Our guide to the best lenses for Sony APS-C and full-frame mirrorless cameras has been updated to include recommendations for portrait shooters.
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How to Keep Your Photographic Muscles Flexing During the Times of Isolation
The post How to Keep Your Photographic Muscles Flexing During the Times of Isolation appeared first on Digital Photography School. It was authored by Ana Mireles.

We’re currently facing challenges that most of us haven’t faced before. How do you keep photographing when you can’t visit interesting locations or meet your models? Here are some ideas for you to exercise your photographic muscles during this time of isolation.

1/13 sec. f/8; ISO 800 According to where you live, you may be more or less constrained regarding your travel distances. Maybe the problem is not even reaching an adventurous place but you can’t even get to your studio. Whichever is your case, these ideas are meant for you to keep photographing with minimum resources.
Get smart
If you happen to be in insolation and unable to reach your equipment, maybe it’s time for you to go into mobile phone photography, if you haven’t done so already. Smartphones today have multiple cameras, a wide range of focal lengths and super-high resolution. This is not to say that you can’t do great things with lower-range devices.
The device itself is only one part of the equation, then you can go into the huge variety of apps you’ll find on the market. There’s one for every need and budget. Firstly, you can use a camera app to control the settings of the camera, and then other ones for post-production.

I took this image with a Sony Xperia Z3 using the default camera app. In this example, you see the original photo on the left made with a very basic (and old) device.
The middle image is a version processed for Instagram. I used ‘A Color Story’; an app that has some basic retouching tools, sets of filters constantly updating according to the trends, and a grid to schedule your feed.
In the image on the right, I used the Photoshop app for normal post-production as I would have done on my computer. I cropped and fixed the perspective, and also did some fine-tuning of the exposure. You can sync it up with your Adobe CC account or you can use a lighter version for free if you are not subscribed.
Self-portrait
If you’re housebound and you live alone, you can use yourself as a subject.
If you’re a portrait photographer, this can keep you going while gaining insight into what it feels like to be on the other side of the lens. However, if you’re not used to doing portraits, this is your chance to experiment with new types of photography. If you’re shy, you can go abstract or conceptual; so no excuses – keep photographing!
I decided to go with a creative collage.

You don’t have a problem getting models? Still, these times are giving everybody the extra push into boosting their online presence. A self-portrait may be just the thing you need to build your brand identity.
Look back
Photography is not just about the shooting, it starts with the idea and planning. Then it continues during development and post-production.
So, to keep photographing, you can also work on the other steps in the process. If you have your hard drive with you, or have your work in the cloud, use this time to dive into your old photographs to do any of these exercises:
- Catch up with all the editing, cleaning and back-ups that you just haven’t had the time to do until now.
- Do a self-reflection exercise by reviewing your work. There’s a lot that you can learn and improve while looking at the evolution of your projects and techniques. Find your style and what drives you. If it helps, start writing down your thoughts.
- Save an old photo. We all have one (or more) photos that didn’t really come together in-camera, but we couldn’t bring ourselves to delete. Maybe you have some new skills that can improve it? Perhaps you just have a new take on it that you didn’t see before? Maybe it still won’t be great, but it will surely serve as practice.

1/1600 sec; f/5,0; ISO 400 Post-processing
Use this time to improve and experiment with your digital darkroom skills by processing old files.
Another choice is to download images from the web and practice on them. If you’re not buying them from a stock photo website, then remember to keep an eye on the copyright so that you’re not breaking any laws. Some good free stock sites are Unsplash and Pexels.

1/50 sec. f/8; ISO 1250 Processed with the wet-plate filter from the NIK Collection For inspiration, you can check out many of the DPS tutorials on basic and creative post-processing.
DIY
I’ve always been a fan of DIY even when I’m not facing any specific limitations. I think that doing things yourself can make you fully understand how they work. Anyway, regardless of one’s philosophy, now we’re facing some difficulties in mobility, availability, and maybe even budget.
If you haven’t done it yet, it’s time for you to try some DIY. Luckily here at DPS, you can find many tutorials on the subject.
If you’re limited in lightning you can try:
Creating Effective DIY Studio Lighting with Household Items.
DIY Flash and Lighting Hacks for Digital Photographers.If you’re missing your accessories:
How to Use Ordinary Items to Make DIY Photo Filters.
How to Make a DIY Lens Hood to Eliminate Lens Flare.If you’re lacking props and backgrounds:
DIY Food Photography Props on a Budget.
DIY Lighting and Background Accessories for the Budget Conscious Photographer.If you just want to have fun and try something new:
DIY: How to Create a Coffee-Stained Texture for Aging Images in Photoshop.
DIY Photography: How to Make Your Own DIY Lightstick for Cool Photos.Conclusion
Being isolated doesn’t mean that you have to stop doing the things you love. Keep in mind that you’re not alone. Share in the comments section, your exercises and ideas so we can support each other as a community of photographers. And, also share any of your images as a result of trying any of these exercises. We’d love to see them.
The post How to Keep Your Photographic Muscles Flexing During the Times of Isolation appeared first on Digital Photography School. It was authored by Ana Mireles.
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How to Easily Make Images ‘Pop’ with these Luminar 4 Tips
The post How to Easily Make Images ‘Pop’ with these Luminar 4 Tips appeared first on Digital Photography School. It was authored by Christian Hoiberg.

Luminar 4 has become a popular photo-editor since it’s release, partly due to it’s groundbreaking AI tools used to replace skies, introduce elements or give an overall ‘pop’ to your image. However, these Luminar 4 tips go beyond the AI tools and teach you how to quickly make your images look more impressive.
In this article, I want to show you how we can transform this rather ordinary sunset panorama into something more visually pleasing that’s sure to grab people’s attention.

The original raw file we’re going to work on To avoid making this too complicated, I’m going to avoid using layers and masks and instead show you a series of very basic tips that you can immediately implement into your workflow.
Let’s get started and dive into these Luminar 4 tips:
1. Use AI only when needed
While Luminar 4 has become widely known due to its Artificial Intelligence tools such as the AI Sky Replacement Tool and AI Augmented Reality Tool, you should avoid using them for every image.
These types of composite tools are a very personal choice (there are many opinions on both sides of the discussion, but I don’t want to delve into that now), but there’s no secret that it’s an easy way to make a boring photo interesting.
If you’ve got a boring blue sky, you can easily replace it with a more colorful or dramatic one. This can be fun and useful at times, but I strongly recommend that you avoid replacing the sky or introducing elements to it all the time.
Most images simply don’t need to be worked on in such a way. Most of the time, it ends up looking more distracting than attractive.

Use the AI Augmented Reality Tool only when needed – it won’t always look good For example, using the AI Augmented Reality Tool to introduce a flock of birds or a rainbow in the image we’re working on in this article makes no sense. It looks misplaced.
Reserve these tools for particular images only.
2. Don’t forget about the basic adjustments
Playing with the various AI tools, adding sun rays, or dramatic effects can be fun, but don’t forget about the basic raw adjustments; these are crucial for the image and will set the basis for further development.
The basic adjustments I’m talking about can be found in the Light Tools inside the Essentials Category. More specifically, I’m talking about the following sliders:
- Temperature
- Tint
- Exposure
- Highlights
- Shadows
- Whites
- Blacks
To enhance the warm sunset feel and give the image a little more contrast, I increased the Temperature and Tint, darkened the Exposure (as a result of the next adjustments), darkened the Highlights and increased the Shadows, Whites and Blacks.

After applying basic adjustments By applying these few basic adjustments, we’ve introduced some more details in the shadows, increased the contrast, and warmed the image slightly.
3. Correct mistakes using AI Enhance and AI Structure
Now, I said that you should only use AI tools when they’re absolutely needed, but the AI Enhance and AI Structure tools are the exceptions. Unlike the other tools, they don’t add or replace anything. Instead, they use Artificial Intelligence to ‘correct’ the image.
I’ve always been a skeptic of these types of automatic tools (I still have nightmares about the good ol’ Photomatix days), but these two have proved me wrong. AI can have a place in photo editing.
Don’t get me wrong – pulling too much in these sliders is going to make the image look overly edited. But applied at a lower amount, they can add a lot to it.

After applying AI Enhance and AI Structure For this example, I applied them with the following settings:
- AI Accent (AI Enhance): +9
- AI Sky Enhancer (AI Enhance): +20
- AI Structure Amount: +19
As you can see, these adjustments have made the sky and image ‘pop’ a little more than previously. The nice part about these tools is that they don’t add any unwanted noise or grain to the image.
4. Add a vignette
A vignette is commonly used to shift the focus of an image towards its more interesting parts by darkening the surroundings.
This is a particularly useful tool when the borders of an image are bright. That’s not quite the case in this image, but I do find that darkening the outer areas can help emphasize the setting sun.

Adding a vignette darkens the corners and puts the emphasis on more important aspects I recommend using the Vignette tool with some caution too. Don’t go to the extreme, as that will quickly make the vignette too obvious and distracting.
It’s also a good idea to use the ‘Choose Subject’ button to set the midpoint of the vignette, it won’t always be in the middle! For example, if you’ve got a person standing to the left of the image and they’re the main subject, that should be the middle point.
5. Add a glow (but be careful!)
Techniques such as the Orton Effect is loved by landscape photographers, and it’s a technique that’s been around since the 1980s (created by Michael Orton). This technique can easily be replicated in Luminar 4. In fact, it can be found two places.
The Orton Effect tool is found in the Portrait Tools Category. By placing it here, Skylum has made it clear that this particular effect is mostly meant for portraits.
For other genres of photography, you can use the Glow Tool found in the Creative Tools Category. This tool introduces a nice soft glow to the image that can help give that much desired ‘dreamy’ atmosphere.

The image after using the Glow Tool BUT don’t go all-out and apply this technique at a high amount. That’s going to look more distracting than appealing and will make the image look amateurish.
Instead, apply this at a low amount. If you’re feeling brave and have some knowledge about Luminar 4, this is a technique that’s best added through a mask.
6. Midtone contrast is your friend!
For years I’ve been using Luminosity Masks in Photoshop to introduce Midtones Contrast. However, in Luminar 4, it’s done with a simple slider found inside the Advanced Contrast tool in the Professional Category.
The problem with adding contrast to the entire image is that you essentially brighten the brightest parts and darken the darkest. This quickly results in clipping of the shadows and highlights.

Applying the Midtones contrast is more efficient than adding contrast globally By introducing contrast to the midtones only (i.e. any pixel that’s neither bright nor dark), you avoid this problem and get a much more desirable result.
This is one of my most important Luminar 4 Tips that will make your image pop. Go try it for yourself!
7. Adjust the focus by using the Adjustable Gradient Tool
The final tip I’m going to share in this article is one that’s not necessary for this particular image. It’s something that’s going to do wonders in the majority of your images. Use the Adjustable Gradient Tool to shift the focus in your image.
Very often, I find the foreground or sky to be too distracting in images. There’s no reason why a foreground should be as bright and sharp as the main subject of the image. Remember, our eyes naturally gravitate towards the brightest parts, which is where you want the main subject to be.
The Adjustable Gradient Tool is an easy solution that even complete Luminar beginners can take advantage of (there are more advanced methods that are superior, but I’ll save that for another time).
You can switch between the Top and Bottom gradient and choose the gradient’s orientation in order to better fit your image. It’s possible to add adjustments to both the top and bottom at the same time.

I used the Adjustable Gradient to darken the foreground and shift the focus upwards For this example, I only applied adjustments to the Bottom as I wanted to remove some details in the rocks visible in the lower part of the image. All I did was increase the Exposure, Highlights and Vibrance.
This tool is also used to darken/recover a bright sky. For those scenarios, simply choose Top and increase the Exposure or Shadows.
Conclusion
The truth is, you don’t need to spend hours upon hours editing your images to make them look impressive. Applying a few simple adjustments can often be enough to give that extra pop.
In the 7 Luminar 4 tips shared above, we’ve managed to take an ordinary sunset image and make it slightly more appealing:

Original Image 
Final Image I hope that you found these Luminar 4 tips useful and that you can apply these techniques and tools into your workflow. I would love to see the images you’ve edited, so make sure to leave them in the comments below!
Make sure to have a look at my popular eBook ‘A Photographer’s Guide to Luminar 4′ if you’d like to learn how you can take full advantage of all the organizing and processing tools and create professional-looking images with this popular photo editor. There, you’ll learn everything you need to know about organizing and editing, as well as receive several step-by-step workflows you can use for yourself.
The post How to Easily Make Images ‘Pop’ with these Luminar 4 Tips appeared first on Digital Photography School. It was authored by Christian Hoiberg.
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White House photographer Pete Souza shows off what gear is in his bag

Pete Souza, the former Chief Official White House Photographer for U.S. Presidents Ronald Reagan and Barack Obama, has taken to Instagram to show off what camera gear he uses for his work.
Throughout the 12-minute video, he details his equipment of choice and shows off images captured with nearly every camera and lens he mentions. Along the way, he also shares a number of anecdotes from over the years, regarding how his style and approach has changed as camera technology continues to progress.
Despite the fascinating video of his most-used equipment, Souza prefaces it by explaining the camera and lenses are simply tools to get the job done, likening them to a trio of screwdrivers; ‘They all work equally well […] I don’t know what brand or model [the screwdrivers] are. You just have to make a decision yourself on what kind of equipment to use.’
View this post on InstagramInfo on what tools I used at the White House.
You can find more of Souza’s work on his website, as well as the archived White House Flickr account that shows more than 6,600 images captured during his time as Obama’s official photographer.
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These are the best lenses for Nikon DSLR portrait shooters
We think that the Nikon 50mm F1.4G and 85mm F1.4G are great all-around picks for APS-C and full-frame Nikon DSLR portrait shooters, respectively. Read on for more recommendations and all of our top lens picks for these systems.
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Things Photographers Will Do For The Perfect Shot (video)
The post Things Photographers Will Do For The Perfect Shot (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.
With everything happening in the world at the moment, I thought we could all do with a bit of a laugh. So, I found this video that shows some of the crazy things (and poses) that photographers do to get the perfect shot.
So take a look, and let me know if you have done any of these “moves” to get just the right shot. Let’s face it, most of us will have at least done one of them!
Share with us in the comments section, along with the photo you achieved from your position.
You may also like:
- Why Using Ant’s View Perspective Can Take Your Photography to the Next Level
- Prime Lenses: Can you really zoom with your feet?
- Examples of Perspective Change for More Dynamic Images
- Perspective in Photography – Don’t just stand there move your feet!
- 5 Great Yoga Exercises for Photographers (with Illustrations)
- Change of Perspective in Photography – Start from the Top
- How to Improve Your Photography by Changing Perspective
The post Things Photographers Will Do For The Perfect Shot (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.
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Sigma 24-70mm F2.8 DG DN Art sample gallery
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Our team at DPReview TV just finished reviewing Sigma’s newest 24-70mm F2.8 lens and they found a lot to like. Check out these sample photos captured while filming their review.
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DPReview TV: Sigma 24-70mm F2.8 DG DN Art review
The Sigma 24-70mm F2.8 DG DN lives up to Sigma’s ‘Art’ standard, giving first-party lenses for E-mount and L-mount a run for their money. We put it to the test and came out impressed.
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
- Introduction
- Sample images
- Design and handling
- Autofocus
- Distortion
- Macro
- Video
- Chromatic aberration
- Bokeh
- Sharpness
- For Sony E-mount users
- For Panasonic/Leica/Sigma L-mount users
- Conclusion
Sample Gallery from this episode
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Articles: Digital Photography Review (dpreview.com) -
Update on the rankings from our recent ‘Microphone pre-amp shootout’
Following our recent microphone pre-amp shootout there was a lot of controversy surrounding the results from the Sony a7 III, so our team went to work.
Alex, our audio engineer, repeated his tests on a second Sony a7 III body. Using the same Zaxcom URX100 receiver ($ 900) he repeated his original test and got the same result as the first time. In an effort to rule out the Zaxcom as a potential source of error, he repeated the test with a second URX100 and once again got the same result.
Alex then repeated the test using a Rode VideoMic Pro + ($ 300) and saw similar results. However, when he did the test again using a Rode Wireless Go ($ 200) and Rode VideoMic Go ($ 59) the results were noticeably better. He also notes that in response to DPReview’s video, Gerald Undone performed a similar test and saw good results using the Rode VideoMic NTG ($ 250).
How does this affect the rankings from first video? When used with a microphone that pairs well with the camera, Alex placed the Sony a7 III in the #2 position (in a tie with the Panasonic S1H).
Alex’s advice is that if you’re planning to use a particular piece audio gear with the Sony a7 III it’s a good idea to test it first to make sure it works well with the camera.
Finally, Jordan notes that they have seen some inconsistent results from the Nikon Z6 as well. As a result, they’ll be doing some additional tests on that camera to better understand its performance.
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
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Weekly Photography Challenge – Kitchen
The post Weekly Photography Challenge – Kitchen appeared first on Digital Photography School. It was authored by Caz Nowaczyk.
Since we are all stuck indoors, this week’s photography challenge topic is the KITCHEN!

Taken in low light with my phone and some macro filters. An empty tin and the pepper shaker. © Caz Nowaczyk That’s right! Get creative and take some shots of your kitchen. You can use flash or ambient light. Do close-ups of your cutlery draw, tea and coffee canisters, or food in your pantry. Take photos of food preparation and cooking. Photograph the results! Do wide-angle shots of the entire scene too. Blur them out, use intentional camera movement, or whatever you like!
Try creating a series that work together too, if you like.
So, check out these pics to give you some ideas, have fun, and I look forward to seeing what you come up with!

A close-up of my trail mix. Shot with my phone and close-up filters. © Caz Nowaczyk 
A grater and knife handle. Try a series and see how they might work together. © Caz Nowaczyk Check out some of the articles below that give you tips on this week’s challenge.
Tips for photographing the KITCHEN
Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.
Share in the dPS Facebook Group
You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.
If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSkitchen to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.
The post Weekly Photography Challenge – Kitchen appeared first on Digital Photography School. It was authored by Caz Nowaczyk.