Blog

  • Control Flare from Sun, Rim Lights with a Shoot-Thru Gobo


    Just a quickie today on the whys and whens of using a single, small shoot-thru shade to completely control contrast-killing glare when shooting into backlight. Read more »


    Strobist

  • Timelapse photography tips from start to end

    Download Timelapse template: lightroom-blog.com Everything you need to know to get started in shooting and creating timelapse videos using a DSLR digital camera and Lightroom 3. Gavin Hoey www.gavtrain.com passes on timelapse photography tips and tricks before moving into Lightroom 3 to edit and create the finished time lapse video. Follow me on Twitter twitter.com Facebook: www.facebook.com Website: www.gavtrain.com
    Video Rating: 4 / 5

  • Dan Chung speaks to Canon’s Chuck Westfall about 4K Cinema EOS cameras

    Chung.jpg

    DSLRnewsshooter’s Dan Chung has been speaking to Canon USA Technical Advisor Chuck Westfall for more details about the company’s 4K Cinema EOS offerings. Both the 500C and 1D C are skewed towards cinema and high-end television production, rather than documentary and news work, Westfall says, but hints that ‘peaking’ and ‘zebra’ focusing aids could be added to the 1D C if the market demands it.

    News: Digital Photography Review (dpreview.com)

  • Microsoft Word 2010 – W0rds w8th Numbers Pass the S0ellchecker!

    Prevent potentially embarrassing mistakes by turning off a Microsoft Word spell check “feature”

    5his s3ntence c0mpletely pass3s the sp3llchecker in M8crosoft W0rd…

    That’s right – type the above sentence in Microsoft Word 2010 and note that none of the ‘words’ contain red squiggles underneath. That’s because Word’s spell checker, by default, ignores any words containing numbers. …

    Read more at MalekTips.
    New Computer and Technology Help and Tips – MalekTips.Com

  • Dipayan Bhattacharjee: Human Rights

    A man crossing one of the busiest streets in the city with a load on his back which he has to deliver at a shop on the opposite side of the street, and that probably weighs ten times more than his own weight.

    I was out on the streets trying to get a subject to shoot for an exhibition on “Human Rights”. It would be unfair if I took all the credit for this image. It so happened that I was looking in exactly the opposite direction from this subject when all of a sudden a friend of mine who was accompanying me in the shoot, pointed her hand right over my shoulder (reaching behind me) and shouted “human rights! human rights!” I immediately turned back and saw what I saw and a part of what you are seeing right now. I barely had the time to make any adjustments on the camera (luckily I had done that before). I just raised the camera to my eye and in less than a second I had released the shutter and the moment had also passed away. Would I be a milli-second late, I could have never got this shot. Because just as I pressed the shutter and even before I could remove my eye from the viewfinder, a big car went past right across my frame, and by the time the traffic emptied out, the person had already crossed the street.

    Now about this person, it would be very unfair to say that he is doing it because he can. No! He is doing it because he has to. So that he can feed his family. Employment is a major problem in India, and so people literally do/have to do anything to earn a meal. But we can clearly see that the job this person is doing is inhuman. The smallest mistake and he could get crushed under the weight. Or maybe even run-over by a car.

    Dipayan Bhattacharjee is a passionate Street & Portrait Photographer who loves to show posed beauty as well as candid truth.

    Website: http://50mmstreettog.blogspot.com/
    Flickr: http://www.flickr.com/photos/xedmundian

    dslrBlog

  • 645 PRO app for iPhone offers access to uncompressed camera output (but not Raw)

    Jaggr.jpg

    App developer Jag.gr has launched 645 PRO, a flexible photography and processing app that provides access to the uncompressed output of the iPhone’s camera. The company grabs the processed camera output before the phone compresses it, and saves it as a TIFF file. These files, which it slightly optimistically calls ‘Developed Raw,’ can then be accessed via iTunes. The app also offers a series of features such as spot metering and exposure, focus and white balance lock, as well as a series of film simulation options and aspect ratio options, but it’s the uncompressed output that is, as far as we are aware, unique.

    News: Digital Photography Review (dpreview.com)

  • Photoshop Elements Magic Eraser Tool

    www.essential-photoshop-elements.com Magic Eraser Tool in Photoshop Elements works like the Magic Wand Tool except it removes a photo’s background and changes it to transparent.

  • Nursery Rhymes – Three Blind Mice

    Kids always love mice and this poem will be their favourite soon. To watch more entertaining and educating videos on animation stories nursery rhymes learning series and school poems SUBSCRIBE NOW at www.youtube.com . To watch more kids animation videos in high quality log onto www.youtube.com
    Video Rating: 5 / 5

  • Diving at ElQuseir in 3D

    Diving at ElQuseir in Egypt/ RedSea – using the DuoDive housing for 2* Sony camcorders. Cameras used: 2* HDR-CX550V – edited using Sony Vegas 10 Note: the floating windows work only correct in full screen mode (if you have a black monitor) since floating windows use black color. Audio is licensed! A BluRay 3D version will be available soon NOTE: the BluRay 3D version is available NOW! – you can order the BD3D (30 min running time – more scenes than in this short demo and betterpicture quality than shown here due to additional stabilization) Link to the shop to order the BD3D ‘Diving at El Quseir’: www.hgvt.de price: EUR 19,99 + shipping – shipping worldwide possible (for customers outside the EU price is only EUR 16,80 + shipping)

    3D Tutorial – Convert 2D to 3D with Adobe After Effects – Part Three A – Displacement Mapping This is part three A of a series of Adobe After Effects Tutorials on converting 2D footage to Stereoscopic 3-D with Adobe After Effects. This tutorial covers conversion based on a displacement mapping technique. FREEStereoscopic 3D Birthday Cards, 3D Stock Video and other 3D goodies can be downloaded from enhanced-dimensions.com/wordpress For more info on Enhanced Dimensions: Contact us on 3d@enhanced-dimensions.com +++++++++++++++++++++++++++++++++++ The Stereoscopic 3D Channel on Vimeo vimeo.com/channels/stereoscopic3d The Stereoscopic 3D Channel TESTBED on Vimeo vimeo.com/groups/steroscopic3dchanneltestbed +++++++++++++++++++++++++++++++++++ Built and tested in Adobe After Effects to be viewed with Red Cyan 3D Glasses (Red Blue 3D Glasses). A 3D Stereoscopic Production for Enhanced Dimensions by Andrew Murchie. For details of our FREE 3D Glasses offer please visit our website.
    Video Rating: 4 / 5

  • ?sparta,yalvaç,hüyüklü,ayazmana

    ?sparta,yalvaç,hüyüklü,ayazmana
    Video Rating: 5 / 5

    This is a unboxing and first look of the Nikon Nikkor 50mm D 1.4f lens. This is lens is great for portrait pictures and low light shots. The AF-Nikkor 50mm 1:1.4D is Nikon’s current version of their fast ‘standard’ prime lens, and while this specific model was introduced in 1995, the basic optical design dates back to the manual focus 50mm 1:1.4 AI of 1977. It features a traditional layout of 7 elements in 6 groups utilizing spherical surfaces only, which Nikon claims will deliver distortion-free images with superb resolution and colour accuracy, plus high contrast even at maximum aperture. The 50mm focal length classes it as a ‘standard’ lens on the FX format, with none of the ‘perspective distortion’ characteristic of wideangle or telephoto lenses, whilst on the vastly more popular and widespread DX format it behaves like a short telephoto, ideal for portraiture. The 50mm 1:1.4 is one of the older lenses in Nikon’s lineup, and this is reflected in several aspects of its design. The lens features a traditional aperture ring, which will no doubt be appreciated by photographers who grew up with mechanical manual-focus 35mm SLRs such as the FM range (although the only DSLRs on which it can actually be used are the high-end D1-D3 and D100-D700 bodies); however autofocus is ‘screw-drive’ from the camera body, and therefore won’t work on the entry-level D40, D40xThe 50mm 1:1.4 is one of the older lenses in Nikon’s lineup, and this is reflected in several aspects of its design