATL-200 Time-Lapse Camera Introduction appeared first on Digital Photography School. It was authored by Sime.


    Digital Photography School

  • Apple used an unreleased 8K Canon cinema camera to show off its Mac Pro, Pro Display XDR

    During the launch of Apple’s new hardware and software yesterday at the World Wide Developers Conference (WWDC) 2019 an unreleased 8K Canon video camera was used to capture high resolution footage to demonstrate the quality of the new Pro Display XDR. The video camera was mounted on a robotic arm and was feeding the Apple display with 4:4:4 ProRes 8K raw video via an Atomos Shogun, according to tech YouTuber Jonathan Morrison who live streamed from the event.

    During his video the Apple rep refers to the camera on the robotic arm as an ‘unreleased 8K Canon camera’ and from the clips it is easy to see it is designed in the style of the company’s C series. Interestingly, it appears to be mounted with a Sigma 18-35mm T2 in the EF mount. The relevant portion of the video is at roughly the 10:55 mark in the video below:

    Canon has featured 8K demonstration cameras and displays in the past at its Canon Expo events, but this is the first time it has allowed the technology to be shown outside of the ‘showcase’ environment, and in a body form that we would recognize.

    Articles: Digital Photography Review (dpreview.com)

  • Are Your Photos Safe in the Cloud? The Real Cost of Using these Services

    The post Are Your Photos Safe in the Cloud? The Real Cost of Using these Services appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

    Are Your Photos Safe in the Cloud? The Real Cost of Using these Services - Digital Photography School

    From professionals to amateurs and hobbyists, to kids just getting started with their first camera, one issue remains constant: how to store photos. If you shoot with your mobile phone, you’ve likely encountered a “Low on storage space” error message at least once. If you use a desktop computer or laptop, there’s a good chance you’ve had to deal with ever-shrinking hard drive space due to an increasing abundance of photos. One option that seems ideal is to use the cloud-based options that have become so prevalent in recent years.

    However, if you value data privacy, you might want to think twice before uploading your images to popular online services.

    Some are free, but the hidden costs could far outweigh the benefits.

    It’s difficult to come up with a perfect answer to the question of whether or not your photos are safe in the cloud because there are so many variables to consider.

    I’m going to examine some of the more popular options for photographers. I’ll dive into their Privacy Statements and Terms of Service documents to see what they really do with your pictures.

    Hopefully, this will give you the information you need to make an informed decision about where to store your photos.

    Cloud storage can be a great option for your images, but make sure you know what you’re agreeing to when you upload your photos.

    1. Google Photos

    Originally part of the Google+ social platform, Google decoupled this service to operate as a standalone offering in May 2015. Some of its greatest benefits, which also help make it one of the most popular options for photographers, involve storage limits – or lack thereof.

    Anyone with a Google account can upload unlimited JPEG files up to 16-megapixels in size, and unlimited videos up to 1080p in resolution.

    Google automatically analyzes your photos for people, objects, and locations that you can search for. There are also options such as shared albums and access from a variety of devices that make the service even more attractive. Indeed, Google Photos seems like a no-brainer, and there is a lot to like about it no matter what type of photographer you are. It’s also the default option on most Android phones, so you might be using it unawares.

    Google’s algorithms can automatically recognize people, objects, and even pets.

    Things start to get a little murky when you dig deeper, though. Google’s Terms of Service is lengthy, but one tidbit that’s worth pondering has to do with the rights you grant to Google when you upload images to Google Photos or store any other data in your Google account:

    You give Google (and those we work with) a worldwide license to use, host, store, reproduce, modify, create derivative works (such as those resulting from translations, adaptations or other changes we make so that your content works better with our Services), communicate, publish, publicly perform, publicly display and distribute such content. The rights you grant in this license are for the limited purpose of operating, promoting, and improving our Services, and to develop new ones.

    This means that Google can use any pictures you upload to Google Photos for, among other things, promoting their services and developing new ones.

    Google goes on to say that their software analyzes your data, including photos and email, to provide you “tailored advertising” in addition to checking files for viruses and scanning emails for spam.

    Don’t be surprised if you upload pictures like this to Google Photos and then start seeing ads for pet stores online.

    This gives me pause as a photographer. On the one hand, it’s nice knowing that all my images are automatically scanned and analyzed by Google’s artificial intelligence algorithms. It makes it easier to organize, sort, and search for pictures. But all that information is also being used to tweak the ads I see in my daily online browsing. By providing photographers with free photo storage, Google is also providing itself with billions of data points to help send advertisements to everyone who is using their storage.

    Should you be worried?

    Google is serious about privacy, and it works hard to limit the ways in which your data is shared with other companies. Its Privacy Policy is pretty clear on how they protect your data from bad actors, but rest assured Google is definitely getting plenty of data from your photos that they use internally. And don’t be surprised if you take photos of your new sneakers, upload them to Google Photos, and then start seeing ads for Nike and Reebok when you surf the web. If that’s fine with you, then go ahead and use Google Photos and enjoy the benefits that come with it.

    The sharing options in Google Photos make it easy to share pictures with family and friends.

    2. Apple Photos

    While not exactly known for social sharing, Apple Photos is used by so many people simply because it’s the default option on most Apple devices, including iPhones. Many people store at least some of their photo library using Apple’s cloud-based offering, even if it’s just to sync with their other devices and not store permanently. In terms of data-mining and analysis, Apple takes a much more locked-down approach than Google, which they explain in their Privacy Policy as well as their Approach to Privacy.

    Apple Photos is great for storing snapshots from your iPhone and can be used for DSLR images too.

    Apple doesn’t make money from advertising, and all the analysis of your photos is performed on your phone and not in the Cloud, so Apple doesn’t really know what’s in your photos at all.

    Whether you’re taking a photo, asking Siri a question, or getting directions, you can do it knowing that Apple doesn’t gather your personal information to sell to advertisers or other organizations.

    The Memories and Sharing Suggestions features in the Photos app use on-device intelligence to scan your photos and organize them by faces and places. This photo data is shared between your devices with iCloud Photos enabled.

    The downside of Apple Photos is that, unlike Google and other vendors, the free storage option is so minimal it’s almost nonexistent. Everyone with an iCloud account, which you need to use most Apple devices, gets 5GB of storage space for everything, including photos, documents, and other data. That’s not much, and it fills up quickly! Additional storage options are cheap, such as 99 cents/month for 50GB, but that’s a far cry from Google’s unlimited free option.

    Apple Photos is convenient and secure, but you’ll run out of room real fast on the free tier.

    Should you be worried?

    Like Google, Apple is serious about the privacy of your data, but they go a step further in that Apple doesn’t even know what’s in your photo library. They don’t scan or analyze your images in the Cloud, especially not for training their Artificial Intelligence algorithms or selling advertising. However, the tradeoff is that you will run out of room really fast unless you don’t mind spending money on storage space.

    3. Amazon Prime Photos

    If you pay for Amazon Prime, you automatically have access to unlimited storage of full-resolution photos, plus 5GB of video storage. This can be a huge benefit to photographers of all stripes who want a secure place to store their pictures without worrying about intrusive advertising and data analytics. Amazon also has apps available for desktop and mobile that let you automatically upload your pictures.

    If you pay for Amazon Prime, you have unlimited secure storage for photos.

    When you upload photos to your Amazon account, they are automatically analyzed for faces, locations, and objects. This can be disabled, but Amazon clearly states that this data is only used for organizing your photos and not given to third parties.

    Amazon doesn’t share your photos or any of the data derived from our image recognition features. Labels and data are only used to help you better organize and find photos in your collection.

    There are other benefits to using Amazon Prime Photos as well, such as easy-to-use methods of ordering prints and creating albums that can be shared with others. However, as a photographer, you need to know that the Terms of Use specifically forbid you from using Amazon Prime Photos in a commercial capacity:

    You may not use the Services to store, transfer, or distribute content of or on behalf of third parties, to operate your own file storage application or service, to operate a photography business or other commercial service, or to resell any part of the Services.

    Amazon Prime Photos offers unlimited storage space, but their Terms of Use contains some notable restrictions.

    Should you be worried?

    Amazon doesn’t make any money off your photos or the metadata contained in your photos, and the security of Amazon’s data centers is as good as anything. If you already pay for Amazon Prime, this option is certainly worth exploring. However, you might want to investigate some of the automatic analysis options to make sure it’s not scanning your images in a way you don’t want.

    4. Facebook and Instagram

    Facebook owns Instagram and applies the same data policies to both platforms, so what applies to one also applies to the other. It’s so common to take photos and upload them to Facebook and Instagram that, for many people, these have become their de facto storage option for images. That’s not necessarily a bad thing, as Facebook lets you easily share your pictures and also analyzes them for people and places that can be useful when sorting through your images.

    Facebook and Instagram are great for sharing photos. However, any data that can possibly be gleaned from them will likely be used for advertising purposes.

    Since these platforms are free, and used by so many people around the world, it can be hugely beneficial for photographers or casual shooters to store their photos in Mark Zuckerberg’s cloud. Things start to get a little hazy when you start to dig through Facebook’s Data Policy.

    We collect the content, communications and other information you provide when you use our Products, including when you sign up for an account, create or share content, and message or communicate with others. This can include…the location of a photo or the date a file was created. Our systems automatically process content and communications you and others provide to analyze context and what’s in them.

    That’s just the beginning.

    The full Data Policy describes dozens of ways in which Facebook scrapes through your photos and the rest of your data. The company makes money from advertising, and it’s clear that they will analyze and evaluate every possible data point in your photos as much as it can to benefit itself.

    Facebook won’t share your personal information with advertisers, but upload photos like this and you’ll likely start seeing ads for baby products.

    This information is primarily used for advertising and helps Facebook customize the ads and other content you see across its services. However, the degree to which Facebook lets third-parties have access to your information is uncertain. Many recent scandals, such as the Cambridge Analytica data breach, have shown that Facebook clearly has some issues regarding data privacy. However, in recent months, the company has taken a much more aggressive stance on privacy – at least publicly.

    Should you be worried?

    If privacy and security are your main concerns, I would recommend staying away from Facebook for a lot of photo storage. While things might change in the future, for now, it’s best to assume that your photos are not going to have the same level of privacy as other platforms. You also need to double-check your account settings to make sure that only the people you want to see your photos can view them.

    5. Flickr

    With its recent acquisition by SmugMug, Flickr has seen a resurgence among photographers. Despite having a limit of 1000 photos for the free tier, it can be a good option if you value quality over quantity. The site has a freemium business model, which means that you can use the basic version for free but pay for more features if you want them. The free tier is supported in part by those who pay for the Pro version, but like a lot of other sites, advertising supports it.

    Flickr collects a great deal of information about you and your photos, and its Privacy Policy is certainly worth a look if you want to use the site. They log and store information that you provide them when you sign up for an account, but also a great deal of information in the background too.

    We collect information about the computer or mobile device you use to access our Services, including the hardware model, operating system and version, screen resolution, color and depth, device identifiers and mobile network information.

    When you upload a photo with geographical data (i.e. from a mobile device) or manually geotag your photo, we collect the location of that photo. With your consent, we collect information about your location if you take a photo within the Flickr mobile application to add to your photo’s metadata.

    Like other platforms, Flickr will automatically analyze your photos using its own artificial intelligence.

    Flickr also stores and analyzes EXIF data in your pictures such as camera model, focal length, shutter speed, and more. Like Google, they also use image-recognition technology to automatically analyze and tag your photos. This helps in searching through your images, but it can feel a little Orwellian too.

    Advertisers get a lot of data from Flickr, and there’s not much you can do to control it. Flickr suggests that you use on-device options such as “Limit Ad Tracking” features on your mobile phone, but that has nothing to do with the wealth of information the company is getting from your photos. Whether you like it or not, your images on Flickr are being used to help Flickr maintain and grow its business.

    One interesting element of Flickr that most other platforms don’t have is the ability to change the license on your photos. While this won’t affect privacy or data security settings, it is a good way to help make sure others use your images in a way that you want.

    Should you be worried?

    Flickr has a better track record compared to Facebook, but just know that your photos will certainly be analyzed for advertising purposes.

    Flickr is more widely used for artistic and creative photos as opposed to family, child, and friend photos.

    6. Dropbox

    As one of the pioneers in mass storage solutions for consumers, Dropbox has become a good option for photographers who want to store and even share their images. Their free option only gives you 2GB of storage, but that’s enough for hundreds or even thousands of photos, depending on the resolution and size. They make money from selling a service, not from advertising, and as a result, your images are about as close to secure and private as you will ever find.

    Dropbox offers a range of benefits for privacy-focused photographers.

    Their Privacy Policy states that Dropbox collects some basic information such as file size, time/date stamps, and device information but not much more. They don’t really care what files you store on Dropbox so long as they’re not illegal. (And like other services, they have to comply with court orders to hand over files when necessary.)

    We collect and use the personal data described above in order to provide you with the Services in a reliable and secure manner. We also collect and use personal data for our legitimate business needs. To the extent we process your personal data for other purposes, we ask for your consent in advance or require that our partners obtain such consent.

    We may share information as discussed below, but we won’t sell it to advertisers or other third parties. Dropbox uses certain trusted third parties (for example, providers of customer support and IT services) to help us provide, improve, protect, and promote our Services. These third parties will access your information only to perform tasks on our behalf in compliance with this Privacy Policy, and we’ll remain responsible for their handling of your information per our instructions.

    Should you be worried?

    Nope. When it comes to data security, Dropbox is one of the best in the business. You can rest assured that nothing in, or about, your photos will be analyzed, tracked, or given to advertisers or other third-parties. You have to pay to move beyond the 2GB free tier, but it’s money well spent if you value data privacy and security.

    Dropbox comes with a price if you want more than 2GB, but it can be well worth it depending on your needs.

    Conclusion

    There’s never going to be a one-size-fits-all option when it comes to cloud storage. Whatever option you choose, if you do want to store your images online, it’s a good idea to read through the relevant privacy and data policies to make sure your images aren’t being used in a way that you don’t want. There are plenty of options I didn’t even touch on here, and if you have a bit of time and technical acumen, you can even create your own cloud storage options using computer hardware at home.

    All cloud-based services have benefits and drawbacks. Make sure you find one that fits what you need.

    Make sure to do your due diligence when choosing a cloud service provider. If a free option catches your eye, you might want to dig a little deeper to find out just why it’s free and what they are doing with your photos. Also, if you value security and privacy, it might be worth it to spend some money on a solution that really does work for you.

     

    The post Are Your Photos Safe in the Cloud? The Real Cost of Using these Services appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


    Digital Photography School

  • Fujifilm GFX 100 added to studio test scene

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    Fujifilm’s GFX 100 is equipped with an all-new, 100MP backside-illuminated CMOS sensor with dual-gain architecture. Not only does this sensor offer outstanding resolution, it also promises to exceed the capabilities of today’s best full-frame cameras when it comes to high ISO image quality and Raw dynamic range.

    We’ve been shooting with a pre-production GFX 100 with near-final firmware for a while now, and as part of our ongoing review we’ve updated our studio scene database so you can see how it compares. Please note that these images may be replaced when we have access to final firmware and / or a final shipping sample of the GFX 100 in the coming weeks.


    Images shot using a pre-production Fujifilm GFX 100 and published with permission. Image quality may not exactly represent exactly the output from final shipping cameras but is likely to be extremely close.

    Articles: Digital Photography Review (dpreview.com)

  • Apple’s new Mac Pro and 32″ 6K Retina display are a match made in media heaven

    Apple unveiled more than software at its World Wide Developers Conference (WWDC) 2019 today. In addition to iOS 13, iPadOS and macOS Catalina, the Cupertino-based company also announced the Mac Pro and the Pro Display XDR.

    Mac Pro

    Six years after Apple announced its barely-upgradeable cylindrical Mac Pro, aptly dubbed the ‘trash can,’ Apple took WWDC 2019 as an opportunity to unveil its most powerful, modular Mac Pro to date.

    While undoubtedly new, the overall design is reminiscent of Apple’s original Mac Pro, complete with the ‘cheese grater’ vents, which are specifically machined to allow maximum airflow through the tower. However, unlike the original Mac Pro, this modular monster can shed its shell to offer complete 360-degree access to the internals, which are mounted on what Apple calls a ‘stainless steel space frame’ that serves not only as the skeletal structure of the computer but also as the handles and feet when the aluminum enclosure is slipped over it.

    At the core of the Mac Pro is Intel’s new Xeon processor with up to 28 cores, a dedicated 300W power supply and robust cooling that keeps to the computer running ‘unconstrained at full power at all times’ when required to do so. Apple has included eight PCI Express slots (four double-wide and four single-wide), twelve six-channel memory slots for a maximum 1.5TB of RAM and a slew of various USB ports, including two USB-A ports and two USB-C/Thunderbolt 3 ports on the rear of the tower with two addition USB-C ports on the top of the case for easier access.

    In addition to the tower itself, Apple has also created three modules that are specifically designed to interface with the Mac Pro: the MPX Module, the ‘Afterburner’ video card and an I/O module.

    The MPX Module is a quad-wide PCIx card that houses two AMD Radeon Pro Vega 2 or Radeon Pro Vega 2 Duo GPUS, its own heat sink and a Thunderbolt 3 connector that plugs directly into the motherboard for maximum speed. If maxed out with the two Radeon Pro Vega 2 Duo cards, the MPX Module alone could provide up to 128GB of High Bandwidth Memory (HBM2) from the GPUs inside.

    Apple’s ‘Afterburner’ module

    Apple’s new ‘Afterburner’ is a hardware accelerator card with a field-programmable gate array (FPGA) or a Programmable Application Specific Integrated Circuit (ASIC). Apple claims the ‘Afterburner’ card can process up to 6.3 billion pixels per second and is capable of handling up to three streams of 8K ProRes RAW or 12 streams of 4K ProRes RAW at 30fps. As Apple puts it, ‘Proxy workflows, RIP.’ The last one is an I/O module that adds two additional USB-C / Thunderbolt 3 ports, two USB-A ports and a 3.5mm audio jack.

    Apple has fitted the Mac Pro with a 1.4kW power supply and a specialized fan arrangement that actively cools the components using three fans at the front of the tower and a blower at the rear to push up to 300 cubic feet of air per minute through the 3D lattice grills on the front and rear of the tower.

    The updated Mac Pro is set to launch this fall starting at $ 5,999, which will get you the eight core Intel Xeon CPU, Radeon Pro 580X GPU, 32GB of RAM and a 256GB SSD. Apple hasn’t specified what a fully maxed-out Mac Pro would cost, but based on a brief analysis from The Verge, it’s looking like it could top out at around $ 50,000 going by the current market price of the various components.

    Pro Display XDR

    Of course, what would a powerful desktop computer be without a beautiful screen to compose, create and review your work on it with? Years after leaving the display market, Apple is back—and it’s created a display that’s just as (if not more) crazy than its Mac Pro counterpart.

    It’s called the Pro Display XDR and it’s a 32in 6K Retina (6016px x 3384px, 218ppi) HDR display that brings the best features of high-end reference monitors and manages to pack said features into a more compact, affordable (comparatively speaking) frame that offers the convenience of more traditional monitors.

    The Pro Display XDR features 10-bit color depth, P3 wide color gamut, 576 zones of full-array local dimming and 1,000,000:1 contrast ratio on a screen that has sustained 1000-nits brightness (with the ability to achieve 1600-nits at its peak). This is done with the help of an in-factory calibration that custom defines algorithms to achieve the most accurate color rendering possible.

    An illustration from Apple’s keynote showing the layers that go into making the Pro Display XDR.

    To keep the monitor cool, Apple took the same 3D grill from the Mac Pro and effectively turned the entire rear of the display into a giant heat sink for maximum heat dissipation.

    Every Pro Display XDR comes with an ‘extremely low reflectivity’ screen, but Apple has also created a new matte option that uses ‘nano-texture glass’ to further scatter and light and reduce glare. In Apple’s own words:

    ‘Typical matte displays have a coating added to their surface that scatters light. However, these coatings lower contrast while producing unwanted haze and sparkle. The nano-texture on Pro Display XDR is actually etched into the glass at the nanometer level.’

    Other features of the display include integrated reference modes—HDR video (P3-ST 2084), Digital Cinema (P3-DCI) and Photography (P3-D65)—and Apple’s True Tone technology to adjust the monitor depending on the ambient lighting conditions.

    Apple has paired the Pro Display XDR with the optional Pro Stand, a dedicated stand for the display that uses a specialized hinge mechanism to make raising, lowering, tilting and rotating the screen easy enough to do with one hand. The monitor snaps on using a magnetic connection on the back and can easily be swapped out with a VESA mount adapter for more customized mounting options.

    In case that new house wasn’t looking as enticing as you would hope, you could go ahead and drop what was going to be your downpayment on six Pro Display XDR monitors.

    The Pro Display XDR relies on a Thunderbolt 3 cable to connect with the new Mac Pro, which can drive up to six of these things for a mind-numbing 120 million combined pixels.

    The standard Pro Display XDR is expected to ship this fall for $ 4,999, with the nano-glass version costing $ 1,000 more at $ 5,999. The optional Pro Stand will set you back another $ 1,000, while the VESA mount adapter will be a slightly more reasonable $ 199.

    While the pricing seems ridiculous, the display itself is on par—if not more capable—than many professional reference monitors that retail for five times the price. The stand feels like a bit of a money grab at $ 1,000, but the $ 199 VESA mount is a much more reasonable option and should yield more flexibility in the long run anyway.

    For more information on the Pro Display XDR visit Apple’s product page.

    Articles: Digital Photography Review (dpreview.com)