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  • Profoto’s B10 Plus flash with twice the power—and half the battery life—of its predecessor

    Lighting manufacturer Profoto has launched a new version of its B10 miniature flash head that offers twice the output of the original model. The Profoto B10 Plus weighs only a pound more than the original and is just over two inches longer, but it provides a maximum output of 500Ws compared to the 250Ws of the B10.

    The new head runs off the same lithium ion battery and accepts the same accessories as the B10, and has the same 2500 lumen modeling light with adjustable color to suit videographers working in a range of lighting conditions. In fact, all the features are the same including wireless radio control, TTL exposure and high speed sync with shutter speeds as short as 1/8000sec. The only other difference, of course, is the number of full power bursts achievable per charge – which drops from 400 in the B10 to 200 in the B10 Plus.

    The Profoto B10 Plus weighs 1.9kg (4.2lbs), measures 10 x 23.5cm (3.9 x 9.3in) and costs $ 2095 / £1795. For more information see the Profoto website.

    Specification
    Flash power 500Ws
    Flash recycling 0.05-2.5 sec
    Continuous light 2500 lumens
    Battery capacity 200 full power flashes
    75 minutes continuous light
    Total weight 1.9 kg / 4.2 lbs
    Diameter 10cm / 3.9″
    Length 23.5cm / 9.3

    Press release:

    Profoto B10 Plus – More power of small

    With the B10 Plus, shooting on location isn’t about problems, it’s about opportunities.

    Because shooting on location forces you to make choices.

    For the most part, those choices inevitably come down to how much gear to bring and how much gear to leave behind.

    Because if you’re shooting a wedding, for example, you can’t afford for your gear to slow you down. And if the location is remote there’s only so much you can realistically carry. Ultimately, there’s always a compromise.

    Here at Profoto, we’re not big on compromise. That’s what drove us to create the Profoto B10 and now, it’s ever so slightly bigger brother, the Profoto B10 Plus.

    “Like the Profoto B10, the B10 Plus is a seriously small flash.” Commented Göran Marén, Product Manager at Profoto.

    “It’s around the size of a large lens. That means you can fit it in your bag with the rest of your gear and because it’s cordless and lightweight, it’s easy to bring and set up anywhere.”

    Despite its small and lightweight appearance, the Profoto B10 Plus packs a considerable punch. Twice as powerful as the B10 the B10 Plus gives you ten times more light than a speedlight. And the quality of that light is exactly what you’d expect from a Profoto flash; completely natural with a beautifully soft fall off.

    The B10 Plus is also a powerful light that you can use for both stills and video. And lt’s easy to use. A separate dial on the sleek B10 interface allows you to adjust both brightness and color temperature until it blends perfectly with the ambient light.

    “The B10 Plus uses the same stand adapter and battery as the B10” Göran adds, “the stand adapter can be quickly removed allowing you to mount the B10 Plus on any camera tripod. The battery too is just as swiftly replaced, and you can charge it while you’re using it.”

    The ‘no compromise’ approach continues with the huge range of compatible Profoto light-shaping tools. Profoto´s compact and lightweight OCF series is the perfect choice for light shaping on location. If they´re not enough, there are 120 more to choose from in the full Profoto range.

    Controlling the B10 Plus off-camera is, again, easy. You can trigger and control the B10 Plus from any Profoto Air Remote, or from the Profoto A1 or A1X. Remotes are available for all major camera brands.

    And you’ll also benefit from smart connectivity with the Profoto app. With the B10 Plus connected to the Profoto app you can view and control all the settings from your smartphone screen, experience creative capture with your smartphone, and download all the latest updates.

    Ultimately, like it’s slightly smaller brother the B10, the B10 Plus is a big light in a small package. And the extra power means the possibilities are enormous.

    Göran concluded. “we call it ‘more power of small.’ Because there are more possibilities to be creative with light in so many more ways. The opportunity to let your imagination run riot on any location.”

    The Profoto B10 Plus; now, there’s no need to compromise.

    Articles: Digital Photography Review (dpreview.com)

  • Tamron says its new SP 35mm F1.4 is ‘its finest lens ever’

    Tamron has released details of a new lens it claims is the finest it has ever produced. Made to celebrate 40 years of the SP range, the SP 35mm F1.4 Di USD will be the ‘embodiment of all the optical technology and manufacturing know-how Tamron has developed to date,’ a sentiment Tamron shared with us in an interview back in April.

    The lens will use 14 elements in 10 groups, including four LD (Low Dispersion) and three GM (Glass Molded Aspherical) lens elements. Tamron notes this combination will limit chromatic aberration and will produce high-resolution across the frame as well as ‘beautiful, appealing background bokeh’.

    The lens will also feature a new coating called BBAR-G2 (Broad-Band Anti-Reflection Generation 2). Tamron says this reduces reflections, minimizes flare and allows it to achieve better levels of contrast. Powering the focus mechanism inside the lens is Tamron’s Ultrasonic Silent Drive, and a new Dynamic Rolling-cam mechanism has been added to reduce the drive load on the main focusing group to allow the large elements to move more quickly in all operating conditions.

    The lens will be available in Nikon F mount first at the end of June, and then for Canon EF at the end of July. It will cost $ 899 / £929.99. it’s available to pre-order from both Adorama and B&H.

    Press release:

    The “ultimate” lens to commemorate the 40th anniversary of Tamron SP Series lenses

    Fast fixed focal SP 35mm F/1.4 Di USD (Model F045) that boldly demonstrates
    Tamron’s lens-making expertise.

    Tamron launches the finest lens in its history with the new fixed focal lens, the SP 35mm F/1.4 Di USD (Model F045), for full-frame DSLR cameras.

    Tamron’s SP (Superior Performance) lens series was born in 1979, based on the concept of delivering lenses for taking the perfect picture for those who love photography. This year marks the 40th anniversary of the series. In celebration, Tamron has developed the 35mm F/1.4 (Model F045), the distillation of Tamron’s accumulated lens-making expertise and craftsmanship. This orthodox fixed focal lens, which some consider the most desirable of all interchangeable lenses, is the embodiment of all the optical technology and manufacturing knowhow Tamron has developed to date.

    The 35mm F1.4’s (Model F045) unprecedented high-resolution image quality and beautiful, appealing background bokeh let photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a large F/1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, making it the perfect everyday lens for your creative pursuits. It is ideally suited for nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots.

    Product Development Background

    “To commemorate the 40th Anniversary of Tamron’s renowned SP series lenses that are designed and constructed to deliver the highest levels of performance, we drew upon our accumulated expertise and technologies to create the ‘ultimate lens’ — the Model F045,” said the person responsible for product planning. “Our goal was to achieve high resolution, fidelity of point light source and beautiful bokeh,” he continued. “We deployed existing skills, like our highly regarded knowhow for producing bokeh, and combined them with new innovations like BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating for anti-reflection performance. Today we announce with sincere pride that the Model F045 embodies Tamron’s philosophy for manufacturing and is the finest lens in Tamron’s history.”

    PRODUCT HIGLIGHTS

    1. Consummate image quality across the entire frame from edge-to-edge
    The optical construction (14 elements in 10 groups) leverages the best of Tamron technology and features a generous arrangement of special glass materials including four LD (Low Dispersion) and three GM (Glass Molded Aspherical) lens elements. This combination of components successfully eliminates the effects of chromatic aberrations (which are particularly perilous for high-speed lenses) as well as other optical aberrations to the greatest extent possible. Even at its maximum aperture of F/1.4, high resolution performance is achieved from the center of the frame to the edges, providing superior aberration correction to maintain perfect fidelity of point shapes. The result is ultimate ultra-high image quality. This exceptional optical performance extends to the quality of defocused bokeh areas. With this lens, photographers can capture dramatic images that neatly sculpt their subjects against large and beautifully appealing background bokeh.

    2. Next-generation BBAR-G2 Coating
    To maximize the optical performance and ultra-high image quality of this lens, special measures are in place for optimal correction against ghosting and flare. Tamron has developed BBAR-G2 Coating through continued research into the coating technologies they have developed over many years. This new BBAR-G2 Coating vastly exceeds the performance of the original BBAR (Broad-Band Anti-Reflection) Coating that enjoys a long and well-established reputation in its own right. In addition to minimizing ghosting and flare, BBAR-G2 Coating enables clear images with stunning, unprecedented contrast.

    3. Exceptionally reliable, fast and accurate AF
    The AF drive is equipped with Tamron’s proprietary USD (Ultrasonic Silent Drive). This technology affords an autofocusing system with high speed, precision and quiet operation—even in a large aperture lens, which is typically bigger and heavier. Additionally, thanks to the Dynamic Rolling-cam mechanism that has been newly developed specifically for this lens, Tamron has succeeded in minimizing the drive load placed on the focus lens component. This breakthrough ensures stable AF operating performance and improves reliability even under the harsh shooting conditions of professional use, including high and low temperature extremes. This exceptional lens is also equipped with a Full-Time Manual Focus override system so photographers can instantly make fine adjustments to the point of focus, even when using the AF mode.

    4. Vastly improved highly durable Fluorine Coating
    The front surface of the lens element is coated with a Fluorine Coating based on a newly developed fluorine compound with high water- and oil-repellent properties. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture, and fingerprints, and enabling your important lenses to be continually protected on a long-term basis.

    5. Moisture-Resistant Construction
    Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain to provide Moisture-Resistant Construction. This feature affords an additional layer of protection when shooting outdoors under adverse weather conditions.

    6. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory
    The Model F045 is compatible with the TAMRON TAP-in Console, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update a lens’s firmware as well as customize features including fine adjustments to the AF.

    7. Locking lens hood for precise positioning
    The included lens hood is equipped with a locking mechanism. Being able to reliably attach the hood prevents it from unintentionally shifting position or coming off at the wrong time.

    8. Consistent with Tamron’s sophisticated design concepts
    The smoothly contoured body and the texture of fine details reinforce simple operation and ensure intuitive use. The shape boasts a high-grade feel worthy of a next-generation model that’s packed with advanced technologies. The form snugly houses the internal components, while the carefully finished Luminous Gold brand ring and painstakingly precise construction speak loudly of the extreme high quality of the lens. Combined with the ergonomic switch box shape, highly legible distance-scale window and sturdy metal mount, the lens boasts a finely-finished rugged and functional design.

    Price and Availability
    The SP 35mm F1.4Di USD lens will be available in both Canon and Nikon mounts with a UK Suggested retail price of £929.99.

    It is expected to be available in the UK as follows:
    Nikon mount: End of June 2019
    Canon Mount End of July 2019

    Articles: Digital Photography Review (dpreview.com)

  • Best fixed prime lens buying guide updated with Ricoh GR III, Leica Q2 and Fujifilm XF10

    We’ve updated our ‘best fixed prime lens camera’ buying guide, adding the Leica Q2, Fujifilm XF10 and Ricoh GR III. Despite some solid competition, the Fujifilm X100F remains as our top choices in this category.

    Articles: Digital Photography Review (dpreview.com)

  • Kamlan 50mm F1.1 II sample gallery

    $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8506720848″,”galleryId”:”8506720848″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

    Kamlan has just launched the second version of its 50mm F1.1 lens for cameras with APS-C sensors, and we’ve been able to shoot with a sample copy to get an idea of how it performs.

    Designed with Fujifilm, Sony, Micro Four Thirds and EOS M mounts in mind, this all-metal lens is all-manual and offers plenty of background blur when you want it, at an equivalent focal length of 75mm on the Sony a6500 we tested it on.

    To get more info on the Kamlan 50mm F1.1 II lens, including availability and pricing, check out their Kickstarter.

    Articles: Digital Photography Review (dpreview.com)

  • California will debate a bill amendment changing how photo shoot employees are paid

    Last month, the California Senate unanimously passed Senate Bill 671, which proposes an amendment to the state’s labor law related to ‘print shoot employees.’ Under the change, California would fix a ‘discrepancy in payment timelines’ between crew hired for short-term photo shoot work and employees working on a TV or movie production.

    The bill was sponsored by California State Senator Robert Hertzberg, whose office was alerted to the payment timeline discrepancy, according to his press secretary Katie Hanzlik speaking to PDN.

    The proposed amendment revolves around existing California labor law, which requires the majority of short-term workers be classified as employees and receive their full wages on the last day of the job. There’s an exception for employees working on a movie or TV production, however, who receive the wages for their work on the next regularly scheduled payday.

    Under the proposal, the definition of ‘print shoot employee’ is changed from a short-term worker involved with a print shoot to a short-term worker involved with a ‘still image shoot, including film or digital photography, for use in print, digital, or Internet media.’

    The proposed amendment would allow photographers, directors, and other to pay ‘print shoot employees’ their wages on that same timeline, meaning photo shoot crew members will receive their checks on the next regularly scheduled payday like everyone else.

    Under the proposal, the definition of ‘print shoot employee’ is changed from a short-term worker involved with a print shoot to a short-term worker involved with a ‘still image shoot, including film or digital photography, for use in print, digital, or Internet media.’ Photo assistants, stylists, and other crew members involved in a photo shoot would be covered by the change.

    Now that it has passed the California Senate, the bill will be debated by the State Assembly’s Committee on Labor and Employment on June 12. The bill may then be passed on to the Assembly for a vote, potentially being passed into law.

    Articles: Digital Photography Review (dpreview.com)

  • Microsoft releases Raw Image Extension to get raw image previews on Windows 10

    Windows 10 does not ship with native support for previewing raw image files, meaning users can’t view thumbnails or metadata in the Photos app or Windows File Explorer. Microsoft has a solution for photographers in need of this capability, however, and it’s called the Raw Image Extension.

    A screenshot of the download page for Raw Image Extension.

    The Raw Image Extension gives Windows 10 native support for previewing raw file formats from ‘many mid- to high-end digital cameras,’ according to Microsoft. Once installed, both Windows File Explorer and the Photos app in Windows 10 will support displaying thumbnails and metadata for these raw image files.

    The extension is only supported on systems that have installed the Windows 10 May 2019 Update version 1903. Microsoft utilized the libraw open source project for this extension; a full list of supported formats is available here.

    Articles: Digital Photography Review (dpreview.com)

  • How Journal Writing Improves Your Photography

    The post How Journal Writing Improves Your Photography appeared first on Digital Photography School. It was authored by Mat Coker.

    The obvious way to improve your photography is to study photography. But once you’ve had some success with the main principals of photography, you’ll be eager to go deeper and learning more photography principals won’t get you there. Rather than piling on more and more knowledge, you first need to go deeper with what you’ve already got.

    journal writing for photographers

    Use journal writing to pull yourself out of a rut as a photographer.

    Journal writing is the best way to go deeper with your photography. Through journal writing you discover what you’re actually struggling with, hone your creative vision, and measure your growth over time.

    Great minds throughout history have kept a journal of some sort. A journal is like a laboratory where you can get messy with your thoughts, vision, and creativity. You can work things out in the pages of your journal and bring them to life in the real world.

    Journal writing will take you into a deeper creative mindset, helping you do far more with those photography skills you’ve learned. The problem is that many photographers aren’t sure what to write in their journal.

    Here are several ways to use your journal to achieve deeper creativity with photography:

    1. Don’t worry about writing well

    journal writing for photographers

    Allow your journal writing to be a complete wreck.

    If writing well comes easily for you, then go ahead and write well in your journal. But if writing doesn’t come easily for you, do not try to write well.

    You’re not writing for the sake of writing well, you’re writing to stir up your creativity and improve your photography.

    “There are a thousand thoughts lying within a man that he does not know till he takes up the pen to write.” – William Makepeace Thackeray

    2. Write to get out of ruts

    As photographers, we find ourselves in a rut every now and then. We become dissatisfied with our photography, our photos don’t excite us anymore, and we begin to hate picking up the camera. If this hasn’t hit you yet, be ready. It seems to come out of nowhere, and can be devastating.

    Ruts will cause you to quit unless you figure out how to get out of them. Your journal is the perfect place to do that.

    At first, it will be difficult to be honest with yourself as you write. You’re always hiding what you really think from other people, and it’s rare that you actually go deep into your own thought process. But you need to be honest in order to get yourself out of a rut.

    I hit a rut a couple of years ago and discovered these things about myself through journal writing:

    • I have no vision
    • Photos I love the most feel raw
    • I wish I could be a kid with a camera again
    • The idea behind a photo is more interesting than the photo itself
    • I’m so awkward when it comes to people
    • Chaotic photo sessions are my favorite
    • Unless I’m working, I don’t pick up my camera anymore
    • The things that used to excite me don’t
    • I don’t know what to say about my photos
    • Do I hate photography?

    As negative as many of those thoughts sound, I learned a lot from them.

    I learned that I love to explore the world with my camera. There is joy in finding a chaotic scene, looking for patterns, and then bringing some order or beauty to the scene through my photos.

    Sometimes you have negative feelings for different reasons than you think. I didn’t actually hate photography, I just had blocks that I didn’t know how to get past. Once I got things out on paper, I could see what was standing in my way.

    In the middle of my photography rut, I took a camping trip with friends. I decided to just follow the kids around and join in the play with my camera. Being able to do whatever I want, even exploring crazy ideas, seemed to make all that frustration and hatred of photography melt away.

    simplicity in photography

    To me, simple things like kids eating dirt are a joy to photograph. I included the whole door of the trailer to make him look smaller.

     

    I came in close to see that he is covered in mud.

     

    Finally, I pulled back and dropped to a lower angle to make the shoe mat part of the scene.

    If there is something that really bugs you about your photography, or you have a vague sense of disappointment in your work, writing in your journal will help you identify your specific frustrations.

    3. Track your improvement

    If you don’t track your improvement, you will have no idea how you’re doing.

    When you’re tracking a goal, it’s better to measure how far you’ve come rather than how far you have left to go. It can be discouraging to look ahead at how far you still have to go, but encouraging to see how far you’ve already come.

    Tracking your improvement will help you to understand how far you’ve come on your journey. Many people are discouraged simply because they have no way of seeing how far they’ve come. Write it down so that you can see.

    I felt stagnant with my family photo sessions so I began tracking how I felt, what went well, what went wrong and ideas that I had toward improving.

    close-up

    I had in mind Robert Capa’s idea, “if your pictures aren’t good enough, you’re not close enough.” I got as close as I could to that teeter-totter.

    4. Clarify your vision

    “Vision is the art of seeing things invisible.” – Jonathan Swift

    Vision is an aspect of photography that very few people work to develop.

    We can see with our eyes and organize our photo according to the rule of thirds, but how do you see things that are invisible? How do you put invisible things in your photo?

    Writing in my journal helped me to see the invisible things that I already love to photograph.

    Spontaneity, chaos and awkwardness are not things that you can see, though they can be expressed visually. It’s in the fleeting expression that a portrait subject gives, the unpredictable nature of toddlers, even in the ability to push through and photograph a bridezilla well.

    Prior to journaling, I had no vision – after journaling (for a few months) I could finally see. My vision is about bringing order and beauty to raw, chaotic scenarios through my photography

    You can take your photography to new places and new levels once you have vision. You will gain vision when you write about invisible things and can see them in front of you.

    I’m pretty sure you’re not supposed to photograph moments like this. But “accidentally falling into the water” is just the sort of awkward moment I’m after. Anything to get out of a rut.

    5. Quotes

    Keep a list of your favourite photography quotes, they’re likely a clue to who you are as a photographer.

    On improvement

    “Your first 10,000 photographs are your worst.” – Henri Cartier-Bresson

    “If your pictures are not good enough, you are not close enough.” – Robert Capa

    “The eye should learn to listen before it looks.” – Robert Frank

    “I don’t just look at the thing itself or at the reality itself; I look around the edges for those little askew moments – kind of like what makes up our lives – those slightly awkward, lovely moments.” – Keith Carter

    On portraits

    “The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.” – Henri Cartier-Bresson

    “When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!” – Ted Grant

    On the camera

    “The camera is an instrument that teaches people how to see without a camera.” – Dorothea Lange

    “For me, the camera is a sketchbook, an instrument of intuition and spontaneity.” – Henri Cartier-Bresson

    “The camera is an excuse to be someplace you otherwise don’t belong.” – Susan Meiselas

    “Don’t pack up your camera until you’ve left the location.” – Joe McNally

    On the nature of photography

    “I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where I’ve never been.” – Diane Arbus

    “Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” – Diane Arbus

    “The mission of photography is to explain man to man and each man to himself.” – Edward Steichen

    “I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.” – Dorothea Lange

    Your favorite quotes are a clue to who you are as a photographer, and they’ll help you see that you’re not alone in your approach to photography.

    A lovely moment.

     

    photography quote

    A slightly awkward, lovely moments.

    6. Dream up the future

    Dream big in the pages of your journal. While you’re at it, dream too big. After a little while of dreaming too big, you’ll be far more capable of doing those big things you never thought you could before.

    You’re already working through frustrations and tracking your progress toward goals. This means that you’re learning to create the process that helps you achieve those (too) big dreams.

    Maybe you’ve got this wild idea of taking a long trip and documenting your journey. You’ve got yourself fired up within the pages of your journal. But is it realistic in real life? Probably not. Can you afford it? Can you handle it? Not likely.

    Go ahead and feel the frustration of dreaming too big, and having that dream start to fade away. Feel it until you realize it as a deep frustration. Now work through that frustration in your journal. Fight your way to make it real.

    Thanks to my journal, I almost signed the lease on an expensive studio space. But backed out at the last minute. I had dreamed a little too big.

    However, I’ve grown a lot as a photographer since then. I kept working through my frustrations and weak points. One of the problems was that I didn’t have a proper vision for the studio. So I’ve been refining my vision and building a community of amateurs and professionals whom I will share my studio with. I’m building something now that will already be alive and ready for a studio.

    I dreamed too big. But now I’m quickly growing into that dream thanks to my journal.

    7. Don’t write at all

    Your journal isn’t only for words – put sketches in it too. Even if you can’t do it well, a basic sketch can help capture an idea you have for a photo. Don’t be concerned about buying proper pencils and a sketch pad. Just cram everything in your journal.

    You might even consider printing your “sketch photos” to put in your journal. Sketch photos are the photos you take on the way to capturing your final image. Sketch photos are a way of photographing a scene in a variety of ways, making subtle changes until you get your photo just right. Sometimes the process takes a few minutes, but it could take months or years.

    The perfect journal

    Many people will avoid writing until they find the perfect journal. They’re waiting to find a journal that inspires them to write. Perhaps a hand-crafted, leather-bound journal with beautifully textured paper. After purchasing such an exquisite journal, they’re still not able to write. Don’t let this be you. You don’t need a nice journal, you just need to get your thoughts out (get the nice journal later on).

    You don’t need to feel good to journal. In fact, journaling when you feel miserable may be more helpful. Get it out and written down. Confront it, and begin to grow as a photographer.

    The perfect journal is messy, full, and always in use. And it will help you to become a better photographer.

    The post How Journal Writing Improves Your Photography appeared first on Digital Photography School. It was authored by Mat Coker.


    Digital Photography School

  • Atomos’ new Neon monitors/recorders will have 8K/60p ProRes RAW module option

    Atomos has announced Neon, a new lineup of on-set and in-studio 4K HDR monitors/recorders designed for commercial high-resolution HDR capture. At launch, the four monitors in the lineup will be capable of recording 4K video, but a subsequent 8K master control unit will eventually give each of the monitors the ability to record 8K/60p video.

    The Neon lineup consists of four different unit sizes: 17″, 24″, 31″ and 55″ with the following resolutions and pixel densities:

    • 17″ — Full HD (2048px x 1080px, 142ppi)
    • 24″ — 4K DCI (4096px x 2160px, 193ppi)
    • 31″ — 4K DCI (4096px x 2160px, 147ppi)
    • 55″ — 4K UHD (3840px x 2160px, 84ppi)

    According to Atomos’ press release, each of the units were designed to serve a specific role in the monitoring and recording of footage:

    ‘[The] 17in is for focus pullers and as an on-set buddy reference monitor for laptops. The 24in and 31in is perfect for the video village, DIT, cinematographer, editor, director and a reference monitor for an iMac or Mac Pro. The 55in is a must have for clients, showrooms and color graders.’

    An illustration from Atomos’ website showing how the different units could be used in a production environment to monitor and record video.

    Unlike previous Atomos units, the Neon lineup drops the touchscreen in favor of remote control via Atomos iOS app. The app will be able to control up to 1,000+ units at once via Bluetooth (each of the Neon units will communicate using sub-gigahertz RF with a range of 200m/656ft) and will provide real-time tools like focus peaking, exposure, calibration, zoom, waveform monitor, LUT selection and more from a single device. It will also enable the Neon units to be perfectly synced up with the recorded footage for matching timecode.

    With the default 4K master control unit, the monitors support up to DCI 4K input and display the image with 10-bit DCI-P3 color, 1000 cd/m² brightness and a 1,000,000:1 contrast ratio. When recording the units can capture ProRes, ProRes RAW, Avid DNx and Cinema DNG formats up to 4K/60p using 2.5″ HDD or SSD media with Master Caddy II or AtomX SSDmini adapters, neither of which are included.

    The Neon units feature HDMI 2.0b in/out connections, two mic/line input, one 3.5mm headphone output and come with Atomos’ SDI Expansion Module that offers 12G-SDI in/out.

    The displays are constructed of an aluminum alloy frame with a polycarbonate back plate, while the 17″, 24″ and 31″ Neons will come with their own crush-proof and water-tight travel case. Mounting points on the unit include VESA mounts, feet for placing on the ground or desk and ARRI-standard edge mounting points.

    To ensure the units are future-proof, Atomos has also announced an 8K Master Control Unit that will allow for recording and monitoring of 8K/60p video with support for both ProRes and ProRes RAW straight out of camera, a world first by our records. Additional details are scarce, but Atomos says the 8K Master Control Units are ‘due to hit the market in 2019.’

    The Neon17 and Neon24 units are expected to be available in August 2019 for $ 3,999 and $ 6,499, respectively. The Neon31 and Neon55 units are set to ship September 2018 for $ 7,999 and $ 16,999, respectively.

    It’s safe to say these units aren’t for your run-and-gun shooters or even mid-level commercial work. These are full-fledged units designed for the most high-level operations and the most discerning eyes—and that doesn’t come cheap.

    Articles: Digital Photography Review (dpreview.com)

  • What is the Purpose of Your Photography?

    The post What is the Purpose of Your Photography? appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

    What is the purpose of your photography? Having a good answer to that question, a predetermined purpose, and can help you improve your photography.

    © Kevin Landwer-Johan

    For professional photographers, hopefully the answer will be straight forward. Whether the focus is on commercial, wedding, editorial or any other genre of photography. To provide your clients with the best images you can should be the ideal.

    Hobbyists and part-time photographers may find it more difficult to answer the question. Having a clear idea in mind as to why you take photographs helps you develop your skills more succinctly. If the ‘why’ drives you, your photos will be more impactful and memorable to those who see them.

    © Kevin Landwer-Johan

    How having purpose can help you improve

    Concentrate on a goal, and you are more likely to get somewhere. Taking photos and having no real purpose for them can lead to discouragement or, at best, very slow growth.

    Setting yourself goals to attain, and even a time frame to work in, will stimulate your imagination. When you have an objective, you will think differently about what you now want to achieve. Ambling along will no longer be so satisfying.

    Learning will become more a part of your photography experience unless you’ve set your sights too low. Endeavoring to reach your goals should not be too easy. Pushing beyond what you are used to doing will mean you have to pick up some new skills.

    © Kevin Landwer-Johan

    Stock photography challenge

    Once you know where you are headed, you will discover what you most need to learn to get you there. If, for instance, you decide to sign up with a stock photo agency as a contributor, you’ll need to learn:

    • Which agencies are worth signing up for
    • The agency requirements for photos
    • What style of photos each agency wants
    • How the best contributors make a living from their photography
    • Post-processing skills to meet the quality level

    These things may not seem directly related to learning or growing as a photographer. Ask any number of successful stock photographers, and many will tell you they learned so much more of their craft after signing up. Also, good agencies have standards way higher than most casual photographers attain. Learning to reach these standards is a practical way to improve your photography.

    © Kevin Landwer-Johan

    Social media attention

    Maybe you just want your images to stand out more on Pinterest or Instagram. Whatever your preferred social media platform is, there’s tons of competition. Being motivated to gain more likes and shares is not a bad thing. Especially when it means you have to up your photography skills to do it.

    Learning from those who are already high achievers can help. Find some whose photos you admire and study them. You need a concentrated focus on what you want to achieve.  Without it, you can become easily overwhelmed by all the good, (and not so good) photos in your social media feeds.

    Set yourself goals. Be realistic about the numbers you want to attain. Focus your attention on discovering what you need to do to accomplish what you want. What camera skills need upgrades to make your photos more attractive?

    For example, if your main subject is food or still life learn more about:

    • Simple lighting setups
    • Graphic design within photos
    • Color combinations that work well
    • Lens choice and how it affects your subject

    If you photograph people, learn to draw out more interesting responses from them. This is not a camera related skill, but it’s mandatory in taking great portraits.

    © Kevin Landwer-Johan

    Part timer – weddings, portraits, etc.

    Is your focus is on making some money by selling your services to others? Keep your client’s needs in mind. Don’t be so full of your own ego that you don’t provide them with a service they want.

    Have a clear direction you want to head in. This is healthy, but it must include your clients’ requirements first. After all, you are offering them a service, and what good will it be to them if it’s not what they’d hoped for?

    You may need to improve your communication skills. Learn to make yourself clearly understood. This is as important as listening carefully to your potential clients.

    Again, these are not camera skills, but learning them well will certainly make you a better photographer. Your goal should be to make photos you are happy with and your clients will love. It’s no good just to satisfy yourself.

    © Kevin Landwer-Johan

    Photographs for your own enjoyment

    Of course, you may enjoy taking photographs for your own pleasure. If you’re not interested in making a little extra cash or sharing on social, having a purpose will still help you.

    Setting yourself short, medium, and long term goals will help you grow and achieve more. Even if you’re not willing to share your photos with anyone else, having something to aim for in your picture taking will help build your skills.

    Self assignments are a practical means of helping you grow and reach your objectives. Choose a topic that you love or want to learn more about. Pick anything that will hold your interest over a longer period of time.

    Plan how long you will make the project and what results you want from it. Remain flexible to lengthen it if you are really enjoying the process and experiencing growth because of it.

    As you work on your project, make sure to edit your photos as well. Don’t keep everything. Choose the best and place them in a separate folder. This way you are not looking through all your images, just the ones you like the most.

    Study them. Ask yourself why you find these ones better than the others. Compare them. Think about how you can make improvements to your photos and go back to take them again if you can.

    © Kevin Landwer-Johan

    Conclusion

    Build some structure and have purpose for the photographs. Doing this will increase your satisfaction levels. You will experience more steady learning of new skills and improvement of existing ones. You will enjoy using your camera more because you will be taking better photos.

    Which of these ideas can you implement to help you have more purpose for the photographs you are making?

     

    The post What is the Purpose of Your Photography? appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


    Digital Photography School

  • Xiaomi provides more information about under-screen front camera technology

    Earlier this week smartphone manufacturers OPPO and Xiaomi both teased under-screen front-cameras that would allow for the design of ‘notch-less’ devices with uninterrupted edge-to-edge displays.

    Xiaomi Senior VP followed up with several tweeted slides that provided some additional information about the technology. According to the slides the display area covering the front camera is capable of turning transparent when the camera is activated, allowing for light to pass and hit the lens and sensor, but looks and works normally when the front shooter is not in use.

    To achieve this, Xiaomi is using a using ‘special-low-reflective glass with high transmittance’. The company claims the technology can capture better images than the pinhole solutions we have seen previously although OPPO VP Brian Shen stated that the technology was still new and ‘there’s bound to be some loss in optical quality.’

    The slides also hint at a 20MP camera hidden under the display but at this point we don’t know which new model the technology could be implemented in. Given the current buzz around the subject it likely won’t be too long before we find out, however.

    Articles: Digital Photography Review (dpreview.com)